#Friends Of Comic Con Forum

[sunshine-zenith]

This is kinda a part two to this post here, about Ballister’s scar. Specifically I wanted to speculate a bit on Ballister’s relationship with Queen Valerin when you consider the fact that he was a mistreated and vulnerable child when he met her

Like. Look at this moment here

She’s reassuring him. She genuinely believes in him, and it’s clear from the knighting ceremony, when she specifically lowers her voice to tell him how much she’s been looking forward to this moment that her intentions around him a pure. She wants to change things, she wants to give this kid a chance, and she’s killing two birds with one stone by making him a knight

But like Nimona herself says, question everything

Look a little bit closer at this image — the queen is well dressed and already had a statement prepared. Ballister is dressed in rags and looks like he hasn’t even been given the chance to wash his hair. He looks surprised and a little scared when the media erupts with questions. And I don’t think this was the Queen’s doing, necessarily — odds are the Director was the one who was supposed to prepare Ballister, and chose not to, because she probably knew that while the Queen wouldn’t judge him for looking like the homeless kid he was, the media would. Still, it shows that while the Queen has overall say on Ballister’s future, she doesn’t have a lot to do about his present

Ballister says he loves the Queen, but it’s hard to tell if he meant he loves her like you’d love a family member, or if he “loves” her like someone who has been raised to not question authority “loves” said authority. He took a deep breath and looked to Ambrosius during the knighting ceremony, not to her. She realistically probably wasn’t super involved, even if she wanted to be — she had an entire kingdom to run, other knights to knight, and likely spent her days making progressive decisions that were controversial with the conservatives in her kingdom. Plus, if she had been super involved, it could’ve increased bias against him, like she was favoring him above everyone else — Ambrosius seemed overall not sure popular among the knights, and while they respected his authority when he was put it charge, there was definitely a vibe that they resented him for being the “Golden Boy” descendant of Gloreth.

Let’s compare Bal and Queen Valerin to Comic!Ballister Blackheart and one of the Queen’s inspirations, Dr. Blitzmeyer (the other was the king, who was a basically prop that was referenced heavily in relation to Ballister as someone he should kill before dying off screen).

Blackheart and Blitzmeyer end the comic opening a lab together, working as co-scientists. Blackheart clearly thinks of her as a friend, but she thinks of him as a fond colleague for most of the comic — she’s happy to offer help in the form of exposition, and she helps him save the day by giving him a McGuffin That You Just Gotta Read The Comic To Understand, but part of her is worried he’s a rival scientist that wants to steal her ideas. She still welcomes him in her home and offers him team. When he’s at the end of his rope and needs a comfort hug, she awkwardly indulges him

She’s surprised when he puts her down as his emergency contact

Dr. Blitzmeyer is a quirky scientist that hangs out on conspiracy forums and probably practices witchcraft for the sake of scientific study. Queen Valerin is a warm and progressive monarch who makes controversial decisions. And they make big decisions regarding helping Ballister

Remember the reluctant McGuffin handover?

She’s weighing the odds of him lying to her and stealing/tampering with/destroying it, hesitating before trusting him. If she had said no, a lot more people would’ve died in the comic, but she had no way of knowing that. She was barely interested in looking out her window and just worried the thing she spent years on would be wrecked

Now, the Queen — we don’t see her weigh the pros and cons of letting Bal become a knight, but she had to. And consider what she was presented with: a homeless kid with either no family or an abusive one judging from his scars and bruises. He had no adults in his life to protect him. No one to tell her no, making him essentially a child soldier might not be in his best interest. And he jumped a fence into the middle of a knight training session declaring he wanted to be a knight, basically coming to her — essentially the perfect candidate for her semi-social experiment

I can totally see her in another world letting this kid into her home and giving him tea and comfort, but I don’t think she could here. While she meant good, she took in a kid with nothing to lose and gave him everything to lose (a home, education, likely his first friend, safety), while also putting him under unavoidable social pressure. And she did it while the only adult figure other than her in his life, the one who would actually be involved in his upbringing — the Director — openly and defiantly failed him from the get go, and protested letting him join the knights to her face

Y’all I adore Queen Valerin, even if we only got her for like five minutes. Even if it’s in a speculative sense I like that she’s a good person while morally gray actions. She very much improved Ballister’s circumstances by giving him a home and the opportunity to pursue his interests. She clearly cared about him. She’s also a politician who, even if unavoidably, lowkey set him up to be a scapegoat without a backup plan and no outside support

Like. Y’all.

[bandofchimeras]

this is for displaced trans autistic adult isolation science - trying to figure out how people form lifelong relationships (besides childhood/high school & family friends)

this is not very scientific but i'm curious. i forgot to put other, but if i missed something just select "being gay" and put your answer in the tags :)

[mystybelle]

...

D&D is good at the kind of fantasy stories that have old and faded, hand painted covers with the hyper realistic style of art on them.

Epic fantasy with extremely archetypal heroes, where players are larger than life distillations of details into tropes.

So I think it makes sense that people who play DnD are hesitant to try much else.

Other games don't deliver what they're looking for, the designs are fundamentally different.

I think that as indie or just non-wotc designers, we might be reaching out to the wrong demographic. Because the kids I knew when I was still flesh, and even millennials (who were all adults to me at the time); they were constantly building their own games in order to RP.

I only knew what DnD thanks to my mom, because she was a huge Tolkien fan and desperately wanted to play but, (christianity) said no. But the first ttRPG I read was in the back of a Yu-Gi-Oh manga that used (an apparently very) simplified version of THAC0, and the first I ever played was Pathfinder. But I only played it twice.

The rpgs I played, that weren't on a PlayStation, were writing RPs. Made up stuff my friends and I pulled together; that wouldn't work in DnD for various reasons, and a massive RP on a single dying forum.

The game was only still going because the 28/30+ year olds that ran it had been writing together since they were kids. I assumed that was an outlier until I started talking to more weeb elders, comic con vets, survivors of the "yaoi paddle," and the kids they raised and made chill spaces for. But they've been making and playing games besides DnD forever, and from what I could see, would've had a lotta fun with systems that fit the games they were actually trying to play.

[kustas]

do you have any recommendations for manga that someone new might not find? i read your post and really agreed but am not sure how to look for new manga other than what’s talked about

My favorite method for finding new comics in general is heading to a secondhand store, or any place where you can find large quantities of books you can browse who aren't sorted nicely. A random arrangement of books in a box makes it incredibly easy to find cool new stuff, and secondhand stores, by nature, tend to have old/weird/obscure series in a larger proportions than brand new bookstores have (and for much cheaper!). I am lucky to have two in town, as well as regularly attending flea markets and the like - comics being very popular in my country and having been for generations now, bargain bins of stuff for a few bucks apiece are a staple of any antiques market.

My second favorite method is...asking! Friends, online forums, discord chats, randos at your local anime con. This blog is an example of it alone, but when people like stuff, they're eager to share it! There are many places both online and in real life where you can walk to and say "hey, any recs for weird manga?" and people can and will line up to give you their favorites. I have a few mutuals on here I know I share many tastes with, so such people are typically high up on the list of who I'd ask. If there's a piece of media, especially a more obscure/weird one that you enjoy, it's safe to assume other people who are passionate about it and you will share tastes and might have other things they like that you will like too. For manga especially, if you have discord, I recommend the server of the youtuber Koenji Shawn Reviews, a book collector. The people there are avid fans of a lot of stuff with a focus on vintage adult manga and have helped me many times in the past to find rare stuff! They also regularly share informations about exhibits, new editions, and their readings.

And finally, if you're just looking for anything to read, there are online manga repertories with tagging systems. I personally use Anilist, which has a search function that lets you input a large variety of tags, stuff like year, genre, tropes.... I find it fun sometimes to look up random arrangements of tags and see what pops up. Additionally, looking up a manga on Anilist will give you forum topics about it, sometimes critiques, and series users think are similar - you can also look up who worked on it and find their other stuff, if there's any adaptations, all of which are great for link-hopping into obscure rabbit holes. Not everything is on there, but it can be a good start!

[emsiecat]

I had a fantastic day yesterday!

As many of you know this year marks 25 years since Pokémon: The First Movie ‘Mewtwo Strikes Back’ was released. To celebrate, MCM London Comic Con - which was held this weekend - decided to stage a reunion for the original English dub cast of the anime. The convention organisers had managed to get the amazing Veronica Taylor (Ash), Eric Stuart (Brock and James), Jay Goede aka Philip Bartlett (Mewtwo in ‘Mewtwo Strikes Back’), and Rachael Lillis (Misty and Jessie), plus Dan Green (Mewtwo in ‘Mewtwo Returns’ and Entei in ‘Spell of the Unown’) as guests!

As you can imagine thousands of fans descended on the convention to have the chance to meet their childhood heroes, myself included. (I’ll pop the rest under a read-more to save your dashboards lol).

I still have a real soft spot for Pokémon and it has, to date, been my longest loved fandom; especially the character Mewtwo. As a kid and then teen, he was the character I really felt a connection to. I think a lot of fans did. It was also thanks to the first movie that I met a lot of friends in online fan forums and websites (ah, Geocities fan-sites and the ToM forum, you will always be missed).

I have actually met Jay once before at Wales Comic Con in April 2022 and I found him to be very friendly and charming, making time for everyone who came to his autograph booth. So, when I found he had a Facebook and Instagram account following Wales Comic Con, I followed him there as he makes some really great artwork. I never expected him to follow me back, or just casually chat with me! (If you had told 11-16 year old me that she would meet and chat online with the voice of Mewtwo, she would have melted into a puddle of fangirl goo 😂, and to be honest, I’m still kind of star-struck now)!

Naturally, I wore a lot of Mewtwo and Pokémon themed items to celebrate the occasion and made my way over to the autograph tables when I eventually got in the venue. It was so crowded! I’d made sure to bring a little something for the voice actors to say thank you for basically making my childhood and teen years special, and queued up to see them all, starting with Jay.

Jay recognised me as soon as I got to the front of the queue at his table and greeted me with a big smile and ‘Oh wow you’re here, that’s great!’ after we chatted briefly he asked if it was okay to give me a hug. I said sure, though he couldn’t find a way around the tables (they were all in a long line reaching right down the main hall) so saying ‘Hold on I’m finding a way round’ he then (to the amusement of his assistant and others in the queue) proceeded to crawl under the autograph tables, got up and gave me a big hug, then took a selfie with me. He’s an absolute sweetheart. My day was made right there! I also managed to get two of his original Mewtwo paintings. They’re brilliant, and I love them to bits.

I got my Mewtwo Strikes Back novel autographed and chatted with Jay a bit more before going to queue for the photo-ops. They were great fun.

I queued back up again after to try to get the rest of the casts’ autographs. The lines for them all, especially Veronica, were huge! I loved chatting with fellow fans whilst we waited, and every single cast member was so friendly, taking the time to really interact with everyone.

Dan Green made me laugh as when he gave me his autograph, he saw Jay’s signature and signed his ‘Dan “Mew-too” Green’ and explained he did it because ‘We share him, he was first though, so Mew-too for me makes sense’ 😆 He’s a sweet guy.

Eric and Veronica were so cool, doing impressions for younger fans who came to see them, and making sure all the fans had a great experience. Veronica spends a good amount of time with every single fan, which is just amazing considering the sheer amount of people who were waiting to meet her.

Rachael and her assistant loved my denim jacket (it has a huge embroidered Jigglypuff patch on the back as well as other iron on patches on the sleeves) and as Jigglypuff’s VA, Rachael was happy to see it.

It was such a great atmosphere there and a lot of fun. I’m so glad I went and got to meet the cast that defined my childhood.

[spottheantisemitism]

Magneto and Holocaust Inversion (Many Such Cases)

Case #1: He who fights monsters ( UXM #150 I, Magneto - Chris Claremont)

So this was my first X-men comic I got at a con at a discount so THIS was my introduction to Magneto. I love this comic to bits. It's a great scene

While this sudden breakdown is quite good there's the pieta symbolism between two jews and there's the distinct implication of "I'm no better than the Nazis" in his breakdown (you are allowed to fight me on this as not counting as holocaust inversion)

to pivot Magneto this much Claremont pretty much had to do something akin to holocaust inversion because Lee and Kirby wrote him as a fascist coded character and Claremont couldn't not have Jewish (and Romani?*) holocaust survivor who was likely sonderkommando not realize the irony of his actions.

Also we get more Magneto backstory and depth in ONE PAGE than any comic before and most comics since

Case #2: No equals (Magneto Rex episode 3- Joe Pruitt)

Listen the Genosha metaphor was clumsy when Claremont wrote it but the hands of Joe Pruitt, it sounds like a Soviet psyop about the evil colonizer Jews who like apartheid.

While Pietro is one of the few people who get to say the "you're making us look bad" line and it landing in and out of universe the way it's presented is the most simplistic argument possible

The implication of "he's gone full circle and become the oppressor" is clear and this time painfully intentional. The fact that these people are imprisoned for having legacy virus- the x-men equivalent of aids just makes it all worse

Case #3: A mad old terrorist twat (New X-men: Planet X -Grant Morrison)

^ tw for misgendering Grant Morrison who used he/him at the time of publication but use they/them now.

Many people have pointed out that part of what stings when Morrison separates McKellen from the "schizoid-conflicted" Hitler reborn terrorist twat Magneto is the former is a gentile and therefore more deserving of their respect. The implications that Magneto is like that because his ideas are dumb and out-dated mirrors the way antisemites claim that Jews are gentiles over "their made up fairy tales".

I don't think Morrison is so much an antisemite as the kind of fanenby hypocritical chud who loves the silver age (bad era to fandomize and idolize, Grant) exactly as it was. They love when THEY get to make Beast or Ice man gay but hate when a Jewish writer makes a wannabe dictator a Jewish holocaust survivor. We get it Grant, rules for thee but not for Jews. No, no they'll rewrite the character as literally Hitler to show that only Morrison gets to re-write X-men comics, antisemitic implications be damned.

Well you made one thing clear, Grant sweaty, you hate retcons and the art of Jewish writers whose politics and visions you dislike.

screenshot source:

Case #4: when your boyfriend invokes Godwin's law (House of M: Civil war #3)

I feel like Charles only gets away with this because they're such close friends (who canonically share a room) and he's been through a lot in this issue.

To be fair "you twisting semantics won't save people from fanatics who want genocide" is the BEST comeback to holocaust inversion I've seen in an X-men comic

the framing here is both of them are wrong and Magnus (that's one of Magneto's human names) is clearly in the right about this. The humans may think he's Mutant Hitler but that's because they're projecting

(sorry for making you read sideways and making you read something I took a picture of IRL)

Case #5: The oppressed becomes the oppressor (X-men 97 episode 2)

Magneto's speech in X-97 has been said as a watered down version of his speech in Uncanny X-Men 200

What is pointed out many times is the line where he claims "his own people joined the nazis to betray him". Never expanded upon, never brought up again. There are no other Jewish character in 97, no foils. It feels almost gross and tokenistic, like Marvel wanted Magneto be the good token self-hating Jews. Since at that was the only acceptable type of Jew in early 2024.

I do hope to see a course correction seasons 2 and 3 as something as simple as showing a flashback of his past or just showing a character like Kitty would go a long way to dispel the accidental implication that Magneto thinks all other Jews are evil

*While Magneto's children Wanda and Pietro are explicitly Jewish-Romani everywhere BUT the MCU in some universes like House of M, so is he. These intermarriages happened in Weimar Germany all the time so these universes are quite plausible

[sarahlynndawson]

San Diego Comic Con

I'm super excited to be appearing on my first panel at San Diego Comic Con on the fan forum - The Future of Doctor who! Moderated by my great friend CNN & BBC Journalist, Sandro Monetti the panel promises to be a lot of fun! Hope to see and meet all the Whovians there!

Here is a cool article about the event:

[ezzyrebel413]

I miss when people took "don't like, don't read" seriously. I miss when there weren't people invading fandom spaces and trying to force real world morals on fiction. I miss when people in fandom spaces encouraged each other rather than tear each other down for disagreeing with them. Sure, we had our fair share of disputes and ship wars, but it wasn't that serious and it stayed in forums instead of spilling over into other aspects of our lives. Nowadays there are so many new fans coming into established fandom spaces and trying to push real world morals on these works of fiction. There's antis around every digital corner. People are mocking cosplayers online simply for doing what cosplayers do. You can't even post a funny comic to a dedicated Facebook group without the comments turning into a war zone, despite the group having a strict no bullying policy. (Currently in an argument about this one in the ATLA Facebook group. Seriously that comic is cute not gross. Stop being mean to the person who posted it.) Between the discourse and the censorship on most platforms, what used to be a safe space has become very hostile and discouraging. I've watched some of my favorite creators disappear from social media because of this. I've had friends quit their hobbies because people were so awful to them for not catering to the opinions of others. Despite how I may act, even I find it difficult sometimes to do things I used to be excited for. Cons aren't as fun anymore. The last con I went to, the highlight of my weekend wasn't even related to the con. I don't post even a fraction of what I write and draw. I was called out by one of my readers on Ao3 tonight for being too hard on myself in the author's note of a chapter I just posted on one of my fics. I miss when this was fun and not stressful.

[janecrocker]

who did you kill for this url and do you still like/associate with homestuck

I didn't kill anyone lol- it was passed down a line of friends/lovers of Jane. I used to be super active in the community, did a lot of cosplay and ran several RP blogs dedicated to her.

Your second question has a complicated answer. I love what Homestuck did for me. I met my partner of now ten years in Homestuck cosplay (as Jane!) at a con meetup. I met one of my dearest friends in an RP forum (as Jane!), and they went on to be in my wedding; not to mention the countless other friends I made as a result of the comic. It was a huge part of my life for a long time, and I'll always have a fondness in my heart for it and for Jane specifically. I, like many others, was frustrated by the ending and was left conflicted/even more frustrated by meat/candy. So no, I'm not nearly as active in the fandom as I was. But I still love Homestuck for what it meant to me and for all the people I was able to meet. And yeah, I still like it, ~despite it all~ lol.

[epacer]

Remembering Greg Bear

A posthumous award for our dear friend. David Clark, Class of 1969

2023 Kate Wilhelm Solstice Awards Go to Cerece Rennie Murphy and Greg Bear

We are pleased to announce that the 2023 Kate Wilhelm Solstice Awards will be presented to Cerece Rennie Murphy and posthumously, to Greg Bear at the 58th Annual SFWA Nebula Awards® ceremony in May.

The Kate Wilhelm Solstice Award is given by SFWA for significant contributions to the science fiction, fantasy, and related genres community. The award was created in 2008, with Wilhelm named as one of the three original recipients, and was renamed in her honor in 2016. Murphy and Bear join the ranks of distinguished previous Solstice Award winners, including Petra Mayer, Carl Sagan, Octavia Butler, and Gardner Dozois.

Greg Bear, Class of 1968

The literary achievements of Greg Bear (1951–2022), including over 50 books and multiple Nebula Awards and nominations, constitute a significant contribution to the science fiction and fantasy fields on their own. But Bear also spent decades building up the SFF community by volunteering his time and efforts to many different projects that left a mark. Those include his terms as vice president and president of SFWA, his time spent editing the SFWA Forum and the 2015 SFWA Nebula Showcase, his service on the board of advisors for the Museum of Science Fiction, and being part of the founding group of the Golden State Comic Book Convention, the predecessor to what is now known as the San Diego Comic-Con International.

Our November 2022 In Memoriam in honor of Bear attests to the lasting influence of his personal relationships with writers as well. In it, several SFWA past presidents comment on how he positively affected their lives and work.

SFWA President Jeffe Kennedy offered the following remarks on this year’s recipients: “Congratulations to Cerece Rennie Murphy on her extraordinary contributions to the SFF community. We look forward to seeing what she’ll do next. It’s bittersweet to honor Greg Bear for the legacy of a lifetime, knowing how greatly he’ll be missed.”

The 58th Annual Nebula Awards Ceremony will stream live to the public on SFWA’s YouTube and Facebook channels in May. The ceremony will be held during the 2023 Nebula Conference, taking place online and in-person in Anaheim, CA. Registration for the annual professional development conference for aspiring and established professionals of the speculative fiction industry can be purchased here: https://membership.sfwa.org/event-4734389.

March 02, 2023

[swreactions]

Welcome to a special edition of the Star Wars Reactions!

For this special episode, Aaron Harris and David Modders venture through the floor at Central Florida Comic Con sharing their experiences. Joining them on their journey is none other than our old friend Greg McLaughlin from Rebel Base Card who they finally got to meet face to face.

Continue listening for their discussion with Jessica and Todd from the R2 Builder’s Club to learn about the club and their droids.

Then to wrap things up, Aaron and David cross of a member of their bucket list with an interview with the one and only Timothy Zahn. Zahn’s achievements in fandom are monumental, from kicking off the expanded universe of novels with “Heir to the Empire” to the creation of such characters as Grand Admiral Thrawn and Mara Jade.

This is one experience you don’t want to miss!

Star Wars Reactions: Elegant discussions for a more civilized age!

Follow Greg on Twitter, Instagram, and Facebook!

Check out the Rebel Base Card podcast!

Check out the R2 Builder’s forums!

For information about future events, check out Central Florida Comic Con’s website!

Follow us on Twitter!

Follow us on Facebook!

Follow us on Instagram!

Follow us on Pinterest!

Subscribe on YouTube!

Follow Aaron and David on Twitter!

Follow David on Instagram!

[kilopbuddy]

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[norealgoodbyes]

Been trying to think about the news today and it still really doesn’t feel real. Or at least the meaning hasn’t really hit me yet. I’m not sure if or when it will. If I were an artist maybe I get some of what I’m feeling out of my system that way, but I’m not. I’m not much of a writer either, but I’ve seen a few people talk about what Yu-Gi-Oh! meant to them personally and I figure maybe I could try that.

One of the clearest memories of my childhood is of watching the precipice duel- I’d think I’d been casually watching the show for a while up till then, but that’s when it totally changed to me. My parents had routinely been getting me into various sports and extracurriculars that I did not want to be in and that Saturday morning I had a softball game to get to. My dad basically had to drag me out of the house to get me there and I missed the last half of the episode. I remember seeing the rotting BEWD melt around Mokuba in Kaiba’s hallucination and it stuck with me through the entire drizzly game. It had to have been the first time I think I really cared about characters in a piece of media to that extent. And I didn’t have anyone to talk about it with. 

I had friends as a kid, but kids can be cruel. I’d learned a few years prior that Pokemon was no longer a safe thing to talk about at school if I wanted to enjoy my recess. It was clear from the get go that Yu-Gi-Oh would fall into the same category. It’s not like I was getting beaten up, but I was a dumb, sensitive kid who was painfully honest. Kindof an easy target. I didn’t have the kinds of friends who would stick up for me for liking something “uncool”. I wished I had Yuugi and his friends. Instead I learned to lie about my interests at school and hoard manga and cards in a cabinet in my room. I’m not sure it was a happy time, but I wouldn’t have given up on Yu-Gi-Oh for the world. It meant so much to me. I loved the characters, the drama, the card game, the lore, the mystery of the millennium items. All of it. 

I remember when I started getting access to the internet and learning about how different the show I’d been watching was from its Japanese counterpart. It was so exciting! It was like ‘here’s this thing that I already love, but there’s an entirely different version out there with swears, violence,’ -blackjack, and hookers, you get the idea. It was absolutely tantalizing to a slightly edgy tween. I remember there was a fansite that hosted episode summaries and a forum; I think it also had scans of the GX manga, which had just started coming out in Japan? If anyone knows what it was called, please let me know. I don’t remember the name, just that it had a white, sortof silvery layout. It also had a modest little fanfiction section which I poured over religiously. I hadn’t written any myself, but I had so many ideas. Something about a sprawling mess of a story involving magic and other worlds I think? I don’t remember the details, but it kept my mind occupied through a lot of middle school.

I managed to push my love for the series away for a long time after that. Bits and pieces of it would filter over into my life from time to time and I’d pretend it was meaningless, or ridicule it as that ‘dumb card game show’. I’d push it down and try to forget. It wasn’t till I was at a con back in 2016 walking around with my best friend that I confessed that I’d earnestly loved it. I knew he wouldn’t mock me for it, but god. His quiet affirmation that that was ok, cool even, almost brought me to tears while walking through the dealers hall. I don’t talk with that friend very much these days for complicated reasons, but I don’t think I’ll ever forget that. 

I started this blog the following year, in 2017. Since then, it has been an absolutely incredible time to see the amazing outpouring of fanart, comics, fanfiction, meta essays, and love for a series that I had thought I was years late to joining. Even if I’d only vaguely known that there were other people out there who were as deeply affected by this series as I was, I would’ve been happy. To experience what I have since starting this tumblr goes way beyond that. Every day I get to see someone else who's fallen in love with some aspect of the series that I’d never considered, a character examined from a new angle, a piece of art capturing something new about it. It’s so beautiful to me and makes me love the series even more. And it’s so wonderful to not feel alone in that. There is such an incredible community here that I am so glad to be a part of it, even in my own small way.. 

I’ve since gotten better about being more transparent in my love for the series in real life too and the support I’ve gotten from my friends still takes my breath away. I’ve gotten bold enough to hang a print in my room! My boyfriend got me Pot of Greed earrings for my birthday! I don’t feel like I’m hiding my love in cabinets anymore and I’m not wishing I had some else’s friends. A lot of that has to do with who I am and how I’ve grown up, but I think a lot has to do with you all too- and of course, Kazuki Takashi. I’m so glad to be here with you and I know I wouldn’t have any of that if it weren’t for him. 

Thank you so much, Takahashi-sensei, for the gift you have given us and the friends we’ve made through it.

[ichinoue]

My thing has always been why aren't IR fans mad at studio pierrot instead of Kubo? Kubo has always known Ichihime was going to be end game. He never led them on to believe otherwise. It's the studio that jumped the gun giving them filler IR scenes that never existed in the manga because they wrongly assumed IR would be endgame. They have all this anger towards kubo when they should've been pointing their pitch forks studio pierrot's way. Even then if they bothered to read the manga despite pierrot fucking up they still would've seen Ichihime coming a mile away and not been surprised they were endgame. I understand if they didn't like the fact that their ship wasn't endgame. For me sometimes I like canon ships and sometimes I like fanon ones. Depends on the dynamic and how well written the ships are. However in the case of Ichihime even if you didn't like the ship, how you can say it came out of nowhere is mind boggling. The signs were so blatant that even if you had shipping goggles on you still would've noticed it. To say otherwise is the living embodiment of delusional at it's finest.

The crazy thing is that before Bleach ended, IR shippers were like....weirdly affectionate with Kubo??? They would talk to/about him as if they were in on some ~open secret~ with him in regards to him shipping IR. Like if Kubo drew a colorspread featuring Ichigo and Rukia they would worship and praise the fuck out of him like "omg, sensei is SO good to us! We're so spoiled!!! :) He wants their love to be known!" or "oooooh sneaky sensei, look at him drawing all that IR eye-smex ;)" or they would be like "the number one ichiruki shipper is Kubo sensei!!!" and it was just like....??? Why? Because he drew a colorspread featuring his two main characters? Wow, *shocking* Maybe that would actually mean something if Bleach weren't a shounen...y'know...where platonic nakama bonds are featured on the colorspreads the most but okay, sure, w/e.

Like I get that all shipping fandoms do that, we thank the creator when they give us new content for our pairings and stuff but idk dude, some of it just seemed excessive at times I guess?

Some of them even believed some forum post from an IR fan who claimed to have made friends with Kubo at San Diego Comic Con (lmfao) and that he promised her he would "put a little love in for IR" which was just like ??? (here's a screenshot) So obviously, it wasn't that this random forum person was lying, it was that KuBO lied!!! he BETRAYed us!!! he promised us the ichiruki!!!!!

So that's what's so weird to me, it's not even just that the anime led them on, it's that they genuinely believed Kubo was a die-hard IR stan and that Bleach was clearly all about the """IR fated lovers, story of destiny!!!!""

...Even though he said a long time ago that he didn't want to focus on romance. And then in an interview he gave post-bleach he said: “Given that bleach is not a romance manga, the romance is drawn purely as a supplementary component.”

Bleach is not a romance manga....Romance is supplementary....But yeah, his intentions all along were to make bleach a love story between Ichigo and Rukia. Do you see how strange and hilarious this is?

They truly convinced themselves that this man "shipped" IR and wrote Ichigo and Rukia's characters to be ~~destined fated lovers~~ They would ignore the blatant shipteases and ramped up screentime and romantic hints he wrote for IH. They ignored how he starved IR of content for years, left their development stagnant after the arrancar arc, and greatly decreased their screentime together ever since. It was so clear that IR was doomed to remain platonic. Especially when you remember that Kubo literally shut ichiruki down in an official interview, wayyyy back in 2008, when he said, and I quote, "It’s not friendship but it’s not an amorous feeling either…Despite standing in a close position with each other, it is not romance." And there you have it. A flat-out denial. But they ignored him. They wouldn't listen to him. And then they had the audacity to claim he "betrayed" them.

But given the continuous smackdown he handed them in the final arc, I really don't think he gives a shit lmao.

[scottymcgeesterwrites]

90′s kids are actually 00′s kids

Let’s be honest: there are only four things I really remember about the 90′s - Princess Diana, Monica Lewinsky, Seinfeld, and Pokémon. Everything else is a random mix of personal memories, like friends I made in school and the times I got seriously injured or sick. But the outside world was still a bit of a blur, waiting to be discovered. A few years ago, my fiancée and I went to NYC Comic Con. They had these mystery boxes that you could buy. Each mystery box had a different theme, so Star Trek, Star Wars, DragonBall Z, etc. You would pay like $50 or something like that for items inside the box related to that theme. We saw a 90′s theme mystery box and bought it. 

We opened it up, expecting to be excited about reliving the 90′s.  We didn’t recognize a single fucking thing in the box. 

No idea what any of that stuff was. 

My formative years were really the early ‘00′s. That’s when I was becoming a “person” and when I developed my emotions, for better or for worse. 

For me, the real “nostalgia” is the GameCube, skinny jeans, drum and bass, Fatboy Slim, bad action movies with washed out colors trying to imitate The Matrix, Homestar Runner, Internet forums, and the final days of the true arcade. The early ‘00s were truly a weird, transitional and liminal space between two worlds. It was a world of twilight, where two ends met. It saw the decline in physical copies of movies and music and the rise of the digital age. It was the final goodbye to the analog world. It saw the rise of hacktivism, and the early days of social media was the Wild Wild West before the corporations brought the hammer down with rules and threats of copyright infringement. The new millennium was unsure of what it would become, but storm clouds loomed in the distance. The 90′s didn’t end on December 31st, 1999 at 11:59 PM; they ended on September 11th, 2001 at around 8:45 AM EST. That was when “the fun” stopped, and when we all had to rethink our lives.

I remember Craig Ferguson (my favorite late night host), and a bunch of underrated celebrities who we used to make fun of (or loathed) who have now been vindicated. Keanu Reeves. Britney Spears. Guy Fieri. Robert Downey Jr. Cara Cunningham. Everyone you loved back then turned out to be a monster, but everyone you took for granted was really a good person all along. I remember being mad at seeing open fields being taken over by cheaply-made, mass produced McMansions near my house. I vandalized one of the construction sites. When I confided in someone about it, they called my cause petty and stupid. Two years later, the Great Recession started because of the housing bubble. I tried, in a brief violent moment, to fight back something I didn’t understand. It was inevitable.   I saw the world transition and the storm clouds roll in. I felt the paradigm shift. I saw the party end as millions of people looked up and said, “I have a bad feeling about this.” I overheard thousands of conversations from the stairwell late at night as my parents talked worriedly with their friends about the Iraq War and the Patriot Act. I remember the start of the Bourne movies. In a way, they were a response to the Bond movies. James Bond was the 20th Century hero, the upholder of “Western civilization” and the status quo. Jason Bourne was the first of the 21st Century heroes - the hero who regretted and fought to change the status quo. I remember movies trying to make bold, serious takes on superheroes. Some succeeded, like Batman Begins and X-Men. Others failed, like Daredevil and Ghost Rider. Everyone wanted to be serious then. That, and so much more, is what I remember about my childhood - my real childhood. In my heart, I am a 00′s kid.

[zkfanworkweek]

ZFAW Fan Content Creator Interviews: HayleyNFoster

Hey everyone! We hope you’re all excited for ZFAW, and to honor (ha!) ZFAW’s commitment to supporting and celebrating fan content creators in the Zutara fandom, we’re going to be rolling out a series of interviews with well-known and widely-beloved content creators over the next few weeks. We’ve got artists and fanfiction authors, some names you recognize as well as a few phenomenal up-and-coming talents, and we can’t wait for you to meet them all!

For the second interview in this cycle, we have our best propaganda creator and this fandom’s hottest new artist/undisputed queen of the animatic, @hayleynfoster!

1. Tell us about how you came to ship Zutara. What does this ship mean to you?

When I was around 14 or 15 and caught Avatar: The Last Airbender on television, I was drawn in by the art style, the humor, and the wonderful characters. I caught the episodes out of order, and the first one I saw and wasn’t prepared to be sucked in by was The Waterbending Scroll. It intrigued me at that age, and the line “I’ll save you from the pirates” combined with the tension between Katara and Zuko in that whole scene was electrifying. I remember my teenage self thinking these two have so much chemistry! And when I saw a commercial on Nickelodeon that featured fanart submitted by fellow Avatar fans, I realized that I could do that to! So I set about making Zutara fanart for myself. I stumbled onto Youtube, practically in its infancy, and discovered that people set clips of Zuko and Katara set to music (And this was still in season 1 days… so people who made these amvs were the real mvps because they were able to make compelling narratives in their amvs with like practically nothing to work with!). The AMVs really spurred my interest in this couple, I remember distinctly one Zutara AMV using the Dido song White Flag utterly capturing my imagination. I found fandom shortly after, getting into deviantart and forums. But the ship really began to mean something to me when, as I was working on my drawings in the computer lab at school, a buoyant presence hovered over my shoulder noticing my Zutara art on the computer screen. The girl was someone I had never really talked to and had only seen from afar but she immediately started excitedly saying she shipped Zuko and Katara too! In this simple shared obsession, I made one of the best friends I’ve ever had and we’re still friends to this day. We would theorize and fangirl over Avatar like it was nobody’s business; we poured over bootleg San Diego Comic Con footage that showed spoilers for season 2 before it aired; we lost our freaking minds when we finally saw The Crossroads of Destiny. We had watch parties every week as Season 3 of A:TLA aired, and comforted each other when the show ended as it did (much ranting was shared). Those are some of my happiest memories from high school… all because this one pairing from this wonderful show. Even though Zutara didn’t happen, we still chat every now and then about it. Zutara will probably be a lifelong obsession, always bubbling under the surface. And without it, I would have never realized that animation was a viable career path. It really did inspire everything including the work I’m doing to this day in the animation industry. I owe a lot to this ship and to Avatar: the Last Airbender.

2. What inspires you to create zutara fanworks?

The resurgence of Avatar: The Last Airbender this year really helped sort of spark that dormant love I had for Zutara. The show’s ending still disappointed me on the rewatch, but Zuko and Katara’s relationship arc was as captivating as ever, so I turned to some fanfiction and looking at people’s pretty Zutara art and AMVs to just revel in fanon instead of getting to hung up on the actual ending of the show. But then I realized, with quarantine and my work load being pretty light, I had time to actually make all new Zutara art for myself, art I was never fully capable of making as a kid, but now could do with my 7 years of industry experience and just… life experience. And I was inspired to do some corrective animatics to satisfy my own desire for a different ending. I just really like exploring these two characters, doing different and interesting things with them, and frankly I’m inspired to make cute, fluffy, romantic art simply by virtue of living in a really sad and depressing world. Things are so crazy right now, creating art about two characters I love being in love, is comforting. And it helps to have inspiring music and amazing Zutara amvs to just sort of stir up my emotions and imagery in my head to make into animatics and art.

3. Be selfish - if you could request one fanwork based on your own art/fanfic, what would it be? What would you absolutely love to see someone create?

Ohhhh… Well, It’s always nice to have people write fanfiction that puts words to my animatics. I am not that great at coming up with dialog myself, so I’ve just chosen to indulge in visuals and emotions for my boards. But when I read things like RideBoldlyRide’s take on my Reunion Animatic, it makes me pretty giddy. (They finally have voices!) :) And this is the MOST selfish thing I could request, but I’m not shy about saying how much I love well done amvs, so I will literally kill for someone to make Zutara AMVs to songs I like… Like, most of AURORA’s songs but especially Exist for Love, Sunseeker by The Naked and Famous, Promises or Take Me by Aly & AJ, Adore You by Harry Styles, Human Enough by ONR, Never Let Me Go by Florence + The Machine, and/or Almost (Sweet Music) by Hozier just… I can see the AMVs so clearly to any of these songs in my head, but I don’t have the tools or skill set at my disposal to make a compelling fan video. When I was in high school, I originally thought I wanted to go into video editing simply because I loved making very crappy AMVs (they were so bad you guys), but I figured out being a storyboard artist was more in my wheelhouse. haha

4. Any words for people who are new to the fandom and/or nervous about sharing their work for the first time?

If you’re new to the Zutara fandom, just have a good time! Don’t waste too much time arguing with people over your shipping preferences. I wasted so much of my teen years having pointless shipping wars with people on DeviantArt, and I’m just so much happier nowadays because I’m just making Zutara art in my little corner of the internet, and honestly, in the politest of ways, I don’t give a shit if people don’t like my art or Zutara. haha I think that’s sort of a key thing for people thinking of posting creative works here in the fandom, just make art for yourself, satisfy your own desires for the pairing, get your creative sparks flying, and create just for the joy of creating. It’s always nice to get comments and such, but simply making the art should be what spurs you on, not the external validation. And have a good time, don’t worry too much - I say as someone who worries about EVERYTHING. But honestly, making art for A:TLA is some of the most relaxed I’ve been because I make it just for me. I’m lucky others seem to like it too!

5. What’s an idea for a fanwork that you have but haven't gotten around to making?

I have an idea for a second generation storyline with my Zutara kids that involves Kya (the eldest firebending daughter) falling in love with an airbender boy (tentatively named Gora in my headcanon who’s a bit of a rabble rouser and one of Aang’s kids he had with a Kyoshi Warrior), and then they start a socialist revolution in the Fire Nation in order to dismantle all of the hierarchical societies across the Avatar world… Together Kya and Gora Fan the Flames of revolution… ehhhhh... Get it?? Oh! Oh, and then Katara, who had put in legit liberal reforms in her time as Fire Lady listens to her daughter after resisting in the first part of the story, but then realizes she can actually play a part in the dissolution of the royalty and is also active in the revolution realizing that moderate liberal reforms are no substitute for a society free of serving royalty (which she had always been uncomfortable with but had rationalized with herself that she was doing good in her capacity as Fire Lady.) I just feel like there’s a lot of cool potential for discussing these ideas and also having some aspirational change in the Avatar world. lol For aesthetics and just happy fluffy times, I can indulge in Fire Lady and Fire Lord Zuko stuff, but really at the end of the day, I take issue with the structures in a society that have to exist for monarchies to exist. Soooo, I kind of want to do my own corrective story for that… if I ever have the time or guts. On a less ambitious note, I would love to do a Zutara sparring animatic to practice doing action, but I need a good story; I am not good at doing fights just for fighting’s sake. Those are just some things I have rattling around in my head.  

6. Are you participating in ZFAW? If so want to give us a hint as to your plans?

Yes! The most I can say is I have one animatic almost finished and one that’s still being thumbnailed. The rest are probably going to be comics or emotive single pieces based on the fanfics I really like right now. :)