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pb-dot · 1 year ago

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Film Friday: Pacific Rim

My last Film Friday got devoured by the Needs To Finish Editing beast. I figure it's time to get back on it or the Can't-Be-Arsedosaurus is going to devour this habit entirely. Today I have my mind on my monsters and my monsters on my mind, so let's talk a bit about monsters, Kaiju to be more precise, and the giant robots that fight them in Pacific Rim

So earth is being invaded by giant semiaquatic lizard monsters called Kaiju, which is a bad time for all involved except possibly the Kaiju . Instead of devolving into secterian violence and short-sighted ass covering, however, humanity takes the NERV approach to the problem and builds some goddamn giant robots called Jaegers to show the aliens that humanity is not going down without a fight. It is, however, not easy for a regular-sized human being to pilot one of those darn things, and to lessen the load of the body-melding technology that makes it all work, each giant robot has not one, but two pilots, working in hopefully perfect tandem.

The most interesting part about Pacific Rim for my money is how absolutely confidently the movie establishes and delivers its world building. The entire setup in the above paragraph is delivered in the start of the movie, and there's very little dwelling on any of it. Other stories would've had ponderous origin stories or lengthy exposition that they desperately try to justify by having characters walking, or ideally running, and talking, or having a character that just don't know anything about anything.

Not pacific rim though, it sits you down and goes "Ok, here's the shit you need to know and some symbolism to boot, now things gone screwy and Our Guy needs to do some hero stuff." It's perhaps not the Saving The Cat-approved approach, but you know what? I admire how TCB it is, it seems like Guilermo Del Toro really wanted to get to his giant robot story, and didn't want to waste any time to get there.

In general, the movie is full of efficient storytelling like this. The Drift, which is to say the shared mind state that the pilots enter to control the Jaegers is an instant character backstory revealer, allowing both the characters and the movie as a whole to spend less time on it. No need to wonder what the hell Mako's problem is, we saw a montage about it just a few seconds ago, and both the characters and we know that there is a difference between knowing what a problem is and knowing how to deal with it, so there's no real drop in the interpersonal drama because of it either.

Anyway, I have gone WAY too long in this here essay about the Giant Robots Fighting Godzilla-movie without talking about either at any length. So, let's get nerdy on it why don't we. The Kaiju vs Jaeger scenes are spectacular, the Kaiju designs are all fun and unique but visually unified enough that they very much read like a united force. It does, admittedly, stretch the suspension of disbelief that these monsters are all unique and yet get custom names mere seconds after being spotted, but I like to believe there's one Kaiju nerd in the cellar of the Shatterdome whose sole job is coming up with code names for the monsters.

As for the Jaegers, I will say this is the closest a bipedal combat robot big enough to use a cargo ship as a wooden sword has come to making sense. The VFX and especially compositing is excellent for the time it was made, and there's some very real-feeling weight to how they move and some close-enough-to-real physics to their abilities and weapons that makes them feel very present. The same is true for the Kaiju, but we've seen giant godzilla monsters pull that trick off before, so it's not so impressive although I will admit the fight scenes do benefit from both parties feeling like they belong.

If I may diverge from my usual formula here, I feel I must say this, and this seems like as good a place as any. Holy fuck is this movie a blessing for the bisexuals in the audience. Charlie Hunnam and Rinko Kikuchi, playing protagonists Raleigh and Mako respectively, are attractive people, hope I'm not blowing anyone's minds there, but their chemistry in this movie is just Something Else, and it's honestly developed in a way that I see way too seldom.

It isn't just that they're good actors doing good work either, although I'd argue they are, but a question of being given good material. There is a relationship between these two, this, I would claim, is unambigious. That said, exactly what these two are to each other can be curiously hard to pin down. I still can't tell if it's romantic, sexual or platonic in nature after many re-watches, but whatever it is, it's great and intense in a way that's hard to describe. In some ways they even seem a bit like rivals, like how Raleigh sasses Mako for disproving of his sparring partners and Mako shooting back that it's Raleigh's bs she's disapproving of. In a lesser movie, this would've been awkward or played out with a joke. In this movie, which is great, our two heroes duke it out in a sparring match that is charged with some kind of energy that, if nothing else, tells us that these two will either make each other better or way way WAY worse

Actually, while we are talking about queerness, let's keep it up for a spell. It isn't explicit, but I personally find the relationship between excitable Kaiju Nerd biologist Dr. Geiszler and choleric stick-in-the mud mathematician Dr. Gottlieb deliciously queer. It could be their impeccable Bernt & Ernie-vibes, as expertly portrayed by Charlie Day and Burn Gorman, respectively, or how they both realize that their goals of understanding the Kaiju requires that they each cede grounds to each other and their respective fields and risk life and limb for each other in an experience that changes them forever. It's not an open-and-shut case as far as I'm concerned, but I like it better when read to be queer, so it's worth a mention.

Before I close, I will indulge in another thing I don't do often. In general I try to avoid arguing with the nitpickers and the plothole brigade of the world because that's an endless drain on my limited mental resources, but there is one particular such plothole that have been bothering me for a while. At a particularly dramatic point in the movie Mako and Raleigh deploys a retractable sword to deal with a flying Kaiju, which, apparently, has the CinemaSins wannabes of the world pipe up shrilly to ask why they didn't use the sword before in the prolonged Kaiju battle that this exceedingly anime move ends.

The interesting part about this plothole is that there are two good answers to it that coexist in my mind. For one, they didn't need it, as the Jaeger's other weapons did just fine, arguably better than a sword would, and in the time before Kaijus coming out two at a time, running out of ammo for the Big Very Sufficient Plasma Cannon just wasn't a problem. For the other, the world building actually explains this one, as the opening exposition montage mentions that the blood of the kaiju is hazardous and the source of some sort of malady nicknamed Kaiju Blue. Now since this is a movie, punching and kicking yields only small amounts of blood, while swords all but exsanguinate people on the first stroke, so better to stick with punches and kicks and the occasional self-cauterizing plasma burn. Now, as to why our heroes didn't deploy The Anime Weapon a bit earlier in the process of being dragged into the stratosphere, I couldn't tell you. I could argue that the added altitude could make the kaiju blood disappate over a wider area and thus prove less of a problem, but odds are good this one's just for dramatic effect, which I'm honestly fine with.

Anyway, to try to wrap this up. If my gushy, infodumping tone wasn't a clear indication, I love Pacific Rim. It's a movie that doesn't try to self-consciously excuse its genre trappings, it goes "yeah, kaiju, you know those, giant robots you know those, let's have some fun with it." Despite being made out of many familiar parts, it's arranged in a fresh and exciting way, and the joyous love the filmmakers show for the source material goes a long way to making it approachable. This is the greatest translation of old nerdy interests into a fresh new IP since Star Wars, and it makes me sad that it didn't transform the industry in a similar way. It's what nerd cinema should have become in the time of global streaming, but alas, the passionless nerd pandering turned out to be easier to make and, probably, more profitable. Alas, what could have been, I suppose. At least we'll always have that kickass Ramin Djawadi soundtrack.

#peebs recommends #pacific rim #cinema #movie

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