#Freedom to Dialogue

[popsixsquishcicerolipschitz]

Shocking! The surreal worlds of Elsa Schiaparelli (Shocking! Les Mondes Surréalistes d’Elsa Schiaparelli)

Shocking! Les Mondes Surréalistes d’Elsa Schiaparelli

(Shocking! The surreal worlds of Elsa Schiaparelli)

In twenty-five years, Elsa Schiaparelli has made fashion a natural breath of the avant-garde, a playground in which to reinvent both woman and femininity, allure as well as spirit, in a work that remains unique. striking news. It embodies a vision of a dazzling and vibrant Paris, curious about everything, having fun with each novelty.

It is this incredible freedom of creation that the exhibition wishes to offer visitors, freedom to surprise, freedom to dialogue, freedom to be oneself, through models, designs and jewellery, many of which, thousands for the drawings in particular were donated in 1973 by Elsa Schiaparelli to the Union française des Arts du costume, of which the Musée des Arts Décoratifs holds the funds. As a last modern gesture, that of preserving his artistic heritage to transmit it and thus allow history to continue, timeless, that of having lived his art as the fruitful place of the most unexpected and the most fertile crossings.

Images: ‘Shocking! The Surrealist World of Elsa Schiaparelli’, exhibition views

Image 1 © Les Arts Décoratifs / Christophe Dellière.

Image 2 photograph courtesy of Amy de la Haye.

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EXHIBITING FASHION

[nat20composure]

Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims

Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:

I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.

I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.

To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.

When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.

The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.

Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?

I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.

When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.

A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.

To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.

I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.

The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.

NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.

Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.

Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.

Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.

Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.

[silver-horse]

Merrill during The Last Straw ...  

[x-letsbreaksomerules-x]

“He ordered me to kill them. So I did. I killed them all.”

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[vaguely-concerned]

sophia seeing cailan's body hanging there when they go back to ostagar, and suddenly all she can see even through the rot and the ruin is just how much he looked like alistair...... :'(

a mental image that totally will not haunt her through alistair's many years on the throne as rebellions and assassination attemps come and go. doesn't send her unhinged and unwise even a little

[barra-400]

June pt. 4

"The machine itself is only the top part of its apparent body, the rest of which is a plastic shell in the form of a human, which they seem to have built themselves.

The plastic body serves no function and is only for aesthetic purposes.

Despite it being a waste of resources, Mindflayers will use everything in its power to protect the plastic body from harm, even if that means destroying itself in the process."

-Mindflayer's terminal log-

[akimojo]

people love to use ffxiii’s messy development as a reason to completely shit on the game but honestly the fact they managed to sneak in so many little details in the gameplay in a way that reflects the characters and story despite all the miscommunication between the dev sections is just impressive to me

[assblastergaster]

I am finally starting to see the light on just how robust all of the companion origin romances are (i.e. romances within the party outside of tav). While larian obvs had to work with sudden, abrupt story changes and losses, somehow they still managed to make all of their stories so intertwined that all possible romances are good.

Take Karlach for example:

• Wyll: Their stories are literal parallels; They both were following someone with power and influence, yearning to serve them and others to the best of their abilities—and were both discarded after being tricked into (literal) hell. together they provide for each other what was taken without denying themselves what has changed them (more devilish? so be it, i am stronger for it). She will guard what he loves without question—all he's ever tried to do—and he will stand against the forces that served to get them here, all she's ever wanted. They have both been forever changed to be more devilish (scarred, marked, horned, dehorned) but still yearn to thrive amongst their peers to no avail. He will always be a human with fangs and horns, and she will always be a tiefling with no horn(s), no heart. They are each other's only peers, the hunter and the prey.

• Shadowheart: One young girl is torn from the people she loves, her home, the authority figure she serves. She is marred by this person. Her parents are lost to her—she will never get to say goodbye, never get to hug them again. Her peers shun her, believe her dead or worse. Her only friends are lost to her (or so she thinks). She is a half-elf forcibly blinded to the ways of the world, sent on a suicide mission to secure her master's authority. She is a tiefling who has forgotten the joys of the world, escaping a suicide mission meant to secure her master's authority. They were both taught to selfishly strike out against the world to just survive. Together they find something alien to both of them—self prioritization without selfishness (I am not made to serve, i was made to be here. with you).

• Astarion: He is empty of life, cold and buried; She is being consumed by her life, toiling and burned. They were both, for lack of better words, Baldurian hot-shots in their youths. A learned magistrate and the head guard of an up-and-coming Baneite. They were both likely very corrupt. Astarion is obvious—his attack by the Gur was prob in response to prejudiced rulings. But Karlach was working for fucking Gortash. She's not an idiot, and while she certainly has a soft spot for the community, she had to have had a hand in his nefarious doings. Regardless, both of them are still furious about what happened to them, rightfully so—and neither is willing to accept (yet) that the version of them they left behind was not what they want now. They both want revenge, to kill the fucks that stole them away. And they both get it, only to find that they need to make a life after this, not to mourn the life before this.

• Lae'zel: This, like all Lae'zel romances, is a tale of two cities. Lae'zel wants to serve someone so badly, else she cannot prove to others (and herself) that she is worth the air she is breathing. Her culture demands it, history commands it, and she was born for it. But she can't do it. Not blindly. Karlach was a rough and tumble child on the streets of Baldur's Gate looking to eke out her livelihood without serving authority. But she couldn't avoid it, nothing she's good at could make money or earn respect except for serving as a guard, as a soldier. At first meeting, they both immediately respect and pity each other. Karlach likes seeing someone so proud of who they choose to serve, but innately understands that it is not a choice. Lae'zel likes seeing someone strong enough to command respect, but knows that she "should" want to serve someone too. They see themselves in the other. Neither understands, but they will. Karlach will see why Lae'zel is so desperate to belong, to serve—Lae'zel will see why she is too scared to submit.

• Gale: We both have a bomb in our chests. A divine being, omnipotent in all but name, placed it within you and quelled its fire so long as you obey and worship. The most obscene devil, queen of the Hells, ripped me from my home and gave me this, its flame fanned by servitude and snuffed by disobedience. Gale has lost himself to depression, Karlach to rage. He pours through books searching for the answer he will never find, but that's how he got here in the first place. Karlach smashes her way through everything, making ragtag enemies and allies along the way, but that's how she got here. Before anyone says some bullshit about Karlach being too "dumb" or Gale being too "pretentious;" Karlach is not dumb, she is naïve (which lends itself to dumb decisions) but wise. She's led an experience-rich life (encountered through misplaced trust and naivety) and has learned lessons from every single one, something she learns to temper within Gale as well. Gale has done many things but actually learned from very few of them, which is one of the reasons why he's immediately eager for the Crown. But he's also not an idiot, he's just vulnerable. Together, they balance each other emotionally and pedagogically.

Obviously this is focusing on the narrative aspects of these relationships—not the personal intricacies. But the majesty of this writing is that these are all characters written by separate people, forging separate stories with thousands of paths each. It's just unheard of.

[vangbelsing]

It looks like they've mostly gotten rid of the dialogue options to be more aggressive or callous, and that makes me sad. I know they don't really want to do an "evil" playthrough right now, but I'd still like to play more of a gruff or hardened character. I'm hoping we can still do that once the game is actually out.

[nuttynutcycle]

Prompt 418

"Have you forgotten your lessons?" They had never seen their old teacher this furious.

[doomingthenarrative]

im curious about something bg3 fandom

also if you want to put your favorite in the tags!

[mycenaae]

"[x] character action wasn't even in the script that was the actor's choice omggggg" i beg of you to read a script just once and learn what actually gets put into scripts and screenplays. they don't actually detail every single little movement and detailed expression an actor has in the scene this isn't fanfiction or a book

[hwashitape]

literally no one gets out of the Hinterlands even with prompting, even with everyone and their uncle screaming definitely to get out of the Hinterlands ASAP… starting to think it's a skill issue and not a map/design issue

[theprofessionalpromptmaker]

"I love the phrase 'stay in your lane' because it originates from driving but many drivers have long forgotten this etiquette rule."