#Franz Lenski
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LUKA FAULISI
ARIA
El álbum Aria presenta escenas y arias favoritas de algunas de las más grandes óperas románticas, con arreglos para violín y piano de los más ilustres antepasados de Faulisi. Disponible el 3 de marzo.
Consíguelo AQUÍ
Un viaje a la ópera con Luka Faulisi En su debut con Sony Classical, el violinista Luka Faulisi nos adentra en el "mundo de los sueños" que es la ópera romántica. Entre las joyas operísticas incluidas están la Fantasía sobre Carmen de Franz Waxman (que hizo famosa Jascha Heifetz), la Fantasía sobre temas de Fausto de Gounod de Henryk Wieniawski, el arreglo de Leopold Auer del "Aria de Lensky" de la ópera Eugene Onegin de Tchaikovsky y la propia versión de Fausili de la brillante aria de Violetta "Sempre libera" de La Traviata de Verdi.
Faulisi, a quien el gran Pinchas Zukerman describió como un violinista "con un sonido de un millón de dólares", creció cerca de la Ópera Bastille de París y solía hacer cola para pedir autógrafos en la Puerta del Escenario después de ver las representaciones.
La ópera habita en un mundo ideal de mitos, con su mezcla de teatro, poesía, música y lugares magníficos", afirma el violinista italo-franco-serbio, cuyo padre siciliano solía dar serenatas en casa de conocidos éxitos operísticos.
Además de los clásicos populares, las rarezas del álbum incluyen la impresionante "Aria de Roxana" del Rey Roger, una ópera de 1924 del compositor expresionista polaco Karol Szymanowski (con arreglos de Pawel Kochanski). También se incluye la fantasía de Efrem Zimbalist sobre melodías de la ópera de hadas Coq d'or de Rimsky-Korsakov.
La narración de historias y la sensibilidad de las voces humanas constituyen el núcleo del álbum, afirma Faulisi. “Buscaba arreglos que evitaran cualquier sensación de virtuosismo gratuito y ostentación excesiva”.
En un extraordinario giro del destino, Faulisi tuvo la oportunidad de grabar con el pianista Itamar Golan, después de que ambos músicos se encontraran aislados durante la pandemia de Covid-19. Las grabaciones de Golan con el gran violinista Maxim Vengerov fueron de los primeros sonidos que oyó Faulisi, pues su madre se las ponía para que las escuchara cuando aún estaba en el vientre. Tocar con Itamar me inspiró y aprendí mucho", dijo el violinista.
Luka Fausili fichó por Sony Classical en 2022 con solo 20 años. Estudió en el Conservatorio de Maastricht con Boris Belkin y ahora en la Academia Lorenzo Perosi, Biella, Italia, con Pavel Berman. TRACKLIST
Carmen Fantasie: Prélude – Habanera
Carmen Fantasie: Air des cartes
Carmen Fantasie: Sous les remparts de Séville
Carmen Fantasie: Coda
Eugene Onegin: Lensky's Aria
Fantasia on Themes from Gounod's 'Faust', Op. 20: Introduction
Fantasia on Themes from Gounod's 'Faust', Op. 20: Valentin's Aria
Fantasia on Themes from Gounod's 'Faust', Op. 20: Mephisto
Fantasia on Themes from Gounod's 'Faust', Op. 20: Il se fait tard, adieu!
Fantasia on Themes from Gounod's 'Faust', Op. 20: Waltz
Król Roger: Roxana's Song
Libiamo, ne' lieti calici
Addio, del passato
Sempre libera
Finale
Concert Phantasy on 'Le coq d'or': Prologue
Concert Phantasy on 'Le coq d'or': Hymn to the Sun
Concert Phantasy on 'Le coq d'or': The Tsar's Dream
Concert Phantasy on 'Le coq d'or': Wedding March
Concert Phantasy on 'Le coq d'or': Epilogue
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Das Wirtshaus im Spessart (Comödie Dresden)
Das Wirtshaus im Spessart (Comödie Dresden)
Story: Nach Jahren des Dornröschenschlafs erwacht das geschichtsträchtige Dresdner Barockschloss Übigau im Sommer 2019 zu neuem Leben und verwandelt sich zur Kulisse für Dresdens neues Open-Air-Theater direkt an der Elbe: die COMÖDIE IM SCHLOSS.
Nehmen Sie bei Getränken und Speisen aus der Sommerwirtschaft im Schlosshof Platz, wenn für Sie – und so manchen Halunken – das WIRTSHAUS IM SPESSART…
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#Aline Bachmann#Anne Konstanze Lahr#August Geyler#Christian Kühn#Clarissa Karnikowski#Das wirtshaus im Spessart#Das Wirtshaus im Spessart (1958)#Dresden#Franz Lenski#Kurt Hoffmann. Wilhelm Hauff#Laura Dittmann#Liselotte Pulver#omtesse Franziska von Sandau#Philipp Richter#Philipp Scholz#Quentin Tarantino#Rainer König#Schloss Übigau#Theater
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George van Dam (°1964)
has worked with several leading composers of today and with ensembles such as the Junge Deutsche Philharmonie, Ensemble Modern, MusikFabrik and Ictus, of which he is one of the founding members.
Being very active in the dance - and theatre world, he has performed in the productions Rosa, Achterland (Ysaÿe), Kinok and Partita2 (Bach) by Rosas/Anne Teresa de Keersmaeker and in Die Siel van die Mier, Escorial by Josse De Pauw (Muziek LOD, Transparant), as a pianist in Trio in Mi-Bmol (Mozart) by Jan Ritsema (Kaaitheater) and with Ultima Vez/Wim Vandekeybus.
His own compositions include song cycles, chamber music, a concerto for violin and timbila-orchestra (GP Drumming), music for film (Joseph Plateau Prize 2005), silent film, theatre/dance performances, music for choir (Collegium Vocale, Ghent) and works with visual artists Manon de Boer, Angela Bulloch, Trudo Engels, Ana Torfs and others.
In 2012, he resumed his activities as harpsichordist and studied with Johan Pieterse, Robert Kohnen, Elisabeth JoyB and with Ketil Haugsand, Bob van Asperen in masterclasses at the Piccola Accademia in Montisi and Utrecht.
Recent projects include the theatre/dance productions War and Turpentine by Jan Lauwers/Needcompany in which he appeared as a soldier-violinist, Goldberg Variations on the harpsichord (with the musician- performer Simon Lenski) and Probabilities of Independent Events by Grace Ellen Barkey/Needcompany.
www.georgevandam.com
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Mathieu Hendrickx (°1987)
studied psychology (2006-2009) at the University of Ghent and visual arts at LUCA School of Arts in Brussels (2009-2013, MA). After his studies he founded the arts collective Messervideo with friends - amongst which Oleg Danilov - at Smart. They have worked for i.a. Meg Stuart Damaged Goods, Atelier Claus, Youth Orchestra Flanders, Beursschouwburg, Galerie Greta Meert, Myriam Van Imschoot, Goethe Institut, De Singel, location hunting for Bas Devos...
His personal artistic practice oscillates between film and performance wherein both fields inform one another.
Since 2019 he has worked on the film production The Country Was Stolen 2019 Kring 21, Des Eissentes, Hoeilaert 2018 James Joyce & Franz Kafka are visiting Berlin, Royal Museums of Fine Arts Belgium / LA_Ï BO_NA @ Ithaka, Leuven 2017 CHOUCHOUKA – LA_Ï BO_NA @ SALOON, Brussel 2016 James Joyce & Franz Kafka The Writer's Pose..., Monk, Brussels 2015 Sweetheart, Maison Folie, Bergen 2014 Sweetheart, Prix Médiatine, Brussels / HGO!Extra, Brussels / Kaskcinema, Ghent / Extrapool, Nijmegen, 10 Balles et Un Mars, RosaBrux, Brussels, James Joyce & Franz Kafka, are burning der Prozess..., 2m3 2013 ACT 1, I Think This Too Shall Past, TTTT, Ghent / James Joyce & Franz Kafka, Retrospective..., Vitrine St Lukas, 2011 On the Road, Vitrine Recyclart, Brussels
vimeo.com/mathieuhendrickx
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