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aloneandforsakenbyfateandbyman · 8 months ago

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Barbara Bouchet in Milano Calibro 9 (1972)

#Milano Calibro 9 #Barbara Bouchet #Fernando Di Leo #1970s #film #l

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cosmonautroger · 2 months ago

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Lilli Carati, Gloria Guida, To Be Twenty, Fernando Di Leo, 1978

#Lilli Carati #Gloria Guida #To Be Twenty #Fernando Di Leo #1978

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schizografia · 1 month ago

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Lilli Super Carati

#avere vent’anni #lilli carati #gloria guida #marlboro #fernando di leo

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francolynchrollin · 25 days ago

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Vacanze per un massacro - Fernando Di Leo (1980)

#Vacanze per un massacro #fernando di leo #joe dallesandro #lorraine de selle #1980 #screencaps #cinema #cinephile #cinemetography #my screenshots #screen shots #cinestill #80s #80s cinema #madness

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gatutor · 2 years ago

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Ursula Andress "La espía se desnuda" (Colpo in canna) 1975, de Fernando Di Leo.

#Ursula Andress #Fernando Di Leo

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ouibo-repris · 1 year ago

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Fernando di Leo

#fernando di leo

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mariocki · 2 years ago

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Le colt cantarono la morte e fu... tempo di massacro (Massacre Time, 1966)

"But dear Jeremiah, how can you abandon the land where you've lived, where your dead are buried?"

"I don't have any dead buried here."

"You do now."

#Le colt cantarono la morte e fu... tempo di massacro #massacre time #spaghetti western #italian cinema #lucio fulci #1966 #fernando di leo #franco nero #george hilton #nino castelnuovo #giuseppe addobbati #linda sini #rina franchetti #tchang yu #aysanoa runachagua #tom felleghy #franco moruzzi #roberto alessandri #john bartha #sal borgese #gino barbacane #coriolano gori #also known as Colt Concert‚ The Brute and the Beast‚ and in some territories passed off as a Django sequel or prequel (as were the majority #of spaghetti westerns in this era). this was Fulci's first western‚ and in some ways it was the making of him as a director: having mostly #made comedy films until this point‚ this was the beginning of Fulci as genre maverick‚ the first hints of brutal‚ bloody violence and #uncompromising cruelty. his work here is pretty brilliant too; full of wild angles and extreme close ups‚ with a constantly gliding camera #that follows Nero's brooding stranger around a town gripped by terror. Nero's good (he always is tbf) but he's run rings around by Hilton #in his breakthrough role as the drink sodden but still sharp shooting brother. Castelnuovo is a strong villain too‚ his head almost #permanently cocked to one side‚ squinting through his madness as he plays the organ or shoots down children. it's a showy part and he's #well suited to it. di Leo's script doesnt quite live up to the excellent work Fulci's doing nor does it offer much to differentiate this

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erstwhile-punk-guerito · 2 years ago

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#the italian connection #henry silva #woody strode #mario adorf #adolfo celi #luciana paluzzi #franco fabrizi #femi benussi #gianni macchia #F. Romana Coluzzi #cyril cusack #sylva koscina #fernando di leo #1972

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suspiria76 · 11 months ago

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THE BOSS

Italy

1973

Directed by Fernando Di Leo

#cult cinema #italian cinema #seventies #crime #action #fernando di leo #henry silva

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filippotenebra · 1 year ago

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"La bestia uccide a sangue freddo" aka "Slaughter Hotel"; Fernando Di Leo (1971).

#la bestia uccide a sangue freddo #slaughter hotel #the beast kills in cold blood #fernando di leo #klaus kinski

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aloneandforsakenbyfateandbyman · 4 months ago

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Margaret Lee in La bestia uccide a sangue freddo (1971)

#Margaret Lee #Klaus Kinski #Slaughter Hotel #Fernando Di Leo #film #1970s #Giallo

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mtonino · 3 months ago

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Avere Vent'anni (1978) Fernando Di Leo

#to be twenty (1978)#lili carati #gloria guida #avere vent'anni #fernando di leo

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gatutor · 1 year ago

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Ursula Andress "La espía se desnuda" (Colpo in canna) 1975, de Fernando Di Leo.

#Ursula Andress #Fernando Di Leo

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theageofthemovies · 2 months ago

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AVERE VENT'ANNI - (Fernando Di Leo, 1979

Two uninhibited girls (Gloria Guida and Lilli Carati) who share the same desire for unstoppable freedom, begin to travel around Italy in search of transgressive adventures, but after the grotesque and disappointing experience in a commune they run into a gang of violent delinquents... The film, written and directed by one of the most original (and underrated) Italian directors, uses two sexual icons of the time to consider and criticize Italy at the time of the end of youth protest. The resulting film is a sort of "proto-feminist" pamphlet (the male characters are treated in a ridiculous way and they all make a terrible impression) very risqué (especially in the original version) and violent (the terrible final sequences are something unprecedented) but, as a sociological investigation, it remains well below expectations. It is however worth mentioning (and maybe running to see it) both for the beauty and freshness of the two protagonists, and to get to know the "libertarian" side of Di Leo, a director who, with the "Milieu Trilogy", changed the way of conceiving the gangster movie in Italy. A unique movie.