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endlessnightlock · 2 years ago

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"where's the smile? they're going to think I'm holding you hostage, honey."

Boys and girls from my year form a long line down the timeworn, rough-hewn floors of the District Twelve Community Hall. Tonight their faces are lit by oil lamps and candlelight. It’s an aesthetic choice; since we’re in town, not the Seam, there is ample electricity for tonight.

District Twelve is considered backwater and thus is being portrayed as so. The rustic setting of tonight’s event adds to, I think, the complete absurdity that is our district producing Hunger Games winners two years in a row. Last year was Peeta Mellark, this year, me.

My old classmates titter with laughter, and some of the wilder boys’ embarrassment at performing have them punching their friend’s shoulders.

Altogether, they exhibit wildly different reactions to a fear that has nothing to do with starvation or death. Next year's Reaping is far enough away it's almost forgettable, and with the food boxes handed out to the district for bringing a winner home and more to come for the next year, no one is starving. So for one night at least, nothing is scarier as a sixteen-year-olds than embarrassing yourself in front of your peers.

I wish I was out on the floor with them, beginning the familiar group dance when the fiddler touches bow to string, drawing out the old songs of the district, instead of standing in the corner of the room with my mentors, Haymitch Abernathy, and of course, Peeta.

I know I should be more social at this event; the last stop of my tour and hopefully the last obstacle before life gives me a chance to breathe again, but I can't find any words to fill the space around me. I'm too weary, too jumpy. I find it impossible to relax or sleep.

Behind a bottle of Ripper's best, Haymitch scans the room for signs of Effie, who traipsed off a few moments ago with the intention of seeking out Cinna. Haymitch's sneer is enough to scare off all but the bravest conversationalists.

Peeta at least is great at this stuff. He stands beside me, chatting with a Capitolite man who followed us home, especially for my party. Apparently, Ledicus Something-Or-Other sponsored Peeta last year and, on Peeta's advice, sponsored me this year as well. I can't hear what the two of them are saying besides snatches of donkey-like laughter I catch from Ledicus. "...so backward out here. Practically provincial," he says, smiling broadly; it's as if he thinks he invented humor by himself.

Peeta nods as if he agrees, and Ledicus lets out another shrill, affected laugh. The sound is distressing enough to peel the ancient decorator paper from the walls of the Community Hall.

Haymitch snorts but declines to comment when Ledicus prods him to agree before looking my way for affirmations. I look over his shoulder instead of into his cartoonish face. What does the idiot expect me to say---yes? We're poor and live simply in Twelve, but at least we're not; well, whatever he is. Best I can tell, Ledicus's face and suit and asymmetrical white hair resemble something out of a nightmare.

In the resulting awkward silence, Ledicus clears his throat and, seeing (or pretending to see) someone he recognizes, abruptly ends the conversation with us and walks away.

Peeta looks at me thoughtfully. I'm waiting for his lecture on how I ought to try harder, but instead, he turns his charming smile on me. "Having a good time?" he drawls, holding the champaign flute close to his lips, sounding amused.

"No," I answer curtly.

"Dance with me then," Peeta says, setting his glass aside and taking my hand, pulling me out to the dance floor.

The kids from our grade are dispersing, heading off to screw around with whatever they can get their hands on. None acknowledge us other than Peeta's friend Delly who throws out a tentative "Hey, Peet" as she passes us.

We stand close enough to begin. His hand rests high on my waist. I don't realize I'm still frowning until he moves his lips close to my ear. "Where's the smile? they're going to think I'm holding you hostage, honey."

"Nothing personal, but I'd rather not be here tonight," I admit, meeting his eyes as the music picks up again, and we begin moving with the other couples on the floor. "I don't like the way people are looking at me, treating us like we don't belong here anymore."

For not knowing Peeta before I was reaped, I have come to put almost too much trust in him. Haymitch is clever and devious, but Peeta is smart and steady like a rock. I don't like the way I need him now. I don't trust myself.

"You get used to how they look at you," he says softly. "Took me a while too. And tell you the truth, I would rather be anywhere tonight but here. But at least you're dancing in the arms of your second-favorite mentor."

"You're saying Haymitch is my favorite?"

Peeta gives me a mock surprise look, and I can't hold in the laughter. "Of course, he's your favorite."

"Hardly."

"So I'm your favorite?" He grins in expectation of my answer.

I roll my eyes. "Well, you're definitely Haymitch's favorite."

"I seem to recall him saying something about your personality and dead slugs," Peeta says, spinning me in a circle, taking away my chance to counter, and then pulling me back toward him. I catch Mayor Undersee giving us an approving glance before returning to Peeta.

"You know, I don't have to have a favorite mentor, Peeta Mellark," I remind him. "Keep it up, and you'll find out the hard way."

#endlessnightlock writes #canon divergent #thg fanfic #everlark #katniss everdeen/peeta mellark #I didn't really know how to end this one

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rose-of-oz · 3 years ago

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Share 10 facts about Theo Ester, please?

@dancingsunflowers-ocs 🖤

EEEE THANK YOU FOR THIS QUESTION ABOUT MY BABY!!

He’s a little embarrassed to admit it, but… mans loves Taylor Swift’s music (😂).

I won’t get too much into his backstory here because it’s going to be included in his intro post and I don’t want to spoil it, but I will say that he was major social anxiety and trauma as a result of what happened to him, and takes medication and goes to therapy to manage it.

He really loves older sitcoms, specifically Three’s Company and Everybody Loves Raymond.

He also has a soft spot for older movie musicals, his favorites including Fiddler on the Roof and A Funny Thing Happened on the Way to the Forum.

Though the main university course he teaches is writing, he will also occasionally substitute for the Gender Studies when it’s needed, since that was his minor when he was in college.

His first book was all about the Jill the Ripper theory (a Ripperologist theory that Jack the Ripper was actually a women) and to this day is still the best seller out of the four books he has published.

He did, admittedly, used to have a bit of a celebrity crush on Captain America, but that changed when Bruce actually introduced him to Steve and he realized that Captain America was… kind of a dork.

Theo is a terrible cook. Seriously, it’s a miracle this man has managed to keep himself fed for as long as he’s been on his own, because depending on what he’s cooking there’s a solid chance everything is going to end up burnt.

He doesn’t really believe in love at first sight, but… that’s about the only way he can describe what happened the first time he met Bruce. It was the closest thing to love at first sight he believes exists in the world.

He can’t listen to the song “Being Alive” from the musical Company without tearing up. It just really affects him, okay?

General Taglist: @hiddenqveendom, @auxiliarydetective, @foxesandmagic, @artemisocs, @reyofluke-ocs, @endless-oc-creations, @stanshollaand, @ginevrastilinski, @luucypevensie, @arrthurpendragon, @fakedatings, @impales.

#my ocs #questions about my ocs #facts about my ocs #oc: theo ester

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tippitv · 6 years ago

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SPN 15.02 “Raising Hell” - TippiTV Recap

Welcome to the recap of episode 2 of the final season! As with the first episode, I will be providing descriptions of graphics I would have made if I didn't have a shitty pain-wracked upper body. I tried making graphics with my feet, which feel great, but it was... too artistic...

I didn't want to set such a high bar for myself.

Okay in the intro bit Belphejack describes his warding spell on the town as a mile-wide circle where "ghosts can't get in or out." Now I'm confused because the cemetery from which all the ghosts/demons erupted like a Dr. Pimple Popper compilation video is outside of this circle. Isn’t it? All the evacuees are also outside this circle. What's keeping all the people at the shelter from getting possessed by ghosts that didn't happen to be in the town? Wouldn't it have made more sense to get everyone into the shelter and then make the circle around that? All they've done is created a Venn diagram where the warded circle doesn't touch either the cemetery or the shelter.

[Graphic: just a terrible drawing of the above to illustrate my point.]

Actually screw it I need to make this graphic.

Or wait... Are they saying this bustling town AND the cemetery fill up a space of only 1 mile and are warded together?

And that somehow the majority of ghosts are in this area for some reason and that they hadn't managed to go much further than that after they were freed?

OH MY GOD WHY AM I THINKING SO HARD ABOUT THIS?

Anyway we now move to the present day, which seems to be soon after the evacuation. I'm actually slightly pleasantly surprised that they picked up here instead of moving on to the other three billion ghosts that need dealing with.

A woman sneaks around the supposedly deserted town, covering her nose and mouth with a scarf. Ah right... the "benzene." I actually did live through a few benzene leaks and you can smell it. The CDC describes it has smelling something like gasoline but to me it smells like... a certain kind of bandaging. Medcinal and rubbery. It seems unlikely that nobody in this town would know this and point out that there's zero benzene smell in the air. The woman runs into her neighbor, who's acting like a stone cold weirdo. She's wary but keeps chatting right up until the moment he stabs her a bunch of times.

A ghost pops out of him. He somewhat resembles the prophet who lost his soul so I was mildly confused for a moment. Also throughout this whole episode it's like he can't decide what his accent is and it's very annoying. Hell, he goes through like three accents just spelling the word "disembowel" here. Because the neighbor lady had been chatting about spelling bees.

At the high school, Castiel tells Sam about the neighbor lady going missing. For some reason, Sam has trouble getting everyone's attention. Did this town only have forty people in it? The cafeteria isn't remotely full. Sam reminds everyone to stay out of the quarantine zone. "Any questions?" Everyone raises their hands.

Sam's face makes a bunch of faces that can be summed up as "uh oh spaghettios."

Dean and Belph are in town bonding (not really) over being good soldiers who just wanna do their jobs. The mixed-accent ghost tries to make an escape through the warding whe Dean blasts him with rock salt. Belph points out they're not dealing with regular ghosts. "That was Francis Tumblety." Oh no the inventor of Tumblr!

[Graphic: Dashcon as Hell]

Turns out Francis is more famously known as Jack the Ripper. When Belph explains this Dean is like, "Cool," which seems like a weird reaction for him to have. Also wouldn't the soul of someone as bad as Jack the Ripper have become demonic by now?

High school shelter. They picked a really weird building for their exterior shots. It looks like a cross between an Alpine chalet and a city hall. Some of the antsy townsfolk with strong Canadian accents decide to escape back to their Kansan homes.

One of the homes is currently being used as a meeting hall by the ghosts. I cannot overstate how much I hate seeing ghosts in full daylight. The makeup looks straight out of a school play. Like Sam earlier, Francis has some difficulty getting everyone's attention. What kind of parallel is this supposed to be? He gets the other ghosts to agree to mount an attack against the hunters and then they can put on a production of The Importance of Being Earnest and Dead.

Two of the townsfolk sneak back home only to encounter two of the ghosts. They look terrified even though the ghosts look absolutely comical.

[Graphic: Photoshop these two ghosts into a Scooby Doo scene]

Sam and Castiel argue about what and when to tell the evacuees. Rowena walks in on them and acts like she just got a Samstiel idea for Whumptober.

After some exposition about God and his sister and the soul-bomb that Rowena made back then, Sam says he needs her to make something similar that will trap the ghosts. She says it will be very difficult and will take her until nearly the end of the episode.

Then Sam gets called away to join the other plot line. The two people who slipped out of the shelter are now possessed and oozing some CGI out of their eyes. Man, daylight really is unkind to everything except like Jensen Ackles's complexion.

Francis Tumbledore materializes and demands they erase the warding or the ghosts will start killing people. To make his point, the two recently possessed people get their innards turned into Hamburger Helper by the ghosts inside them. Someone offscreen shoots them with a confetti gun!

Ugh. It's that wanker Ketch, which I believe is his full name, and the confetti is actually a bunch of "iron flakes." The flakes just gently tickle the skin instead of penetrating and thus damaging it, which doesn't seem like it would harm ghosts. I mean, we have iron in our blood and that doesn't seem like a deterrent to ghosts but whatever. Even Ketch's dumb pocket square is annoying me. I don't remember why he annoys me but I feel it deep in my soul.

Everyone reconvenes at the school for a stand-n-chat. Rowena and Ketch reminisce and flirt. Oh, Rowena. You can do so much better. Ketch gets around to being surprised to learn that Jack's corpse is now being possessed by the demon Belphegor, even though he's currently on a mission to kill Belphegor. He had to be momentarily ignorant so we could get some clunky exposition. Blah blah blah a demon named Ardat was the one who ordered the hit but neglected to mention what Ketch would be looking for.

Cut to Reno where Amara is in her well-appointed hotel suite getting a temple massage from a masseuse named Kimiko. Kimiko's hands disappear to be replaced by slightly more masculine hands.

Amara sits up, startled and displeased to discover her brother. I don't care if y'all are billions of years old it's gross to show up in your sister's room when she's only wearing a sheet. Also it's rude to smite a masseuse in the middle of an appointment.

"Sooo how about that Game of Thrones ending?" Chuck small-talks. "Pretty great, right?"

[Graphic: Screenshot of my post about Supernatural's showrunner comparing the show's finale to GoT that inexplicably has 35,000 notes]

Amara, naturally, is suspicious of her brother's sudden appearance and wants to know why he's there.

You know, it's too bad Castiel doesn't have that power where he could touch someone on the forehead and make them sleep. Instead of dealing with all these angry evacuees he could just tap them all into a short coma.

Rowena wants Dean to tell her more about Ketch like he's the village matchmaker instead of a guy with three billion evil souls to deal with. He's nice enough to warn her away from him, but it just seems to make her more intrigued.

Time for Dean and Castiel to hash out their feelings. I mean the feelings where Dean is mad at Castiel for not telling everyone about Jack losing his soul, not the feelings where they keep staring at each other like "In Your Eyes" by Peter Gabriel is playing in the background but they can never act on it because they live in a very heteronormative universe. Generally speaking, Dean is also just mad at this whole thing where free will is an illusion and they've been playing God's games. "Nothing about our lives is real."

[Graphic: Screencap of the Scoobynatural episode]

Dean dramatically stalks out of the room while Cas, his back turned like they're in a soap opera, calls out to him. They face each other. "You asked what about all of this was real... we are." Dean doesn't say anything to that and leaves the room heterosexually.

He goes out on patrol with Ketch and gives him an iron necklace to keep from getting possessed. Ketch wants to know more about Rowena.

[Graphic: I mean... can I do something with Dean as Bea Arthur in Fiddler on the Roof?]

Luckily he gets word about trouble down at the ol' abandoned meat-packing plant. Two hunters have gone missing. Ketch gets thrown into a concrete wall in such a way that would kill him or, at the very least, leave him with a spine made of oatmeal. Lizzie Borden aims to kill them, but a new, unseen ghost shouts at her to leave.

Aw, it's Kevin Tran. I like how he moves the plastic doorway strips with his hands instead of just blinking his way into the room. Turns out God sent him to Hell instead of Heaven, but at least it's given him sort of a badass reputation among the other ghosts so that they do what he says. Ohh I bet that gets pissed away pretty soon.

Reno. God is watching something on TV where the CC says "a sexy pastiche of fragrant tripe" which is often the tagline of Buckleming episodes. Amara is trying to get her yoga on but he wants to talk about taking a vacation together. She figures out he needs her for something. She zeroes in on his shoulder wound that mirrors Sam's. "You're not complete," she says. "You're not at full strength."

And this, my friends, is where I began to get this tingling discomfort that made me wonder if Sam is going to become the new God by the finale.

The switch from night to day to night to day is so weird in this episode. Or maybe it always is and for some reason I'm noticing it more. Anyway while Kevin is off doing recon on the other ghosts, Sam and Dean fret about the warding starting to fade. "We're gonna need you to charge it back up," Dean says to Belph. "Sorry guys it was a one-time thing," Belph says. And nobody asks any followup questions like "WHY?"

Belph also says, in regards to Kevin, that the default setting on Heaven is souls can't get in once they've been to Hell. God made exceptions for John and Bobby but he doesn't exactly like the Winchesters anymore. I feel like y'all really ought to talk to Billie about this. Also, doesn't that mean Sam and Dean would never get to go to Heaven? This just lends further credence to a Samgod hypothesis.

Ghost meeting. One of the ghosts logically points out that all they have to do is wait for the warding to fail completely and then just stroll out. Random ghost would be excellent at snarky recapping. But Francis Tumbledry is the Veruca Salt of serial killing ghosts.

[Graphic: Screencap from Willy Wonka where Veruca is saying she wants and Oompa Loompa right now except it's Francis and he wants to break through the warding]

Kevin pops up and tries to act tough but immediately gets found out as a spy.

Rowena and Ketch flirt and make rather strained sexual innuendos for a scene while working on the ghost vacuum. You can't make me transcribe any of it! Luckily she gets called away before anybody's pants come off.

And then she apparently goes, on foot, from the high school to the warded town some five miles away. Either that or she needlessly parks really far away from her destination. Either way, it gives Francis Tumbleforya a chance to intercept her and tell her the ghosts have Kevin. Oh and Ketch gets his ass ambushed.

She meets the Winchesters in the middle of the street to deliver the news. I mean, Kevin is in the same room with the ghosts but how do they "have" him? He could blip away. This was a dorky plan from the start but I guess I relate. I, too, took a lot of AP classes in high school and I can't plan for crap.

The Winchesters meet with Francis. He sticks his hand through Kevin and turns on his heart light.

They let this go on for a weirdly long time instead of pretending to negotiate until Rowena runs into the room. She brandishes a Himalayan salt lamp at the ghosts and shouts, "Capare!" A couple get sucked in but the rest blip away. Only Kevin remains.

Everyone runs off to where the ghosts are planning to attack the warding in a mostly invisible, budget-friendly manner. Ketch shows up, too, but everyone's too busy dreading the imminent breach to notice he's not wearing his iron necklace anymore.

[Graphic: A catalog ad from GOOP dot com selling the iron necklace as a belt to keep your nethers from getting overrun with evil spirits]

He lets Rowena vacuum up a few ghosts before knocking her out. He reveals himself to be Francis Tumbleweed and says he's going to use the crystal as a bomb to knock out the warding because bad guys always talk too much about their plans. Indeed, Dean quickly shoots him in the arm and the crystal goes flying.

Dean catches it and hands it back to Rowena so she can finish Dirt-Deviling the ghosts.

Denouement. Castiel tries to heal Ketch but can't for some reason. Did he get some kind of cooties from trying to heal the godly bullet wound in Sam's shoulder? Is he just tired? Does he just hate Ketch as much as I do? Time will tell.

The Winchesters say their goodbyes to Kevin, who's decided to wander the earth like some kind of phantom Dr. Banner.

https://www.youtube.com/watch?v=33izVlIOgnQ

"I love you guys," Kevin says. They smile at him. Like dang, say you love him too! I mean just give a guy a moment of happiness before he leaves to gradually lose his sense of self and his soul fades to nothing. Also maybe hug him. He's solid-ish.

Man, what a bummer.

In Reno, Amara is saying her goodbyes, too, but in a much sassier and satisfying away. She gets to tell her brother off and wear magenta lip stick. She mentions that he's lost so much power that he can't even leave this world without her help. Oh honey just punt him into Apocalypse World, then. Leave his ass to flounder.

We end with a bunch of ghosts (red glowing nuggets of light) trying to break into the town from the top. But like... why? They have the whole rest of the world. Why are they bothering with this mile-wide circle of real estate? The Winchesters and associates fret about how they're going to stop all the ghosts.

It's a shorter season, so they better hurry...

***

If you enjoyed the recap and are able, please visit my virtual tip jar: paypal.me/TippiBlevins or https://ko-fi.com/A4017DA

#supernatural #tippitv #recap #my recaps

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the-automators · 4 years ago

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AutoHotkey Webinar- 6/2021 Helping Users- API calls, ACC library & more!

This AutoHotkey webinar was pretty amazing! Video Hour 1: Helping others: Snagit Video Hour 2: GUIs, PID verse hwn ID, & more Script Highlight: Fiddler Everywhere Ripper / API Syntax writer We also discussed Webservice APIs. Our AHK Webinar on APIs is a great place to start You also might want to download our API Syntax writer 3) ACC viewer & Webinars…

View On WordPress

#ACC library #ACC Viewer #ahk webinar #API Call #API Syntax writer #AutoHotKey #autohotkey webinar #Fiddler Everywhere #Fiddler ripper #http://the-automator.com #Jackie Sztuk #Joe Glines #joeglines

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offoffbroadwayusc · 6 years ago

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Allison Lambert (Ditzy Cheerleader, Choreographer), originally from Park City, Utah, is a freshman undergraduate student pursuing a Bachelor of Arts in Dance, with an emphasis in Performance and Choreography. This is her second semester in Off Off Broadway. In the past, Allison has enjoyed choreographing musicals for Park City High School, and has appeared in the ensemble of The Restaurant: Millennial Commentary on Middle America with Off Off Broadway.

Allison Reese (Historian), originally from Knoxville, Tennessee, is a graduate student with a Bachelor of Science in Business Administration in Accounting, and is pursuing a Master’s in Accountancy. This is her eighth semester in Off Off Broadway. In the past, Allison has portrayed the roles of Jimmie in If But Shadows and Cinderella’s Mother and in the ensemble of Into the Woods, both with Off Off Broadway.

Ally Yarnal (Preppy Girl), originally from Florence, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Arts in Dance, with an emphasis in Performance and Choreography. This is her first semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Ally performed in Florence Little Theatre’s production of Beauty and the Beast.

Arshiya Jeelani (Sound Technician), originally from Charlotte, North Carolina, is a freshman undergraduate student pursuing a Bachelor of Arts in both Political Science and Global Studies, with a minor in History. This is her first semester in Off Off Broadway, where she serves on the Operations and Costume, Hair, and Makeup Committees. In the past, Arshiya was the co-head costume designer and special effects makeup artist for Wizard of Oz with Cox Mill High School, and the stage manager for Jungle Book Kids at The Children’s Theatre of Charlotte.

Brandi Mimbs (Director), originally from Dublin, Georgia, is a senior undergraduate student with an Associate of Arts and pursuing a Bachelor of Arts in Studio Art and Experimental Psychology. This is her fourth semester with Off Off Broadway, where she serves on the Operations Committee. In the past, Brandi has performed in Off Off Broadway’s productions of If But Shadows, The Restaurant: Millennial Commentary on Middle America, and Audition Night.

Brandon Marrone (Coach Ripper, Kurt’s Dad, Veronica’s Dad, Hipster Guy), originally from Conway, SC, is a sophomore undergraduate student pursuing a Bachelor of Science in Biology with a minor in Sociology and Education. This is his first semester in Off Off Broadway, where he serves on the Social Committee, and his making his theatrical debut in Heathers The Musical.

Brittany Yarnal (Jazzercizer), originally from Florence, SC, is a freshman undergraduate student pursuing a Bachelor of Arts in Criminal Justice. This is her first semester in Off Off Broadway, where she serves on the Set Committee. In the past, Brittany performed in the ensemble of Florence Little Theatre’s production of Beauty and the Beast.

Cali McCabe (Videographer), originally from Fayetteville, Georgia, is a freshman undergraduate student pursuing a Bachelor of Arts in Journalism and Mass Communications in Visual Communications. This is her first semester in Off Off Broadway, where she serves on the Operations Committee. In the past, Cali has performed in the ensemble of South Pacific and Legally Blonde the Musical, both with Landmark Christian School.

Camille Jatho (Martha Dunnstock, Choreographer), originally from Chicago, Illinois, is a freshman undergraduate student pursuing a Bachelor of Science in Aerospace Engineering with a minor in Astronomy. This is her second semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Camille has appeared as Wednesday Addams in The Addams Family Musical, Velma Vontussell in Hairspray, and Shelby Eaton in Steel Magnolias, all with Dwight D. Eisenhower High School. She has also appeared in the ensemble of The Restaurant: Millennial Commentary on Middle America with Off Off Broadway.

Camryn Reid (Costume Designer), originally from Milwaukee, Wisconsin, is a freshman undergraduate student pursuing a Bachelor of Science in Computer Science. This is her first semester in Off Off Broadway, where she serves as the Chair of the Costume, Hair, and Makeup Committee. In the past, Camryn has served as the hair and makeup designer for Shrek the Musical, and as the costume, hair, and makeup designer for Fiddler on the Roof.

Ellen Guilford (Stoner Chick), originally from Summerville, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Arts in Media Arts. This is her second semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Ellen has appeared as The Sibling in The Restaurant: Millennial Commentary on Middle America.

Emily Hoops (Heroin Chic), originally from Blacksburg, Virginia, is a sophomore undergraduate student pursuing a Bachelor of Science in Marine Science, with a minor in Biology, and is on the Pre-Vet track. This is her first semester in Off Off Broadway, where she serves on the Fundraising and Philanthropy Committee. In the past, Emily has appeared as Arista in The Little Mermaid, a Harem Girl in Aladdin, the Greek Chorus in Legally Blonde the Musical, and was a featured dancer in Annie Get Your Gun, all with Blacksburg High School.

Emma Garrison (Property Master, Photographer, Secretary), originally from Austin, Texas, is a junior undergraduate student pursuing a Bachelor of Science in Physics and a Bachelor of Science in Psychology with a minor in Neuroscience. This is her fifth semester in Off Off Broadway, where she serves as Secretary and on the Operations Committee. In the past, Emma has appeared as Feste in Twelfth Night with Westlake High School, and has appeared as Jack and served as choreographer for Into the Woods with Off Off Broadway.

Erica Rauschenbach (Property Master), originally from Rock Tavern, New York, is a junior undergraduate student pursuing a Bachelor of Science in Hospitality Management with a minor in Business Administration. This is her fifth semester in Off Off Broadway, where she serves on the Operations Committee. In the past, Erica has served as one of the Directors of Into the Woods with Off Off Broadway, and has appeared in the ensemble of several of Off Off Broadway’s productions.

Estelle McKee (Principal Gowan, Veronica’s Mom), originally from Lexington, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Science in Biochemistry and a Bachelor of Arts in Spanish. This is her first semester in Off Off Broadway, where serves on the Fundraising and Philanthropy Committee. In the past, Estelle has appeared as Jose in Man of La Mancha, and has served as the stage co-manager for A Christmas Carol, both with Hammond School.

Ethan Wilson (Stage Hand), originally from Bamberg, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Science in Biology and is on the Pre-Med track. This is his first semester in Off Off Broadway, where he serves on the Set and Operations Committees. Heathers the Musical is Ethan’s first theatrical production!

Glenn Klier (Jason “JD” Dean), originally from Chester, New Jersey, is a freshman undergraduate student pursuing a Bachelor’s in Management with a minor in Theater, and a Certificate in Music Performance. This is his first semester in Off Off Broadway, where he served on the Social Committee. In the past, Glenn has portrayed General Genghis Khan Schmitz in Seussical the Musical and served on the stage crew for Sweeney Todd: The Demon Barber of Fleet Street, both with West Morris Mendham High School.

Hansel Haase (Ram Sweeney), originally from Greenville, South Carolina, is a junior undergraduate student pursuing a Bachelor of Arts in English and is on the Pre-Med track. This is his first semester in Off Off Broadway, where he serves on the Public Relations Committee. In the past, Hansel has appeared as the Policeman and served as orchestra director Don Lockwood’s diction coach in Artios Academies of Greenville’s production of Singin’ in the Rain. He has also served as assistant stage manager for Artios Academies of Greenville’s production of The Music Man.

Jack Bingham (Kurt Kelly), originally from Spartanburg, South Carolina, is a freshman undergraduate student. This is his second semester in Off Off Broadway, where he serves on the Social Committee. In the past, Jack has appeared as Augustus Gloop in Spartanburg Little Theatre’s production of Charlie and the Chocolate Factory, Representative #2 and in the ensemble of The Restaurant: Millennial Commentary on Middle America. He also appeared as Pinocchio in Shrek the Musical and Sam Slade in Touchtone M for Murder, both with Dorman High School.

James Coman, originally from Arlington, Texas, is a senior undergraduate student pursuing a Bachelor of Science in Engineering in Computer Engineering. This is his fifth semester in Off Off Broadway, where he serves on the Public Relations Committee. In the past, James has served as the property master for Hard Knights with Off Off Broadway.

Jewell Gorges (Veronica Sawyer, Set Designer, Vice President), originally from Milwaukee, Wisconsin, is a junior undergraduate student pursuing a Bachelor of Science in Nursing. This is her fourth semester in Off Off Broadway, where she serves as the Chair of the Set Committee. In the past, Jewell has portrayed the Stepmother and served as costume designer for Into the Woods with Off Off Broadway, served as a director for Off Off Broadway’s production of The Restaurant: Millennial Commentary on Middle America, and has portrayed The Queen in Rodger and Hammerstein’s Cinderella (Enchanted Version).

Jordan Kristian Thomas (New Wave Girl, Officer McCord, Public Relations Officer, House Manager), originally from Greenwood, South Carolina, is a senior undergraduate student pursuing a Bachelor of Arts in English with a minor in Theater and is on the Pre-Law track. This is her sixth semester in Off Off Broadway, where she serves as the Chair of the Public Relations Committee and is on the Costume, Hair, and Makeup Committee. In the past, Jordan has appeared as Little Red Ridinghood in Into the Woods, Doreen Freeman in Hard Knights, The President in The Restaurant: Millennial Commentary on Middle America, all with Off Off Broadway, and Penelope Ann in Bye Bye Birdie with Brewer ACTS Magnet School.

Jordan Pontelandolfo (Heather Duke), originally from Randolph, New Jersey, is a freshman undergraduate student pursuing a Bachelor of Science in Business Administration in Marketing and a Bachelor of Arts in Theater. This is her second semester in Off Off Broadway, where she serves on the Public Relations Committee. In the past, Jordan has appeared as Grace Farrell in Annie, the Fairy Godmother in Rodger and Hammerstein’s Cinderella, and Maggie Cutler in The Man Who Came to Dinner.

Kara Gilmore (Madonna-Be), originally from Elon, North Carolina, is a freshman undergraduate student pursuing a Bachelor of Arts in Psychology and a Bachelor of Arts in Political Science. This is her first semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Kara has appeared as Kitty in The Drowsy Chaperone and served as director for The Best Christmas Pageant Ever, both with Act II.

Katie Emery, originally from Summerville, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Arts in Journalism and Mass Communications in Advertising. This is her first semester in Off Off Broadway, where she serves on the Set Committee. This is Katie’s first theatrical production!

Kelsey Norris, originally from Florence, South Carolina, is a junior undergraduate student pursuing a Bachelor of Arts in Mass Communications and a Bachelor of Arts in History. This is her fifth semester in Off Off Broadway, where she serves on the Public Relations Committee. In the past, Kelsey has as appeared as Lucinda in Into the Woods and in the ensemble of The Restaurant: Millennial Commentary on Middle America, both with Off Off Broadway.

Kenzie Mahan (Stage Manager), originally from North Myrtle Beach, South Carolina, is a senior undergraduate student pursuing a Bachelor of Arts in Criminal Justice with a minor in Theater. This is her sixth semester on Off Off Broadway, where she serves on the Operations Committee. In the past, Kenzie has appeared in the ensemble of Seussical the Musical with North Myrtle Beach High School, and has served as the sound engineer for Into the Woods and the lighting engineer for The Restaurant: Millennial Commentary on Middle America, both with Off Off Broadway.

Krista Larson (Bitchy Cheerleader), originally from Cornelius, North Carolina, is a senior undergraduate student pursuing a Bachelor of Arts in Journalism and Mass Communications in Visual Communications with a cognate in Theater. This is her first semester in Off Off Broadway, where she serves on the Public Relations Committee. In the past, Krista has portrayed Jay Bird in Honk!, Corny Collins Counsel Member in Hairspray, and a Villager in Beauty and the Beast, all with William A. Hough High School.

Lauren Hodges (Hipster Dork), originally from Pittsburg, Pennsylvania, is a freshman undergraduate student pursuing a Bachelor of Science in Computer Science. This is her first semester in Off Off Broadway, where she serves on the Social Committee. In the past, Lauren has portrayed The Guard in Wizard of Oz and Smee in Peter Pan, both with Canon McMillan High School.

Loren Wait (Heather McNamara, Dance Captain), originally from Raleigh, North Carolina, is a freshman undergraduate student pursuing a Bachelor of Science in Business Administration in International Business and Supply Chain Management with minors in Russian and Theater. This is her first semester in Off Off Broadway. In the past, Loren has appeared as Juliet in Romeo and Juliet, Julia Sullivan in The Wedding Singer, Gaynelle Verdeen Bodeen in The Red Velvet Cake War, and Marcy Park in The 25th Annual Putnam County Spelling Bee, all with Leesville Road High School.

Natalie Fischer (Young Republicanette), originally from Charlotte, North Carolina, is a sophomore undergraduate student pursuing a Bachelor of Science in Hospitality Management with a minor in Music. This is her third semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Natalie has portrayed The Baker’s Wife in Into the Woods and served as a director of The Restaurant: Millennial Commentary on Middle America, both with Off Off Broadway. She has also appeared as Vi Moore in Theatre Street Mount Holly’s production of Footloose, and in the ensemble of Northwest School of the Arts’ production of Seussical the Musical.

Nathan Markwood (Ram’s Dad, Big Bud Dean, Beleaguered Geek, President), originally from Lake George, New York, is a senior undergraduate student pursuing a Bachelor of Science and Arts in Global Supply Chain and Operations Management with a concentration in Entrepreneurship. This is his eighth semester of Off Off Broadway, where he serves on the Fundraising and Philanthropy Committee. In the past, he has appeared as Rapunzel’s Prince in Off Off Broadway’s production of Into the Woods, and as King Arthur in Spamalot.

Nikki Chen (Girl Nerd, Officer Milner), originally from Columbia, South Carolina, is a freshman undergraduate student pursuing a Bachelor of Science in Pharmaceutical Sciences and is on the Pre-Pharmacy track. This is her first semester in Off Off Broadway, where she serves on the Costume, Hair, and Makeup Committee. In the past, Nikki has portrayed The Housekeeper in Man of La Mancha, a Troll in Little Women, and has served as the stage manager of Hammond School’s productions of A Christmas Carol and Into the Woods.

Sara Slaughter (Heather Chandler, Social Relations), originally from Greenville, South Carolina, is a sophomore undergraduate student pursuing a Bachelor of Arts in Journalism and Mass Communications in Advertising with a Minor in Hospitality, Retail, and Tourism Management. This is her fourth semester in Off Off Broadway, where she serves as a Chair of the Social Relations Committee. In the past, Sara has portrayed Cinderella in Into the Woods with Off Off Broadway. She has also appeared as Julia in The True Story of the Three Little Pigs, Penny in Honk! Jr., and Ursula in Bye Bye Birdie, all with St. Joseph’s Catholic School.

Shannon Hutchinson (Ms. Fleming), originally from Hanover, Pennsylvania, is a sophomore undergraduate student pursuing a Bachelor of Science in Computer Science. This is her first semester in Off Off Broadway, where she serves on the Set Committee. In the past, Shannon has appeared as Gloria in Everyman Theatre’s production of Wait Until Dark and Erzulie in Baltimore School of the Arts’ production of Once on This Island.

Sophia Grimsley (Stage Hand), originally from Jacksonville, Florida, is a freshman undergraduate student pursuing a Bachelor of Science in Chemistry. This is her first semester in Off Off Broadway, where she serves on the Operations Committee. In the past, Sophia appeared in her high school’s production of The Wiz.

Tegan Campbell, originally from Washington, District of Columbia, is a freshman undergraduate student pursuing a Bachelor of Science in Management and Marketing with a minor in Art Studio. This is her first semester in Off Off Broadway, where she serves on the Operations Committee. In the past, Tegan has served as the stage manager for The Little Prince and Almost, Maine, as the property manager for 1984, and as the lighting designer for A Christmas Carol, all with Brooke Point High School.

Thomas Poteat (Treasurer), originally from Greenville, SC, is a sophomore undergraduate student pursuing a Bachelor of Science in Biomedical Engineering with a minor in Psychology. This is his fourth semester in Off Off Broadway, where he serves as the Chair of the Fundraising and Philanthropy Committee. In the past, Thomas has appeared as The Baker in Into the Woods and The Dropout in The Restaurant: Millennial Commentary on Middle America, both with Off Off Broadway.

Tyler Quehl (Social Relations), originally from Cincinnati, Ohio, is a sophomore undergraduate student pursuing a Bachelor of Science in Business Administration in International Business, Management, and Marketing with a concentration in Entrepreneurship. This is his third semester in Off Off Broadway, where he serves as a Chair of the Social Relations Committee. In the past, Tyler has appeared as Cinderella’s Prince in Into the Woods with Off Off Broadway. He has also appeared as Shrek in Shrek the Musical, and Beast in Beauty and the Beast, and Grantaire in Les Miserables, all with Mount Notre Dame Theatre.

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