#G.v Prakash Kumar

[afabstract]

DeAr Review - Snoozy RomCom On Snoring

Newlywed Arjun is a light sleeper and his wife Deepika is a loud snorer, how will they make things work? Read our spoiler-free review of "Dear".

⭐⭐ Rating: 2 out of 5. Follow us on Twitter | Instagram Written and directed by Anand Ravichandran, the 2024 romantic-comedy “DeAr” is essentially about the trials of newly married couple Arjun (G.V. Prakash Kumar) and Deepika (Aishwarya Rajesh), who realize they aren’t very compatible in bed, because Arjun is a light sleeper and Deepika has an incurable snoring problem! It’s a fun premise,…

[movienized-com]

Adiyae

Adiyae (2023) #VigneshKarthick #GVPrakashKumar #VenkatPrabhu #GouriGKishan #Madumkesh #MirchiVijay Mehr auf:

Jahr: 2023 (September) Genre: Comedy / Romantik / SciFi Regie: Vignesh Karthick Hauptrollen: G.V. Prakash Kumar, Venkat Prabhu, Gouri G Kishan, Madumkesh, Mirchi Vijay … Filmbeschreibung: Als der depressive Jeeva einen seltsamen Unfall erleidet, erwacht er in einer bizarren utopischen alternativen Realität, in der er das idealste Leben führt und seinen Lebenszweck findet. Aber das Schicksal…

[rarulmca]

ஜிவி பிரகாஷ் இசையமைப்பாளராக 100வது படம் யாருடன் G.V. Prakash kumar's 100...

[worldwidemovies012]

Thangalaan review

: Pa Ranjith's film is intertwined with some fantasy and mystical realism. A must watch for Vikram fans.

Thangalaan is a period action drama starring Vikram, Parvathy Thiruvothu and Malavika Mohanan in the lead roles. The film is directed by Pa. Ranjith, produced by Studio Green K.E.Gnanavel Raja and the music is scored by G.V. Prakash Kumar.

Premise:

Britishers are in a wealth hunt, they take tribal people to work for them. Strange visions of Vikram to lead the troop to the Gold-rush area. What happens after forms the crux of the story.

Writing/ Direction:

Gold is the base of the film, the film showcases how it was handled in the 19th century by our rulers. Well-researched in terms of landscape, the way people look and the terms they use, which is sure to take the viewers back in time. The fantasy element is intriguing, the dynamic development of it is one of the few appreciable aspects of the film, the closure to it makes sense, sadly it is rushed by leaving no impact. The first half is like an adventure flick, with many different themes tried, but the result is extremely flat.

No clarity in the fight scenes as to who is winning and who is losing, the Black Panther sequence is a big dud with poor vision and the heavy smoke effects used lowers the visual standard.

Pasupathy’s humour portions are a big relief to the dry screenplay. The second half starts on a promising note with a few good scenes, displaying the happiness of the tribes for receiving new clothes, how the British treat the tribe with respect until they get to the Gold and shows their true nature after that, etc. Post which the film becomes dull with the slavery part not turning out to be emotional on-screen, the payoff is also very weak by bringing in a clumsy platter which is hard to consume. The biggest drawback of the film is the dialogue modulation of the artists which is probably authentic for the period, but had to go through hell to follow and understand.

Performances:

Chiyaan Vikram’s limitless efforts are evident on-screen, showing great variety in makeover, body language and expressions. Parvathy Thiruvothu is very casually natural on-screen, her scenes with the hero are lively, but the script required more to utilize the chemistry between them. Quite a challenging role for Malavika Mohanan, she has given her best, just wish she had more highlight action scenes to prove her full-potential. Pasupathy’s character started off fascinatingly, but then the arc was left abruptly without giving a proper ending it deserved. Stone-faced villains, the issue with foreign actors’ performances which the most Indian films have exists here too. The other supporting characters are written in a half-baked manner that we don’t get to feel for them.

Technicalities:

Meticulous work by G.V.Prakash, top quality songs overall, especially the Minikki Minikki track stands out and it is beautifully placed in the film. Solid score, his music made a lot of weak situations better, he has focused on what instruments to use as well. The visuals are first class, strong production value and location recce have led the team to explore new terrains, however the action is captured in an unimpressive manner. A lot of edit patterns and jump cuts are fascinating, but finesse is missing when things are simple, the packaging fails to engross. VFX is a mixed bag, the models look neat during the static shots, but the motions aren’t done right to make the sequences believable. Stunts lack punch, the approach is realistic but the output feels hurried.

Bottomline

Fantasy element is fine when it stands alone, falters when blent with reality. The film misses to hold the interest except for the initial chunk in the latter half. Had immense potential to be a hard-hitting flick, but it never took off from the ground level.

hindi:- थंगालान समीक्षा: पा रंजीत की फिल्म कुछ कल्पना और रहस्यमय यथार्थवाद से जुड़ी हुई है। विक्रम के प्रशंसकों के लिए यह फिल्म अवश्य देखें।

थंगालान एक पीरियड एक्शन ड्रामा है, जिसमें विक्रम, पार्वती थिरुवोथु और मालविका मोहनन मुख्य भूमिकाओं में हैं।

फिल्म का निर्देशन पा रंजीत ने किया है, जिस��ा निर्माण स्टूडियो ग्रीन के.ई. ज्ञानवेल राजा ने किया है और संगीत जी.वी. प्रकाश कुमार ने दिया है।

प्रस्तावना:

अंग्रेज धन की तलाश में हैं, वे आदिवासी लोगों को अपने लिए काम पर ले जाते हैं। विक्रम को सेना को गोल्ड-रश क्षेत्र में ले जाने के लिए अजीबोगरीब दृश्य दिखाई देते हैं। उसके बाद क्या होता है, यही कहानी का सार है।

लेखन/निर्देशन:

फिल्म का आधार गोल्ड है, फिल्म दिखाती है कि 19वीं सदी में हमारे शासकों ने इसे कैसे संभाला।

भूदृश्य, लोगों के देखने के तरीके और उनके द्वारा इस्तेमाल किए जाने वाले शब्दों के संदर्भ में अच्छी तरह से शोध किया गया है, जो दर्शकों को निश्चित रूप से समय में पीछे ले जाएगा।

फंतासी तत्व दिलचस्प है, इसका गतिशील विकास फिल्म के कुछ सराहनीय पहलुओं में से एक है, इसका समापन समझ में आता है, दुख की बात है कि इसे जल्दबाजी में बनाया गया है, जिससे कोई प्रभाव नहीं पड़ता।

पहला भाग एक साहसिक फिल्म की तरह है, जिसमें कई अलग-अलग थीम आजमाई गई हैं, लेकिन परिणाम बेहद सपाट है।

लड़ाई के दृश्यों में कोई स्पष्टता नहीं है कि कौन जीत रहा है और कौन हार रहा है, ब्लैक पैंथर का दृश्य खराब दृष्टि के साथ एक बड़ा डफ है और भारी धुएं के प्रभाव का उपयोग दृश्य मानक को कम करता है।

पसुपथी के हास्य भाग सूखी पटकथा के लिए एक बड़ी राहत हैं। दूसरा भाग कुछ अच्छे दृश्यों के साथ एक आशाजनक नोट पर शुरू होता है, जिसमें नए कपड़े प्राप्त करने के लिए जनजातियों की खुशी प्रदर्शित होती है, कैसे ब्रिटिश जनजाति के साथ सम्मान के साथ व्यवहार करते हैं जब तक कि वे गोल्ड तक नहीं पहुंच जाते और उसके बाद अपना असली स्वरूप दिखाते हैं, आदि।

इसके बाद फिल्म सुस्त हो जाती है क्योंकि गुलामी वाला हिस्सा स्क्रीन पर भावनात्मक नहीं बन पाता है, भुगतान भी बहुत कमजोर है क्योंकि एक भद्दा प्लेट पेश किया जाता है जिसे पचाना मुश्किल है।

फिल्म की सबसे बड़ी कमी कलाकारों के संवादों का उतार-चढ़ाव है जो शायद उस दौर के हिसाब से प्रामाणिक है, लेकिन इसे समझने और समझने के लिए नरक से गुजरना पड़ा।

प्रदर्शन:

चियान विक्रम के असीम प्रयास स्क्रीन पर स्पष्ट हैं, मेकओवर, बॉडी लैंग्वेज और भावों में बहुत विविधता दिखाते हैं।

पार्वती थिरुवोथु स्क्रीन पर बहुत सहज रूप से सहज हैं, नायक के साथ उनके दृश्य जीवंत हैं, ��ेकिन स्क्रिप्ट में उनके बीच की केमिस्ट्री का उपयोग करने के लिए और अधिक की आवश्यकता थी।

मालविका मोहनन के लिए काफी चुनौतीपूर्ण भूमिका, उन्होंने अपना सर्वश्रेष्ठ दिया है, बस काश उनके पास अपनी पूरी क्षमता साबित करने के लिए और अधिक हाइलाइट एक्शन दृश्य होते। पसुपति के किरदार की शुरुआत आकर्षक थी, लेकिन फिर आर्क को बिना उचित अंत दिए अचानक छोड़ दिया गया।

पत्थर के चेहरे वाले खलनायक, विदेशी अभिनेताओं के अभिनय की समस्या जो कि अधिकांश भारतीय फिल्मों में होती है, यहाँ भी मौजूद है।

अन्य सहायक पात्रों को आधे-अधूरे तरीके से लिखा गया है कि हम उनके लिए कुछ महसूस नहीं कर पाते।

तकनीकी बातें:

जी.वी.प्रकाश द्वारा किया गया बेहतरीन काम, कुल मिलाकर बेहतरीन गाने, खास तौर पर मिनिक्की मिनिक्की ट्रैक सबसे अलग है और इसे फिल्म में खूबसूरती से रखा गया है।

सॉलिड स्कोर, उनके संगीत ने कई कमज़ोर स्थितियों को बेहतर बनाया, उन्होंने इस बात पर भी ध्यान दिया कि कौन से इंस्ट्रूमेंट का इस्तेमाल करना है।

विज़ुअल बेहतरीन हैं, प्रोडक्शन वैल्यू और लोकेशन रेकी ने टीम को नए इलाकों की खोज करने के लिए प्रेरित किया है, हालांकि एक्शन को बहुत ही कमज़ोर तरीके से कैप्चर किया गया है।

एडिट पैटर्न और जंप कट बहुत आकर्षक हैं, लेकिन जब चीजें सरल होती हैं तो बारीकियाँ गायब हो जाती हैं, पैकेजिंग भी ध्यान खींचने में विफल हो जाती है।

वीएफएक्स एक मिश्रित बैग है, स्टैटिक शॉट्स के दौरान मॉडल साफ-सुथरे दिखते हैं, लेकिन दृश्यों को विश्वसनीय बनाने के लिए गति सही तरीके से नहीं की गई है। स्टंट में दम नह���ं है, दृष्टिकोण यथार्थवादी है लेकिन आउटपुट जल्दबाजी में किया गया लगता है।

बॉटमलाइन

फ़ैंटेसी एलिमेंट अकेले होने पर ठीक है, लेकिन वास्तविकता के साथ घुलने-मिलने पर यह कमज़ोर पड़ जाता है।

फिल्म के दूसरे हिस्से में शुरुआती हिस्से को छोड़कर बाकी हिस्सा दिलचस्पी बनाए रखने में विफल रहा। इसमें एक दमदार फिल्म बनने की अपार संभावना थी, लेकिन यह कभी भी जमीनी स्तर पर आगे नहीं बढ़ पाई।

[sivadigitalart]

A brand new poster of #MarkAntony 🔥

Mark Antony, Marking Towards Finishing.

Starring Vishal S J Suryah.. Directed by Adhik Ravichandran✨

A G.V. Prakash Kumar Musical! Produced By Vinod Kumar (Mini Studios)

All the best to the entire team #மார்க்ஆண்டனி❤️ Vishal S J Suryah Sunil Ritu Varma Adhik Ravichandran Abhinaya #YGeeMahendran #DSG #nizhagalravi @editorvijay Abinandhan Ramanujam @RVijaimurugan Sathya NJ sivadigitalart and others

FromTheWorldOfMarkAntony

மார்க்ஆண்டனி #typography #art #love #sivadigitalart

Starring Vishal S J Suryah.. Directed by Adhik Ravichandran✨ A G.V. Prakash Kumar Musical! Produced By Vinod Kumar (Mini Studios)

All the best to the entire team மார்க் ஆண்டனி! ❤️ Vishal S J Suryah Sunil Ritu Varma Adhik Ravichandran Abhinaya YGeeMahendran DSG #nizhagalravi editorvijay Abinandhan Ramanujam RVijaimurugan Sathya NJ sivadigitalart and others

FromTheWorldOfMarkAntony #posterdesign #typography #art #love #sivadigitalart

[musicverse11]

Saindhavi and the Revival of Soulful Melodies in Cinema

The South Indian music industry has always been a treasure trove of talent, producing some of the most iconic voices in Indian cinema. Among these, Saindhavi stands out as a singer who has not only carved a niche for herself but also redefined what it means to be a playback singer in South Indian cinema. With her soulful renditions and versatile singing style, Saindhavi has won hearts across Tamil, Telugu, and Kannada audiences. This article delves into her journey, her contributions, and how she continues to shape the musical landscape.

A Melodious Beginning

Saindhavi’s foray into the world of music began at a young age. Born with a natural inclination for music, she honed her skills under the guidance of eminent Carnatic music teachers. Her classical training laid a solid foundation for her career and gave her the versatility to adapt to various genres.

Her journey into playback singing was not accidental. Saindhavi’s childhood was steeped in music, and she was encouraged by her family to pursue her passion. Her debut in the South Indian music industry marked the beginning of a promising career, as her melodious voice immediately caught the attention of composers and audiences alike.

Breakthrough Moments

Every artist has defining moments that catapult them to fame, and for Saindhavi, these came early in her career. Her rendition of the song “Andankaaka Kondaikaari” from the Tamil movie Anniyan became a chartbuster, earning her immense popularity. The song showcased her ability to convey emotions effortlessly and established her as a playback singer to watch.

Following this success, Saindhavi worked with some of the most celebrated composers in the industry, including Yuvan Shankar Raja, G.V. Prakash Kumar, and Harris Jayaraj. Her collaborations resulted in songs that resonated deeply with audiences, making her a household name. Each of her songs reflected her unique ability to blend technical precision with heartfelt expression, a hallmark of her style.

Distinctive Singing Style

What sets Saindhavi apart from her contemporaries is her distinctive singing style. Trained in classical Carnatic music, she seamlessly incorporates traditional nuances into modern compositions. Whether it’s a soulful melody, an upbeat dance number, or a devotional track, Saindhavi’s voice adapts effortlessly, ensuring that each song is impactful.

Her versatility extends beyond genres. Saindhavi has sung in multiple South Indian languages, including Tamil, Telugu, and Kannada, showcasing her linguistic adaptability. This multi-lingual proficiency has further widened her appeal and established her as a pan-South Indian artist.

Collaborations with Legends

Saindhavi’s career is marked by her collaborations with some of the biggest names in the music industry. Her work with composer G.V. Prakash Kumar has been particularly notable, as the duo has delivered numerous hits. One of their most memorable projects is the movie Siva Manasula Sakthi, where Saindhavi’s voice added depth and emotion to the soundtrack.

Her ability to align with a composer’s vision has earned her immense respect in the industry. Whether singing for veteran composers like Ilaiyaraaja or new-age musicians, Saindhavi’s performances remain consistent in their quality and appeal.

Impact on South Indian Cinema

Saindhavi’s contributions to South Indian cinema go beyond her playback singing. She represents a new generation of artists who are reviving the essence of melodious music in a landscape often dominated by commercial beats. Her commitment to quality and her focus on meaningful lyrics have helped her songs stand out in a competitive industry.

Through her music, Saindhavi has also become a cultural ambassador, taking South Indian melodies to a global audience. Her concerts, both in India and abroad, have introduced audiences to the richness of South Indian music, further cementing her place as a respected artist.

Challenges and Triumphs

Like any artist, Saindhavi has faced her share of challenges. The highly competitive nature of the playback singing industry demands constant evolution and adaptability. However, her classical training and dedication to her craft have enabled her to navigate these challenges with grace.

Her personal life, too, reflects her grounded and balanced personality. Married to composer G.V. Prakash Kumar, Saindhavi manages to balance her professional commitments with her family life, serving as an inspiration to many young women in the industry.

A Legacy in the Making

As Saindhavi continues to deliver memorable songs, her legacy is taking shape. She is not just a playback singer but also a role model for aspiring artists. Her journey serves as a testament to the power of perseverance, talent, and a passion for excellence.

Her fans eagerly await each new release, knowing that a Saindhavi song will always strike a chord. Whether it’s a soothing melody or a powerful anthem, her voice has the ability to evoke emotions and create a lasting impact.

Conclusion

Saindhavi’s journey in the South Indian music industry is a story of passion, hard work, and resilience. From her humble beginnings to her status as one of the most celebrated playback singers, she has consistently redefined the benchmarks of success. Her contributions to cinema, her collaborations with musical legends, and her ability to connect with audiences have ensured her place in the annals of South Indian music.

As the industry continues to evolve, Saindhavi remains a beacon of inspiration, proving that talent, when combined with dedication, can overcome any challenge. Her journey is far from over, and her fans can look forward to many more melodious renditions from this gifted artist.

[mothalaalee]

flirted with a woman and she flirted back

[lyricsdb1]

[Chaawat Lyrics Sarfira Shreya Ghoshal

Chaawat (चावट) Lyrics from Sarfira is brand new Hindi song sung by Shreya Ghoshal while this latest song is featuring Akshay Kumar, Radhikka Madan. Chawat Re song lyrics are penned down by Manoj Muntashir Shukla while music is given by G.V. Prakash Kumar and video has been directed by Sudha Kongara. Chaawat Lyrics Layi Layi Layi Layi Layi LayiLayi Layi Layi LayiLayi Layi Layi Layi Layi LayiLayi…

[starfriday]

Dive into the Melodious World of Sarfira’s Soulful New Track ‘Khudaya’ Featuring Akshay Kumar & Radhikka Madan!*

As anticipation builds for the upcoming film "Sarfira," Junglee Music and the producers - Cape of Good Films, Abundantia Entertainment and 2D Entertainment are excited to take things a notch higher with "Khudaya”, an evocative qawwali that delves into the struggles of love and relationships. Featuring Akshay Kumar and Radhikka Madan, this soulful track is set to touch hearts with its beautiful melody and poignant lyrics. "Khudaya" will be available for streaming on all major platforms and YouTube on 27th June.

Sung by the incredible trio Suhit Abhyankar, Sagar Bhatia, and Neeti Mohan, and composed by Suhit Abhyankar, "Khudaya" marks a refreshing return of qawwali to the movies. The song's heartfelt message underscores the enduring power of love, reminding listeners that true love withstands all trials and tribulations. Their harmonious blend creates a musical experience that transcends the ordinary, making it the standout track of the album. “Khudaya” is a glimpse into the emotional depth and narrative richness that "Sarfira" encapsulates. The enchanting visuals featuring Akshay Kumar and Radhikka Madan further elevate the song, adding layers of storytelling.

Neeti Mohan shares her thoughts on the song, "Singing 'Khudaya' has been an incredibly moving experience for me. The song's poignant lyrics and beautiful melody truly capture the essence of enduring love. I'm excited for everyone to feel the emotions we've poured into this qawwali."

Suhit Abhyankar reflects on the creative process, "Composing and singing 'Khudaya' has been a journey of deep emotional exploration. This qawwali holds a special place in my heart, and I hope it resonates with listeners as much as it did with us while creating it."

Directed by National Award-winning director Sudha Kongara, written by Sudha and Shalini Ushadevi, with dialogues by Pooja Tolani, and a G.V. Prakash Kumar musical, Sarfira is produced by Aruna Bhatia (Cape of Good Films), South superstars Suriya and Jyotika (2D Entertainment) and Vikram Malhotra (Abundantia Entertainment). Mark your calendars for July 12th as 'Sarfira' takes you on an exhilarating journey of ambition, determination, and the relentless pursuit of dreams.

[tuneadda]

Banjara Song Lyrics In Telugu & English

Banjara Lyrics From the Movie SIR: The Song is Sung by ‘Anurag Kulkarni‘, Lyrics Are Written by ‘Suddala Ashok Teja‘ and the Music Was Composed by ‘G.V. Prakash Kumar‘. Starring Dhanush, Samyuktha Menon. Banjara Song Credits – SIR Movie Song,Dhanush Song NameBanjaraMovie NameSIR TeluguSingerAnurag KulkarniLyricsSuddala Ashok TejaProgrammed byNakul AbhyankarRhythmKalyanConcept & DirectionAswin…

[bollywoodmixtape]

Song: Hai Kamaal Movie: THALAIVII (2021)[Tamil] - wikipedia Starring: Shankar M, Parul M Music: G.v Prakash Kumar, Lyrics: Irshad Kamil Singers: Shankar Mahadevan & Parul Mishra

-- Hai Kamaal Song | THALAIVII | Kangana Ranaut | Shankar M, Parul M | G.V.Prakash| Irshad Kamil (via T-Series)

[axomlyrics]

Chali Chali Lyrics - Thalaivi | Saindhavi Prakash

Chali Chali Lyrics – Thalaivi | Saindhavi Prakash

Chali Chali Lyrics by Saindhavi Prakash is The latest Hindi song from the movie “Thalaivii”. Music is given by G.V Prakash Kumar. The Bollywood blockbuster song lyrics were written by Irshad Kamil. Featuring Kangana Ranaut. Chali Chali Lyrics Chali Chali Haan ChaliIk Nayi Hawa Hoon MainKabhi Nahi Dekhi JoWoh Nayi Disha Hoon Main Chali Chali Haan ChaliIk Nayi Hawa Hoon MainKabhi Nahi Dekhi…

[tprolyrics]

Tukda Tukda Lyrics Hindi - G.V Prakash Kumar 2021 Super Hit

Tukda Tukda Lyrics Hindi – G.V Prakash Kumar 2021 Super Hit

टुकड़ा टुकडा Tukda Tukda lyrics song is sung by G.V Prakash Kumar from movie Thalaivii 2021 is latest hindi song lyrics are written ✍🏻 by Irshad Kamil and director of photography by Vishal Vittal. This 4k video full song is features by Arvind Swami, Kangana Ranaut. The music of this new song is given by G.V.Prakash Kumar and the video is directed by A. L. Vijay 🎥. This most popular hindi song is…

[getbestlyrics]

TUKDA TUKDA Lyrics – Thalaivii

TUKDA TUKDA Lyrics – Thalaivii

Presenting the lyrics of the song “TUKDA TUKDA” from the movie Thalaivii sung by G.V Prakash Kumar. Song Details Song: TUKDA TUKDASinger: G.V Prakash KumarMusic: G.V Prakash KumarMovie: ThalaiviiLyrics: Irshad Kamil Song Lyrics Tukda Tukda Din Beeta AurResha Resha Raat HuiTukda Tukda Din Beeta AurResha Resha Raat Hui Kaisi Khushi Hai Is Dil MeinJo Gam Se Lipti Jaati HaiPalkon Ke Niche Ik…

[mazhaiyil-kaadhal]

Some more epic ones:

1. Pirai Thedum from Mayakkam Enna

2. Kanave Kanave from David

3. Po Urave from Kaatrin Mozhi

4. Pagal Iravai by Pranav Das (album song)

5. Imaye Imaye from Raja Rani

6. Enna Solla Pogirai (sad+anger) from Kandukondain Kandukondain

7. Naan Varuven from Dear Comrade (Tamil version of O Kalala Kathala) - sad+healing sort of

8. Thodu Vaanam from Anegan

9. Kaiveesum from Strawberry

10. Sagiyae by Stephen Zechariah from the web series 'Naam'

11. Dhimu Dhimu from Engeyum Kaadhal

12. Usure Pogudhey from Raavanan

13. Enna Nadanthalum from Meesaya Murukku

14. Yamma Yamma from 7-am Arivu

15. Vaadi Pulla Vaadi from Meesaya Murukku - sad+anger

KOLLYWOOD CHALLENGE:

Favourite Sad Songs:

Ava Enna, Vaaranam Aayiram (2008)

Yenga Pona Raasa, Maryan (2013)

Usuru Narambulay, Irudhi Suttru (2016)

Nee Nenacha, Mr. Local (2019)

O Vennila, Kushi (2000)

En Uyir Kaatre, Vaanam Kottattum (2020)

[randomreasonstolive]

Reason to Live #6143

  Listening to G. V. Prakash Kumar Sir's Music :)– Guest Submission

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