#HE DOES HAS HE COOL MOMENTS IN THE COMIC
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skips hundreds of pages to get to the part with bullying Clive >:3
The face of a man that will not know peace for a decade.
#professor Layton#pl twisted fates au#Clive dove#desmond sycamore#hershel bronev#luke triton#llorsdood#emmy altava#flora reinhold#fanart#tf au art#so far all I’ve drawn of au Clive is being bullied#HE DOES HAS HE COOL MOMENTS IN THE COMIC#should draw them one day#Clive can’t just hop into Claire’s car#the gang will leak the info and then she will just none stop tease him for the whole trip#hey that might be a funny costume party idea#NO#au Luke in canon world learning info: I cannot wait to return to my world and ruin this man’s whole career
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What I love about Hellboy and Abe Sapien's dynamic in the comics is that, if you came into this blind, you'd expect Abe to be the voice of reason or the straight man to Hellboy's impulsive and hotheaded personality. But no, Abe is more often than not the crazy one. Hellboy would deal with fighting evil monsters and bad guys by just sighing and getting it over with, while Abe is going rabid over tearing the creature apart when he does get into a fight. Hellboy acts like it's a 9-to-5 job and will reasonably talk things out with a guy that had nearly killed him before, Abe acts like a madman in a slaughter house and his first instinct is to shoot first kill second and ask third. They're both insane, but on completely different levels.
#wheres that one comic where abe gets into a mission and has to tear down a monster with an axe#then at the end when hellboy appears and sees abe going ham while covered in blood. he's like ''oh hey abe. good job you're doing there''#hellboy was not even worried for a second. he trusts abe to handle things on his own#they both trust each other to do their job but they also know when they can handle a fight on their own and will help if needed.#their trust and bond with each other is so implicit but speaks volumes. they dont need to say anything. they just know#we talk so much about hellboy being like. an alright guy and a whole lot kinder than the world treats him. and that's right#but it really does make Abe look fucking batshit wild in comparison because of it#the entirety of the abe sapien comics is that the guy is on his hinges and the only thing keeping him sane before was his job (which is#debatable.) and the bprd. mostly hellboy and liz and kate and roger. johan and ben are a weird case but he does kinda care about them#i love abe btw. he's such an interesting critter. absolutely crazy maniac of a guy.#tbf i dont blame him considering his backstory. if i went through some of the shit he did; i would not be sane either#also. the moments post hellboy's death in the comics where abe is trying to deal with his passing but never directly says anything about it#until he was confronted by hellboy in his dream. thats the cool bit yknow. we dont need to be told Abe was grieving about hellboy#we just knew he wasn't handling it well. using present tense when talking about hellboy to other people. avoiding saying his name.#its great stuff#the fire burns#hellboy#hellboy comics#abe sapien
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dusttale canon fics translated!!!
have you ever wanted to know MORE about canon dusttale/murder!sans??? heard that one of dusttale's creators wrote fics but it's in korean and you can't be bothered to translate it??? WELL BOY do i have the solution to you because I TRANSLATED THE FICS!!!
well technically i localized it because the fics straight out of translation were a bit funky and out of context in some parts. also the fics are actually not all that detailed (and idk if this is a good thing) so i added more detail and such but idk if some people would rather just the straight translation no extra flourishes
IN THAT CASE if you just wanna read the straight translation dw! if you go to the og korean version HERE and go to the comments some else will have already done a direct translation
keep in mind i do NOT actually know korean and this entire project was done with the help of google translate (god bless the camera translate feature), some research, and my sheer brainpower. if something is messed up PLEASE lmk
heartfelt message below because this is 1/2 of my thanks for 100 followers gift to the world don't open if you don't wanna read CRINGE (ew,,, APPRECIATION AND FEELINGS??? GROSS!)
when will we get more canon dust content i cry out. the delusional side of me says one day but the realistic side says never
so uhhh i hit 100 followers. WOOO YIPPEE!!! and i just wanna say tysm for following me and liking and reblogging all my posts and all that stuff it GENUINELY means a lot. like fr /srs type of meaning to me. i don't remember how and i don't really know why but the murder time trio genuinely mean so much to me and i'm glad that there are a whole ONE HUNDRED ass people that also like all the ideas and dumb stuff i come up with for them and they liked it enough to follow it. like i can't even come up with 100 people i know irl. i never knew i would actually get people to see the shit i post on here and i remember how actually terrified i was when i tagged one of my posts and it actually got interactions (i'm still scared when i post. not a thing has changed)
but ya! im really glad that there are this many people that actually care about my ideas so that's cool. someday im gonna run out of ideas and panic but that day has yet to come. i guess you could consider this the first half of my 100 followers thankgratulations because i still have my horror sans character analysis that i'm still working on and paused to work on this (a simple side quest this was). if i weren't a LAZY FUCK than maybe i wouldve done a DTIYS or something that people do for big milestones like this but like i said. i'm lazy. call me sans. comic sans
anyways triglycercule OUT! time to delete this account! jk!(fashion au)
#would you believe this only took a DAY for me to finish#sometimes i impress myself with my own efficiency#reading these fics was so fun bro they showed me so much about dust#like he's WAYYY more of an asshole than i thought. and probably only cares about papyrus. like at all#the scene where he obliterates waterfall and then has a little manic moment??? that was SO cool#me when the guy whos whole thing is having a mad time is actually mad instead of stoic like normal#we need more fucked up crazy dust in this world. mans CANONICALLY enjoys murdering and we gloss over that too much#the amount of betrayal and switching from being sanslike that dust did in this was insane#he is a tricky fucker. cruel and sadistic. apathetic. and deceptive. god he's so fucking cool#this man can AND WILL play you like a fiddle and you wouldn't even know#the sheer amount of fuckery that dust does with the player is comical#tricule write#dust sans#dusttale#dust!sans#murder sans#murder!sans#utmv#undertale au#sans au#undertale#sans#undertale multiverse#bad sanses#bad sans gang#nightmare's gang#murder time trio#obligatory horror and killer tags for reach. and also because i'm the murder time trio guy#horror sans#killer sans
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
#jason todd#jason todd meta#red hood#batfam#batman#dc comics#comic analysis#classism#tw: csa mention#maybe someday half of the most intriguing and nuanced aspects of his character will be touched upon#red hood outlaw 51-52 had some cool moments wrt jason + class + hometown friends + systems of power but. that was a two issue arc#and even then it was admittedly messy#GOD i want him to be three dimensional and well rounded and well used#even if a writer wrote a fucking. filler comic for an annual or smthn exploring what jason does outside of being red hood#keep the name if u want. have him have deliberately taken the name of his killer and twisted it until ppl from his city know rh#as a protector of kids and the poor and sex workers and so on. that WORKS. but show him connecting w his community#have him get involved in mutual aid. have him do something when he’s not out as red hood at night. let us see jason & barbara interact more#or jason and steph !!!!!!!! or another positive but complicated dynamic (he has a lot of those)#i just. i think that his stagnancy makes me fucking sad. i liked some aspects of task force z. felt like it ended too soon tho#FUCK the joker lets unpack his self concept & have him be a real person outside of vigilanteism (?) and vengeance#i liked some aspects of the cheer arc in batman urban legends mostly bc he had SOME agency and bc he wasn’t completely flat#even tho i hate the retconning of robin jason being angry and moody and so on#part of the problem is we don’t see him too too often for more than semi brief appearances so im so happy to see him i’ll just accept it#love the idea of a nightwing & red hood team up comic. hate that tom taylor a) wrote it and b) gave jason that stupid ass line abt justice#u think this man trusts cops ????? or the legal system !????????? BITCH.#get jason todd into like a sociology / gender and intersectionality / feminist studies class NOWWWWW#ok im done im sleepy and going to watch nimona. thx for reading to anyone who did#PLS anyone who reads this let me know what u think im frothing at the mouth rn#wes.txt#mine
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mk vs dmk on romance
#meta is very worried about doing the ‘wrong thing’ or getting dedede’s hopes up and dark is perfectly happy to just roll with it#this is a plot point in something so i won’t get into it but it’s interesting to me#look darkroach is cute i think they should get to kiss sometimes#kirbyposting#my art or something#meta knight#king dedede#metadede#dark meta knight#daroach#shadow dedede#mirror metadede#darkroach#it’s not like daroach and sddd are a thing so i can’t really give the three of them a name?#ask to tag#dark taranza#quinn does comics#the text on this is SO bad im sorry. pen art moment#is it still aro week?? this is actually just coincidence anyway you guys are cool#i dont think dmk has an actual label for his orientation so where he is on the spectrum is kinda unclear#he’s not really sure but he’s not very interested in figuring out the specifics#*glances at my timeline* i should probably explain that one day
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Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
#ask#not art#tldr a lot of fantasy high's and d20's nature plays against having a Horror horror piece in it. there's no space for emptiness or dread#that's one of the most attractive things to me about horror. the monster signifying a new world you don't understand#you see something on the deserted streets and you realize: oh. the world doesn't work how I've been thinking it does#if u've noticed how much this has in common with queer experiences haha. yeag#man. actually I should also put the I Am Not White disclaimer in there too lmao a lot of the notion of The Monstrous is! traditionally#about maintaining and upkeeping a ''social order'' (read: the powers that be)#and a Lot of Wilderness Fiction is deeply and maliciously colonialist#so when I say ''the unknown land'' and ''the monster'' I am pretty much speaking From one of those unknown lands#and from the position of one of those monsters#the fear of the monstrous is so very often the fear of being consumed by - or becoming - the monstrous yourself#and well. when you're already there in the eye of the zeitgeist. You Can Do What You Want Forever#all that to say it Is important to me that baron is made of riz's lies. even more so in this funny class swap thing I make for fun#like as a horror protag he makes me insane. he loves lines! he loves lines he drew himself. he replicates these borders in himself#that mirror the world he lives in that's so hostile to him. that kid Loves rules. he bows to even the ones that hurt him#like. u get where I'm getting to right I did make a whole comic kinda near this subject he's Already The Other#baron is a monster's monster. baron is a mirror image. GODs I cant help but wish they were messier#it's kinda why I make class swap baron to be like. an ever nearing realization. like I warble abt all this but I genuinely do also find#canon baron to be just as visually coherent and thematically perfect as riz if not more. it's hard to beat how cool the mirror stuff is#it's hard to beat that doll face in iconic visuals! I have to strike according to my strength rather than trying to beat canon#so instead of reflection it's captured moments. instead of a blank face it's the lack of one. mmm. maybe I'm just kinda breaking things#for fun also but that's My prerogative in my house awooga <3#well. thats kinda my thoughts on the general subject. thank u for listening. I will bake something soon dyou want some
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american comics are wild, man.
#𝐬𝐮𝐛𝐭𝐥𝐞 𝐚𝐧𝐨𝐦𝐚𝐥𝐲.「 out of character. 」#hope you're ready for me to ramble in tags because OOOH BOY. i'm waving at my comics academy diploma.#of course let me start by saying that i don't mean it for every single american comic. i'm not here to generalize and lemme tell ya#some italian comics sometimes tend to do the same of what i'm about to ramble about. staring at some dylan dog comics i have.#but sadly it's also a thing that happens a lot in mainstream american comics (meaning marvel and dc) and that i even studied#and it's called ✨BODY PROPORTIONS✨ and how they are absolutely butchered to make a cool panel or just. ignored because BUFF 'EM#i'm specifically talking about a deadpool comic at the moment because that's what i was reading#and i swear that deadpool's proportions kept changing panel to panel. not to mention his body was 'perfected'? like#yes he keeps regenerating but he's supposed to have a body consumed by cancer. why does he look like hulk then.#and it's not only marvel doing this - once again i'm staring at dc and at my biggest problem with constantine's comics#which is that they have hinted (actually more than that) to his eating disorders - not to mention alcoholism and general lack of self care#and he's also a sorcerer and supposedly the anti-hero which is not super muscolar and has no incredible physical strength#yet how many freaking comics i've seen of him where he's just. SO buff. his body super perfect. WHY.#at the same time though so many people draw comics to put them out as fast as possible that i can see why they just *draw it*#and have no particular references for each other so when they're asking you to draw a thing fast you tend to draw what usually works#that's a whole other discourse that i even had experience of during academy. might make an actual post for that actually#because i've been thinking a LOT and throwing thoughts out might be interesting. BUT STILL. PROPORTIONS.#not to mention the choice of the frame to make panels look cool but you just *can't get what the bloody hell you're looking at*#three years i've spent in an academy learning what NOT to do when making comics and then i read these that do exactly all of the do not's
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How JJK Men React to Seeing You in Their Clothes
Pairings: Gojo x fem!reader; Megumi x fem!reader; Yuta x fem!reader; Nanami x fem!reader
Word Count: 2,5k
Warnings: fluff over fluff, I'm pretty sure I already wrote something like this but I can't find it anymore lol, all scenarios talk about the clothes of the said jjk men being big on you so please don't read if this isn't what you vibe with (but feel free to let me know if you want a version in which their clothes actually fit reader quite well!)
Gojo Satoru
The apartment is unusually quiet as you move through the living room, your bare feet padding lightly across the cool floor. Gojo had left early this morning to deal with some “business,” leaving you alone with nothing but a mess of his belongings scattered around. You’re not one to complain though - cleaning up after him has become second nature after spending so much time together.
As you tidy up his place, you come across one of his oversized hoodies. It’s sprawled across the back of a chair, still slightly wrinkled from when he wore it the night before. The faint scent of his cologne lingers in the fabric, and for reasons you can’t quite explain, you find yourself reaching for it.
It’s soft, much softer than you expected. You hold it for a moment, staring at it thoughtfully before a mischievous grin tugs at your lips. You slip the hoodie over your head, the fabric swallowing you whole. The sleeves are comically long, almost covering your hands completely, and the hemline reaches down to your thighs. It’s so big that it feels like you’re wearing a blanket, and despite yourself, you giggle at the sight of your reflection in the hallway mirror.
You sit down on the couch, pulling your legs up under the hoodie, and let yourself relax into the comfort of wearing something that smells like him. His signature cologne that follows him around wherever he goes, that makes your heart skip a beat every time you smell it. To be honest, you really miss him. These past weeks were so busy that you didn’t really get the chance to see him more than 2 hours before passing out sleeping. What you’d do for a whole afternoon, just you and him…
Not long after, you hear the oh so accustomed sound of the door unlocking, followed by the familiar voice of Satoru calling out, “I’m home!”
You stiffen for a moment, wondering how he’ll react, but you can’t hide now. Fuck, you never wore his clothes before. After all, they belong to him and you have no right to grab his stuff as you please.
Before you can say anything to defend yourself, Gojo steps into the living room, his bright blue eyes immediately locking onto you.
There’s a beat of silence. Then, a slow, amused grin spreads across his face.
“Well, well, what do we have here?” he teases, leaning against the doorway with his arms crossed.
His sunglasses are perched on his head, revealing his crystalline eyes that seem to glow with delight.
“Did you raid my closet while I was gone?”
You roll your eyes, trying to play it cool despite the sudden warmth creeping up your neck.
“Your place was cold. Figured I’d borrow something.”
Gojo doesn’t respond right away. Instead, he walks over to you, crouching in front of the couch as he eyes you up and down. His grin widens as he takes in the way the hoodie completely engulfs you, making you look even smaller than usual.
“Looks good on you,” he murmurs, his voice lower now, laced with something playful but undeniably affectionate.
He reaches out, tugging on one of the oversized sleeves gently.
“In fact, I think it suits you better than it does me.”
You scoff, though your heart skips a beat at the way he’s looking at you, like you’re the most fascinating thing in the world.
“You think everything looks good on me.”
“That’s because it does.”
His grin is infuriatingly confident, but there’s a softness in his gaze that makes your breath catch.
“But you, wearing my clothes? I think that might be my favorite look.”
He leans closer, his nose brushing against your temple before pressing a soft kiss there.
“You can keep it if you want,” he whispers, his breath warm against your skin.
“I don’t think I’m getting it back anyway.”
Megumi Fushiguro
It’s early morning, the sun just beginning to rise over the horizon, casting a soft glow over Megumi’s small apartment. He’s still asleep, his dark hair a mess of unruly strands as he breathes softly beside you. You’ve been staying with him for the weekend, a rare break from the chaos of jujutsu sorcery.
As you quietly slip out of bed, careful not to wake him, you feel the cool air hit your skin. Without thinking, you look around the room for something to cover yourself with. Your eyes land on one of Megumi’s plain black shirts, tossed haphazardly over the back of a chair. It’s oversized, much bigger than anything you’d typically wear, but you shrug and grab it anyway.
Slipping it over your head, the fabric is soft and familiar, carrying the faint scent of him. It hangs loosely on your frame, the sleeves too long and the hem falling halfway down your thighs. You glance at yourself in the mirror, a small smile tugging at your lips. There’s something comforting about wearing his clothes, like having a part of him with you even when he’s asleep.
As you turn back toward the bed, you freeze. Megumi’s awake. His dark eyes are half-lidded, still clouded with sleep as he watches you from the bed. You can’t quite read his expression -it’s a mixture of surprise, confusion, and something else you can’t place.
“You’re up early,” he mutters, his voice still thick with sleep.
You shrug, feeling a little self-conscious under his gaze.
“Couldn’t sleep. I didn’t think you’d mind if I borrowed your shirt.”
Megumi blinks, his gaze drifting over you slowly. He doesn’t say anything right away, but you can see the way his eyes linger on the way the shirt swallows you, how it looks like you’re drowning in fabric. After a long moment, he finally speaks, his voice quieter than before.
“It looks good on you,” he finally speaks out, a little awkwardly, as if he’s not quite sure how to compliment you.
“Better than it does on me.”
You can’t help but laugh at how flustered he seems, even though he’s trying to play it cool.
“Really? I think it’s a little big.”
Megumi shakes his head, sitting up in bed and running a hand through his messy hair.
“No. It’s perfect.”
He pauses for a moment before adding, almost shyly,
“You should wear my stuff more often.”
His words catch you off guard, and you raise an eyebrow at him, surprised. Even though you know all too well that Megumi Fushiguro has a soft spot for you, you never really thought about stealing or borrowing his stuff. After all, he is the guy who slaps the back of Yuji’s head each and every day over stealing his sandwich or equipment. And now…he’s telling you straightforward that he wants you to wear his shirts?
“You want me to?”
He looks away, his usual stoic mask slipping just a bit as a faint blush creeps up his cheeks.
“I mean... yeah. It suits you.”
Your heart skips a beat at his admission. Megumi isn’t one for big, flowery declarations, but this, this small, almost hesitant compliment, is enough to make your chest warm. You walk over to him, climbing back into bed and curling up beside him like you always do after waking up.
“Well, if you insist,” you mutter teasingly, leaning your head on his shoulder.
“I might just steal more of your clothes.”
Megumi huffs, but there’s a softness in his eyes as he wraps an arm around your waist, pulling you closer.
“Go ahead,” he mumbles, tugging at the hem of his loose shirt.
“I don’t mind.”
Yuta Okkotsu
You’ve been staying at Yuta’s apartment for the past few days, crashing at his place while you’re both on a break from missions. It’s been nice: quiet, peaceful, just the two of you enjoying each other’s company without the usual chaos of jujutsu high looming over you.
It’s late in the evening now, and you’ve just gotten out of the shower, feeling refreshed after a long day. As you towel off your hair, you realize you forgot to grab something to wear. Your suitcase is still in the living room, and you don’t really feel like walking out there in just a towel.
Your groan in frustration over your usual absent-mindlessness, eyes landing on one of Yuta’s old sweatshirts, folded neatly on the chair by his desk. It’s a little worn, clearly well-loved, and the idea of wearing something of his brings a smile to your face. Yuta definitely wouldn’t mind you wearing one of his shirts, right? And even if he did…you’d love to see that little blush creep up his face.
Without thinking twice, you pull the sweatshirt over your head. It’s oversized, the sleeves long enough to cover your hands, and the fabric is soft and cozy against your skin.
You’re adjusting the sleeves when the door creaks open slightly. You look up just as Yuta steps into the room, his eyes widening in surprise when he sees you.
“Oh, hey-” he starts, but then he freezes, his gaze locking onto the sweatshirt you’re wearing.
His face flushes almost instantly, a deep red creeping up his cheeks as he stares at you.
“Uh… is that…?”, Yuta stammers, clearly flustered.
You glance down at the sweatshirt and smile sheepishly.
“Yeah, I hope you don’t mind. I forgot to grab my clothes, and this looked comfortable.”
Yuta blinks, his face still bright red, but he quickly shakes his head.
“No! I mean, I don’t mind at all! It’s just… you look… um…”
He trails off, his eyes flicking away as if he’s too embarrassed to finish the sentence.
You giggle softly, stepping closer to him, to tease the hell out of him even more. That poor innocent boy who doesn’t even dare looking your direction when you stumble in the bathroom in the morning with noting but a shirt and panties on.
Even though you’ve been together for over a year by now.
“I look… what?”
Yuta clears his throat, still avoiding your gaze.
“You look… really cute,” he mutters, barely audible.
“In my sweatshirt, I mean.”
Your heart swells at his words, and you can’t help but smile as you reach out and take his hand, giving it a gentle squeeze.
“Thanks, Yuta.”
He finally meets your gaze, his face still red but his expression softening as he squeezes your hand back.
“You can wear my clothes anytime you want,” he says quietly, a shy smile tugging at his lips.
You grin, stepping closer and wrapping your arms around his waist.
“I might just take you up on that.”
Yuta chuckles, his arms wrapping around you in return as he pulls you close.
“I wouldn’t mind,” he murmurs, pressing a soft kiss to the top of your head.
“Not at all.”
Nanami Kento
It’s late, and Nanami is still out on a mission. You’ve been waiting for him to come home, but the clock is ticking past midnight, and exhaustion is beginning to catch up with you. After all, you’ve had a long and exhausting day at work yourself.
You’re curled up on the couch, half-asleep, when the chill of the evening air prompts you to grab something warmer to wear.
Your own clothes are in the bedroom, and you don’t feel like moving that far. Instead, your eyes land on one of Nanami’s neatly folded dress shirts, sitting on the back of a chair. It’s probably not the warmest option, but the idea of wearing something of his feels comforting, like having a part of him with you while you wait for him to return.
You slip the shirt on, the crisp fabric soft against your skin. It’s too big, of course, the sleeves hanging past your wrists and the hem falling almost to your knees, but it’s cozy in its own way. You curl up on the couch again, pulling the sleeves over your hands and breathing in the faint scent of him that still lingers on the fabric.
You don’t realize you’ve dozed off until the sound of the front door opening stirs you awake. You sit up groggily, blinking as Nanami steps inside, looking tired but unharmed. He pauses when he sees you, his eyes widening slightly as he takes in the sight of you wearing his shirt.
For a moment, neither of you say anything. Then, a small, almost imperceptible smile tugs at the corner of Nanami’s lips.
“You’re wearing my shirt,” he observes, his voice calm but with a hint of amusement.
You rub your eyes sleepily, nodding.
“It was cold, and I didn’t feel like getting up.”
Nanami walks over to you, his expression soft as he takes in the sight of you.
“It suits you,” he murmurs, his voice low and warm.
“I didn’t expect to come home to this.”
You shrug, feeling a little self-conscious under his gaze.
“If you don’t like it, I can-”
“I like it,” he cuts in, his tone firm but gentle.
He reaches out, brushing a strand of hair behind your ear before his hand lingers at your cheek.
“I like it very much.”
You smile, leaning into his touch as you look up at him.
“I might have to borrow your clothes more often, then.”
Nanami chuckles softly, his thumb brushing against your cheek before he leans down to press a soft kiss to your forehead.
“You’re welcome to them,” he breathes out.
“Though I have to admit, you make my clothes look much better than I do.”
You laugh softly, your heart warming at his rare display of affection.
“I doubt that.”
Nanami shakes his head, his eyes soft and filled with affection as he looks at you.
“It’s true. But regardless, you’re welcome to them anytime” he insists.
With that, he sits down beside you on the couch, pulling you into his side as he wraps an arm around your shoulders. You snuggle into him, the warmth of his body and the comfort of his shirt making you feel safe and content.
“Thank you, Kento,” you whisper, closing your eyes as exhaustion starts to pull you back into sleep.
Nanami presses a soft kiss to the top of your head, his voice low and soothing as he murmurs,
“Anytime, love.”
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I think a thing that people get wrong about Jason's anger is that it's not explosive.
It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.
He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.
He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.
Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.
And that's a thing you can see operating since he was a child.
Where the only exceptions about this effect is either when someone he believes needs his help is involved.
See Nightwing Annual (2021)
But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.
Was to seethe.
Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).
But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.
This is the first time he appears again in the comics after learning that Two Face killed his dad.
Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.
(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)
His reaction wasn't immediate.
His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.
But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this
From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.
But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.
Does that mean he planned that to happen?
That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.
You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.
Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"
When he's alone he finally has the moment to break down.
(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)
Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.
#I didn't finish not even half of my thoughts in here but I'm going to publish it before it gets drag in my 182828383 drafts#if you disagree lets fist fight at six am#jason todd#q rambles#character study#writing Jason Todd#← this is not a guide this is literally the tag I use to organize things#q screams at the void#q rants
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You think the Zone has its version of Comic Con?
Like? Think about it. You have literally all of time to work on it, your Magnum Opus, your life's work. That DREAM comic. All the supplies you could ever wish for. Endless paper. Endless ink. You can practice and practice for CENTURIES until it's JUST right.
Wouldn't you want to share it?
There are definitely Ghosts who have Obsessions that make them collect.
And two people meeting would lead to a group. Lead to a bigger group. Lead to a large group. A gathering. A crowd even. Eventually you need a Lair to meet IN. It becomes An Event.
People hear about it.
Want to bring other art mediums. Food stalls. Report on it. It grows. Shoot offs start happening. Niche meet ups.
But like?
Unlike comic con? It's all FREE. Sure, you might have fork over the ecto to make your copy. And yeah, weaker ghosts can only do that so many times. Will have to prioritize. But? They can come back after leaving for a nap. Ask a buddy to come with. There ARE work arounds.
Just? Imagine the unbelievable HIPE? Danny would feel? But be unable to TELL anyone about? Zone Con happens several times a year! Cause so many people wanna come. The Zone being infinite, after all.
Problem 1? They're using THEIR standard of a "year". Which is actual 5 earth years. So it's only happens every year and a half for him. And Problem 2? He can't even TALK about how excited he is about Z Con with anyone (outside his friends and family) because they haven't heard of it and might Ask Questions.
It's ALSO held in a part of the Zone that's like? Three days of flying away from the portal. And no amount of begging is gonna get any of his loved ones to camp in the Speeder for around six-ish days just to go to a Con.
So you can imagine his DELIGHT. His utter JOY and *Target Spotted* "!!!" Noise, when? In the crowd? He spots A HUMAN! Hi fellow human!!! Omg, wanna be Con Besties? *doesn't even wait for an answer*
So now? This sad, blonde, deeply lost and kinda alarmed, trench coat dude? Is Danny's new Z Con Going Bestie! You got a map yet, bestie? No? That's cool, he has one. By the way, he has human food in the Speeder if you nee-
YES!
Cause, see, here's the THING. John? Lost to the Realms Infinte. Or Infinte Realms. Translation was iffy... and on fire... like the rest of the building. It was him or the kids those psychos had kidnapped, for what fucked "ritual" the voices in their heads, that THEY thought were demons but frankly he's pretty sure was just feedback from-
Look, doesn't matter, he had to choose. He always knew someday he'd have too. That even twisting Luck and talking fast wouldn't quite be enough. And he had to decide, in that moment, which outcome mattered more to him. They get out safe, or he does.
Wasn't much of a question, was it?
So, there he is. Staring down oblivion and all those debts unpaid. 'Bout to see who's gonna come for him this time, and take what left of wretched soul. When? He bleeds on the FUCKIN two-bit crap circle they squiggled in God only knows what. Remembers that "oh YEAH, set dressings!" Sometimes when you focus too hard on insuring a Good Outcome?
You weird weird as shit byproducts happening on the side to balance it all out.
Or BAD ones.
He wakes up someone fucking green and crowded. For the life of him can't tell you which one it is. And THAT was of course, bout two days ago.
Biggest and most immediate problem? He... does NOT recognize what flavor of magical fuckery this is. Doesn't seem Fae. And doesn't smell like Hell. There are... there are honest to God BOOTH BABES hanging around. Hunks too. The view is LOVELY.
And nerdy.
Very, very nerdy.
But he isn't THAT out of touch. So he should recognize SOMETHING. Or at least the languages. But nope! It's like aliens and magic had a nerd baby and dipped it in GREEN. And the worst thing? Is there is food everywhere, but it all glows and John's not stupid enough to eat it.
Then? Sweet merciful fuck. Salvation! Some teeny bopper Barely No Longer Teen fresh faced INFANT of a Hero kid. With a SHIP. Who has FOOD and a clear idea of where they are. Hello~ John's new BEST FRIEND. Yes. Absolutely. Con Buddies, whatever.
Just feed me, kid.
Only? Once he inhales like 5 "Fenton rations"? He only gets half way through introducing himself before getting interrupted. Kid hears "magic" and "occult Detective" and just? Goes "oh! So you wanna check out the magic Ally with me? Sam wanted me to pick up some witchy stuff!"
..............how magic?
(In Which? Constantine becomes Danny's interdimensional Con buddy)
@the-witchhunter @hypewinter @hdgnj @mutable-manifestation @lolottes @nerdpoe
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seventeen getting caught masturbating
seungcheol being caught masturbating by you was the last thing you expected tonight. seungcheol’s eyes widen in surprise before he quickly hides under the sheets, biting his lip in embarrassment. you can’t help but smirk as you approach, your hand wrapping around his cock through the fabric. his hips buck involuntarily, eyes rolling back, “oh god,” he moans desperately, unable to control himself. “you’re gonna make me cum,” he moans all sulky :(
jeonghan’s usually composed demeanor crumbles. he’s shyer than he thought he’d be, yet he keeps his eyes glued to you, stroking himself. “help me or leave,” he whispers, his voice shaky. you move closer, and his breath hitches, knowing he’s close to the edge just from your presence.
joshua gasps, scrambling to dress himself. but your presence in the doorway, that sly grin on your face, stops him. he hesitates, then slowly starts to undress again, uncertainty and arousal blending in his eyes. “don’t just stand there,” he mutters, cheeks flushed, “come here.”
junhui’s reaction is almost comical in its speed. he covers himself in an instant, but when he realizes you’re not buying it, he gives in, voice soft with a plea. “can you help me?” he asks, his need evident. you oblige, and the gratitude in his eyes is unmistakable as he falls apart under your touch.
hoshi doesn’t notice you at first, too lost in the sensations, eyes closed as he bucks into his hand. when he finally does see you, he screams, making you jump. even then, his hand doesn’t stop, a muffled moan slipping past his lips as he covers his mouth. “please,” he whispers, and you can’t resist helping him finish.
wonwoo when you open the door quietly, not expecting the sight before you. his body tenses immediately, his eyes wide with embarrassment. without his glasses, he only sees your silhouette, and he’s terrified. he scrambles to cover himself, but it’s too late. he mutters a quick, “sorry,” before bolting to another room, leaving you speechless in the doorway. the sound of a door slamming shut echoes down the hall. after a moment, the bathroom door opens, and there he is, dressed and composed, but still visibly flustered. he approaches you hesitantly, his hand reaching out to yours, and you know exactly what that means. “I guess I have no reason to be shy, right? after all, you seemed to like it...”
woozi immediately sulks, glaring at you. “you said you’d be home late,” he grumbles, but his grip on the sheets betrays him as you step nearer. you take him in hand, his protests dissolving into moans. “f-fuck, i’m so embarrassed, so embarassed” he stammers between breaths, but his hips don’t stop moving.
minghao is indignant at first. “don’t you know how to knock?” he snaps. you start to apologize, backing out, but he quickly changes his tune. “wait! c-can you help me?” he asks, his voice small.
mingyu is caught in the most embarrassing moment—right as he’s cumming. he barely has time to react, the embarrassment and orgasm hitting him simultaneously, his face contorting in pleasure as he finishes. “why did you have to walk in now?” but the way his body trembles shows he doesn’t reaaaally mind.
seokmin is too horny to care about embarrassment at first. “please help,” he begs immediately. once he cums, reality hits, and he runs away, all embarrassed, sulking about being caught in such a compromising position. “i can’t believe i asked you for help,” you can’t help but chuckle at his retreating form.
seungkwan tries to play it cool, pretending he hasn’t seen you, but you both know better. his face burns with embarrassment, yet there’s a flicker of something else. he knows you’re enjoying the sight, and he’s counting the seconds until you join him. “you like what you see?” “you gonna help or just watch?” he finally says, his bravado wavering.
vernon covers himself with a pillow, staring at you with wide eyes and pink cheeks. “help?” you offer, and he doesn’t even let you finish before saying, “yes! … please.” his voice is soooft! almost a whisper, but the need is clear.
chan grips the base of his cock tightly, trying to stop himself from cumming. “y-you scared me!” he exclaims, eyes wide as you close the door behind you. he gulps as you walk closer, his breath hitching. “are you going to finish what you started?” you ask.
#seventeen imagines#seventeen reactions#seventeen headcanons#seventeen scenarios#seventeen smut#seventeen x reader#svt smut#seventeen#svt imagines#seventeen fanfic#seventeen x oc#seventeen x you#seventeen x y/n#seungcheol smut#jeonghan smut#joshua hong smut#junhui smut#hoshi smut#soonyoung smut#scoups smut#wonwoo smut#minghao smut#the8 smut#mingyu smut#seokmin smut#dk smut#seungkwan smut#vernon smut#hansol smut#dino smut
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I know people normally brand Wade as The Funny One, but can we talk about how they'd be as a comedic duo? While flirting? While fighting?
People oftentimes tend to stereotype Logan as The Straight Man, the guy who keeps a serious face no matter what. And while sometimes that can be true, if you look at his characterization in the movies and comics, that isn't always the case. I think that because his humor is more subtle and down-to-earth than Wade's they tend to overlook it entirely.
Wade's humor is more obnoxious and in-your-face. He uses a cheerful, dramatic tone to cue you in that he's trying to be funny. He makes pop culture references and rambles on and makes constant, non-stop commentary. He's meant to be entertaining and funny because it's his brand to be insane and nonchalant even in the face of danger.
Logan, on the other hand, has this very blunt, sarcastic humor. The type that requires you to think a second to get it. He'd make little quips and jabs, but either with a straight face or barely there grin, so it's harder to tell he's joking. His tone of voice is more deep and gruff, which we don't typically associate with being humorous, but he does tease enemies and joke and throw their lines back in his face and goad them.
These two together would drive everyone up the wall.
Everyone (the X-men, the enemies, Wade's friends) assumed that their interactions would be Wade making crude, obnoxious jokes and Logan telling him to shut up or acting annoyed but... that doesn't happen? Instead, Logan quietly laughs at Wade's antics or, even more shockingly, joins in.
Logan gets Wade's humor—relishes in it, even. He would find Wade funny when he makes stupid jokes at all the wrong times because he does it too but nobody pays attention because it flies over their head or he's too intimidating for them to really register his words.
(The only reason Logan was more serious in the movie was that he was a grieving, broken man who thought he was responsible for the deaths of his family. He felt completely alone. And yet, even then, he played along to some extent with Wade's jokes and acted baffled rather than genuinely annoyed unless it was a super inappropriate moment. And you could tell he found Wade funny and liked him talking by the end of the movie.)
These two would be sitting across the table and Wade would make some stupid joke and Logan would add onto it, straight-faced.
Wade would gasp and clutch his chest dramatically at someone taking the Ketchup from him before he was done and whine, "How could you!? The betrayal! I thought I could trust you, this is a crime of the highest degree! I should have you canceled on Twitter for the atrocities you just committed."
And Logan would shake his head, stoicly, and reply, "It isn't cool to steal, man. It feels good in the moment but you hurt other people."
And everyone would sit there like what the fuck? Did Logan just... play along with Wade?
(Logan was biting his cheek to not grin at their confused faces and Wade was practically cackling to himself.)
It'd be even funnier when they're fighting villains together.
"Watch out, babygirl! Daddy's going to save you!" Deadpool would scream, as he lunges in to stab the enemy as they have Logan pinned to the ground.
"Well, 'Daddy' needs to do a better fucking job at it," Logan would grunt as he threw the guy off himself.
Logan would be snarky, because that's his personality and sense of humor, but he'd play along. He'd commit to the bit so hard that the enemies would stop attacking for a second just to look at each other like, "Are you seeing this???"
"Wolvie, what did I tell you about your greasy tits? If you wanted to be a prostitute you could at least tell me so we could start an Onlyfans and monetize it," Wade would say after Logan's shirt got shredded in a fight.
"I'm not giving you a fucking cent of my Onlyfans money," Logan would grunt as he continues fighting.
"That's unfair! I'd be the best photographer out there, you need to pay me my fair share! This is a worker's rights violation!"
"Yeah, well, I'm the pornstar. I'm the one doing all the heavy lifting, you aren't entitled to shit."
And everyone would be like???? Did The Wolverine have an Onlyfans? Since when? And where could they find it—
It'd be funny to see them tear down the self-esteem of a villain together as they fought them.
"You look like Simon Cowell got dipped in a vat of acid and then grew out a mullet and got it cut by a 5-year-old on America's Got Talent just because their mom died of cancer," Wade would laugh and point at their appearance.
"That's being generous. At least Simon Cowell was attractive. More like a fucking muppet," Logan would add on.
And then they'd fight over whose interpretation was correct while the villain just stood there and took out a mirror to look at themselves because?? They didn't think it was that bad?? (It was.)
It'd actually give them the edge in fights because they'd baffle the villains so much. They'd either make them pissed off at not being taken seriously and therefore more sloppy, or just make them insanely self-conscious. Win-win.
Eventually, word on the street got around that Wolverine and Deadpool were a brutal duo. Verbally. There'd be villains telling stories about how they were disrespected and maybe an emotional support club "Fought Deadpool and Wolverine and survived on the outside but died on the inside."
They'd be a peak comedy duo that would become notorious for their chemistry (both in their fighting style and commentary).
#deadclaws#deadpool 3#deadpool and wolverine#deadpool movie#logan howlett#poolverine#wade wilson#wade x logan#wade/logan#fluff#crack#kitkat
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Chemistry
Jenna Ortega x male reader smut [Commissioned fic]
Masterlist word count: 9,196 Kofi(donations/commissions)
"You know that's not my thing, right? Why even bring this to me?" You throw the papers down on her desk and they spill over the wooden surface.
"Did you even look it over?" She sighs, holding out her hands for you to take them back, "This could help you break out of the R-rated mould you've found yourself in."
"Look it over? You know this isn't my genre."
She rubs her forehead as though she's stressed, "Look, we all have to make concessions, right? It's a few months of filming and a lot of money."
"It's fucking romance," you dismiss.
She raises her voice in response, "It's your fucking career."
"What's that supposed to mean?" You push back, and she's taking a glass from the shelf behind her desk and emptying the whiskey within it in one practised motion. She's keeping her cool and taking a moment to simmer down by cleaning up the papers. The silence tells you as much as her words could. She's trying to help you like she always has.
She says, "You know what it means. You're no George Clooney. You're no Vince Vaughn. One trick ponies are rare. You gotta work on your range."
You stay quiet, clenching your jaw because you can't argue. This is what she does: tells you what you need to hear instead of what you want to hear. She's tough love and always has been. Took you under her wing and at times carried you to where you are today, so who are you to question her judgement?
"Did you ever stop to think 'why'?" She asks before taking a drink. "Why would I bring you a part that I know you're going to hate?"
You cross your arms, remaining silent as you stare at her. She smirks before answering her own question.
"Because I know who they're eyeing for the leading actress. Jenna Ortega. You know she's all the rage these days. Netflix deals and music videos. She's fuckin' viral and she's fuckin' money. Her name is gold so I want you on her fuckin' hip." She takes another sip, watching you absorb the information she's feeding you with an unrelenting stare.
She always gets like this, all the foul-mouthed excitement is enough to convince you that she really believes what she's saying.
"Alright. Got a pen?"
-
Pre-production is... well, it's different. It all feels a little foreign to you, right from the off with the script reading, because it's obviously such a different vibe than anything you're accustomed to. It's all so light and breezy and a little comical. You don't do comical.
There's no deep-seated angst, or hatred festering below the surface of your character, rather he's kind, loving, funny, a little bit of a klutz. It's a long stretch from the characters you usually play—murderers, drug dealers, car thieves. Now the viewers are supposed to like you?
Most days on set aren't that far outside of your comfort zone though—you don't think. You go through the motions like you always do, take direction and talk to the production crew, and keep it cordial and civil with the cast, especially with Jenna. Up until now, your characters have had a few brief scenes. It's all coffee shops and public parks, pretty places with lots of wide shots and lingering looks in the script, and you aren't sure how comfortable you are with it.
"Camera two," The director calls and you and Jenna take up position.
You grab her hand, and her smaller fingers curl around yours instinctively, holding on tight. She smiles at you and says softly, "Just like we talked about, okay?"
You nod and rub your thumb over hers to ease her nerves. There was this awkwardness for the first few days that has gradually eased away, the two of you talking more often. Not work stuff, which might have been smart. Just small talk. About food and places you've visited, TV, and bands, it kept things light and amicable.
"Quiet on the set."
Silence falls, and your heart rate speeds up. Your breathing is a little laboured as you wait.
It's the first time you're supposed to kiss her and somehow it doesn't feel like just acting, not really. Acting for you is fighting with some rogue cop or soldier, all stunted rage and brute force. Or you're stalking someone through the dark streets at night, the cold metal of the gun in your hand biting at your skin while you focus on nothing but landing a kill shot. There was never anyone looking at you the way Jenna is right now.
She's biting at her bottom lip, hazel eyes peering through impossibly long lashes to stare at you. You've been told this scene is important because it's a bit of a catalyst for the rest of the movie. She's looking at you, you're looking at her, and then when they call 'action' it's supposed to be one of those moments where fireworks erupt and the earth moves. That's what they want; a connection.
"Action."
Jenna bites her lip and brushes a strand of hair behind her ear, glancing up at you nervously. She's so much more practised than you, so much more effortless with putting on her act. All you have to do is smile and lean down to meet her lips. That's all there is to it, as the director says: just like that, perfect. But you want him to call cut. To say it's too staged, or the lighting is bad, or that the location isn't right.
No such luck.
You move slowly like she needs to be savoured. Of course, you've been coached, there's stage direction in your head in addition to her hand on your forearm.
Your lips brush hers tentatively, once, twice, and you tilt your head a little further to bring her closer. Close, but still not quite... until she breaks character and giggles into your mouth.
"I don't think you're supposed to be laughing," you joke, and there's an eruption of frustration from the other side of the cameras at a ruined take. You aren't bothered though, and neither is Jenna by the looks of it. She's half hiding her face against your chest and grinning like an idiot.
"I'm sorry," she says weakly, pulling away. "It's so hot in here."
She fans herself and starts pacing, while the director calls out, "What the hell was that?"
You wave a hand, "Sorry, my bad." You try to take the blame. "Can I get five minutes?"
The director sighs and gives in with a shrug. "Five minutes!"
"Really, you don't have to—"
"It's fine," you explain quickly, before turning to the line producer who just happens to be passing, "Hey, can someone cool her down? Maybe some water?"
"I'm fine," she tries to argue.
"You're flustered," you tease.
"You were doing this thing with your eyes. I don't know how to explain it. It was kind of intense, I had to laugh," she laughs again, and it's an easy, airy sound, the kind that soothes, and you decide that you like hearing it.
"I was? Damn," you sigh, running a hand through your hair.
"I know this isn't usually you're thing, I'm guessing it's your first kiss on camera? Just relax. It'll be nice," she shrugs, clearly far more sure of herself than you.
-
You're deep into the filming now. You think you're selling it, this whole relationship thing, making it seem natural as well as making the people around you believe that the chemistry is there. The weirdest thing of all is that you really enjoyed kissing her. Or, at the very least, you haven't minded it thus far. You don't know if that's the right feeling to have, there's no guidebook for this—not that you've read.
Off the set, she's nice, she's friendly and eager to get to know you. Maybe it's weird that she's trying too hard, maybe she just wants to work as seamlessly as possible. Regardless, it seems to be helping, because now, when it's your turn for coverage, you're more than happy to lean in and capture her lips. She's gotten bolder and so have you, to the point where she runs her fingers through your hair and kisses you back, so when 'cut' finally comes and the mood is broken, it takes a few moments to reorient yourself to the real world.
It's easy, you decide.
Now, the two of you have been joking about today for a while. She's been running this rhetoric of how excited she is for the car scene.
You remember your first read of the script and how this part had you almost cancelling the gig. So, sitting here in the backseat, with cameras fitted all around you and Jenna in your lap, is just a reminder of the monumental shift from where you were then to where you are now.
"Just ignore them," Jenna instructs and kisses you lightly. "Do whatever feels natural." She's echoing the words of the director, though from her they're much more relaxing to hear. You kiss her, her body languid and warm, pressed flush against yours. The touches you feared come so naturally now as you put a hand on her waist and trace her ribs, dragging her shirt up a little bit more with each pull.
There's something rather enticing, you must admit, about putting hands on her slender waist, even if it's under the watchful eye and strict instructions of the camera. Especially when her tongue does that thing where it flickers past her lips and finds your own. Fuck, she's good at this. There's no other word for it.
There has to be a call for a 'cut' coming soon, right? It was supposed to be a brief make-out, so says the script, but they don't seem too interested in stopping either of you anytime soon. You've heard that it's normal, to feel aroused while filming, but it certainly doesn't feel right. The fear is seeping in the longer this goes on; fear that Jenna will feel exactly what you're scared she'll feel.
But those short jean shorts she's wearing while sitting atop your lap, hips flush with yours, tend to elicit some automatic reaction, whether you want it to or not.
"Alright, cut! Great work everyone. Break for fifteen!" The director yells, the tension snapping immediately as Jenna rolls away, giggling.
She says something to you, you don't catch what as you blink in her direction, but she's already climbing out of the car, bending forward ever so slightly to give you a tantalising show of her ass before shutting the door behind her.
A few minutes later you've made your way to the drinks trailer for some much-needed water, that's when there's a tap on your shoulder and the unmistakable strawberry scent that accompanies Jenna hits your nose.
"You look a little shocked, is everything okay?" She has this wry smile on her face that turns your stomach a little bit.
"Yeah, I'm fine," you respond stiffly, cracking open the water bottle and taking a long drink. You nod towards her and state, "Good work out there."
"I should say the same to you," She's closer than before, the tip of her shoe bumping against yours as you stand with the picnic table at your back. "You're a natural. And the boner? Nice touch," she mocks.
She's far too cavalier for your liking right now, and more than a little brazen.
"Don't look so freaked out. No one is going to say anything. It happens all the time, don't worry."
"Do you just have a thing for humiliating me, Ortega?" It's a thing the two of you have been doing for a few days, the fake sternness and the use of surnames, like you're pretending to be angry with each other.
"What if I do? Are you going to go file a complaint?" She sings, tracing her finger down the centre of your chest.
"Watch it, Ortega," you respond half-heartedly, and she steps a little closer.
"How about you keep the boners to a minimum from now on though. It's distracting." The smirk on her face grows only more devious before she winks and then turns away, vanishing into the crowd and leaving you alone and in need of a very cold shower.
-
On-screen chemistry is the single most important thing in a film like this. If you don't make the watchers believe that the two of you are madly in love, then it's all pointless. You're getting good at this, playing this game, this new facet to your role. You think about the warmth of Jenna's kiss and her fingers curled around the nape of your neck; the feel of her in your arms.
Each take gets harder to finish. Make no mistake, it's not that the kisses are a problem, in fact, they're actually a little too easy.
You're both laid in a bed, under the covers, you're on your back and Jenna is half-draped over you. Her hair is a purposeful mess and there's lipstick on your neck. The implication is clear, the two lead characters hooked up for the first time, and you're simmering in the morning after, caught by your character's phone ringing beside you on the side table.
Jenna is quiet, watching the sheets twitch every time you move. You can tell that she's thinking by the furrow in her brow and the way she bites on her lip. The cameras are rolling and you need to answer the phone. There's no one on the phone, of course, that gets added in post. For the purpose of the scene, it's your ex-girlfriend who can't quite let you go.
"Why do you keep calling me?" You look weary like your heart is about to give up. The line is silent, but you know the script. "I don't care if you're upset with me, it's over. It's done. There's nothing left to say."
Jenna props herself up on one elbow, facing you with her dark eyes, her tousled hair falling over her shoulder. She is, in a word, mesmerising, and it feels wrong to turn your face away from her, even to add more angst for the camera.
"I'm hanging up," you continue, staring back at her.
Jenna pushes her hand under the sheets and balls it into a fist. She hovers it right over your crotch. Her character is supposed to jack you off while you're on the phone until you manage to hang up. That's what's supposed to happen.
You fake a gasp as her hand begins to move. When she bites down on her lip in response, it's the hottest expression you've ever seen. You swallow hard and your cock gives an honest twitch that feels as though it catches her attention for a fraction of a second. Her eyes widen and flick to the source of the movement, her jaw clenches and it brings you an almost unwanted satisfaction.
Each fake stroke presses down onto the growing ridge of your hardening cock, but neither of you breaks character or even dares to break eye contact. You keep up with your lines, and the strain in your voice is all too real, "I don't care how torn up you are about this, me and you are finished."
The ache in your muscles builds heat prickling under your skin, setting you on fire. You tighten your jaw in response as a means to control yourself. Only for Jenna to do the unthinkable. She lowers her hand and glides it down the length of your hard cock before wrapping her hand around it.
What's she doing?
She grips tightly, and even though there is a pair of underwear separating the two of you, it's still her. For the first time in the duration of this shoot, you drop out of character completely, staring at her in utter disbelief. What are you supposed to do in this situation? You can't just say something, it's going to get you both in trouble.
She strokes you beneath the bedsheets in tandem with the scene, so no one else has a chance of knowing. So, you keep talking, murmuring some fake dialogue and struggling with every word.
"It's—mmh," you turn your head, squeezing your eyes closed and steeling yourself. This is madness, utter madness. The throb of your cock only worsens the longer her hand keeps sliding, stimulating. It's a hellish limbo. "It's not fair for you to harass me like this, delete my number will you?"
This is the point where the ex-girlfriend realises something is wrong. In the script, she's figured it all out. She recognises the whimpers in your voice, and you're supposed to deny it. But Jenna won't stop touching you, pushing down harder, applying more pressure and using the full length of your erection as her playground.
Your breathing is heavy and strained. You try to clear your throat subtly, "No, no I'm not with someone right now." You glance at Jenna who grips tighter and smiles devilishly. "You have no idea what you're talking about. If you think, for even a second—"
You try your best to focus on your performance, but with the physical distraction, all your carefully practised lines start to fall apart, coming out jumbled. Jenna is rubbing harder, stroking faster, and her hand feels so good around your cock.
This is the point where your ex shouts, and you finally hang up the phone and drop it onto the floor, kissing Jenna fervently.
"Cut!" The director calls. "Perfect. Absolutely perfect."
Suddenly, the two of you are apart. A rush of cold air floods the space between you. Reality checks in again, reminding you that this was not in the script.
"You good?" Jenna asks, and you nod back. She looks proud of herself, the cheeky little smirk that crosses her features is all too telling. A reminder of just how insufferable she can be.
"What was that?" You lean closer and whisper, trying to make sure that the rest of the cast and crew can't hear you.
"That was acting." She responds confidently.
The director interrupts by calling your name and saying, "Alright, next scene. Going to need you under the covers. Prepare the phone call."
Now it's this whole role reversal, Jenna's character gets her own phone call from her own ex. That's the concept at play here. Meanwhile, you're down between her legs. The script says to 'mimic oral sex' which sounds... so much easier than it actually is.
Aiming to ignore the whole ordeal, or at least your conversation and what it could mean, you duck down beneath the sheets to prepare. She's lifting them up and watching you get into position. She's spreading her legs, while a team of assistants adjust the sheets over you to dress up the shot.
Looking up at Jenna under the sheets, through the darkness and at the apex of her thighs, this feels so wrong. She's... pretty. No. You stop the thoughts in their tracks. This isn't a time to indulge. You're filming a movie, playing a role. In reality, this is your job. There's a script, there's a purpose.
Still, the whole situation just feels so strange.
"Action," the director yells.
As per the script, Jenna drops the sheet as the phone rings. Now it's just you and everything below her chest, trapped under a blanket. Your hands are barely hovering near her thighs, and revenge is on your mind. If she can toy with you, you can toy with her.
So you hold her spread legs, grip them firmly just as you hear her answer the call, "If you want to grovel, then go ahead and grovel. Just remember the last time." Jenna's voice is perfect for her character, and just as it's always been, full of attitude and feisty. She's passionate, especially when it comes to putting her acting on display.
Alright, 'mimic oral sex'... first it's kissing. Lightly placed, right at the top of her thigh, little pecks to tease and taunt. You feel the slight tremble beneath your fingertips as she attempts to carry on the faux conversation. They said you shouldn't touch her. They said she shouldn't touch you.
But you feel the heat coming from her. You're mere inches away, and sure, there's the cotton thin fabric of her underwear blocking the way, but even still you catch the barest hint of her scent—sweet and musky. You grip her thighs more intensely and press your lips against the fabric.
"It was one kiss," Jenna continues, and her voice betrays her now. A subtle tremor that undermines how put together she had seemed moments before. It's enough to have you smirking.
You roll your tongue over the shape of her through the fabric, testing your limits. There's only so much you can get away with, but you'll push it. Push it as far as you can, this is the bed she made.
Jenna rolls her hips towards you, and, of course, the cameras can't see this, all they can see is her on the bed holding the sheets and pretending to talk to her ex.
"It didn't mean anything..." She tries again and fails, a breathy moan forcing its way out and revealing the growing pleasure, the need growing in her voice. She has to place her free hand over her mouth as you continue to taste her, your tongue working over her panties with no hesitation, all rhythm and no breaks.
You continue, running the flat of your tongue over her, flattening the damp fabric against her cunt, and you feel her throbbing. It's undeniable, the way she tenses under your grip and shifts ever so slightly, each slight movement an obvious clue towards her struggling with maintaining her composure.
It's not difficult to hear the change in her voice. The shake and strain of each breath only grow worse the more your tongue curls against her panties. Sure, you haven't yet come into contact with bare skin, but simply knowing just how enraptured she is by the teasing, is enough.
You can't help the slight chuckle that follows, and why would you? This whole performance is starting to become very personal, and when you squeeze her thighs, and apply pressure until it's enough to bruise, you can hear the soft mewl as she fights her way through a rather passionate phone call.
"Why don't you just fuck off?" She hangs up the phone and throws it to the side. In a moment, the same hands are wrapping around your head and dragging you close. As if there was any space left to separate you. "Oh god yes!" she moans out—it's all the script. The scene is supposed to continue until there's a fade to black. No one needs to know that the moan is real.
At the very least, she tries to contain herself. Though her hips swaying, and bucking rhythmically against your face say something very different. And the heat radiating from her core is undeniable. The cotton of her underwear sticks to her so heavily, clinging to the slight folds and wrinkles. Enough to get a good idea about what's going on behind it. That there is indeed a welcoming, quivering cunt that might benefit from an enthusiastic tongue.
Jenna's groans take on a noticeable tempo. "Don't stop, don't you dare stop. Fuck. Yes!" Her words are spilling out messily. For a moment, her responsibilities seem to vanish. She's abandoned her character and resorted to feeling your tongue against her pussy with such ferocity that, were it not for your hands pinning her down, she might have suffocated you in that tantalising heat.
As the cameras continue to roll, with filming still going on above the sheets, the pace only grows hastier.
You're aware of your heart rate spiking, the sudden realisation, the knowledge that someone might be onto the two of you, that you've crossed the imaginary line that exists between the bedroom scene. With the flicker of your tongue, that line gets a little more blurred.
And Jenna seems to be in no hurry to stop either. What was supposed to be just acting becomes a carnal need. Her hips wriggle frantically against your gyrating mouth.
"Cut!" Comes the much-needed command, and you rip away from beneath the sheet.
Jenna's chest heaves, her thighs tremble and her toned stomach tenses. You struggle, forcing back the burning desire to claim her, devour her, kiss her senseless.
It's just acting.
-
Filming goes late into the night, as it so often does. Jenna has a series of scenes with the supporting cast, and you're only there to support them. Still, you make sure to keep watch from the sidelines. She's beautiful when she acts, all passion and fire. That's another reason you're so drawn to her. Everything is so easy for her, flawless. Talented little minx.
Hours after sunset, you stop by her trailer to check in, like you so often do.
You knock, and seconds later she peeks out of the door, saying, "What? What did I do now? Oh, it's you." The harsh greeting melts away into relief, and you grin at the reaction.
"Damn, maybe I'll go then." You make a gesture to turn away, and Jenna grabs your wrist and pulls you inside with all her strength.
"Are you stupid?"
"Me? No, the very definition of sanity." You laugh and follow her further inside. It's bigger than your own, with a seating area and everything. Not that you can focus on the surrounding amenities. Because her black, lace thong is the only thing she's wearing, and, for a second, it leaves you speechless. It's impossible not to stare at the way her round little butt perks out behind her.
Jenna asks, "Like what you see?"
"What happened to your clothes?"
"My clothes are fine, I'm in my trailer aren't I? Nothing strange about relaxing like this." She says as she saunters off, the golden curves of her back highlighted by the single lamp she has lit in the corner. She stands in her kitchenette, bare back to you, pouring herself a glass of red. Her thong contrasts starkly with the honey colour of her skin. She stretches an arm back, and half glances over her shoulder.
"I can feel you staring, you know?" Jenna says, pausing for a moment while the cogs turn in your brain. After a while, there's no point in resisting. So, you close the distance between you, stand behind her, and embrace her thin waist.
"Am I bothering you?" you question, pressing closer.
"Only a little," she leans back into the touch. "But that doesn't mean stop."
An unseen force guides you. Perhaps it's those thoughts that came to mind when you were holding her, on set. What would happen if you just got to know her better?
Your mouth feels so dry from the nerves, but you drag a hand up the length of her waist, over her taut stomach, before cupping her breast. Jenna closes her eyes and hums in response, and when your palm rubs against her bare nipple, her mouth falls open.
You sink to her ear and bite it gently while catching her nipple between two fingers, which elicits a sharp gasp from her lips. You pull her firmly against your chest, and her back presses to your shirt. Fingertips brush her belly, stroking from hipbone to ribcage.
"I figured we had a little unfinished business. Remember?" You kiss her earlobe and grin, fully aware she can't see the expression.
"It did seem to me like you were quite close to being finished," she teases. Your fingers curl and squeeze the swell of her breast, earning a groan. "Tell me. How was my performance?"
"Could use some work," you mumble, kissing the side of her neck. Jenna's breath shudders when your teeth drag against her throat. She sets the glass down, freeing her hand to rest on your forearm. Holding, or perhaps holding on, you can't tell. Either way, it's an invitation to keep going.
"You think so? Looked to me like it was the best performance you had ever seen—ahem—felt."
You chuckle in her ear. All the while, her breathing becomes a little heavier. She even reaches a hand back, curling fingers in your hair to make sure your mouth remains on her. It sends an alarm bell ringing in the back of your head, a warning, a red flag, a stop sign. But what if you don't?
"I'm not like my character," she whispers. "She's all romance, nice dates and lovey-dovey shit."
"No?" you whisper.
"No," she says sternly. She twists under your grasp to face you. Your hand lands on her hip, and before she's looking up at you with her lips parted, she murmurs, "But I do enjoy being eaten out."
This time, Jenna pulls you down into the kiss. The sweet pout of her lips draws you in. She tastes sharp, like the wine, but her mouth is warm and inviting. You take her bottom lip between your teeth, and she moans, her painted nails scraping through your hair. You feel her hands fumbling, then the thud as your pants fall.
"Fuck me," she breathes the command when your palm finds the swell of her breast again. She's pushing you back, guiding you across the room, pinning you onto the arm of her couch. She lifts her knees and presses it between your legs. She pins you there and continues to kiss you, harder, rougher.
She grabs the collar of your shirt, and then the buttons begin popping. The air brushes your chest making you even more aware of the insanity unfolding in her trailer. As she unravels the rest of the shirt, Jenna pulls back, standing up with a cocky smile on her face.
There's not a chance to speak, or even comprehend, for that matter. She puts her palm on your bare chest and forces you back. You crash into the cushions, and the next thing you know, Jenna swings a knee over your head.
In an instant, she's hooking her thong to the side, then taking a handful of your hair and sitting on your face. Your hands move automatically, gripping her thighs, pressing thumbs into the soft, ample flesh. Your tongue brushes across her pussy, and the feeling of your tongue flicking across her makes Jenna let out a beautiful, quivering moan.
Her scent intoxicates. It's divine.
With strong hands, she leads your movements, grinding forward against your mouth. Daring, unashamed, desperate. She's just as much an animal as she is a woman, and that realisation makes your body tense. You part her tender folds with your tongue and taste the warmth of her nectar, causing Jenna to keen.
Her cheeks grind against your lips as she quivers atop you. Her sighs alternate between delighted huffs and breathless moans. As long as you're licking, the sounds keep coming. If anything, they grow stronger and more desperate. She won't hold back, and it makes your head spin, your focus becoming a singular, dizzy blur.
Her juices coat your mouth, slicking your chin and running down your throat. She tightens her grip on your scalp as if trying to punish you. But really, her actions only draw you closer. The taste of her makes you drunk, and not the kind that comes with a hangover in the morning, no. But the kind that makes the rest of the world and its expectations dissolve, leaving just the two of you in the remaining silence.
Jenna's pussy is a beautiful thing, you realise. Swollen and dripping, deliciously wet. It's a tempting treat just begging to be toyed with. You tongue her clit, rolling it back and forth. When you get just the right spot, a tremor passes through Jenna's frame, a hard squeeze of your scalp, as though it had been scalding her.
"Fuck, so good," Jenna groans. "Keep going. Just like that."
More noises pour out of her and splash into your ears, exciting you in a way you've never been before. And the little shimmies she gives you aren't unpleasant, or unwelcome, far from it. Those subtle dances send waves through you and make the motions of your mouth automatic. Your tongue can't get enough. Neither can your hands. You bring them higher, taking her firm ass, sinking fingertips into her plush, round cheeks and pulling her onto your face.
The movement makes her laugh. "Look at you, so excited. Hungry, are we?" You stroke your tongue up the length of her glistening wet cunt, and Jenna twitches on top of you. Her delight returns, a cry of joy and want. "Go on, eat it. Eat that fucking pussy."
The muscles in her abdomen tighten. Sore and taught, every part of her shivers and shakes, twitching and fluttering with your movements. She cries out in ecstasy, as driven mad by your tongue as you are by her taste.
Her thighs clamp around your head. You can feel her begin to writhe, twisting left and right as the pleasure rages through her. She can't control her hips, keeping them glued to your mouth and twitching violently.
Jenna cums, and her juices flow into your mouth. You drink the reward of your handiwork, as her words become hazy murmurs. An erratic pattern of curses and blasphemous platitudes. As if singing all her highest praises.
When she stands, her legs wobble with the aftershocks of an orgasm, but her posture says there are still things she wants, things only you can give her.
It takes seconds. Jenna's thong is on the floor and then she's pulling at your waistband, tugging them down until she has your cock free. Her nails scratch along the length of your length and her palm settles around it.
"Fuck, you're so hard."
Jenna strokes your shaft and gives it a playful squeeze. You watch the heat shimmer and roll around in her eyes as she sizes you up, and the way your cock gives a stubborn and needy twitch. She seems to like that, too.
When her eyes go lidded and she lowers her head down, opening her mouth and slipping her tongue across the head, you almost can't comprehend how good it feels. Your spine tightens, everything goes rigid, and you're left without a shred of control over your voice. That seems to matter not at all to Jenna.
"Hold on," she slips the head of your cock between her lips, just barely, and smiles around it as she smears your precum across her tongue. Before she looks up, meeting your eye, and then forces her head down further, wrapping her warm, wet mouth around as much of you as she can manage. You both gasp as her tongue sweeps along the underside, and you see her cheeks puff out for a moment, then relax once she settles into a rhythm.
It feels amazing, un-fucking-real. Jenna is bobbing her head up and down. Blissful moans leave her with every pass, and the lust-fogged look she gives you should be illegal. Wet sucking and slurping fill the trailer, drowned out by her hums of adoration. Each one sends vibrations shuddering through your cock.
You thread your fingers in her hair. It's a token act, your control as she moves means nothing. In a blink, she's sucking the length of you down to the very base. She struggles a little when you hit the back of her throat, but pushes through, going again and again, deeper and harder each time. Tears threaten in the corners of her eyes. Still, she won't stop.
"Jenna," your voice is thick and strained. "I'm going to—"
A few more passes of her hungry, slippery mouth have you finally toppling over the edge. If she has any intention of pulling away, the temptation or aversion isn't potent enough for her to react. She kisses and slurps, bobbing feverishly, drinking your spurts of cum and caressing your length with her soft, swollen lips.
Jenna stays with you in her mouth, breathing heavily, the look of satisfaction on her face intense and perverse. She takes her time to gently nurse the last pulses from your erection until you're twitching and overstimulated. Only then, and after a minute longer, does she finally concede and pops her mouth off your cock.
The emptiness it creates feels too much like a loss, and yet, all you can do is stare at her, heart hammering and unable to feel anything past the aftermath.
Jenna perches herself on the coffee table, her legs pressed together and angled to the side, letting her hair fall over her bare shoulders. With one hand, she cleans her mouth and smiles at you.
"I guess this puts a line through unfinished business, huh?" She laughs a little. "Long day tomorrow, best get some sleep."
Then just like that, you're half-dressed, watching her slip off to the tiny bathroom to clean up. A few minutes later the trailer door swings shut, clicking behind you.
Outside, the night air is cool and bitter. It snatches the warmth away from the memory of her touch.
-
They're saying it's going to be a success. Critics have reviewed the project already, including early screenings, and private showings. The reception is very positive. That's great, you know it is, and everything is piling up and coming to a close now. All that's left is one last night, the premiere itself, the main event. This will determine the fate of the film, whether it's a runaway hit, a fantastic start to awards season, or a straight-to-streaming disaster.
"Been a while," the voice behind you says and you turn to see Jenna at your shoulder. She looks exquisite, elegant, and alluring in her gown.
"Understatement." You take the time to look her over again. It was only a couple of months ago you saw her naked and had her on your face. It feels so distant, and almost like a dream. Maybe it is, given how quickly she went cold afterwards.
"Red carpets aren't really my favourite thing. It's... all overrated, isn't it?" She sighs.
"Yeah, you told me."
"I did?"
"At the party, on the last day of shooting. You said, and I quote, 'I hate red carpets, everyone is so fake.'"
She rolls her eyes and laughs. "I must have been drunk."
"You were very drunk," you confirm. "Remember? And you were doing that thing with your foot."
Jenna tenses. "I did, didn't I?"
It was a few hours into the party, and most everyone was way too drunk to even make sense. You found yourself sitting down, trying to stop your head from spinning the way it was. Then she came and sat across from you. Apparently, she'd been drinking more than usual, given the wide-eyed look she had when she'd approached.
"You're handsome," she told you and flashed a drunken smile.
"You're drunk enough to say that to anyone."
"You're smart," she leaned closer, and even in the darkness of the room, you were mesmerised by the way her tanned skin contrasted with the tight, white dress. "You're talented. I'm glad they cast you." She runs her foot from your ankle, along the inside of your leg.
Her toes met your knee. You think you stopped breathing as she traced circles on your inner thigh. You looked up at her face, and she was smiling, a devilish one that said she knew exactly what she was doing.
"You smell so good. Like coffee and mint. It's infuriating." Her shoe slid higher, pressing against the crotch of your pants, and she frowned. "No reaction. Maybe you're shy? Oh, wait."
She pulled her foot back and then bent to the side to reach down under the table. After a few seconds and a few confused expressions, as she fiddled with something out of sight, her shoe fell to the floor. Jenna slid the sole of her bare foot between your legs.
"That's better, right?"
She sat up straight and clicked her tongue. You couldn't believe it. Barefoot, hair down, smouldering gaze and curling her toes against your crotch. It was a lot for you at the time. She smirked, shifting again and sipping a glass of champagne before putting it to the side.
"So, how has it been? This whole romance thing?" She stepped closer with her toes and her heel pressed over your cock, digging in slightly.
"I hated the idea of it. Didn't want any part of it. But being here with everyone has made me change my mind. I've done well."
She started to rub the underside of her foot faster, creating an overwhelming amount of friction. And her smug, smiling face wasn't helping your cause at all. Then she leaned closer, so her chest was bunched up and exposed. She teased the top of your cock with her toes and rested her chin in her hand.
"I think you just have to accept it. Learn to enjoy it. It helps that everyone was so nice to work with."
"Was I?" she asks with a flirtatious lilt, pressing her toes harder against your stiffening cock. "Was I particularly nice to you?"
You choke out a laugh. "You don't need me to tell you that you're nice to look at. But you don't need me to tell you you're more than a pretty face either."
"Do me a favour, undo your trousers."
Now? Really?
"Seriously? Here?" You're sure your voice was shaking.
"Now or never."
The pressure in your loins was undeniable, and you went to work unzipping and undoing buttons. Discreetly you pried them open and pulled down your underwear. Your cock sprung free, and you sighed in relief.
She rested a hand on your arm. It was surprisingly comforting. Then she pressed her foot down to angle your cock against her instep, slipping her soft, warm skin up and down your shaft, barely rocking it back and forth.
"That's better." She smiled sweetly, teasing the head with her toes. "You were nervous." She circled the tip of your cock with her big toe. "That first day of filming, you were so worried about messing up."
"Well, yeah. New role, new movie, no way of knowing."
"Hindsight is always 20:20, but you worry too much. Don't spend so much time thinking about what can go wrong, focus more on the things that can go right."
"Like this?"
"Like this," she grinned as she spoke. Her foot pressed harder and moved faster, stroking you up and down and you did everything you could to keep a straight face as people walked by. Each with an innocent conversation, unaware of what was going on beneath the table. "Besides, you did alright."
Alright. Not great. Not good. Alright.
It's about as much of a compliment on your work that Jenna has ever given you verbally, though you wondered if the foot on your cock is indicative of anything.
"Thank you. I, uh, appreciate the feedback."
"We make a good team." Her eyes narrowed as she focused on getting you off and her top lip stiffened. "Solving problems. Improvising scenes." Her foot kicked up a gear, in a blur, up and down, faster and faster.
"Jenna, I'm—"
"Great on-screen chemistry. Great off-scene chemistry." She pushed you right over the edge with her sole on the underside of your cock. The look on her face said it all. A smile so wide as she felt you twitch against her, throbbing, shaking, and pouring cum right over her skin. "Though you are rather easy to manipulate, aren't you?"
She shot you a wink as she cleaned her foot with a tissue. "See you around."
That image has been burned into your head for a long time since then, though you work to shake it out of there while walking the red carpet. It's all camera flashes and the chore of being paraded in front of them. You follow her lead, and she meets the press with the very embodiment of what they'd want—grace, charisma, flair and passion.
You answer a few basic questions that can't reveal anything interesting or new. Something about keeping the magic, and hopefully breaking it when you win a bunch of awards. Wouldn't that be nice?
"Where do you think this opportunity takes you after the film is released?" one interviewer asks.
"Obviously, any opportunity to work with other amazing talents is an honour. I don't know when, if, or what the offer will be, but I'm certainly happy to be working again."
"And if you had the opportunity to work with Miss Ortega again?" It's a question that she overhears, and she throws you a look over her shoulder.
You try not to stammer. "Of course, if I was fortunate enough, I'd take it. She's... unparalleled."
-
This has never been your favourite part, it might even be the worst. Sitting through your own premiere, watching your own work, it's like a long, self-aware nightmare. It's a natural reaction, but that's little consolation, particularly when you know what scene is coming next. It's some over-complicated form of torture to watch yourself get a handjob on the big screen. Everyone's watching. Including Jenna, sitting next to you.
This is the cavalcade of self-humiliation.
To your surprise, Jenna reaches over to slip her fingers between your own. It's the gentle and comforting squeeze that's accompanied by a sly smirk from her when you glance in her direction. Her eyelids lower and an undeniable tension builds between the two of you. She leans in to whisper to you.
"About last time..."
You smirk. "Am I supposed to know what you're talking about?"
"The ending was abrupt, don't you think?" Her teeth catch on her lip, and those sinful eyes narrow.
"A little."
"Follow me."
Jenna stands up without waiting for an answer. Being in the back corner of the screening makes it fairly easy to slip out after her. When you reach the corridor leading to the bathrooms, Jenna looks you over and smirks.
"Tell me," she laughs out the words as she brushes a few strands of hair out of her face and pins you against the wall, "How often do you think about that night in my trailer?" She pushes up onto her tip-toes, wraps an arm around the back of your neck and pulls your ear to her lips. "Don't lie to me, I know you've thought about it."
Her tone is a familiar temptation, and you've missed it. The sensual inflexion in her voice winds its way through every bone and tendon until it's there, inside and immersing you in the raw carnality that Jenna makes you feel. "All the time."
"Me too." She pulls on your wrist, leading you again and heading for the bathroom. You let her, and she pulls you into a cubicle with her, closing and locking the door behind you. "And how many times have you got off imagining it, picturing it." Her hands stroke along the front of your trousers, and the button pops open in her fingers. You don't even get to reply before she says, "Yeah, me too."
There's something perverse about hearing her say that. Something lewd in the way she smiles at you and peels down your trousers and underwear and instantly slumps to her knees. There's no teasing, no showmanship, nothing but blunt hunger, naked and fierce.
"You're beautiful," you whisper, and her eyes dart up, and her lips pause just as she's about to take you. Her hot breath spilling over the tip of your cock.
"Shut the fuck up," she laughs. Her gaze narrows. She sinks her wet, warm mouth down onto your length, swallowing it bit by bit. When the head touches the back of her throat, she giggles as her eyes water.
A moan involuntarily slips out. Your hips buck forward. Jenna's tongue is like velvet, rolling around the tip of your cock, then enveloping your shaft. You can't help the thrusting. It's automatic, primal, a natural response to being encased in her intoxicating mouth.
Jenna looks up at you, cheeks hollowed, eyes wide with anticipation. She pops her mouth off your swollen cock with a wet noise, and immediately, her fist closes around it, jerking you. She smiles. "Wanna do it?"
"That's how you're going to ask?" You scoff, leaning against the cubicle wall, a slight grin pulling at your mouth. "Is the art of seduction really that dead?"
"Well, forgive me if I don't quote poetry at you and cover myself in rose petals," she says as she climbs back to her feet and places her hand on your shoulders. She guides you to take a seat as she jokes, "Poetry bores the shit out of me."
It's almost too fast when her slim hands lift her dress up to her waist. She watches your face, her teeth pin her lip as she reaches down to hook her panties to the side. She slips a finger inside her already dripping pussy. You throb, hard as a rock, when her hand withdraws and she's reaching up and pressing the gleaming digit against your mouth.
You taste her wetness, licking your tongue against it. "Fuck," you growl, the urge to have her, devour her, ravage her takes you.
"You want it?" Jenna sways her hips and bites her lip. Her tight little body was made for sinning, it's plain and simple. You can't resist touching her, teasing your hands up the back of her thighs and around the ample curve of her ass, then pulling her onto your lap.
"Want it," you breathe the words against her lips. Her hand settles around the base of your cock and drags it across her slick pussy. She sighs into your mouth when your thumbs dig into her hips. That's an invitation to slide inside her.
Then you fill her. Her lips seal onto yours, her eyes flutter closed, and a sweet, deep, hungry sound of satisfaction leaves her. It's a sudden rush, everything about this situation, here and now, is a euphoric madness.
She looks incredible above you, her round, firm tits straining against the dress fabric, beads of sweat at the hollow of her collar and the heat in her eyes. Perched on top of you, Jenna rolls her hips forward, grinding against your lap, coiling that hot, wet flesh around your cock.
"God, your cock feels so fucking good," she gasps as she rides you, the way she moves her hips, the wild shifts and squeezes of her tight cunt around you bring the knot in your stomach already. You buck up into her and a ragged cry tears from Jenna's throat.
You seize her hair and kiss her, swallow her cries and moans, her gasps and whimpers, drink every little sound she makes and lose yourself in the rocking grind of her hips. You're both animalistic now. Her with her bouncing, grinding and needy fucking. You with your digging fingertips and the pounding of your crotch against her. It's filthy, it's unhinged.
"This might be the last time we—"
"Shut up," you interrupt.
"Last time we do this."
"Shut the fuck up," your hands dig into her waist, pulling her down and plunging your cock deep.
"Tell me," she says breathlessly, slamming her hips to meet your thrusts. "If we end this right here, is that good enough?"
"Fuck no," you hiss the words. You reach up to pull down her dress, prying her perky, bare breasts free and enveloping one in your mouth. Your tongue traces the nipple and you draw it in deeper. Jenna slows to a firm grind, holding your cock tight inside her before she snaps forward, locking her arms behind your head. You feel the shudder inside her, feel her clenching on you.
It's a deep, powerful moan, straight to your ears, as she cums. Pulling back and grabbing your face in her palms, forcing you to look right into her eyes. The blissful, fucked-senseless expression on her face is priceless, so is the dizzying, tightening feel of her cunt. Jenna collapses, huffing and panting, while you still hunger for more.
You pick her up and slam her against the cubicle door. It rocks under the impact. She giggles and takes a handful of your hair.
"Go on, fuck me. Like it's the only time you're ever going to get the chance."
So, you do. What more could you ever do? Is there anything more rational than drilling Jenna Ortega against a door in a movie theatre bathroom?
"Good, yeah," she wraps her legs around your waist and curls fingers in your hair. "You're getting there." She tilts her head and you claim the side of her throat, biting her neck. "If I tell you that you can cum inside, will you fuck me harder? Is that it?"
You groan into her neck, grip tightens, and you draw her body right to yours.
"If I tell you how badly I want to feel you cum, that it's driving me crazy, would that make it better?" She tightens her thighs around your waist and huffs out the words as though the effort is too much. "Go on. Do it."
The door rattles on its hinges, but you hardly even notice. Everything is her. Her body, her eyes, her voice, her. Your fingers lock around her waist, hold her tight while you pound her. The sweat-slick strands of her hair hang across her forehead, her skin glistens, and you're mesmerised by how good she looks while you fuck her.
You sink your teeth into her shoulder as you fill her. You lose control, twitching, and buried to the hilt, a groan into her skin as you twitch inside her. Cum spurts, your body shakes, her sex pulsates and clenches. She milks everything, and the next thing you know, you're falling back onto the seat, her collapsed on top of you and heaving. Gentle movements of her hips keep the sensations alive until you have nothing left to give her.
Overstimulation sets in quickly, her fingers slowly entwine with yours as you sag back against the seat, trembling and spent. The pair of you stay there, sweat-drenched, messy and grinning, sharing the tangle of soft noises in the silence.
"So, that was..."
"Pretty fucking good," she cuts you off. She rests her head against your shoulder, her hands settle on your arms, caressing you.
"That's what I would have said," you tell her, as you run your hand over her thigh and palm her ass.
"Damn. We might as well get married and drive off into the sunset." She laughs, and you chuckle with her.
"Or maybe we could just do this again sometime?" you ask with a slight grin.
She considers it. Pouting her lips and twitching them side to side. Her expression takes on a knowing edge, something mischievous as she looks you over and replies. "I'll see you around, maybe."
Now that...
That's just cruel.
#jenna ortega smut#male reader smut#smut#x male reader#m reader#jenna ortega x reader#celebrity smut#actress smut
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Can you please do Task force 141 finding out they’re having quintuplets! I’d imagine that they wouldn’t plan to have that many….at least not all at once 🧍♀️
Ghost
When the technician points out the five distinct dots on the ultrasound, he immediately goes dead silent
I mean, he's always pretty quiet anyway, but this is like quiet quiet
He doesn't utter a single word for the rest of the appointment, nor on the ride back home for that matter
This has you more concerned than you care to admit because you know that, not that long ago, he didn't think he'd ever have (much less want) kids of his own some day
So now that he's learned he's about to have five? You can't imagine what's going through his mind right now
It isn't until you're walking through the front door that you're being stopped with a gentle hand tugging on your wrist
You turn to look at him and, without a word, he drops to his knees before you, rolling up the bottom of your shirt to expose your belly
He'll press the softest of kisses just beside your navel, before looking up at you with expressive eyes that convey the foremost thought in his head: Thank you
Soap
Nearly shits a brick the moment the words leave the technician's mouth
All the color swiftly drains from his face and he has to sit down before he keels over right in the middle of the office
It's not so much fear that has him going paper white but pure shock at hearing the unexpected (yet not unhappy) news
While you'd already discussed having a big family together one day, you didn't think you'd get it done in one fell swoop
However, maybe you should've seen it coming since you both come from families that have had multiples
The possibility of this happening was decently high, so in a way, you're not all that surprised by the revelation
Once he's composed himself and is a little less ghostly pale in the face, he's eagerly requesting the technician to print out an excessive number of copies of the ultrasound
Why? Well, he's gotta send them to everyone, of course! His family, your family, all the lads at work. Hell, maybe your neighbor Charlie would like one too. Better print several just in case
Gaz
"C– Come again?" He thinks he misheard the technician at first
However, even hearing it a second time, he has to stand up, round the bed, and get about an inch away from the monitor to confirm for himself
It's almost comical the way his eyes widen at the screen, darting around the black and white image like he can't comprehend what he's seeing
It'll take some coaxing to get him back in his seat, and as he does, you hear him mumbling to himself – something about nappies, never sleeping again, and *shudders* University
At some point, out of the corner of your eye, you see him messing with his hands
He's putting his palm in front of his own stomach then drawing it about a foot or two away, as if trying to visualize the size your belly is destined to grow
Even when you get back home, it's like reality hasn't fully hit him yet
It's not until you find him at 2am looking up double decker prams that you realize it's finally starting to sink in, and he's more than ready for the challenge ahead
Price
Seems awfully calm when the technician breaks the news to you two
Based on his reaction – a light smile and mere "Oh, that's wonderful" – you'd think he'd just been informed of the weather or something
To be honest, his reaction (or lack thereof) is a little disarming, but you don't comment on it until you're buckling up in the car, mentioning his seeming total lack of nerves about the future
He chuckles and jokes that he already has to look after three big kids at work. What's five little ones at home to compare?
Though you think you can see what he's getting at, his cool-headedness about it all still has you in a bit of a tizzy
Is he not even a little surprised by the news? After all, it's not every day that people fall pregnant with quintuplets
At your question, he smiles and leans to press a bristly kiss to the back of your hand. When he pulls back, he's smirking, giving you the smuggest look you've ever seen from a man
"Told you I've got strong swimmers, love"
#simon riley x reader#simon ghost riley x reader#ghost x reader#john mactavish x reader#john soap mactavish x reader#soap x reader#kyle garrick x reader#kyle gaz garrick x reader#gaz x reader#john price x reader#captain john price x reader#captain price x reader#simon riley#john mactavish#kyle garrick#john price#tf 141 x reader#task force 141 x reader#cod x reader#cod mw2#call of duty#modern warfare 2#wiw asks
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𝐥𝐢𝐤𝐞 𝐬𝐨𝐟𝐭 𝐰𝐡𝐢𝐬𝐩𝐞𝐫𝐬 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧
Paring Eddie Munson x Reader
Summary In the wake of a storm, you seek out Eddie because he gives the best hugs and may be the only person in Hawkins who has the answers you need [fluff, 2.1k]
A/N Eddie didn’t come back wrong. Not in the way you’re thinking, at least. But he does hear things from time to time…
The sweet scent of wet earth lingers inescapably as you pedal, bike wheels whirring softly as they weave around potholes filled with rain. The familiar stillness that follows every storm has settled over Hawkins. Cool droplets fall from tree branches onto your skin, contrasting the warm fall air. With the wind at your face, the heaviness in your chest begins to lift as you travel further from home.
When you arrive, rain drips from the Forest Hills entrance sign. The old, chipped wood has survived years of vandalism and wear. Puddles of water have collected on the gravel road, and colorful toys have sunken into muddy portions of front yards. The closer you get to Eddie’s trailer, the more you hear muffled music permeating from within the four walls.
The lights are on, visible through the curtains. It isn’t until you’re close enough to dismount your ride that you realize you’re hearing Ozzy Osbourne. Eddie’s voice passionately joins in as the chorus circles back around, a smile pulling at your lips as you rest your bike against his trailer.
The moment you knock on the door, he quiets. There’s brief shuffling, then purposeful footsteps until he’s finally swinging it open. The way his eyebrows shoot up at the sight of you is comical. A guitar solo pours out to greet you as well.
His curly hair is pulled back in a low, messy bun and a black pair of pajama pants ride his hips. Every time you see him, there seem to be more designs inked across his pale skin. They’re down his arms, splayed across his chest. The dragon was your favorite of them all. Snaked along the side of his rib cage with its mouth bared, shielding a splotch of scars.
“You’re goin’ off the rails, huh?” There’s a playful lilt to your voice as you quote the lyrics back to him, tilting your head.
His cheeks flush as he opens the door wider for you, your perfume wafting as you walk in. “Every day of my life—fuck me, I can’t believe you heard all that,” he groans, running a hand down his face.
After shutting the door, he turns off the stereo. You sigh as you toe off your vans and take a relaxed look around the small space. With Crazy Train having come to an end, you can hear the TV quietly droning about the possibility of more rain.
For as much as there was that changed in the world, this place seldom did. With its warm lamplight and eternal coziness. The air smelled of pine, underscored with smoke. Even the mug shelves and baseball caps hanging on the walls have stood the test of time.
When your eyes meet again, he offers a boyish grin that settles under your skin. “Wasn’t expecting your pretty face today.” He tucks some wispy flyaways behind his ears.
“Sorry I didn’t call first,” you say. “I just needed to get out of the house...needed to see you.” Eddie doesn’t miss the brief shadow that flickers in your eyes, as though another thought is protesting from a cage in the back of your mind.
As much as he’s tempted, he doesn’t coax it out. “Nothing wrong with a good ol’ change of scenery.” He lifts his brows in that charming way of his. “Not that this is the Four Seasons or anything—”
Before he knows it, your arms are around him. A hum vibrates through his chest as you tuck your nose into the warmth of his skin. As he hugs you in return, the remaining tension melts right from your shoulders, pooling at your feet. Once he’s sure you’re feeling better, he starts rocking from side to side until your smile slips through.
You try to pull away, but he only squeezes tighter. “Eddie,” you whine through a giddy laugh.
“Nope, you’ve gotta commit now,” he quips. “I don’t make the rules, angel.” Hearing that, you relax into him, exhaling at the playfulness and familiarity of his embrace.
“How do you do it?” You murmur into him like he’s some sort of magic.
He smooths his palm up your back, gently massaging at the base of your neck. “Do what?”
“Make everything better,” you whisper, feeling the rest of your worries dissolve under his touch.
A weak chuckle rumbles through his chest as he pulls back to look at you. The honesty in your eyes makes him feel like he’s an imposter. Like he’s somehow got you fooled. “I don’t know about everything...”
Life has been different since the Upside Down. There were scars from that day that were never going to fade, engraved beyond skin deep. It was the voices from before, the rumors and taunts, that made him feel like he was that same punk teenager who corrupted everything he touched. Like being himself was innately wrong.
It was hard to believe that someone like you genuinely enjoyed his company, found him helpful, thought he was good. But he was getting better about it because he didn’t make it this far for those old voices to hold the same power. These days, new voices echoed around him, not confined to memories but strikingly real, intimately near. Never unkind, just disembodied and drifting through the in-between.
They didn’t scare him anymore. He learned when to listen and when to tune them out. Something was bound to follow after he crawled his way back to the land of the living. Nevertheless, he’s grateful for a second chance at life. If things had ended any differently, he never would’ve seen how much better things could get—or cross paths with you.
You think for a moment before speaking up again, “Then we’ll agree to disagree.”
Eddie takes your chin between his forefinger and thumb, eyes flitting over your face in awe. You grow shy under his gaze, and that’s when he leans in to kiss you, his plush lips soft and slow. A satisfied sound rises in your throat as you trail your hands along his waist, feeling the different textures of his scarred skin beneath your fingertips.
Caught up in the warmth of your mouth and the pleasant stirring in his gut, he doesn’t feel you pull the elastic from his hair, letting it cascade down over his shoulders. However, he smiles at the feeling of your fingertips gently scratching his scalp.
“I got something for you,” he eventually whispers, pecking your lips one last time before heading to his bedroom.
Butterflies dance in your stomach as you trail after him, toying with the hem of your shirt. You take a seat on the foot of his bed, watching him saunter to his nightstand, humming under his breath. Your eyes drift to the dagger tattooed between his shoulder blades, the blade descending a short way down his spine.
“Close your eyes,” he instructs, turning back around with something hidden behind his back. Eddie snickers as he approaches, your eyes adorably shut. It’s a contagious sound. The bed dips as he takes a seat, his thigh pressing against yours.
He taps your nose with something soft, prompting you to open your eyes.
It’s a small stuffed ghost with two black buttons for eyes, and an even smaller one for a mouth. You’re quiet as you take it from him, thoughtfully turning it over in your hands. Shaped like a comma, it has two adorable arms raised up from the sides. Faint stitching is visible along the perimeter like it was homemade. Eddie shifts and scratches the back of his neck, unsure how to interpret your silence.
A smile finally breaks across your face. “He’s adorable. Where’d you get him?”
Eddie runs a relieved hand through his hair. “You’re not gonna believe me, but Wayne and I went to visit Ruth in the nursing home the other day. You remember her? The lady who used to live a couple trailers down.” You nod, encouraging him to continue. “They happened to be having one of those activity days where someone comes in to lead a craft or whatever…“
“And you stayed?”
He kisses your cheek. “Bingo.” Then his voice grows fond. “All I could think about was making one for you.”
Warmth spreads throughout your chest. “I’m gonna name him Ghostie.“
The distant sound of a car door shutting makes you jump and look towards the window. Eddie almost laughs, but stops himself at the way your shoulders slump in dejection. Like you’re upset at yourself for reacting.
He leans in, talking carefully, “You alright?” You shake your head in dismissal, but his attentiveness doubles down. “Talk to me, Goose.”
The reference makes you smile, and you nudge him for it. “I’ve just been a little on edge.” There’s something else you want to add, but don’t. Eddie’s ready to prod it out this time around, but you’re quick to tap his nose with the stuffed ghost. “I might just be going off the rails like you and Ozzy.”
He huffs an amused breath. “Not gonna let that go, huh?”
“Never.”
•••
The rain starts back up again. Slowly, before pattering down harsher against the roof. By then, you’ve already eaten dinner and settled on the couch for Beetlejuice, the sun long set. Eddie’s arm rests over your shoulders as you lay asleep in his lap, Ghostie tucked into the crook of your elbow. He had a feeling things would end up this way.
When he shakes with a chuckle at yet another wacky scene, you stir. He doesn’t realize until you shift with a soft hum. “Shit. I’m sorry, sweetheart,” he practically coos, squeezing your shoulder.
“How dare you laugh and be amused.” Your voice is soft and groggy in that way he adores.
“I know, I’m awful,” he agrees with feigned gravity. “Gotta go turn myself in. Tell the kids I love them.” You snort as you sit up, snuggling into his side with Ghostie in your lap.
The lights flicker as a strong gust of wind blows outside. A concerned furrow forms between his brows at the way you gasp and stiffen. This jumpiness is unlike you. He rubs your arm in hopes of loosening you up, but darkness promptly envelopes the room. You can hardly see aside from mere outlines.
The sides of the trailer creak as the wind continues, a bit fiercer than before. Eddie curses under his breath at the inconvenience, while you’ve grown even more rigid and silent. There’s a false glimmer of hope when the lights briefly flicker, but darkness soon prevails again.
“It’s okay,” Eddie assures, pulling you closer. “Wind’s just disturbing the lines. They’ll be back on in a second.” The lights flicker before dying out again.
Tears well in your eyes. Your voice wavers as you speak, “Eddie?”
“I’m here,” he assures. “I’ll go grab a flash—”
“Do you believe in ghosts?”
Now it's his turn to still. It’s not a foreign question, not by a longshot. It’s one that was peppered throughout his childhood, and always returned in the later half of every year when the nights began to grow a little longer. It’s the sound of your voice that sets it apart this time around. You’re not seeking an answer for fun or on a whim. You’re searching for a second opinion. Deep down you knew, out of every other soul in Hawkins, he’d have one to give. No one came back from the Upside Down without a few ties that lingered.
He’s quiet for a while, the sound of wind and rain filling the space between you.
“It’s not a matter of belief,” he finally says, swallowing hard. “If something’s real—God, Satan, ghosts, whatever…” he pauses. “It’ll keep existing whether you believe it does or not.”
“So do you think…are ghosts real?” He can’t see your attentiveness, but he can hear it.
He chuckles humorlessly, blindly taking your hand in his so you know he’s not making fun of you or messing around.
The two of you start talking at the same time, “I—”
“Can feel them,” you breathe. “At my house. It started a few days ago after you left.”
Like he may have left them behind.
The lights stutter back on as the TV bursts back to life, somehow picking right back up. Eddie reaches for the remote and turns it off, his finger lingering on the button. When his attention settles back on you, there’s a sense of disbelief in his dark eyes, like he’s looking into a mirror for the first time in a while.
“Feel them?” he slowly repeats, searching your gaze for more.
“Hear their voices... like soft whispers,” you continue. “So I know they’re real.”
There’s a thoughtful beat of silence.
“Me too.”
-
Thanks for reading! Feel free to let me know what you think.
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#eddie munson#eddie munson fanfic#eddie munson fic#eddie munson fluff#eddie munson x reader#eddie munson x you#eddie munson x female reader#eddie munson x y/n#stranger things#halloween 2024#joseph quinn#stranger things s4
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seventeen members as love tropes: yoon jeonghan
fake dating
'and if only you looked me in the eyes, you'd see the truth - i'm hopelessly in love with you'
jeonghan is cool about this. he goes through his checklist: suit? check. nice bouquet of flowers? check. car keys? check. his logic? gone since the moment he agreed to accompany you on this event as your 'boyfriend'. painkillers for a splitting headache you're going to have by the end of this night? check. his sanity? gone, long gone. in all honesty, jeonghan doesn't think he's ever been sane since the moment he realized his feelings for you. you know, the ones that are very fit for a 'boyfriend' type but don't really fit for a 'good friend' type. anyways, jeonghan is cool about this.
'i am insane,' he says out loud, looking at his reflection in the mirror. he looks good because of course he does, this event is important for you and he'd rather eat shit than fuck up anything for you. 'this is insane.'
he spends next twenty minutes on his way to your house by assuring himself that everything is going to go well. so what that just the thought of having his arm wrapped around your waist has him squealing like a five years old boy? that hearing you call him your boyfriend has goosebumps breaking out on his skin? that having an opportunity to take care of you in a more romantic, intimate way has him shaking a little? and so what that when you walk out looking gorgeous his heart stops for a second? he is cool. jeonghan is cool about this.
'you don't have to do anything that makes you uncomfortable,' you say, taking his hand when he opens the door for you. 'i'm so sorry for dragging you into this, hannie.'
'you owe me,' he jokes, throat tightening when you let him pull you closer. 'feel free to kick me in the balls if i say or do something wrong there.'
'noted!' you agree cheerily and god, he can just kiss you right here, right now. how is this not a crime for being so cute?! 'let's go then, my boyfriend.'
jeonghan's heart doesn't skip a beat at this because he is cool about this. and he tries his best to be there for you for the whole evening, turns on all of his charm to be liked by all the guests and poses prettily for all pics. your hand in his feels right, you leaning on his side for support feels right, him as your boyfriend feels right. you two fall into this 'fake couple' thing surprisingly easily, everything goes without a hitch - you glow, jeonghan stays right next to you and if anyone dares to tell him that it is not right, he'll commit murder.
'hannie, i never thought it'd be that easy with you!' you exclaim in his car, getting comfortable on the seat. your relaxed posture like you belong here, the way wind plays with your hair - jeonghan has trouble focusing on the road ahead. 'you are the perfect fake boyfriend, my friend.'
and that shouldn't hurt, right? only it does. a lot. jeonghan gulps, speeding through the streets. 'should i be offended that you thought i'd be anything less than perfect?' he asks, going to a familiar trope of jokes and laughs with you. 'you know me!'
'i know,' you agree, turning over to look at him properly. jeonghan notices how you frown a little and he points at the armrest. 'what?'
'painkillers are there,' he answers, watching you light up. 'you always forget to take them, silly. you know you get headaches from being exposed to loud voices for too long and yet i'm the one who always has your meds with me.'
you chuckle, grabbing water bottle from backseat. 'i know-i know! you are a life savior, hannie. really, you're so thoughtful, you'd make someone so happy one day.'
there it is. jeonghan thinks once, twice and- he's cool about this, remember? 'it can be you.' it's a red light, he stops and turns to you, calling out for all bravery he only has. 'that someone can be you. if you want.'
you don't say anything in the first tree minutes and jeonghan has half a mind to jump out of the car, but then you hiccup comically and bubble of tension bursts, making you both laugh. 'i-' you start and then shake your head in disbelief. 'wait, is this how am i getting my confession?'
jeonghan fears his heart will burst if he looks at you right now. instead, he grips the steering wheel tighter and mutters: 'you'll get a better confession if you tell me right now that you're going to accept it.'
'what a silly boy you are,' you say and it should be offensive, but you say it with so much fondness that he can't find this comment hurtful. 'of course i will accept it, hannie. you don't think i would've asked anyone else for this 'fake boyfriend' thing, right? i would've just gone alone.'
and it's -wonderful. sense of relief floods his system and hope bubbles in his stomach. 'i'm about to pull over and kiss you right now,' he announces, turning to look at you seriously. 'blink if you agree.'
you laugh and flowers in his chest bloom. 'i'm blinking twice just so you could be sure.'
jeonghan is very cool abut this situation, so he pulls over in the first corner and kisses you like a boyfriend would've kissed you. like he would've kissed you because he thinks title of 'boyfriend' is his for now and for ever.
a/n: squealing, kicking my feet. this is for all hannie stans, who are having hard time due to latest news. i'm here for you! 🫡 - nini
my other works are here
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