#GUILLERMO DEL TORO'S PINOCCHIO

[bookishable]

it's always better to have loved.

philip pullman, the amber spyglass / guillermo del toro's pinocchio (2022) / fleabag (2016-2019) / andrew garfield / art by @catadromously / anne carson, euripides / markus zusak, the book thief / shannon barry / little women (2019) / the good place (2016-2020) / fyodor dostoevsky, crime and punishment / his dark materials (2019-2022) / @starpeace

[screengifs]

kai @miwtual’s birthday countdown event + DAY 10: color focus — blue

GUILLERMO DEL TORO´S PINOCCHIO (2022)

[talesfromthecrypts]

Guillermo Del Toro's Pinocchio (2022) dir. Guillermo del Toro & Mark Gustafson

[karmathenightowl]

Posted this on my insta a while back with additional concept sketches, but it's crazy that this isn't the first time I thought of Guillermo del Toro's Pinocchio when listening to The Adventure Zone. First it was Steeplechase, now this. But anyway, here's my interpretation of Phileaux's new form with that film serving as inspiration.

I made sure to really differentiate this design from the movie's design/Gris Grimly's concept because those are already perfect. I researched 19th century puppets for that rough hand crafted look and played around with the idea of Phileaux having articulated joints. I also like the idea that he took the cowl and rope from his old body to wear as a substitute robe.

[iamblue15]

Stop Motion is Orange🧡

[gender-luster]

Hellboy II: The Golden Army (2008) / Guillermo del Toro's Pinocchio (2022), dir. Guillermo del Toro

[lowkeiloki]

i love you, media that turn into psychological deep dive about life, death, love, grief and mental health, i love you, "mortality is what makes life meaningful", i love you, choosing love no matter how cruel the world gets, i love you, finding kindness within yourself even when the world feels unearning of it, i love you, embracing grief because it means what's lost meant something, but still learning to move on, i love you, moving forward even after everything is lost and the worst possible scenario happened, i love you, absurdism,

[randomnessoffiction]

Guillermo del Toro's Acceptance Speech for his film of Pinocchio winning Best Animated Feature at the 95th Academy Awards.

If there is any filmmaker who could conceivably do a feature that would win Best Animated Feature and Best Picture, it is him!

[lopposting]

Carlo in both Guillermo Del Toro's Pinocchio and Lies of P

He will be remembered </3

[animationsource]

What happens, happens. And then, we are gone. PINOCCHIO (2022) dir. Guillermo del Toro, Mark Gustafson

[sortanonymous]

Yeah, I'm bored again.

[morte-a-elle-meme]

It was forseen

[swallowtail-ageha]

They're all in the same room and must fight to death who comes out on top

[caw4brandon]

The Power of Stop-Motion

Media in today's standard is quick and easy. Rarely is a show more than 2 hours long or 13-epiodes per-season. With that, animated movies are a lot slower than the typical films.

There is a discussion on if animation is suitable for film purposes and while it is often shunned by the Golden Globes or the Oscars or other awards. The very few outliers can prove these awards and the world very wrong.

But that is not what we will be talking about today. Because while animation is popular, there is a dark horse among its sphere. One with a rich history and strong filmography that should be shared. Let's talk about;

- Have I possibly gone daffy? -

Stop-motion is a film making style that compiles multiple still images of an object being physically manipulated in small movements into one whole scene.

Majority of Stop-motion films and videos use [Clay Animation] or [Paper Animation] with several more varieties of new innovations emerging under the umbrella of stop-motion. The most popular of them in the modern era towards kids is [Lego animation] which is the manipulation of Lego models in motion.

The earliest trace of Stop-motion in films is the 1898 short [The Humpty Dumpty Circus] by Albert E. Smith and James Stuart Blackton which is said to be a lost media. To compensate, please watch [A Tribute to Stop Motion]

In its early concept, Stop-motion was used as a method to create impossible things or do practical effects under budget constrains. Such as the iconic King Kong scene at the Empire State building. Since then, Stop-motion has evolved into a full production industry. From Indies; [Righteous Robot] to Juggernauts; [Laika Studios]

- Shimmer a Little at The Edges -

Unconventional media such as stop-motion is often not a style suited for every story. Its a rather expensive type of media that requires worthy innovations top break the niche barrier. Just looking at Laika Studios alone, we see that they've develop a lot of interesting ways to improve visual effects while staying to their stop-motion roots.

One perfect example is seen in < Kubo and the Two Strings > where the animators need to create water in a still image world that feels natural. [A Perfect Storm] one other part of the stop-motion puzzle is the iron-willed discipline it to conceptualize, animate and edit a production that can take about 3 to 5 years to complete. More so of a time frame than a normal film.

This difficult curve lead to budgeted methods such as using models that already exist to tell new stories. Such as; Legos or with crude multi-jointed figures of existing characters. [MOONSHINE]

While I may say its crude, the low budget production is the selling point. Assisted with sound bites taken from gaming sessions or from shows featuring a lot of inside jokes and memes. Also, its hilarious to see a Teletubby turned into a Eldritch monster.

These attempts to make stop-motion productions accessible has captured the attention of other like-minded channels to collaborate and elevate one another. [ERB: Harry Potter vs Luke Skywalker]

- For Better Tomorrows -

With all that is said, what is the power of stop-motion? As a media that is tediously overlapping across processes. What are the better tomorrows for our inanimate subjects?

I like to think, that as filmmaking grows. Stop-motion will continue to remain as a sacred tug against live action films and traditional animation. It can be used to tell complicated stories with concepts that may look strange if its adapted in a live action.

As I have mentioned in [The Beautiful World of Hilda] animation's greatest strength is simplification. Stop-motion takes the opposite side of that philosophy.

Its a higher level of world building of the materials with willingness to accept mistakes and ruggedness that gives them that little flavor of life. As an actual touchable thing, the various cartoonish styles can take on a whole new dimension to heighten the style and give it that detail that is less polished.

Stop-motion shows that filmmaking magic can still exist despite already knowing the tricks. Its a media where every frame shown has a significant purpose that invokes a specific flow. That's the power of stop-motion.

[demigoddessqueens]

Go Guillermo!!!

[cinematicjourney]

Pinocchio (2022) | dir. Guillermo del Toro, Mark Gustafson