#Gobby but jester?

[the-lavender-room]

Take stuff

[macbooth]

full of childish whimsy in a hostile fashion tonight so here’s every shakespeare clown i can think of and whether or not i think i’d beat them in a fight

(i do not mean fools i mean clowns. they do not need to be the secret genius of the play. if they are stupid in every way shape or form i am including them here)

Puck (A Midsummer Night’s Dream) No chance. Bro’s got that magic and ALSO has a big strong scary fairy king as his bear, like, do not separate them. If I even tried throwing hands at this cunt I’d get torn to shreds and used as glitter dude, I’d be over. 0/10

Nick Bottom (A Midsummer Night’s Dream) I could but I’d feel bad. I also think he’d put up a really solid fight. Like this is out of donkey form, bro was a physical worker. Like I reckon I could win a fight with some of the tradies I’ve seen but I don’t think it’d be easy. Also he’s just really dumb so I would feel a little bad. Donkey form though, I’m running away. Scary as shit. I am afraid of horses though. 6.5/10

Touchstone (As You Like It) Absolutely I could beat the shit out of this man. I hate him so much. Full of hostility towards this fucker. His clothes aren’t even subtle I could find this bitch in the forest no time and hunt him down and rip him to shreds, fuckin court jester doesn’t even have the roughness of the country on his side. 9/10 (-1 point cause he definitely fights dirty but I just hate him so much I’d win)

Jaques (As You Like It) First off he’s absolutely a clown. Second off I’ve played him before so my word is gospel. Third off bro has no fucking chance against me. He’s a podcast bro who thinks I don’t know that Tame Impala is one dude. I’d ask him why we can’t print more money and he would explode instantly and it would be the funniest thing he did with his life. 10/10

Audrey & Corin (As You Like It) I’m lumping these two together cause in the show I did they were one character (and I also played them). I wouldn’t even want to fight these two. And even if I wanted to Audrey would absolutely be able to beat the shit out of me and I would thank her. Our setting was in semi-modern country Australia, that girl would have a shotgun. 2/10

Autolycus (Winter’s Tale) Just like Jaques to me. He might be a little bit harder because he’d change costume and I’d get confused because I have no object permanence but other than that what has he got. Bitterness? Resentment? Bitch so did I when I was 15 grow up experience love. 8/10

Falstaff (Henry IV parts 1 & 2, Merry Wives of Windsor) I don’t actually know about this one but he is very punchable. I feel like he’d let me punch him and I think one punch would be enough for me. I think that would satisfy my urge to punch him. He may be a knight but let’s be honest he’s shit at it so I stand by this. 4/10 (just cause I don’t really give a shit)

The Dromios (Comedy of Errors) I absolutely could beat them in a fight but I would feel So Bad. You see how they’re literally already treated in the play, I wanna give them a break. That being said they’re both kinda dicks but they’re going through it already so I’d wanna give them a breather. I would win though, even if they both were attacking at once. 7/10

Launcelot Gobbo (Merchant of Venice) He’s such a prick but I would be laughing too hard at his name to fight him. Bro’s name is Gobbo. Bro’s name is basically Gobby. Imagine being named Blowjob. I would lose my mind. I would laugh so so hard I would collapse. My heart would fail. Biggest L name out there bro. Launcelot Gobbo oh my god. 3/10

Launce (Two Gentlemen of Verona)  Nah man he has an attack dog. I don’t care what breed of dog Crab is in a production I fully believe he would kill for Launce, that’s just their dynamic. I understand them better than anyone else (I have a dog). Also he’s already working for Proteus, is that not punishment enough? 4/10

Speed (Two Gentlemen of Verona) I mean I definitely could fight him. I don’t imagine he’s got much fighting experience. But once again, he has to deal with Valentine which does feel like it would be cruel to inflict more onto him. Like Valentine’s not as bad as Proteus but fuck is he stupid. Also if I accidentally flubbed a punch Speed could absolutely tear me a new asshole with his words and I would sob and cry and literally never recover. 4/10

The Porter (Macbeth) Fuck no. Bro definitely has a knife on him at all times. I can’t explain why I think this I just do. He works night shift, he definitely doesn’t get paid enough for his dog shit job, he would absolutely try to stab me just to spice up his evening without me starting a fight. 1/10

Trinculo (Tempest) Yes. Sorry, you’re Russell Brand? L. I could kick your ass. And he’s like drunk for half the show, and almost fucked a fish. I doubt his judgement is good enough to say the alphabet backwards let alone dodge a punch. He couldn’t even get Caliban to kick my ass (who definitely could by the way) cause Caliban fucking hates him. Bro, failwife to Stephano should pay more. But it doesn’t. 8.5/10

Dogberry (Much Ado About Nothing) Without Verges? Yes. With Verges? No way. Those two are a power couple in the dumbest possible way. He would absolutely try to get me arrested though but I simply would not go to prison. What’s he gonna do? Send me to prison? I’m already not going. 7/10

Mercutio (Romeo and Juliet) No chance. Unless Romeo fucked up so bad like he did in the actual play, I would have no chance against this dude. I wouldn’t even want to even if I could. I’m a Benvolio stan first and foremost and a person second you think I’d wanna fight his bestie? Only exception is if it was an actual fight club and not just a pure fight out of hatred. I feel like Mercutio could give Brad Pitt Fight Club Realness, outfits included.  I would still lose though. 2.5/10

Don Adriano De Armado (Love’s Labour’s Lost) I reckon I could wreck this dude’s shit. You know that gif where the fuckin dude is doing all these cool sword moves and then he just gets shot? You know the one. I forgot where it’s from but you know the one. That would be this fight. Armado would bust out his flair, his razzle dazzle, his pizzaz, and I would just deck him I think. That’s the power you need in this world, I think. Power of fist to face. Peace and love. <3 8/10

Costard (Love’s Labour’s Lost) I do not think Costard would realise he was being fought even as he was actively getting hit in the face. I know how to say honorificabilitudinitatibus, he doesn’t even have that against me. Bro couldn’t even confuse me with that, I learnt that, like an adult. Anyway yeah I’d kick his ass. 9/10

Holofernes & Sir Nathaniel (Love’s Labour’s Lost) This is the same man to me. I would destroy them both. Fuckin nerds. Flowery ass language nerds. I support gay rights and gay wrongs but the only reason I couldn’t fight those two gay muppets who heckle is cause they’re too far away (in a theatre booth), these two gay muppets who heckle are right in front of me. I’d kick their tweed cladded asses. 10/10

Jaquenetta (Love’s Labour’s Lost) She is just like Audrey to me. I could never bring myself to hurt her. Also she’s pregnant and I feel like it’s fucked up to hit a pregnant woman just for fun. Also she could absolutely wreck my shit. Please wreck my shit Jaquenetta. 0.5/10

Moth (Love’s Labour’s Lost) This little fucker should be an INSTANT knock out but I just know this fucker bites. He’s a shit talking 8 year old? Oh he plays wolves on the playground, I just know it. He plays wolves and he’s definitely been suspended for it, I just know it in my heart. Sure, I could kick him, but he would grab hold of my foot and try to rip it off. We would shake hands and agree to part ways, having met our match. He, who plays wolves, and me, who played fairies, leave the fight with our heads high and respect in our hearts. I am kidding of course but I do think we would tie. 5/10

Lear’s Fool (King Lear) There’s already so much fighting going on, I don’t even think they’d notice if I just started kicking this dude. Not only could I fight him and win, I think I’d get away with it too. I’d win not only physically but socially too. What’s he gonna do? Tell his boss? Bro he’s preoccupied with his whole kingdom crumbling, grow up. 9/10

Lavatch (All’s Well That Ends Well) This is more meta but my hatred of this play would fuel me here. I would fight literally anyone in this play if given the chance, not a joke. I would get in the ring with literally anyone from this play, but honestly, out of them all I weirdly respect Lavatch the most, maybe because he at least knows that he’s a cunt, unlike literally everyone else who Just Suck. I do think he’s probably scrappy though, so I wouldn’t leave unscathed. I also think if he got the upper hand he would be so so awful about it, so I’d really have to fight. 6/10

Sir Toby Belch & Sir Andrew Aguecheek (Twelfth Night)  Andrew is canonically bad at fighting, and honestly I do not believe Toby would be any better. Love both of these guys but if I had to fight them both at once I think I would be able to just move out of the way and they’d bonk each other on the head like a cartoon. They’re just silly guys. 9/10

Maria (Twelfth Night) Every woman clown could beat my ass. Audrey, Jaquenetta, Maria, they are all so special to me and would all also fucking destroy me. Maria especially cause I just know she is full of hate. You don’t hatch a plan like the Malvolio plan unless there’s something deeply worrying about you. She’s a Scorpio to me. <3 I do love her, she’d demolish me. 0/10

Feste (Twelfth Night) Would actually kill me. -5/10

I know I’ve definitely missed some but uhhh don’t expect me to remember every clown even if I’m neurodivergent about these plays please. <3

[bunny-j3st3r]

Gobby is the same for this universe he just has more fear of jester because unpredictable

However

*grips Harry* I have plans for u

[glittergummy]

Skatin' Hearts - Goblinborn Ficlet Collection - Part 3

Rollerskating had to be a good date idea, right?

Norman suggested it, but Gobby was unsure given he was good at his balance on his glider but on rolling blades? He couldn't be sure.

After a check-in and they got their roller skates, Gobby obviously picking the green neon rollerblades.

He acted like a deer in in the headlights, able to stand up and balance in place with his pupils wide as the moon.

Norman chuckled and moved to hold onto his waist, facing him as Goblin clinged to him, chittering and his ears back as he felt nervous, nuzzling under Norman's neck.

Norman kissed his forehead, petting his helmet.

"It's alright, pooka. You just need practice, c'mon, I won't let go. Let's go to the rink, yeah?"

Norman helped and held the Goblin's clawed fingers, carefully pulling him towards the rink with ease.

The poor green kept his paws on the older man, shaking like a leaf and afraid to fall as he began panting nervously.

Norman just smiled. How cute.

It would be alright though, Norman just taking it easy as he held his hands at arm's length and Goblin protested, ear flicking as he went still again, letting Norman lead him around the floor.

When they came to a stop, the little gremlin held onto Norman again, afraid of the man letting go suddenly, even though he did swore he wouldn't do such a thing.

A soft pat on the head for the Goblin as he nuzzled up into it, closing his eyes before opening the bright yellow irises, watching Norman.

"You're getting the hang of it, bugbear!"

Gobby smiled a bit, wagging his curled tail as Norman took his hands to kiss on the back, wrapping his arms around his neck as he held Gobby's waist.

"How about we try with you leading this time?"

Gobby felt a bit more confident, switching and turning slowly as Norman held his hips to manuever him, kissing the back of his neck as Gobb's pupils got wide again, ears back and blushing soft green over his scales as they stood up, giggling.

He moved his arms out, gyrating them in circles to keep his balance as he slowly moved forward with a kick of his foot, the blades rolling underneath against the smooth wooden tiles.

Gobby squealed, pleased with his achievement and spent the rest of the night holding onto Norman, skating with him.

Goblin was panting from the exercise, taking off his blades to put on his tipped jester shoes as he sat in Norman's lap, enjoying the pets and rubs as he nibbled at the human's neck, purring and vibrating.

What a fun night!

[kimabutch]

is yeza just Nott's friend or are they more than that? Because ive seen posts claiming both and now I'm a little confused :''')

Oh man oh man okay.

So, short answer: it’s not clear, but it’s definitely pretty likely that there was some romance/romantic feelings.

Long answer: Let’s take a look at what Nott’s said about both Yeza and past romantic partner(s). I don’t usually do read-mores but this is long as fuck.

Episode 16

Nott sends money, trinkets, and a note to Felderwin. It’s not clear if this is to Yeza, but given later developments, it seems very likely. (She also sends out a similar package in Episode 31, but we don’t know where to.)

Episode 19

Nott: I saw a lot of things, and there was a halfling village not far away. They captured someone from the village and they wanted me to kill him. But instead, I was kind to him, and he started talking. My fellow gobbies didn’t like that, but they allowed it because I was getting valuable information about where the halflings kept their food, and where they went to harvest, and where we could attack them. But I became friends with him. He was nice. […]

Jester: Did you love him?

Nott: I don’t know. He was a chemist, so he taught me about alchemy, and liquids, and potions and things. And he taught me his language. When he had taught me everything he could, they said to kill him. But I didn’t want to, so I got real drunk, and I created a distraction, and I hope he got away. […] We ran off in separate directions, and I’ve been running ever since.

Beau: Where would he go?

Nott: I assume back to his village.

Nott doesn’t deny that she might have loved him. It’s obvious that from this, she cares about him deeply, but it seems that Nott herself doesn’t know if it was romantic or not. Of course, this is assuming that Nott’s not lying about her emotions. Which she does later.

Episode 23

Nott: Yeza was his name. The halfling man. Before. That’s all. I just wanted to say his name out loud. It’s been a while.

Nott later gets very embarrassed when Kiri repeats this information to the group. Again, it’s not clear whether she’s embarrassed because it’s a very personal detail, or because it’s the name of a (former) lover, or a little bit of both. Going from what Nott said before (again, assuming truthfulness), she’s unsure. 

Episode 41

Nott: I’ve kissed a boy.

Jester: [Talks about her kiss with Fjord.]

Nott: If I had to do my first kiss over again, I would want all of those things.[…] That’s the best first kiss. It’s someone you care about. […] It means something. You’ll remember it forever. […]  Afterwards, I don’t know if you felt this way, you just can’t stop thinking about it and you just feel the soft pressing against you and almost taste him just for a little bit and it doesn’t go away for a while. […]

Jester: What was your first kiss like, though?

Nott: It wasn’t as romantic. It was just a dare. […]

Jester: With who?

Nott: I don’t know. Just someone. I don’t even remember too much.

Jester: That’s weird. You said you never forget it.

Nott: I sure did. It was just– you know? I was pretty young and kids just saying like, “Oh, you kiss each other and you kiss each other now.” Just one of those types of games.

Jester: I think kids do that sort of stuff a lot.

Nott: I think so too, but I don’t remember his name.

Jester: Oh. Do you remember the softness of his lips?

Nott: I do. Yes. It was a good day.

So the biggest take-aways from this conversation are 1) Nott is a huge fucking liar (I love her) and 2) Nott’s first kiss was memorable and with someone she cared about, despite what she said. It’s really hard to know what actually happened (and if Sam never tells us he’s a monster), but I think it’s obvious that she’s lying about not knowing his name. 

In favour of this guy being Yeza: Nott hasn’t spoken with any affection about any goblins, and doesn’t seem to like the way they look. And if not Yeza, then who?

Episode 47

Nott: [stuttering] I’d like to check in, just see how the place is doing and if everything’s still there, just make sure that everything’s okay.

Caleb: Sometimes it sounds like you don’t have much love for home. 

Nott: Yeah, it’s a little complicated. I mean, I really didn’t like most of it, certainly not my clan, as I’ve told you guys. But there’s a few folks that I didn’t mind so much. There was one gentleman I wouldn’t mind checking in on, making sure he’s okay. 

Caleb: One of your clan?

Nott: No, no, just a friend of mind, that I just wanted —

Caleb: Not one of your clan.

Nott. No. No, they’re not my friends at all. They’re bad. No, this was just this halfling man who lived in the town near where the goblins lived. And so, I maybe just want to see if he’s okay. He was very special to me and I’m worried about him. […]

Caleb: So you want to go home briefly, but not to see the clan, but just this one fellow.

Nott: Mhm. Yeah. I didn’t — I don’t really — I’m sorry, I’m just so nervous about it. But I don’t want to see the clan ever again, if I can help it. […] I just want to see if my friend is okay. 

It’s clear she’s talking about Yeza here, and once again, this shows the depths of her feelings for him, whether platonic or otherwise. 

But there’s something else that’s important here, too: Nott talks about “a few folks that [she] didn’t mind so much,” which suggests the existence of other people in Felderwin who she might have kissed. However, I’m inclined to think this might be a turn of phrase, and it was really only Yeza who she had meaningful interactions with, given that she explicitly only wants to see him. 

To go back to my previous question: if not Yeza, then who? It can’t have been any of her clan. It’s probably not another halfling from Felderwin, because according to Nott, they mostly stone goblins on sight. It’s probably not anyone on the road since she left her clan, because Nott was, by her own admission, not “really alive” then — she was “hiding in the shadows and ducking into alleys to get away from people” (26). 

So Yeza, given the information we have, seems like the most likely guess. But also, we don’t have a lot of info.

Meme answer:

[eponymous-rose]

Talks Machina Highlights - Critical Role C2E25 (July 10, 2018)

First show in the new studio! Ashley wasn’t nervous until Sam started talking about how nervous he was. There’s a lot of nervousness. Now with Dani Cam!

Tonight’s guests are Ashley Johnson and Sam Riegel!

Announcements: TM is headed to San Diego Comic Con again this year! On Tuesday, July 24 (the Tuesday after their Saturday panel), the panel will be broadcast in TM’s usual time slot. Wyrmwood giveaways are back starting this week, but will be hosted in the Critical Role Twitch chat moving forward. New shirt in the store (featuring Nott and Jester’s detective agency!).

@critrolestats​ for this episode:

Yasha is practically tied with Fjord for highest average damage dealt per episode (35.875 for Yasha, 36.040 for Fjord).

Nott maintains her lead for the most natural ones (23). Sam points out that he’s using the same dice as last campaign and suspects the proximity to the baby may have been a curse on his luck. Ashley: “I feel like he couldn’t possibly be a curse on anyone.” Sam: “No, he’s a demon child. Have you held up a mirror to the child to see if it has a reflection? That’s all I’m saying.”

It’s been 34 days since the Mighty Nein met in Trostenwald. Ashley points out that it’s starting to be a substantial number of days for everyone to have been spending all their time together.

Kiri was with the Mighty Nein for 11 days.

Nott’s new crossbow is a +1 hand crossbow. If Sam rolls a 20, it magically resets and fires another bolt immediately. If Sam rolls a 1, it tries to do that, fails, and shoots Nott instead. Because it’s a magical weapon, it will deal magic damage even if non-magical bolts are fired from it. Sam’s holding out for a cupholder.

“Beau is-- I think more of Beau and Yasha’s relationship, whatever that turns out to be, I like exploring that in the game.” Yasha “got a kick out of” Beau playing up her injuries and didn’t mind carrying her around. “She’ll help a girl out.”

The official name for Nott’s flask is The Flask of Perpetual Booze.

Heroism for the sake of being nice is definitely new from Nott’s perspective---she and Caleb have mainly just been fighting for survival until now. Money is not what drives Yasha, so getting into a fight is more motivating for her than any sort of reward. She was very affected by getting the couple out of prison, and especially by what followed with Kiri. “She’s trying to not let things affect her, but they do.” She’s averse to getting emotional, because then people are likely to see the cracks; it’s easier for her not to engage, but Kiri leaving affected her more than she was ready for. (Part of it was bleedthrough from Ashley and Marisha trying not to lose their composure during that scene.)

Nott was surprised that the Schusters accepted a good deed from her even knowing she was a goblin. “It maybe changed her impression of how ready or willing people are out there to accept a little gobby into their world.” Traveling with the Nein for so long and having their respect has “definitely expanded her opinion of the world and the people who live in it.” She’s never had that experience before. “So far, mainly people throw rocks at her.”

Gif of the Week: the many faces of Sam-as-Burt-Reynolds.

Sam’s eyes were watering and stinging all night because of the fake mustache. “By the end of the night, I was struggling to keep my eyes open.”

Brian: “I have good news. The fly that was buzzing around everywhere and bugging us is dead. It’s in my drink.”

It was a big relief to everyone that Kiri made it through her time with the Nein alive and okay, but it was still really sad to give her up. “As Sam Riegel, I’m really sad to see the character go, but in the game I kept looking for a way to find her a safe place.” They both feel pretty good about leaving her with the Schuster family. Sam points out that they know where she is, so they can come back and visit. Brian gives Matt well-deserved kudos for how lovable Kiri was right from her first appearance.

Because of Ashley’s schedule, she knew Matt had to plan something for Yasha’s disappearance, but he hinted to her that something would happen at the end of the night and that she’d know what to do. “He makes it feel organic and part of the story. I like that it’s the three of us going together on this journey.” She didn’t know beforehand what was going to happen (and still doesn’t know more than we do) so it was a very exciting scene to play out.

Sam and Ashley realize anyone could have volunteered for that last watch---they’re so impressed with how Matt set that up as their choice, even knowing he might’ve had to scramble to get the right combinations of players ready to go.

Sam points out that they’re left with no obvious leader, there’s a lot of underconfidence with Caleb and Nott and a lot of overconfidence with the other two (”all misplaced”). No healer, one person with substantial magic, no tank. The clues basically consist of a bit of blood on the ground. “I don’t know how we’re going to find these people, and even if we found them, if the baddies were powerful enough to apprehend all three of them, I don’t know if we’d be strong enough to rescue them.”

Fanart of the Week: a gorgeous scene of Beau training.

Both Scanlan and Nott have “a visceral hate of goblinkind for different reasons.” Scanlan would kill one on sight. “Nott might ask them a few questions first, and then kill them.” She hasn’t come into contact with any goblins from outside her clan. “Maybe she’d have an open mind if she met a really cool goblin.”

“Yasha’s relationship with the Stormlord is still fairly new, so I think her connection with him and figuring out how to connect with him-- she’s still figuring that out, but I also think he probably knew she could take care of herself. She’s still figuring out what she’s supposed to do to reach in and connect with him.” It’s tied in with her backstory. “There’s a lot that she doesn’t understand about it.”

On Nott losing her detective partner: “They’re bad cop/bad cop. Without one of them, they’re just bad cop! How would that work?” Beau might be her first attempt at a new detective duo.

Ashley’s okay with the speed at which Yasha’s backstory is being revealed---in that basically none of her backstory has been revealed. “I would love to have revealed more while I was home, but her backstory is very sensitive and it’s not something she would be comfortable talking about.”

At one point, Sam was writing a pilot pitch for a CW-type show about “sexy minotaurs and centaurs in a high school.”

Stealing the gun wasn’t about messing with Taliesin; Sam has specific plans for the gun. “Let’s just say that Nott has a fascination with things and enjoys shiny things, but also enjoys chemical things, and it’s an interesting item to her and she has ideas of what she could try with it. It also helps that it bothers Taliesin. I’m not going to lie.”

The Stormlord is more of a protector figure than a distant, abstract figure to Yasha. “He definitely saved her from something. Before the Stormlord, she didn’t serve any gods. That was a foreign thing to her. I don’t think she knows what servitude means, yet, but she’s getting there.”

Nott felt like a protector and a keeper of Kiri. “Innocent little kid who needs to be protected and is also adorable!” She’s also very pleased to see Caleb coming out of his shell.

Ashley has confidence in the remaining four members of the Nein. “I think they’re going to be fine.” Sam: “Let’s be frank, Ashley’s been carrying us as a show for some time now, and losing her might sink the ship.”

There’s some speculation about why Matt keeps putting manacles into the narrative. Sam: “They might have some sort of a payoff later? Otherwise, he’s just kinky.”

Matt has said that he’ll figure out a way to bring Ashley in on Skype even if she’s the only one of the three available, but she also just wants let the narrative unfold naturally. They’ll see how it goes moving forward.

Unexpected Matt Key!

Talks Machina In The Dark:

Weirdest stuff found during the move? Sam found a bunch of rejected things he was going to paste to the side of his flask. “Some of them were clever. Some of them were not.” Brian: “Taliesin’s coffin that he sleeps in.” They all found a lot of dice lying around. Ashley’s Gil dice is still missing!

Sam does some squats. Brian: “Totally normal. It’s totally normal.”

Everyone’s really sad that Laura couldn’t be there for Jester’s goodbye with Kiri.

Yasha “100%” did not feel qualified to give Caleb advice. “Just anybody coming to her for advice about anything. Why are you asking me? What advice could I possibly give you?” Sam demands to know if she’s ever had a friend. “Yes, of course. She comes from a very rural area, and raised in a certain way that she was-- You gotta wait. It’ll make sense. There’s a lot of life that she hasn’t lived yet. She doesn’t have a lot of life experience.” She’s around Ashley’s age (or the equivalent for an aasimar).

Both Sam and Ashley think Kiri would be good as a rogue. Possibly a bard? Ashley: “Matt’ll come up with something great if we ever see her again.” Brian points out the potential for a kenku using mimicry for Vicious Mockery.

Votes go to Marisha’s Fjord voice over Taliesin’s Jester voice.

We delve into the disgusting depths of how gross Sam’s flask gets. “We need to get you a little brush.” “We do. I might get tetanus from this thing.”

[obannthepunished]

This weeks notes Mostly transcription this week i think, i tried my best for nott’s scene. as usual ignore the asterisks because theyre just notes to myself.

peace

Molly is Nervous (tm) abiut sticking around, or going to the gentleman

theres a fight in the evening nip, beau is fucking excited its thedd (halfling from sewers) and lewis (one of the ones that had run from the research facility)

N: "I got three gold on Thedd" M: Seems a bit late for a wager at this point N: Just you and me! M:.... fair. I'm in.

Thedd wins by standing on lewis' throat til he passes out holy shit M: (drops coins into Nott's hand) N, smug: Thank you :)

oh now Nott and Beau are fighting jesus christ. C: "I cast Haste on Beauregard." Laura: YOU PIECE OF SHIT **

J: Inflict Wounds (17 dmg) ((Fjord, changing his voice: "I GOT 5 GOLD ON THE HORNY ONE)) B: WHAT THE FUCK JESTER, Stunning Strike, (7dmg, jes fails con save (6), she is stunned, extra attack from haste, 6dmg) J: (is stunned for this round, until the end of beaus turn) B: Beaus the shit outta her ( 12dmg, 6dmg) ((MOLLY blinds her)) B: still goin, but misses 2 of em, hits on the third (12dmg) J: (goes down)

caleb: goes for the low five, and Beau just.... ignores him unintentionally bless.

Frumpkin is sent to lick the blood off of jesters face, Beau cleans her up <33

They are called to the gentleman's side

offered a forward of 500gp and a pot of 4500g to travel to Shady Creek Run, the criminals town, and free and bring back Ophelia... something, who corresponds often with the gentleman

the tldr of the second (250 adv, 1750 pot) is that the swamps are dangerous for the gentlemans safehouse which has gone dark.

theyre promised resources for missions from the gentleman

Jester: "IS HE MOIST"(re the gentleman)

they take on both, starting with the swamps. The Gentleman advises they travel the 70 miles above ground.

Fjord is so fuckin smooth talky wtf. they get greater heling potion(s)?? + cure disease? Caleb's gettin some ink + paper, but its not good for spells 8(

Nott keeps making water puns. im counting 4. and a hankie.

Jester wand of smiles Kutha again, poor kutha 8(

Caleb + beau ( + assumedly nott) go to pumat's

have they paid their inn tab??

Cay buys incense for rituals, probably find familiar lbh. he also gets his magical ink+parchment.

Beau is interested in the bracers of defence. Theyre like 1200gp tho arent they??? B: how much PS: 1200 gold B:HOLY SHIT PUMAT. [snip] B: HOLY SHIT PUMAT(S).

C: (tells beau he cast haste) B: YOU SLIP SOMETHIN IN MY DRINK CALEB??? WHAT THE FUCK MAN

they have 6 horses, 2 pulling, 6 solo. Jes is driving thr cart.

Caleb: (brings up the feywild) Jester: oh the traveller has told me about that!!

Frumpkin is (one of) the first cats yasha has seen 8'O shes fuckin loving it **

lots of fucking soldiers heading to war. hundreds, if not thousands.

night falls as they reach the origin of the. road. they cant find a campground because tal rolled SHIT even with advantage.

Jester + Fjord take first watch. (13. Nothing) Yasha + Beau on second watch. (14. Also Nothing.) B: We should huddle together for warmth??? Y: Fr- Frumpkin is keeping me. very warm. are you cold??? do you want my, my cloak? B: No, no my, my (jacket??? cant remember what she said) is fine, its htin, but its warm Then they talk about Yasha ands this is the furthest shes ever been. Y: "i like this stuff. Grass, and, things. you know." B: You appreciate grass?

B: What was your favourite part of xorhas? Y: I... dont know if i HAD a favourite part

this was the CUTEST shit

third watch is Nott + Molly (10, nothing happens) taliesin trying a jester voice makes me the heart eyes emoji

goblins canonically steal children what THE FUCK. And EAT them. But Nott, apparently, has not eaten a child. "My clan, we STOLE from people. money and clothing and things. And when things got tough, we'd steal the people too." Goblins dont do family. "I do not have an urge to kill and eat children" "i have cravings for... rats... cats-" (Caleb snaps) Frumpkin goes back to the feywild Yasha: =(

taliesin taking watch after rolling shit cmon. he gets 16. Noon, broken cloud cover, a tiny distant curl of smoke. oh not again. its a mile away tho so like

the smoke is coming from a small shack.

"For you, Fjord, I will make Frumpkin a bird." He doesn't though but its the sentiment.

Yasha gets shoulder frumpkin back!

The shack door opens to "an elderly fullblood orc" with hair and beard and all that shit.

for 1 (one) gp a month, you TOO can bother a whole old man orc. Jesus christ he had a battleaxe. puts it down, invites yasha and molly in. THIS IS SO UNNECESSARY Molly buys hide armor + 2lb of meat for 16gp. M: Perception check 10. Matt: "Okay." There is sOMETHING SUS about this.

and theyre off again, i am glad for this. i do not like elderly orc man.

yasha and molly double up on that goof "we totally killed him, three times." its very good

M + Y: What kind of meat is this? (fuck their rolls) its meat! its good meat!

M+Y take first watch, its 12. Nothing happens. Yasha collects some flowers to press awww. N+C Second watch, they roll w advantage lmao. 22. something is going to happen. "you hear the snapping of a twig. you see a shifting of shadow. a few things" Cay casts mage armor

Two arrows for Caleb. con saving throw. probably poison. 10. its poison. he is poisoned. fucks frickin sake. is it gnolls?? is it goblins??? hyenas??? furred barking things. wolves.

two ogres, a cluster of wolves, and goblin-like creatures

initiative order:

Beau: Nat20, 24 Goblins Caleb: 18 Fjord, Molly: 16 Ogres Nott: 15 Yasha, Jester: 6 Wolves

B: Jester, puppies!!

Yasha and Jester shrug off poison of those that hit them.

Caleb casts slow on one ogre. unrelated liam is so good???

oh yeah eldritch blast gets two beams of eldritch blast at lv3

Molly radiants once scimitar and cuts RIGHT through one of em. misses the second.

Caleb hit with a javelin, 4-5 inches into his stomach, holding itself upright. Caleb keeps the spell going.

Nott pretends shes one of them and aims for Caleb, hits the book instead. and nails it.

Jester (traumatised): CALEB!!! cure wounds 2nd level. but he is pretty fucked so its ok. he heals to full its ok its ok. Jester cares so much

Yasha pulls necrotic shroud! which as someone who cant watch TM, this is a reveal for me! :D

J: (to cale) Youre alive! How did- C: (monotonous) haha! funny, joke.

Fjord explodes a goblin Molly cuts one in half, vertically

Molly curses the ogre attacking beau

Nott shoots the ogre, and then the goblin next to her... but misses and is fucked

Yash gets the hdywtdt on one of the ogres

Beau @ necrotic shroud!yasha: you look... dope. You look FUCKIN HOT LETS GO.

cay has magic missile!

fjord gets the second hdywtdt w eldritch blast.

cay n molly go to retrieve stolen goods from goblin but apparently just Molly

Yasha necrotic shrouds when shes startled awake. F: Can you fly? Y: ...no J: Have you tried? Y:... yeah.

Yasha n Caleb have a conversation in celestial C: No really, are you an angel? Y: of sorts, i guess [snip] C: You will have to explain this now, or later. do you want to explain this now, or later? Y: i- ill explain it, just, maybe we should clean up first!

i have no idea whats going on but i heard marisha say "bad dragon" and im gonna die

J: Nott, are you okay? Was it weird to fight other goblins? N: it was... rewarding. I'm only sad that... one got away. B: Nott, do you share the same hatred in yourself? [snip] N: Do... do I hate myself? No. I'm... I'm cool. F: You seem excited to hurt your own kind. N: I know, I'm a goblin, for as long as I've been alive I haven't felt comfortable in, in there. I havent felt comfortable in my skin. It feels like I shouldnt be, i dont fit in with them. I feel, this feels WRONG, like I should be in a different body. The way they act, the way they are, it's not ME. They do horrible things to people, and they seem fine with it. I never felt the same with them. It's not that I don't like myself or anything, I think I'm okay, I just don't like how I feel when I see my hands, or my feet. They just feel wrong. I just want to be... different. C: Was there anyone you were close to? N: Not in my clan, but there was... someone. They tried me on different jobs but I was not a soldier, i was not a good cook, not good at sweing, or building, they stuck me with the torturer. I was the torturers assistant. there was a halfling village not far away and they captured someone from the village, they wanted me to kill him, but instead, I was kind to him. And he started talking, and my... fellow gobbies didn't like that, but they allowed it, because i was getting valuable information. [about halflings resources] I became friends with him. He was nice. J: What happened to him? N: I hope he got away J: Did you leave before him? N: We left together [snip J: Did you love him? N: .... I don't know. The halfling taught her how to speak in halfling, taught her about alchemy, when he has taught her everything, the goblins said to kill him. And she didnt want to. so she got REAL drunk, and shot another goblin in the ass. N: I hope he got away. We ran off in separate directions. I've been running ever since.

+1 to the quest log, find Nott's friend.

Beaus trying to be nice i love her.

C: I do not care. I know who you are now. (<333)

B: I think we're all a little bit of island of misfits.

F: You showed a lot of bravery tonight B: Nott, The brave. J: Maybe there is a comma.

Y: Nott, I'm sorry we made fun of you eating children N: I HAVE NOT EATEN CHILDREN

B: What got you locked up with this guy? (Caleb) N: Being me. Stealing food? C: You told me it was cherry wine. N: OKAY IT WAS BOOZE.

it is now raining.

M: Well, I'm sleeping underneath the cart! if anyone wants to join me... J: We wont all fit! M: We'll snuggle. *

Molly + Jester are under the cart.

"i tasted a baby once. ONCE. they were handing around a bowl, I didn't know-" -N Liam takes Sam's flask and takes a swig so i assume caleb does the same in canon C: "Who am I to judge?"

[loadingseeker540]

Giuseppe Verdi Rigoletto

Giuseppe Verdi, Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Coro Del Teatro Alla Scala - Rigoletto ‎ (2xCD, Album, Mono, RE, RM) EMI Records Ltd. The French theatre director Jean-Pierre Ponnelle oversaw this acclaimed production of Verdi's RIGOLETTO in 1990. Starring one of the world's three most adored tenors, Luciano Pavarotti, this operatic tale of court corruption is moving and heart wrenching, a tragedy as only opera can express.

Rigoletto Synopsis

Giuseppe Verdi Rigoletto Lyrics

Giuseppe Verdi's Rigoletto Story (2005) is a film version of Giuseppe Verdi's 1851 opera Rigoletto (libretto by Francesco Maria Piave). Filmed in Siena in 2002, it was directed by Gianfranco Fozzi and produced by David Guido Pietroni and Maurizio De Santis distributed worldwide by Columbia TriStar Home Entertainment and Sony Pictures Home Entertainment.

Cast(edit)

Rigoletto, the Duke's jester (baritone) – Roberto Servile

Gilda, his daughter (soprano) – Inva Mula

Duke of Mantua (tenor) – Marcelo Álvarez

Sparafucile, an assassin (bass) – Andrea Silvestrelli

Maddalena, his sister (mezzo-soprano) – Svetlana Serdar

Giovanna, Gilda's Nurse (mezzo-soprano) – Paola Leveroni

Count Ceprano (bass) – Boschetti Giulio

Countess Ceprano, his wife (mezzo-soprano) – Emilia Bertoncello

Matteo Borsa, a courtier (tenor) – Giovanni Maini

Count Monterone (baritone) – Cesare Lana

Marullo (baritone) Andrea Cortese

Rigoletto Synopsis

Film details(edit)

Film Company: Roadhouse Movie

Label: Columbia TriStar Home Entertainment, Sony Pictures Home Entertainment

Producers: David Guido Pietroni and Maurizio De Santis

Stage director: Vittorio Sgarbi

Film director: Gianfranco Fozzi

Post Production: Christian Verzino

Costume Designer: Vivienne Westwood

Conductor: Keri-Lynn Wilson

Orchestra: Arturo Toscanini Foundation

Runtime: USA: 126 minutes

Country: Italy

Language: Italian

Sound Mix: Celeste Frigo, Mauro Casazza

Certification: Australia:G / UK:U

Bonus: Exclusive comic book inside 'Rigoletto comix' by Enrico Simonato

External links(edit)

Giuseppe Verdi's Rigoletto Story at IMDb

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Giuseppe_Verdi%27s_Rigoletto_Story&oldid=967820827'

Article

Please select which sections you would like to print:

While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.

Our editors will review what you’ve submitted and determine whether to revise the article.

Join Britannica's Publishing Partner Program and our community of experts to gain a global audience for your work!

Articles from Britannica Encyclopedias for elementary and high school students.

Dyneley HusseySee All Contributors

Music Critic, The Times, London, 1923–46; The Listener, 1946–60. Author of Verdi; Some Composers of Opera.

Alternative Title: Giuseppe Fortunino Francesco Verdi

Giuseppe Verdi, in full Giuseppe Fortunino Francesco Verdi, (born October 9/10, 1813, Roncole, near Busseto, duchy of Parma (Italy)—died January 27, 1901, Milan, Italy), leading Italian composer of opera in the 19th century, noted for operas such as Rigoletto (1851), Il trovatore (1853), La traviata (1853), Don Carlos (1867), Aida (1871), Otello (1887), and Falstaff (1893) and for his Requiem Mass (1874).

Early years

Verdi’s father, Carlo Giuseppe Verdi, an innkeeper and owner of a small farm, gave his son the best education that could be mustered in a tiny village, near a small town of about 4,000 inhabitants, in the then-impoverished Po Valley. The child must have shown unusual talent, for he was given lessons from his fourth year, a spinet was bought for him, and by age 9 he was standing in for his teacher as organist in the village church. He attended the village school and at 10 the ginnasio (secondary school) in Busseto.

A little later he composed music (now lost) for the town church and the largely amateur orchestra. One of Busseto’s leading citizens, Antonio Barezzi, a merchant and fanatical music enthusiast, became a second father to the young prodigy, taking him into his home, sending him to study in Milan, and in 1836 giving him his daughter Margherita in marriage. Refused by the Milan Conservatory—he was past the admission age and played the piano poorly—Verdi studied privately with Vincenzo Lavigna, an older composer and an associate of La Scala opera house (Teatro alla Scala). Milan was the intellectual and operatic centre of Italy, and in the years 1832–35 Verdi seems to have learned much about literature and politics there as well as counterpoint and the elements of opera. Later, after his great success with Nabucco, he attended literary salons in the city and made lasting friendships with some cultivated aristocrats.

Barezzi’s plan was for Verdi to return to Busseto as music director, but when this post fell open in 1833 a furious political storm developed leading to long delays. Soured by this, Verdi nonetheless took a compromise position and stayed from March 1836 to October 1838, teaching and composing a good deal, though all he published was a set of songs in 1838.

Get a Britannica Premium subscription and gain access to exclusive content. Subscribe Now

Needless to say, he had his eye on greater things. The music that he had written during these years must have impressed the right people, for after some difficulty he succeeded in getting an opera, Oberto, conte di San Bonifacio, produced at La Scala in March 1839. Ordinary as the piece may seem today, it succeeded well enough to travel to Genoa and Turin and to gain him a commission for three more operas at Italy’s leading theatre. His rising career was deflected by tragedy: in 1840 his young wife died, following the deaths of two infant children. In addition to this personal grief, Verdi saw his next opera, Un giorno di regno (King for a Day), a comedy, hissed off the stage. This compounded trauma led to a severe depression and either caused or fixed the dour, fatalistic, sometimes harsh aspects of Verdi’s character.

Early career

Verdi overcame his despair by composing Nabucodonoser (composed 1841, first performed 1842; known as Nabucco), based on the biblical Nebuchadnezzar (Nebuchadrezzar II), though the well-known story he told later about snapping out of his lethargy only when the libretto fell open at the chorus “Va, pensiero”—by that time one of his most beloved works—is no longer credited. (The older Verdi embroidered on various aspects of his early life, exaggerating the lowliness of his origins, for example.) Nabucco succeeded as sensationally as Un giorno had failed abjectly, and Verdi at age 28 became the new hero of Italian music. The work sped across Italy and the whole world of opera; within a decade it had reached as far as St. Petersburg and Buenos Aires, Argentina. While its musical style is primitive by the composer’s later standards, Nabucco’s raw energy has kept it alive a century and a half later.

Giuseppe Verdi Rigoletto Lyrics

There followed a period (1843–49) during which Verdi drove himself like a galley slave, as he himself put it, and to the detriment of his health, to produce nearly two operas a year. His aim was to make enough money for early retirement as a gentleman farmer at Sant’Agata, close to Roncole, where his forebears had settled. He purchased land there as early as 1844. To “produce” an opera meant, at that time, to negotiate with an impresario, secure and edit (often heavily) a libretto, find or approve the singers, compose the music, supervise rehearsals, conduct the first three performances, deal with publishers, and more—all this while shuttling from one end of Italy to the other in the days before railroads.

Though masterpieces were unlikely to emerge from a schedule like this, Verdi’s next two operas were, amazingly, just as wildly successful: I Lombardi alla prima crociata (1843; The Lombards on the First Crusade) and Ernani (1844). The latter became the only work of the “galley-slave” period to gain a steady place in the opera repertory worldwide. His other operas had varying receptions. A list made in 1844 of possible subjects for librettos shows Verdi’s high-minded concern for literary and dramatic values. It included King Lear, a project he would return to and abandon several times in later years. In the 1840s he drew on Victor Hugo for Ernani, Lord Byron for I due Foscari (1844; The Two Foscari) and Il corsaro (1848; The Corsair), Friedrich von Schiller for Giovanna d’Arco (1845; Joan of Arc), I masnadieri (1847; The Bandits), and Luisa Miller (1849), Voltaire for Alzira (1845), and Zacharias Werner for Attila (1846).

Only with Macbeth (1847), however, was Verdi inspired to fashion an opera that is as gripping as it is original and, in many ways, independent of tradition. Just as the biblical theme had contributed to the grandeur of Nabucco, so the tragic theme of Shakespeare’s drama called forth the best in him. Verdi knew the value of this work and revised it in 1865, excising some of its crudities; but its greatest number, the harrowing sleepwalking scene of Lady Macbeth, could be left just as it was written in 1847.

By that time he was receiving lucrative commissions from abroad—from London (I masnadieri) and Paris (Jérusalem, a thorough revision of I Lombardi, 1847). La battaglia di Legnano (1849; The Battle of Legnano), a tale of love and jealousy set against the Lombard League’s victory over Frederick Barbarossa in 1176 ce, was Verdi’s emphatic response to the Italian unification movement, or Risorgimento, which spilled over into open warfare in 1848, the year of revolutions. Greeted ecstatically at the time, this opera later faded.

It is often said that in the earlier operas, too, choruses and other numbers calling for liberation or revolt were taken metaphorically as revolutionary rallying cries, and evidently this did happen on isolated occasions. However, it was only after unification in 1861, when the conte di Cavour, seeking to involve as many important Italians as possible, persuaded the composer to stand for the Chamber of Deputies—which he attended faithfully but soon resigned from—that Verdi came to be widely celebrated as a national hero. “Va, pensiero,” the song of the enslaved Hebrews in Nabucco, assumed the status of an unofficial national anthem. That the vision of Verdi as “singer of the Risorgimento” owes less to historical fact than to patriotic nostalgia should not be thought to diminish its significance; adapted to words about the downtrodden masses, “Va, pensiero” could still be heard at Italian communist rallies in the 1990s.

Quick Facts

born

October 9, 1813 or October 10, 1813 Le Roncole, Italy

died

January 27, 1901 Milan, Italy

notable works

movement / style