#HOTTEST JURY IN HISTORY

[professionalfixator]

worlds hottest jury part 2

[handeaux]

Ringing Down The Final Curtain: A Most Curious Assortment Of Cincinnati Deaths

Over the years, quite a few Cincinnatians have shuffled off this mortal coil under very curious circumstances. Here are eleven examples from the macabre annals of our city’s history.

Death By Clown #1 It was Halloween night in 1921. Joseph Clark, a factory worker, was walking home through Lower Price Hill near the intersection of Eighth and State. He may not have noticed, across the street, that a fracas involving three men wearing clown costumes battling a half-dozen rowdies had escalated beyond mere fisticuffs. One of the clowns, William Shewmaker, pulled a gun and fired several rounds either very poorly aimed or as warning shots. One shot hit Clark squarely in the chest and he died at the scene. One of the assailants, Robert Cahill, died later from a gunshot wound. A jury failed to convict Shewmaker, the killer clown.

Death By Tin Horn #1 On a delightful spring evening in 1877, fourteen-year-old James McKenna and his friends chased each other along Ellen Street, then located along the base of Mount Adams. Their game appeared to involve grabbing and holding a child’s tin horn. The street was steeply inclined and poorly maintained. As he ran down the hill, tin horn in hand, James tripped on a tree root bulging out of the pavement and fell lengthwise on the slope. The tin horn punctured his jugular vein and blood spouted profusely from the wound. James attempted to struggle home, just a block away, but fainted halfway there. His friends carried his lifeless body to his distraught mother.

The Chalk Will Julia Butterfass, an invalid aged 67 in 1895, was despondent and regularly announced that she planned to end her life. So often had she declared her morbid intent, and so often failed to carry out her threat, that her family stopped paying attention. Her chronic condition was exacerbated by the declining health of her husband, Jacob, a varnisher who could not hold a steady job because of his own health issues. One morning, Julia arose to prepare breakfast and then made a fateful decision. She returned to her room and scrawled her last will and testament in chalk on the floor of her closet. When the rest of the family woke up and noted her absence, they searched the house and found her note, which read: “Good-bye friends. I am tired of life and am going to commit suicide. I leave all my clothes to my daughter.” Searching outside, the family discovered that Julia had drowned herself in the backyard cistern.

Incinerated By Mouthwash In November 1894, Leah Clifford was 20 years old and worked as a prostitute in Georgia Hudson’s brothel at 145 George Street in the West End. As she dressed to attend the theater one evening, Leah opened a bottle of mouthwash, prescribed by Dr. Charles Muscroft and prepared by druggist David Allen. Whether improperly prescribed by Dr. Muscroft or improperly compounded by Mr. Allen, the bottle contained a dentifrice known as pyrozone dissolved in highly flammable ether. When Leah lit a match, the bottle exploded, spraying her with incendiary liquid. She ran screaming from the house, setting fires wherever she stumbled. Transported to the hospital, she died hours later and is buried in Spring Grove Cemetery.

Sledding Into Eternity Frank Mauntel was 19 in 1919. He was a linotype operator and lived on Milton Street, just off Sycamore Hill. In December of that year, the snows landed heavy and froze overnight. Sycamore Hill was the hottest “coasting” hill in the city and young people assembled there in packs to try their skill navigating the precipitous drop down to Liberty Street. Mauntel took his turn and hurtled downhill, just as an automobile driven by Albert Schraeder of Delhi chugged through the intersection. Mauntel didn’t stand a chance. He was the 71st death by automobile in Cincinnati in 1919 and the second to die by sledding or “coasting” in the streets.

Frozen In A Quarry Henry Mastrup and John Mastrup were brothers who lived in South Fairmount at the base of Bald Knob. In 1905, they eked out a spare existence digging limestone out of Anthony Spitzmueller’s quarry at the top of Amor Street. Henry had been feeling poorly, but rallied one February afternoon and said he would take a walk, wrapping himself in three layers of clothes. When Henry did not return in time for dinner, John went looking for his brother. In the winter darkness, John found Henry frozen to death, sitting on a large stone in the quarry. John lit a match to examine the body, determined that he was in fact extinct, then walked home to eat dinner, leaving his brother’s corpse in the quarry all night. In the morning, John flagged down a cop, who called a patrol to remove the body. The coroner, incredulous, asked John why he had left his brother’s frozen body outside all night. John said he knew the quarry could not be reached by a wagon in darkness and he knew no harm would befall his brother overnight.

A Commercial Toxin On her 1908 death certificate, Daisy Sherman was described as a “harlot.” Under the name of Madge Simpson, she entertained customers at a brothel operated by Nan Newman at 309 Longworth Street. It was, sadly, all too common for sex workers of that era to end their lives by suicide. The most frequent method chosen by women was to ingest some vile potion, usually morphine or laudanum or carbolic acid. What distinguished Daisy Sherman’s exit from this vale of tears was her swallowing a commercial product that had only recently been introduced to Cincinnati – Lysol disinfectant.

Poem To A Pipe Bookkeeper Charles Drinker, aged 54, shot himself in the head one chilly morning in December 1905. He was estranged from his family and out of work, yet he went to his reward after leaving behind two light-hearted compositions. One was a jocular note to the coroner, hoping that his earthly remains might find some use in an anatomy laboratory. The other was a farewell poem to his tobacco pipe, the stalwart briar that had accompanied him for some years. Drinker’s final encomium read:

From thee, old friend, I have had my last puff; To leave thee thus, I know, ‘tis rough For in trial, trouble and tribulation You have been my only consolation. Now, alas! of use no more You can’t accompany me to the other shore. For on that shore there is no smoke – I tell you, old friend, this is no joke. You, like myself, have had your day – You remain briarwood – I return to clay.

Drinker was not shipped to one of the medical schools. He was buried in the Potter’s Field.

Death By Tin Horn #2 John Schaeffer was a shoemaker who lived in Covington. In 1897, he was unemployed and so purchased a supply of gewgaws and set up a little streetside stand on Fifth Street in downtown Cincinnati. One evening, a customer asked for one of the tin horns Schaeffer had for sale. The horn was at the bottom of a display hanging from a long pole. Schaeffer lifted up the pole to extract the desired tin horn and made contact with an arc lamp hanging over his little toy stand. The electrical current paralyzed Schaeffer immediately and the strength of the current repelled anyone attempting to come to his rescue. When someone finally switched off the streetlight, Schaeffer’s corpse slid to the pavement.

Death By Clown #2 On the evening of January 10, 1854, there was a "small Spanish theatrical representation” on Stockton Street in San Francisco. A 13-year-old boy named William Snyder, who had been born in Cincinnati, was peddling candy and peanuts. For whatever reason, Manuel Reys who was described as being a "mentally defected" circus clown grabbed William by the heels and swung him around several times. By the time Reys released the boy, blood was flowing from William's mouth. William was rushed to a hospital where he died. Manuel Reys was arrested for murder and his case was sent to the grand jury, but it doesn't appear he was ever legally charged. The death was eventually found to be accidental. William was buried in the Yerba Buena cemetery.

Was It Poison? The coroner’s official verdict claimed that Elbert Wise died from blood poisoning as the result of a ruptured spleen, but there were many unanswered questions. Wise’s wife, Katherine, found her husband slumped on the front stoop very early on the morning of 14 April 1895. He claimed he had been poisoned; that he had drunk some beer and found a greenish substance at the bottom of his glass. He lingered in a delirious state for three weeks before he died. It turned out that he had been “keeping company” with the unmarried 26-year-old Frieda Eisele for a couple of years. Freda discovered that Elbert was married and attempted to break off the relationship. Elbert persisted in seeing Freda over her mother’s objections and it was with Freda and her widowed mother that Elbert drank that fatal glass of beer. The coroner’s finding of natural causes ended any investigation. It was very curious, therefore, twenty years later, when Freda’s aged mother killed herself by swallowing an arsenic-rich dye known as Paris Green. One wonders whether she had ever used that substance before.

[pumpkin-daydreams]

One of my favorite scenes, favorite chapters, from silentwalrus's FMA Caveat Emptor series (All work, chapter 3). How many times can I reread it before it stops sending me into fits of giggles? Jury is still out.

Excerpt:

Ed follows the lights back to the main access point, which is enough of a trudge that when he reaches the upper levels with the circles of natural light from open manholes he picks the nearest set of iron access rungs and starts to climb. He can smell cigarette smoke halfway up, hear voices; more soldiers, probably. Ed follows the talk without any of it passing through his actual brain, right up until he hears “- see the new Evine picture?” 

Ed pops his head out of the hole. “There’s a new Evine picture?” 

One of the soldiers squawks in surprise, stumbling back from the manhole. The other one is older and just grins down at him. “Boy is there. Wanna see?” 

Evine Eian is, to put it simply, the hottest person ever to live, in all of human history, from the beginning to the end of time. Ed, Al and Winry are all in agreement on this and have been ever since her breakout picture in 1917, which they all saw four times at Resembool’s incredibly shitty hand-cranked-by-Mr. Carter sheet-on-a-sheepshed movie theater. Paninya has a poster of her in her Gunslinger costume from Desert Riders on her bedroom ceiling. So did four other people Ed slept with the year that one came out. It’s possible that having her smirking down at him while his knees knocked against his own collarbones established certain conditioned responses during critical early phases of his sexual development, but Ed is totally fine with being a victim of marketing. Anyone with Evine’s cheekbones can victimize him however they want. 

So of course Ed follows the soldier’s pointing finger like it’s a mecca signpost. There’s a giant poster at the end of it, tacked up on one wall of a nearby newsstand, dwarfing and darkening all the other flyers and notices beneath. 

It’s her alright. Only instead of her signature waves, Eian’s shiny black hair is cropped short. Her usual navel-cut shirt is now high-collared, a crisp blinding white with just the top button undone. Her boots are black, leather and laced to the knee. There’s an honest to fuck whip in one hand and a crimson array inked in the palm of the other, and she’s smirking out of the poster like a crocodile with the hind leg of a sheep still hanging out the side of its maw. And over the whole thing, in a font Ed can only describe as incendiary, are the words JOY STALLION: THE BLAZING ALCHEMIST! EMPRESS of the EAST!

Ed can tell there’s something indescribable happening to his face, but it’s a distant second concern to what’s going on inside his brain and more importantly his limbic system. Is he making some kind of noise? Never mind that, he’s going to see Mustang right now and rectify the situation. 

[ronans-sepiaphotograph]

The Boyd-Wilds wedding:

Part 1-The proposal:

Part 2- The dress:

After the proposal, the foxes (minus Matt) enter a fancy dress boutique, of course it's Allison's idea, to a manager that's confused so as to who the bride is.

"Shut up Wilds, I don't have all this money for nothing you're gonna be the most beautiful, hottest, sports bride in PSU history."

Kevin being Kevin is annoyed because they have exy practice after this dress shopping business. Andrew almost throws a chair at him. Nicky and Neil coax him out of killing Day.

"This is important Kevin, your stickball can wait" "Shut up Neil" "Go buy yourself something pretty"

They bicker loudly until Renee calmly reminds them what they're here for and they calm down enough to allow a slightly pissed/amused Dan to start trying dresses.

Andrew, Kevin and Allison are the elected jury for the dress (They're the fashion gays let's be clear).

Dan comes out in a huge white montrosity that has Neil all dreamy eyed because she looks like a Disney Princess. Meanwhile Andrew, Allison and Kevin show various faces of dissapointment. Nicky looks like he's about to cry.

"Reynolds do me a favour and tell Matt to call it off" "Shut up Minyard, but you're right." "Dan it's a no"

Neil rolls his eyes but Dan seems to agree and goes inside again to change. Nicky whispers something like "she should show off that body because wow." Aaron snorts, unamused.

The second dress is a bit better but everybody likes it for some reason except Andrew, who doesn't say anything until Dan asks.

"What do you think?" "Why do you care what I think Wilds? Reynolds and Day look like they might explode out of excitement so-" "Yes Minyard but I asked you" "Do you like it then?" "I don't know if I'm completely satisfied with this" "Then change, you could do with tulle and flowers" "Thank you" "Fuck off wilds"

Neil Josten can read Andrew Minyard like a math textbook so he knows that Andrew is interested in this. All he does is smile to himself.

Dan comes out in the third dress, a lean gown that hugs her body right and shows off those toned arms and that beautiful skin and everybody just stops talking and stares. Even Aaron who wasn't interested looks at Dan.

Neil breaks the silence by literally jumping on Dan, hugging a teary eyed Dan as Neil squeals and Dan can't help but feel so good at hearing Neil laugh.

"Dan you look so pretty make me your backup husband" "You're our son Neil" "I'll kill for you if you want"

Andrew throws his phone at Neil's head but he catches it and proceeds to take a selfie with Dan (Nicky taught him what a selfie is).

Allison scoots closer to a glaring Andrew. "Minyard it'll be you in Dan's place sooner or later." Andrew's ears turn pink.

"Shut the fuck up Reynold or I will stab you here and I don't care about the blood or the dresses." Allison has the audacity to cackle while Andrew glares at her.

Allison, Kevin and Nicky are almost sobbing. Aaron is done with their shit. Andrew is unbothered but Neil catches his eyes crinkle. Renee watches with glassy eyes and Dan twirls with Neil.

"I feel like this is the one" the crowd erupts into screams and woohoo's as the store manager sighs deeply.

Dan looks expectantly at Andrew who shrugs in (feigned). nonchalance and Dan lights up.

"Thank you Minyard" "fuck off now that Boyd will actually want to marry you"

Nicky and Neil have disappeared which puts Andrew on edge and just as he's about to do something Nicky walks out of one the changing rooms, practically jumping.

"Ladies and gentlemen, may I present to you"

And Neil walks out, wearing a huge veil, that touches the floor. His face is a brilliant shade of pink and the veil and the crown of flowers sits awkwardly on his mess of Auburn curls.

The boys gape as the girls practically scream and run to hug Neil. Dan does a little move and twirls Neil around and he's a giggling mess of emotions.

Andrew has a brief moment of gay panic and of fucking course Neil catches him. He removes the veil carefully and throws it to Andrew.

"Keep it babe" and he has the audacity to wink. Andrew wants to bite Neil's head off and kiss that awful smile off of his stupid face.

"Minyard do it, propose to Josten right now." Andrew almost strangles Allison.

Neil chokes on his own spit as Aaron and Kevin make a gagging noise and Nicky is all around the place, shooting every second of it.

Not that he'll admit to anyone, maybe Neil but Andrew thinks Dan is a beautiful bride.

[sole-cuore-amore-e-droga]

Italy brings the rock’n’roll youth of tomorrow to Rotterdam 2021

It’s the final day of doing my yet again botched attempt at a review series and I’ve been dying to post my gigantic write-up for my newly beloved Italy, at the top of the bookies, darling of all hearts, ready to rock Eurovision, and even more! Vai vai~

ARTIST & ENTRY INFO

Representing them this year is Måneskin, a band made up of four - singer and possibly the hottest motherfucker to grace the planet Earth Damiano, guitarist Thomas, drummer Ethan, and the cherry on top - bassist Victoria, whose half-Danish heritage is the reason Måneskin is called Måneskin (= Moonshine). They thought of this name at a “battle of the bands” that they won, thinking they might as well change it to something different, but in the end... say it with me now

They have known each other since highschool, made a band in 2016, won the “battle of the bands”, started out making a living as buskers in the streets of Rome, from which they gradually grew through playing small gigs, and later tried out for X Factor Italia season 11, on which they came 2nd.

They went on to release an EP titled after their debut single of the name of the song above, including some of their X Factor covers, and later on got to get big through releasing an album, getting it certified all kinds of goodnesses, having singles from that album be popular, even releasing a documentary of themselves... they’ve done so much in life and they’re only 20-22 years old... aw man, the life is just ahead of them, for them to be so young and win Sanremo on their first try. (And I’ve always wanted them for Eurovision ever since I was aware of their existence, because their music is very nice, and they just feel like charming human beings. So imagine my joy seeing them announced for Sanremo 2021? And them WINNING months later??? man what kind of luck do I have even if just for a year lmao <333)

“Zitti e buoni”, the last song title alphabetically this year, is purely of the band’s making, and the lyrics are talking about not abiding the rules in general, how they’re out of their minds but they’re not like “them”, and how people talk but don’t know what they’re talking at all.

REVIEW

IT’S A PRETTY CRAZY GOOD ROCK SONG AMEN HALLELUJAH OPRAH WOOOOOOO

wbk I love it. Yeah sure it might be composited of something that sounds like standard rock riffs and what not, but it’s the ENERGY that goes into it that gets me more excited for this than for Finland, a fellow rock song of this year’s final.

Damiano’s vocals have the specific kind of rockstar tinge to them, and they’re very complimenting to the song. The way he says everything is beautiful, the “e buonasera signore e signori” line in particular is just a moment that shows the beginning of power somehow, I don’t know. The chorus is great, eventhough it’s just one line repeated but it changes the pronoun each time (going from “I’m out of my mind” to “you’re out of your mind” to “we’re out of my mind”) - MAGICAL.

And the bridge. YES, the bridge. Along with the outro it’s the best part of the song. The chord progression. The lines repeated on that bridge. The emotions going on. The delivery of the lines of the emotion. It’s a convincing little bridge, to the point that it sounds just as great with violins! Wish they brought one, because according to Love Love Peace Peace, nothing screams winner quite like a violin.

God damn to the Måneskinsters pump this song up to the maximum. It was originally a ballad song, and I think that’s for the better for them to present it as a rock song, because a Sanremo ballad in a pool of Sanremo ballads... unless it stands out according to demoscopic & press juries, and there seems to be a no better option at hand that could make them stand out other than just sending a classy ballad, it just fizzles out in a spectacularly lame fashion. Måneskin’s one real shot through was with a song that would make them stand out, and they did it, and they’re here.

Everyone has put in their work, their passion, their skills into this, and it shows off in spades. Måneskin themselves are fantastic and chill human beings, who too, just like Flo Rida, get to enjoy how crazy amazing Eurovision experience is. And for that I salute them with my whole heart. Whatever they do tonight on Eurovision, they’ll leave a lasting mark in it. And for a good reason.

Also an Italian Eurovision edit that doesn’t suck, once again, yay! (In their defense, they didn’t have a whole lot to work with, so they released theirs early - just a few trimmings here and there, and a lyric change so that they skate by EBU easier with their anti-swearing policies. Gahddamn swearing~)

Approval factor: FUCK YES Follow-up factor: The funny thing about this is that last year their entry is about making noise but the song was a love ballad, this year it’s a song titled “shut up and behave” while dressed in a loudest motherfucking musical setting lol. Fuck the rules! It was solely on the Sanremo’s last year’s winner Diodato not to send an entry he thought that would fit for Sanremo, and that’s good on him - he can return next year replenished as all hell, and maybe aim for the trophy again? wishful thinking? aaaa. Anyway on a personal scale “Zitti e buoni” is a marvelous follow-up from “Fai rumore”, even if skipping 2020 entirely, especially after “Soldi”, which was already a fab follow-up after “Non mi avete fatto niente”, and even from “Occidentali’s Karma” on. And so it is subjectively a good follow-up. Italy SLAYS. AQ factor: As I write this, the odds are very much in their favour, if not a little bit too persuaded over the fact that Måneskin gave a good rock performance and knew what they would be doing, or it’s just that the Italians like overbetting for their acts way too damn much. But nevertheless, I just wanna hope for them to break the expectations people set on rock songs in Eurovision and SMASH themselves a victory. Or a top 2. Or a top 5-10. Anything will do, goddamn.

NF CORNER

Well, I promised that I will talk about Sanremo in a NF corner, because this is the first year I actually cared to watch it myself, unlike when I would’ve sided with someone whose reviewing style I love in not caring to watch it, and usually just check all the songs on the last day lol.

One thing about Sanremo that I sorely underestimate is that a handful of artists on there can come across as very versatile, and the one song you loved of one genre they presented several years ago, can be completely different and leave you baffled for days if you’re not very familiarized with their discography and the Italian music scene in general. Which now I’m going to pay an extreme amount of attention towards following Sanremo 2022 on out because hot damn did I never see gems like Willie Peyote coming!

Did I call him a gem over his entry? Yes, somehow. Am I even sure if I’m being serious?

I think I can somewhat agree when I say that for the international fam watching Sanremo at least, “Mai dire mai (La locura)” was a major expectation destroyer, at least for the crowd whose main lookouts in a lineup like this years were Ermal Meta, Annalisa, Arisa, etc. You know they’re gonna bring a ballad, and their ballads are usually decent, but what about the unexpected? That’s where a handful of acts, including Willie, comes in for me. The bass hooks in the second the song starts. The beat is minimalistic but strong enough to slap. The steady rap flow is mesmerizing, paired with that somewhat specifically Italian(?) vocal timbre. The chorus is greatly catchy, and it is a sung chorus, with this song still being largely a rap song. The electric-esque guitar soundwaves interspersed throughout the song are magnificent and magical, and on the chorus they even make a constant melody riff that repeats and may get annoying on multiple listens, but I still adore them. I really love the bridge as well and all that goes into it. A fantastic surprise of the season for me personally.

Now I figure that the lyrics may hinder the enjoyment for some, especially the points raised in some lines that may seem questionable and shady (if this went to Eurovision and got a “twerking” comment on Youtube, I will not be surprised if the description of choice is “patriarchic twerking”), but am I supposed to be fully offended at some points of it if I’m not its target audience, although I see some of what I do nowadays in those lines? “Mai dire mai” is probably dedicated to the Italian media and the Italian trends and what not. I’m not even disappointed it didn’t win, because if it went to Eurovision, it would’ve likely been met like a lesser “Occidentali’s Karma” - catchy song with lyrics that fly over listener’s heads which might as well be very accidentally mocking how we live our lives.

“Mai dire mai” has just less of a memorability-in-history value and no memorable gimmicks (Francesco had a gorilla, what is it visually going for on Willie’s performance?), besides, it would’ve suffered even WORSE post-Eurovision-edit than OK has - a lot of the bits and bobs that pass me by but when I notice them they make a really great entry, but other than the (presumably copyrighted) removal of a sample from a TV series (spoken by a fish character, nonetheless), what else is there to remove???? With Eurovision’s rules specifying that brands (Spotify, TikTok) and swearwords (lots of the good old Italian ones that Italian radios would digitally scratch out to emphasize that there were a LOT in the second verse) can’t be sung live, the song loses some of its lyrical charm. And you can’t just go around the song like Francesco Gabbani chopping off entire verses full of content full of witty lyrics and a reference to Chanel in order to present the more lyrically singable-along-to lines and not let go of the long chorus to whom his gorilla can dance to. “Mai dire mai” is RIFE with lyrics, that’s what a rap song is. It would have absolutely fallen apart.

Also no one paged it as a potential Eurovision winner during Sanremo, at least seriously, and it doesn’t have much that would have clicked with the future Eurovision generation and contestants when they would be asked to name their favourite Eurovision song of all times. In a world where from Italy they really like “Grande amore” and “Soldi” and even sometimes could name “Occidentali’s Karma”, is there really a place for “Mai dire mai (La locura)” over “Zitti e buoni”? Who would be naming that song as their favourite of all time? If you raised a hand, you lie to yourself, because that would’ve been me.

Now I don’t know how many of the Tumblr fam would draw ire at me putting out paragraphs worth of me being ultra positive towards this song, because as I’ve learned, there’s an ironic and unironic audience for Mr. Peyote on Tumblr especially, but for me I guess it was pretty worthy, also a thing I was finally able to yell off my chest since, and now I finally said it, I will continue streaming “Mai dire mai (La locura)” in peace.

He might’ve not won Sanremo, but his song won the equally important Mia Martini Critics Award, and also, my heart. Rest in broken shards of the Boris aquarium, my sweet cynical prince~

Måneskin were my 2nd after him so I’m equally happy they won. But what about my other favourites?

• Extraliscio ft. Davide Toffolo - Bianca luce nera A diluted version of the liscio genre, still makes for a very fascinatingly catchy and swaying song with lots of great instruments that are violins and a clarinet. What I figure is kinda a love song. Their performances were also great, with lots of dancers on stage and a genuinely great fun to be had, and you may remember them more after their performance in cover night, which was titled “Rosamunda”. They were the ones with their main singer’s guitar spinning for whatever reason that was there to make their song catchy, I guess.

• Lo Stato Sociale - Combat Pop A little bit of a far cry from their glory heydays with 2nd place in Sanremo 2018, but they returned with an equally banging song and an amazing set of performance chaos they brought in each and every time - dedicating their first night’s one to making a performance to not forget (and being the ones of two to reference the great Bugo&Morgan incident from last year, the other being Willie Peyote), the second competitive one was for referencing politics, and so on.

• Colapesce & Dimartino - Musica leggerissima Sweet melancholic song with the shades of Sebastien Tellier kinda sound, this song may seem jolly at first, but the especially melancholic undertones denote that there’s something else going on. It’s actually about depression, as that’s what the term “musica leggerissima” (very light music) means. But it still found a heart in Italian listeners and the Italian world finally woke up to how great Antonio Di Martino and Lorenzo “Colapesce” Urciullo are, and a handful of viewers were slightly heartbroken to see it not place in the superfinal top 3. Who knows if they would’ve actually won over Måneskin. I just know that their rollerskater girlie is so damn fine~

Bugo has also returned but I think his redemption arc started off the wrong foot, as his return entry, “E invece si”, was a bloated showtune ballad and got obnoxious to listen to at part. I declared to myself that night when I first heard the new entry that regarding on what made “Sincero” great, I side with Morgan.

And a special shout out to Ghemon, whose 2019 song was more than just a “purple rose” unlike I noted on a last proper Italian entry review. I don’t know what expectations I had for him, but I certainly wanted to love “Momento perfetto” more at the first listen, which was also somewhat of a show-tuney piece, but with a bit more funk and pizzazz, also Ghemon was VERY much vibing with his song, and that made me feel great for the few other performances of it that I saw the following days. It’s definitely a grower song, and around 2 months after Sanremo I fell into a bit of a rabbit-hole of his earlier music discovering, and I may be a bit exaggerating but, give Ghemon a bit more of acknowledgement and a stellar enough song, and with a little bit of magic touch, I can maybe see him lifting the Golden Lion trophy one day. Don’t ask why. (also lovely music video for his 2021 entry, which replaces continuous spinning in an aesthetic area to everybody moving their body in a diner (hopefully with everyone in the MV tested and been negative for long enough for the MV to actually happen).)

NF CORNER (NON-COMPETITIVE)

There’s so much needed to be discussed about there. So I’ll restrict myself to the moments that I remember and cherish:

• Rosario Fiorello. Just. Him.

• And the gentleman next to him, Achille Lauro.

tw // body piercing

Belarus 2018 could never

Fiorello and Lauro are perfect matches to each other’s worlds of imagination, and I was more than ever glad to see so much creativity coming from each one of them, a host and a nightly interval act respectively.

• Once again, “Rosamunda Medley” by Extraliscio, I didn’t watch the cover night in its entirety but I think it’s good enough of a medley if it got a 3rd place from the cover night from the orchestra!

• Sanremo Newcomers section of this year. I liked or vibed to almost every song out of the 8, and I’m decently happy with the winner, but if there’s one big shoutout I really want to make, is to “Regina” by Davide Shorty, for it’s such a cozy funky little love song that always makes me happy when I hear it. My personal winner preference, but I don’t mind Davide getting 2nd! For as long as he gets to place 1st in a future main Sanremo event hihihihihi

• Diodato proving himself to be a dance king at the beginning of his “Che vita meravigliosa” performance, my good Twitter friend made a bunch of videos where he dances to a lot of songs, as per request, check them out and you won’t forget it.

• Since Sanremo 2021 got rid of the audience as per COVID regulations and much to Amadeus’s dread, there ended up quite a handful of audience related memes. Such as the penis balloon et al.

• Remember when Sanremo 2021 audience was supposed to be whisked away in a cruise ship for safety measures? Pepperidge Farm remembers

• SESSO IBUPROFENEEEEEEEE

The guy that sang this song actually has the same birthday as me, so in my eyes, I feel like he has some charm to it. I’m biased lol sorry

There’s way too many more but I am afraid of flooding my post beyond your readability interest. Let’s hope that, in an event of Italy’s victory or non, we’ll get to see an even more iconic event of Sanremo emerge come the future. <3

ANY LAST WORDS?

Måneskin’s big goal was to rock Eurovision, and I think they’ve greatly accomplished that by just... doing what they do best, and that is, rocking. They leave energy lasting for days.

In bocca al lupo, fam. You’ll nail it, and even if you don’t win, Italy shouldn’t not hail you as national heroes after it’s all over.

[twentiethcenturymoviesandtv]

12 Angry Men: The Story

At first, the story of 12 Angry Men seems straightforward, to-the-point, and pretty darn boring.

A jury consisting of twelve men (most of them middle class, middle age, and white) are locked into a jury room on a stiflingly hot day to determine the fate of a boy (lower class, young, and Puerto Rican) who allegedly stabbed his father to death with a switchblade knife.  Once locked into the room, eleven out of twelve decide instantly that the boy is guilty, but one, Juror #8, (Henry Fonda) isn’t so certain.  The film then follows Juror #8’s attempts to go through the information presented in court in order to figure out what really happened.

Like I said, it could be considered boring, if that’s all you consider.   But as it turns out, just like the case in the film there’s a bit more to it than what appears on the surface.  Let’s take a look.

12 Angry Men opens with one of two sequences that do not take place within the jury room.  A camera pans over the outside of the Manhattan’s Court of General Sessions, meandering through corridors and staircases, before making its way to our destination: room 228.  There, a tired sounding judge orders the beginning of the jury deliberation process after a six-day-long trial, “a long and complex case of murder in the first degree”.  He sends our jury off with these final, sobering words:

“If there’s a reasonable doubt in your minds as to the guilt of the accused, a reasonable doubt, then you must bring me a verdict of not guilty. If however, there is no reasonable doubt, then you must in good conscience find the accused guilty. However you decide, your verdict must be unanimous. In the event that you find the accused guilty, the bench will not entertain a recommendation for mercy. The death sentence is mandatory in this case. You are faced with a grave responsibility. Thank you, gentlemen.”

It is now that the audience, for the first and only time, gets a look at the defendant: a wide-eyed, terrified looking Puerto Rican boy from the slums, who helplessly watches the jury march off to decide his fate.

The jury (and camera) moves to the jury room, where we will spend almost the entire rest of the film.  It is the hottest day of the year, and the men are clearly already agitated, removing jackets, lighting cigarettes, and complaining.  The door behind them is locked, and the twelve men talk amongst themselves for a few moments.  Notably, Juror #3 remarks that this is an open-and-shut case, Juror #7 is anxious to leave to get to a baseball game he has tickets for, and Juror #10 has this to say:

“It’s pretty tough to figure, isn’t it? A kid kills his father. Bing! Just like that…It’s the element…I’m telling ya, they let those kids run wild up there. Well, maybe it serves ‘em right.”

Meanwhile, Juror #8 stands at the window, saying nothing.

Juror #1 calls for a preliminary vote, and the men take their seats (arranged by number) around the table.  Juror #1 calls for those who vote not guilty, and, some (Jurors #1, 3, 4, 7, and 12) quickly raise their hands, while Jurors #2, 5, 6, 11 and 9 do so more slowly.  One lone man raises his hand for not-guilty: Juror #8.  

Interestingly, Juror #8 is not fully convinced that the boy on trial is innocent, unlike many instances of the Rogue Juror used afterwards.  What he is convinced of is that this is a serious case, with a serious charge, with a grim penalty.  He calls for a discussion, going over the evidence.  Juror #3 disagrees:

“The kid’s a dangerous killer, you could see it…He stabbed his own father, four inches into the chest. They proved it a dozen different ways in court, would you like me to list them for ya?”

Juror #8 is not dissuaded, and calmly replies:

“It’s not easy to raise my hand and send a boy off to die without talking about it first…We’re talking about somebody’s life here. We can’t decide in five minutes. Supposin’ we’re wrong.”

Juror #7 is unmoved, claiming his opinion won’t change, no matter how long they talk.  Despite the resistance, Juror #8 moves on with his discussion, pointing out the defendant’s upbringing and background.

“Look, this kid’s been kicked around all of his life. You know, born in a slum. Mother dead since he was nine. He lived for a year and a half in an orphanage when his father was serving a jail term for forgery. That’s not a very happy beginning. He’s a wild, angry kid, and that’s all he’s ever been. And you know why, because he’s been hit on the head by somebody once a day, every day. He’s had a pretty miserable eighteen years. I just think we owe him a few words, that’s all.”

Juror #10 argues:

“I don’t mind telling you this, mister. We don’t owe him a thing. He got a fair trial, didn’t he? What do you think that trial cost? He’s lucky he got it. You know what I mean? Now look, we’re all grown-ups in here. We heard the facts, didn’t we? You’re not gonna tell me that we’re supposed to believe this kid, knowing what he is. Listen, I’ve lived among them all my life. You can’t believe a word they say. You know that. I mean, they’re born liars.”

Another voice enters the scene, Juror #9, with a biting reply:

“Only an ignorant man can believe that…Do you think you were born with a monopoly on the truth?”

Within only a few moments, already we’ve established quite a lot.  The belligerence of Jurors #3 and #10, as well as their bias, Juror #8’s thoughtful, honest nature, and Juror #9’s reasonableness and willingness to stand up for people.  Add to that Juror #7’s impatience to leave, and you’ve already got a bit of character to go on to understand what’s going on.  As the film progresses, the case unfolds, and we learn more about it, as well as learning more about the characters within, making the plot, although it never leaves the jury room, feel like it is moving.

Juror #12 suggests that they go around the table, giving each juror a chance to explain his standpoint in an effort to convince #8 of the defendant’s guilt.  One by one, the jurors bring up their evidence, and to each, Juror #8 has questions that render the arguments a little more doubtful than they would seem to be on the surface.

Juror #2 doesn’t really have any evidence to bring, meekly stating that he thought he was guilty, it seemed obvious.  No one can prove that he didn’t do it, after all.  Juror #3, however, has more to say on the subject, citing an eyewitness testimony of an old man who lived in the apartment below where the killing took place.  According to the witness, he heard a fight, and the voice of the boy crying out: “I’m gonna kill you!” and the sound of a body hitting the floor.  The old man ran to the door in time to see the boy run down the stairs.  Furthermore, the boy’s alibi (being at the movies) seems flimsy, as he was not able to remember the names of the films he saw, or any of the actors in them.  On top of that, there is another eyewitness testimony: a woman in the building across from them saw it happen through the passing cars of an el-train that ran between the buildings.  These, Juror #3 declares, are facts.

Other jurors give their reasons, or lack thereof:  Juror 5 doesn’t comment, Juror #6 thinks the motive is evidence, and Juror #7 brings up the boy’s violent history, including knife-fighting.

This sparks something for Juror #3, who cites his history with his own son, explaining that kids these days don’t have any respect.  He tells a story about how, when his son was nine years old, he ran away from a fight, humiliating Juror #3.  He resolved to ‘make a man’ out of his son, and according to him, he did.  When his son was 15, he punched Juror #3 in the jaw.  It has been three years since the two have seen each other.

Other jurors add their reasons, including the boy’s background in the slums.  This line of reasoning upsets Juror #5, who, he explains, was also raised in the slums.  Okay, fine, so his background isn’t enough, his upbringing flimsy evidence at best….what about the knife?

The knife (wiped of fingerprints) found in the body of the father was a very unique switchblade.  The boy bought a knife matching its description on the night of the murder, and claimed it fell through a hole in his pocket on the way to the movies.  A knife that unique surely must be evidence-

Juror #8 pulls out a knife of his own, an exact match to the one found in the body, and sticks it in the table for all to see (which is not legal in a real legal scenario, but this is a movie).  Someone, he explains, could have bought an identical knife, and killed the father with it while the boy was at the movies.  

“It’s possible,” he says.

“But not very probable!” Juror #4 counters.

Seeing that this is going nowhere fast, Juror #8 says this:

“I’m gonna call for another vote. I want you eleven men to vote by secret written ballot. I’ll abstain. If there are eleven votes for guilty, I won’t stand alone. We’ll take in a guilty verdict to the judge right now. But if anyone votes not guilty, we stay here and talk it out.”

They count up the eleven votes.  Ten guilty, one not-guilty.  Juror #9 has switched sides.

Looking again at the eyewitness accounts, Juror #8 theorizes that, with the train passing by the exact time of the murder, it would be impossible to hear voices and a body hitting the floor upstairs.  Furthermore, he determines that it would be equally impossible for an old man with a limp to make it to the door to see the boy go down the stairs in the amount of time that he said it did.  (Again, not legal in a jury, but it’s a movie.)  Juror #9 speculates that it is possible that the old man did not lie, rather convinced himself that he saw it in excitement about having 15 Minutes of Fame in his old age.

Juror #5, swayed, switches his vote to not-guilty.  The debate goes on.

Juror #11 is now starting to think, asking questions of his own: If the boy killed his father, why return home three hours later?

To get the knife, the explanation goes.

If the defendant had a clear enough head to wipe his fingerprints from the knife and go back to get it, how was he in such a panic that he left it in the body in the first place?

Juror #11 switches his vote.  It’s now 8 to 4, and still hot as all get out, and they’re all still in a claustrophobic room with a broken fan.  Juror #3, aggravated from the beginning, flips out.

“Assumed? Brother, I’ve seen all kinds of dishonesty in my day, but this little display takes the cake. You all come in here with your hearts bleeding all over the floor about slum kids and injustice. You listen to some fairy tales. Suddenly, you start getting through to some of these old ladies. Well, you’re not getting through to me. I’ve had enough.  What’s the matter with you guys? You all know he’s guilty. He’s got to burn. You’re letting him slip through our fingers.”

Interesting statement from a supposedly unbiased jury member.  This doesn’t go uncommented on, as Juror #8 snaps back:

“Slip through our fingers?  Are you his executioner?”

“I’m one of ‘em.”

“Perhaps you’d like to pull the switch.”

“For this kid?  You bet I would.”

After another brief exchange, Juror #3 lunges at Juror #8, screaming: “I’ll kill you!” an eerie echo of the supposed words of the boy.  This further cements Juror #8’s point: we say stuff like “I’ll kill you” all the time, without meaning, or thinking about it.

Jurors #2 and #6 switch sides.  It’s 6-6, all tied up.

Outside, it starts raining.  The broken fan starts working.  The discussion turns to the boy’s alibi.

Juror #4 points out that the boy could not remember the names of the films he saw, or anyone in them.  Juror #8 counters by turning the question around and asking him to recall details of a trip to the movies a few days prior.  When Juror #4 cannot give a full, definitive answer, Juror #8 also addresses the fact that when the boy was first asked what the names of the films were, he was in his apartment, cornered by the police, with his father’s body still in the apartment.  In other words, the kid was possibly too stressed and frazzled to remember.

Juror #2 brings up the stab wound itself, saying that it was a downward stab wound, and asked how that would be possible, as the father was over six feet tall, and the boy was only 5’7.  Juror #3 stands up, taking the knife and, in a tense display, demonstrates on Juror #8 how this could be done, by gripping the knife overhand.  

Juror #5 steps up with an argument.  He, as he mentioned earlier, was raised in the slums, and he’s seen knife-fights before.  Nobody who knew what they were doing would hold a switchblade overhand.  It can’t open that way.  The boy had been in knife fights before, and it’s unlikely that he would have made such a rookie mistake.

Another voted is called.  It’s 9-3, Not Guilty.

Juror #10, enraged, stands up and begins to rant:

“You’re not gonna tell me you believe that phony story about losing the knife, and that business about being at the movies. Look, you know how these people lie. It’s born in them…They don’t know what the truth is. And let me tell ya, they don’t need any real big reason to kill someone either. No, sir. They get drunk. Ah, they’re real big drinkers, all of 'em. You know that. And bang, someone’s lying in the gutter. Well, nobody’s blamin’ 'em for it, that’s the way they are, by nature, you know what I mean? Violent!…Human life don’t mean as much to them as it does to us. Look, they’re lushing it up and fighting all the time, and if somebody gets killed, so somebody gets killed - they don’t care. Oh sure, there are some good things about 'em, too. Look, I’m the first one to say that. I’ve known a couple who are okay, but that’s the exception, you know what I mean? Most of them, it’s like they have no feelings. They can do anything. What’s going on here? I’m tryin’ to tell ya. You’re making a big mistake, you people. This kid is a liar. I know it. I know all about them. Listen to me, they’re no good. There’s not a one of 'em who’s any good….This kid on trial here…well, don’t you know about them? There’s a danger here. These people are dangerous. They’re wild. Listen. Listen to me.”

One by one, the other jurors turn their backs on him and his racially prejudiced tirade, until, subdued, he goes to sit by himself in a corner with nothing else to say.

Juror #8 makes another impassioned speech:

“I don’t really know what the truth is. I don’t suppose anybody will ever really know. Nine of us now seem to feel that the defendant is innocent, but we’re just gambling on probabilities. We may be wrong. We may be trying to let a guilty man go free, I don’t know. Nobody really can, but we have a reasonable doubt and that’s something that’s very valuable in our system. No jury can declare a man guilty unless it’s sure. We nine can’t understand how you three are still so sure.”

Juror #4 brings up the woman’s testimony from across the street.  He is quickly shot down by Juror #9’s sharp eyes: the woman had marks on her nose from glasses, suggesting that she wore them often.  People who wear glasses do not sleep with them on (as someone who wears glasses, I can confirm).  She was in bed at the time of the killing, happening to look out her window at around midnight to see the murder through the passing cars of an el-train, about six seconds of time total, in the dark, not wearing her glasses.

Juror #4 changes his vote, as does Juror #10.  It’s 11-1, Not Guilty.  This time, Juror #3 is the lone holdout.  He goes on a tirade as well, ranting about having all of the facts, all of the evidence on his side, and as he pulls out his wallet to prove it, a picture falls out: one of his and his son.

In a burst of realization that his anger is not directed towards the defendant, but rather his own son, Juror #4 breaks down, and the final vote is called: unanimous, Not Guilty.

Juror #1 knocks on the door and tells the guard that they’re ready to give their verdict.  The men file out, Juror #8 staying behind a moment to hand #3 his jacket.

Once outside the courthouse, Juror #9 and Juror #8 exchange names and smiles.  Juror #9, McCardle, says ‘so long’, and heads off.  Juror #8, Davis, walks down the courthouse steps, and disappears out of shot.

The end.

For being just over an hour and a half with only three settings, the film seems like there is a lot more to it than one would think.  We don’t even learn most of the juror’s names, and yet they seem like fully developed characters, and we feel the satisfaction of justice well served.

Or do we?

One of the most interesting things about this movie is that neither the jury, nor the audience, ever finds out if the boy is guilty, or not.  Only that there is reasonable doubt.  By the same token, there is plenty of evidence to convict him.  Even Juror #8 admits that he does not know if the boy is innocent, or guilty, and it’s left to the audience, as it was left to the jury, to make up our own minds about it.

Sobering, isn’t it?

As for me?  I don’t know.  Maybe he’s guilty.  Maybe he isn’t.  That doesn’t change the thrust of the movie.

The idea of the movie, the point of it, is that we have this system for a reason, and by showing us an assortment of the type of people who can end up on a jury, we are called to think about, and respect, our duty to our legal system.  We don’t want to be Juror #7, switching sides based on how fast he thinks they can get out so he can get to his ball game, or Juror #10, who allowed his hatred to cloud his reason, or Juror #3, who didn’t realize that he was trying to punish his own son based on his anger, instead of the actual defendant based on reason.  We want to take this seriously, like #9 and 11.  We want to know, want to believe, that in the end, there is a truth, and justice will prevail.

We want to be the Hero, Juror #8, on his Hero’s Journey for the truth.

Another thing we don’t know is what happens to each juror after the movie is over.  The film takes place over the span of one day.  We have no way of knowing if this affects anyone, if Juror #7 learns to be more cognizant of things around him, if Juror #10 turns from his racist views, or if Juror #3 reconciles with his son.  We just don’t know.  The film is full of ambiguity, and in that, it feels bitterly real, even if it isn’t realistic.

In that respect, the film makes quite an impact.  It stays with you.  It makes you think.

And the audience is the better for it.

Thanks so much for reading!  If you enjoyed it, please stay tuned to join us for the remainder of our study of 12 Angry Men. Don’t forget that my ask box is always open.  Thank you guys so much for reading, and I’ll see you all in the next article!

[lifejustgotawkward]

365 Day Movie Challenge (2019) - #128: 12 Angry Men (1957) - dir. Sidney Lumet

On one of the hottest nights at the end of this past July, I revisited one of the all-time classics of American cinema, 12 Angry Men, which was available thanks to TCM on Demand. I don’t think I had seen the film in its entirety since I was a kid, and although I remembered the plot and the ending quite well, I knew it would be good to see Sidney Lumet’s feature directorial debut again with fresh eyes.

Adapted by Reginald Rose by a story he originally wrote for the “Studio One” anthology TV series, Men is built on a simple yet almost flawlessly realized idea: a jury is expected to render a verdict as to whether a teenage boy is guilty of stabbing his father to death. In the group’s first vote, eleven men agree on conviction, but the lone holdout, Juror 8 (Henry Fonda), is not so certain. Over the next few hours, he sways more and more of the men with detailed analyses of the case’s multiple possibilities for reasonable doubt, but a few of the men hesitate or outright refuse to change their minds, like Juror 3 (Lee J. Cobb), whose fraught relationship with his own son has prejudiced his ability to fairly judge the accused; Juror 10 (Ed Begley), a racist who wants to believe the worst of the boy on trial since he comes from a lower-class background; and Juror 4 (E.G. Marshall), whose stubborn stance is tinted with an air of moral superiority. Juror 7 (Jack Warden), meanwhile, is so lazy and resentful of being stuck in the jury room that he doesn’t even want to be bothered with the concept of changing his tune.

The performances by the actors playing the more reasonable men on the jury are equally impressive. Joseph Sweeney does fine work as Juror 9, the elder statesman in the room; Jack Klugman brings believability to Juror 5, whose upbringing in a slum is a motivator for his first “not guilty” vote; John Fiedler, best known as Disney’s voice of Piglet, is appropriately cast as Juror 2, who is timid until the moments when he feels strong enough to challenge the worst bigots at the table; George Voskovec as Juror 11, whose immigrant identity gives a more nuanced perspective on American values and the purpose of the justice system; Edward Binns as Juror 6, a house painter who sticks up for elderly Juror 9; lastly, Martin Balsam is solid as the foreman, Juror 1, who frankly doesn’t say much. If there is a single weak link, it’s Robert Webber as Juror 12, the ad executive who would rather chat and goof off than put in the effort of figuring out a verdict, but he’s not bad, just not on the level of his fellow actors.

In a little over an hour and a half, the film unfurls to present a thoroughly gripping drama. Boris Kaufman’s black-and-white cinematography captures every drop of sweat that glistens on the men’s faces - the narrative takes place in New York City on a brutally hot July day, much like the one I withstood while watching - and composer Kenyon Hopkins’ score strikes the right notes, making 12 Angry Men a must-see for students of Hollywood history.

[letterboxd]

Cannes Premieres.

“I queued for four hours to see this, and knew it had been worthwhile within the opening four minutes.”

With the awards handed out and the red carpet rolled up, we know who the official Cannes 2019 winners are. But the real question is: what stood out for Letterboxd members? With so many of you in attendance, we’ve plundered your reviews and ratings to confidently deduce a completely unofficial, non-verifiable yet utterly impressive list of the top 10 dramatic premieres at Cannes.

Regular readers already know our enthusiasm for Bacurau, and Rocketman really doesn’t need our help (it opens in cinemas round the world this week), which is why they’re not on the list.

So, with the help of our roving correspondent Doug Dillaman and all the Letterboxd folk who made their way to the French Riviera, we present Letterboxd’s top ten Cannes premieres for 2019.

Parasite Written and directed by Bong Joon-Ho

In awarding Parasite the Palme d’Or, the Cannes jury merely affirmed what Letterboxd members already knew: the latest by Korean director Bong was the hands-down best entry in the competition, stealing the limelight not only from Quentin Tarantino (whose film premiered on the same day) but a star-studded directors lineup.

Stina Beana Wood sums it up: “It’s slick, it’s smart, it’s Bong flexing his cinematic strength with unparalleled precision… I lol’ed many a time… and finally, was left with the satisfaction of a sensational, social-status-satire story.”

While you’re waiting for Parasite to hit your shores, be sure to avoid spoilers per the director’s request. In the meantime, here’s a list of films personally selected by Bong to get you in the mood for Parasite!

The Lighthouse Written and directed by Robert Eggers

One of the impossible-to-get tickets of Cannes 2019 premiered in Directors’ Fortnight, in part because of anticipation of the new film from the director of The Witch and in part because of the presence of the rumored new Batman himself.

Our Cannes correspondent was shut out despite waiting 90 minutes in the rain, but those with even more dedication found their efforts duly rewarded, like Blaise Radley: “I queued for four hours to see this, and knew it had been worthwhile within the opening four minutes. Stark, dizzying, stomach-churning—this is a surprisingly different beast to The Witch, but it’s in exactly the same tier… Needless to say, Dafoe and Pattinson are phenomenal.”

Portrait of a Lady on Fire Written and directed by Céline Sciamma

Some see the inclusion of four female directors in Competition as a high-water mark, others as a glaring reminder of how far we still have to go to achieve gender equality. Little Joe and Atlantique both brought home prizes, but the latest from the director of Girlhood took top marks not only as the best female-directed film, but one of the very best of Cannes.

Letterboxd member notmckinzie was more specific than most in her effusive praise: “Someone took all of my interests and did a study about what was gonna make me lose my goddamn mind and then they gave the results to Celine Sciamma and let her do her thing and now we have this! Throw in the mythic allegory, lots of women, 1800s period setting, fine art, pro-choice messaging, and lots of sexual tension?? We have a winner, ladies!” Also: Ehrlich has found his new Carol.

Once Upon a Time in Hollywood Written and directed by Quentin Tarantino

The hottest ticket in town became even hotter after Tarantino cancelled the traditional last-day re-screening in order to re-edit the film, meaning those lucky few who got in will be the only ones ever to see this cut. Its detractors called it meandering, but fans loved getting lost in its reverie of 1969 Hollywood. Take Lou Hicks: “Once Upon a Time in Hollywood is wonderful. It’s like Tarantino is just dreamily reminiscing for our benefit. Feels innocent somehow—lovely, pure, hilarious, charming.”

Atlantique Directed by Mati Diop

Even before Mati Diop’s freshman feature screened, she was assured of making history, as the first black woman in Cannes Competition. But her otherworldly seaside tale cast a spell on the 4pm audience, earning a lengthy standing ovation, and jury members were equally rapt. It was, as Chin Lin Gan writes : “An awe-inspiring, disciplined, rigorous and terrifying piece of work [that] operates on a hypnotic and almost occult powerful mode of storytelling that makes you think of folk-tales that grip generations and generations.”

Sorry We Missed You Directed by Ken Loach

British activist Loach has long been a staple of the Cannes competition, but for both veteran fans and those new to Loach, his cautionary tale about precarious lives in the gig-economy resonated, not only as one of his strongest films but one of the strongest of the festival. Sebastian Chan heralded it as: “Brilliant, powerful stuff from Ken Loach … Funny, heartbreaking and eye opening; this is one of those must see films.”

And Then We Danced Written and directed by Levan Akin

Call Me By Your Name fans, your new obsession is here. This Georgian tale of first love and dance prompted no fewer than six Letterboxd members to compare the two films (with George Wood going one step further, dubbing it “Call Me By Your Name meets Whiplash”). Other members, though, felt no need for comparisons, with Emma declaring it: “Stunning and incredibly moving. Love poured out of every shot. Films like this are the reason I wanted to come to Cannes.”

Deerskin Written and directed by Quentin Dupieux

The absurdist creator of Rubber and Wrong has divided Letterboxd members fiercely in the past, but early reviews agree that Deerskin, the opening film of the offbeat Directors’ Fortnight, is a giant step forward and his best film yet. What is it about? Let’s let Anton Vanha-Majamaa summarize: “A hilariously odd and an oddly hilarious film about a divorced, worn-out man (the amazing Jean Dujardin channeling Colin Farrell in The Lobster) who becomes obsessed with a deerskin leather jacket that seems to have a mind of its own.”

Papicha Written and directed by Mounia Meddour Gens

The Invisible Life of Euridice Gusmão may have won Un Certain Regard, but the debut feature by Mounia Meddour Gens, following a woman in 1997 trying to put on a fashion show in the midst of oppression, pipped it to the post with our members. Clara declared it: “The best film I watched in Cannes. Absolutely loved it. It’s heartbreaking and beautiful. I walked into the screening not really knowing what to expect, but I was mind blown.”

A Hidden Life Written and directed by Terrence Malick

Terrence Malick’s three-hour WWII epic may have come home empty-handed from the Croisette and divided the press, but Letterboxd members loved it more than most (including our own Cannes correspondent). Savina Petkova named it: “The best film you can see in 2019, simply put. A timeless meditation on human suffering, the nature of evil and how it relates to our crooked nature.”

Special mentions The highly acclaimed documentary For Sama, and two films that opened in their domestic territories prior to Cannes: Pedro Almodóvar’s Spain-premiered Pain and Glory and Kirill Mikhanovsky’s Sundance premiere Give Me Liberty.

[ukfineartsresearch]

UK SA/VS students compete at national conference

By: Michaela Bowman

At the National Conference on Contemporary Cast Iron Art and Practices, a total of eight UK SA/VS students had nine or more artworks shown across three exhibitions. The exhibits included more than 200 pieces from artists all over the country with two pieces being juried by Professor of Sculpture Jeremy Colbert in the “Rare Few” exhibition. Students won two awards at the Student Coupla Contest as well as Hottest Metal and Best Crew.

Professor Colbert also presented his presentation “Safety Protocol, and Policies within the University” as well represented the University of Kentucky in “The Grind”, a recruitment event for students looking for graduate programs. In addition to the students in attendance, there were 15 UK alumni involved with the conference including Conference Co-Chair Andrew Marsh, Solo Exhibitionist for the Charles Hook Award Gerry Masse, and many others who taught workshops, presented, volunteered, panelists, and tours. 

The National Conference on Contemporary Cast Iron Art and Practices is a biennial convergence of students, educators, academics, and professionals dedicated to exploring and advancing cast iron as an art medium. Support from this conference helps the Metal Arts Program at Sloss Furnaces National Historic Landmark preserve the history and knowledge integral to working with cast iron processes. In turn, Sloss Metal Arts provides opportunities that propagate and expand technical, aesthetic, and conceptual issues pertinent to the discipline. Collectively, this National Conference and Sloss Metal Arts create a magnetic field that helps hold the community together.

[aion-rsa]

Marvel’s Hawkeye Trailer Breakdown and Analysis

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With What If…? still in the middle of streaming on Disney+, it’s never too early to start thinking about MCU Christmas, and the first Hawkeye trailer has arrived to let us get a feel of that expensive present way ahead of time, even as Marvel continues to add the bows (sorry) and trimmings to Clint Barton’s upcoming TV series behind the scenes.

Starring Jeremy Renner reprising his role as Barton/Hawkeye and introducing Hailee Steinfeld to the MCU as his eager archery prodigy Kate Bishop, Hawkeye also boasts a supporting cast that features Vera Farmiga, Fra Fee, Tony Dalton, Zahn McClarnon, Brian d’Arcy James, and Alaqua Cox as Maya Lopez (aka Echo). There’s no sign of Florence Pugh’s Black Widow character Yelena Bolova in the trailer, but you can expect to see her pop up, too. The series has been directed by Rhys Thomas (Documentary Now!, Comrade Detective) and duo Bert and Bertie (The Great).

Now, if you haven’t seen that Hawkeye trailer yet, check it out below…

And here’s an official synopsis from Marvel:

“Former Avenger Clint Barton has a seemingly simple mission: get back to his family for Christmas. Possible? Maybe with the help of Kate Bishop, a 22-year-old archer with dreams of becoming a Super Hero. The two are forced to work together when a presence from Barton’s past threatens to derail far more than the festive spirit.”

Hawkeye will be heading our way at the end of November, but the trailer does give us a pretty good idea of what to expect, so we’re breaking down everything we learned from it right here.

Matt Fraction

Like so much of the MCU, Hawkeye isn’t adapting any particular storyline beat-for-beat. It is, however, drawing a lot from one particular (and excellent) run of comics. Matt Fraction and David Aja’s Hawkeye series is essential reading, not just if you’re a Marvel fan, but if you love comics in general. A lot of the characters (human and otherwise) that we’re meeting here, and the general tone of Clint as an exhausted everyman getting his ass handed to him at every opportunity, are really straight out of those stories.

Linda Cardellini

It’s winter in New York and Clint is determined to give his kids a proper post-blip holiday. During the events of Avengers: Endgame, Clint was able to help bring his family back from Thanos’ brutal Snap, so it looks like he’s going to go all out this Christmas with dinner and tickets to the hottest new show in town: Rogers: The Musical (more on that in a bit).

But missing from the family trip is Clint’s doting wife Laura (Linda Cardellini). Perhaps she couldn’t join the gang in New York for whatever reason (Cardellini may have been busy filming Dead to Me Season 3), but we do later see Clint assuring Laura on the phone that he’ll be back with her very soon.

Clint Barton’s Hearing Aids

The character of Hawkeye has been depicted as partially deaf in the comics at multiple points in his history since the early 1980s. It’s never been implied that the MCU’s Clint Barton suffers from hearing loss, but Clint is clearly shown wearing hearing aids in the trailer. We’ll probably get some kind of in-universe explanation for this, but really, Clint has been around enough explosions in his life that it’s probably self-explanatory. Now, in the comics, the incident that brought on new hearing loss for Clint was tied very directly to the story that this show is drawing a lot of inspiration from, but we won’t get into that for now.

The Captain America Musical

We get an amazing glimpse of the Captain America show that Clint is taking his kids to. Rogers: The Musical even has its rave reviews plastered outside the theater, like “a timeless story of a timeless hero” and “a super-powered sensation” but the actual stage performance is just so wild.

Actors cheaply dressed as Thor, Loki, and Tony Stark perform a group number while a couple portraying Clint and Natasha Romanoff are higher up on stage. The actor playing Steve looks like more like Antony Starr’s Homelander in The Boys than Steve Rogers, but the jury’s out on whether that’s purely accidental or a cheeky nod to Amazon’s uber-violent superhero series.

A Captain America musical really was genuinely in the works at one point, and if you’re not familiar with that very strange tale, we wrote about it in more detail here.

Kate Bishop

There’s a lot of Hailee Steinfeld’s Kate Bishop in this trailer, as you would expect from a series that plans to hand the Hawkeye mantle onto her, just as Marvel did in the comics.

From how we understand it, Kate is Hawkeye’s biggest fan, and has modeled her “world’s greatest archer” thing on him. Something tells us that she’s going to be a little disappointed in her hero once she gets to hang out with him up close, as their relationship in the comics is definitely not your usual superhero/sidekick dynamic. Expect lots of fun banter and exasperated looks from both.

Young Avengers

The arrival of Kate is yet another massive key to what appears to be the MCU’s version of the Young Avengers being slowly introduced through all these Disney+ shows. WandaVision brought Wiccan and Speed to the party, The Falcon and the Winter Soldier gave us Elijah Bradley, and Loki introduced Kid Loki. While we wouldn’t expect this any time before 2023, it sure does look like Disney+ wants an MCU Young Avengers show in the not-too-distant future.

Ronin

If you thought the MCU was going to forget Clint’s Ronin killing spree during the Blip, you thought wrong. It looks like the damage he inflicted on criminal gangs during the time he stayed off the grid is going to come back and bite him in the ass during this series, reignited by Hawkeye fangirl Kate Bishop choosing to don the Ronin garb and dish out some local justice with her bow and arrow.

The Ronin situation did seem to have been quickly swept under the rug when Natasha dragged Clint back to Avengers HQ for some time travel shenanigans in Endgame, but we learn here that there are plenty of people who haven’t forgotten Clint’s vengeful sword work, and they’re extremely pissed off.

News reports in this trailer (which come via actual NYC local cable news outlet NY1 rather than the usual fictional MCU channels) indicate that people think that Kate’s darkly hooded attire means that Ronin is back, but we have another theory on this…

Is Ronin really Maya Lopez/Echo?

We’re pretty sure we only get one very brief shot of Alacqua Cox’s Maya Lopez in this trailer. Maya Lopez briefly took on the Ronin identity in the comics, as well, and began her career as a Daredevil antagonist (we’re not going to open the MCU Daredevil can of worms just yet). Is it possible that when we first meet Echo here, she’s hunting down Clint while wearing the Ronin garb?

If that’s the case, then the individual in the Ronin costume wielding a sword during what appears to be a little dust-up at a renaissance fair isn’t Kate, but Maya! Echo has the Taskmaster-esque ability to mimic other people’s fighting styles, so it’s easy to imagine how easily she could pick up a sword and become a big hit at an event like this. Anyway, while we can’t be sure, for the moment our money is on this being our first real look at Echo in the MCU.

Vera Farmiga

The Conjuring and Bates Motel star Vera Farmiga is playing Kate’s mom Eleanor Bishop in Hawkeye. The character seems very fancy from the brief shot we get of her, and that’s no accident. In the comics, Eleanor was the matriarch of a very wealthy Manhattanite family.

She apparently died at one point but was later revealed to be very not dead, and behind the actions of Kate’s nemesis, Madame Masque. You don’t get Vera Farmiga in for a throwaway role, do you? Nah, we can almost definitely expect some villainous stuff from the actress here, but those secrets are kept closely guarded in this first trailer. Did we mention that she might also be a vampire? Look, comics are wild, folks.

We have more details on who she’s playing here.

Lucky the Pizza Dog

The very best boy in all of Marvel Comics history finally makes his live action debut. While Clint and Kate were the obvious headliners of Matt Fraction and David Aja’s Hawkeye comic, Lucky was unquestionably the third star, even getting an entire issue told solely from his canine point-of-view. It is, no joke, one of the best single issues of any Marvel comic of this century and you should read it immediately.

You’ll note that Lucky appears to have only one eye in this pic. That’s because Clint names him “Lucky” since the poor pup is anything but. Kinda like Clint himself. Pet Avengers, please continue to assemble!

Tracksuit Draculas

The “tracksuit mafia” are a group of low level Russian organized crime operatives who make it their business to harass Clint Barton. We don’t appear to see their boss, the Clown (played by Fra Free) anywhere in this trailer, but these guys aren’t terribly bright, are pretty ruthless, and like to refer to everyone and everything as “bro.”

It’s definitely them chasing Clint and Kate, not just as evidenced by the fact that someone is hanging out the window of a car while clearly outfitted in a tracksuit, but also because of this delightful detail:

Well, bros? What did you think? Did you spot anything we missed? Let us know in the comments!

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Hawkeye will be streaming on Disney+ from November 24.

The post Marvel’s Hawkeye Trailer Breakdown and Analysis appeared first on Den of Geek.

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[theperfectbath]

"The day you plant the seed is not the day you eat the fruit."

Being the type of creature than can adapt to virtually any environment, a human is a remarkable species.  Time has shown that we can not only withstand the elements, but transform them for our favor.  Thus, we have created farms, roads and homes capable of sustaining our fragile lives in essentially every known corner of this perfectly off-tilt planet.  However, time has written so much of our human story so long ago and much of this world has long since been established in the image of people.  We have always labeled this as progress, but the jury is still out to decide the fate of our planet and our species, yet for now we can only speculate.

Like so many of us, I was born into the well-known yet misunderstood American narrative of the middle class.  Food was provided for me from a grocery store, which changed it's name six times since I was born, each revealing just how long we've lived in this town (kind of like rings on a tree).  I never thought about where it came from or how strange it is that you can find perfectly fine red and green apples throughout the entirety of the year.  Fruit's ability to grow is sensitive to the seasons, yet we have outsmarted them and found ways to sneak in fruit from other states fooling the consumer to think we live in a perfect place.  There are no bruises on any of the fruits found at local chains and each have a sticker reminding you that it is indeed that type of fruit, you can even eat said sticker.

The reality is that we were likely born into a time that is wildly more abundant than any other imaginable part of history.  While that previous statement rings true for only a fraction of the world, this author recognizes his unprecedented amount of privilege he was born into.  However, all of us are accountable for the hefty tab we are accumulating from our stay at this planet's five star hotel and I believe our debt began long before we ever checked in.  So, it seems strange to me when I hold a perfect apple, or heck a pineapple, in my hand with no knowledge of its origin and I think I am starting to understand why.  I guess I just never realized how much I take for granted.

Seasons change.  Where I live, we are absolutely blessed with four seasons and even though we complain daily about each one as they occur, we do take pride in them and find ways to celebrate.  For some of us, maybe all of us, we have a favorite season that we quietly look forward to all year.  I'm getting excited just thinking about it and I'm struggling to find ways to preface my enthusiasm; I love the fall!  I love it so much and I'm not going to spoil the fun of summer by listing everything so great about the witchy time of year.  Transience is a river of life flowing and it should never be rushed, I can appreciate the hottest time of year for what it is (to some, an introvert's nightmare).  But it's coming and with it are coming some amazing changes for all of us, especially our team at Earth Berry Apothecary.  Just stay tuned on that one, I'm not allowed to spill the beans, but we've got this fall thing under control.  I sincerely think you're going to love the makeover that is coming to our company's process and we're just thankful to be a part of it.  I just want it to be known in our short time in this journey that we are grateful as we plant these seeds and we are creating our farm with humility.

Gratitude is the only language that should be spoken between humans and nature.

[kaialone]

Yokai Watch Movie 4: Website Update

The offical website for the fourth Yokai Watch movie has been updated with new information, revealing the voice actors for two of the main characters, and some of their comments on working with the movie and their characters.

This contains some major spoilers, so proceed with caution!

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Mastertag for pre-release Movie 4 information.

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Before you read this, please note that my translations of the actor’s personal comments might be less accurate than my usual translations, as there is a bit of a difference between you know, text from a game or website and actual people talking. So there might be more minor errors than usual.

ゲスト声優決定！ 上白石萌音、千葉雄大がシリーズ史上、最大・最強の敵と戦う「主人公」として参戦！ Guest voice actors have been decided on! Mone Kamishiraishi and Yudai Chiba participate as the "protagonists" in the fight against the strongest enemy in the history of the series!

今最も注目されている若手女優・上白石萌音。 The young actress who has been drawing in the most attention lately: Mone Kamishiraishi.

2011年の東宝シンデレラで審査員特別賞を受賞して以来、映画、舞台、歌手と、幅広く活躍。今季大注目ドラマ「陸王」でもヒロインを演じています。声優としても、歴史的大ヒットとなった「君の名は。」のヒロイン役で実力を発揮し、大注目。 Ever since she won the Special Jury Prize at 2011's Toho "Cinderella", she's been widely active in movies, on stage, and as a singer. She even played the heroine in this season's hottest drama "Rikuo". And she also received great attention with her role as the heroine in "Your Name", which became a historic huge hit, showing of her ability as a voice actress.

上白石萌音が演じるのは、新主人公の１人であり、新たな妖怪ウォッチ「エルダ」を手にする13歳の女の子・ナツメ。 Mone Kamishiraishi will be playing one of the new protagonists, Natsume, a 13 year-old girl who obtains the new Yokai Watch "Eruda". (1)

Note: The Yokai Watch “Eruda” was first shown off back in July.

さらに、衝撃の情報も解禁！ なんとナツメは現アニメ主人公であるケータの娘だということが明らかに！ 「妖怪ウォッチ」と強い繋がりを持ち、強大な敵に立ち向かう勇気ある女の子役に上白石萌音が挑みます！ Furthermore, shocking information is also being revealed! It has become apparent that Natsume is actually the daughter of the current anime's protagonist Kēta! Mone Kamishiraishi tackles the role of a brave girl, with a strong connection to the "Yokai Watch", who faces mighty enemies!

＜天野ナツメ役／上白石萌音　コメント＞ (Playing the role of Natsume Amano/ Mone Kamishiraishi's comment:)

声優のお話を聞いた時は驚きました。私はおとなしいイメージを持たれる事が多いので、先陣を切って戦うナツメのような役は憧れでもありました。「妖怪ウォッチ」は大人にも子どもにもずっと愛され続けているアニメなので、凄く光栄に思っています。 I was suprised when I was first told about the role (1). I am in things with a quiet image a lot, so a role likeNatsume, who takes the lead in a fight, was something I've been yearning for. Since "Yokai Watch" is an anime that has been loved by both adults and children for a while now, I feel honored.

Note:

I am unsure if I got the first line there right.

演じるナツメは真っ直ぐで、でもおとぼけなところもあったり、親しみやすくて自分の友達のように見てもらえるキャラクターです。そんな親しみやすさを声にこめたられたらと思っています。それに、今のアニメ主人公・ケータの娘と聞いて、ワクワ��しました！運命のようなものを感じさせる、妖怪ウォッチファンの皆さんもゾクゾクするような設定だと思います。 Natsume, who I play, is straightforward, but there are also things you wouldn't expect, she is a friendly character who seems like she could be your own friend. I wonder if I could put that friendliness into the voice. Also, I was very excited when I heard she was the current anime's protagonist Kēta's daughter! It's a setting that makes you feel like it's fate, something I think will be thrilling for everyone among the Yokai Watch fans, too.

千葉雄大さんとはずっとご一緒したいと思っていたので嬉しいです。作品ごとに新しい千葉さんがそこにいて、トウマと同じく千葉さん自身も“憑依型”の役者さんなのではないかなと思っています。 I'm glad, because I've always felt like I wanted to work with Yudai Chiba-san. For every work, there is a new Chiba-san, so I can't help but feel like Chiba-san himself is a "possession-type" actor, much like Touma himself.

ステージで歌うよりもアフレコの方が緊張していますが、強大な敵と戦っていく壮大なストーリーなので、恐れずに全力でぶつかっていきたいと思っています。妖怪の友達もたくさん増やしたいです！ Compared to singing on a stage, I'm more nervous when dubbing, but since it's a magnificent story about fighting a powerful enemy, I felt like I wanted to strike with all my might, rather than being scared. I also want make lots of more yokai friends!

大人気ドラマ、大人気映画に出演し続ける、大人気俳優・千葉雄大。 The immensely popular actor, who continues to appear in immensely popular dramas and immenseley popular movies: Yudai Chiba.

モデルとしても活躍しながら、「天装戦隊ゴセイジャー」のゴセイレッドで俳優デビュー。ＮＨＫ連続ドラマ小説「わろてんか」でも、主人公・てんに大きな影響を与える爽やかな兄として、話題に。 While he also worked as a model, his acting debut was as Gosei Red in "Tensou Sentai Goseiger". He also became a topic of conversation as the protagonist Ten's older brother, who had a huge impact, in NHK's drama series "Warotenka".

千葉雄大が演じるのは、もう１人の主人公であり、ナツメとは別の新たな妖怪ウォッチ「オーガ」を手にする13歳の少年・トウマ。闇に囚われ、悪と正義の間で揺れるという「妖怪ウォッチシリーズ」では今までにいないタイプのキャラクターで、なんとジバニャンと戦うシーンも！「チバＶＳジバ」の戦いも大注目！ Yudai Chiba will play another one of the protagonists, Touma, a 13 year-old boy, who obtains the "Ogre", a new Yokai Watch different from Natsume's. (1) Imprisoned by darkness, he is a type of character who was never been seen in the "Yokai Watch series", swinging back and forth between good and evil, to the point where there is even a scene where he fights Jibanyan! The battle of "Chiba VS Jiba" is also a hot topic!

Note:

The Yokai Watch “Ogre” was shown off recently.

かつて「ゴセイレッド」として世界を救った千葉雄大が、妖怪たちと協力して、再び世界を救います！ Yudai Chiba, who once saved the world as "Gosei Red", will now work together with the yokai and save the world once more!

＜月浪トウマ役／千葉雄大　コメント＞ (Playing the role of Touma Tsukinami/ Yudai Chiba's comment:)

大人気の作品で、今回、声優として参加させて頂けることをすごく嬉しく思っています。 I feel very happy that this time I can take part in a very popular work as a voice actor.

ギャグ要素だったり、時事ネタだったり大人でもクスッと笑ってしまうところも魅力の一つだと思います。 For things like gag elements, current topics, and the like, I think one of their charms is when they can even make adults chuckle.

今回の映画では、今までの妖怪ウォッチの雰囲気もありつつ、大人でもグッとくる内容になっています。その一端を担うのが、トウマだと思うので、繊細でどこか孤独を感じている少年を演じられたらと思います。 While the atmosphere of Yokai Watch so far is still there, this movie has become something that is touching even to adults. Since I feel like Touma plays a part in that, I wanted to play him as a boy who feels delicate, and somewhat lonely.

アフレコは不慣れな所もあるのですが制作者のみなさまから作品に感じたものを心で表現して頂けたら、とおっしゃって頂いたので、改めて役者として心を込めて演じたいと思います。 Altough there are parts about dubbing that were unfamiliar to me, but as all the creators told us we could express the feelings of their work with our hearts, I felt like I wanted to perform with my whole heart as an actor again. (1)

上白石萌音さんの印象は、お芝居はもちろんですが、声がすごく綺麗な女優さんだと思うので、勉強させて頂きたいです。 Of course Mone Kamishiraishi-san left an impression on me with her theatrical performances,  but I also think she is an actress with a beautiful voice, so I would like to learn from her.

みんなでなにかを成し遂げることの大切さや普段気付かないけど支えてくれる人の温かさなども描かれる大人でも楽しめる作品だと思います。アクションシーンも大迫力です。ぜひ、劇場でご覧下さい！ It think it's a work that even adults can enjoy, which portrays the importance of working together to accomplish something, the warmth of people who support you even if one doesn't always notice it, and more. The action scenes are also very powerful. By all means, please pay the theatre a visit!

Note:

I am really not sure if I got that line right.

[cannabisprnewera]

The Strongest Strains on the Planet

Have you tried any of 2019’s strongest strains? Some of these strains have now reached whopping THC levels of over 35 percent!

Worlds-Strongest-Strains-In-The-WOrld

In the great wide world of contemporary cannabis, we’re certainly not smoking reggie anymore. While the jury is out on how accurate the inspection of cannabis really is when it comes to THC percentage, there is no doubt that today’s herb is more potent and more craft than it has ever been in the past. Classics and new-school blends now co-exist in harmony, setting the stage for some truly earth-shatteringly good marijuana strains. Over the past five years, we have been some impressive new kids on the block. Many of these new creations have quickly earned their place among the strongest strains on the planet. To keep you updated on the very best strains in the world, this master list highlights strains and products that are truly exceptional.

The strongest strains in the world

Back in the 1970s, the average cannabis plant clocked in at a little over one percent THC. Nowadays? The hottest connoisseur strains can feature thirty times that much. Not only is cannabis stronger than it has ever been in history, but the friendly herb now comes in a variety of colors, flavors, and can produce a surprising bouquet of experiential effects. In an effort to highlight some top-notch flowers, here are some of the strongest weed strains in the world.

Nova OG

Nova-OG-Marijuana-Strain

Another Manali West treat, Pink Starburst has tested as high 32.49 percent THC. This hybrid is a complicated cross between DJ Short’s Blueberry, Headband (Underdog OG), and AJ Sour Diesel (BX3). The strain was then backcrossed on itself to produce Pink Starburst. Well that’s some skilled breeding, right? The result is a strain with indica growth patterns but more of an uplifting sativa experience, a true craft flower.

Lemon Head

Lemon-Head-Marijuana-Strain

This is a blend that features Faceoff OG. Named after the 1997 Nicholas Cage and John Travolta classic, Faceoff (where John Travolta literally steals Cage’s face). It has also been said that the high that’s experienced from smoking this strain can be compared to actually “losing your face” because of the tingling sensations and dizzying head high. Infusing this with a Lemon lineage of cannabis is the perfect way to breath new life into a strain from the 90’s reserved for longtime smokers. The Lemon G of the combination adds a zesty energy to the high that might normally leave you stuck. Although not a pure Sativa the combination of the two parents offers a good balance for pain relief or just general relaxation. Lemon Head has levels of THC that are approximately 22 percent.

NYC Diesel

One of the original Diesel strains, this Sativa dominant strain is the hybrid of Afghani and Mexican original strains. The result is a strain that delivers the perfect body elevation for a deep and consuming state of tranquility. Similar to Sour Diesel, smoking this will offer a chattier high and will help relieve symptoms of social anxiety. NYC Diesel has also been known as a potential aphrodisiac. Aromas are pungent, but instead of skunkiness, anticipate strong lime and fruit aromas. It weighs in at 22 percent THC.

Cherry Pie

Cherry-Pie

A mix up of that Grandaddy Purple and Durban Poison this strain tastes exactly how you would expect it too. With hints of fruity aromas and berry flavors, it’s got a calming quality when smoked. Cherry Pie makes for a giggly high and is perfect for the movies or brunch. Its fruity components will compliment the fun vibes you will get since the high allows you to still be sociable. This strain is perfect for fueling the imagination too. Its THC levels are approximately 21.8 percent.

Chemdawg

Chemdawg is a popular and pungent strain that has quickly become a staple for many. Measuring in at a hefty 28.2 percent THC, it’s a hybrid of Sour Diesel and OG Kush and undeniably one of the strongest strains on the planet. Beware of the stinkiness of this strain– like most Diesels, it’s easy to catch a whiff of from far away. This strain delivers a full body high so prepare to feel all the feels after smoking this.

Irish Cream

Irish-Cream-Marijuana-Strain

This Indica is raised by Mighty Irish Seeds crossbreeding Real McCoy with Cookies and Cream. It stems from a blend of Girl Scout Cookies. One can expect the same full-body mellow and cerebral high. With an indica-heavy smoothness, Irish Cream will have you high af. Expect a sticky melty feeling combined with a sweet and earthy flavor. But like most real McCoys it will leave you carefree too. This strain has THC levels of approximately 27.1 percent.

Rude Boi

Rude-Boi-Marijuana-Strain

Rude Boi isn’t just for Rihanna anymore. Coming in strong at 26.9 percent THC this blend hails from the South East regions of Atlanta. This strain is named after it’s the original grower “Rude Boi.” This strain includes components of OG Kush, Irene OG, and Faceoff OG to offer the perfect trifecta of sophisticated smoking. Smoking this potent blend will trigger nostalgia of dankness and memories of all things “old-school.”

White Tahoe Cookies

White-Tahoe-Cookies-Marijuana-Strain

White Tahoe Cookies is the one to watch in 2018. Originally grown by @Kush4Breakfast and distributed through Archive Seed Bank. This strain is a blend of The White, Tahoe OG and Girl Scout Cookies. Perfect for sedating a racing anxious mind giving off a citrus flavor offset by a skunkier taste. Expect to see this nug up and down the West Coast. With THC levels coming in at 27.15 percent, it’s safe to say this is one of the strongest strains on the planet.

Blue Magoo

LA Photographer Bentley Rolling described this beauty as a heavenly blend between the strains DJ Short Blueberry and Major League Bud. The nug photographed was grown by Happy Cabbage Farms. This potent herb has aromatic scents of blueberry and other fruity characteristics and being a hybrid smoking it allows the best of both worlds with an energizing sativa feel to enjoy the mellowness of this indica dominant flower. 22 percent THC.

Snoop’s Dream

Snoops-Dream

Snoop’s Dream is named after the Godfather of Cannabis, Snoop Dogg so you know it’s legit. Not to mention being bred with a personal favorite, Blue Dream, and Master Kush. This indica-dominant hybrid lives up to all its high expectations. Covered in pretty orange hairs the bud has a woody aftertaste and a heady high. But this is not for the beginner smoker with some variations of this strain testing THC as high as 25 percent.

UK Cheese

UK-CHEESE

When looking for which weed has the most THC, UK Cheese won’t necessarily win, but it is worth considering. UK Cheese is a classic, potent hybrid strain. Famous for its pungent cheese aroma, many cite “Cheese” as the strongest weed they’ve ever smoked. When looking for which weed has the most THC, UK Cheese with its average of 20 percent THC, doesn’t quite stack up to the other heavy hitters we’ve rounded up. However, this classic strain with its euphoric effects, mental stimulation, and full body high, rightfully earned its spot on this list.

LA Confidential

LA-Confidential-1

Sometimes you not only want to know which weed has the most THC, but which weed will give you the exact effect you’re looking for. If you have difficulty sleeping, LA Confidential is a safe bet. LA Confidential is becoming a legendary strain in southern California for good reason. This indica-dominant hybrid has a sweet pine taste with a classic skunk aroma, but it’s more famous for the appearance of its nugs. These babies are colorful and covered in thick, frosty trichomes. Plus, the effect is strong; it’s super sedative and great for unwinding or getting ready for bed.

Ghost OG

Ghost OG is a hybrid strain known for its epically high levels of THC. Consistently testing around 30 percent THC, if you are looking for which weed has the most THC, consider your question answered. An indica-dominant hybrid, Ghost OG is known for its calming effects, invoking a heavy body high that can alleviate pain, depression, and stress. Plus, this pungent and citrusy smelling bud also provides a euphoric cerebral effect, making it the best of both worlds.

PsychOG

PsychOG

PsychOG is an enigmatic hybrid with an intriguing reputation. This plant supposedly produces up to 24 percent THC, but the psychoactive potential of different samples will vary. A cross between Fire OG and Headband, this plant comes from a world-famous lineage. Leaning indica-dominant, expect PsychOG to deliver a relaxed and tranquil cannabis experience. However, within minutes after the first inhalation, don’t be surprised if you find your mind overtaken by a dreamy cerebral quality.

Girl Scout Cookies Thin Mints

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Girl Scout Cookies Thin Mints is a legendary phenotype of the popular Girl Scout Cookies Strain. While this plant clocks in at around 24 percent THC, it’s the unique flavor and aroma that are often the most impressive. Upon inhale, a cool herbal quality teases the tongue. This spiciness is accompanied by an oddly pleasurable shortbread flavor, making this strain an aptly named bud. Considered a moderate hybrid, this plant produces strong effects that will not leave you stuck to the couch. However, the more Thin Mints GSC you consume, the more you may find yourself yawning and ready for a nap.

Blue Cookies

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Let’s be honest, Girl Scout Cookies (GSC) has mothered some truly high-performing cannabis strains. Blue Cookies is another impressive offspring to add to the collection. This indica-dominant hybrid is a cross between the famous GSC and Blueberry. Blueberry is a delicious fruit-flavored plant that donated some of its genetics to the infamous Blue Dream. Now, however, its Blue Cookies that deserves the limelight. This fanciful flower can produce up to 25 percent THC. With a warm berry-citrus flavor and a soothing relaxing high, there’s a lot to love about this mouth-watering botanical.

Strongest Hybrid Strains

While scrumptious landrace strains were popular in the hippie era, today’s cannabis environment is full of craft hybrids. Contemporary strains are often fast-growing, high-yielding, fragrant, and are chock-full of psychoactive THC. In fact, strains are now producing upwards of 25 to 35 percent of the compound. If you’re interested in consuming or growing some truly potent cannabis, here’s a list of the strongest hybrids in the world right now.

Chiquita Banana

World’s Strongest Strain

Chiquita Banana has won the title of one of the strongest strains in the world. In some tests, this strain reached over 33 percent THC, making it one of the strongest strains in the world. Those who manufacture clear concentrates or distillates will love this strain, as it produces such a concentrated amount of THC naturally. Chiquita Banana is a cross between the famous OG Kush and Banana, and you’ll be finding yourself soaring through a dreamy bliss after just a taste or two of this strain. This strain has been named a High Times strongest two years running, in 2015 and in 2016. Featuring a sweet and tropical taste, you can’t go wrong with a little Banana. Vaping this from the DaVinci IQ would seriously maximize its flavors like nothing before.

Tutankhamun (King Tut)

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King Tut, also known as Tutankhamon, is a sativa-dominant hybrid with THC levels that can reach up to 30 percent. This strain is thought to be an offspring from the legendary AK-47, a potent sativa that produces a fast-acting and clear-headed cerebral high. This is a great strain for daytime use, promoting energy, vigor, and focus. However, those sensitive to sativas or large amounts of THC may experience some anxiety with this strain. Classified as a sativa, this flower is a bit unique among other high-producing buds. While all of the most potent strains in the world are hybrids, most err toward the middle or indica side of the spectrum.

The OG #18

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Released by DNA Genetics under the Reserva Privada label, OG #18 is a phenotype of OG Kush. OG #18 tested with up to 27 percent THC. This strain has won several awards, including Best Hydro at Spannabis 2011. The flower perhaps leans a little to the indica-side of OG Kush, providing consumers with a positive, upbeat mood and a substantial body relaxation. The OG #18 is certainly potent, but it is not likely to leave you stuck on the couch. Rather, save this bud for an easy afternoon when you can sit back, unwind, and de-stress.

Blissful Wizard

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Blissful Wizard was bred by the Captain’s Connection tests between 25 and 34 percent THC. A cross between the famous Girl Scout Cookies and Captain’s Cookies, this bud produces a soaring euphoric high that will put you in a good mood for a few hours. The strain has a tendency to stimulate appetite, so having some snacks on hand before partaking is recommended. An award-winning flower, it took home Best Non-Solvent Has at the SoCal Medical Cannabis Cup in 2015 and it remains one of the highest testing strains around right now. The experience from this strain is happy and comfortable overall, interspersed with extremely pleasurable sensations of bliss.

Gorilla Glue #4

Gorilla Glue #4 is one of the most popular strains in the U.S. right now. A potent and high-yielding hybrid, this bud produces a heavy yet comfortable experience that knocks away pain. In the past, this strain has reached the 30 percent THC mark. Yet, the standard bud falls between the 24 and 28 percent range. Gorilla Glue produces a very strong hybrid experience, perhaps leaning a little toward the body-heavy side. However, the herb also provides some intensely euphoric effects. All in all, anyone in need of a powerful yet blissful experience will love Gorilla Glue.

Bruce Banner #3

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Bruce Banner #3 is a difficult find and the demand for this bud is increasing. Named after the Incredible Hulk’s alter ego, Bruce Banner has stayed on the strongest strains list for the past couple of years. This bud can reach up to 30 percent THC, making it one heavy-handed hybrid. One of the strongest strains in the world, Bruce Banner is a great medical cannabis bud and can be extremely helpful for those with chronic pain, including neuropathic pain and pain after injury. This flower is also known to inspire a bout of creativity, that is often appreciated by those who struggle with focus and attentiveness. Considered slightly sativa dominant, expect to be floating on waves of blissful euphoria after a few tastes of this potent herb.

Paired with the Mighty Vaporizer for pure and clean vapor, Bruce Branner provides a relaxed body experience.

The White

In the past, The White has been difficult to find. However, as word about this amazing hybrid spreads around, this strain is growing in popularity. The genetics and original breeder of this strain are quite mysterious, but it is thought to be a phenotype of a Kush strain, Triangle. Triangle is a three-way cross between OG Kush, Purple Kush, and Master Kush. While some reports have put The White at up to 29 percent THC, it features an average of about 24 to 25 percent. For experienced consumers, this delicate flower produces a manageable daytime high. Novice consumers may find this strain a little on the sedative or hazy side.

White Fire OG (Wifi OG)

White-Fire-OG-Marijuana-Strain

If you need something strong during the day, White Fire OG is an excellent choice. An offspring of The White and Fire OG, White Fire OG also makes the list of most potent strains this year. Sometimes called Wifi OG, the strain is covered with a thick coating of white crystal trichomes and features a contented and sociable high. The THC levels in this strain range from 25 to 30 percent, earning this bud a place as one of the world’s strongest. Many consumers report that the plant has a lung-expansive effect and some pleasant sensations of bodily heaviness.

Girl Scout Cookies

Over the past few years, Girl Scout Cookies has taken the U.S. by storm. This delightful hybrid is now one of the most popular strains along the West Coast and is often used as a base for uber-potent Kurupt’s Moonrocks. A cross of Durban Poison and OG Kush, this psychoactive plant sets a new standard for contemporary hybrids, featuring up to 28 percent THC. Uplifting and euphoric, Girl Scout Cookies provides a soaring cerebral experience and a hefty amount of full-body relaxation. However, in large doses, this strain can cause sedation. When you smoke a little too much GSC, you might find it difficult to get off of the couch. For experienced consumers, this strain makes a great daytime treat.

Strongest Indica Strains

Kush fans are in for a real treat with this list. Indica strains are naturally high resin producers, meaning that you can count on plenty of crystal-coated buds from these strains. Sedative, dreamy, and calming, these psychoactive flowers can ease away stress while delivering some seriously euphoric highs. Medical consumers may appreciate the potent and narcotic-like pain relief provided by these intoxicating herbs. Without further ado, here are the 10 strongest indica strains on earth right now.

Death Star

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Death Star is a strong indica-dominant hybrid strain with an even stronger smell. It has a skunky, diesel aroma that’s hard to hide, but when smoked is sweet, earthy, and delicious. It provides a powerful high that’s super relaxing, which is great for smoking after work, before bed, or for relieving pain and anxiety. A cross between Sensi Star and Sour Diesel, Death Star is one sedative hybrid. Featuring between 20 and 26 percent THC, Death Star will blast stress and worries to another galaxy. Highly euphoric, this strain is known to promote some laughter and a curate positive sense of well-being. However, the plant is also about 80 percent indica. That means that most can expect to feel drowsy, relaxed, and maybe even a little unmotivated after several tastes of this psychoactive plant.

Strawberry Banana

Strawberry Banana is a potent indica-dominant hybrid from DNA Genetics. This drowsy herb produces more of a euphoric feeling than other strains on this list thanks to split indica/sativa lineage. A cross between Banana Kush and Bubble Gum, Strawberry Banana is an award-winning strain loaded with THC. On average, this fruity bud produces between 22 and 26 percent of the psychoactive. Unlike other strains on this list, Strawberry Banana is not completely sedative. This powerful bud can encourage a deep relaxation and jolly mental high. Some can get away with consuming Strawberry Banana during the day, however, it is generally considered an evening strain. Strawberry Banana is often used for creative endeavors as well as for gastrointestinal issues like nausea and Crohn’s Disease.

Ice Wreck

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Ice Wreck is technically a hybrid, but this potent strain has some seriously drowsy effects. A cross between Ice and Trainwreck (an equally noteworthy sativa strain), Ice Wreck provides an almost psychedelic experience. Testing as high as 27.7 percent THC, this strain offers the cerebral stimulation of a sativa with the heavy-hitting relaxation of an indica. Many find this strain to be helpful in pain management and insomnia. Drowsy and relaxed, this strain is known to promote a tingly body buzz and a bad case of the munchies.

G-13

G-13 is one of the most mythic indicas on the market. As the story goes, G-13 is an escapee from a breeding experiment funded by the U.S. government. While there is no saying whether or not this story is true, G-13 is truly a five-star indica hybrid. One of the most potent strains on the shelf, G-13 features between 20 to 24 percent THC. Recommending for experienced consumers, this strain provides a powerful, rolling euphoric high that can truly warp your senses of space and time. Encouraging deep body relaxation and heavy eyelids, it’s easy to melt into a puddle of bliss after just a small amount of G-13.

Kosher Kush

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Kosher Kush is a Californian strain with unknown indica heritage. Bred by DNA Genetics, this bud features a robust herbal aroma with plenty of lemon and pine. Containing between 20 and 25 percent THC on average, Kosher Kush is one drowsy bud that indica fans are sure to enjoy. This strain is recommended for nighttime use, though Kosher Kush also has a giggly, talkative side as well. Recreational consumers who love winding down with a movie and some nice herb after a long day may find a new best friend in this crystal-coated flower.

MK Ultra

Named after a mind-control program operated by the United States Central Intelligence Agency (CIA), MK Ultra is an uber-strong indica hybrid that promotes a dreamy, euphoric state. One of the strongest indicas in the world, the THC in this strain reaches between 18 and 23 percent. THC, however, is not the ultimate indicator of strength. Rather, there’s something about MK Ultra that promotes a super heavy body numbness and a spacey, euphoric bliss. This cross between G-13 and OG Kush is a must-try for serious indica fans.

Critical Kush

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Critical Kush is a Barney’s Farm creation. A cross between Critical Mass and OG Kush, this woody flower boasts THC levels between 20 and 25 percent. This deeply tranquilizing strain may be soothing for those with anxiety or under chronic stress. Fast-growing and high-yielding, Critical Kush is an excellent cash strain. As a Critical Mass offspring, Critical Kush features large, resin-dense buds that release an intoxicating lemon-pine scent. Popular among patients with chronic pain, Critical Kush is a therapeutic strain that provides full-bodied nighttime relief.

God’s Gift

No matter your religious beliefs, God’s Gift seems like a flower from a higher power. This sedative indica can feature as much as 22 percent THC. Though this strain has been around since the 1990s, it remains an impressive specimen. Fast-acting, the happy and upbeat effects of this strain often come on first. Many enjoy the happy, bubbly mental side of this strain. However, don’t let the upbeat nature of this herb fool you. God’s Gift can pack some serious sedation. The area behind the eyes is likely to grow heavy, and many find that this strain leaves them stuck on the couch. Get some snacks ready and prepare yourself for a strong, yet genuinely good-spirited experience with this one.

Sunset Sherbet

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Sunset Sherbet, an indica-dominant hybrid, is heir to the Girl Scout Cookies throne. Funky and pungent, this strain boasts THC levels of up to 20 percent. While this strain may not be the most potent in terms of THC, the overall experience is quite incredible. Thanks to its hybrid heritage, Sunset Sherbet is more uplifting than many strains on this list. Many find that the effects often start off in the head, providing a joyous and upbeat high. However, this strain soon mellows out into an easy, full-bodied indica experience. This strain is only gaining popularity as a go-to indica hybrid. It is much beloved by those with mood disorders and chronic pain. Sunset Sherbet is a very enjoyable, top-notch bud all around.

Try vaping these through the Mighty Vaporizer from Storz & Bickel available at the Herb Shop for a sesh like never before.

Strongest Sativa Strains

In general, most of the incredibly strong strains on dispensary and coffee shop shelves are hybrids or indicas. However, there are a few sativa strains that consistently show up to the plate. These top 10 strongest sativa strains all can produce over 20 percent THC and are famous for providing cerebral and zippy cannabis experiences. Break out these beautiful buds when you’re hoping for a strong daytime experience.

Ghost Train Haze has been making lists for the past couple of years. This cerebral and extremely potent sativa has tested up to nearly 28 percent THC, making it raining champion as one of the top 10 strongest strains on earth. Speedy and uplifting, this strain is like taking a shot of relaxing espresso. With such high THC levels, Ghost Train Haze is recommended for experienced consumers.

Strawberry Cough

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Strawberry Cough is consistently one of the most popular sativas around. While this fruity and fragrant strain does have a reputation for causing a bit of a tickle in your throat, it’s also quite potent. In fact, Strawberry Cough will likely be one of the more potent sativas available on coffee shop or dispensary menus. Expect THC levels between 24 to 26 percent in this tasty flower.

Cinex

Cinex-Marijuana-Strain

Cinex is a strain with some variety. It’s not uncommon to find Cinex samples that produce as little as 15 percent THC. However, when grown with expert care, this happy sativa-dominant hybrid can produce up to 26% of the psychoactive. Regardless, of the potency, Cinex is known for producing a very clear-headed and focused high with a comfortable body relaxation to boot. Save this strain to use during the day, or right after breakfast. A mighty strong strain like this will suit Storz & Bickel Mighty Vaporizer perfectly.

Chernobyl

Chernobyl-Marijuana-Strain

Chernobyl is a three-way cross between Trainwreck, Jack the Ripper, and Trinity. Bred by TGA Genetics, this sativa-dominant hybrid has been making the rounds on dispensary shelves. While it’s possible to find Chernobyl samples that test somewhere in the teens, this strain has reached a whopping 30 percent THC. The potency of this strain is a lovely surprise, as Chernobyl provides an uplifting and contented experience overall.

Durban Poison

Durban-Poison

Sometimes, the strength of a strain is about more than THC. Durban Poison is a landrace sativa strain from South Africa. Unlike many hybrids out there, this strain is a 100 percent pure sativa. Consumers can expect a strong head rush from this bud. This solid Sativa possesses a sweet smelling quality and a hit of this helps with productivity. Don’t expect to be glued to the couch! Perfect for exploring nature or working out. Some have described this as the “espresso of cannabis” due to the effect it has on leaving its smokers with high energy and a little extra pep in their step. Durban Poison measures in at 23 percent THC. What to get the most flavor out of this flower? This strain would be a great fit for the Mighty Vaporizer providing clean and pure vapor.

Amnesia Haze

Amnesia Haze is an old school sativa with some legs. While many sativa strains provide an introspective, clear-headed, and concentrated experience, Amnesia Haze truly takes after it’s namesake. While this strain is lively and thought-provoking, it’s also quite hazy. Featuring up to 25 percent THC, this strain will send you off into a foggy (and perhaps even a little psychedelic) bliss.

Super Silver Haze

Super Silver Haze is a quintessential sativa strain. Popularized back in the 1990s, this sativa hybrid has won the hearts of cannabis fans all over the world. While Super Silver Haze is not often the strongest strain on the shelf, this bud has some impressive trichomes for a sativa strains. When grown with expert love and care, Super Silver Haze can produce up to 24 and 25 percent THC, making it one of the strongest sativas around.

Green Crack

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Rumor has it, this strain was named by Snoop Dogg himself. Get ready for a truly gleeful and energetic experience with this bud. Green Crack can feature up to 24 percent THC, and often provides a spacey, cerebral experience. Many find that laughter comes a more easily after a little Green Crack. A great daytime strain, some find that this strain helps them focus and calmly get things done.

Cinderella 99

Cinderella 99 is not the most potent strain out there in terms of THC. But, this is certainly one strong sativa-dominant hybrid. Often featuring up to 22% THC, this strain is still considered a potent bud. Cinderella 99 provides a very quick cerebral high and is nice and energizing. While some strains on this list can be extremely racy or just a little too energetic, Cinderella 99 is a strong-armed strain that provides a slightly more mellow experience by comparison.

Laughing Buddha

As the name might suggest, Laughing Buddha is one happy hybrid. Easy going, enjoyable, and energetic, this strain is jolly and can help you accomplish all of your daytime tasks. Similar to Cinderella 99, Laughing Buddha is not quite as potent as other strains on this list. However, this bud certainly provides a strong yet manageable sativa experience. Expect this strain to produce up to 23 percent THC with lots of care and nurturing.

Enhance any of these strains with the Mr. Black Bong from Killer Bongs – available in the Herb Shop!

The strongest marijuana products on earth

It’s a challenge for the most dedicated stoners. How do you overcome a massive marijuana tolerance (short of a tolerance break, of course) and get high-school high again? It can be done. It’s just a matter of dosage. Having done, shall we say, a bit of research on the topic, here are the strongest weed products on the planet.

Moon Rocks or Caviar

When it comes to which weed has the most THC, it’s actually not a strain at all. Moon rocks are top shelf buds dipped in hash oil and then covered in kief. Caviar is very similar, but it’s typically just top shelf herb covered in hash oil. Needless to say, both moon rocks and caviar are some of the strongest buds on the planet and will have THC levels that are literally off the charts. They’ll cost a little (or a lot) extra, but you won’t regret having treated yourself.

Crystalline THC-A Diamonds

They took last year’s Emerald Cup competition by storm. Crystalline THC-A diamonds, “the world’s strongest hash,” is a crystallized extract known as the most potent dab available. At upwards of 99 percent pure THC-A (which is the pre-activated form of THC, before heating), these potent little pieces of pot concentrate are not for the faint of heart. It’s helpful to think of THC-A crystals as the cannabis equivalent of Everclear. They’re among the strongest weed products around.

Flowers top out at between 25 and 30 percent THC. Concentrates like butane hash oil usually fall between 70 and 90 percent. But these glittering diamonds approach 100 percent pure THC. Now, keep in mind with crystalline THC-A, you only have one cannabinoid, not the entourage effect. Also, there are no terpenes, which affect and potentiate the high. So lots of people add a bit of THC-A diamonds to shatter or wax, pumping up the high.

Slactavis Cannabis Syrup

Slactavis-Cannabis-Syrup

Photo courtesy of www.hellapaxx.com

Each 4-ounce bottle of Slactavis Cannabis Syrup contains 1,500 milligrams of THC. Medical patients use the syrup for serious pain management; it’s that potent. Flavors include Watermelon, Grape, Tangerine, and Bubble Gum. Mix with your favorite drink, or have it straight from the bottle.

Bakked CO2 Distillate Oil

Bakked’s supercritical CO2 extracted cannabis oils, available in Arizona, California, Colorado, Maine, Nevada, New Mexico, and Oregon, are up to 95 percent potency. That means they are among the strongest weed products and pack a mighty punch for dabbing. The CO2 extraction ensures pure and clean oil, allowing for the widest range of terpenes and cannabinoids possible. Organa Labs‘ Bakked distillates are strain-specific and small-batch and available in Indica, Sativa, and Hybrid.

The 4.20 Brownie

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Photo courtesy of www.vccbrands.com

A solid gram of THC in a brownie? We’ll take it! Lots of people divide this potent 1,000 milligrams brownie up into bites, making multiple doses of it. Its rich, creamy texture is good for cutting into portions without much crumbling. Kudos to California’s Venice Cookie Company for packing so much potency into a brownie that still manages to be quite tasty (although you will detect a distinctly herbal flavor).

The Clear Concentrate

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Photo courtesy of Dab Farms via Youtube

California-based Clear Concentrate makes a dab with the minimalist, but meaningful, name: The Clear. The concentrate is 100 percent solvent-free and comes in 16 different flavors using natural terpenes. Clear Concentrate is one of the strongest weed products, at upwards of 90 percent THC.

TWAX THC Infused Rolling Papers

You have to be a fan of the steady march of progress. Ladies and gentlemen, in modern America, we have access to THC infused rolling papers. Thanks to the genius of cannabis concentrate company The Clear, these papers will take your joints to the next level. TWAX Concentrated Papers are RAW Rolling Papers infused with 100 milligrams of 97 percent THC oil each. That’s going to make a big difference in that joint’s effects, don’t ya know. Two papers will run you about $20.

CannaPunch Drinks

The-Strongest-Strains-on-the-Planet-Cannapunch

Photo courtesy of www.thespot420.com

Colorado-based CannaPunch drinks, true to their name, pack a punch at 100 milligrams THC each. Take your pick of Pineapple Mango Delight, Black Cherry Fusion, Watermelon Nectar, Grand Daddy Grape, and Blue Raspberry Sour. The source of the THC in CannaPunch drinks is high-quality, whole cannabis buds.

Full Extract Cannabis Oil

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Photo courtesy of www.buycannabisoilnow.com

A time-honored classic, Full Extract Cannabis Oil (FECO) is extracted from the entire plant using alcohol as the solvent. This creates a product of high strength and purity which contains the full entourage of cannabinoids, including THC. Medical patients have found FECO highly effective in treating pain and insomnia. It’s shown lots of success fighting seizures and cancer tumors, as well. Of course, as one of the strongest weed products available, typically between 60 and 80 percent THC, it will also get you very, very high. FECO is by definition activated in the extraction process, so it’s basically ready to consume. Newbies typically consume about 1/10 a gram, roughly equal to the size of a grain of rice. Those with higher tolerances take more. Doses of a gram aren’t unusual for medical patients and high-dose advocates.

Punch Bars

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The Myths That Sparked The Black Lives Matter Movement

Recently we had the 5th Anniversary of the death of Trayvon Martin, who was shot dead by George Zimmerman. The facts of the case were reported fairly and accurately, and the legal analysis was always first rate. Where so many news outlets and bloggers seemed unconcerned with the actual facts or the law and were content to combine misinformation with their own narrative.

When it first happened, I was a full-blown social justice activist and I sided with the media, activists and Trayvon’s family lawyers who developed narratives before the facts were known. I should have known better and allow the facts to come in before we opine on the legal significance of the facts. Did Zimmerman hunt Martin down, or did the two come into unexpected contact with deadly results? It could be important. Given the high political profile the case had already taken, shouldn’t we have owed it to the victim and the accused for there to be a professional investigation free from politics?

From the very beginning, it was obvious they were setting up a very bad situation by turning it into a racial narrative and if and when those narratives fell apart, what happens when Zimmerman is found not guilty? George Zimmerman had been tried and convicted in the media and public opinion for the shooting of Trayvon Martin, with the case almost uniformly being portrayed as racially motivated, with the wearing of a hoodie by a young black male as the symbol. Even Obama framed the case in racial terms. A case which should have focused on the guilt or innocence of the accused based on evidence, and finding justice for a victim based on law, had been turned into a racial political play.

Sometimes you just have to go with your gut, and the early evidence suggested to me the case would not turn out the way the media and the activists wanted. There is no possible way I can cover every aspect of the case in this one post, so I’ll focus on just a few aspects of the lies about the case that framed the case and continue to live on in the coverage and commentary today.

False Hoodie Narrative

In trying to turn the case into a racial narrative, the initial burst of publicity and activism turned on Trayvon wearing a hoodie. The Hoodie has become the symbol of protests, based on the assertion that Zimmerman found Martin suspicious because he was wearing a hoodie. But the audio tape in which Zimmerman mentions a hoodie is clear that a hoodie was mentioned only in response to a later question by the 911 operator as to what the person was wearing. The dispatcher asks, “Did you see what he was wearing?” which Zimmerman replies, “Yeah a grey hoodie, either jeans or sweatpants and white tennis shoes.” So what is the source of this idea that Zimmerman found the wearing of a hoodie suspicious rather than any of the other clothing items Zimmerman described to the dispatcher or rather than Trayvon’s behavior? 

From images of former Michigan Gov. Jennifer Granholm wearing a hoodie, to the “million hoodie march,” to Havard law students wearing hoodies with a sign “Do we look suspicious?,” to Congressman Bobby Rush appearing on the House floor in a hoodie, the hoodie has come to symbolize alleged racial profiling by Zimmerman which led to the shooting. But as relates to the Zimmerman-Martin case, the hoodie narrative is not based on any known facts connected to the shooting. While Martin was wearing a hoodie that night, there is nothing other than surmise to suggest that Martin was considered suspicious by Zimmerman for that reason. Despite this lack of evidence of the wearing of a hoodie as an actual factor in the case, the hoodie today remains the symbol of the case.

False Racial Narrative

First came the racial narrative, that Trayvon was followed and shot because he was black. That was based on multiple falsehoods, most particularly the NBC News doctoring of police audio in which it falsely made it seem as though Zimmerman said he was following Trayvon because Trayvon was black. But that’s not what happened. Zimmerman once again only mentioned race when the police operator asked about race. The dispatcher asks, “Is he white, black or Hispanic?” and Zimmerman replies, “He looks black.” This is the only mention of race.

There also was the claim that Zimmerman used the term “f-ing coons” on the police tape. But that was debunked early on. One of hottest topics of argument had been whether George Zimmerman said “f-ing coons” under his breath on the 911 tape. The left-blogosphere has used the alleged racial epithet endlessly to paint this as a racially motivated hate crime. CNN used three different audio experts to analyze the tape, one of whom found “f-ing coons,” another “f-ing cold,” and another “f-ing punks.” In the Affidavit of Probable Cause, State of Florida investigators swore under oath that Zimmerman used the term “f-ing punks.” 

An FBI investigation also found no history of racism in Zimmerman’s past. To push the race baiting narrative, Zimmerman continues to be described as “white” when he’s very clearly Hispanic, have you guys even seen photos of him? He ain’t white. Also, a year before the incident, Zimmerman had angrily spoken out against the son of a white police lieutenant who had violently beaten a black man and Zimmerman had tutored black children for free in his spare time. Oh, and he was an Obama supporter and voter. Yet he is painted as a white black-hating racist who assassinated an innocent black male for no reason other than being a “murderous white racist.”

Feeding the media racial narrative, there was also widespread but false claims that neo-Nazis were patrolling the neighborhood where the shooting took place, even though Sanford Police rule this story out.

False Stand Your Ground Narrative

As Andrew Branca has explained many times, Florida’s Stand Your Ground law was not invoked in Zimmerman’s defense. SYG also is very misunderstood, it is not a “license to kill” - it only kicks in when all the other elements of lawful use of deadly force is established. SYG only addressed the need to retreat. 

It made sense for Zimmerman not to rely on SYG, because Stand Your Ground would only be relevant if Zimmerman had a route of exit, but the shooting took place while Zimmerman was on his back on the grass, his head having been pounded on the pavement and being beaten relentlessly by Trayvon. All witnesses say exactly the same thing. Zimmerman had a broken nose, two black eyes and cuts to the back of his head where Trayvon slammed Zimmerman’s head repeatedly into the ground. The left argues ‘but Trayvon was just a kid and Zimmerman was a man’ yet forget to mention that Trayvon was much taller and in far better physical shape and conditioning. He was far from being small and vulnerable.

Forensic analysis demonstrated that the trajectory of the single shot fired and burns on Trayvon’s sweatshirt were consistent with Zimmerman being on his back with Trayvon hovering over him at the time of the shot. Since Zimmerman was pinned to the ground, he didn’t need to invoke SYG because there was no reasonable means of avoidance. While the jury instructions did contain language similar to the SYG standard, the SYG statutory protection itself was not invoked.

False Claim That Zimmerman Disobeyed Police Instructions Not To Get Out of the Car

This is perhaps the most believed false narrative of the case: That George Zimmerman supposedly was told by the police dispatcher not to leave his car, but did so against police instructions. This allegation is used to claim that the entire confrontation was Zimmerman’s fault, and had he merely followed police instructions, nothing would have happened. Zimmerman was not in the car at the time of the comment “we don’t need you to do that.” The audio tape proves at no time was Zimmerman ever told to stay in his car. Trayvon had become aware that he was under observation and started circling Zimmerman’s car while Zimmerman was pleading for the police to come. At about the two minute mark Trayvon runs, and Zimmerman loses sight of him. When Zimmerman did exit the vehicle it was in direct response to the dispatcher asking him to report the direction of Martin’s travel. 

The dispatcher would testify at the trial that dispatchers are prohibited from giving orders over the phone because they are not physically on the scene and may inadvertently direct the caller into greater danger. When the dispatcher asked if Zimmerman was still following the direction that Trayvon ran, Zimmerman said yes, the dispatcher said they don’t need him to do that and Zimmerman replied “OK.” There is not a single piece of evidence - none - that Zimmerman continued to follow Trayvon after this point. Indeed, Martin would ultimately launch his attack on Zimmerman right at the corner of the building where Zimmerman complied with the dispatcher’s suggestion to stay where he is. Trayvon had more than enough time to achieve the safety of his father’s girlfriend’s condo had he truly been fleeing from a frightening Zimmerman.

Bottom Line - The Jury Got It Right

The verdict came as no surprise to those of actually following the evidence. It came as a shock to those who bought into the false narratives, evident by the eruption on social media, the mass rioting and outbreak of violence and the eventual beginnings of Black Lives Matter, who carried these false narratives and deceit into the Michael Brown case - another criminal who was legally shot - and have since continued to glorify and martyr criminals in their efforts to demonize police officers, remove accountability from the black community and place all blame onto white people. 

Soon after the verdict, Princeton professor Imani Perry wrote about her fright and dismay of Zimmerman’s acquittal. The following is the perfect example of this ridiculous, irrational, victim pushing narrative that BLM activists and much of the left continue to shout almost every day:

“My two sons, bright, creative and kind African American boys, aged 7 and 9, both wept when they heard that George Zimmerman had been acquitted. They were afraid he, or others like him, might come for them next. I did not anticipate that their young lives would be as much defined by the tragedies of the murder and execution of Trayvon Martin, as by the historic era of the first African American president. They already know the brutal truth of racial inequality, and that they are called to wage the battle against it, just as their forefathers and mothers. I believe that if children are guided honestly through the reality of the world in which they live, it will help them build resilience. I am training my sons to develop resilience in the face of the racial injustice.”

I have a question to Ms. Perry. Why on earth would your sons worry that Zimmerman might “come for them next”? Is it because they are planning to break Zimmerman’s nose, give him two black eyes, and smash his head against the concrete while being on top thundering down punches MMA style? Or, is it because you lied to them, and falsely told them that Zimmerman “murdered” and “executed” Trayvon Martin for being black? If you believe that children should be “guided honestly through the reality of the world,” then why did you teach your own children that Martin was “murdered” and “executed,” when the medical evidence and witnesses called by the prosecution showed that Martin had violently assaulted Zimmerman, and that Zimmerman killed Martin in self defense?

Did you teach your children about Roderick Scott? Scott is a black man in New York who, in 2009, shot and killed an unarmed white teenager. A jury found Scott to be not guilty of murder because Scott had killed the teen in self defense. Scott was found not guilty for the same reason that Zimmerman was found not guilty. Both killings were done in self defense. But while you taught your children that the Zimmerman verdict was proof of racism, I very much doubt that you told them anything at all about the Scott verdict.

If you want your sons to have “resilience in the face of the racial injustice,” then why did you scare them by falsely telling them that the Zimmerman verdict was the result of racism, instead of reassuring them by truthfully telling them what pretty much every legal scholar who has closely followed the case has said - that the verdict was the result of the fact that Zimmerman acted in self defense?

Ms. Perry, did you teach your sons that a year before Zimmerman killed Martin, Zimmerman had spoken out against the son of a white police lieutenant who had violently beaten a black homeless man? I’m guessing that you did not tell your sons about this, because it contradicts your bogus claim that Zimmerman is a racist. Did you teach your sons that before Zimmerman killed Martin, Zimmerman had tutored black children for free? I’m guessing that you did not. Did you bother to mention to your children that Zimmerman is a Hispanic man and not some white hick KKK neo-Nazi? I guess you left that part out as well.

Did you tell your sons that before Martin was killed, a search of his backpack at his school showed it to contain a dozen pieces of women’s jewelry, including silver wedding rings, and earrings with diamonds, as well as a screwdriver, which is often used as a burglary tool? I doubt you told them this, because it gives credibility to Zimmerman’s claim on the 911 call that Martin was acting suspiciously and the reason Zimmerman was on alert was because he was in charge of neighborhood watch and reported many burglaries had previously been committed by youth. Did you tell your sons that Martin’s autopsy showed marijuana in his system? I doubt you told them this too, because it verifies Zimmerman’s claim on the 911 call that Martin was acting like he was on drugs.

Ms. Perry, since you want your sons to know “the brutal truth” and to be “guided honestly through the reality of the world,” I was wondering if you have ever told them that 93% of black murder victims are murdered by other blacks? Black youth are in danger but it’s not white men killing them. Over 1,400 more black Americans murdered other blacks between 2010-2011 than were lynched from 1882 to 1968. Despite making up just 13% of the population, blacks committed half of homicides in the United States for nearly 30 years. In 2012, black people - at just a fifth of the size - committed almost 1,000 more murders than their white counterparts. How about the fact it would take cops 40 years to kill as many black men as have died at the hands of others black men in 2012 alone. Black and Hispanic police officers are more likely to fire a gun at blacks than white officers. Blacks are 18.5 times more likely to kill cops than be killed by cops. Let’s not forget the black on white rape. 

Ms. Perry, your sons did not cry because of the Zimmerman verdict. Instead, they cried because you cruelly taught them to see racism and evil white supremacy where it does not exist. You taught them to celebrate and martyr a violent teenage thug who brutally beat a man’s head against the concrete. It’s your fault that your sons cried. It’s not George Zimmerman’s fault. It’s not the jury’s fault. It’s your fault for teaching your children they are the victims. Ms. Perry, I hope that for your sons’ own happiness, when they go to college, they get degrees in subjects such as math, engineering, computer programming, physics or chemistry and avoid at all costs anything to do with “African American studies,” a subject which seems intent on making people feel like helpless victims who are owed reparations and special treatment and for their own racism and bigotry to be allowed, instead of being empowered, intelligent and rational human beings. I also hope they stay as far away as possible from the Black Lives Matter movement as all they will get from joining this radicalized hate group is an even greater dose of victim complex and a violent ideology that allows them to believe they’re justified in attacking, lying about and demonizing an entire demographic of people. 

[artabovereality]

“In a city that exalts successful artists in the fashion of rock stars, Jean Michel Basquiat seemed blessed. When he burst onto the art scene in 1981, his paintings of anguished figures were hailed by some critics as works of genius. Admirers besieged him at Manhattan's hottest night clubs. Sales of his art grossed millions of dollars. Mr. Basquiat was 27 years old when he was found dead in his apartment in the East Village on Aug. 12 from what friends say was an overdose of heroin. The precise cause of his death awaits the results of tests by the New York City medical examiner, which will take several more days. Mr. Basquiat was the most famous of only a small number of young black artists who have achieved national recognition. Art experts have called his death a personal tragedy and a major loss to the art world. While Mr. Basquiat outwardly enjoyed the life of an artistic and social prodigy, he was viewed by many friends, art dealers and critics as ill-starred. Friends Say He Was Exploited. Some say he resented being a black man whose fate twisted with the whims of an all-white jury of artistic powers. Others say he pined for fame but was crushed by its burdens. Some friends believe greedy art dealers and collectors exploited him. Some say wealth fed his longtime appetite for drugs.” - @nytimes Aug 27, 1988 - #RIPJeanMichelBasquiat • #artabovereality #basquiat #nyc #NYTimes #contemporaryart #history #arthistory #jeanmichelbasquiat #art #life https://www.instagram.com/p/B1EkS4onGxg/?igshid=aljapb2gsv2i

[savetopnow]

2018-04-04 19 MUSIC now

MUSIC

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