#HUGH DINI THE MAN THAT YOU ARE !!!!!!!!!!!!!

[tizzymcwizzy]

fanart i made during the production of this post go read it go read it it's really good

[noisemakerreviews]

‘Joker’ Paints An Uncomfortable Picture of Today’s World

Never did I think I’d see the day where I could parallel even the darkest of Batman themes to the world we live in. 

Todd Phillips’ latest blockbuster Joker stars Joaquin Phoenix as the clown prince of crime we all know and love. Phillips’ other films include the Hangover trilogy, but this new film doesn’t have a happy go-lucky trio trying to remember their drunken stupors and find their fourth mate. 

Joker makes the audience laugh, but in a nervous, sort of uncomfortable way. 

At the Venice Film Festival, Joker received an eight-minute standing ovation. 

Reviews poured in following the Italian premiere and they backed up the hype. Mark Hughes of Forbes said, “The fact is, everyone is going to be stunned by what Phoenix accomplishes, because it’s what many thought impossible — a portrayal that matches and potentially exceeds that of The Dark Knight’s Clown Prince of Crime.”

The film opens with Phoenix touching up his makeup in front of a vanity. He hooks his fingers in the corners of his mouth and pulls them upward in a smile, downwards in a frown, then back up again; a single, mascara-stained tears roll down his cheek, and laughter ensues. 

Phoenix plays Arthur Fleck, an eccentric man with a funny laugh and a horrifying past, searching for his identity. The film encapsulates Arthur’s journey with himself and his downward spiral into becoming the Joker.   

There are some prevalent themes within Joker that are worth talking about; the most prevalent being mental health and its effect on people in today’s society. There are several scenes in which Phoenix is sitting in front of his therapist, and she eventually jerks the needle off the record and informs him that the city has cut the clinic’s funding and their meetings must come to an end. The therapist goes on to claim that the higher-ups, “don’t give a shit,” about people like him or her. 

According to the National Survey of Drug Use and Health, in 2016, 9.8 million adults aged 18 or older in the U.S. had a serious mental illness; 2.8 million of those adults were below the poverty line. Insurance companies have also been known to skimp when it comes to mental health cases, which makes it that much harder for people relating to Arthur to seek help. According to a study published by Milliman, in 2015, behavioral care was four to six times more likely to be provided out-of-network than medical or surgical care. In President Trump’s proposed 2020 budget, his administration aims to cut $241 billion from Medicaid, an assistance program that provides healthcare to low-income Americans.

Dancing is a symbol that is heavy in Joker. According to a Harvard study, “dance helps reduce stress, increases levels of the feel-good hormone serotonin, and helps develop new neural connections, especially in regions involved in executive function, long-term memory, and spatial recognition.” After especially tense scenes, Arthur begins a slow, emphasized dance routine that is hauntingly beautiful.

 With mental health being such a prevalent theme, Arthur clinging onto dancing as a coping mechanism or escape from the world backs up the analysis that he’s doing it to improve his mental health — or at least attempt to. 

In any Batman rendition — comics, movies, TV shows, video games — Gotham is always on fire… literally. In Joker, we see a bright Gotham in the beginning, with normal big-city crimes happening: teenagers stealing things, muggings, etc. By the end of the film, Arthur has bred chaos in the streets, and we see the imagery of Gotham that has become so prevalent within the Batman universe. In both Arthur and Gotham’s descent into madness, there’s an arc that’s ever present: protesting the elite. 

All around the country, protests have emerged to combat the elite. Most recently, climate change has brought criticism on the world’s elite members and their inability to make a change. In the past, police brutality has created protests in riots from victim’s families and their supporters, calling for change in law enforcement procedures. Countless marches have been held in response to several pieces of legislations passed (abortion laws, Planned Parenthood budget cuts, LGBTQ+ rights). 

“Kill The Rich” is a headline that pops up time and time again throughout the film, feeding into this “protest the elite” arc. Arthur guns down three rich men in the subway following their harassment of a woman and a physical altercation between himself and the men. This sparks a movement within Gotham that empowers Arthur and makes him feel noticed, something he’d never experienced in his life before. Citizens of Gotham supporting this movement don clown masks to imitate the suspect, aka, Arthur. 

Joker has faced its fair share of backlash. Stephanie Zacharek of Time Magazine took no prisoners in her review, stating that Joker, “lionizes and glamorizes Arthur even as it shakes its head, faux-sorrowfully, over his violent behavior.” Other reviews have had similar opinions. In 2012, a mass shooting broke out at a Colorado movie theatre during The Dark Knight Rises premiere. The assailant fatally shot 12 people. Family members of the slain victims wrote a letter to Warner Bros. expressing their concerns. 

Sandy Phillips, mother to 24-year-old victim Jessica Ghawi, told The Hollywood Reporter, “I don't need to see a picture of [the gunman]; I just need to see a Joker promo and I see a picture of the killer … My worry is that one person who may be out there — and who knows if it is just one — who is on the edge, who is wanting to be a mass shooter, may be encouraged by this movie. And that terrifies me.”

In what is perhaps its most iconic scene, Arthur eccentrically dances down the stairs that we see him trudge up throughout the film. This is also the first time we see him in that iconic purple suit, green hair, and a full face of makeup. He is dancing to Gary Glitter’s “Rock and Roll Part Two,” which has earned the film more backlash. Gary Glitter is a convicted pedophile currently serving a 16-year prison sentence. According to CNBC, Glitter is allegedly slated to receive royalties from the use of his song in the movie. 

People took to Twitter to post their opinions about the film. One user tweeted, “#JokerMovie was the most brutal, uncomfortable and tense movie experience I’ve had in a long time. Joaquin Phoenix is chilling. The film was spot on and did everything it should have for a character like the Joker.”

Another user tweeted, “Outstandingly Disturbing. Prolific. Necessary Blessing to Modern Cinema.”

As much as I enjoyed the film’s premise, production, and Phoenix’s performance, I do think there are some troubling themes that need to be brought up. Arthur often justifies his heinous actions by stating “they deserved it” and using the defense that society treats “people like him” like “trash” so, they should all die. He feeds into the “Kill The Rich” movement that he involuntarily created in the subway when he committed what we presume to be his first murder(s). 

Though I know the concept behind the Joker character, I can see how this can be construed as glorifying gun violence. However, we can’t have the Gotham supervillain without violence and guns. It’s an accurate representation of the character, and it’s unfortunate that it parallels a lot of what’s going on in the world today. 

The Joker is also painted to incite pity within viewers, which a lot of times, it does --- or at least attempts to. This is classic Joker behavior. In Paul Dini and Bruce Timm’s comic Mad Love, readers meet Dr. Harleen Quinzel, a psychiatrist at Arkham Asylum. She gets assigned to none other than --- you guessed it --- the Joker. Though this woman is highly educated (we won’t talk about the things she did to get that education), the Joker still manipulates her and convinces her to not only help him escape Arkham, but become his partner-in-crime as well; Harleen Quinzel is no more and Harley Quinn is born.

She pities him and his situation, and he spins his tale of woe so expertly that she has the wool pulled over her eyes. Throughout the comic --- and the general timeline for Joker and Harley --- Joker mercilessly abuses Harley, from pushing her out a window to not noticing she was gone for six months. He is a cruel, manipulative psychopath that nobody should follow in the footsteps of; however, he’s good at his job, and Joker showcases that, however controversial and uncomfortable it may be.

Joker is rated R for a reason; not only are there a few F-bombs, the violence is staggering. However, when dealing with a character that is known for inciting violence and not caring about the consequences, tough scenes are necessary. Phillips didn’t shy away from blood and intensity in his murder scenes, and Phoenix went all in when it came to brutality. Personally, (spoiler!) I never really wanted to see Robert De Niro’s brains blown out the back of his skull, but you can’t have the Joker without some blood. 

And finally, while the troubled citizens looking for a leader are terrorizing Gotham following Arthur’s murder of Murray Franklin (Robert De Niro) on live television, our hero’s story starts. Thomas and Martha Wayne are gunned down in an alley outside a theatre by a rogue thug and Joker fan, and young Bruce Wayne begins his famous story. 

Joker was original in concept and plot, but had just enough callbacks to the comics to make it permissible. The atmosphere in the full theatre I was in was palpable. There were chuckles and titters here and there when Arthur would make a funny joke, or everyone was just laughing off the tension of the moment. There were also audible gasps and groans when things got especially rough (such as the aforementioned Robert De Niro scene). Joker did exactly what the real Joker would have wanted: it incited a reaction out of people.

I had low expectations going into the movie because, as someone who grew up reading Batman and loving to hate the Joker, I was afraid my favorite complex villain was going to get ruined (looking at you, Jared Leto). I was pleasantly surprised by Phoenix’s performance and Phillips’ take on Mista J, and it was a refreshing performance that was a polar opposite from the late Heath Ledger’s, but equally as convincing and chilling.

An Oscar seems to be on the horizon for both Phillips and Phoenix for Joker. The film is raunchy and tense, and I didn’t know I could hold my breath for two hours. It’s exactly what a Joker movie should be, and I’d encourage anyone to go watch it.

[comingupforblair]

A view expressed a lot in fandom circles and which always pisses me off is people expressing confusion/anger at creators making other versions of a story or character which they believe already had a perfect version.

You see variations of this all over with various characters and stories. People ask why they’re doing another Batman or Superman film when Michael Keaton and Chris Reeve already gave what they see as the defining portrayals of those characters. People asking why they need to keep making Doctor Who or Sherlock Holmes or James Bond films after their favorite actor has left the title role. 

If you’re an MCU fan, you’e going to run into this issue soon when they cast a new actor as Wolverine in the MCU.  Many people will be baffled and personally offended at the mere idea that someone other than Hugh Jackman could ever play the part. You’ve likely already run into this with Tom Holland as Spider-man.

The main flaw is this belief should be obvious which is that everyone has thought that one point or another and there are fans who wondered the same thing about the characters before your favorite version came about. I guarantee that there were Batman fans in the late eighties and Superman fans in the seventies who felt that Adam West would never be topped in the role and that having an actor as Clark who isn’t George Reeves was an insult to his legacy. Imagine if Bruce Timm and Paul Dini had never created the DC Animated universe because defining portrayals of Batman and most of his villains already existed. Imagine if Heath Ledger had never gotten to play The Joker because Warner Bros decided that no one would ever top Jack Nicholson. 

We would have missed out on some truly amazing stuff.

This mentality is just a variation on the toxic belief a lot of people have that their childhood entertainment is sacred and any reminder that the thing they love is not something they own and control but belongs to everyone, across multiple generations, is seen as a personal slight. 

The other flaw is that, when you’ve got a character with multiple layers and areas to them, it’s very difficult for one actor or one creator to hit all of those notes and trying can just make the portrayal come across as messy and unfocused. Every actor who played Batman has brought something to the role that other actors didn’t. Jonny Lee Miller’s Sherlock Holmes has elements that Benedict Cumberbatch’s version doesn’t. Some writers and directors are more skilled at certain things than others and they can put emphasis on things that other creators downplayed such as how Spider-Man: Homecoming put more attention on Peter’s life as a high school student compared to the Sam Raimi film.

It’s not a dichotomy. Both versions are just as true to the source material and your preference is dependent on what elements you believe are most important and how present and well handled they are. For some people, Peter Parker being a high school student is a fundamental part of his character. For others, it’s a relatively minor part compared to other things. There’s always a degree of pragmatism in what creators choose to focus on and having multiple versions allows audiences see each part equally displayed.

If anything, having new versions can be actively beneficial. A lot of Doctor Who and Star Trek and Star Wars fans got into the franchise because of the new versions. It’s the same with music. It’s why I’m baffled when I see fans offended at people who only discovered a song or band because they heard it in a film and wanted to hear more. They complain about modern music being bad and then insult young people who want to discover the music they tout as superior simply because they first heard it in a Marvel film.

If you’ve ever reached a point where you’re actively trying to keep people from joining a fandom simply because they weren’t around when it first began or at the peak of it’s creativity, please consider the possibility that you’re being an asshole.

The third flaw is tied in with the first in that this mentality creates a space where characters aren’t allowed to evolve. I’ve been vocal about my complaints about this in relation to Superman but it can happen with any character. It likely will happen with MCU characters like Iron Man and Captain America where future portrayals will get shit for not being exactly like RDJ and Chris Evans, regardless of how accurate the interpretation brought forward is. 

Characters need new portrayals for new audiences. No one would expect modern audiences to contend themselves solely with pop culture from another era, especially if those portrayals have elements that haven’t aged well or are lacking in diversity that would make them resonate more with younger people. It’s unfair to try and deny young audiences their own version of Batman or Superman or the Ghostbusters or whoever. That version can end up meaning as much to them and becoming a fundamental part of their adolescence as the original was to yours. You had your version. They deserve theirs.

New versions of something doesn’t effect the ones you grew up with. Matt Reeves’ and Ben Affleck’s Batman film won’t undermine or damage Tim Burton’s one. The next James Bond won’t erase your memories of Sean Connery or Roger Moore if they don’t follow the same beats. The new Ghostbusters film is no threat to the original.

And if you walk away believing that it has “ruined” your childhood or damaged your love for the original or the source material, I have to imagine that you were never much of a fan to begin with if something as trivial as a reimagining can negate all your positive feelings towards it.

[dccomicsnews]

DC Comics News has compiled a list of DC Comics titles and collectibles shipping to comic shops for October 10, 2017.

Check back every Friday with the DC Comics News Pull Box to see all the cool new DC Comics titles and collectibles that will be available at your favorite local comic shop! So, what titles or collectibles will you be picking up this Wednesday? You can sound off in the comments section below! Click on Comic shop Locator to find the comic shop nearest to you!

COMICS

ALL STAR BATMAN #14 $4.99 BANE CONQUEST #6 (OF 12) $3.99 BATMAN #32 $2.99 BATMAN THE DAWNBREAKER #1 (METAL) $3.99 BATMAN THE DAWNBREAKER PROMO PINS (BAG OF 25) $PI BATMAN WHITE KNIGHT #1 (OF 7) $3.99 CYBORG #17 $3.99 DASTARDLY AND MUTTLEY #2 (OF 6) $3.99 DEATHSTROKE #24 $3.99 GREEN ARROW #32 (METAL) $2.99 GREEN LANTERNS #32 $2.99 HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6) $3.99 HARLEY QUINN #29 $2.99 INJUSTICE 2 #11 $2.99 JUSTICE LEAGUE #30 $2.99 NIGHTWING #30 $2.99 SAVAGE THINGS #8 (OF 8) $3.99 SUPERMAN #32 $2.99

DCN Pull Box Triple Spotlight

BATMAN THE DAWNBREAKER #1 (METAL) $3.99

Sam Humphries (A) Ethan Van Sciver (CA) Jason Fabok

As the events of DARK NIGHTS: METAL rock the DC Universe, the creatures of the Dark Multiverse stand ready to invade our world! How can even the World’s Greatest Heroes stop a horde of deadly beings that appear to be powerful, nightmare versions of familiar figures? Find out in these special tie-in issues!

HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6) $3.99

Paul Dini, Marc Andreyko (A) Laura Braga (CA) Amanda Conner

Free college tuition for all Riverdale residents?! That’s the plan-after the town drains the wetlands that lie between it and Gotham City and then builds a new campus. The only snag? A certain botany-obsessed super-villain. When Poison Ivy enlists her bestie, Harley, to kidnap both Veronica Lodge, daughter of Riverdale’s most important citizen, and her friend Betty, she’s counting on some assistance-and the mayhem that ensues will probably work as well! DC Comics and Archie are proud to present the adventure of a lifetime for all these best pals. Their hijinks are brought to you by the real-life team-up of Paul Dini (HARLEY QUINN) and Marc Andreyko (WONDER WOMAN ’77), with art by Laura Braga (DC BOMBSHELLS)!

BATMAN WHITE KNIGHT #1 (OF 7) $3.99

Sean Murphy (A/CA) Sean Murphy

In a world where Batman has gone too far, The Joker must save Gotham City. He’s been called a maniac, a killer and the “Clown Prince of Crime” but “white knight”? Never. Until now… Set in a world where the Joker is cured of his insanity and homicidal tendencies, The Joker, now known as “Jack,” sets about trying to right his wrongs. First he plans to reconcile with Harley Quinn, and then he’ll try to save the city from the one person who he thinks is truly Gotham City’s greatest villain: Batman! Superstar writer and artist Sean Murphy (PUNK ROCK JESUS, THE WAKE) presents a seven-issue miniseries of a twisted Gotham City with a massive cast of heroes and villains that, at its heart, is a tragic story of a hero and a villain: Batman and The Joker. But which is the hero-and which the villain?

Variant Covers

Note: Variant Prices To Be Determined By Retailer

ALL STAR BATMAN #14 (Rafael Albuquerque variant) $4.99 ALL STAR BATMAN #14 (Sebastian Fiumara variant) $4.99 BATMAN #32 (Olivier Coipel variant) $2.99 BATMAN WHITE KNIGHT #1 (OF 7)(Sean Murphy variant) $3.99 CYBORG #17 (Carlos D’Anda variant) $3.99 DASTARDLY AND MUTTLEY #2 (OF 6)(Emanuela Luppachino variant)$3.99 DEATHSTROKE #24 (Shane Davis variant) $3.99 GREEN ARROW #32 (Mike Grell variant) $2.99 GREEN LANTERNS #32 (Brandon Peterson variant) $2.99 HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6)(blank variant) $3.99 HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6)(Adam Hughes variant) $3.99 HARLEY QUINN #29 (Frank Cho variant) $2.99 JUSTICE LEAGUE #30 (Guillem March variant) $2.99 NIGHTWING #30 (Casey Jones variant) $2.99 SUPERMAN #32 (Jonboy Myers variant) $2.99

GRAPHIC NOVEL

BATMAN DETECTIVE TP VOL 03 LEAGUE (REBIRTH) $19.99 FLINTSTONES TP VOL 02 $16.99 GREEN LANTERN KYLE RAYNER TP VOL 01 $29.99 JUSTICE LEAGUE BY GEOFF JOHNS BOX SET VOL 01 $49.99 JUSTICE LEAGUE THEIR GREATEST TRIUMPHS TP $9.99 NEW SUPER MAN TP VOL 02 COMING TO AMERICA (REBIRTH) $16.99 RED HOOD & THE OUTLAWS TP VOL 02 WHO IS ARTEMIS (REBIRTH) $14.99 SUPERGIRL BY PETER DAVID TP BOOK 03 $29.99 SWAMP THING THE BRONZE AGE OMNIBUS HC $99.99 WONDER WOMAN & THE JUSTICE LEAGUE AMERICA TP VOL 02 $24.99 WONDER WOMAN REBIRTH DLX COLL HC BOOK 01 $34.99

MERCHANDISE/COLLECTIBLES

DC COMICS BATMAN 3PK REUSABLE SNACK BAG SET $16.99 DC COMICS EMOJI 144PC BUTTON ASST $PI DC COMICS SUPERMAN 3PK REUSABLE SNACK BAG SET $16.99 DC COMICS WONDER WOMAN 3PK REUSABLE SNACK BAG SET $16.99 HARRY POTTER MARAUDERS MAP JOURNAL $14.95 HCF 2017 DC SUPER HERO GIRLS SPEC ED $PI JUSTICE LEAGUE MOVIE 12IN AF 2PK BATTLE BOX CS $22. WONDER WOMAN CERAMIC LARGE CAN MUG $7.99 WONDER WOMAN CLASSIC 16 OZ GLASS TUMBLER 2PC WINDOW BOX $11.99 WONDER WOMAN MOVIE 25 OZ TRITAN BOTTLE WITH STRAW $10.99

ACTION FIGURES/STATUES

ARROW TV SERIES GREEN ARROW ARTFX+ STATUE $74.99 BATMAN 66 BATGIRL 5.5IN BENDABLE FIGURE $8.99 BATMAN 66 BATMAN 5.5IN BENDABLE FIGURE $8.99 BATMAN 66 CATWOMAN 5.5IN BENDABLE FIGURE $8.99 BATMAN 66 JOKER 5.5IN BENDABLE FIGURE $8.99 BATMAN 66 PENGUIN 5.5IN BENDABLE FIGURE $8.99 BATMAN 66 ROBIN 5.5IN BENDABLE FIGURE $8.99 DC BATMAN RETRO 8IN AF ASST SERIES 5 $29.99 DC BATMAN TV SERIES BEST OF HERO 8IN AF ASST $29.99 DC BATMAN TV SERIES BEST OF VILLAINS 8IN AF ASST (Net) $29.99 DC COVER GIRLS DEATH STATUE BY STANLEY LAU $100.00 DC FLASH 8IN AF ASST SERIES 1 $29.99 DC ICONS BATMAN REBIRTH AF $28.00 DC ICONS SUPERMAN REBIRTH AF $28.00 DC SHAZAM 8IN AF ASST SERIES 2 $29.99 DC SUPERFRIENDS 8IN AF ASST SERIES 6 $29.99 DC TEEN TITANS 8IN AF ASST SERIES 2 $29.99 DC UNIVERSE BATMAN FAMILY 8PC BMB RUBBER CHARM DIS $6.99 HANNA BARBERA JOHNNY QUEST 8IN AF ASST SERIES 1 $29.99 HANNA BARBERA SCOOBY DOO 8IN AF ASST SERIES 1 $29.99 HANNA BARBERA SPACE GHOST FIGURE 8IN AF CS (Net) $29.99 JUSTICE LEAGUE MOVIE 12IN AF 2PK BATTLE BOX CS $22.99 JUSTICE LEAGUE MOVIE 12IN BASIC AF ASST $12.99 JUSTICE LEAGUE MOVIE MULTIVERSE 6IN AF ASST $22.99 JUSTICE LEAGUE MOVIE THE FLASH STATUE $150.00

CLOTHING

AQUAMAN SYMBOL WASHED TRUCKER SNAP BACK CAP $23.99 BATMAN SYMBOL WASHED TRUCKER SNAP BACK CAP $23.99 DC COMICS THE FLASH CAPED SUPERBIB $9.99 DK III WONDER WOMAN T/S LG $19.95 DK III WONDER WOMAN T/S MED $19.95 DK III WONDER WOMAN T/S SM $19.95 DK III WONDER WOMAN T/S XL $19.95 DK III WONDER WOMAN T/S XXL $22.95 HARLEY QUINN POWER GIRL II T/S LG $19.95 HARLEY QUINN POWER GIRL II T/S MED $19.95 HARLEY QUINN POWER GIRL II T/S SM $19.95 HARLEY QUINN POWER GIRL II T/S XL $19.95 HARLEY QUINN POWER GIRL II T/S XXL $22.95 HARLEY QUINN POWER GIRL II WOMENS T/S LG $19.95 HARLEY QUINN POWER GIRL II WOMENS T/S MED $19.95 HARLEY QUINN POWER GIRL II WOMENS T/S SM $19.95 HARLEY QUINN POWER GIRL II WOMENS T/S XL $19.95 JUSTICE LEAGUE JL UNITE T/S LG $19.95 JUSTICE LEAGUE JL UNITE T/S MED $19.95 JUSTICE LEAGUE JL UNITE T/S SM $19.95 JUSTICE LEAGUE JL UNITE T/S XL $19.95 JUSTICE LEAGUE JL UNITE T/S XXL $22.95 KAMANDI T/S LG $19.95 KAMANDI T/S MED $19.95 KAMANDI T/S SM $19.95 KAMANDI T/S XL $19.95 KAMANDI T/S XXL $22.95 SUPERMAN SYMBOL WASHED TRUCKER SNAP BACK CAP $23.99 SWAMP THING HOS #92 T/S LG $19.95 SWAMP THING HOS #92 T/S MED $19.95 SWAMP THING HOS #92 T/S SM $19.95 SWAMP THING HOS #92 T/S XL $19.95 SWAMP THING HOS #92 T/S XXL $22.95 WONDER WOMAN FADE SYMBOL T/S LG $19.95 WONDER WOMAN FADE SYMBOL T/S MED $19.95 WONDER WOMAN FADE SYMBOL T/S SM $19.95 WONDER WOMAN FADE SYMBOL T/S XL $19.95 WONDER WOMAN FADE SYMBOL T/S XXL $22.95 WONDER WOMAN FADE SYMBOL WOMENS T/S LG $19.95 WONDER WOMAN FADE SYMBOL WOMENS T/S MED $19.95 WONDER WOMAN FADE SYMBOL WOMENS T/S SM $19.95 WONDER WOMAN FADE SYMBOL WOMENS T/S XL $19.95

Please comment below and don’t forget to like, share and follow us on:

Facebook: https://www.facebook.com/dccomicsnews

Twitter: @DCComicsNews

Pinterest: http://www.pinterest.com/dccomicsnews/

Tumblr: http://dccomicsnews.tumblr.com

Instagram: @dccomicsnews

#gallery-0-4 { margin: auto; } #gallery-0-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 25%; } #gallery-0-4 img { border: 2px solid #cfcfcf; } #gallery-0-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

DC Comics Pull Box For 10-4-17 (New Comics and Merchandise) DC Comics News has compiled a list of DC Comics titles and collectibles shipping to comic shops for October 10, 2017.