#Fujifilm digital hybrid cameras

[irowase]

[karingottschalk]

Fujifilm Global: Fujifilm launches Mirrorless digital camera “FUJIFILM GFX100 II” – Press Release

[gadgetsboy]

Meet Fujifilm's New X100VI Digital Camera

While some might argue that a majority of consumer-grade photography nowadays is now mostly achieved through the use of smartphones, it goes without saying that there's still a sizeable population of enthusiasts and professionals who'd still rather get their photography done via a dedicated camera. This has resulted in some rather impressive hardware from the biggest names in the industry, including Fujifilm. With that in mind, the company recently unveiled the launch of the Fujifilm X100VI digital camera, which boasts some pretty cool features. The camera is the latest addition in Fujifilm’s X Series line of digital cameras, and Fujifilm says that the new model offers exceptional image quality, in addition to its compact size and lightweight profile, as well as Fujifilm’s colour reproduction quality.  Camera Design and Features Fujifilm says that the top and bottom of the X100VI's body is built from aluminium which is pressed and machined for sharp edges, while the surface is finely blasted for a smooth texture in addition to the anodised aluminium on its surface. The camera also features an LCD monitor for media viewing and playback which can be stored in a fully flat position, and also comes with touch support. Additionally, the control buttons on the back have been moved to a position that is easy to operate with the right hand. As the sixth-generation model in the X100 Series, the X100VI comes with the new 40.2 megapixel X-Trans CMOS 5 HR sensor, as well as a high-speed X-Processor 5 image processing engine. The camera also includes a newly-developed in-body image stabilisation function, with up to 6.0 stops. Fujifilm says that this is the first time that this feature has been incorporated in an X100 Series product, without a considerable increase in size and weight. Going back to the camera's hardware, the 40-megapixel CMOS 5 HR sensor inside is designed to allow more light to be captured in comparison to its predecessors, as well as native ISO 125 support. The X100VI also comes with a total of 20 "Film Simulation" modes, including a new ‘REALA ACE’ mode with a wide range of different tones. The camera also incorporates an autofocus prediction algorithm for reliable focusing that works even on moving subjects, with subject detection autofocus to accurately track a range of subjects. Fujifilm says that its developed using deep-learning AI technology, allowing it to detect wildlife, vehicles, and more. Other Details The X100VI also includes an ‘Advanced Hybrid Viewfinder’ that lets users switch between the optical viewfinder (OVF) and the electronic viewfinder (EVF). The latter is equipped with a high-resolution OLED panel with around 3.69 million dots for a clear visual user experience. The camera comes with a built-in ‘Electronic Range Finder’ (ERF) function allows a small EVF to be simultaneously displayed on the OVF, which can allow photographers to capture a subject in the OVF and subsequently magnify the in-focus area in the smaller EVF, making it convenient for snapshots and such. For video recording, there's built-in support for 6.2K resolution 30P movie recording that also supports tracking AF function during recording. One of the X100VI's most handy features comes in the form of Frame.io Camera to Cloud support, allowing users to wirelessly connect to an active internet connection, authenticate to Frame.io, and automatically upload photos and videos online right after creation, speeding up a user's workflow process. Pricing and Availability The X100VI will be sold in Black and Silver models, and will be available in the UK from 28 February 2024 from authorised retailers and the Fujifilm House of Photography in London starting at £1,599 including VAT. There will also be a special edition of the camera to celebrate Fujifilm’s 90th anniversary year, which will be available starting on 6th April at £1,934. The limited-edition models are individually numbered and delivered in a special box with strap, soft release button and history cards. The camera body is engraved with the original Fujifilm corporate brand logo from 1934, along with the unique serial number. Read the full article

[rizqialvaroardn516]

I shoot almost everything on a digital Fujifilm XH-1, I bought this camera as its marketed as a “hybrid” camera. It was built for both videography work and stills photography. The XH-1 has been with me for the better part of 5 years now, I saved up enough money from my first-ever job to buy what was then a camera that was well beyond my skill levels. You could liken it to giving a new motorbike rider a 1000cc sports bike. Though this camera taught me everything I know now about the technical functions of a camera. I’ll take some time to talk about why I still use this camera now and why I think it works very well for my style of street photography. The very first feature that I use is related to its “hybrid” functions. The camera has an in-body stabilisation system, although this was marketed heavily for videographers I find it incredibly useful as a street photographer too. I use the IBIS system like a quasi tripod, for photographs where I want to capture movement with a really low shutter speed, without the edges of the frame looking like smears. The IBIS really does help to remove any influence a shaky hand can have

On the XH-1 I prefer to use spot metering when shooting my style of street photography. I do this because I don’t often try to “correctly” expose the entire scene, sometimes I want only parts of the image to be exposed, whilst other parts look almost black. When shooting at f11 or above, even on the brightest days anything that is not hit with direct light is underexposed. When I’m shooting for light and shadows specifically, I use the auto shutter speed mode, I expose the centre point of my camera on an object with lots of light and then set my auto exposure lock. This sets the camera up to expose only slivers of light while keeping the shadows underexposed, setting the shutter speed accordingly. 

[brr2024]

Digital Camera Market Report, Key Company Profiles and Demand Forecasts to 2033

The digital camera global market report 2024 from The Business Research Company provides comprehensive market statistics, including global market size, regional shares, competitor market share, detailed segments, trends, and opportunities. This report offers an in-depth analysis of current and future industry scenarios, delivering a complete perspective for thriving in the industrial automation software market. Digital Camera Market, 2024 report by The Business Research Company offers comprehensive insights into the current state of the market and highlights future growth opportunities. Market Size - The digital camera market size has grown strongly in recent years. It will grow from $6.44 billion in 2023 to $6.81 billion in 2024 at a compound annual growth rate (CAGR) of 5.8%.  The growth in the historic period can be attributed to increased innovations to make the devices more user-friendly, consumer electronics market growth, rise of social media and digital sharing, integration with other devices, and improved image quality and features. The digital camera market size is expected to see strong growth in the next few years. It will grow to $8.76 billion in 2028 at a compound annual growth rate (CAGR) of 6.2%  The growth in the forecast period can be attributed to the rise of mirrorless cameras, enhanced connectivity features, focus on sustainability and eco-friendliness, demand for specialized cameras, and emerging market growth. Major trends in the forecast period include advancements in sensor technology, integration of artificial intelligence, focus on specialized cameras, sustainability and eco-friendly design, and customization and personalization. Order your report now for swift delivery @ https://www.thebusinessresearchcompany.com/report/digital-camera-global-market-report Scope Of Digital Camera Market The Business Research Company's reports encompass a wide range of information, including: 1. Market Size (Historic and Forecast): Analysis of the market's historical performance and projections for future growth. 2. Drivers: Examination of the key factors propelling market growth. 3. Trends: Identification of emerging trends and patterns shaping the market landscape. 4. Key Segments: Breakdown of the market into its primary segments and their respective performance. 5. Focus Regions and Geographies: Insight into the most critical regions and geographical areas influencing the market. 6. Macro Economic Factors: Assessment of broader economic elements impacting the market. Market Trends - Major companies operating in the digital camera market are focusing on developing innovative digital cameras, such as next-generation compact digital cameras, to cater to the evolving needs of photographers. The next-generation compact cameras, exemplified by the Fujifilm X100VI and the Sony α6700, offer cutting-edge features tailored for advanced photography and videography needs. For instance, in February 2024, Fujifilm Holdings Corp., a Japan-based camera manufacturing company, launched the X100VI Digital Camera, a next-generation advanced compact camera. The X100VI Digital Camera incorporates a 5-axis, in-body image stabilization function with up to 6.0 stops, an X-TransTM CMOS 5 HR sensor with approximately 40.2 megapixels, and a fixed 23mm F2.0 lens. The X100VI features an Advanced Hybrid Viewfinder, 6.2K/30P movie recording, and Camera to Cloud integration for Adobe’s Frame.io, enabling wireless photo and video uploads. Its design includes aluminum surfaces, an ultra-thin tilt LCD monitor, and an integrated body design for versatile shooting styles.

[newswisenow]

Fujifilm Instax Square SQ40: A Feature-Rich Instant Camera Under Rs 20,000

Fujifilm, a renowned camera manufacturer, has recently unveiled its latest offering in India—the Instax Square SQ40 instant camera. Building upon the success of the Instax Square SQ1, this new addition introduces several exciting features, all priced under Rs 20,000. Let us explore the intricacies of this innovative device. Unveiling the Fujifilm Instax Square SQ40: A Feature-Packed Instant Camera The Instax Square SQ40 follows Fujifilm's signature design principle, sporting a compact form factor and the iconic square aesthetics. With its sleek black finish and elegant design, the SQ40 exudes a timeless appeal. One of its standout features is the Auto Exposure functionality, which intelligently determines the optimal exposure for any given situation, resulting in perfectly balanced photographs. These captivating images are then printed on wide square 86mm×54mm film, capturing every moment with remarkable clarity. Read Also: iPhone 15 and iPhone 15 Plus Camera Upgrade And Price: Everything We Know So Far Another noteworthy feature of the SQ40 is its dedicated "Selfie Mode," facilitated by a small squarish mirror positioned next to the lens. This innovative addition allows users to effortlessly capture stunning self-portraits. By simply swiveling the camera towards oneself and utilizing the built-in mirror, users can snap flawless self-images with ease. Mr. Koji Wada, Managing Director at FUJIFILM India, expressed his enthusiasm about the launch, stating, "The release of the SQ40 further strengthens our commitment to the INSTAX series. We also recognize the evolving demands of consumers. To meet these demands, we have introduced a brown version of the INSTAX Mini Evo, our flagship model of the INSTAX series—a hybrid instant camera that combines digital technology and unlocks a world of infinite possibilities." Features and Price: Fujifilm Instax Square SQ40 The SQ40 boasts a 2-element lens featuring an f 65.75 mm aperture, allowing for a shooting range of 0.3 meters and beyond. With a film development time of just 90 seconds and an automatic ejection feature, users can experience swift and hassle-free photography. Furthermore, the camera incorporates a Reverse Galilean Finder, equipped with a target spot, ensuring that the final output matches what is seen through the viewfinder. Inside the box, customers will find 2 AAA batteries, a film counter, and a film pack confirmation window, providing all the necessary components for an enjoyable photography experience. As for the price and availability, the Instax Square SQ40 will be initially launched at Rs 16,999. Additionally, Fujifilm has introduced a new Brown color variant for the Mini Evo, priced at Rs 22,999. Interested individuals can visit the Fujifilm Instax website to purchase both items and embark on their creative photographic journey. In conclusion, Fujifilm's Instax Square SQ40 instant camera combines stylish design, advanced features like Auto Exposure and Selfie Mode, and an affordable price point. With its user-friendly interface and ability to capture stunning images, this camera is sure to appeal to photography enthusiasts and selfie lovers alike. Buy it on Official Website INSTAX Read the full article

[suyashresearchlayer]

Drive high CAGR by Global Instant Camera Market Along with Top Key Players like Fujifilm, Polaroid, Lomographische AG,  , etc

The instant camera market refers to the market for cameras that allow users to capture and print photos instantly, without the need for a separate printing process. These cameras typically use self-developing film or specialized paper to create physical prints of the photos that users take.

Instant cameras have been around since the mid-20th century, but they have experienced a resurgence in popularity in recent years, particularly among younger generations who value the tangible and nostalgic qualities of physical photographs.

Some of the major players in the instant camera market include Fujifilm, Polaroid, and Leica. These companies offer a range of instant cameras with different features, styles, and price points to appeal to different consumers.

Click Here By - https://www.marketinforeports.com/

In addition to traditional instant cameras, there are also hybrid instant cameras that combine digital and physical photography. These cameras typically have a digital sensor that allows users to preview their shots on an LCD screen before printing them.

Overall, the instant camera market is expected to continue growing as consumers seek out unique and tangible ways to capture and share their memories.

[gadgetsaudit]

Here you got to Know Some Amazing Mirrorless cameras available in market 2023.Read the Pros and Cons here.

Digital single-lens reflex cameras (DLSRs) have been superseded as the industry standard by mirrorless cameras. Every significant manufacturer, from Canon and Nikon to Sony, has jumped into the mirrorless market with cutting-edge sensors for both stills and video. Whether you're a professional or an enthusiast, the best mirrorless cameras will raise the calibre of your photos and present you with new opportunities.

In contrast to typical SLRs, including DSLRs, mirrorless cameras don't have a reflex mirror. Instead of reflecting light onto the sensor through this mirror, a mirrorless camera exposes the sensor directly through the lens.

Since they lack a reflex mirror, mirrorless cameras are usually smaller and lighter than DSLRs, making them easier to use and carry. The market for mirrorless cameras is expanding significantly despite being relatively young. The camera that best meets your needs should be your top priority when weighing your options.

Fujifilm X-H2S

-fujifilm-x-s10-review

The Fujifilm X-H2S is a fantastic mirrorless camera that produces some of the best still photos and videos available in any format. It offers exceptional continuous shooting at 40 frames per second with full autofocus and twice as much processing power as its predecessor. The camera features a Fujifilm 26MP APS-C X-Trans 5 stacked sensor, 425-point hybrid autofocus, and AI subject recognition. You can monitor more subjects, including people, automobiles, trains, and animals, and in-body image stabilisation is improved by 7 stops.

The Fujifilm X-H2S also has the ability to record 10-bit video at 6.2K 30p and blazing-fast 4K 120p. Three Apple ProRes codecs are supported by the camera, which may make it simpler for users to edit and capture video on Apple equipment (to record quickly moving things in slow motion). This is the most powerful APS-C camera you can buy, with incredible colour science and the ability to take beautiful pictures.

Pros

-A 7-stop IBIS -video in 6.2.K at the highest frame rate -continuous 40 frames per second shooting

Cons

-a little pricey

Read More: Here you got to Know Some Amazing Mirrorless cameras available in market 2023.Read the Pros and Cons here.

[productsreviewings]

If you happen to're debating whether or not or to not purchase a Fujifilm X-Pro3 in 2023, it's possible you'll be questioning whether or not you'll be able to justify spending a big amount of cash on this stunning, however flawed digital camera.I discovered myself doing the identical factor a few month in the past. In brief, I used to be supplied much more cash than I paid for my Fujifilm X-E4 — much more, because of the fireplace sale. Additionally, I wished a bit greater to deal with the massive ultra-wide lenses higher. I made a decision to promote the X-E4, then realized I wanted a digital camera, quick. I selected the X-Pro3, a digital camera launched in late 2019, which was most likely a silly determination given its age, value, and controversial options. I do not remorse it one bit, however after a month of possession, I can absolutely admire that it actually does not make a lot sense for most individuals to purchase the X-Pro3 in 2023. So, in the event you're eager about getting one, here is why you most likely should not.Merely put, it is overpricedWhen selecting a brand new digital camera, the X-E4 was clearly out. The X-T30 II additionally stands out, because of its annoying Q-button placement. Given Fuji's comparatively skinny lineup now, I used to be caught selecting between the X-T4, X-T5 and X-Pro3. This presents the X-Pro3's first actual problem - it is hella costly. I purchased mine in normal black, body-only camouflage for round £1,500, a reduction from its retail value of $1,699 / £1,699. Steep sufficient as that. The X-Pro3 prices $1,999 / £1,879 in a premium Dura end, though within the UK you'll be able to often discover one for £1,799.(Picture credit score: Fujifilm)And what do you get on your cash? You get hard-wearing titanium, for one; Upmarket extra-durable Dura Silver or Dura Black finishes in the event you go for the pricier fashions; An OVF and a wierd display. However beneath, it is a 3-year-old digital camera with the identical internals (minus IBIS) because the X-T4, which could be had for as little as £1,000 right here within the UK, and is well obtainable for £1,500. Now, I might argue that these options pretty warrant a premium over the X-T4, even taking into account the dearth of IBIS. Nevertheless, once you examine the X-Pro3 to the newer X-T5, the previous appears to be a bit dearer in at present's market. For £1,699, the identical value as the fundamental X-Pro3, the X-T5 provides you a brand new processor, a 40.2 MP sensor, improved AI autofocusing and as soon as once more IBIS. If you happen to're going for absolute bang on your buck, there actually is not a case for the X-Pro3 at present. Merely put, it prices so much.Hybrid viewfinder and that displayThen there are the distinctive options of the X-Pro3. Fuji's advertising would have you ever imagine that purchasing this digital camera will flip you right into a photographic purist. Its display is hidden until drawn, forcing you to cease chimping and snap an image or one thing. It additionally has a hybrid viewfinder, which options each an EVF and OVF, the latter offering "a primal sense of photographic pleasure, permitting customers to get pleasure from 'seeing by the lens' at their topic," in keeping with Fuji. (Picture credit score: Future)Now, the optical viewfinder is motive sufficient to purchase this digital camera, if an OVF is what you are on the lookout for and can resolve the issue you wish to resolve. However in the event you do not already like OVF, do not buy this digital camera pondering it is going to flip you right into a Seventies photojournalist. It will solely make sense to have an EVF there, if these are your factor, you may most likely gravitate in the direction of it. What's extra, I discovered myself utilizing the EVF by default as a result of my favourite lens, the XF14mm F2.8, is just too large for the OVF's frameline. I naturally used EVF when utilizing that lens and did not hassle to change to OVF after placing on my 27mm or 35mm lens.

In a month, utilizing the digital camera 4 or 5 instances per week, I might say I used the OVF lower than 5 instances. I feel it will most likely be the case for many customers until they're particularly on the lookout for an OVF digital camera, thereby negating the worth of the hybrid viewfinder.The display, I am afraid to say, is known as a sham. It is not onerous to tug down, so in the event you're a routine display tester, you most likely nonetheless can be. All you really want is a little bit of willpower, and that may be utilized to cameras and not using a bizarre display.Small matter of a category motion lawsuitAs an older automotive proprietor, I do not often put a lot inventory in discussion board rumours. Automotive boards are closely biased in the direction of doom and gloom, primarily as a result of individuals have issues posting on them. As such, the dimensions of reliability points tends to turn into overwhelming on-line.Nevertheless, of explicit curiosity to anybody seeking to buy the X-Pro3 are two reliability points that proceed to make their manner across the Fuji boards and which look like respectable and widespread design flaws. The primary is a matter with the X-Pro3's shutter button mechanism, which tends to turn into "sticky" when absolutely pressed, typically after only a few weeks of use. There are quite a few accounts on-line of Fuji changing the X-Pro3's total top-plate beneath guarantee to appropriate this.(Picture credit score: Future)One other drawback is with the X-Pro3's LCD display ribbon, which connects the digital camera to each the LCD display and the rear sub-monitor. Below regular use, this reportedly failed, rendering each screens unusable. I've seen many accounts on-line that result in expensive repairs after the Fujifilm guarantee expired. Fujifilm is at present going through a class-action lawsuit within the US (opens in new tab) As for the difficulty, it definitely looks like greater than a small-scale discussion board hearsay.I used to be conscious of the shutter button problem earlier than I purchased my X-Pro3, however because it appears to be taking place primarily throughout the guarantee interval, I put it apart. I did not know concerning the display ribbon problem, although, which alarmingly appears to be taking place across the two to 3 yr mark, out of guarantee. In fact, there are many house owners of the X-Pro3 who can have and will not have any points, however in the event you're seeking to spend almost £2,000 on a digital camera, do you actually wish to danger it? Breaking your self so shortly?X-Pro4?Lastly, the easy indisputable fact that the X-Pro3 is now over 3 years previous. Though nothing has been introduced, there are rumors on-line of an X-Pro4. Granted, the X-Pro3 was such a controversial digital camera for Fuji that the corporate discontinued the road. Personally, although, given how skinny Fuji's lineup already is nowadays, and the way misplaced the "X-Professional" moniker is on the planet of images, I do not assume it is potential. Fuji will know that, regardless of the failings of the X-Pro3 and certainly, in the event that they launch an X-Pro4 that includes their new sensor, processor and AF know-how, and with out an ungainly display, it'll promote much more. Time-wise, then, we're now firmly in new X-Professional territory. When £2,000 is on the road, you would be a little bit of a idiot to not wait.So you obtain yours as a result of…If shopping for an X-Pro3 is a silly concept, why did I purchase mine? First, because of Fuji's very small lineup, I did not actually have a lot to select from. I bought my X-E4 in a little bit of a rush and initially, deliberate to purchase an X-T4. Earlier than pulling the set off, although, I noticed I did not actually need an X-T4. Mirrorless cameras appear to wish to be all the things to everybody nowadays, and the result's that they are changing into homogenized. IBIS is quick changing into a minimal

requirement even in enthusiastic organizations, even if it's pointless for many individuals. AF programs at the moment are so good that just about all work is taken out of focusing. They're all beginning to look even and behave the identical. It is boring.My X-E4 had an antidote — it was a tough digital camera to make use of, and the entire motive for getting it was to get again from the mundane, cookie-cutter expertise of utilizing my Sony A7 III and make images difficult and pleasant once more. . An X-T4 or X-T5 can be my return to Sony, so my solely actual selection was the X-Pro3. However that is to not say it was a tough selection — I am not ashamed to confess that I used to be closely influenced by the X-Pro3's beautiful rangefinder aesthetic. Just like the X-E4, the X-Pro3 makes me wish to maintain it up, which makes me wish to take images with it. It is not a selection I am sorry. The X-Pro3 produces incredible photographs, is constructed like a tank (till its shutter button or display breaks, after all) and handles road use admirably, even with bulkier lenses. You are shopping for the X-Pro3 together with your coronary heart, not your head, so it is senseless. It is like a basic automotive — you recognize it is going to break each the financial institution and your self, most likely inside a month of getting it, but it surely's definitely worth the danger due to your selection. Nevertheless, as with the older vehicles I've owned through the years, when individuals ask me if they need to purchase one themselves, my reply is at all times the identical: completely not.At this time's Finest Fujifilm X-T5 Offers

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Chase your creativity as far as it wants to go with FUJIFILM X-T4. This powerful image-making tool offers professional photo and video functionality that can be quickly and easily accessed at the flick of a switch. X-T4 offers five-axis In-Body Image Stabilization, autofocus sensitivity down to -6EV, and Full HD/240p super slow-motion video recording. It also provides improved AF tracking performance and enhanced battery life compared to X-T3, along with a new mechanical shutter that is capable of making images at 15 frames per second and 300,000 actuations. High-resolution movie footage can be made at DCI 4K/60p in 10-bit color, while the addition of a newly designed optional Vertical Battery Grip uses two extra batteries to provide nearly 2,000 still frames before needing to recharge. X-T4 is the ultimate camera for hybrid image makers who want the versatility to make the most of their creativity. The new AF algorithm on the X-T4 gives an AF speed of up to 0.02 second; which is the fastest AF speed among mirrorless cameras with an APS-C size sensor.;The Face / Eye AF performance has been updated and is now around twice as good at tracking people’s face and eye while shooting in burst mode. The AF system in the X-T4 works down to -6.0EV, which is almost complete darkness. The phase detection AF system is fast and accurate even in these low light conditions.;4K/60P & Full HD/240P Videos The X-T4 features a new Film Simulation mode, “ETERNA Bleach Bypass,” to give both film and stills a more artistic look, with images having reduced saturation and increased contrast.; The X-T4 has 63 weather sealed points which gives it the advanced level of dust- and moisture resistance. Hardware Interface: Secure Digital [ad_2]

[thephoblographer]

Affordable Flexibility: Hybrid Cameras Perfect for New Content Creators

Stills, video, you name it. These cameras can do it all without breaking the bank.

These hybrid cameras can capture gorgeous images, brilliant video, and won’t break the bank. The world of content creation has gone through a massive change over the last few years. The cameras we use are now capable of helping creators make stunning images and wonderful videos. Not long ago, a camera that could help do both of these things would cost a small fortune. However, times have…

[karingottschalk]

Gordon Laing: 100MP for $6k! Fujifilm GFX 100S review

Gordon Laing: 100MP for $6k! Fujifilm GFX 100S review

“The Fujifilm GFX 100S is a medium format mirrorless camera with 100 Megapixels, built-in stabilisation and 4k video. Announced in January 2021, it’s the fourth model in Fujifilm’s GFX series, inheriting the sensor from the flagship GFX 100 but presenting it in a more compact and much more affordable body….” Fujifilm GFX 100S with Fujinon GF 110mm f/2.0 R LM WR prime lens. Image courtesy of…

[lindagoesmushrooming]

Hi! Hope ur having a great week, and if you don’t mind me asking, what camera/filters do you use for your photos?(especially the mushroom ones because they’re AMAZING) sorry if you’ve already answered this!

Thanks, dear Anon, my week has been going quite alright. :)

I’ve been using a Nikon d5000 for more than 10 years (I’ve only upgraded the lenses) but quite a lot of my mushroom photos have actually been taken with a Fujifilm hybrid X-A2 (’cause it’s light and easy to carry with me). Some photos are taken with a Samsung phone, too.

By filters, do you mean like actual filters - Neutral Density filter, circular polarizer etc., or like digital filters? If you mean the first, I’ve only ever bought a polarizer but it doesn’t fit the current lenses I’m using, so no, I don’t use any filters. If you meant the latter, then I mostly edit my photos manually in Photoshop.

I, personally, don’t think the equipment matters that much, especially when it comes to taking mushroom photos. (Sure it does matter when capturing a moon or night sky, or a bird high in a tree.)

For comparison, this one’s taken with Nikon d5000 (dslr), telephoto lens + warm matte added:

The next one is fujifilm hybrid + some channel mixing done in photoshop:

The last one is Samsung Galaxy s7 phone:

[jobohe6270]

The best camera for creatives

When it comes to picking the best camera, there are few things to consider. Key questions you should ask yourself before buying include: will the camera be used purely for photography and video? Do you want it to be portable and light for travel, or more sturdy for all weathers? Should you get fixed lens or not? And last but not least, how much do you want (and need) to spend on it?

Buying a great camera doesn't have to be all about work, either. Photography is fun, and as a creative, you've already got a good visual brain. You may already be an avid Instagrammer thanks to the camera on your phone. And, while the best camera phones are undeniably getting better and better all the time, having a good camera set aside for photography still boast a number of advantages. Photography cameras are better in low light, have more resolution for printing at various sizes, can be more compatible with accessories like flashguns, and offer a greater selection of lenses.

Lenses with interchangeable lenses come in two sorts, using the traditional DSLR design or the more modern mirrorless type. Basic DSLRs are less expensive – and budget mirrorless cameras are smaller and more portable. Both types are available at a wide range of prices, and can be capable of pro results. The video capabilities tend to be better with mirrorless models – and lenses tend to be cheaper for DSLR systems.

aIf you don't need the ability to swap lenses, then the alternative to buy a compact camera or action camera and have a more portable photographic solution to your picture-taking needs click here

Jump to what to consider when buying a camera

The best camera for creatives overall Our pick for the best camera overall is the Fujifilm X-T200, the reason being it’s a mirrorless camera for everyone, with fantastic image quality, top-notch 4K video and access to the terrific range of X-mount lenses. It's a photography camera that has fantastic video and can be picked up by the novice user, while offering enough depth for the keen learner and the enthusiast.

And speaking of video, if that's your thing, our best 4K camera is the Panasonic Lumix GH5, with its impressive breadth of movie-making features. It's by no means the only good 4K camera on our list though, so read through to see the options available.

Fujifilm X-T200 As a creative you're likely not only looking for a good camera that takes great images, but also one that doesn't break your bank account. We reckon that Fujifilm has come up with a fantastic answer in the form of the X-T200, a sophisticated mirrorless camera that comes at a pretty reasonable price, especially for what you get.

Its traditional, dial-based handling makes it a genuine pleasure to use, and unlike many entry-level models, it comes equipped with an electronic viewfinder, making it a great option for those who like to compose images at eye level. The LCD screen is also a great option however, a generously sized 3.5-inch example that can flip around 180 degrees if needed. Images produced by the camera look fantastic, with those trademark Fujifilm rich colours, and the X-T200 can also shoot great-looking 4K video.

Having access to the amazing range of X-mount lenses is a terrific bonus as well, further solidifying this photography camera as a fantastic choice for creatives of all stripes. It's not the most sophisticated Fujifilm camera, but for the price, this 2020 model gives you a fantastic level of functionality and depth of creativity that will reward any user who puts in the time to learn the camera and get better at shooting with it.

Nikon D850

The Nikon D850 is still top dog in the DSLR world, and unchallenged by Canon when you consider just how many things it gets right. Normally such cameras are intended to excel in one area, such as speed or resolution, but the D850 delivers in all of them. Its 45.7MP sensor produces richly detailed images, particularly as it lacks an anti-aliasing filter, while 7fps burst shooting can be boosted to 9fps with an optional grip and battery. The 153-point AF system, meanwhile, is still Nikon’s most comprehensive iteration. And naturally, 4K video is on board too.

Around its solid core, this camera is ready for unlimited creativity, with time-lapse shooting, slow-motion video output in Full HD, in-camera Raw processing and a raft of other post-capture adjustments all falling to hand. Shooting at night? Many of the camera’s controls light up, and the ISO range stretches to a setting equivalent to 102,400 – a rarity on a camera with such a populated sensor. Need to shoot silently? This is not possible on many other DSLRs, but here you can fire 30fps bursts in complete silence.

Targeted at photography pros – and as at home in the studio as it is in the field – the Nikon D850's body usually comes on its own. But if you don’t already own a lens you’ll be well served by partnering it with the excellent AF-S Nikkor 24-70mm f/2.8E ED VR for general use.

Canon EOS Rebel SL3 / EOS 250D Canon has been making really affordable digital SLR cameras for years, and with the EOS Rebel SL3 it has best entry-level DSLR around. Known as the EOS 250D outside North America, the Rebel SL3's design is sophisticated while still being friendly to the novice – boasting the guided Creative Assist mode to help you get to grips with what the camera can do. It’s fully connected, with Bluetooth and Wi-Fi for super-fast shot transfer and remote control, and it also can now shoot 4K UHD video at 25p, further expanding your creative options.

Another big plus is the Live View functionality – composing and focusing using the rear screen rather than the viewfinder – which has been radically overhauled from the previous model and is now much improved, with whip-fast Dual Pixel autofocus that’s actually much better than the 9-point system offered in the viewfinder. Composing with Live View can be useful in all sorts of creative situations – if for example you’re photographing human subjects, it’s much easier to give directions without a camera pressed up in your face. The Rebel SL3 is also extremely small and light for a DSLR, weighing just 451g, and won’t take up too much space in your bag.

The EOS 250D blends many of the advantages of DSLR cameras with those of mirrorless models, creating a fantastic DSLR that’s suitable for everyone from entry-level users to more advanced shooters – for an excellent price, too.

You can grab it as a body-only option, although most people just getting started will no doubt want to spend a shade more to pair it with the EF-S 18-55mm f/4-5.6 IS STM lens. If you’re feeling adventurous, you can even opt for a kit with the all-encompassing EF-S 18-135mm f/3.5-5.6 IS STM instead, and if you fancy something similar but with a bit more powerful, take a look at the Canon EOS 90D, which has a more solid construction and better-suited to experienced photographers.

Panasonic Lumix GH5 It’s difficult to know where to start with the Panasonic GH5; it's such a good camera that there’s a lot to pique the videographer’s interest. 4K footage can be recorded in both DCI 4K and UHD 4K flavours without the heavy crop factors that plague other 4K models, and this is captured in high-quality 10-bit 4:2:2 (internally). You can also use focus peaking to get focus bitingly sharp, call on an anamorphic shooting option, capture at high speeds for slow-motion output and opt for a (paid-for) log option. Video aside, there’s plenty more to love, from the excellent 3.6 million dot viewfinder and articulating LCD through to 9fps shooting and 225 AF points, all inside a sturdy, weather-sealed body.

Not quite what you need? The newer Panasonic GH5S variant opts for a 10.2MP sensor for better dynamic range and low-light performance, but misses out on sensor-based image stabilisation and is more of a video-only option.

Nikon Z50 Number 6 in our list is the Nikon Z50. After Nikon joined the Great Full-Frame Rush of 2018, where it felt like practically all the major manufacturers were unveiling new full-frame mirrorless systems, photographers everywhere were keen to know where they'd go next. The Z6 and Z7 were and are excellent – and expensive – cameras. What next?

The answer: the exceptional Z50. An APS-C model, the Z50 is no mere slimmed-down version of its flagship siblings, but is an excellent mirrorless camera in its own right. Its physical handling is simply superb, with a chunky grip that makes the camera easy to operate one-handed. On the inside too it's just as sophisticated, with a gorgeous sensor and sophisticated autofocus, and what's more it comes at a price specifically tailored to undercut its close competition like the Fujifilm X-T30. What's more, thanks to the FTZ mount adapter, users can also enjoy the incredible legacy of Nikon F-mount lenses. Shooting as fast as professional DSLRs, the Nikon Z50 isn't just a good camera – it represents amazing value and a truly sublime shooting experience for any creative. Look out for the twin-lens Z50 kit, which is a superbly-priced bundle. Sony Alpha A7 III

Just as Nikon’s D850 quickly became the DSLR that everyone wanted to switch to, Sony’s A7 III has mirrorless users saving up their pennies. While many models have their specific focus and target audience, the A7 III really is a camera for all click here A 24MP full-frame sensor, hybrid AF system that covers a staggering 93 per cent of the frame and 4K video from oversampled footage are just a sliver of the highlights. Sony has focused on the details too, installing the useful AF joystick that found fans on previous models, and boosting battery life to a very respectable 710 frames.

[filmature]

Innovation from a film camera

As film cameras were invented for a long time ago, nowadays there are many innovations that adapt from film cameras that still keep the concept of the film camera such as cannot see photos after being shot immediately, the identities of different films or an instant camera concept that can print the slide immediately.

Yashica Y35

Based on the design of the Yashica Electro 35 which released in 1966, Yashica Y35 is designed to “recapture the joy and meaning of analogue-photography” while “eliminating the time and expense required for film development.” There will be 4 different digiFilm rolls at launch: ;  : ISO 1600 High Speed, Black & White (ISO 400), ISO 200 Ultra Fine (standard colour photos), and 120 Format (6×6 and ISO 200. “Perfect for Instagram,” Yashica says).

The film rolls are only meant for changing your camera’s mode — photos themselves are stored on an SD card through a slot in the camera.

Features and specs of the camera itself include a built-in viewfinder, a minimum focusing distance of 3 feet (~1m), 5 shutter speeds (1s, 1/30s, 1/60s, 1/250s, 1/500s), a micro USB port, a tripod mount, a battery port for 2 AA batteries, and an advanced automatic mode that helps properly expose shots without the LCD screen that lacks for reviewing and deleting the photos.

Fujifilm X-Pro 3

The X-Pro3's most intriguing feature is its "hidden" LCD display. The X-Pro3 doesn't feature a traditional big rear-facing LCD like most modern cameras. Instead, it includes a small LCD that displays basic capture settings like shutter speed, aperture and ISO. You can flip this part of the camera out to reveal the main LCD. Fujifilm says it reworked the X-Pro3's LCD display to "keep photographers looking through the viewfinder" and "minimize the time looking at the back of the camera." Another way to look at the redesign is as a logical extension to the company's approach to camera design. 

 Lastly, the X-Pro3 will also ship with the company's newest film simulation, Classic Negative. Fuji's film simulations are one of the main reasons people buy the company's cameras. They essentially attempt to emulate the colours of the company's old film stocks. The company says Classic Negative emulates its classic Fujicolor Superia film stock.

Fujifilm Instax Square Camera

To have the concept of the instant camera but be a hybrid which having the control and composition of a digital camera, with the enjoyment and tangible fun of a real photo print. Photos you've taken can be printed any time, as many times as you want, Save your photos to the internal memory or storage media so that you can view them whenever you want, then print your favourites. Have fun with image effects (filters, vignettes, brightness adjustment) before or after printing.·Comes with a TFT colour LCD monitor so you can edit and process images to create just the look you want. The split display allows you to view images and print them as displayed on the screen. You can also save other images to storage media (microSD card), edit and print from SQ10. In addition to reprints, you can find images from the print history and print them again. 

Fujifilm Instax Printer

It is the gadget that can be connected with smartphones or digital cameras by  Bluetooth or Wi-Fi connection which allow you to print photos anytime. There are many templates and filters that you can use in the application before print  

[sweetlittlevampire]

myunfancyjournal hat auf deinen Eintrag geantwortet “So I saw a Polaroid-style instant camera at the storeb the other day....”

So I've been thinking of buying an instax since a loooooong time now. I love vintage and polaroids and photography. But something in me keeps telling me not to waste any more money. But something else says BUY IT GIRL. I......i'm just confused ;-;

@myunfancyjournal - This might get long, sorry about that. XD

If there’s one advice I could give you, unless you’re already very good at taking photographs, and very confident about it - think about investing in a hybrid Polaroid camera, which is essentially a mix of an instant cam and a digital cam. Yes, they are more expensive, but -

See, I love taking pictures, but I’m not necessarily the best photographer in the world. I often take less than ideal shots, which might not be a problem for some. For me it was. “Ugh, those photo paper sheets aren’t cheap, they only come in a pack of ten, and now you ruined another one”, I thought. (They might come in larger packs where you live.)

The thing with the hybrid Polaroid is that it has a screen that lets you see your picture before printing it, like a digital cam. Some might even offer the option to add filters (I know my new one does), but it lets you delete the ones that you may not want to get printed. 

Let’s say you’re taking group selfies with friends, a series of six. With a standard Polaroid you’d have to print each shot after you’ve taken it, no matter if one of you got hair blown in their face, or is looking in the wrong direction. The hybrid Polaroid lets you pick which one you want to have printed out of the six. If there’s none you like? Delete them all and begin anew. If there’s one all six of you want? Since the camera stores the pics on a micro SD card like a digital camera does, you should be able to reprint the same pic multiple times without having to retake the picture. This saves you money in the sense that your camera isn’t default-printing out the pictures you otherwise wouldn’t have bothered to keep.

I know that for some people this would be “too much digital” and “not enough Polaroid”, but for someone like me, it’s the perfect compromise. I don’t waste as many sheets on shots that I’ve ruined, and still end up with nice, vintage-looking Polaroids to keep, give as gifts, and display. So maybe that would be an option for you, too?

(I’ve got the Fujifilm instax mini LiPlay, and it cost me about 150 €. It works with the normal credit card-sized photo papers for the instax mini. You power it up with a USB cable - the old instax has a set of traditional batteries. There might be other hybrid Polaroid-type cameras out there at different price points, so shopping around, comparing and reading reviews might be worth a try.)