#Fire Neil Gaiman Now

[badaziraphaletakes]

This is magical.

Someone called it “Rosencrantz and Guildenstern Are Gay” and I never recovered

[barely-getting-bi]

frantically violently rapidly switching between

AAAAGHGGHHGGHH INEFFABLE HUSBANDS

and

AAAGGHGHGHH INEFFABLE BUREAUCRACY

[janeway-lover]

WAIT! I JUST REALIZED!

RTD set David on fire too!

[i-am-a-story-goblin]

neil gaiman i am COMING FOR YOU

(said with utmost love respect gratitude admiration etc)

[badaziraphaletakes]

[piratewinzer]

Finished Good Omens season 2z Back on Tumblr again. Feels good. I am so glad that i didn’t get spoiled because holy fucking shit -

[derpyfins]

Just finished Good Omens Season 2.

@neil-gaiman... b r u H

why

WHY

[weirdly-specific-but-ok]

Pt III good omens but i STILL SOMEHOW haven't watched it (and i'm increasingly passive aggressive)

i'm now basically held hostage adopted as mascot by this fandom. it's fine i'm fine *SIGNALS FOR HELP DESPERATELY*

Alright fuckers I swear this time I'm going to get some shit right. Without further ado, here's my third attempt at a good omens summary:

Everything everywhere is queer all at once

Angel Aziraphale and demon Crowley on earth likey each other

The car is a bentley and it is BLACK not silver and everyone is very upset about this. my bad yall it was reflecting light therefore i guessed more silver than black but I'm not Anish Kapoor take your black.

Then it is yellow, and aziraphale likes it. crowley preferred the black because he's a flamboyant emo.

God is a deadbeat absentee parent and you are all children of divorce.

There's a naked archangel and they cause problems for the husbands somehow. By being naked? By being an archangel? By being at their doorstep? Who knows not me

They were actually married for 6000 years, they just are the last to know about it.

Crowley is on fire. Like, he's slaying for sure, but also he is literally on fire, like Aziraphale's bookstore.

The actors like I said before are Michael Sheen and David Tennant but this is the place where I finally admit that I don't actually know who is whom. I'm going to assume Michael is Aziraphale because Michael sounds angel-y and David is Crowley because uh Michaelangelo made David and was gay for him.

Terry Pratchett is not fictional.

He co-wrote the book with @neil-gaiman, who IS fictional, because he does not have social media. Several of you have assured me that he is in fact a fandom inside joke. I like to think he would be proud of me.

They adopt a preteen and Crowley gives him bad advice.

At some point a baby was delivered to someone and was exchanged for the son of Satan. Idk if the baby is the preteen, or the son of satan is the preteen, or neither. This could be a fanfic, I have no way of differentiating the fanfic from canon on tumblr, except that the canon is weirder.

Crowley does not go down a chute. He goes down a telephone cord after making himself microscopic to pole dance on a pin with shroom-induced backgrounds.

During this his stage name is Disco Tony. Get it king go slay you're making better life choices than I am tbh.

Aziraphale is a biblically accurate angel, and you have all gone to extensive lengths to prove this to me. I understood nothing, but there you go.

It's all very queer, just like the fandom.

Crowley is a retired demon but he still sins by breaking the speed limit.

They eat at fancy restaurants and bicker but like in a sexual undercurrent way.

Crowley gives Aziraphale a private dance that is not a lap dance, it is an apology dance, but not in a kinky way, until it is.

Their haircuts keep changing and range from 'this is acceptable and gay' to 'i let a drunk chimpanzee take gardening shears and a blowtorch to my hair'

It's all ineffably queer my good fellows

Everyone keeps trying to convince me Neil Gaiman is the villain yeah no guys I know it's really you. Y'all be like 'SEASON TWO BROKE ME' and then you're making headcanons to make it sadder yeah I see you mmhm.

There is a final fifteen. It is sad. What is it? No one told me.

The demon turns goats into crows and the angel turns them back and then children are turned into newts (does the angel turn them back? who cares not yall) and the demon was the snake in the Eden garden and everyone's furry game seems to be on point.

There are a rather lot of children. I have not seen them. But I am assured they are there. They are, guys. I assume they were turned into the alcohol Aziraphale and Crowley drink or something.

There was an apocalypse plotline. It was averted. It is not important. You don't talk about plotlines in this fandom, no sir.

Crowley doesn't want to go to heaven. Aziraphale is sad.

The kiss is not nice, just like this fandom. It is queer, just like this fandom. It is sad and desperate and masochistic, just like this fandom.

Aziraphale doesn't want to stay back with Crowley. Crowley is sad.

Season 2 ends. Fandom is sad.

Everyone's sanity is hinging on the promise of a happy ending in season 3. Good luck guys.

Y'all better appreciate this. I can't even boast to my mother about this legacy of mine, hey mum your son has been held hostage kidnapped inducted into a cult adopted by a fandom he's not part of look he's winning at life.

[bitterkarella]

Midnight Pals: Omens

Arkasha Stevenson: submitted for the approval of the midnight society, i call this the tale of the first omen Stevenson: it's about a plot to breed the antichrist King: wait this sounds familiar Stevenson: yeah it's based on The Omen King: no that's not it

King: wait! i've got it! King: this is totally ripping off Good Omens! King: it's the same set up! Lovecraft: you're right! even the name is similar! Barker: wow, i hope someone gets fired for THAT blunder

King: neil! Neil! did you know that the omen is ripping off your book? Neil Gaiman: steve, good omens is a parody of the omen King: King: what Gaiman: i mean, even the name is similar Gaiman: that should have been a clue

Gaiman: you must understand, steve, that once the omen was the biggest thing in horror Gaiman: we believed its grip on man's imagination would last the ages! But alas... it is forgotten! Gaiman: forgotten like the fading filaments of a dream in the morning light! King: oh ok

Gaiman: now, like the great ozymandias,king of kings, memory of the omen has scattered to the howling winds of the glittering desert of oblivion Gaiman: and like prometheus the titan of old my torment knows no bounds Koontz: neil! did you know the first omen ripped off your book?

Gaiman: no young dean for you see the omen actually predates good omens Koontz: huh? but it just came out! Gaiman: no see the original omen came our before the good omens book Koontz: original omen? book? Koontz: i don't understand

Mary Shelley: sup fuckers Shelley: so neil i hear they ripped off your book Gaiman: no i Shelley: i'd be real pissed if someone ripped off my book Gaiman: they didn't Shelley: i'd give em one of these [pantomimes shivving]

Gaiman: please! no one ripped off good omens Barker: oh they definitely ripped off good omens Poe: seems pretty obvious, yeah Gaiman: edgar! he's just stirring up shit! Gaiman: you know that! Gaiman: why are you believing him now? Poe: no he's right, it's an open and shut case

Neil Gaiman: it's not a rip off! good omens was literally an omen parody! Gaiman: if you won't believe me, ask terry! Terry Pratchett: hey is anyone hungry? i could really go for some soup right now

[ibelieveinahappilyeverafter]

there's something about the Walt Disney in Saving Mr. Banks saying "Because that's what we storytellers do. We restore order with imagination. We instill hope again and again and again."

just like there's something about the critic in Ratattouille saying "...the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends."

and the way Neil Gaiman said "The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it’s about and why you’re doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising… and it’s magic and wonderful and strange."

with posts writen by users like @hallwriteblr saying "to you, it’s a shitty sentence. to some random bitch 500 miles away, it’s a fire line that’ll haunt them for the next 17 years. you don’t know how impactful your writing is because it’s been in your brain for far too long now. you’ve stared at it for hours and repeated “this sucks” over and over again to the point that you killed your capacity to feel anything about your work. but trust me, once you get your shit out there, someone’s gonna go over that paragraph you hate and go “jesus fucking christ” and put the book down to have an existential crisis."

and how @pascalcampion wrote a comic that said "People don't always remember the details of what you do. They remember how it impacted them. How they felt. How what you did made them feel. That feeling will stay with them longer than the memory of the act itself."

that makes me want to write

and think its worth it

[badaziraphaletakes]

⚠️⚠️⚠️

VERY IMPORTANT!!!

I (Mod X) made a post saying “he is out!” in the excitement of the moment when he offered to withdraw. I deeply regret wording it that way. I’m afraid I might have contributed to this misunderstanding, which would be terrible.

I've been seeing posts where the OPs seem to think that Neil Gaiman is officially off the roster for Good Omens 3.

Fam, he isn't. Not yet.

There's been no official response from Amazon saying what Gaiman's status is. He has "offered to step down," whatever that means, and that's it.

Maybe he'll be entirely fired and banned from the production. Maybe he'll be fully involved like he was for 1 and 2. Maybe his role will be somewhere in between. Thing is, we don't know which of these it is.

Please quit making statements like it's a done deal, because it very much isn't.

[crowleysgirl56]

The world is on fire. It’s been on fire for a while now. I have struggled severely for the last few years with attempting to find any happiness in anything. I’ve always loved Good Omens, but it become such a specific hyper focus since season 2 aired, and for once I found a tiny little space in the corner of the internet that I could consider my happy place. This fandom and everyone in it finally brought me a little happiness again. It is now on fire too. So yeah, I’m going to pull away for a little while.

To everyone who is randomly getting anonymous inbox messages from people screaming at you that you’re a terrible person because you like “that pedo David Tennant” (like I have been, I assume it’s the same random person targeting a bunch of people), I feel for you, I’m with you, I’m sending you my thoughts and love, I hope you can just ignore, delete, not engage and move on.

For those who are upset over everything that has occurred with the allegations against Neil Gaiman, you’re feelings are valid. You can separate the art from the artist. You can feel angry with him, sympathy for the victims, and sad that it could affect season 3. All things can be true at once.

So let’s remember a few things:

1) his actions are creepy at best and abhorrent at worst.

2) believing women means giving them the space and time to hear what they have to say, afford them empathy, and not dismiss them outright.

3) the court of public opinion is not the place to make judgment.

4) Boris Johnson’s sister, who is connected to TERF ideology, dropping a podcast the day before a significant general election may perhaps not be the best bastion of truth.

5) screaming at each other won’t solve anything. Please be kind.

So I’m going to take a step back for a bit, touch some grass, and hope the fires are slightly more under control when I get back.

[badaziraphaletakes]

Sendarya just blocked us for asking her why she made a new Good Omens petition that didn’t call for firing NG in the byline instead of promoting the one that did.

There were literally so many possible responses, and that was the one she went with.

(Edit: She didn’t make the new petition; she just started the campaign to promote it. But she has known all along that the older “Save Good Omens: Fire N*il G*iman” petition exists, and she is continuing to refuse to explain why she is supporting the newer petition that just says “Save Good Omens” instead. Anyway - sorry for the mistake!)

[inezrable]

Amazon needs to fire neil gaiman's pathetic arse right the fuck now

[badaziraphaletakes]

10/10!

Manifesting a S3 without NG, pass it on

[im-this-kind-of-girl]

Aziraphale and Crowley's unhinged character analyzis (pt1)

Controversial opinion:

Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.

It sounds crazy, but to explain myself I have to do an in-depth analysis of their personalities and the possible transformation arc that both characters are probably going to have at the end of the Good Omens story.

Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.

Aziraphale

First let's talk about Aziraphale. For two reasons, firstly because he is the one who seems to deserve the most defense right now; and second because Aziraphale, in my opinion, is the main character of Good Omens. This is because Aziraphale, out of the two, is the one who is likely to have the biggest change in his personality once his arc ends.

In a story, especially one like Good Omens with many characters, it is common for there to be many arcs, as every character has something to learn. Crowley, as a co-protagonist and love interest, is clearly going to have a change at the end of the plot, but his change won't be as big as our angel's.

First things first, what is a transformation arc?

It is the transformation that a character undergoes from the beginning to the end of the story. Basically, at the beginning of a story, a character is in a certain state of equilibrium, he lives and thinks in a certain way until he is exposed to a situation that forces him to act outside of his comfort zone. During this, he will undergo different changes that will be reflected in actions that take him away from his natural state until the climax, where the character will make a decision that will change his normality forever. This is important. In every story, the climax marks a before and after in the protagonist's life: whatever he decides at this moment has no turning back and will mark his life forever, so that after the climax, the character may again have a state of equilibrium but different from the initial one.

What is the climax of Good Omens? Well, in the 1st season we have the bodie swap and in the second season the separation of Crowley and Aziraphale. But of the story itself? It's still a mystery.

Neil Gaiman has already confirmed that Good Omens is a three-act story, so its climax will be located at the end of season 3. We still don't know what definitive change there will be in our characters… although throughout the series we have enough clues to at least know what they probably have to work on changing.

Aziraphale's Role

In order to analyze Aziraphale we must begin by understanding his role within the angelic hierarchy. Aziraphale was created as a Cherub and then, after Eden, became a Principality. Both ranks have one thing in common: they are guardian roles.

Cherubs are second in the highest circle of heaven, below Seraphims. They are described as "guardians of the universe from a divine plane and without direct contact with humans, although they positively influence them". On the other hand, Principalities are seventh within the last circle of the angelic hierarchy, and the highest rank within it. They are the guardians of nations and countries, overseeing global events within politics and commerce.

So, Aziraphale was created with the main purpose of being only one thing: a soldier. His function is to obey and protect objects, places and beings. That is why he was the angel who received the sword of fire, his task was to protect Eden. But he also has a very strong sense of intrinsic goodness that has led him to make erratic decisions throughout history that question just how much he is willing to obey orders.

If Aziraphale feels that something is wrong, he won't do it. It doesn't matter if he has to go against Heaven or sin. It doesn't matter if killing a child saves the rest of the world, he won't do it. It doesn't matter if God will grant Job new children, he can't stand idly by. These actions make him stand out from the rest. A simple soldier just obeys while Aziraphale has a critical mind, he has too strong of an opinion about right and wrong. If an event happens that he considers evil, Aziraphale will go to great lengths to prevent it.

It is remarkable that the first thing he did having free will was to give his sword to Adam and Eve. Of course he did it with the function of protecting them but, by giving them his only weapon, Aziraphale was left in a serious state of vulnerability. He did it because he is good and kind, but it could also be considered an act of sacrifice. Here enters another important issue when talking about Aziraphale that relates to religion itself.

The Martyr Hero

One of the most basic conceptions about the Christianity is that without sacrifice a person cannot really be good. Jesus was crucified to free us from our sins; Job sacrificed his whole life to prove that his faith was genuine. Even centuries later, the ecclesiastical institution maintains that the more you suffer, the poorer you are, the more chances you have of ending up in Heaven.

All the sacrifices made in life will eventually be rewarded in the Kingdom of God. It is the eternal figure of the martyr that is worshipped in Church, the idea that to really love, to really do good, sacrifices must be made.

Aziraphale believes this blindly. Now, he is an angel, not a human. He will not have an eventual reward of any kind, and that does not matter to him, because he considers himself lucky to be able to be a being of light who brings happiness to others no matter the price he has to pay. He was willing to fall only to save the lives of Job's children just because it was the right thing to do.

Performing actions for your own happiness without thinking of the consequences is frowned upon throughout the Bible. It is considered selfish and is a great source of guilt for all its faithful.

There is a line from the Good Omens Musical that has always stayed with me. When they argue, Crowley tries to talk some sense into Aziraphale by claiming all the reasons why he should help him avoid Armageddon, to which Aziraphale replies "you and I are not important."

Why didn't Aziraphale quickly give in to the proposal to stop the end of the world? Why didn't he tell Crowley where the Antichrist was without hesitation? Why did he help Gabriel in spite of everything? Why didn't he kiss Crowley back although he wanted to?

Truth be told, Aziraphale does not prioritize his own happiness because he does not consider himself important.

At the center of it all is God, good and ineffable who would never let anything happen unless it is not amenable to the greater good, then there is all the rest. Aziraphale believes he is just a soldier with a mission: to protect the Earth and everything he considers worth saving. He is not on this list: his welfare does not matter to him because, in the grand order of things, Aziraphale does not believe he is important.

There is no afterlife reward for him, though that doesn't stop him from feeling guilty about wanting it.

Aziraphale's dilemma

Aziraphale's great dilemma ould be summed up as:

Do I do what I want or do I do what I must?

Should he obey the rules or get what his heart yearns for now that it is within his grasp?

Throughout Good Omens, we learn Aziraphale has given into various temptations such as food. But these sins are small in comparison to what he really wants. For how does he explain to God that what his heart desires the most is to be able to love the Serpent of Eden?

He is madly in love with Crowley. He could lose everything: his bookstore, restaurants, music, art, but the feelings he has for him will never go away. It were years of repression, believing that if he loved him in silence, everything would be okay.

Now, in the season finale, Crowley expresses it, confesses and kisses him, offering him what he has always secretly wanted on a silver platter.

But Aziraphale was also offered a place in Heaven, finally being accepted by the family he misses. Aziraphale spent the entire 2nd season getting involved in trying to save Gabriel, in bringing Maggie and Nina together, getting perhaps a little too invested because he clearly missed having a purpose.

He was not well emotionally. He missed feeling that he does good because, despite everything, he believes in the potential that Heaven has. Aziraphale knows that if he is in charge, if he gives up everything that makes him happy, if he stops being selfish as he was all these years, he can make the necessary change to prevent the End of the World.

Aziraphale is a soldier whose main goal has always been to protect. Becoming the supreme Archangel he is able to protect everyone he loves. Because of this, he decides to sacrifice his earthly happiness and make the most difficult decision but the one he feels is right: to leave Earth, reject Crowley and become Head of Heaven.

The end of his arc and Crowley

Like any arc, Aziraphale's is clearly at the end of the story. He's already changed a lot, and he's done mostly so because of Crowley. Not just because of love, no, Crowley manages to awake something in him. Crowley is the driving force that encourages change in him, that reaffirms or questions his beliefs whenever he is in doubt about whether something is right or wrong. He inspires something that Aziraphale, an obedient soldier of the Lord never had: freedom.

Obviously, our angel always had that spark of freedom, though repressed, hidden in the darkest part of his being because he knows it is something that makes him different from the rest and he doesn't like to admit that he doesn't fit in Heaven.

Because this means that he doesn't fit in Hell either, nor on Earth completely. Ergo, admitting to being different means confirming his suspicion that he doesn't fit in anywhere. But he never had to pretend this with Crowley.

Knowing all this, how will Aziraphale's arc end?

Well, he's going to have to choose between heart and duty again. Aziraphale is going to want to save Earth at the Second Coming, that's obvious. He is going to be forced to disobey Heaven once again as he realizes that he cannot change them. In this way, he will confirm something tragic: his sacrifice was in vain.

But it is necessary that he can assume this in order to understand that he is wrong:

It is not necessary to suffer in order to deserve love.

It is not necessary to sacrifice everything that makes you happy to prove you are good.

Eternal sacrifice is not the solution. Aziraphale has to learn that being happy and being loved is not a reward that has to be given, no, it is something he is worthy of without the need to sacrifice his life. Aziraphale must understand that he does not have to prove that he is a good person by martyrdom. He is a good person because he is empathetic, smart and sweet.

The secret is to find the balance between love and duty, between good and evil, to embrace his freedom and find happiness by accepting his mistakes that make him different from the rest. The easiest way is to learn to love in the most genuine way: the human way. Discovering that love does not necessarily have to be painful or repressed, that he can do it openly, that what he feels is not a test of faith, but the reward he has been waiting for all these years.

Aziraphale will ultimately become free through Crowley's love.