#Geto Suguru Critical

[yearnoyama]

Stolitz being first over satosugu gave me a heart attack

[honeycreammilkshake]

Reading your anons and your answers I think the problem with those fans is that they only accept a character if it's involved with satoru.

Like, apparently you are not allowed to like Sukuna anymore nor like both yuji and sukuna, but you were only allowed to like AND analyze Sukuna when he was fighting Satoru loool

I'm sorry but Sukuna is more than that, sukuna doesn't need THAT fight to be a character in his own, Sukuna also kept analyzing and having cool moments with other characters, just because your favorite character was dead doesn't mean other things stopped existing. This is one of those cases where fans keep thinking the manga is about some secondary character

hi, anon. thank you so much for this ask. i'm going to follow this up by making an unnecessarily long and ranty post nobody's going to bother to read, but i felt the overwhelming need to go in-depth for this anyways. apologies for the length of this.

to start off, i'm going to point out something that will probably get me a lot of hate or at least criticism from gojo fanatics, but i think it should be said for all those out there who keep twisting jkk to fit their own problematic concept of morals.

so we all know sukuna is the big bad of jjk. he's the main antagonist, the evil cannibal monster, a god of chaos and apathy and murder. i'm not here to argue against this, though. it's been clear from the beginning sukuna is a true villain in all of his actions and beliefs. however, we really need to look at the contexts behind how he became such a monster and consider if he's actually the most "evil" sorcerer/curse in the jujutsu world or not.

i'm going to address the underlying problem with the pro-gojo/anti-sukuna fans who twist the story to suit their own views first.

so gojo was born with a tremendous amount of power, so much that he's been branded the strongest jujutsu sorcerer of the modern age. he literally shifted the flow of cursed energy and from the start was set apart from others. it's truly terrifying how much power he has...

so it's a good thing he's a real sweet and caring guy, right?

if only.

gojo is irredeemably self-absorbed, unhealthily egotistical, obsessed with his own abilities, demeaning and insulting to others, brutal to his students and dismissive of their safety, and more than willing to commit mass murder.

when fighting with jogo, for example, he doesn't seem bothered at all by the massacre of innocent people during their battle, and is even willing to sacrifice bystanders all in the name of winning.

he's displayed this same kind of general apathy for the lives of others in his past as well.

in his past arc, it was geto who saved gojo from becoming an actual villain and instead managed to set gojo on the path of becoming the slightly less evil antihero he is today. however, after riko's death, the experience turned both of them on each other as they settled on opposite sides of "good vs evil."

without geto there to guide him, though, gojo would have easily lost his way and turned evil .... so where was a person like that for sukuna?

the jujutsu world is extremely heartless and obsessed with strength. the jujutsu higher-ups were willing to kill yuuji - an innocent teenager who just happened to become dangerously involved with the world of curses and the host of sukuna - as well as risk the health and safety of countless others, sorcerers and normal people alike. the whole jujutsu world is full of corruption and cold, cruel people.

but this is just in the modern world - during the golden age of jujutsu, in the heian era, conditions were even harsher and crueler than they are now. during this time, existence for regular people in japan was demanding, quality of life was very low, and so many died of sickness and starvation. the amount of curses that arose from all this suffering was immense and required the extreme powers of sorcerers to balance it out.

this is the context of sukuna's birth. he came into this world as a child of a starving mother and he himself would have starved if he didn't consume his twin in the womb.

during his conversation with kashimo, who asks if sukuna was born with that much power or if he gained it throughout his life, sukuna himself seems to not know. all he can say is... he was an unwanted wretch.

societal demands and religious fights back then would have led to an overwhelming stigma and dehumanization of anything that people feared or didn't understand... which probably means that sukuna, who was able to be born from the act of eating his own unborn twin, was seen as monstrous from the day of his birth on. and if he was indeed born with such strength and a body merged with that of his twin's, or at least the compacity to become that, he was also most likely villainized for his nature as well.

where gojo was more embraced and highly coveted by the jujutsu world, the world sukuna was born into most likely shunned him and led him to adapt the kind of mindset he has now.

sukuna sees strength as the only means of survival, rising above the cruelty shown to him to become the cruelest himself. this philosophy, which a lot of people at this time believed in - especially in the jujutsu world - shows us that sukuna probably saw his own really option to endure was to become a monster. those at the top are above all the weak feelings and suffering of the ones beneath, after all, or so he believes.

and it seems like so many of the strongest sorcerers still believe in that concept as well. both yorozu and gojo thought they could reach sukuna by challenging him, but in the end... only yuuji ever connected with the king of curses.

(yes i will fit sukuita in here... even if you don't ship them romantically, it's an undeniable fact that their relationship is much more complex than it seems and that yuuji does in fact care for the very monster he's supposed to destroy.)

when sukuna's dying in chapter 268, yuuji makes it clear that he's willing to serve the kind of caring, understanding role in sukuna's life that was most likely never given to him.

instead of dehumanizing sukuna, yuuji actually accepts that sukuna turned out to be the monster he is and says it was all a matter of chance how they became like this.

this a level of empathy, intimacy, and compassion that someone like gojo (and pretty much the vast majority of jjk characters) could never show. sukuna himself seems at a loss for words for this unbelievably caring treatment from yuuji - he's even surprised enough to use the brat's full name.

and i dislike that fans are starting to twist this interaction between them to make it fit their own views of sukuna and gojo.

look, i like gojo objectively. he's a fine enough character and serves an important role in jjk. i'm not against him or his fans, and i certainly don't want to hurt or make light of other people's feelings towards him. however, i do want to point something out that some fans should really know better. so many antis are against us sukuita shippers and/or sukuna fans and their main argument, over and over again, is how evil and monstrous sukuna is and that gojo is obviously better in every way. they claim that because gojo is on the side of good, it means sukuna is the worst in terms of morals (when villains like kenjaku are arguably just as terrible if not more so but dismissed so easily) we are delusional or wrong for sympathizing with sukuna.

so i would like to say to these people... please stop using these pallid, baseless arguments against us sukuna lovers because they're just so inaccurate and keep misunderstanding the whole story. it's more than okay to have your own headcanons and depictions of a fictional character, whether they're sukuna or gojo or any of the others - but do not force that depiction on others and do not force your interpretation of the source material on us just to appease your own opinions.

please be more respectful to others, please keep your own dislikes to yourself instead of lashing out at other fans you could instead just avoid, and please stop being so mean to gege. whether or not he makes gojo return should not be a reason to spread such hate about him. it's disrespectful towards both him and all writers who work so hard to make the content you treat so harshly.

thank you.

[sakurm]

theyre all bi and i dont take criticism

[ravenpureforever]

So guess who finally watched JJK

[frost-felon]

Finished Junpei Arc. Many thoughts...it was definitely good to get refreshers on certain things, and I have shored-up some of my inferences. I definitely prefer the manga version to the anime's, though I did like some of the changes in the anime version. Still haven't gotten what I need for a later fight's analysis, though I'm getting plenty for Sukuna's character, evidence of the skimping-out on character development/cast downtime, and the worldbuilding issues. Likely going to do some smaller analyses (or maybe vents), while I wait to get everything I need for the Big Ones.

I also want to marinate on the Junpei Arc a bit. I really think its smaller cast-focus helps it maintain its sense of identity and purpose in story and character. That said, I don't think it's the best arc in the manga, due to some issues regarding the already-present worldbuilding issues and something more arguable, which is my gripe with how Yuji's character conflicts are portrayed here. Mainly, I don't think Yuji is a hypocrite or ignoring his morality in regards to Mahito, but I'm unsure of that. In the sense that I'm not sure if I'm missing something or not. That's probably going to be an in-depth vent post of its own, not gonna lie. I love the continuation of questioning in this section of the manga--what it means to be a Sorcerer, where our morals might lead us (which is Geto's best aspect, in my opinion, as a reminder of shallowness in perspective), and the lies we tell ourselves, though I'm not sure that the lattermost remains an intentional theme. Or if it ever was. One problem I have with JJK is that its messages seem to be vague and...indirect, I guess. Not subtle, but like the audience is being given ideas and nudges, but not answers. When you take off the blindfold at your surprise birthday party, there isn't a piñata. There's a note that leads you on a goose chase to try and find the piñata.

Some of it is likely language and culture barrier, to be sure, but given the numerous other stories I've analyzed over the years, it seems more rooted in nebulous authorial intent and story structure. I do want to talk about the things I find well-done in detail, as well (basically what I'm planning for when talking about Yuji at length, hah).

Being sick really screwed over my energy for the re-read, so I'm behind. In the midst of Junpei Arc now, though. I think this arc mostly holds up, though it continues some of the problems JJK struggled with early on, such as worldbuilding (that Jujutsu Society is a secret, specifically) and being led into directly by a timeskip (the pre-Kyoto period simply didn't have enough time devoted to it). I don't think Junpei Arc needed to be set during September. It probably would have benefitted from being in mid to late August.

Reading Mai and Nanami's introductions also gave me much to think about, but I likely won't be touching upon their specific characters anytime soon, unless asked, maybe. What I will say is that Nanami is one of a handful of characters in JJK to be both immediately interesting upon introduction, and to stay interesting, by being fleshed-out. Most characters end up only having interesting introductions and/or deaths, and being largely under-utilized otherwise.

[neemuiii]

[tanjir0se]

I’ve already joked about how funny I find it when anime shows you a haggard, exhausted old man and tells you he’s 23. The ‘Sensei should have been at the club’ phenomenon. But I’ve also found I can categorize these character archetypes thusly:

Sensei should have been:

I will not be taking questions at this time

[meo-on-prairie]

Folklore and Evermore is SOOOO satosugu code. Argue with a wall.

"You had to kill me but it killed you just the same"

"You turned into your worst fear"

"You're the hero flying around, saving face"

"You can aim for my heart go flor blood // but you would still miss me in your bones"

"They expected me to find somewhere // some perspective, but I sat and stared"

"You left me no choice but to stay here forever"

"How evergreen, our group of friends // don't think we'll ever say that word again"

"Give you the silence that only comes when two people understand each other"

"Something wrapped all my past mistakes in barbed wire"

"So you leave no trace behind // like you don't even exist"

"You're a flashback in a film reel on the one screen in my town"

"I never learned to read your mind // I couldn't turn things around // 'cause you never gave a warning sign"

I can go on for days. YOU CAN'T TELL ME THESE DONT REMIND YOU OF THEM!!!

[alchemicon]

I could talk about how geto is obsessed with meaning and purpose for hours. When toji kills amanai in front of him, his life's entire purpose crumbles under his feet. A non sorcerer, the type of person he has sworn to protect, enacting this type of violence killing an innocent girl and almost killing his best friend is something that is unimaginable to him. The rest of the non sorcerers in the star religious group clapping as gojo walks with amanai's body in his arm's and geto witnessing this vile and horrifying scene. Gojo asks him if they should kill everyone in there and geto refuses because all of his life's meaning was to protect these people and it is in this moment that he begins to spiral. This is made worse by his conversation with yuki and her revealing the fact that curses are born only because non sorcerers leak cursed energy from their bodies. Because if these are the people he has to risk his life to protect, that every person he loves risks their life to protect, then what is the point. And that is when his entire meaning and purpose starts to shift from protecting non sorcerers to actively persecuting them. His fate is sealed with haibara's death, someone who, to him, represented everything that was good about sorcerers. And when gojo and geto fight in Shinjuku, geto looks content for the first time in months. Because he has finally found a meaning and a purpose that feels fullfilling to him, that takes his resentment of non sorcerers and shapes it into a worldview, something he can pursue as a dream and a goal.

[le-panda-chocovore]

I read something very sad that said that geto didn't love mimiko and nanako he only used them for his cult. I don't believe it I think he really liked them as his daughters what do you think was geto so cruel to that point?

He killed a hundred of people for them then ran away WITH them while he could just have let them go on their own. How use could he have of the twins when they were 10 ? They lived together and they went to the restaurant together and he let them comb his hair and he absolutely loved them inconditionnaly.

How dare anyone think Geto used them for his cult ??? They weren't even important in the cult WTF.

Of course they were a real family, just look :

Is this not love to you ?

[trans-leek-cookie]

so kusakabe and higuruma Megumi and fucking MEI MEI can survive but Mechamaru Nanako Mimiko and Mai had 2 die. Alright.

[raamitsu]

got me giggled a bit ngl 😂

[arminslovurrr]

i just rewatched ratatouille after like 5 years n i got a idea…

but lemme know if y’all would actually read it before i write it!!

[bestfictionaldivorce]

BEST FICTIONAL DIVORCE MAIN BRACKET ROUND 1

[edwardsissyhandsthtdanceslikeabb]

I Don't Like how I Feel abt JJK S2

aka making sense of my very confused watch and thusly, my very confusing feelings

what i feel is JJK 2's biggest fault is a lack of a concrete voice, particularly in terms of tonal fluidity and character dynamics + characterization, which is what made JJK 1 so amazing to begin with. this really dampens the stakes, especially when, apart from mahito, the fight mechanics and raw physicality that JJK 1 & 0 so effortlessly captured seem to be absent. like yk you're fcking up when u have a shounen bro asking for less fight scenes.

i just feel as if, other than sotosugu, which geto is carrying on his hunching, scoliosis riddled back, i don't GET the dynamics. none of the characters made me care, they didn't connect with me beyond a superficial level, which is maybe a skill issue but ik its entirely possible when the show became #great-again and made me give 100% of a fawk about geto in TWO episodes. the tonal mastery on display there, the pacing, his sense of isolation, his deteriorating sense of self, its all conveyed so eloquently, like we are IN his head.

it also makes amanai's loss tangible, it gives us consequences and stakes and demonstrates the weight of that raw, human friendship. it nuances geto in a way i felt was absent in the other characters and thusly made them feel flat and insignificant. — having written more now, i think what stands out to me is how filed down the characters feel, like i just realized yuuji doesn’t feel RIGHT anymore, like i’m missing a sort of energy he used to bring to the table which made his softer moments feel more authentic yet pronounced, and i think that’s what’s plagued the new characters as well, a lack of concrete ENERGY.

long post!!

and jjk doesn't really do that sort of thing, its strength USED to lie in the compelling nature of its dynamics and character relations, but now that that's suffered under the transition of authorial voice, i think they've struck GOLD with the introspective storytelling method.

part of what made JJK 1 & 0 so great is it felt as if its light beats were ALSO in service of either narrative, plot or progression of the dynamics and we got to invest in and learn more abt the respective characters through every tonal beat we were taken through, what they got serious abt, what triggered them, how they relate to others. but with the first 3 or so episodes of JJK 2, which are very little in retrospect, but GLARING in an episode by episode watch approach, especially when contrasted again JJK 0, or JJK 1 (which, while cringe at first cause i watched downloaded eps and i used to have a shameful penchant for dub so obviously the cringe was threatening to disengage me, plus a few odd shots which had me like damn, amateur hour — which btw i STILL feel/felt that way abt s2. despite the animation being so amazing that upon teasers first dropping I was pretty much assured that it would be a sensory delight no matter what, but gorgeous moving pictures does not a good show make it seems. like you are NOT sam levinson my dudes, you don’t convey the sheer SPECTACLE that makes that approach work —, but that feeling was dispelled within an episode and I was just as hyped as i’ve always felt upon JJK rewatches), it has a timeless quality to it, its very sure in its direction and its characters and how they interlink. plus the fights are great and often used to convey smth abt the characters or their relationships.

while s2 has me like… ok so what happened in the first 3 episodes? everything felt like filler, everything felt inconsequential, everything felt shallow.

and that’s in NO part bc of the new (sort of) cast of characters, i gaf abt JJK 0, like yuta wasn’t bbg but i loved watching him form relationships with the other characters (especially inumaki, yuta x inumaki otp you heard it here first. like at first i didn’t GET inumaki but upon a rewatch i started to catch onto his linguistic patterns and how soft of a character he REALLY is, like inumaki is so baby 🥺, and the two connecting over being edgy soft boys had me SEATED.

especially when yuta got over his preconceptions abt inumaki borne of the fact that he doesn’t communicate conventionally, and he had thusly fashioned a personality FOR inumaki that stemmed from him being different. but it didn’t feel so extreme that i felt undercurrents of discrimination, poor boy is just traumatized and views ppl who are cold to him as antagonistic, so i get it, especially bc his reactions were more on the softer comedic side. but he then realizes that dude is just the nicest guy ever and not being able to speak doesn’t mean you’re a scary or odd person), and while his whole thing with rika was kind of saccharine and had fbi ON speed dial, i came to really appreciate HOW he cursed rika and how her love for him was so pure, like it felt universal and unrestrained by any label and that’s smth beautiful to me cause things could’ve gone ban from seven deadly sins REAL fast and they subverted that.

but i also don’t feel that its coincidence that i felt more engaged by preestablished characters and their dynamics (the main trio and their reintroduction into the story). they have a shorthand, a familiarity that gojosquad lacked, and i’ve come to realize as i write that that’s intrinsic to always being the highest in the room (wink wink), but if that’s the case then that needs to be tangibly demonstrated, give small tells that despite wanting or trying to, gojo lacks the capacity for intimate human bonds outside of one guy, he’s a product of jujutsu society, which will always distance him from conventionality and attachments. give it significance and intention within the story bc without it being written in, it makes the show feel tonally disjointed and unrefined.

give us personal moments between sugusoto, shorthands or glances or shifts in tone or whatever that capture the duration and depth of their bond, show us them caring abt each other in a way only two untouchable people can, how their eyes always find each other first, how even when with others gojo is always watching geto, like i need moments™ (it doesn’t have to be showboating and glamorized depictions of interactions ALL the time, the quiet moments matter too). like don’t get me wrong i FAWKED with the aquarium scene but i think its telling how long it took me to recall it bc it was ONE moment, yk. like i want to FEEL how despite the loss or uncertainty of those around them they always have each other. THAT’S what’s missing. meggy and yu to the uji had that with their sukuna fight and megumi pledging to protect those he cares abt, in fact meggy came in swinging bc you had a strong sense of who he was and that he cared from day 1. i need their priorities and drives established, i need to know WHO they are. like yes the: who are you and what do you want scene from JJK 0 was ham-fisted and made retrieving my eyeballs from where they’d lodged into the back of my skull quite difficult, but stuff like that is needed and CAN be done tactfully. like i feel this season is all abt subtlety and undercurrents so that when the sheer shitshow that is obviously going to burst forth comes about we’re #shook but its called balance, and its initially what made JJK so great.

and with 1/3rd of the characters i still feel have a strong presence (mahito, gojo, todo – u will ALWAYS be famous… and mei mei) allegedly, supposedly, apparently being taken out of the narrative which is TOTALLY something i am having a well-adjusted and normal reaction to, i am FINE! shut up shut up shut up HGRLSOPFHUJWVOBEFBUQUUI!!!?!? ARGGHHH! NBHQYIJHVQJH!!!!?!!! BANGS TABLE BITES WALLS SEETHES IN A VERY UNAFFECTED MANNER ROLLS AROUND THRASHING AND SWEATING fine i am, fine yes yes. FINE!

well, its made me very apprehensive abt how JJK could progress. bc while i think the reintroduction into modern day was done well, i also acknowledge the slippery slope of its shortcomings, and how eliminating such MAJOR players and flavors in the JJKverse can leave a void too wide to be filled. if they can’t keep up the character dynamics and characterizations they have now the show, to me, is doomed, plain and simple.

bc on one hand you have the great mechamaru mahito fight, which actually works MORE bc it wasn’t afraid to be a little camp and tropey and FUN, but then you have yuuji fighting that bug and its like ???? or the toji gojo fight where istg, no limbs touched, not one, no kicks, no weight, no fight mechanics, just hella blur and faith in the lord. like i should not have to wait until the end of the fight to see some IMPACT, some goɾe, some injury, some STAKES.

with the absolute feral levels i get at the intro song (their best one and one of the best i’ve seen in anime tbh, in terms of visuals, aesthetics, music, it just- it makes me SO VIOL3NT, I LOVE IT HBWEVFHWJEFWKF) i want to see these obvious pools of potential realized, i don’t want or even like JJK when its good, i like JJK bc at its core its GREAT, and if they play their cards right we could be looking at one of the best animes of, dare i say all time.

like the villains feel foreboding, they feel ALIVE, they carry weight and i want that for the mains too. so far i’m happy with their handling of the main trio, with the episode dedicated to yuuji’s old crush being genuinely emotional, paced proficiently and ACTUALLY funny, like i’m not saying that the first 3 eps weren’t funny in their own way, but it wasn’t GIVING jujutsu kaisen, at its inception it wasn’t giving JJK with the way the season felt more like a thriller at first, but it was done so well that i wasn’t mad at it, then the levity and relationships came in and were just so underwhelming man. it was literally like being hit by a train tbh.

anyway, i’ve belaboured the point, all i have to say before talking abt the fɑscist in the room is that i was PHYSICALLLY and PERSONALLY pained by the diminishment of the fight scenes. ooooo going from todo yuuji, yuta geto, sukuna megumi, even gojo v that black dude (sorry idk his name and also justice for him that sht was a hate crime fr fr) honestly all the fights in the tournament between the jujutsu schools, to what we got in s2, that hurt me and me specifically and it is only grace from some celestial force that has kept me from doing smth drastic and unethical in retaliation.

anyways, what i feel could’ve capitalized on JJK 2’s strengths from the get go is centring get o (wink wink) and creating more tonal contrast or whiplash / a sense of bubbling foreboding which erupts at the climax of the season half’s finale, it would make everything sm more pronounced and eerie and meaningful, just generally imbuing more nuance into their portrayal could’ve made it LEAGUES better but then geto would have lost all mobile functionality of his spine bc he would’ve crashed under the weight of the show long before he crashed under the weight of his own mind. bro CARRIED.

to the point where he’s such a caricature of a fashie character now and i STILL have immense love for him, he’s like lightside eren jeager — if voldy and eren had a baby it would be geto (and part of the reason why geto works where eren doesn’t is bc they make a point to villainize him and verbalize how fashie his rhetoric is, which HURTS bc i am black and hearing him call humans monkeys has me like i can’t keep defending my maga bf like this, why is my taste in men so flagellatory???!! STAND 👏🏿UP 👏🏿! — only those of a certain hue are allowed to laugh @ that joke i am in ur walls) and while i wished they nuanced him more and factored in how he cared abt amanai into his descent, i also appreciate that that intimacy i was talking abt prior popped up. geto became who he thought he was supposed to be to carry out smth so incongruous to his former ideology and identity, he feels like a caricature bc he IS a caricature, but once the mask slips the softness and purity of his core personality is revealed and its ONLY for gojo, like JEQFBJHBFJQEJ

i don’t even ship sugusoto (like that). they’re both just so great that by brute force i intellectually recognize the excellence of their dynamic, like it just doesn’t make SENSE to not give sugusoto their tens bc of how intertwined within each other they are. like sorry, did not give a singular FAWK abt them before (when i had no familiarity with their material/dynamic) and now they have me crying out of sheer respect no one’s doing it like them.

and what makes empathizing with a character like geto so natural, and produces such a well crafted character in general is his NUANCE, i feel like, similar to eren jeager, you can’t find him endearing or sympathetic in any capacity without first giving significance to, not only the nature of his moral decline, but the inherent complexities of his character. liking geto without acknowledging that he touts rɑce science and plans to genocıde ppl he sees as biologically inferior is a YIKES, you can’t ignore that shite without seeming like a member of a third subsect yourself idk, like its not insignificant, and woobifying an active fɑscıst is existential horror if i’ve ever seen it.

its why aot falls flat for many but JJK excels in that department, bc geto is condemned and for good reason, HOWEVER, i think there was a way we could’ve muddled even the lens through which he’s condemned / the immensity of empathy we feel for him, and that’s bringing amanai into his ideological realignment.

amanai was the source of his moral turn and it feels like a missed opportunity to not have her be more core to its after effects, like HER dyıng is what gets geto so why wouldn’t the weight of her legacy and the purity of her character weigh on him more. the star platinum followers were human yes, but so was amanai, and having geto hyperfocus on one part of the equation when the other is arguably just as significant is a HUGE missed opportunity to say the least. like given his new outlook how does geto FEEL abt someone like amanai now, has he condemned her, and if so, why didn’t we see that more explicitly? like i feel its pretty inevitable that he has, since he sights human weakness and the sacrifice of jujutsu sorcerers for humans as his point of contention, which stems from him being unable to exercise justice against the religious group, but ALSO parallels gojo seemingly dyıng for amanai, someone who put them all in harms way through her ineptitude and the [to geto in retrospect, ultimately] false debt they felt towards her. like at first he idolizes THAT aspect of human innocence but as he sees its consequences does it not make sense that his turn would come from explicitly writing off its source?

OR even more powerfully, being plagued by knowing that good humans exist but valuing people like gojo, who he sees as the real unprotected and collateral of society, more than he values amanai. like in canon he’s so tired of fighting for ppl who underappreciate and can manifest such heinous forms of evil but it would’ve been an elevation to add him being tired of fighting for a shred of goodness that ever since he’s only seen its dark side, he comes to realize is gone anyway, so WHY is he still fighting? the mental fracture that brings and his conveyance of guilt and buried pain could be SO good cause deep down geto could ultimately agree with gojo that human life is precious, but that he can’t stop himself from HATING that, resenting that he can’t see himself or anyone else around him as precious too.

like oooooh would’ve made him best character of all time i fear. like caricature geto serves a purpose, but ANGSTY geto, the ppl were NOT ready! but regardless, i am MORE than happy with the geto we got. More than. i cant even fully articulate the depths i feel geto has and what we could’ve gotten out of him, like bro is the gift that KEEPS ON giving!

anyways, that’s it from me i think. overall i think JJK needs to realize that what made s1 so iconic isn’t bombastic shots or glamorous aesthetics, its all these masterfully conveyed moving parts coming together to create smth better than the sum of its parts. it’s the nitty gritty of character dynamics and characterization and meaningful fights and the mundanities of friendship, it’s the quiet moments which make the big moments so loud! it’s the dialectical nature of the show.

i WANT to trust JJK S2 to stick the landing, the gold is THERE, they just need to dig. and if a hyperfixation of mine goes to shite, well we can all pretend it was a fever dream and continue reading metas on the manga or smth, idk 🤷🏿‍♂️ will continue biting my nails till the very end.

[maddyshome]

sometimes I wonder why I dont really care about Geto then I remember he is an aquarius