#GMMTV SERIES 2021

[bl-bam-beyond]

A LOOK BACK TO THE BEGINNING OF PONDPHUWIN & THEIR FIRST BL TOGETHER: FISH UPON THE SKY (FUTS) as MORK AND PI

Pi was originally to be played by THANAWIN PHOLCHAROENRAT aka WINNY but instead PHUWIN TANGSAKYUEN stepped into the role.

This year WINNY joined PONDPHUWIN in WE ARE: THE SERIES where PHUWIN & WINNY played best friends Pheem & Q. with WINNY paired with his partner SATANG.

FISH UPON THE SKY (2021, THAILAND)

Episode 1 (CLIPS FROM THE 1ST EPISODE)

Pi (PHUWIN TANGSAKYUEN) hates the handsome med student Mork (NARAVIT LERTRATKOSUM aka POND) because he sees him as a threat in winning the heart of Muang Nan. Until he learns it is him Mork desires.

@pose4photoml

[gunsatthaphan]

03/09/1998 - happy birthday to the king, the legend, the light of my life (and the actor that he is) 🥺

~ ⋆˙⟡ ♡˙⟡ ✨🫶🏻💘🫳🏻🐈‍⬛🍊⋆˙⟡ ♡˙⟡ ~

[offjumpoladulkittiporn]

I cannot watch this not me video without crying 😭💚🫶

[theselightsareblinding]

You're telling me four of my favourite series are going to end this month (The warp effect, Never let me go, My school president and Moonlight chicken) and in their place we're getting My favourite with Gawin Krist and one series called A boss and a babe 😭😭😭

[coffeebookslovegt]

Ren despierta. Levántate, Gorya hizo galletas con la forma de mi cara. Admira la magnificencia. Puede que no se vea tan bien como el verdadero yo... pero al ver lo duro que trabajo en eso yo...

¡Ren, escúpelo!

¡Ren, escupe mi galleta!

[jumpols-nostrils]

I feel like they both need to learn to differentiate a little, too.

Mhok needs to see that not everything will go down to hell if he isn't around and that if it does... It isn't his fault. I thought the most tragic thing about last episode was that Mhok would have chosen that way even if Day didn't have any disability. He would have done this regardless for anyone he is this seriously in love with. And he needs to learn that this level of fear will only hurt him in the long run. Someone needs to tell him that he can sometimes put himself first.

Meanwhile Day needs to learn that not every decision that might favor him and his situation, was also made because of him. Maybe with him in mind, but not with him as a cause.

We face down the Last Twilight finale today and the hardest part is knowing that, yes, Mhok and Day really did need to break up because their relationship was unbalanced but the imbalance shown in the episode was the wrong imbalance so which imbalance are they going to solve this episode?

Is the imbalance 'Mhok is overprotective of Day and needs to learn to let him live his life 👎' or is the imbalance 'Mhok gives everything to Day and also has trauma and needs comfort and Day has to grow to be able to provide that👍'? Because those are two very different imbalances and one I can handle and the other I cannot.

And therein lies my deepest fear for this show. Because that fight at the end of the last episode is either about Mhok genuinely being overprotective of Day and Day learning nothing about his mom putting her career before him and instead just forcing Mhok to do the same thing because, obviously, everything is Mhok's problem to solve and Day doesn't to do anything except keep growing into the best person he can be and Mhok needs to learn to just... I dunno? Accept that Day needs everything from him while giving nothing in return, I guess?

Or the fight is about how Mhok constantly has to be perfect and cannot be, in any way, flawed because Day can't face it. And when Day realizes that Mhok is flawed he has to live his own life and come to terms with truly needing to be able to support the man he loves so when Mhok comes back into his life he'll be able to be there for him and be able to give him the emotional support he needs and deserves for all the support he's given Day in this relationship. Because that would genuinely rebuild their relationship and make the fight actually mean something.

So... which will it be? What will we get? Will we get Mhok's continued and constant need to be perfect or will we get Day finally needing to learn how to support Mhok?

I am terrified.

[twig-tea]

With 23.5 finally coming out, the people are rejoicing at finally getting a high profile gl from GMMTV. But there have already been several gls airing this year, including my fav TsukuTabe, that have been flying under the radar with fandom, and in general there are more gls already out there than folks seem to think. I just know you have a list of all the gls we should be watching, please share with the class!

Thank you for the ask! How did you know I had a draft of GL recs to make at some point? [Trick question, I mentioned it to you.]

It may seem like I'm out here hating on GL because i've made a couple of negative reviews of recently airing series recently (Love Senior and Chaser Game W in case you're curious) but I actually have lots of GL that I love and that I wish were better known! Thanks for sending this ask so I am inspired to actually finish it! I've limited myself to series so that I could keep the list and this post to a reasonable length. Where possible I've listed where you can find each of these and included a link. And I've included an 'elevator pitch' summary but I am NOT in marketing for a reason, so please don't roast me too hard for my terrible comparisons. Alright, enough waffling!

Twig's GL Rec List

She Loves to Cook and She Loves to Eat S1 & 2 (Japan, 2022 & 2024, both seasons fansubbed by @furritsubs; if you need help accessing this show feel free to DM me!)

Elevator pitch: Our Dining Table with lesbians and an even slower burn. Watch for beautiful food, acespec rep, mental health and therapy rep

What might turn some off: Extremely low heat, and quite slow-moving; warning for a disordered eating and family trauma plot (v gently handled)

Let's start with the one you've already mentioned. This is a heartwarming slice-of-life slow burn in which an autismspec-coded woman who likes to eat is invited by her neighbour, a femme acespec woman who loves to cook, to come and eat her food. It starts from a very practical place (when you love making food you need someone to help eat it), but their relationship grows as they spend more time together. The story follows them as they both move towards self-actualization in several ways: as a lesbian, as asexual, at work, with their families, with their friends, with each other. This show is so careful to say the important words aloud. And there is so much delicious cooking! Each episode highlights a particular recipe, and the food porn is real. Do not watch while hungry, but definitely watch. The found famiy vibes in this one one are also immaculate.

She Makes My Heart Flutter (Korea, 2022, YouTube)

Elevator pitch: Younger lesbian friend group tries to help out (slightly) older lesbian bar owner with mixed success. I can't think of a good BL equivalent, The Moment Since feels the closest with its similar bartender/patron romance

What might turn some off: Comedic tone; short runtime; struggles with being closeted

This is a gem of a miniseries about a bar owner and an interior designer who smoulder at one another while an intrepid group of younger bar regulars (including the bar owner's neice) meddle. This series is really cute, solid, and full of sapphics! Once again found family vibes are immaculate (you may sense a theme in my faves). Run don't walk.

Fragrance of the First Flower (Taiwan, 2021, GagaOOLala)

Elevator pitch: Right-person-wrong-time/second chance romance; tonally is a little like We Best Love 2: Fighting Mr. 2nd but with an ambiguous ending.

What might turn you off: Medium heat, second chance romance means they break up once, internalized homophobia, adultery/cheating, at one point there's a creepy dude, child with autism (depicted well), ambiguous ending

At its core this is a story of a woman who can't stop getting in the way of her own happiness. This series is a little more sad than the rest of this rec list but I couldn't not include it because this relationship is so poignant. Plus there's a s2 that supposedly is to come out in 2024 so maybe we'll get our happy ending after all?

Love Greater Than or Equal to 70 Degrees C (Korea, 2019, YouTube)

Elevator pitch: Ingredients but with lesbians staring at one another over beautiful tea pairings! What more could you ask for?

What might turn you off: Low heat; short runtime; ambiguous ending; like Ingredients this is essentially a long ad for the café it's filmed at.

This is a Korean miniseries about passionate tea sommeliers making really fancy tea while staring at one another a LOT. Perfect sapphic representation, 10/10 no notes. This one packs a lot of the drama tropes into its short runtime, so even though it's short it's full of butterfly-inspiring moments.

Sleep With Me (Philippines, 2022, GagaOOLala/iWantTFC/Netflix w/VPN set to Philippines)

Elevator pitch: The Truth About Cats and Dogs but the self esteem issues are handled without catfishing. BL equivalent: Hmmm. Closest I can think of is Gaya Sa Pelikula.

What might turn you off: There's some ableism (treated as such) in this show; Open ending.

Stellar GL between a late night radio DJ and an insomniac who listens to her show. One of the main couple is a wheelchair user and the show tackles ablelism and navigating disability in relationship as well as feelings of inadequacy in a relationship and how that manifests as interpersonal conflict.

Our Relationship Ended Before it Began (Korea, 2022, YouTube)

Elevator Pitch: Along the lines of I Cannot Reach You; the show gives both perspectives and they are held back by queer angst.

What might turn you off: No kiss (but they make it very clear both want to kiss), internalized homophobia

Really sweet miniseries about having a crush and being afraid of being hurt so you don't actually make a move. I really like the way the girl who has not dated a girl before defaults to gender roles and it throws the more experienced lesbian lol I also really like the way this show makes clear that both of them are waiting for a kiss, and that if you get in your head about things, it can get in the way of your own happiness!

Pearl Next Door (Philippines, 2020, Youtube)

Elevator Pitch: Gameboys but with lesbian vloggers.

What might turn you off: Love triangle, lots of teasing but low heat in the end, a lot of (good) conversations about mental health issues, ambiguous ending

This is the GL spinoff to Gameboys, starring Pearl from Gameboys. Pearl ends up being fought over by the two gorgeous women in the gif, an old love and a new. I love the queer friendships in this story as much as the relationships. I will say it's an open ending (that felt a bit like the showrunners didn't want to decide between ships) and definitely the love triangle features prominently but even in the face of these aspects that would normally turn me off a series I had a good time. The characters and interpersonal conflicts feel very real, and are allowed to be complex even when the show tone is comedic.

Dear Uranus (Taiwan, 2021, YouTube)

Elevator Pitch: Schoolgirl ensemble GL; a little like My School President but without the singing.

What might turn you off: Short runtime; ambiguous ending; a little bit of bullying; very standard romance trope execution

The first Taiwanese GL miniseries, this series was produced by a Taiwanese lesbian couple (Rabbit & Wolf)! Lots of excellent drama tropes, and incredibly gorgeous women (I think the entire watching audience fell in love with Erol.

Lily Fever (Korea, 2015, YouTube)

Elevator pitch: Complete crack; YYY but with more kissing and frankly an even less coherent story.

What might turn you off: The lack of coherent plot; less a romance and more a very thirsty lesbian kissing everyone she can

This miniseries is utter chaos. Nothing really makes sense, it's all just random excuses to cause very suggestive moments (and kissing) to happen. I love so much how this series depicts women being so absolutely thirsty for one another (and yes that date isn't a typo, this series is ~9 years old). Not an "happy ever after" ending but it really isn't that kind of story.

Chasing Sunsets (Philippines, 2020, YouTube)

Elevator pitch: Ocean Likes Me with lesbians. Resort romance with a mental health twist.

What might turn you off: Some of the mental health stuff gets intense, this was filmed in 2020 so the pandemic features heavily; hopeful but slightly ambiguous ending.

A complex story from the Philippines covering mental health and finding yourself. A woman shows up to a resort and befriends one of the women running the resort. They get closer as they spend time together, and the resort owner realizes something is off. There's also a BL side couple in this series.

Show Me Love (Thai, 2023, YouTube)

Elevator pitch: A little like My Day the series with lesbians, in that they work together and fall in love and it's full of tropes

What might turn you off: The advertising for the Miss Grand competition, there is some bullying and cheating (though way less than I was expecting tbh), not a lot actually happens, the editing gets a bit wonky at the end

This is essentially a massive ad for the Miss Grand Thailand competition; this GL was produced by the same company that produces that competition, and the stars are mostly Miss Grand competitors. The main pairing were shipped in the actual competition, and the company decided to make a GL about them. It's very slow paced and low-stakes, and there are better kisses than I expected considering everything I just said about where this show came from. There are a lot of cute moments!

Girlfriend Project (Korea, 2022, YouTube)

Elevator Pitch: Love Class with lesbians

What might turn you off: One of the leads is kind of mean in that pgitail-pulling way? It ends abruptly (but happily)

This is a short miniseries about two girls paired in a class that are assigned to "date". The chemistry is chemistrying. And there is a kiss (a good kiss, and a tiptoes kiss at that!). This show also has one of my favourite tropes, in which someone who seems like a pushover stands up for themselves and their partner finds it very attractive. For the record, in this show they are watching another GL by the same company, Love Tech.

Lulu (Philippines, 2022, Vivamax/grey)

Elevator Pitch: Present Perfect with lesbians (but with a better ending).

What might turn you off: Depictions of panic attacks, brief depiction of drowning, pandemic lockdowns, illness, exes, waffling, happy but open ending (which I actually liked for this story)

Two women trying to move on from the garbage in their lives meet at the beach of a B&B (where one saves the other from drowning) and become one another's company during their escape and then something more. They both have baggage that seems determined to keep them apart even as they continue to be drawn together. In the end, they decide to stick it out and see where they end up, with no guarantee of happily ever after, which I found very sweet. Requires either a VivaMax account or searching the grey for it, but it's worth the effort (check MyDramaList comments for suggestions on where to find it). Plus one of the leads has a cactus as a pet.

Welcome to the Lesbian Bar (Korea, 2023, YouTube)

Elevator Pitch: A little like Fudanshi Bartender but without the fudanshi bartender and all of the bar patrons are lesbians lol

What might turn you off: Short, can get a little bit preachy, abrupt ending

Cute short series with different very stories every episode as different patrons visit the bar. The stories range from women who have been together for awhile, to people meeting from an online app for the first time, to someone visiting a lesbian bar for the first time; and yet the story all weaves together in a way that's satisfying though ends abruptly. Includes some solid marriage equality propaganda.

GAP the Series (Thai, 2022, YouTube)

Elevator Pitch: Kind of the vibes of Together with Me but lesbians and in an office instead of school. Angry boss falls for charming new intern and

What might turn you off: This one is the highest heat of all these recs; homophobia especially amongst family, brief depictions of death by car, brief mentions of suicide, cheating, bullying, abuse of power in the office.

A list would not be complete without this one! Honestly the plot is a bit wobbly but the show is a lot of fun. The girls are very cute, the feelings and tension builds really well between them, the friend group is excellent, and in the special we get a wedding.

---

The rest of these have caveats of one kind or another, but i couldn't leave them off a rec list, so here are the side couples and censored stories that are still worth your time anyway (I might do a separate more detailed post for these, as well as for films, one day if there's interest):

Nevertheless (GL side; Korean, 2021, Netflix) Not sure it's worth watching a whole kdrama for side lesbians? Search soljiwan on youtube. They are great. Even the Netflix account stans them. I watched this (ngl, I watched the SolJiwan cut) as it aired and was constantly braced for it to let us down but it did not! A really good friends-to-lovers story.

Friend Zone 2: Dangerous Area (GL side; Thailand, 2019, YouTube): These sapphics are messy and I love them. Decent conversation about dating someone with mental health issues in this series, and they're one of the only couples in this ensemble to get a happy ending. If you're just watching the lesbian couple (which you can, their story is pretty self-contained) you don't need to have seen s1.

Six Survivors (GL side; Japan, 2022, Viki) This show is a horror comedy and it is SO MUCH FUN. Warning for zombies and blood, but way less than you might think. One of the eponymous 6 survivors is a lesbian who keeps trying to convert them to veganism lol. If you watched Chaser Game W you'll recognize one of the actresses in this, the lead actress is from Kamisama no Ekohiiki, and one of the guys is from the prequel series His as well as I Want to See Only You! And yes there is a kiss. Also a surprising number of Mallrats references. Not for people who can't handle gore or relationships being complicated/not a "true love" story/ambiguous ending.

Kamisama no Ekohiiki (complicated question of is it GL in parts, Japan, 2021, furritsubs once again coming through to save the day) This one is a bit complex because there's bodyswap, but the girl who falls for the bodyswapped boy-in-a-girl's-body is clear that she is only interested in the girl. One of the better bodyswap stories because the bodyswap is not a secret for very long, so instead there's a lot of introspection about what gender means and who/what they are attracted to. Feels wrong to call this GL, necessarily, but it's very queer.

Couple of Mirrors (Censored GL, China, 2021, Viki) Story of a rich girl and her assassin girlfriend. This production did an amazing job getting away with what they could, just don't watch the last five minutes and we've got essentially a happy lesbian family.

Legend of Yunze (Censored GL, China, 2021, @douqi7s) Very cute very low budget xianxia miniseries with two seasons and a special. The special is set in modern times in a future lifetime so if you want a cute censored-but-clearly-a-soulmate-love-story this is the one for you. Don't be thrown off by the weird cuts/abrupt episode endings, that's in line with cdramas in general.

Led Astray by Love (Censored GL, China, 2021, @douqi7s) A very fun and adorable isekai story in which a modern day girl is transported to a wuxia novel setting and has to figure out how to get home, and gets romanced by the princess along the way.

And a few additional links for people who even more content:

My Indian sapphic webseries rec list

My suggestions for content with toms (Thai category that's similar to but not exactly the same as butch lesbians) in response to this post.

This really good GL MyDramaList list (not made by me!) lists what seems to be everything I've mentioned and about 200 more. Even I haven't seen a few of these!

My YouTube playlist of sapphic content: This includes anything I stumble across or find in my searches, a lot of music videos and random shorts as well as some microseries and miniseries that I don't consider GL but are WLW/sapphic in addition to true "GL" content. For serialized content, I add just the first ep. A complete mess, but you can trawl through to find stuff to watch, like Hetero!

SOONOTSUE: The same producers of She Makes My Heart Flutter have other short series on their channel worth checking out; if you liked that one, try Out of Breath!

Shakeshoulder: Thai YouTube producers of very pulpy (read: low budget and dramatic plots) shorts

FuFuKnows: This YouTube channel is owned by a gay Taiwanese couple that produces shorts every week, including some with GL mains and sides. These are very low budget but cover a whole swath of queer themes.

@douqi7s is a godsend providing subtitles for all kinds of content, including sapphic shorts and more series than I've listed here. Check their tumblr for links to all of their content; A Practical Guide to Being a Superstar's Assistant has one of the best setups to giving us great moments in the guise of something else so that they get past censorship I've ever seen; I also recommend The Vampires if you're into genre fiction, as well as Legend of Yunqian if you enjoyed the xianxia parts of Legend of Yunze. @wlwcatalogue did an excellent summary of many of the non-wuxia options here.

Quick pitch for the streaming platform GagaOOLala; it's affordable, has a ton of content, including a whack of GLs (originals, license series, and a ton of shorts), and is run by queer people out of Taiwan who care about good quality queer content being made and having an audience, and using the soft power from those successful series to support social change. And if you can't afford a subscription it's worth checking out what they have for free, they open up temporary free access to some things for various events throughout the year.

In searching for gifs for this post I found fellow tumblr user @drowningparty 's WLW compendium list; they've listed more series and films so check it out if you still need more content!

*wipes sweat off brow* that should be enough to be getting on with, but it's really just the tip of the iceberg! If there's something specific you want to see with sapphics let me know and I can tell you if I know it exists. Anyway, I hope this gives you and everyone else a taste of what all is out there! I of course always want more, I am serious about being a sapphic dragon hoarding every crumb i can get my lizardy hands on, but I do think what we have should also be appreciated more. If I missed one of your faves, please tell me!

[absolutebl]

TOP 10 BL Trends of 2023

This is just me with my analysis hat on. 

1. 2023 = the year EVERYONE went outside their lanes

Everything went topsy-turvy this year in BL. 

For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table). 

The BL world went askew for a while, especially in the spring of 2023. 

Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory. 

In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023. 

Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit. 

I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan. 

Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon. 

2. The Office Romance Dominated

After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...

Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age. 

And yeah... it totally worked. 

To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting. 

3. Boys Danced with Boys

The darling @heretherebedork​ was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely. 

Never Let me Go

My School President 

Bed Friend 

The Day I Loved You 

Step by Step

Be Mine Superstar

Tie the Not 

Dangerous Romance

I think there were a few more. These are the ones I remembered to write down. 

4. Getting (even more) Meta With Tropes 

BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV. 

Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us. 

I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV. 

5. Cameos are the norm now 

Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.) 

This year Korea got in on the game.

Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular. 

This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters. 

Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.) 

6. We are entering the cross pollination age

The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.

Lemme explain...

Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.

Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year. 

GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it. 

This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic). 

Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)

I shouldn't be too surprised. 

Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan. 

Perhaps the option deals are for peanuts?

7. Korea got cheeky

I’m not sure quite how else to put this. 

After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.) 

I guess: Welcome to your BL teens, Korea? 

It’s cute of them. I am very much enjoying it. 

And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense. 

It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding. 

8. The Amnesia Trope is back

And I, for one, would prefer to forget about it. 

9. BL got trendy 

I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay. 

We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not. 

It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).

Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do. 

10. The Vampires are coming 

This is an announcement trend, which I don’t usually report on but it’s so CLEAR. 

So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened). 

This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV. 

Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.) 

Final thoughts

It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either. 

I think we have likely seen the BL heyday already in both places and their industries are now on the decline. 

We might be witnessing a thinning in the players in the BL field. 

FYI we had approximately 

136 BLs in 2023

Previous Years

2022: 117

2021: 95

2020: 62

2019: 40

2018: 30 

2017: 44 (China’s last gasp)

2016: 27

2015: 17 (50% micro)

2014: 17 (50% micro)

And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.

Last year, 2022′s trend report

2021′s Trend report

Last Year’s Stats & Predictions

(source) 

[jojotichakorn]

pond naravit, at 5 am bangkok time, retweets his director new siwaj's reminiscences of the long journey across companies that 'we are' had to go on since 2021. how lucky we all are that the series ended up at gmmtv and gave us the cast that it gave us. pond clearly feels very grateful for it too. so anyone who is feeling sad about the series ending, you can at least take comfort in the fact that you are not alone, and not just amongst fans. pond clearly loves 'we are', just as much as the director who has had to fight for the series for years does, and just as much as we all do (which is a lot).

[respectthepetty]

I recently entered asian qls, and I've been hearing a lot about gmmtv in thai bl. what's the deal with that? do they make good bls or something?

What's the deal with GMMTV?

I (and a few other people) have given GMMTV the nickname of Disney BL because

It has the budget

It has stylish shows

Most are plot-by-numbers (meaning formula style plots that are predictable)

And it's all about branding

Good and bad are subjective, so does GMMTV make "good" BLs is not a question that can be answered, especially by me, but GMMTV does make BLs. A lot of BLs.

In 2022 and 2023, half of its shows were BLs. And a few others were BL-lite (Midnight Museum and Home School, I'm looking at you). Out of the 16 shows announced in GMMTV 2024 Part 1 (Part 2 is coming tomorrow), 10 of those shows were BLs/GLs/QLs. Over half of their shows are focused on queer relationships. [Photos from Boys Love Hub]

So regardless if I think they are good or not, the company is doing some heavy lifting in regards to queer representation since all of their shows have 1) a queer character, 2) a queer director, or 3) a queer producer.

As much shit as I want to give GMMTV, and DO, the company makes being queer palatable for mass distribution, and that's mainly because of its branding and reach since all shows, at one point, were free on YouTube for most countries.

Take right now for example, BrightWin fans are up in arms because Bright has a girlfriend. BrightWin haven't had a series since 2021's 2gether movie. THREE YEARS AND PEOPLE STILL SHIP 'EM! *eye roll* And that's because GMMTV doesn't just make BLs. It makes a brand of each and every one of its actors. If an actor is put into a pair, there will be a mascot, fanclubs, fan meets, tours, light sticks, y todo.

Someone wrote a good post, which I cannot find now, about the idolifacation of GMMTV actors, and it's accurate. These aren't only actors. They must sing. They must dance. They must host Live House. They must participate in Safe House. They must have a vlog and do live streams every week. They must go on GMMTV's little outing events and have a spin-off show where they travel around with their paired partner and eat food or drink some cocktail or do something because Lord forbid these people do nothing.

And this isn't just a GMMTV thing, but only GMMTV does it on this scale, so what's the deal with GMMTV is that it is a company doing company stuff.

I'm sure others can chime in and give more in-depth points, but I'm exhausted even thinking about it!

[bengiyo]

My Love Mix Up Ep 1 Stray Thoughts

Before we begin, a disclaimer: I watched Kieta Hatsukoi in 2021, and I read the source material for this project last year. I will be reacting to this project as an adaptation and my commentary will carry elements of comparative analysis. There will most certainly be spoilers. Read at your own risk.

With that out of the way, let’s see if GMMTV can adapt another TV Asahi project with a branded pair.

Chokun has decent resemblance to Suzuki Jin, they both resemble Aida, and it feels like he got that character pretty easily. Casting directors ate twice.

I am glad the costuming and hair departments understood that adapted manga characters requires you to pay attention to some of their key physical characteristics, especially when there will be jokes around changing them.

I’m glad they kept Atom’s overdramatic imaginary fantasies.

I feel bad for the boys having to film on the rooftop. Rooftop scenes are important in a lot of the J-BL, so they have to mimic that part of the experience. Unfortunately, it’s so hot in Thailand.

I like Kongthap/Ida every time. He’s very considerate of others, and I like the setup encouraging Atom to understand why someone might like Kongthap.

Weak extension on that arm, Atom!!

Goddamn there are a lot of sponsors on this show.

I’m okay with them swapping volleyball for basketball. It’s still a team sport.

Aungpao spotted! His skin looks great.

He’s not wrong. Kongthap does look sick.

Okay, I really hope we get to meet the Thai version of Half’s family. That would be a real treat.

I do like when they make athletic boys pretend they’re bad at sports.

I feel like this veggies joke was written about Fourth and Gemini specifically.

I hope the teacher is aware of the crushes and actively trolling. I know I would assign students together when I knew about their crushes.

I guess Kongthap won’t have a dog in this version.

Okay, but Atom really did look like he was about to fling himself off the roof.

Kieta Hatsukoi really feels like the beginning of the “let me think about it” era.

I don’t remember a cat being involve originally in the manga, so someone else can comment on that. I was surprised by how little of the base plot they got through this episode, and that they already added in the whole PE bit. I don’t know that making Fourth and Gemini fight their instincts was necessarily the right call. Aoki is a high-energy, over-expressive character, and I think Gemini would have been more suited to Atom than Fourth. Fourth showed real drama chops in Moonlight Chicken, and would have been better suited to the seriousness that Kongthap/Ida has to carry. It’s tough, because it meant that this episode felt a little flat, which is not a feeling I associate with this series. Hopefully it picks up speed next week.

[baifengxis]

MLCU MILKLOVE CINEMATIC UNIVERSE aka MilkLove's journey from a secondary couple in a BL Series to getting their own GL series (the first EVER in GMMTV) and making history

Bad Buddy The Series, 2021 Vice Versa The Series, 2022 Magic of Zero: Zero Photography, 2022 23.5 Degrees, 2023

[gunsatthaphan]

~ Monthly BL Breakdown: February 2024 ~ 

🌱 Happy March!!! 🌷

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Anti Reset - February 2nd (Taiwan)

🌟 Love Syndrome: The Beginning - February 8th (Thailand)

🌟 Baka Pwede pa? - February 9th (Philippines)

🌟 War of Y: The Reunion (special episode) - February 10th (Thailand)

🌟 1000 Years Old - February 14th (Thailand)

🌟 My Strawberry Film - February 16th (Japan)

🌟 A Secret Love - February 17th (Thailand)

🌟 To Be Continued - February 19th (Thailand)

🌟 Unknown - February 24th (Taiwan)

🌟 Wedding Impossible - February 26th (South Korea)

🌟 Kiseki Chapter 1 & Chapter 2 - February TBA (Thailand)

🌟 Ambiguous - February TBA (South Korea)

Monthly likes/dislikes

❣️ I'm gonna have to list Cherry Magic and Cooking Crush again just because they filled me with so much serotonin lol. Truly beautiful productions, so carefully written, so well executed and with so much wholesomeness and so many green flags lol. I had the best time watching them and the fact that 2 OG pairs had comeback shows back to back gave me so much nostalgia lol, especially since the genre is reminiscent of their old shows. It's been a blissful and therapeutic few months and I'm extremely sad that it's over 😩🥺🫶🏻 A+ content from everyone involved. 12/10 for both.

👎🏻 It has been a year lmao a lot of things happened this month, the Pawin situation makes me sad, we don't know what actually happened but the whole thing is messed up either way. James dropping out of LUAT came as a surprise as well, I'm not a NetJames fan but if they really had a falling out like the rumors say then that's sad. Singto coming back to gmm has been a nice surprise amongst the scandals lol but other than that I hope things go uphill after this 🥺

New series & movie announcements

🎥 My Bias is Showing (manwha adaption) - Date TBA (South Korea)

🎥 All About Lust - Date TBA (South Korea)

🎥 A Balloon's Landing - Date TBA (Taiwan)

🎥 Roommates - Date TBA (South Korea)

🎥 Good Night to Get Drunk - Date TBA (South Korea)

🎥 First Note of Love - Date TBA (Taiwan)

🎥 Living With Him - Coming April 11th (Japan)

🎥 The Young Gangster - Coming 2025 (Taiwan)

Other news from the BL world

❗️ Actor Singto Prachaya has returned to GMMTV as an artist. He previously left the company in 2021 to work as a freelance actor & producer after being under contract for nearly 5 years. It is unknown whether he will be part of any projects of the 2024 lineup.

❗️ The Thai BL Playboyy is getting a second season.

❗️ The upcoming Korean series High School Return of a Gangster announced the removal of the original BL plot. The show will air as a censored version, focusing on the friendship between the male leads.

❗️ Actors Charles Tu (HIStory 4) and Michael Chang (My Tooth Your Love) were confirmed to star in the upcoming BL First Note of Love. The series tells the story of a musician who is struggling with stage fright and one of his fans. An air date has not been announced.

❗️ Actor Non Ratchanon will no longer partake in the upcoming BL Live in Love. In an official statement, the production company stated that the decision was made due to disagreements between his agency and the one representing his co-star Hearth Chindanai. A recast for his role has yet to be announced.

❗️ GMMTV actor Win Pawin was accused of physically assaulting his ex-girlfriend, who made public allegations with photo evidence of her wounds. As a result GMMTV released a statement announcing the suspension of Pawin from all further work activities until legal investigations are complete. This lead to him making a public statement saying he is withdrawing from the upcoming BL We Are. He was cast as one of the 8 protagonists and was paired with his former partner Marc Pahun. GMMTV released a followup statement today, announcing Pawin's character would be recast to newbie Poon Mitpakdee.

❗️ Actor James Supamongkon announced his withdrawal from the upcoming Domundi BL Love Upon a Time. He released a statement on Twitter, saying he wants to expand his career and focus on other projects as an artist apart from acting. The company stated that Net and the others will stay part of the cast and that a new partner for Net will be cast shortly. This caused a big uproar amongst the fans who have been waiting for the series since it was announced over a year ago. Whether James' dropping out has anything to do with a dispute between him and Net is not confirmed.

Upcoming series & movies for March

👉🏻 Love is Better the Second Time Around - March 5th (Japan)

👉🏻 Deep Night - March 7th (Thailand)

👉🏻 Two Worlds - March 21st (Thailand)

👉🏻 High Demand - March 23rd (Thailand)

👉🏻 Wuju Bakery - March TBA (Thailand)

👉🏻 The Star - Date TBA (Thailand)

👉🏻 Blossom Campus - March TBA (South Korea)

👉🏻 Jazz for Two - March TBA (South Korea)

[offjumpoladulkittiporn]

love sick reunion 🫶

[waitmyturtles]

Turtles Catches Up With Old GMMTV: A Honorable Mention For War of Y, and Another Look at How Thai BL Talks About BL (With a Bonus Watch of BL: Broken Fantasy)

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I take a look at the more recent attempts by the Thai BL industry to critique itself with War of Y and the mini-documentary, BL: Broken Fantasy.]

2022's War of Y. Let me start this piece off by saying that this show is not good. My friend and BL elder educator, @bengiyo, once said about the OGMMTVC project, that some people (LIKE ME :'( ) just have to look into the abyss to satiate their curiosity about how this genre has developed, and that's definitely a point of the OGMMTVC. Not all past Thai BL shows are good, not by a long shot, and I don't recommend War of Y if you're watching dramas for pleasurable experiences only. (If you want to watch a GREAT drama that critiques the Thai BL industry, start with 2021's Lovely Writer, and I'll get more into this later.)

War of Y, directed by the chaotic Cheewin Thanamin and the I-am-assuming-to-be-misanthropic-and-indulgently-self-righteous-and-preening Den Panuwat, gave us 20 episodes of what I believe they thought to be groundbreaking critical art about the currently Thai BL industry. Let me set up an outline so that I don't spend too long on the bad stuff, and explain why War of Y does at least get an important mention (but not an official inclusion) on the OGMMTVC list.

1) What was War of Y about, how it was structured, and some quick high points, 2) Comparing War of Y to other pieces of Thai BL fiction that did a better job of critiquing Thai BL culture, and 3) A close-out reflection of Aam Anusorn's 2020 mini-documentary, BL: Broken Fantasy.

War of Y, as presented by Cheewin and Den, is designed to be a meta-drama of four chapters, all examining a specific aspect of the Thai BL industry. The first chapter, led by Billy Patchanon and Seng Wichai, focuses on two ship partnerships competing with each other, to the mental detriment of one of the older ship's celebrities; the second chapter focuses on two HORRIBLE warring managers; the third chapter showcases, in excruciating detail, god help us, a Y idol reality show, replete with singing; and the final chapter depicts the creation of a BL series and the rise of another super celebrity, whose career potentially gets derailed by his relationship with a female acting colleague.

Before I get into the few high points, I just want to say that this bloated structure (four chapters of five episodes each) did not do this drama well. It could have been edited down GREATLY for more succinct messaging. The other major issue I had is that the Thai BL genre -- as a romance genre itself, that demands romantic and coupled endings -- is just not the right genre to meta-critique the industry from which the piece of art comes from, not unless you're the screenwriter of Lovely Writer, who deftly managed some very complicated storylines into true art. There was no deft to War of Y. Couples got together in pandering and condescending ways, because that's how a Thai BL should end, right (?!); HORRENDOUS warring enemies suddenly made up with barely any context except to make money, and so on. I kept saying to friends during my watch that in a Den Panuwat show -- the worse you are as a character, the more likely you are to be redeemed for seemingly no good reason.

[Exhibits B and C in Den Panuwat's screenwriting record of questionable human characteristics? Fucking Only Friends and Playboyy. THE WORSE THOSE CHARACTERS WERE, THE BETTER THEIR OUTCOMES. Yeah, we really wanted those assholes to end well. ANYWAY. (I am committing to never watching a Den Panuwat show again. ANYWAY.)]

But there were a few high points. Actually seeing a Y idol reality show, something that international fans may not be able to appreciate with a lack of subtitles, was at least eye-opening for the inter-related nature of these kinds of shows, with some performers subsequently getting series gigs. (I understand that Santa Pongsapak, of My Own 12%, is an example of this kind of performer, who started out first as a music idol trainee.)

And the acting. Some of the acting was EASILY the best part of War of Y, as it very often happens in questionable Thai dramas: Billy (BILLYYYYYYYY), First Piyangkul, Dome Waruwat (who we most recently saw in Cooking Crush, and who absolutely SLAYED as one of the SLIMIEST, GROSSEST characters EVER, ohmygod), and

SENG MOTHERFUCKING WICHAI

(who will win one of the crowns as one of THE BEST FUCKING ACTORS IN THAI BL at the conclusion of the OGMMTVC project)

were easily the best reasons to watch War of Y. The range of Seng Wichai. It's ironic that he left Idol Factory last year, ending the BillySeng ship, and was then disgracefully treated like utter crap by the media and BL fans for the reveal of his relationship with Freen Sarocha. That, in itself, could make for a heartbreaking drama about the BL industry, but alas. We have War of Y instead. Seng is a motherfucking hero, and is also the KING of cringe, playing a horribly behaved actor who learns to overcome his insecurities to stand up against the advantages taken unto him by greedy managers.

We also had MANY wild and crazy cameos from real BL professionals in the show. @twig-tea and I agree that director New Siwaj's cameo was BAFFLING. He played a BL director (which he actually is) who maybe hated making BLs? (Maybe he actually hates it?) But still does it? And was mostly checked out of making the BL-show-within-the-BL-show, until he was called out about it, and then behaved like a good boy. Like. That cameo, along with a literally-evil NetJames and an even more inexplicable and weird literally-evil MaxNat cameo (wtf, that wasn't filled out AT ALL), were the really weird ones. The sad ones were ones like sweet NuNew Chawarin telling young BL guys that they have to sing (NO THEY DON'T). There was actual!Tee Bundit telling off Seng Wichai's character, that was rad. Director Lit Phadung of SOTUS and Dangerous Romance (😬) was there. Even the original novelist for Thailand's first television BL, Love Sick, was there, playing herself as Kwang Latika, who complained to a producer within War of Y that the show-within-the-show (yeah, I know) was taking her novel out of context. That shit sounds familiar! I could have used more accurate commentary on that.

The last high point that I can muster is that the show began to toe the line of the issue of actors needing to explore their sexualities for art's sake. As fans, we truly do not have much insight into this process, and I think it's for good reason, so as to protect actors (wherever they land on the sexuality spectrum) from very real, emotional, and sensitive processes and workshops that prepare them for taking on queer material. We know that actors like Nanon Korapat from Bad Buddy use Method techniques in their performances, and that can be mentally draining. Do I believe that some actor pairings experiment with dating, and may actually be in relationships? Yes, I must believe it, considering the psychological work these young men have to do to build attraction to each other for art's sake. The CEO of Korea's Strongberry studio confirmed as much earlier this year.

Unfortunately, I think War of Y leveraged these very sensitive realities to blatantly and flippantly indicate that ships can be ASSUMED to either explore sex with each other, and/or to even assume that they SHOULD be in relationships, à la the television BL romance formula that I mentioned above. I think this show could have transcended the romance genre formula, frankly, and I think the show came kinda close to doing that in the last chapter with First Piyangkul -- but not before setting up First's character, Achi, as a cheating monster-machine who was willing to go to great lengths to protect his fame, including outing his trans-female ex-girlfriend and co-star (YEAH, THAT HAPPENED), as well as separating himself from his ship and sexual same-sex partner while still indicating that they were dating. The whole storyline was just -- BLEH.

As I chatted with another fabulous BL elder, @twig-tea, about after I finished War of Y, clearly, Cheewin and Den thought they were intellectual geniuses upon the creation of this show, thinking that a BL itself would be a sufficient mechanism to offer meta commentary about problematic aspects of the BL industry (IT'S NOT). Twig wisely said to me that a writer or directly simply CHOOSING a topic to explore vis à vis a BL -- like a criticism of the industry itself -- is not, in of itself, worthy of laudation. And Cheewin and Den were CLEARLY expecting flowers by the end of this drama. If you've ever lived in smelling distance of southern California, you'll know that entertainment industries love nothing more than to talk about the entertainment industry, and that they think that fictional drama art is the best way to obsess over the vagaries of these industries (IT'S NOT). Instead, Cheewin and Den basically outed themselves as economic shippers and idiot faux-savants who are clearly in the game for fame, and maybe the dudes themselves, which -- BLEH REDUX.

On the OGMMTVC list, Lovely Writer does such a better job at covering the latent homophobia and judgments against actors within and external to the industries that take on BL. War of Y actually teed up a LOT of interesting topics, such as the BL-to-het-drama-and-studio pipeline that I talked about in my past OGMMTVC KinnPorsche pieces -- but these topics in War of Y just instead drowned in misanthropic meditations about fame, sex, and money that seemed far more suited to reaaaaalllly-bad Cinemax than, say, a proto-documentary.

The OGMMTVC syllabus also has YYY, from 2020, as a first entrée to BL-commentary-within-BL (and funnily enough, YYY also stars Lay Talay, who was the main anchor of War of Y, and was actually fantastic in both shows). YYY is a lot more succinct, CONCISE, zany, weird as HELL, incomplete, INSANE, not the greatest show, but HILARIOUS, simply in part because of its different and wonderful writers in Fluke Teerapat (a former BL actor himself) and Tanachot Prapasri. If you're looking for commentary about BL within wild-ass fiction (and if you're willing to watch it with shrooms or a fifth of vodka), watch YYY. (And remember that you're really watching YYY to watch Poppy Ratchapong eat his role of Porpla totally alive. Utter brilliance.)

Otherwise, as a means of complementing this review, I also watched 2020's non-fiction mini-documentary, BL: Broken Fantasy, by Aam Anusorn, another Series Y director who made the documentary, perhaps in part, to atone for past BL shows that he made, like 2Moons2 and Call It What You Want.

BL: Broken Fantasy featured interviews from directors, actors, and actual fans, about the nature of shipping, what the industry demands of actors, what fans themselves demand, and offered even a little bit of insight from two HUGE actors, Bright Vachiwarit and Win Metawin of 2gether and Still 2gether, about the process itself of young men acting in a queer coupleship.

The documentary is perhaps too short for its own good. And it sets up Aam as an unwilling participant within the BL industry, seemingly not knowing about what he was getting into when he first started making BLs (2gether's director, Champ Weerachit, also presents this way, which I found a touch disingenuous, as they were literally filming 2gether in the documentary).

But BL: Broken Fantasy hammered on a couple of important and real points. The economic benefits of shipping are HUGE. The sponsorship deals, the fame, the money -- they literally make young actors very rich and very well attended to. The fans EXPECT shipping performances, so that they themselves can situate themselves as caretakers or "mommies" to their young flock of boba-eyed actors that they worship. And for directors who want to earn money by making filmed art: the budding industry offers them that opportunity in growing spades. ( @lurkingshan will be happy to know that of all people, Aof Noppharnach, confirms to the documentary's audience that BL is a romance genre of love stories. As if there was any doubt, playa!)

At this point in time, in 2024, if I want a meta-critical understanding of the BL industry, and its many impacts on queer populations, fan bases, and Asian and global society, I'll go to Dr. Thomas Baudinette's Boys Love Media in Thailand and choose the academic route. We are SO LUCKY now to actually have tremendous academic discourse on the genre and its impact on media, fandoms, queer society, and global and regional acceptances of queer equity.

As opposed to the roads that academics are paving, War of Y allowed itself to bloat and gloat, on behalf of its creators, about their desires for shipping, for lavishing attention on beautiful young men, without offering us objective insight into the mindsets of these gentlemen who are important artists and creators in many of the shows we love. There needs to be a space for fair and objective criticism about an industry that may, at many times, take advantage of these young men. While there were many industry cameos in the show, the most frequent cameo was Den Panuwat himself. That enough should tell us what this show was ultimately really about.

[Well, as you can tell, I am fucking DONE with War of Y, laughing my azz off, and -- I'm off to greener pastures. I'm taking a cute and quick break from the OGMMTVC to devour Japan's anime version of Cherry Magic for an upcoming comparative (and totally self-indulgent) Big Meta on Thailand's and Japan's versions of that franchise. (And I have also been watching Fully Booked, AMA.) But I've got a long-awaited rewatch of The Eclipse coming up, to explore how GMMTV handled homophobia as a centered topic head-on, and from there, I go back to Idol Factory to watch Thailand's first GL, featuring the lovely FreenBecky, in GAP.

AND THEN: HOLY SHIT! FINALLY! My School President. I can't wait.

Here's the latest of the OGMMTVC list. If you've got any questions or comments about the syllabus, just mosey on over to this link and drop a comment my way!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here)

21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here)

31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 34) Secret Crush On You (2022) (review here) 35) KinnPorsche (2022) (tag here)  36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist (part 1 and part 2) 37) Honorable Mention: War of Y (2022) (for the sake of an attempt to provide meta BL commentary within a BL in the modern BL era), with a complementary watch of Aam Anusorn’s documentary, BL: Broken Fantasy (2020) 38) The Eclipse (2022) (tag here) 39) The Eclipse OGMMTVC Rewatch to Reexamine “Genre BLs” and Internalized/Externalized Homophobia in GMMTV Shows (watching) 40) GAP (2022-2023) (Thailand’s first GL)

41) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 42) Moonlight Chicken (2023) (tag here) 43) Bed Friend (2023) (tag here) 44 La Pluie (2023) (review coming) 45) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 46) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 47) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 48) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 49) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 50) Ossan’s Love Returns (2024) (adding for the EarthMix cameo and the eventual Thai remake)

51) Dead Friend Forever (2024) (thoughts here) 52) 23.5 (2024) (GMMTV’s first GL) (thoughts here)]

[thebroccolination]

SO ABOUT KRIST. \:D/

I'm not sure how many people have seen this photo or know the context behind it.

It was taken by a fan (see watermark) at the final episode premiere for Be My Favorite in August. After we finished watching the episode, Krist and Gawin walked down the aisles of the theater singing their duet, and then they went to the front stage to give their closing speeches. Most of us expected Krist to cry because it doesn't take a lot to make that happen on a normal day. But a fan event for a series that he put his heart and soul into? That he had resting on his shoulders since it was announced in late 2021? Certified, guaranteed, written in stone.

Even expecting it, though, didn't prepare me for seeing Krist cry in person. Especially when it wasn't the crying I'm used to seeing from him. I didn't even need to understand what he was saying to feel affected by it. Being in the theater, hearing him struggle to speak, assuming what he must be talking about, hearing how absolutely earnest every word was, that was enough.

I read the translation later. Krist was talking about Gawin. That he's always wanted the focus of the series to be on Gawin, because it was Gawin's first main role, and Krist felt like he'd taint it. In the past six months, Krist has said more than once that his greatest achievement from Be My Favorite was meeting Gawin. In another interview, he said he didn't care if no one watched the series because he has Gawin in his life now, and that means more to him than the success of his work. He said meeting Gawin changed him and made him grow up.

I always knew that Krist would be good for Gawin's career. From the moment I saw the casting announcement, I knew that Krist would do what he does with all of his friends and colleagues: promote him, hype him, celebrate him. I just had no idea how close they would become. That they would both find strength in each other, and that they would develop the incredibly close friendship they have now.

And, man…ever since I saw that photo up there where Gawin is listening with tears in his eyes as his close friend and admired senior talks about him with such affection and respect, my disappointment in everyone who continues to spread misinformed hate against Krist is so much deeper.

But it's also calmer.

Because it won't last.

Krist is so widely loved by the people in his life and the people he's worked with, and he's so effusively loving in return. And I think more and more people are starting to see that. He cares so intensely all the time and he allows so much of his vulnerability to show, and he listens to people.

So whenever I see people scoffing, "How does he even have fans?" I know they haven't actually looked into who he is. I know they watched a TikTok or a YouTube video with the same five things taken out of context and it just doesn't hold up when you actually see him.

Because this is who he is:

At MUSICON, he and Gawin did a meet and greet, and this fan shared her experience talking to Krist. She had so much she wanted to say, but she couldn't stop crying, and he patted her gently on the shoulder to comfort her. She said he kept kindly looking into her eyes while she spoke, and she finished by hoping more and more people get to know him.

He's one of GMMTV's top stars who makes eye contact with his fans and engages with them. He's popular enough that he could just coast during these fan events, but he wants to listen and interact with his fans. He remembers us.

And, like, I already did a whole thing about how he's not homophobic.

Like, seriously, he isn't. During his solo concert in Cambodia, he made a beeline to this fanboy and giddily danced with him the same as he did with the women in the audience. And he wasn't the only guy he danced with, either.

Krist also got hit on in an airport by a whole European dude years ago and he was delighted. The dimple came out to play and everything.

There comes a point when people who say "he's just pretending he isn't homophobic to make money" start to sound like they just really, really want Krist to be homophobic because otherwise they have been mercilessly tormenting him for years over misinformation they didn't care enough to look into.

The man described his love scene with Gawin in Be My Favorite as a piece of art. Like. I think it's abundantly clear that he's not the monster interfans invented just to throw knives at.

So anyway.

Back to Gawin.

I'm glad Krist has Gawin in his life. Gawin who sees him, who appreciates him, and who gives back just as much affection as Krist gives to him.

And who honest-to-God looks like he wants to protect Krist just as much as any of us do.

So yeah!

I like Krist.

I think he's neat. \:D/

(And I totally hope he'll let Gawin and Singto do a skit making light of all the ship wars during his concert next weekend. GawinSingto jokes, come to me.)