#HE DOES IT FOR THE MUSIC AND FOR US

[backpackingspace]

My actual favorite part of wisdom saga is telemachus trying to lean against Athena (he thought about that for .03 seconds and then was like nah !!! :D she's my friend not the goddess of war!!! Good to see that the audacity is running strong in odysseus's family) and then just passed threw her and fell on the floor. And then Athena did not move at all!!! And just stood there looking at him.

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[angsty-art-ist]

replicant, replicant, what have you done?

[dootznbootz]

Thinking about how Telemachus has heard "You are just like your father" by so many people for most of his life. How different yet refreshing it is to hear said father tell him warmly "You're so much like your mother".

[nightmarearian]

Done (heavy quotation marks) with monster Ody @evergreen292 ;)

tbh I couldn’t for the life of me pick a color palette I liked And Render it so I gave up on color. Enjoy the half assery.

Tbh I’ve just been call it Ithacan Naga, but it’s objectively it’s a mix of snake, owl/bird, and human. So 🤷.

Tbh the wings are supposed to be white/gray-brown, cause owls & Hermes, while his scales are supposed to be an oscillating scale from sea green-blue to purple-tinted gray. Uhm. Evidently that sorta didn’t happen but also did. So.

The purple/grayer scales are gonna be more around with the feathers and wings.

Those fin colors are. Too blue and too bright but I love the colors themselves so they’re staying for now.

Uhm. That’s it for now, ig. I’m sorta on a timer rn and I’m tired so <3

The writing bit with this is still in the works (😭)

[real-odark]

majestic Rep Jane pls pls pls, maybe with her Ricky? 😼

OF COURSE I LOVE MAJESTIC REP SO MUCH!!

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[sirjo-esque]

Okay I think that one thing we're really not talking about is how Telemachus adds something to the end of each song, the exact moment we think it's over.

"If I fight those monsters, is it you I'll find? or "Tell me Athena why you came to my aid"

He's setting up for the next song, telling us that there's still more to it. In the Wisdom Saga, he figuratively acts as a reprise to Odysseus, through his relationship with Athena and the riffs Jay pointed out in We'll Be Fine.

That's why I think it's especially important that in We'll Be Fine, Athena is the one adding to the end of the song.

"You're a good kid."

Though Telemachus technically has the last line there too, it's not one that provokes action. Instead Athena adds a line, which in theory didn't need to be there. In all technicality, the song had ended. The next song, she takes action.

She's giving herself a reprise. A second chance.

[as8bakwthesage]

Considering that in the Iliad and in the Odyssey, a lot of Odysseus' faults aren't even discussed like they are in the "Epic" musical, how different stories paint the sacking of Troy with more or less detail (the Iliad versus the Aeneid, for example), and who murdered Astyanax also depends on the story (Astyanax isn't even mentioned in the Iliad, Odyssey, or Aeneid, but in other lesser known books/stories), it's very interesting how Jorge Rivera-Herrans chooses to paint Odysseus' character.

You can only assume that "Epic the Musical" really is just a very specific character study about this one dude that Jorge hyperfixated on, huh?

[gotta-bail-my-quails]

(ch366 spoilers) ok but seriously, i have some thoughts on this that are maybe too long to put in one go but essentially, I don't think Iruma will take up Mephisto's offer on the basis of him being the "king-maker", rather I think he would ask for his guidance more like as a teacher. Especially since Sullivan has already told Iruma becoming the demon king is only one path he has of many, and Iruma himself saying he's still a student when Mephisto originally (jokingly) named him king of the Many-Ears. Plus him being a teacher now and always admiring the teachers of Babyls.

(Although personally I think school + action shounen that results in the MC becoming a techer is hit or miss. Like Assassination Classroom made sense because the whole point was the teachers and students' relationship to each other not the killing. And how people are kinda hating on MHA's ending for yoinking Deku's power [idk that's what I heard] and making him a teacher even though personally I think the ending makes sense from a pure narrative structure perspective though it perhaps doesn't have the same context that makes it satisfying since AssClass was a very small enclosed world centered around the school and MHA did not, afaik. Anyway, I think it would work with Iruma, and I could definitely see him being both a teacher and demon king--it's very greedy but it fits M!IK's themes perfectly)

on the other hand, Mephisto's declaration is basically saying he has chosen who he supports as the next demon king, so regardless of what Iruma decides, Baal will absolutely not overlook it. Obviously, because he has gotten Princess Shura's support seemingly to become king himself, but what if Iruma becoming king will help his goal to (as it seems) extract Delkira's power? Ali only gets stronger as Iruma's rank goes up, so who knows what will happen if he passes Scala here. Maybe Delkira's power will manifest enough for Baal's goals. And now that I think about it, does Iruma even know Baal is trying to kidnap/use him? If Baal ends up showing his support for Iruma and Iruma doesn't realize his malicious intent...

[uhbasicallyjustmilex]

SIR WHAT DO YOU MEAN???????

[hanzajesthanza]

i like that in the sea of misinterpretation of geralt and re-interpretation of geralt, sapkowski decided to drop a banger novel that’s like:

hey, you know geralt the witcher, right, well remember how much of a hero he is and how much love he has in his heart and the deep loyalty to his friends and intrinstic humanism he embodies, how he’s emotional and susceptible to fear, insecure and doubtful sometimes, but how, in the end, he always saves people, even when it hurts him he does it, and that’s his purpose as a hero, saving people and wanting to protect and defend the innocent, appearing with sword in hand whenever evil stalks in the darkness? because he is a hero? a witcher? that’s who he is, our geralt, a witcher?

yeah, that geralt?

yeah :)

[justarandombrit]

I love compilations like "Starkid breaking the fourth wall" because you always know what's coming:

. That one moment in Twisted (Subliminal messaging)

. That one moment in Starship (Damn that G.L.E.E)

. That one moment in AVPSY (The same Hermione you know and love)

. The end of TGWDLM (WHY ARE YOU CLAPPING)

. A few moments in AVPM (Voldemort threatening A.J when he starts playing the piano, when Voldemort just walks around the stage door, etc)

. About half of Firebringer (The fourth wall hadn't been invented yet)

. All of Trail To Oregon (The fourth wall still hadn't been invented yet)

. Red Vines (what the hell can't they do?)

[your-stranger-halfblood-things]

"Uh, just this please," Steve said, handing the CD to the guy behind the counter.

He gave Steve a weird look. "Are you sure you want this?"

Steve nodded, sweating. "Yup."

"You do know it's Ozzy Osbourne, right?" the guy said, looking for the price. He glanced up at Steve; striped polo shirt, perfect swiped hair, and all. "It's not Wham! or ABBA. That'll be fifteen."

Steve handed him a twenty. "It's for my friend. He likes Ozzy. But he prefers Dio, but I much prefer Ozzy than Dio. So I will be buying this one, so I get to listen to it with him rather than having to listen to Dio." He took the bag the guy gave him. "But honestly, Mötley Crüe is my jam."

"Yeah man," the guy just looked weirded out, "here's your receipt."

Steve gave him finger guns. "Coolio, man," he said, trying to be slick, but he ended up tripping on the way out of the store.

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[nightmarearian]

blood dripped from Poseidon's mouth, red.

red.

the day they overthrew Kronos, child-eater (stomach acid crawling around them, after maw of teeth grazing his small, child body), his golden ichor bled red.

god blood, degraded into a mortal's.

the day Typhon, father of monsters (as big as their father was, as big as the Titans with sharp claws and teeth) ripped out Zeus' tendons, his blood was red.

Poseidon, god of the tides, son of Kronos, looked up at the dark shape stood above him, his own golden trident in his hand, the teeth like prongs drenched in red.

Odysseus is a mortal. was a human.

sharp webbed ears spread out on the side of their head, scales grew around their neck and arms, shining like a coral reef, illuminated by their growing red eyes, that were shrunken to slits.

Odysseus' teeth glinted in the lightning, showing their unnaturally sharp point.

monster.