#Friend Like Me. Somebody’s Got Your Back. Babkak Omar Aladdin Kassim-

[heyyesimtrash-whatofit]

So I was listening to my theater playlist again, as I do, and I’ve come to quite the final question

Why oh why does the Broadway Aladdin soundtrack line up with the M!IK cast as well as it does??

[purplefloyd]

Last time I went to Aladdin, i got to sit closer than ever before. I sat in the fifth row and it made me appreciate the set even more than i did before. Like every scene is just so PRETTY. It's hard to pick, I know, but I am interested in what people think.

Maybe I'll draw some set stuff. I usually try to include backgrounds in my work, cuz I love getting to depict certain scenes, so maybe...

[itsthwippingtime]

I’m down to talk about Aladdin The Musical 24/7 what’s your favorite song

oh my god i’m just now seeing this sorry

how to pick a favorite????????????????

the production of Friend Like Me??? i mean that whole thing was amazing Prince Ali too!!! i mean yaasss Genie channel your inner Robin Williams

Babkak, Omar, Aladdin, Kassim and High Adventure were so much fun to watch and hear and !!!!!! and so was Somebody’s Got Your Back

A Whole New World was just so!!!! beautiful!!! i mean!!!! what!!! how!! do!! they!! do!!! that!!!!

oh and Arabian Nights like!!! i got chills!!!! the dances!! the synchronization!!! i mean how??? do??? they?? do??? that???

what was your favorite???

[nelasguide]

ALADDIN THE MUSICAL

STORY

The musical is following street urgin Aladdin, who is used to stealing from the market place and only wishes that he could make his mother proud by doing something more worthwhile. With help from his friends Kassim, Omar and Babkak, Aladdin attempts to earn some money by dancing in the street, where he bumps into a disguised Princess Jasmine. Jasmine is confined within the palace walls day after day, and longs to be free to explore the city. With her father, the Sultan, attempting to organise an arranged marriage between her and a rich prince, she just wants to run away. Disguising herself, she escapes to the market place, where she runs into Aladdin. The pair immediately falls in love, but when some angry guards appear, they are forced to flee to Aladdin’s humble home. Meanwhile, evil Jafar and his sidekick Iago are plotting ways to overthrow the Sultan, and they come across the story of a magic lamp locked away in the Cave of Wonders. Inside this lamp is rumoured to be a magical genie who can grant any wish, but the only person that can enter the legendary cave is an alleged Diamond in the Rough, who is revealed to be Aladdin. Jafar and Iago go to the market place and quickly persuade Aladdin to help them, by telling him that it will finally be a way to make his mother proud and they will make him rich for his efforts. Although he has been told not to touch anything else but the lamp, Aladdin’s curiosity gets the better of him and he picks up some golden treasures. When the cave entrance slams shut, Aladdin ends up rubbing the magic lamp. Soon, Genie appears and says he will grant Aladdin any three wishes his heart desires. After escaping the cave, Aladdin wishes to become a prince to win the heart of Princess Jasmine. Disguised as Prince Ali, Aladdin enters the palace and impresses the Sultan, much to the annoyance of Jafar. Unfortunately, Aladdin comes across far too cocky and Jasmine is less than impressed. Attemptint to woo her, Aladdin takes her on a magic carpet ride, revealing his true identity. Jafar soon realises who Prince Ali really is and stealing the lamp, has Aladdin and his friends locked up in the palace dungeon. But they all work together to overthrow Jafar, and the Sultan agrees that Aladdin can marry Jasmine as thanks for saving the city. As his third and final wish, Aladdin wishes that Genie can be free of living in the lamp.

SONGS

Arabian Nights

One Jump Ahead

One Jump Ahead (Reprise)

Proud Of Your Boy

These Palace Walls

Babkak, Omar, Aladdin, Kassim

A Million Miles Away

Diamond In The Rough

Friend Like Me

Act One Finale

Prince Ali

A Whole New World

High Adventure

Somebody’s Got Your Back

Proud Of Your Boy (Reprise)

Prince Ali (Jafar Reprise)

Finale Ultimo

Genie-Medley

Amazing production with a fantastic cast and lovely costumes. A must-see!

Nela’s Ranking:

[thatgirlintheaudience]

Aladdin National Tour Review

On Tuesday I got to revisit this magical show which I first saw on Broadway in 2016. You can read that review under “theater review” and “aladdin.” So I’m hoping this review will be shorter...

Michael James Scott exuberates joy as the Genie as all Genies should. Shout out to the ensemble who wear the most gorgeous costumes and have some intense dancing to perform in the show. 

Okay, the stamina it takes to perform One Jump Ahead is incredible. Aladdin literally runs around stage and is jumping off buildings while singing, so bless Clinton Greenspan who never faltered in his performance. Not to mention that after this song, he goes right into an emotional scene performing One Jump Ahead reprise and Proud of Your Boy. Which of course got to my feels as all of Aladdin’s songs do. Proud of Your Boy is such a great song that I wish got recognized more.

These Palace Walls is such a great song and fits Jasmine’s situation perfectly; I don’t understand why some people hate it. And no, I will never get over her costume. Please give it to me! Isabelle McCalla is such a fierce and feisty Jasmine with a great voice! 

Babkak, Omar, Aladdin, Kassim is such another strong stamina number. So shout out!

A Million Miles Away is such a good song. I almost like it better than A Whole New World. The similarities between Aladdin and Jasmine’s lives really just gets to me. And on the last “millions miles away”, Clinton did the riff on miles which I lovveee. Adam Jacobs did it and I wasn’t sure if other Aladdins did it. 

Diamond in the Rough is actually a great song. I feel like it gets overlooked because Jafar sings it, but it’s a great villain song. 

The scenery and sets in the Cave of Wonders was crazy. Just gold everywhere. 

Friend Like Me was of course show stopping. I mean that number will never cease to amaze anyone because it is just utter brilliance on behalf of all Genies. My favorite part is of course the Disney song section. Thank you for throwing Pocahontas in there; much appreciated.  Does anyone ever give it a standing ovation, though? Both times I have seen it no one has. I find it shocking. Although, I understand starting a standing o can be daunting. 

In Act One finale, Aladdin becomes a prince and his Prince Ali costume is stunning. The curtain drops as Aladdin sings a reprise of POYB and turns to look at the palace and opens his arms. I find that moment really beautiful as it shows Aladdin’s hope and belief that he really will finally make his family proud and succeed in life. 

Act 2

A Whole New World is still the most magical number you will ever see performed in live theater. I don’t know how they do it, but it is the most romantic thing ever. And even Jasmine’s bedroom view is just gorgeous with the white balcony and glimmering night sky with shining stars. 

High Adventure is hilarious and a great number for Babkak, Omar, and Kassim. 

Somebody’s Got Your Back I feel is underrated and not remembered, but really is a great vocal number for the Genie and Aladdin. I love the friendship between the Genie and Aladdin. 

No surprise, but Proud of Your Boy reprise 2 gets to me. Aladdin is finally a prince and about to marry a princess, but as he puts on the royal clothes and expensive jewels, he looks out into the audience as if asking, “mom, is this really what you wanted for me? Because ‘I don’t feel any stronger or smarter or handsome or wise’.” That moment was really powerful. 

Okay, but Jafar’s three quick costume changes in a minute. How, Disney, how do you do it? 

A Whole New World is reprised at the end and the Genie is free and runs out to sing a part of the song. It is a great moment. 

Aladdin is a show everyone must experience live! It is for everyone. Disney shows and shows people feel like are aimed towards kids are really for adults and teens too. I feel many adults and teens may connect more with these shows than kids. Aladdin is currently on a national tour across the US and on Broadway at the New Amsterdam theatre! Go see it. 

[ariafsar2]

Aladdin Tour (partial) Audio

My friend sent me what she got when she saw the show a few nights ago. hmu if you’d like to trade for it. DarlingAmIAChore@gmail.com

Aladdin - 10/25/2017 - National Tour - Seattle, WA - ja-gaciak’s master - Anthony Murphy (Genie), Jonathan Weir (Jafar), Reggie De Leon (Iago), Adam Jacobs (Aladdin), Isabelle McCalla (Jasmine), JC Montgomery (Sultan), Zach Bencal (Babkak), Philippe Arroyo (Omar), Mike Longo (Kassim), Michael Graceffa (Shop Owner), Bobby Daye (Razoul), Albert Jennings (Henchman), Charles South (Henchman), Jaz Sealey (Prince Abdullah), Mary Antonini (Attendant), Olivia Donalson (Attendant/Fortune Teller), Annie Wallace (Attendant), Michael Everett, Clinton Greenspan, Adrienne Howard, Kenway Hon Wai K. Kua, Jason Scorr MacDonald, Angelina Mullins, Celina Nightengale, Kameron Richardson, Many Stark, Michelle West, Matthew deGuzman (Swing was on - not sure for who) Notes: Songs only. My friend recorded this. Missing a few songs. Includes “Arabian Nights”, “One Jump Ahead”, “Proud of Your Boy”, “Babkak, Omar, Aladdin, Kassim”, “Friend Like Me”, “Act 1 Finale”, “Prince Ali”, “A Whole New World”, “High Adventure”, “Somebody’s Got Your Back”, “Finale Ultimo”. There might be a little more in Act 2 but I’m not super familiar with the show and don’t know all the songs.

[brothermarc7theatre]

"Disney's Aladdin" show #686

This past Sunday brought me to Agrabah to see what kind of street-rat mischief Aladdin was getting into. The iconic score by Alan Menken and Howard Ashman received some staging additions by Tim Rice and Chad Beguelin (both credited with additional lyrics, and Mr. Beguelin with the book). Now on tour, this Disney classic is providing San Francisco audiences with a joyous time at the theater for the holiday season. Adam Jacobs reprises the title role, a role he originated in the still-running Broadway production, for the tour at a great level of animated believability. While the burden of the plot doesn’t solely rest on Mr. Jacobs’ shoulders, it is in his enthusiasm, soft voice, and bouncy physicality that make him the rightful leader of this musical endeavor.

(Adam Jacobs (Aladdin); Photo credit: Cylla von Tiedemann)

The plot of the musical follows the majority of the plot of the film with only slight, insignificant deviations. What makes Disney's Aladdin: the Musical an appropriate choice for a stage adaptation is that the added songs don’t disrupt the established gems from the film’s score. While Mr. Beguelin’s and Mr. Rice’s lyrics serve more to emphasize their own creativity rather than the characters’ internal dialogue, Mr. Beguelin’s book nicely ties up within the context of the added songs and established story. Mr. Jacobs is flawless in his performance of the standards “One Jump Ahead” and “A Whole New World” while maintaining the boyish charm and energy needed to satisfy Aladdin fans of all ages. The added song (which was cut from the film), “Proud of Your Boy,” is gorgeous when delivered by Mr. Jacobs’ soothing voice and astute attention to the emotional detail Mr. Ashman’s original lyrics evoke. The multitude of reprises of “Proud of Your Boy” are welcomed fluff that allow more opportunities for the writers to remind us that he is, indeed, honoring the memory of Aladdin’s deceased mother. Opposite Mr. Jacobs is a wonderful performance by Isabelle McCalla as Princess Jasmine. Miss McCalla gives Jasmine a nice dose of modern spunk properly paired with an expected dose of sass from the princess who “is not a prize to be won.” With Miss McCalla’s performance comes a nice degree of truth behind what could be construed as just another Disney princess. Miss McCalla’s voice shines in a lamenting “These Palace Walls,” an added song that fits well with Jasmine’s desire to escape her palace dwelling. Miss McCalla does not disappoint when she is paired with Mr. Jacobs and sent flying on a magic carpet ride in “A Whole New World.” However, in the Act One set up duet, the two leading lovers sing a dynamite “A Million Miles Away,” a true first act musical highlight.

(Isabelle McCalla (Jasmine) and Adam Jacobs (Aladdin); Photo credit: Deen van Meer) 

JC Montgomery brings a gravitas to his Sultan, father of Jasmine, which serves as an effective delineation from the bumbling buffoon in the film. While I applaud Jonathan Weir’s commitment to his acting choices as Jafar, the film and play’s villain, his presence serves little in the way of being in any way commanding or villainous. His sidekick Iago (a human in the play rather than the Gilbert Godfried-voiced bird in the film) is played finely by Reggie De Leon. Zach Bencal (Babkak), Philippe Arroyo (Omar), and Mike Longo (Kassim) steal more than just riches, but the show itself, mostly in Act Two, with a fantastic song-and-dance performance “Somebody’s Got Your Back.” Their Act One “introductory” number, “Babkak, Omar, Aladdin, Kassim” is a fun romp for the four boys to show off some of Casey Nicholaw’s athletic, mostly impressive choreography.

(Cast member of Aladdin; Photo credit: Deen van Meer)

Speaking of choreography, though none of the numbers truly dazzle from start to finish, but rather impress at moments within the number, the almost agonizingly long “Friend Like Me” is a tap-tastic, costume-change rampant marathon for the hardworking ensemble, and was led mostly well by Korie Lee Blossey as the Genie. Mr. Blossey is credited as the Standby for the Genie and Sultan and, unfortunately, his performance was not up to snuff. The comedic timing and vocal chops didn’t consistently land in Mr. Blossey’s turn as the role that was voiced triumphantly by Robin Williams in the film and became a Tony-winning role for James Monroe Iglehart. Mr. Blossey certainly earns the applause for commitment and effort, and certainly knows how to turn a punchline into a bit, but doesn’t quite blossom in the way that is expected for the Genie.

(Anthony Murphy (Genie); Photo credit: Deen van Meer)

Remembering certain technical aspects from when I saw the original cast on Broadway several years ago, I am still impressed with how colorful and beautiful Gregg Barnes’ costumes are. Mr. Barnes’ design uniformly, properly paints the cast as peasants, royalty, commoners, and a slew of other character types. Bob Crowley’s excellent scenic design effectively transforms the Orpheum Theater stage into a palace, a marketplace, the Cave of Wonders, and the night sky. With all this under the direction of Mr. Nicholaw, the show finds its moments of wonder, magic, and overall warmth that the story of Aladdin and Jasmine imposes upon the audience. While it is rare for an iconic film to be adapted to the stage well, Disney's Aladdin is a case of the right people adapting a worthy piece of Disney magic to the stage. You won’t want to miss it.

The Details:

Aladdin runs through January 7, 2018

Orpheum Theater in San Francisco

www.shnsf.com

[ittcbittydeactive-blog]

Aladdin, Finding Neverland.

throwing this out there   ;   ive never seen or listened to finding neverland so i cannot answer that one !! 

aladdin : 

-Favorite Character:  well obs genie   ;   i mean i play him !!    i also love babkak though;   just cause he makes everything sound like food !! -Favorite Song: friend like me !!   ITS 8 MINUTES LONG AND HAS A TAP DANCE ROUTINE IN IT !!     i also love somebodys got your back cause u know; genie dancing -Favorite Pair: jasmine and aladdin !!    but i love genie and aladdins brotp -Least Favorite Character:  j a f a r ;   he can jump off a cliff okay -Notp:    i saw a fanfiction where someone shipped jafar and jasmine and N O -I’d ship it: genie with food ?? -Favorite lyric:  We'll leave all thoughts about the future,   'till some future day.-Favorite actor/actress:    james monroe iglehart  !!    but trevor dio nicholas is an amazing genie too tbh !!      i also love jonathan freemans jafar tbh !!  AND HES STILL DOING JAFAR ON BROADWAY AND IM SHOOK -Least Favorite Song:   idk im not that crazy about a whole new world.  but thats just because i love a million miles away more -Unpopular Opinion:  babkak ; omar and kassim are actual angels and are probs one of the best things added to the musical   ( sorry abu but its true !! ) -Rate 1-10:    T E N 

[a-year-of-musicals]

Day 29/365 - Aladdin

By Alan Menken

Based on the 1992 Disney Film, this is the story of a young boy who gets a lamp, a genie and three wishes...

The Genie welcomes the audience to the city of Agrabah, somewhere in the middle-east. He tells of the various people in the city; nobles, misfits and even villains (Arabian Nights).

Aladdin is a young street rogue who stays alive by stealing food from street vendors (One Jump Ahead). After people call Aladdin a worthless street rat, he dreams about proving that he is more than just a street urchin (One Jump Ahead Reprise). He expresses his guilt about stealing, especially after he had vowed not to after his mother died (Proud Of Your Boy).

Meanwhile at the Palace, Princess Jasmine is scolded by her father, the Sultan, for refusing yet another suitor. He demands that she must marry a noble prince within the next three days - before her birthday. Jasmine is frustrated and upset, confiding in her hand maids (These Palace Walls). However, news of Jasmine’s inevitable marriage also disappoints the royal vizier, Jafar, who wants the throne for himself. He and his parrot accomplice, Iago, search for the Cave Of Wonders - a cave rumoured to hold untold powers. The voice of he cave states that only a diamond in the rough is worthy of entry to the cave. When Jafar asks who this may be, the cave tells him about Aladdin, and Jafar and Iago set off to find him.

Whilst Aladdin and his friends are entertaining the locals, Aladdin bumps into Princess Jasmine, disguised as a commoner to experience life outside of the palace. With no idea who she really is, Aladdin is instantly charmed by her, and when Jasmine finds herself in potential trouble with the authorities, he saves her from trouble and takes her to his hide-out. Once safe, they both reveal how unhappy their lives are (A Million Miles Away). Just then, Jasmine’s cover is blown and she is taken back to the Palace. Aladdin is ordered to execution but Jafar and Iago intercede and take him to the Cave Of Wonders (Diamond In The Rough). Grateful to him for saving his life, Aladdin enters the cave at Jafar’s request.

Once Aladdin is inside the cave, he is told to touch nothing but the lamp. Foolishly, Aladdin tries to make off with some gold coins too, causing the cave to seal and trap him inside. Aladdin runs in the lamp and to his surprise, a magical Genie appears offering to grant him 3 wishes. Still in disbelief, Aladdin shrugs off the offer, causing the Genie to showcase his magical powers to him (Friend Like Me). After his showcase, the Genie tells Aladdin the wishes he is forbidden from granting, and Aladdin manages to trick the Genie into getting him out of the cave without explicitly saying “I Wish”. It is here that the Genie reveals that he would wish for his freedom, having always been a prisoner of the lamp. Aladdin then promises Genie that he will use his last wish to free the Genie.

However, Aladdin decides to use his first wish to become a prince worthy of Princess Jasmine’s attention (Friend Like Me/Proud Of Your Boy Reprises).

Entering Agrabah as a new Prince, the Genie leads a parade to announce Prince Ali’s arrival (Prince Ali). Once at the Palace, Aladdin introduces himself as Prince Ali to the Sultan and expresses his desire to make Princess Jasmine his wife. Jasmine overhears this conversation and heads to her room, assuming that he is just another shallow suitor. Suspicious of Prince Ali, Jafar shows him to Jasmine’s room, although Aladdin is unaware that it is illegal for him to be alone with Jasmine. Aladdin asks Jasmine on a magic carpet ride (A Whole New World).

When they get back to the Palace, Jasmine realises that Aladdin is the boy she met at the marketplace, but Aladdin quickly uses the alibi that he is in fact a prince who sometimes likes to escape the pressures of Palace life. Seeing that he is different to her other suitors, Jasmine kisses Aladdin goodnight. After she leaves, Jafar has him arrested for being with the Princess without supervision and when they hear the news, his friends storm the Palace in a rescue attempt (High Adventure). They too are thrown in the dungeons with Aladdin, but Aladdin uses another of his wishes so that the Genie can free them (Somebody’s Got Your Back).

Back in the Palace, the Sultan greets Aladdin and gives him his blessing to marry Jasmine. This means that Aladdin will become Sultan one day, and so he tells the Genie that he would prefer to save his final wish for a time that he may really need it in the future, with all these new responsibilities. Upset, the Genie returns to the lamp and refuses to speak to Aladdin (Proud Of Your Boy Reprise II). As Aladdin carelessly disregards the lamp, Jafar and Iago manage to steal it.

The Sultan announces to the people of Agrabah that Jasmine is to marry Prince Ali (Prince Ali Sultan Reprise) but Jafar appears and exposes Aladdin as a street urchin posing as royalty (Prince Ali Jafar Reprise). The Genie enters telling Aladdin that Jafar is his new master and that he used his first wish to make Jasmine his prisoner. Jafar uses his second wish to crown himself the Sultan, which the Genie unwillingly grants for him. However, Aladdin remembers the limitations on the Genies powers and so he tricks Jafar into wishing to become a Genie, so that his power will be unmatched. The Genie grants Jafar’s wish, causing Jafar to be sucked into the lamp forever.

Aladdin then uses his third and final wish to set the Genie free. He admits to Jasmine that he loves her but he can’t pretend to be a Prince. Witnessing this selflessness and nobility, the Sultan changes the laws so that Jasmine may marry whoever she wants. Iago is attested and Aladdin’s Friends; Babkak, Omar and Kassim are made royal advisors. Aladdin and Jasmine get married and the Genie sets off on a long awaited holiday. Aladdin and Jasmine board the magic carpet and ride off into the sunset (Arabian Nights/A While New World Reprises).

This is an AMAZING musical. Alan Menken is one of the greatest and most influential songwriters of the age, responsible for many brilliant Disney songs.

This musical is filled with lots of comedy from the Genie and a lovely life lesson that people are still people, no matter their background and upbringing.

Favourite songs: One Jump Ahead, Friend Like Me, Prince Ali, A Whole New World, Prince Ali Jafar Reprise

Favourite character: Aladdin

He’s ambitious and determined and honest and kind - Proud of this boy.

[londontheatre]

Aladdin Prince Edward Theatre Jade Ewen (Jasmine) and Dean John-Wilson (Aladdin) Photographer Deen van Meer ® Disney

The classic 1992 film Aladdin has been brought to thrilling life as a stage musical by the producer of The Lion King, featuring all the songs from the Academy Award©-winning score, together with new music written for this production.

Featuring the timeless songs from the classic film including A Whole New World, Friend Like Me and Arabian Nights together with new music written for the new musical adaptation of Aladdin.

This stage production at the Prince Edward Theatre contains theatrical smoke & fog effects, pyrotechnics, strobe lighting & loud noises.

Aladdin is recommended for a general audience. As an advisory to adults who might bring young people, Disney recommends Aladdin for ages 6 and up.

With stunning sets from multi-award-winning designer Bob Crowley and over 350 beautiful costumes from Gregg Barnes (Kinky Boots), Aladdin is an unmissable event in London theatre.

Children under the age of 3 will not be admitted into the theatre. All persons aged 16 or under must be accompanied and sat next to the accompanying adult. They may not sit on their own within the auditorium.

London cast of Aladdin MATTHEW CROKE – Aladdin TREVOR DION NICHOLAS – Genie JADE EWEN – Jasmine DON GALLAGHER – Jafar NICK CAVALIERE – IAGO IRVINE IQBAL – Sultan LEON CRAIG – Babkak MILES BARROW – Omar DANIEL DE BOURG – Kassim CHANELLE JASMINE ANTHONY – Ensemble DANNY BECKER – Ensemble CINDY BELLIOT – Ensemble ALBEY BROOKES – Prince Abdullah & Ensemble LAUREN CHIA – Swing FILIPPO COFFANO – Ensemble BIANCA CORDICE – Assistant Dance Captain & Ensemble CAVIN CORNWALL – Standby Jafar & Sultan NOLAN EDWARDS – Swing MELANIE ELIZABETH – Attendant & Ensemble KADE FERRAIOLO – Ensemble ANTONY HEWITT – Ensemble SINEAD KENNY – Ensemble TRAVIS KERRY – Ensemble DANN KHARSA – Razoul & Ensemble MITCH LEOW – Ensemble & Fight Captain OLIVER LIDERT – Standby Genie, Babkak & Sultan RICHARD MURPHY – Swing IAN OSWALD – Swing TARISHA ROMMICK – Fortune Teller, Attendant & Ensemble KYLE SEELEY – Swing & Resident Dance Captain SADIE-JEAN SHIRLEY – Attendant & Ensemble KATIE SINGH – Swing RICARDO SPRIGGS – Swing JOSHUA STEEL – Ensemble MONICA SWAYNE – Attendant & Ensemble KAYLEIGH THADANI – Swing NIKO WIRACHMAN – Ensemble DAMIEN WINCHESTER – Swing JERMAINE WOODS – Ensemble

The Creative Team of Aladdin consists of Alan Menken (Music), Howard Ashman (Lyrics), Tim Rice (Lyrics), Chad Beguelin (Book Lyrics), Casey Nicholaw (Director, Choreographer), Bob Crowley (Scenic Design), Gregg Barnes (Costume Design), Natasha Katz (Lighting Design), Ken Travis (Sound Design), Michael Kosarin (Music Supervision, Incidental Music and Vocal arrangements), Danny Troob (Orchestrations), Josh Marquette (Hair Design), Milagros Medina-Cerdeira (Makeup Design), Jim Steinmeyer (Illusion Design), Glen Kelly (Dance Music

The 2014 Aladdin Original Cast Recording album relieves the magical musical experience that has captured the hearts of many, featuring six new songs written for the musical, plus the award-winning all-time favorite classics like ‘A Whole New World’, ‘Friend Like Me’ and more. Disney’s New Broadway musical, adapted from the hit film features some of the best-loved music by Academy Award and Tony Award-winning composer Alan Menken and lyricists Howard Ashman, Tim Rice and Chad Beguilin with book by Beguilin. Nominated for five Tony Awards including, Best Musical, Best Original Score, Best Book and Featured Actor Original Broadway Cast Recording features four all-new never before released songs specially written for the musical.

Soundtrack 1. Overture, 2. Arabian Nights, 3. One Jump Ahead, 4. One Jump Ahead (Reprise), 5. Proud of Your Boy, 6. These Palace Walls, 7. Babkak, Omar, Aladdin, Kassim, 8. A Million Miles Away, 9. Diamond in the Rough, 10. Friend Like Me, 11. Act One Finale, 12. Prince Ali, 13. A Whole New World, 14. High Adventure, 15. Somebody’s Got Your Back, 16. Proud of Your Boy (Reprise), 17. Prince Ali (Sultan Reprise), 18. Prince Ali (Jafar Reprise), 19. Finale Ultimo, 20. Proud of Your Boy, 21. Genie Medley.

5-Star Review of Aladdin  There’s something for everyone in this laugh-out-loud and shimmering show, where the cast come across as thoroughly enjoying themselves. Not since Sister Act The Musical played at the London Palladium have I left the theatre feeling so positively upbeat and overjoyed. I wish Aladdin a long and successful run. This is an Arabian night not to be missed – the professionalism and skill in this show is astounding.

Disney’s Aladdin Prince Edward Theatre 28 Old Compton Street, London, W1D 4HS

Show Schedule Monday – 7.30pm Tuesday – 7.30pm Wednesday – 7.30pm Thursday – 2.30pm and 7.30pm Friday – 7.30pm Saturday – 2.30pm and 7.30pm Sunday – No Show

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Aladdin Original Broadway Cast Recording Various artists – 26 May 2014

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