#Gina Osterloh

[beguines]

Gina Osterloh / Antony Gormley

[moradadabeleza]

Gina Osterloh

Pressing Against Looking, Movement (2019)

[contemporaryartdaily]

Group Show at Beeler Gallery

[topcat77]

Gina Osterloh

 Drop Shadow (2014)

 Archival pigment print mounted on aluminum dibond

[icphoto]

Explore nearly 90 years of photographic history with our summer exhibitions. #ICPMuseum 🔹 "Henri Cartier-Bresson: The Decisive Moment" 🔹 "Elliott Erwitt: Pittsburgh 1950" 🔹 "Multiply, Identify, Her" 🔹 "RFK Funeral Train: The People’s View" On Fridays at 2 PM, we offer free exhibition tours! Join us. Tickets: http://bit.ly/2rYvSsb 📷 Henri Cartier-Bresson, Elliott Erwitt, Gina Osterloh, Claire Leary

[every2ndproject-blog]

Gina Osterlohhttp://www.ginaosterloh.com/

[rob-art]

(via Cut In/Cut Out: The Work of Gina Osterloh | Hyphen Magazine)

Gina Osterloh 

[greenpapayaartprojects]

Throwback Thursday: WHAT BROUGHT US TO BECOME THE HOTTEST (IT HAD TO GO ON FIRE) SPACE IN KAMUNING? by Norberto Roldan

From 2000 to 2008, Green Papaya was happily ensconced in Maginhawa Street in Teachers Village East. What, or who drove us away from the village?

After Bobi Valenzuela and I decided to part ways in February 2001, I asked Manuel G. Chaves (Mani), Bobi's low-key artistic collaborator at Hiraya Gallery to join Papaya as program director. One of our first major moves was to relocate our space from the cramped 3rd floor unit in Sterten Place to a ground level location along Maginhawa Street. About 50 meters down the road, we found and rented a narrow but long garage space. On it we built a modest structure designed by architect Ricky Disini. A key feature of the interior was a kitchen built to fit Mani's size who stands 5'9. He wanted to operate a café to generate income for our operation.

Among the many exhibitions Mani organized and designed (he avoided the label "curator") were solo exhibitions by At Maculangan, Lani Maestro, Louie Cordero, Gary-Ross Pastrana, Pablo Biglang-awa, and Gino Gonzales. He also started Small Screen Cinema, an unauthorized weekly film screening program which once featured Terrence Malick's seminal film Badlands.

But to me his most memorable program was Amplified Assemblage. It combined live music performances with video screenings, non-mainstream musicians with local short filmmakers. Papaya would be jampacked during gigs featuring Radioactive Sago Project and Up Dharma Down. Drip would perform with Johnny Alcazaren's animation running on Papaya's glass wall on the building's façade.

Papaya credits Mani for broadening its programming along with co-founder Donna Miranda’s Anatomy Projects, a series of productions involving independent contemporary choreographers and dancers. At this juncture, Papaya became more of a community of people working across disciplines and whose audience and network expanded across USA, Australia, Southeast Asia and Europe.

Sometime in 2004, Mani opened his own space/café in Marikina and became more involved with it. He eventually had to leave Papaya in 2005 to attend full-time to his fledgling venture. We are, nonetheless, grateful for his contributions in helping establish Papaya’s trajectory.

So, how did we end up in Kamuning?

Amplified Assemblage earned the ire of our neighbours. We got ejected by our landlady for regularly holding loud gigs with crowds spilling out into the street. Teachers Village is a residential area and we were committing public disturbance according to the Barangay. We hurriedly moved to the Kamuning space along Teodoro Gener Street, which was still under repair, in August 2008. From thereon, another chapter had unfolded until our space went on fire last June 3.

Norberto Roldan June 11, 2020

Images: (Photos 1-5 by Mani Chaves, photo no. 6 by MM Yu)

1: Green Papaya’s newly built structure completed in August 2001 2: At Maculangan’s Scelta Obligatoria, the first show to be mounted in the new space, September 2001 3: Lani Maestro solo exhibition I Am You, 2002 4: Gary-Ross Pastrana solo exhibition Detour/Set/Fraction, 2003 5: Performance by Radioactive Sago Project with frontman Lourd de Veyra, 2005 6: Gina Osterloh’s self-curated solo exhibition Shooting Blanks was the last to be mounted in Maginhawa which ran from May to June 2008

If you can:

http://tiny.cc/helppapaya http://tiny.cc/helpcatch272

[czarkristoff]

Irwin Cruz's survey of Philippine contemporary photography in the first issue of Art Archive, published by The Japan Foundation Manila. In good company with Veejay Villafranca, Wawi Navarroza, Tammy David, Poklong Anading, Gina Osterloh, Jake Verzosa, MM Yu, Jay Yao and Paul Pfeiffer. You can download the magazine here: http://jfmo.org.ph/art-archive-01/

[angelameleca]

@columbusmuseum Contemporaries Artists to Watch - @ginaosterloh Gina Osterloh’s work featured. @osu_art @osu_art_dept #photography #performance #contemporaryart #drawings #angelamelecagallery (at Columbus Museum of Art) https://www.instagram.com/p/BtmYYjdg8EW/?utm_source=ig_tumblr_share&igshid=ilpqyd0h4oti

[moradadabeleza]

Gina Osterloh

Anonymous Front (2010)

[brysonestates]

Show Closing: Past as Present, Capturing and Archiving the Female Experience

This exhibit will be closing Dec 2, 2018 at Reed Gallery:

Past as Present: Capturing and Archiving the Female Experienceexhibits contemporary photographic images of and by women. It places artworks by Ohio-based artists Lorena Molina, Carmen Winant and Gina Osterloh, in context with those of Marina Abramovic, Tania Bruguera, and Annie Sprinkle.

Many of them capture performative actions by the artists that address societal expectations, current political conditions, the human relationship to natural and constructed environments, or the creative struggle. The gallery will also serve as a reading room and social space that offers some of the latest and most respected publications about photography, with a specific focus on books about female photographers.

[topcat77]

Gina Osterloh

 "Grid # 2", 2014

 Archival pigment photographs with uv laminate mounted on colored acrylic panels

[raf-i-a]

👋🏾 Hi y’all!! I’m doin 2 very special things next Wednesday! Starting my summer job @pioneerworks teaching middle school kids about resistance through art 😱🤩 swipe for a snippet of my curriculum :)) . AND I’m participating in a panel discussion @icp museum yapping about MYSELF again & building on themes in the current exhibition Multiply, Identify, Her (come to that! It starts @ 6:30 • 250 Bowery, New York, NY 10012 🌷) . Multiply, Identify, Her features work by Geta Brătescu, Stephanie Dinkins, Christina Fernandez, Barbara Hammer, Roni Horn, Wangechi Mutu, Gina Osterloh, Sondra Perry, Lorna Simpson, and Mickalene Thomas. ⭐️ (at New York, New York)

[every2ndproject-blog]

Gina Osterloh http://www.ginaosterloh.com/

[centerforartandthought]

Just launched, the Center for Art and Thought's virtual curated exhibition: Encounters. The group show features work by Katrina Bello, Kat Larson, Gina Osterloh, and Kenneth Tam.

This curated exhibition captures how art encounters the precarious realities set forth by the current political and social moment and the possibilities of new interpretive strategies by its viewers. While none of the works by the artists were created after the inauguration of Donald Trump, the artists’ representations take on layered meanings in this new political climate. What rises up from the works as we encounter them during these times?

Contributors’ works are published in staggered waves from March 14 until all the works have been revealed, after which the whole exhibition are archived permanently on CA+T’s website.

Please keep checking back on the website for new works.