#HE’S GAAAAAAYYYYY

[maythebaebewithyou]

BAKUGO DOES NOT WANT FEMALE ATTENTION

[gardenofshadcws]

Voyage of the Nautilus Day 24

The Torres Strait Part 3

Ned stop getting your hopes up, it never goes well

It’s interesting that Nemo goes through this strait so cautiously. (Spoilers) He gets more and more reckless later on, so this scene contrasts tragically with his character… development? Degredation?

Nemo takes the Nautilus running aground really well. Nothing rattles this guy, it’s incredible

“I’ve no desire to deprive myself so soon of the pleasure of your company”. gaaaaaayyyyy

I’ve used that exact line in my Pokemon RPs. Several times.

I don’t blame Ned for being skeptical of Nemo’s plan. “The moon will float us away” is a buck wild statement

But our weird gay uncle believes in his boyfriend!! And his boyfriend can’t say no to him!!

Oh god it’s this scene isn’t it. 🫤

I always think this scene happens later than it does because it’s towards the end of the movie but argh

Okay I’ll stop getting ahead of ourselves here but uh. You know how Victorian lit tends to not be great about talking about other cultures? Yeah. Yeeeeah.

[aurlworthfightingfor]

I dreamed about a young lady who was an absolute cunt to her sister who lost her husband. She was like “why are you so upset? He wasn’t even a good man.” The two stop talking indefinitely because the sister is like what the hell?

Then it switches to some point when this lady is destitute completely broke. Nobody to help her, but sone super kind dude she knows finds a way to unlock $173 for her. And she tries not to take it. She’s all “you should use this for people like my sister, or my best friend or..”

And the man looks so disheartened. He says “if you really don’t want it, you can just donate it to the people you’ve pre-approved to be worthy of it then.. and unburden yourself the money.”

Seeing as he looked somewhat shabby himself she quietly whispered “or yourself..”

He sighed and touches her forehead so she goes to a deep sleep. Her dream is meant to show her her deepest fear In this sleep an evil robot of her best friend starts physically attacking her, yelling “GAYYYYYY GAAAAAAYYYYY GAAAAAAAAAAAYYYYYYY!”

And the main chick who was frightened to see this robot chick stands up and says “I am gay. So what?”

The robot stops, reassesses. Her fear wasn’t rejection from being gay hmm. The face changes and the robot says “what do I know.. I’m just a widow.” And the robot is her sister attacking her instead.

And the main character is just like oh fuck and tries apologizing to evil robot sister. But the world explodes.

And I woke up.

WhT the fuck was that dream (also every female was played by Jennifer Lawrence somehow, and the male was Nikesh Patel)

[lecliss]

Finally looked into Holostars(the male version of Hololive) and,,, hnngggg boys

[johnhedgehogwatson]

"When I woke next morning he was in my room, and a funny looking object he was. His dressing-gown lay on a chair, and he was putting up a fifty-six pound dumb-bell, without a rag to cover him. Nature didn't give him a very symmetrical face, nor the sweetest of ex pressions ; but he has a figure like a Greek statue."

The Stark Munro Letters by Arthur Conan Doyle

[the-insomniac-emporium]

Fhemera Tidbits:

Brr-zerker, soon to have graveborn as a subclass

Technically a frost/earth elemental. Immortal (in a way) guardian of a mountain. Left the mountain to join the fight against the Dragon Lord, since he threatens all life (including the cutie mountain animals that Fhemera loves)

In my mind, they become a graveborn after "dying" in battle. Technically they just need some time to regenerate, but one of their companions panics and tries to revive them. Instead, Fhemera ends up somewhat infused with dark magic :)

Doesn't have a gender. Just. Doesn't have one. Uses they/them pronouns. Has what many would consider a "feminine" body type, but doesn't have any primary (or most secondary) sex characteristics.

Originally, their "hair" is actually carved stone/ice. After getting that Graveborn subclass, they take on a few more "human" traits, including softer skin and actual hair.

Gaaaaaayyyyy. Specifically bi. Somewhat of a flirt, but gets a bit awkward anytime someone flirts back

[webbgirl34]

Mike Ross, Harvey Specter, TK Strand :)

Mike Ross:

Sexuality headcanon: Bi. Dead center of the Kinsey Scale. He’s known since he was probably in middle school.

Favorite ship(s): Harvey/Mike - obviously. I didn’t hate him and Rachel together, but Mike and Harvey were such an obvious pair.

Brotp: Harold. I wish we’d had even more of them together.

Notp: I know a lot of people like it, but Mike/Trevor. I feel like that was such an unhealthy relationship all around. (Mike and the married chick is a close second.)

A random headcanon: Not really a headcanon so much as canon, but Mike’s biggest turn on is Harvey being bad ass. 

General opinion: Even outside of the shipper stuff, I’m sad that the show moved away from Harvey and Mike’s dynamic in the later seasons. It changed the complexion of the show.

Harvey Specter:

Sexuality headcanon: Anyone hot and smart enough to keep him on his toes.

Favorite ship(s): Harvey/Mike. If it hadn’t been Mike I wish it would have been Scottie.

Brotp: Jessica. I like the Harvey and Donna bro dynamic, but Harvey and Jessica is just fun. Even when she’s pissed with him. She’s the big sister that can smack him back into line.

Notp: Harvey/Donna. I feel like Donna’s character actually suffered the most in service of that pairing.

A random headcanon: Harvey fell for Mike the moment the briefcase of weed opened. It hit his competency and risk-taking buttons.

General opinion: While I appreciated the character growth the show did with Harvey, the relationships with Paula and Donna both kinda soured it for me. Paula because the whole therapist/patient thing...NO. And Donna because it felt like they rewrote their history to suddenly service the pairing.

TK Strand

Sexuality headcanon: Gaaaaaayyyyy

Favorite ship(s): TK/Carlos. I’m hoping the writers are able to move them into a Judd/Grace type of relationship as they go along.

Brotp: TK and Judd. My initial was TK and Paul, but Judd really has become a big brother to TK. I love the relationship and how it’s developing. I’m thinking TK is going to need that as the Strand baby storyline progresses.

Notp: Anyone but Carlos. While I LOVE him and Buck being friends, Carlos is his soulmate. 

A random headcanon: So my kinda dark one is that TK has been in a lot of harmful relationships (long or short). Mostly stemming from issues with his dad. They started in high school which is when his drug use started.

General opinion: I am RIDICULOUSLY happy about TK moving to the Paramedic team. I will be very disappointed if it terms out to be a short term thing. Narrative-wise, it gives TK at least a bit of space from his dad, it gives more of an opportunity to focus on the Paramedic team so that they don’t feel like a minor side story.

[blasphemous-tiefling]

I wanna take a few steps back for a minute and talk about KHI Riku and the Destiny Islands Trio as whole.

We are given:

1. Main protag with spiky hair and happy-go-lucky attitude

2. Cute and plucky obvious love interest girl

3. Edgy older boy who’s cooler and tougher than main protag

The very first scene between these three sets up a very important image where Sora is much less serious than Riku, Riku has an affectionate yet playful friendship with Kairi, Kairi and Sora like to tease each other and are probably into one another, and Sora and Riku are very competitive with one another. When given the opportunity to one-up the other in a race, Riku sits down, they both act uninterested, and as soon as Kairi says go, they both hop up and bolt for it, probably silently hoping the other one wouldn’t get the jump on it and would have a late start.

In the next scene with the three of them, we once again see that Riku is mildly flirtatious with Kairi, and Sora is less than happy about this, presumably because he likes Kairi himself. We get more characterization of Riku as an adventurer, someone who wants more from life than what he has in front of him now. Sora and Kairi seem to share this desire, but not on the level that Riku does. They both even show minor hesitation when Sora asks, “But how far could a raft take us?” and Kairi asks, “You’ve been thinking a lot lately, haven’t you?” as if this is a newer, more forceful side to Riku that she’s not used to.

Immediately after, Riku introduces the player to the concept of a paopu fruit, teasing Sora saying, “C’mon, I know you wanna try it,” hinting that Riku is well aware that Sora likes Kairi. In fact, this is probably why Riku is a little flirtatious with her- to get under Sora’s skin and mess with him. It’s clear to us that Riku has a rivalry with Sora and that he likes to joke with him. This scene’s impact is extended when the race occurs and Riku says, “Winner gets to share a paopu with Kairi,” and Sora then hesitates, unsure if he can actually beat Riku and considering how high the stakes are.

The next major scene is between Sora and Kairi alone as they sit on the docks. It is made clear here that Kairi shares Sora’s romantic feelings, suggesting that Riku has changed and joking, “Let’s take the raft and go, just the two of us!”

So. We’ve established that Sora and Kairi like one another. Riku is like the jerk of an older brother who is better than Sora at everything and likes to tease Sora by flirting with Sora’s girl. BUT it is important to note that Kairi and Riku DO have a friendship all their own. Riku credits Kairi with giving him the ideas of exploration. Without her, he probably wouldn’t have been so inspired. He also has a different form of teasing her, remarking that she is just as lazy as Sora. For Kairi to suggest that Riku has changed implies that she knows Riku well enough to notice any change in his normal day-to-day behavior. This is a group of three friends, two of whom just happen to like one another romantically.

Fast-forward a little bit to Traverse Town when Sora finds Riku (or the other way around) and Riku becomes jealous of Goofy, Donald, and the keyblade. Riku’s always been better than Sora, but this is the first time he sees that Sora is able to hold his own and probably starts to feel a little unnecessary. He falls into Maleficent’s lies that Sora does not want or need Riku anymore. He starts believing Sora has not only abandoned him, but that he’s abandoned Kairi as well. Riku takes on the responsibility of getting Kairi back and making sure she’s safe. Because she’s his FRIEND and that’s what friends do for one another. Guys, this is so important. There was a time when Riku and Kairi were FRIENDS. Riku goes through hella lot to make sure that Kairi gets her heart back. He screws over some people, feeling hurt and betrayed by Sora, desperately doing what he can to regain at least one friend. “Soon, Kairi. Soon,” was a line that Riku spoke after being granted some new dark powers. He wasn’t going along with Maleficent because he wanted cool new abilities and got all cocky acting like he was better than everyone else. He did it because he genuinely thought it was the right path to save Kairi. The road to hell is paved with good intentions. Riku did some bad things in order to save her and ended up losing himself in the process.

Fast-forward even farther to The End of the World. Kairi has her heart back, and Sora has to go off on one last venture to try to get Riku back. When Riku is inside the Realm of Darkness, about to be cut off from the Realm of Light, he turns to Sora and says, “Take care of her.” THIS is Riku’s last comment to Sora, a sentiment that declares that Riku knows Sora can handle himself now. Sora doesn’t need Riku anymore. Kairi has Sora to take care of her. Sora and Kairi can be together. And Riku doesn’t hold a grudge about it. He just knows it’s the flow of how things worked out. He’s fading into darkness. There isn’t much he can do for his friends anymore. But he trusts Sora with the responsibility of taking care of Kairi and blesses him with the ability to do so unimpeded by any anger or frustration Riku may have had.

All I’m trying to say is that Riku and Kairi were friends. Riku loved both Kairi and Sora at one point. I don’t understand why the newer installments (namely KHIII) decided to act like they were never a trio, as if it was always just Sora and Kairi and then just Sora and Riku rather than Sora, Kairi, and Riku.

KHII, while it didn’t have very many scenes featuring the three together, still did its part to remember the trio. Kairi begging Riku not to leave, desperately calling out for both of them before the dark pathway closed off and Sora and Riku were left to fight Xemnas.

I’m gonna keep posting these things, man. This series has changed a lot. How I felt about the characters and their dynamics in KHI is not at all how I felt about them in KHIII. In KHI, I actually liked Kairi and wanted to see her in the spotlight. In KHIII, I want nothing more than for Xehanort to slash that gal in half and be rid of her forever. In KHI, I love Sora and Kairi’s relationship, the evidence that they like one another but neither one of them have the nerve to say it. In KHIII, I’m screaming, “GAAAAAAYYYYY!!!” any time Riku is on screen and I’m rewatching that scene with Dark Aqua and Sora and Riku’s reality shifts thinking about the Sleeping Realm Theory and how desperately I want Soriku to be confirmed. In KHI, I want the three of them to be together again, free to explore the worlds. In KHIII, I don’t see any reason for the three of them to even be in the same room at the same time. There is a distinct shift in their relationships. Maybe it’s because the series decided the push Kairi to the side for many installments and just focused on Sora and Riku. Maybe it’s because Kairi’s voice actor changed, and that has a huge affect on me. Maybe it’s because Kairi didn’t have the same drive she seemed to have in KHI and KHII. I always go back to the scene where she and Sora are in the tunnel in Traverse Town, and she just assumes she’s going with Sora to save Riku. And then in KHII when she jumps in Naminé’s dark pathway, without knowing what it is, because she’s decided that “waiting isn’t good enough.” And then again in KHII when Riku gives her a keyblade and she immediately hops in and starts killing some heartless. Where was this ready-to-fight, all-in Kairi in KHIII? Maybe it’s because Riku as a character has grown so stoic and cool-tempered. Like KHI Riku got smad and aggressive and sassy. KHIII Riku acts all Mr. Placid McBoring.

I’m all in for character development. But this doesn’t feel like development. In fact, it feels like the opposite. It’s like character regression where the characters slowly get more and more one-dimensional.

I think that’s about it. That’s all that I have to say today.

Edit: Okay, my bad. I can see where this would suggest that I don’t like Riku anymore. That is very much not the case. I still adore that boy. It’s just... different than how it used to be...

[axton-blogs]

Rami

Spoilers ahead, You’ve been warned. 

So, catching up on all of Rami’s fantastic work is taking a while but while I’m watching The War at Home immediately after watching Mr. Robot, it’s easy to tell how he plays a lot of characters with such open vulnerability that makes them relatable to a wider audience. 

Let’s take Elliot Alderson for example. 

I tell my therapist that I relate to Elliot a lot, which worries him (my therapist watches the show, go figure). But, it’s not in the sense that I do drugs to numb the dull ache of life. It’s more on the side that Elliot is closed off and reserved unless he absolutely needs help, like in Season 3. He doesn’t talk much to Krista throughout the series, but after the 71 buildings explode, he rushes to Krista to talk to her, he desperately tries to tell her what he did, until Mr. Robot shows up in that moment of weakness to take over and give him that push. 

In times of desperation and emotional breakdowns, I tend to seek isolation until a moment of ‘intense courage’ happens, and I reach out, mostly when I come back from it I regret that decision, but hey, whatever gets me talking. 

Elliot has gone through emotional trauma that has hardened him into an antisocial, paranoid vigilante hacker that tries to fix a broken system. No matter how stubborn he seems to be, if it’s not the right thing to do, he will try to fix what he broke. 

His points of vulnerability come from other people suffering or finding out that what he thought was the right thing to do turned out to be a complete clusterfuck of bad decisions that need to be fixed. 

Kenny Al-Bahir, a quirky gay teenager from The War at Home was meant to be played as just a hormonal teenager that gets put through some weird situations. As one of the few roles of a gay person of Middle Eastern/Asian decent, Rami took him and made him into someone who was relatable to both parents and teenagers. Mind that most of this show had its own homophobic and transphobic tendencies, anyone who watched the show long enough realized that this adorable child with bright eyes could be someone they knew. Parents could see their child, teenagers could see themselves, teachers could see their students, etc. Rami played Kenny in a way that we could see him (laughably) try to hide who he was while, at the same time, was terrified of having people know who he was. 

The iconic “I’m gaaaaaayyyyy” moment was both a gasp of shock and sigh of relief, as the boy could finally be himself, but no one knew at what cost. 

TL;DR  I’m really fucking tired and Rami has ripped my heart out of my chest for the third time this week and he deserves all the Oscars. 

[seerdiary-sun]

g g g g g gAAAAAAYYYYY

YYYYYYYYYYYYYY

lol.

someone will remember jean - john luk.

jean valjean

wait does that mean kohn something john?

vsl val val

oh well. ((((and Im javer (hu v air!!!!)

24601

man why does he keep track of his number he musta been struggling with being hella gay for

ha hmmmmmm

ook anyways i was aying KISS: I HAVE white gloves.

they came with my little toy staff i got that """"magically"""" apears.

maybe ill give that staff out at ohayocon

if anyone pops by.

ill give some free tarot and terrible advice 😊

Untitled: Ass!

Titled: Nanananananana!!!

(//*batman*\\)

Description: I love this girl, she got fire!!!!

[bi-son]

Im pretty sure an 8th grader likes me lmao he gaaaaaayyyyy