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directedbywomen · 2 years
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Celebrating Guetty Felin!
"For Ayiti Mon Amour I just wanted to put Haiti in conversation with the outside world on her own terms. I wanted Haiti to steer the conversation for once."
Read more in Guetty Felin & ‘Ayiti Mon Amour’, Haiti’ s Entry in the Foreign Language Oscar.
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Haiti My Love | Ayiti mon amour (2016) was selected as Haiti's first ever entry to the Oscar's Best Foreign Language Film category.
The film is available to stream on Kanopy.
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folditdouble · 3 years
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Women in Film Challenge 2021: [93/52] Haiti My Love, dir. Guetty Felin (Haiti, 2016)
When I was little, I used to think if I could stay up all night, I could help bring the new day. I would hear the first songs of the birds and watch the moon become the sun.
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reelydope · 7 years
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Ayiti Mon Amour: Césaire Updated
It starts with a wistful, brooding drift through a thick reef. Every frame is crystalline. You get the feeling in your chest that you’re holding something in – somewhere between an eruption and an aftershock. Ayiti Mon Amour, directed by Guetty Felin, is Haiti’s first submission for the foreign language Oscar. For Felin, who has previously worked on documentaries, it’s a new venture into…
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afchicago · 6 years
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Join us tonight for a screening of female director Guetty Felin's marvelous film, Ayiti mon amour. A beautiful work made in the magical realism tradition, this film follows several Haitians, as they discover their superpowers...literally! The screening is FREE! Register today: https://www.af-chicago.org/event/deiNapfv
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diariomatutino · 7 years
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La sanación y el realismo mágico de Haití, siete años después del terremoto
La película ‘Haití mi amor’, de Guetty Felin, continúa su recorrido por salas de cine internacionales from Latinoamérica http://ift.tt/2qub7Ib
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dreamstatesmetablog · 7 years
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Take a journey through the cinematic education of Anisia Uzeyman, the Rwandan actress and director breaking onto the scene with her directorial premiere, Dreamstates (2016), and starring role in Guetty Felin’s Ayiti Mon Amour (2016).
Movies That Changed Anisia Uzeyman is the second in a REELYDOPE original series where we ask directors and actors to discuss the films that have made an impact on their lives. From the JLG to Apichatpong Weerasethakul, Uzeyman tells us about her earliest memories in the cinema all the way through the directors that have inspired her breakout film. This is a masterclass on independent film spoken from the heart of a true cineaste.
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samanthannis · 7 years
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Portrait of Guetty Felin- Girlboss and director of @ayitimonamour2018 running in this year’s foreign-language Oscar race. (at Los Angeles, California)
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iamgabrisan · 7 years
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OSCARS 2018 : HAĪTI VISE LE PRESTIGIEUX PRIX DU MEILLEUR FILM ÉTRANGER AVEC « AYITI MON AMOUR » C'est officiel, « Ayiti mon amour », un film tourné à Jacmel par la réalisatrice Guetty Felin, défendra les couleurs d’Haïti aux Oscars 2018. Une toute première pour l’histoire du cinéma haïtien. WATCH "Ayiti Mon Amour" film Trailer: Curacao IFFR 2016" https://youtu.be/M4QUS5D5QHE Lenouvelliste.com National - « Ayiti mon amour », est bel et bien sélectionné pour représenter Haïti aux Oscars 2018. L’annonce a été faite après la fin des inscriptions du 02 octobre par « Academy of Motion Pictures and Sciences ». Pour la première fois, Haïti participe aux Oscars de meilleur film étranger, de même que Honduras, République démocratique populaire du Laos, Mozambique, Sénégal et Syrie qui concourent tous pour les prestigieux prix de l’Académie. Maintenant, l’heure est à la campagne médiatique et peut même amener à une consécration. Pour la précédente édition, 85 films ont été jugés admissibles par l'Académie. Cette année, le nombre est un record : 92. Ces films espèrent atteindre une autre liste de neuf, suivie d’une liste finale de cinq nominations qui seront annoncées le 23 janvier, peut-on lire sur le site d’Indiewire. LIRE LA SUITE: http://lenouvelliste.com/article/177394/Oscars%202018%20:%20Haïti%20vise%20le%20prestigieux%20prix%20du%20Meilleur%20Film%20étranger%20avec%20«%20Ayiti%20mon%20amour%20» HAITI☆LEGENDS #AyitiMonAmour #Oscar2018 #LeNouvelliste #Film #Cinema #Movie #Video #AcademyofMotionPicturesandSciences #BestForeignFilm #nominee #GuettyFelin #Jacmel
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newshourbd · 7 years
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Haiti's first female-directed movie bids for Oscars
Haiti’s first female-directed movie bids for Oscars
News Hour
Haiti is still reeling from the 2010 earthquake that killed more than 220,000 people, but from the debris of its devastated towns, a nascent film industry has begun to emerge.
At its forefront is Guetty Felin, whose “Ayiti Mon Amour,” a portrait of a post-quake nation mourning its dead, was recently announced as the Caribbean country’s first ever entry for the foreign film category at…
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tatkhonik-blog · 7 years
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Haiti's first female-directed movie bids for Oscars
Haiti’s first female-directed movie bids for Oscars
Haiti’s first female-directed movie bids for Oscars
Haiti is still reeling from the 2010 earthquake that killed more than 220,000 people, but from the debris of its devastated towns, a nascent film industry has begun to emerge.
At its forefront is Guetty Felin, whose “Ayiti Mon Amour,” a portrait of a post-quake nation mourning its dead, was recently announced as the Caribbean country’s first…
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njawaidofficial · 7 years
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Oscars: 92 Films Submitted in Foreign-Language Category
http://styleveryday.com/2017/10/06/oscars-92-films-submitted-in-foreign-language-category/
Oscars: 92 Films Submitted in Foreign-Language Category
Nominations will be announced Jan. 23.
A record 92 countries have submitted films for consideration in the foreign-language film category for the 90th Academy Awards. 
Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria have all submitted films for the first time.
The 2017 submissions are:
Afghanistan, A Letter to the President, Roya Sadat, director; Albania, Daybreak, Gentian Koçi, director; Algeria, Road to Istanbul, Rachid Bouchareb, director; Argentina, Zama, Lucrecia Martel, director; Armenia, Yeva, Anahit Abad, director; Australia, The Space Between, Ruth Borgobello, director; Austria, Happy End, Michael Haneke, director; Azerbaijan, Pomegranate Orchard, Ilgar Najaf, director; Bangladesh, The Cage, Akram Khan, director; Belgium, Racer and the Jailbird, Michaël R. Roskam, director; Bolivia, Dark Skull, Kiro Russo, director; Bosnia and Herzegovina, Men Don’t Cry, Alen Drljević, director; Brazil, Bingo – The King of the Mornings, Daniel Rezende, director; Bulgaria, Glory, Petar Valchanov, Kristina Grozeva, directors; Cambodia, First They Killed My Father, Angelina Jolie, director; Canada, Hochelaga, Land of Souls, François Girard, director; Chile, A Fantastic Woman, Sebastián Lelio, director; China, Wolf Warrior 2, Wu Jing, director; Colombia, Guilty Men, Iván D. Gaona, director; Costa Rica, The Sound of Things, Ariel Escalante, director; Croatia, Quit Staring at My Plate, Hana Jušić, director; Czech Republic, Ice Mother, Bohdan Sláma, director; Denmark, You Disappear, Peter Schønau Fog, director; Dominican Republic, Woodpeckers, Jose Maria Cabral, director; Ecuador, Alba, Ana Cristina Barragán, director; Egypt, Sheikh Jackson, Amr Salama, director; Estonia, November, Rainer Sarnet, director; Finland, Tom of Finland, Dome Karukoski, director; France, BPM (Beats Per Minute), Robin Campillo, director; Georgia, Scary Mother, Ana Urushadze, director; Germany, In the Fade, Fatih Akin, director; Greece, Amerika Square, Yannis Sakaridis, director; Haiti, Ayiti Mon Amour, Guetty Felin, director; Honduras, Morazán, Hispano Durón, director; Hong Kong, Mad World, Wong Chun, director; Hungary, On Body and Soul, Ildikó Enyedi, director; Iceland, Under the Tree, Hafsteinn Gunnar Sigurðsson, director; India, Newton, Amit V Masurkar, director; Indonesia, Turah, Wicaksono Wisnu Legowo, director; Iran, Breath, Narges Abyar, director; Iraq, Reseba – The Dark Wind, Hussein Hassan, director; Ireland, Song of Granite, Pat Collins, director; Israel, Foxtrot, Samuel Maoz, director; Italy, A Ciambra, Jonas Carpignano, director; Japan, Her Love Boils Bathwater, Ryota Nakano, director; Kazakhstan, The Road to Mother, Akhan Satayev, director; Kenya, Kati Kati, Mbithi Masya, director; Kosovo, Unwanted, Edon Rizvanolli, director; Kyrgyzstan, Centaur, Aktan Arym Kubat, director; Lao People’s Democratic Republic, Dearest Sister, Mattie Do, director; Latvia, The Chronicles of Melanie, Viestur Kairish, director; Lebanon, The Insult, Ziad Doueiri, director; Lithuania, Frost, Sharunas Bartas, director; Luxembourg, Barrage, Laura Schroeder, director; Mexico, Tempestad, Tatiana Huezo, director; Mongolia, The Children of Genghis, Zolbayar Dorj, director; Morocco, Razzia, Nabil Ayouch, director; Mozambique, The Train of Salt and Sugar, Licinio Azevedo, director; Nepal, White Sun, Deepak Rauniyar, director; Netherlands, Layla M., Mijke de Jong, director; New Zealand, One Thousand Ropes, Tusi Tamasese, director; Norway, Thelma, Joachim Trier, director; Pakistan, Saawan, Farhan Alam, director; Palestine, Wajib, Annemarie Jacir, director; Panama, Beyond Brotherhood, Arianne Benedetti, director; Paraguay, Los Buscadores, Juan Carlos Maneglia, Tana Schembori, directors; Peru, Rosa Chumbe, Jonatan Relayze, director; Philippines, Birdshot, Mikhail Red, director; Poland, Spoor, Agnieszka Holland, Kasia Adamik, directors; Portugal, Saint George, Marco Martins, director; Romania, Fixeur, Adrian Sitaru, director; Russia, Loveless, Andrey Zvyagintsev, director; Senegal, Félicité, Alain Gomis, director; Serbia, Requiem for Mrs. J., Bojan Vuletic, director; Singapore, Pop Aye, Kirsten Tan, director; Slovakia, The Line, Peter Bebjak, director; Slovenia, The Miner, Hanna A. W. Slak, director; South Africa, The Wound, John Trengove, director; South Korea, A Taxi Driver, Jang Hoon, director; Spain, Summer 1993, Carla Simón, director; Sweden, The Square, Ruben Östlund, director; Switzerland, The Divine Order, Petra Volpe, director; Syria, Little Gandhi, Sam Kadi, director; Taiwan, Small Talk, Hui-Chen Huang, director; Thailand, By the Time It Gets Dark, Anocha Suwichakornpong, director; Tunisia, The Last of Us, Ala Eddine Slim, director; Turkey, Ayla: The Daughter of War, Can Ulkay, director; Ukraine, Black Level, Valentyn Vasyanovych, director; United Kingdom, My Pure Land, Sarmad Masud, director; Uruguay, Another Story of the World, Guillermo Casanova, director; Venezuela, El Inca, Ignacio Castillo Cottin, director; Vietnam, Father and Son, Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, Jan. 23.
The 90th Oscars will be held on Sunday, March 4, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on ABC.
#92 #Category #Films #ForeignLanguage #Oscars #Submitted
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reelydope · 7 years
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Movies That Changed Anisia Uzeyman
Here Are The Movies That Changed Anisia Uzeyman
Take a journey through the cinematic education of Anisia Uzeyman, the Rwandan actress and director breaking onto the scene with her directorial premiere, Dreamstates (2016), and starring role in Guetty Felin’s Ayiti Mon Amour (2016). Movies That Changed Anisia Uzeyman is the second in a REELYDOPE original series where we ask directors and actors to discuss the films that have made an impact on…
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diariomatutino · 8 years
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“Hacer una película es diez veces más difícil si eres mujer y vives en Haití”
Guetty Felin presenta en el Festival de Cine de Cartagena el primer largometraje rodado por una cineasta en el país caribeño from Noticias sobre Latinoamérica http://ift.tt/2miI8TH
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indieethos · 8 years
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Premiere edition of Third Horizon Caribbean Film Festival announces line-up
Premiere edition of Third Horizon Caribbean Film Festival announces line-up
Sometimes Miami has a stigma in the world of the arts. It’s cultural scene unfortunately exists in the shadow of beaches and nightlife. Though we here at Indpendent Ethos have long championed its unique music, from Holly Hunt to Boxwood, to most recently Xela Zaid, and such pioneering film events like the first Horror Film Festival in Florida to filmmakers like Jillian Mayer, Monica Peña and Car…
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sonjeayiti-blog · 11 years
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Tey, starring renowned poet Saul Williams, makes its U.S. premiere following acclaimed screenings at film festivals around the world, premiering in Berlin in 2012.  The U.S. premiere and theatrical run is at MIST Harlem. The film will make its U.S. theatrical premiere at New York’s MIST Harlem Cinema on Sunday, October 6th in partnership with the Creatively Speaking Film Series.
Tey has traveled to over 50 festivals internationally and has won over two dozen prizes including Seattle International’s Emerging Masters Award for best director; Del Primio CittaVenezia Award at the Venice Film Festival; and the Golden Stallion at FESPACO for best film and best actor – a first for Senegal and a first for an American actor.
Tey is released by BelleMoon Productions a San Francisco based company lead by Haitian filmmaker Guetty Felin. The film will be available in selected theaters around the U.S.,October 6th – November 6th, 2013.
(via Phoenix Refined and Tey, Starring Saul Williams, Premieres in NYC - The Haitian Times | The Haitian Times)
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