#G58

[revesdautomobiles]

[thighlerseguin]

The Dallas Stars in 2023, essentially - CHI @ DAL | February 22, 2023

[starlingflight]

Ginniversary drabble 5

Prompt: G58 -give me one good reason why I should wear a dress.

AO3 or read below:

“I can't do it.” 

Ginny's words came out in a hushed whisper, one that Harry suspected he wouldn't have been able to hear if not for the heavy silence that had fallen over the Burrow in the days since the battle, making every word and movement, no matter how quiet, seem obnoxiously loud

He looked away from the Harpies poster he'd been idly staring at on her bedroom wall, eyes finding hers in the mirror she'd been standing in front of for the past twenty minutes. 

She was still in her pyjamas. She'd ran a brush through her hair, but he doubted Mrs Weasley would say that was sufficient for the occasion; then again, he very much doubted Mrs Weasley would say anything at all today. 

“You can,” he said softly. 

A single tear slid down Ginny's cheek. A great deal more shone threateningly in her amber eyes. “I don't want to.” 

“I know.” Harry swallowed thickly, blinking against the stinging in his own eyes. “Just start with getting dressed.” 

It was how they'd managed everything so far. Get up, get dressed, don't think about where you're apparating to. Breathe in.  Breathe out. Don't think about how even that was a privilege so many no longer had. 

“No.” Ginny shook her head. Her cheeks glinted where her now steady stream of tears passed through the sunlight beaming mockingly through the window. “I'm not doing it.” 

If there was anything within arms reach Harry thought she might have thrown it at the wall. Fortunately, her desk, and the majority of her most treasured possessions, were at the far side of the room. 

“I'm not going,” she declared, arms folded stubbornly over her chest. 

Harry leaned forward on her bed, where he was sitting, trying very hard not to wrinkle the dress robes he was sick of wearing. 

“You have to,” he said, a hint of apology in his voice. He wished she didn't have to. 

“Why?” Ginny demanded, voice quivering, tears falling faster. She didn't give him a moment to answer. “Give me one good reason why I should wear a dress, and do my hair, and apparate to some desolate graveyard that Fred never set foot in once in his whole life and–” 

Harry couldn't say if her words ended because of the embrace he'd crossed the room and enveloped her in, or because her sobs had simply become too thick to allow for speech. Either way, she sank into his arms, and all concern about the state of his dress robes was quickly forgotten. Ginny's tears seemed an appropriate adornment on the day of Fred's funeral anyway. 

He didn't try to give her a good reason; there weren't any. 

Instead, Harry's arms tightened around her, holding her to him for his sake as much as hers. He'd once, in this room, under very different circumstances, thought of her as the only real thing in the world; now she was the final thing left to him at the end of it. The one bright miracle he could cling to in the darkness, that she was still there. Her fingers gripped the front of his dress robes, holding on just as tightly. 

Eventually, Ginny's sobs subsided, replaced by deep, shaking breaths that slowly became steady. When she looked up at him, her cheeks were still streaked with tears but her eyes were clear. 

Footsteps sounding from the floor above forced Harry to break the silence that had once again settled between them. “You have to get dressed.” 

Ginny nodded without argument, relinquishing her grip on his robes to wipe the moisture from her face.“I know… just stay with me, please.” 

Harry released a shaking breath of his own, keeping his eyes fixed on hers. “I'm not going anywhere.” 

[fyeahdprian]

Christian Yu @DPRIAN_ ( @Yu_Christian1 )

https://m.youtube.com/watch?v=4o45vCm-g58 please check it out :) n tell me wat u think ! It can be a bit fizzy but that's coz ytube tends to compress it -.,-

8:06 AM · Jul 15, 2015

[postsofbabel]

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[grady-ru]

Бостон, Массачусетс, США — старая почтовая открытка

https://grady.ru/boston-massachusets-ssha-g58/

[xedienvietcuong]

Xe Đạp Điện M133 Giant Nhập Khẩu Giá Quá Rẻ Ở Thời Điểm Này | Thanh Lý L...

Xe Đạp Điện M133 Giant Nhập Khẩu Giá Quá Rẻ Ở Thời Điểm Này | Thanh Lý Lô Xe Điện Cũ Nhập Quá Chất Giá Rẻ Cũng khá lâu rồi cửa hàng xe đạp điện cũ Việt Cường mới về được lô xe đạp điện M133 Giant cũ nhập khẩu có chất lượng tốt mà giá tốt thế này để chào bán đến cả nhà ạ. Vào thời điểm này là cơ hội rất lớn để khách hàng thích mua xe điện cũ chất lượng cao mà giá rẻ cả nhà ạ. Hôm này cửa hàng xe điện Việt Cường em làm video này để chào bán thanh lý lô xe điện cũ nhập này với giá cức kỳ yêu thường. Chất lượng của dòng xe Giant nhập khẩu này khách hàng không cần lo lắng, bởi đây là mẫu xe có độ bền cực kỳ cao ạ, xe đã được đội ngũ nhân viên kỹ thuật tại Việt Cường kiểm tra bảo dưỡng cẩn thận rồi nên khách hàng mua về chỉ s��n sử dụng không cần phải làm bất cứ gì thêm cụ thể như sau : Mã G56 : Xe đạp điện M133 Giant nhập khẩu cũ màu trắng giá 5 triệu. Mã G57 : Xe đạp điện M133 nhập khẩu màu trắng cũ giá 4,2 triệu. Mã G58 : Xe đạp điện M133 Giant màu đen cũ giá 4.5 triệu. Xem thêm xe đạp điện M133 cũ : https://xedapdiencuvietcuong.com/xe-dap-dien-m133-cu/ Xem thêm video xe đạp điện M133 cũ : https://www.youtube.com/watch?v=B72rlG2pJeI&list=PLVYPDO5Hlg-h89hx1qBL3lutjrBMUQa-x&index=12

[shadowyarcadeblizzard]

Continuing with the beautiful lakes of the USA, Honey Lake, departing from CA11 towards KSVE in Bechcraft Baron G58

[thighlerseguin]

New signing, Max Hinojosa, chats with teammate Tyler Seguin during warmup - CHI @ DAL | February 22, 2023

[aptitudpe]

¿Qué ocurre si no tengo mi brevete electrónico a la mano y me interviene un policía?

Si eres un conductor que ha obtenido la licencia de conducir electrónica y te preocupa que se agote la batería de tu celular en la ruta y no puedas presentar tu documento digital ante una intervención policial, es importante saber que la norma estipula que la infracción G58, por no mostrar el brevete, no aplica en este caso. El Ministerio de Transportes y Comunicaciones (MTC), a través del Texto…

[leftnerdnut]

AVIAÇÃO. AERONAVES: BEECHCRAFT BARON G58; BOEING 737 800.

[digitchain]

WORK OFFSETS

Work offset is a method that allows the CNC programmer to program a part away from CNC machine, without knowing its exact position on the machine table. The six work coordinate systems – or work offsets – that are available on Fanuc control systems are assigned the following preparatory commands: G54 G55 G56 G57 G58 G59.When the control unit is turned on, the default coordinate system is…

[karina01]

Walter Leblanc

Walter Leblanc (1932 – 1986) is an important Belgian figure of European post-war art. Over the years, he has built an extremely coherent oeuvre staging light without artifice or any disrupting elements. Within the international, neo- avant-garde network of the Nouvelle Tendance, ZERO, op art, kinetic art, concrete art and (neo)constructivism, Leblanc gained both national and international recognition.

Jan Hoet described Walter Leblanc as “an artist who deserves a place in the international pantheon of art".

After graduating from The Royal Academy of Fine Arts in Antwerp, Leblanc became a founding member of the Antwerp avant-garde group G58. The exhibition ‘Anti-Peinture ‘(1962), which he curated at G58-Hessenhuis, served as his manifesto. After a figurative, abstract and subsequent monochrome period, Leblanc put the paint away for good. In 1959 he began to introduce the ‘torsion’ as an important pictorial element in his work. These torsions – made from cotton threads, plastic or metal – allowed him to bring motion, light and vibration into his reliefs and sculptures. 

Leblanc actively participated in ground-breaking international exhibitions such as Monochrome Malerei (1960, Leverkusen), The Responsive Eye (1965, MoMA, New York) and Serielle Formationen (1967, Frankfurt am Main). In 1964 he won the prestigious Young Belgian Art Prize and in 1970 he took part in the 35th Venice Biennale. From 1977 until his early death in 1986, Leblanc was teaching at the Instituut voor Architectuur en Stedenbouwkunde (NHIBS) in Antwerp. 

His work is part of many important museum and private art collections worldwide, such as Centre Pompidou (Paris), Tate Modern (London), Museum Kunst Palast (Düsseldorf,) Josef Albers Museum (Bottrop), Stedelijk Museum (Amsterdam), S.M.A.K. (Ghent), Mu.Zee (Ostend) and The Fine Arts Museums (Brussels).