#Gerald Dipego

[udemy-gift-coupon-blog]

Mastering the Habits of Highly Successful Screenwriters ##Edx ##FreeOnlineTraining #Habits #Highly #Mastering #Screenwriters #Successful Mastering the Habits of Highly Successful Screenwriters Join over 30,000 students learning from our courses! Most seminars and books attempt to teach the frustrated screenwriter what to do and what not to do; this course will outline how to do it - how to develop habits that will lead to more joy in the writing process and better scripts. In Mastering the Habits of Highly Successful Screenwriters, bestselling author Karl Iglesias will guide students to identify and develop the key screenwriting habits of A-list screenwriters, like Ron Bass, Akiva Goldsman, Gerald DiPego, Eric Roth, Nicholas Kazan, Ed Solomon, Scott Rosenberg, and more. He'll offer an insider's view at how these pros discipline themselves, create original material, conquer the blank page, eliminate writer's block, network, pitch, and persevere in Hollywood. Modeling what works is the philosophy at the heart of this course. The secret to success in any field is to find what successful people do and think about, and do the same. The difference between successful screenwriters and amateurs is that successful screenwriters do all the things that amateurs want to do but can't do, or don't know how to do. If you want to elevate your scripts and stories – AND your screenwriting or filmmaking career -- to the highest possible level, this class is a must. They DON'T teach you this in Film School! --------------------------------------------------------------------------------------------------------------------------------- What people are saying about our courses:  "By far, the best director and cinematography course on the Internet." - Nate Carroll "I really enjoyed taking this class. It wasn't just that the subject was interesting to me, but the teacher also made the class intriguing. I would gladly recommend this class to anyone who would be interested." - Leah Ames Very helpful. Adds depth to your understanding and intuitive insights which you surely had if you happened to play with video shooting and editing without doing any learning beforehand. It's enriching. The movie samples are great as the clarify the points. Love it! - Yosi Tsitsu --------------------------------------------------------------------------------------------------------------------------------- This course is an effective way to have all these successful screenwriters be your personal mentors. Study their habits, learn from them, and maybe their wisdom will rub off on you and arm you with enough knowledge and self-confidence to accomplish your goals. By taking this course, you'll discover what it really takes to be a successful screenwriter in Hollywood, and either see similarities in your attitudes and ways of thinking, or be inspired to adopt new ones. Whether you are filmmaking as a pro, making movies on the weekends with a DSLR camera or deep into the craft of screenwriting this is for you. --------------------------------------------------------------------------------------------------------------------------------- Who is Karl Iglesias? Karl Iglesias is a screenwriter and sought-after script doctor and consultant, specializing in the reader's emotional response to the written page. He is the best-selling author of Writing For Emotional Impact and The 101 Habits of Highly Successful Screenwriters. He teaches at UCLA Extension’s Writers' Program, where he’s won the Outstanding Instructor Award for 2010, the Screenwriting Expo and online at Writers University. He also writes a regular column on the craft for Creative Screenwriting magazine. --------------------------------------------------------------------------------------------------------------------------------- Important information before you enroll: In case you find the course useless, don't forget you are covered by a 30 day money back guarantee, full refund, no questions asked! Once enrolled, you have unlimited, lifetime access to the course! You will have instant and free access to any updates we'll add to the course. I will give you my full support regarding any issues or suggestions related to the course. --------------------------------------------------------------------------------------------------------------------------------- If you've got the dream. If you've got the drive. If you've got the passion - but you're missing the knowledge and experience...this course will help you write and sell your feature film screenplay. Enroll NOW! Let's get started! 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[itsnothingbutluck]

Push yourself to make your language new. Put it together in a fresh and personal way. Avoid clichés like the plague – even that one.    Know your important characters as well as you know your friends, before you ever put them on the page--how they look and speak and how they enter a room.    You can’t write (for instance) a good cop story because you’ve seen and read good cop stories. Meet some cops. Take them to dinner. Listen. And do some ride-alongs. See the real world through the eyes of your characters.    Mix your colors. Black and white are not enough, aren’t real. There may be something endearing in the worst of us, something shameful in the best of us.    Experience the world, even if it’s just a walk to Starbucks. Experience the amazing parade of individual lives, bits of nature, the weather, the sounds. Your next story may be walking by you – just the way she looks and looks away sets you thinking, writing in your head.    Scrap that very clever line you’re so happy with if, in truth, the character you’ve shaped would never say that. Stay true.    Write your story so that the reader or audience wants to take the journey with your main characters, wants to live it, wants to care – and not just sit back and watch.    Ingenious tricks of plot are fine. We enjoy surprises, but don’t overlook the inside story, the emotions. Your story lives or dies there.    Can a story even exist without conflict? Know what’s at stake, every minute.    Write as you wish. It’s your story. Move away from convention. Throw normal away if you want. Just, please, remember to engage our feelings somehow, and we will come along.

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Watch Terrence Howard & Josh Lucas in Indie Supernatural Thriller 'Ghost of New Orleans' (Trailer)

Watch Terrence Howard & Josh Lucas in Indie Supernatural Thriller ‘Ghost of New Orleans’ (Trailer)

    “I remember that night was really beautiful it was one of those Louisiana nights. And that’s the last thing I remember.” “We found victim number 4. He puts these weird masks on his victims.” Seek the truth in this world and the next. The supernatural thriller ‘Ghost of New Orleans’ as known as ‘Little Murder’ is set in post-Katrina New Orleans where a disgraced detective (Josh Lucas)…

[vintage-teen-books]

Born Innocent novelized by Bernhardt J. Hurwood based on a script by Gerald DiPego

Don't be a hater, now. This book was published after the movie and whoa! what a movie! I actually got to see the first run of the television movie which is a minor miracle because while my parents didn't care what we read (so long as we read), we were absolutely entirely monitored on TV watching, to the point I didn't see "In Cold Blood" until college. (But I read the book!)

Anyway, we have Linda Blair again, who stole our hearts as a head-spinning, green-vomit spewing, levitating child who became possessed by the devil in "The Exorcist."

This book, though, is an older and heftier (I'm just saying) Linda who is in jail, repeatedly, for the offense of running away from home.

The major scene that was in the first showing of this movie (later censored out) was the girl-on-girl rape scene, the one with a toilet plunger handle. At the juvenile detention facility, the other girls, or a girl gang, trap Chris in the shower room and rape her with a toilet plunger handle as she screams and cries and covers her breasts. The version I saw left nothing to the imagination and I was just thunderstruck by the violence and also amazed at what I had been missing due to my parents' strong anti-TV stance.

However, a lot of parents objected to the shower scene and it went away, for the most part. (I'm telling you, I cannot prove this, but in the version I saw of the movie, that toilet plunger handle got pulled out of our heroine and it was covered with blood. I nearly fainted.)

The whole point, though, is that Chris started out as a shy, sweet and lovable kid who just couldn't cope with her parents and within a few months, she was fully institutionalized and quite at home in a locked-down facility. By the end of the book/movie, she's joined a gang, smokes cigarettes, walks with a fearless stagger and has the look of "I take no shit" in her eyes. Whatever innocence she started with is gone now.

[rubyblackmoon]

Nacida Inocente - Gerald DiPego; Bernhardt J. Hurwood

[rubyblackmoon]

Nacida Inocente - Gerald DiPego; Bernhardt J. Hurwood