#Fashion trends at Venice Film Festival

[giorgio52fan]

Red Carpet Shenanigans at the 80th Venice Film Festival: When Fashion Takes Center Stage

Venice Lido, August 30, 2023 – The 80th Venice International Film Festival has officially kicked off, and while the strikes and waivers have made attendance a bit sparse, the red carpet is bursting with glamour, drama, and a touch of hilarity. As celebrities graced the scene, their outfits seemed to be telling stories of their own, much like a silent film where the attire speaks louder than…

[ussidestyle]

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Even though we couldn't see Chamberlain's eye makeup because of the sunlight, what we could see of her stunning face was definitely noteworthy. Her hair was tied into a messy bun with a loose braid hanging from the roots. She also wore soft red lipstick, a similar color to her bra. The revealing bra look has been trending since last year, with Sydney Sweeney taking it to Cannes and Venice Film Festivals, while Dixie D'Amelio made Y2K look touristy for a day out. The current trend is endorsed by Emma Chamberlain. She elevated Regina George's style and brought it to Paris Fashion Week. Chamberlain previously told Teen Vogue that while her daily routine is simple, she enjoys trying out new looks for important occasions like editorial photo shoots, red carpets and fashion weeks. Most notably, she said, "There's nothing I wouldn't do again." It looks like her stunning Paris Fashion Week looks were a waste of money! Bows seem to be everywhere, from hair accessories on the red carpet (like Rachel Brosnahan's red moment at the 2024 Golden Globes) to giant bows on dresses. We're still obsessed with Suki Waterhouse's baby bow at the 2024 Emmy Awards and Elizabeth Debicki's bow-tie pants at the 2024 Critics' Choice Awards.

Home: https://ussidestyle.com/

[orbispro02]

Video Production Company in Italy

In today’s digital age, video production has become an essential tool for businesses, artists, and individuals alike. Whether it's for marketing, storytelling, or entertainment, videos are a powerful medium that can engage and captivate audiences like no other. But why should you consider Italy for your next video production project? Let’s dive into the world of video production in Italy and discover what makes it a top choice for filmmakers and producers.

Overview of Video Production in Italy

Historical Background

Italy has a rich history in the world of film and video production. From the golden age of Cinecittà in Rome, often referred to as the "Hollywood on the Tiber," to the influential Italian neorealism movement, Italy has been at the forefront of cinematic innovation. This historical legacy continues to influence and inspire modern video production in the country. Video Production Company in Italy

Current Trends

Today, Italy remains a vibrant hub for video production. The industry has evolved to incorporate the latest technological advancements, with a growing emphasis on high-quality digital content. There’s a blend of traditional cinematic techniques and modern digital artistry, making Italy a unique environment for creative endeavors.

Types of Video Production Services

Corporate Videos

Corporate videos are essential for companies looking to enhance their brand image, communicate with their audience, or train employees. Italian production companies excel in creating polished and professional corporate videos that align with business goals.

Commercials

Commercial video production in Italy is known for its creativity and effectiveness. From television ads to online campaigns, Italian producers bring a distinctive flair that captures consumer attention and drives engagement.

Music Videos

Italy’s picturesque locations and artistic heritage make it a favorite spot for shooting music videos. Many international artists choose Italy for its stunning backdrops and high-quality production services.

Documentaries

Italian production companies are renowned for their documentary filmmaking. With access to rich historical sites, diverse cultures, and compelling stories, Italy offers an unparalleled environment for documentary production.

Event Coverage

Whether it's a fashion show in Milan or a film festival in Venice, Italy is a prime location for high-profile events. Professional event coverage ensures that these moments are captured and shared with the world.

Top Video Production Companies in Italy

Lux Vide

Lux Vide is a leading production company known for its high-quality television series and films. They have a reputation for storytelling excellence and a portfolio that includes internationally acclaimed projects.

Indiana Production

Indiana Production offers a wide range of services, from feature films to commercials. Their innovative approach and commitment to quality have made them a prominent name in the industry.

Cattleya

Cattleya is one of Italy’s most successful production companies, known for producing popular TV series and films. They have a strong presence both domestically and internationally.

Gabriele Muccino

Famous director Gabriele Muccino has his production company, which specializes in creating visually stunning and emotionally compelling films and commercials.

Wildside

Wildside is renowned for its creative productions, including award-winning films and TV series. They are known for pushing the boundaries of traditional storytelling.

Key Locations for Filming in Italy

Rome

Rome offers a blend of ancient history and modern vibrancy. Its iconic landmarks like the Colosseum and the Vatican make it a favorite for historical and contemporary productions.

Milan

Milan is the fashion capital of Italy and a bustling metropolis. Its modern architecture and stylish ambiance provide a perfect backdrop for commercial and corporate videos.

Venice

With its canals and historic buildings, Venice is an enchanting location that adds a unique charm to any video production.

Florence

Florence, the cradle of the Renaissance, offers rich cultural and artistic heritage, making it ideal for historical documentaries and artistic projects.

The Amalfi Coast

The stunning coastal scenery of the Amalfi Coast is perfect for luxury brand commercials, music videos, and travel documentaries.

Why Italy is a Preferred Destination for Video Production

Scenic Beauty

Italy’s diverse landscapes—from rolling hills and vineyards to ancient cities and coastal vistas—offer endless possibilities for filmmakers.

Rich Culture and History

Italy’s rich cultural heritage and historical landmarks provide an authentic backdrop that enhances the storytelling of any video production.

Skilled Workforce

Italy boasts a highly skilled workforce, including talented directors, cinematographers, and crew members who bring expertise and creativity to every project.

The Process of Video Production

Pre-production

Pre-production involves planning, scripting, and scouting locations. It’s the foundation of a successful video project, ensuring all elements are in place before filming begins.

Production

Production is the actual filming phase. In Italy, this means working with top-notch equipment and skilled professionals to capture high-quality footage.

Post-production

Post-production includes editing, sound design, and special effects. Italian post-production services are known for their precision and artistic quality, ensuring the final product is polished and professional.

Choosing the Right Video Production Company

Assessing Portfolio and Experience

Reviewing a company’s portfolio and past work is crucial. It provides insight into their style, quality, and expertise.

Understanding Your Needs

Clearly defining your project’s goals and requirements helps in selecting a company that can meet your specific needs.

Budget Considerations

While quality is paramount, it’s important to find a company that offers services within your budget without compromising on the final output.

The Role of Technology in Video Production

Advanced Equipment

Italy’s production companies utilize state-of-the-art cameras, lighting, and sound equipment to ensure the highest quality of production.

Editing Software

Cutting-edge editing software allows for seamless post-production, enabling creative and precise adjustments to footage.

Special Effects

Special effects and CGI are increasingly used in video production to create visually stunning and engaging content.

Challenges in Video Production

Legal and Regulatory Issues

Navigating permits, copyrights, and other legal aspects can be challenging but is crucial for a smooth production process.

Logistical Challenges

Coordinating locations, equipment, and personnel can be complex, especially for large-scale productions.

Budget Constraints

Balancing quality and budget is a common challenge. It requires careful planning and resource management.

Benefits of Hiring a Professional Video Production Company

Quality Assurance

Professional companies guarantee a high standard of quality, ensuring that the final product meets or exceeds expectations.

Time Efficiency

Experienced production teams work efficiently, saving time and ensuring deadlines are met.

Professional Expertise

Professional video production companies bring expertise and creativity to every project, resulting in a more polished and effective final product.

Success Stories of Video Productions in Italy

Famous Films and Series

Italy has been the backdrop for many famous films and series, such as “The Godfather” and “The Talented Mr. Ripley,” showcasing its cinematic appeal.

Successful Commercial Campaigns

Many international brands have successfully filmed commercials in Italy, benefiting from its stunning locations and professional production services.

Tips for a Successful Video Production

Planning Ahead

Thorough planning helps in anticipating challenges and ensuring a smooth production process.

Effective Communication

Clear communication among all team members ensures that everyone is on the same page, leading to a more cohesive production.

Flexibility and Adaptability

Being flexible and adaptable to changes can help overcome unexpected challenges and improve the overall outcome of the project.

Future of Video Production in Italy

Emerging Trends

The future of video production in Italy includes trends like virtual reality, augmented reality, and interactive videos, which are set to revolutionize the industry.

Impact of Technology

Advancements in technology will continue to enhance the quality and creativity of video productions, making Italy a top choice for innovative projects.

Italy’s rich history, stunning locations, and professional expertise make it an ideal destination for video production. Whether you're looking to produce a corporate video, a commercial, or a documentary, Italy offers a unique blend of tradition and modernity that can bring your vision to life. By choosing the right production company and leveraging Italy's diverse resources, you can create compelling and high-quality videos that resonate with your audience.

Contacts:

Email: info@orbispro.it Phone: +39 02 8295 02 02 Address: Bastioni di Porta Nuova 21, Milan, 20121, Italy Social Media: https://www.facebook.com/orbispro.eu https://www.instagram.com/orbispro/ https://www.youtube.com/c/ORBIS_pro Visit Here: https://orbispro.it/en

[reya12]

Google commemorates the 116th birthday of American designer Altina 'Tina' Schinasi, renowned for her iconic 'cat-eye' eyeglass frame,

through its August 4 Doodle. Born in 1907 in Manhattan, New York, to immigrant parents, Schinasi's artistic journey began in the streets of Manhattan and eventually led her to the vibrant art scene in Paris, where she pursued her passion for painting after completing high school.

During her time as a window dresser for various stores on Fifth Avenue in New York City, she refined her artistic skills at The Art Students League and had the privilege of working with artistic giants like Salvador Dalí and George Grosz, who influenced her creative vision.

The idea for the "cat-eye" eyeglass frame came to her during her work as a window display designer. She noticed that women's eyeglasses were limited to round frames with uninspiring designs, prompting her to create a fresh and unique option for women. Inspired by the captivating shape of Harlequin masks worn during the Carnevale festival in Venice, Italy, she envisioned eyeglass frames with pointed edges to accentuate and flatter the wearer's face.

Despite facing multiple rejections from major manufacturers who considered her design too unconventional, a local shop owner recognized its potential and signed an exclusive agreement for six months. The Harlequin eyeglasses quickly gained popularity and became a fashion sensation among women in the US during the late 1930s and 1940s.

Her invention brought her significant recognition, including the prestigious Lord & Taylor American Design Award in 1939, and acknowledgment from renowned publications like Vogue and Life.

Schinasi also ventured into filmmaking, producing a documentary titled "George Grosz' Interregnum" about her former teacher, artist George Grosz. The film earned an Academy Award nomination and won first place at the Venice Film Festival in 1960.

As the years passed, she continued exploring new artistic pursuits. In her later years, she wrote her memoir, "The Road I Have Traveled," offering insight into her extraordinary life journey. Additionally, she volunteered as an art therapist, using her creative talents to help others.

Altina Schinasi's cat-eye design remains influential in fashion accessory trends worldwide, nearly a century after its inception. Google celebrates her as a visionary and pays tribute to her enduring legacy.

[meret118]

Today's Google Doodle commemorates the life of Altina "Tina" Schinasi, a renowned American artist, designer, and inventor, known for revolutionising eyewear with her iconic Harlequin eyeglass frame, widely recognised as the "cat-eye" frame. Born on August 4 in 1907 in Manhattan, New York, to immigrant parents, Schinasi's artistic journey began in Paris and culminated in her creative contributions to the world of fashion and film.

After completing her school education, Tina Schinasi pursued her passion for painting in Paris, where she developed a profound appreciation for the arts. Upon her return to the United States, she honed her skills further at The Art Students League in New York, all while working as a window dresser for several stores on Fifth Avenue. During this time, she had the opportunity to collaborate and learn from illustrious artists such as Salvador Dalí and George Grosz, which significantly influenced her artistic vision.

The idea for her iconic "cat-eye" eyeglass frames took root during her tenure as a window display designer. Observing that women's eyeglasses were limited to round and mundane designs. Inspired by the distinctive shapes of Harlequin masks worn during Venice's Carnevale festival, she crafted pointed and stylish frames that accentuated the wearer's face. Her initial prototypes were made from paper, showcasing her innovative design. Nearly a century after its inception, Altina's visionary cat-eye design continues to influence fashion trends worldwide.

However, the journey to success was not without its challenges. Major manufacturers initially rejected her bold design, deeming it too unconventional. Undeterred, Schinasi persisted and found a local shop owner who believed in her vision and offered an exclusive deal for six months. The Harlequin glasses quickly gained popularity, earning Schinasi widespread recognition. By the late 1930s and throughout the 1940s, the cat-eye frames became a fashion sensation among American women, with accolades pouring in, including the prestigious Lord & Taylor American Design Award in 1939, and features in renowned magazines like Vogue and Life.

More at the link.

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Thank you for my glasses, Ms. Schinasi!

[back-and-totheleft]

"How many cars can crash?"

Oliver Stone settled into a sofa on the terrace of the Radisson Blu Hotel in Cluj, Romania, apologizing for the jetlag and gazing at a downcast sky that had briefly parted over the Transylvanian hillside. “Let’s see if we can find some blue,” he said, describing himself — despite ample evidence to the contrary — as a “hopeful” person. But after a week of steady downpours in this picturesque medieval city, the weather refused to cooperate. From the hotel terrace it was gray as far as the eye could see.

Stone was in Romania to receive a Lifetime Achievement Award from the Transilvania Film Festival, which also programmed a small retrospective in honor of the three-time Academy Award-winning director including his latest film, the pro-nuclear-energy documentary “Nuclear Now,” which Variety’s Owen Gleiberman described as an “intensely compelling, must-see” doc after its premiere at the Venice Film Festival last year.

Before receiving the award, Stone sat down with Variety to discuss Hollywood’s long-running resistance to nuclear power, from fear-mongering movies such as “The China Syndrome” and “Silkwood” to the horror schlock of the 1950s, whose giant irradiated insects and mushroom clouds tapped into the subconscious fears of Americans in the nuclear age.

Though it would be hard to characterize those fears as misplaced after the horrors of Hiroshima, Stone nevertheless insists that nuclear energy has been unfairly vilified and argues that it is not only clean, abundant and safe, but perhaps mankind’s best hope to avert the impending climate catastrophe. “I like nuclear. You can eat it for breakfast,” he said. “But they don’t like nuclear energy [in Hollywood] because nuclear scares them.”

The director described the process of making “Nuclear Now” as a “fucking ballbreaker beyond belief,” after he was repeatedly turned down by anyone who would listen to his pitch. “It was rejected. It was rejected at birth,” he said. “No financing. No company wanted to do it. No Netflix. It’s crazy.” (At an appearance with festivalgoers the following morning, Stone went on to say: “People in showbiz are idiots. They just go with the trend, they just go with the fashion — it’s a fashion business.”)

Stone has spent much of the past decade on the margins of the movie biz, although he insists he harbors no ill will toward Tinseltown. “I’ve gotten along in the business,” he said. “I’ve always survived.”

It’s a perhaps uncharacteristic understatement for a notoriously outspoken director who during a torrid moviemaking run in the 1980s and ’90s was one of our most essential filmmakers, with a string of critical and commercial hits including “Platoon,” “Wall Street,” “Natural Born Killers” and “Born on the 4th of July.”

None of his films in recent years, however, has had quite the same impact. Whether Stone is out of touch is debatable, but he is nevertheless by his own admission flummoxed by the pop-culture zeitgeist.

“I saw ‘John Wick 4’ on the plane. Talk about volume. I think the film is disgusting beyond belief. Disgusting. I don’t know what people are thinking,” he said. “Maybe I was watching ‘G.I. Joe’ when I was a kid. But [Keanu Reeves] kills, what, three, four hundred people in the fucking movie. And as a combat veteran, I gotta tell you, not one of them is believable. I realize it’s a movie, but it’s become a video game more than a movie.”

Stone wasn’t done. “It’s lost touch with reality. The audience perhaps likes the video game. But I get bored by it,” he continued. “How many cars can crash? How many stunts can you do? What’s the difference between ‘Fast and Furious’ and some other film? It’s just one thing after another. Whether it’s a super-human Marvel character or just a human being like John Wick, it doesn’t make any difference. It’s not believable.”

If that sounds like sour grapes from the 76-year-old director, however, Stone says he’s “not complaining.” “I made 20 feature films. Maybe I’ll make 21 before I go. That’d be nice,” he said. “I have one in mind but I’m not going to tell you what it is.”

Perhaps Stone is frustrated with the studio system, perhaps that system has wearied of his increasingly cantankerous takes. (“As I got older, I became more angry, not less,” he said. “I was a conventional boy. I wanted to be loved. But I realized I can’t be loved.”) In recent years, the director has instead found a platform for his often polarizing political views with documentaries including “JFK Revisited: Through the Looking Glass,” “The Putin Interviews” and “Snowden.”

Stone cut his teeth at a time when independent American filmmaking was ascendant, long before the rise of $200 million, CGI-fueled, comic-book blockbusters with publicity costs to rival the GDP of a small island nation. “When they make movies now, they want to think about how do we market it, who’s going to watch it? Of course, that’s a consideration. But it becomes the sole consideration,” he said. “You really have to have a bigger and bigger hit, which ruins the business because it makes the margins bigger, and of course that makes the cost of the film bigger.”

Sixteen years ago, Stone was set to make his highly anticipated drama about the My Lai massacre, “Pinkville,” when production was shut down by the last writers’ strike; the film was later dropped by United Artists. Asked about the current strike, the director didn’t pull punches.

“The studio would always argue, ‘We’re losing money.’ They always lose money. You can never make money if you go by their standards,” he said.

-Christopher Vourlias, "Oliver Stone Sounds Off on ‘Idiots’ in Showbiz, ‘Nuclear Now’ Doc," Variety, June 19 2023

[fashionewsblog]

Check out this article: High-Jewelry Chokers Take Center Stage At The 2022 Venice Film Festival

Link🔗:https://fashions.news/high-jewelry-chokers-take-center-stage-at-the-2022-venice-film-festival/

#FashionsNews #Chokers  #Jewelry  #Film #fashion #style #trend #fashionindustry #fashiondesign #fashionweek #fashionblogger #fashionista #fashionable #fashiondaily #fashiontrends #fashionforward #fashionmagazine #fashioninspiration #fashionupdate #fashionreport #fashionjournalism

[towntrendy-eng]

L'Année Dernière à Marienbad. CHANEL Ready to Wear Spring 2023

Virginie Viard in her spring 2023 collection turns to cinema glamour. Chanel's Creative Director is honoring Gabrielle Chanel's legacy once again and she has done so in a masterly fashion. Viard's starting point is the 1961 black and white film "L'Année Dernière à Marienbad" (Last Year in Marienbad) by Alain Resnais. This film won an award at the Venice Film Festival, but what is important for Viard - Gabrielle Chanel's projects appeared on the screen. In the wardrobe of the Chanel project, incl. in her classic two-piece suit, perfectly matching the French character of the film, film star Delphine Seyrig was dressed.

Although each stylization of the collection seems to take us to the Paris of Chanel, the silhouettes are modern and the production techniques are complex. Jackets freely drape the bodies of models, deep necklines add a seductive character to the styles. Ruffles and floral prints (of course in camellias) light up this rather dark collection. The tweed has been given a modern twist with an iteration of utility suits and casual combinations, with short jackets and fitted skirts set low on the hips. The catwalk features black chiffon cocktail dresses and ground-length evening gowns, as well as polka-dot styling.

Each look has been complemented with high heels or Viard's favorite cap toe pumps, often paired with crystal socks or white mesh stockings. The accessories in the collection are light - a few handbags, careful use of gold chains specific for the brand. On the catwalk, we also saw chiffon and silver sequins, and ostrich feather trims, as well as a lot of silver jewelry.

Chanel's sophisticated glamour: bows, tweeds, prints, toe cap pumps. And a subtle nod to the movie by Alain Resnais. The Chanel collection for next spring combines sophisticated charm with freedom of movement.

The public's attention was drawn to deconstructed prints, pastel tweed and elegant maxi dresses, but the set of tweed trousers is essential to the free spirit of this collection. The collection also includes mini dresses, black and white polka dot sets and short jackets. The branch press also paid attention to the game with golden fabrics. Layered necklaces and elbow-length gloves herald new trends in the accessory area.

The catwalk was dominated by black, white and gold, complemented by notes of mint, lilac, peach and purple.

The fashion world is looking for a way to restore "sense of normality" (whatever that means). Many brands opted for party offers, while Chanel seems to offer something that can be called exclusive sportswear: flexible, less restrained silhouettes.

The set of materials is appropriate for the home - it's tweed, chiffon and leather. The first outfit featured a sweatshirt with all-print photo prints.

The collection includes sets of pants plus a single- or double-breasted blazer, safari-style mini dresses, cropped jackets, day dresses with ruffles and black and white polka dot sets.

The Chanel woman in this vision Virginie Viard focuses on refined elegance and sporty freedom.

All photo: Chanel

[mycelebritylifeus]

Nathalie Emmanuel Makes a Satin Face Mask and Crop Top Look Elegant at Venice Film Festival Nathalie Emmanuel made a surprise appearance at the 77th Venice Film Festival on Sunday, 6 September wearing a sweet purple co-ordinated set alongside her equally stylish actor boyfriend Alex Lanipekun.

[theremotelyreview]

Jaoquin Pheonix Is ‘The Joker’ At Venice Film Festival

VENICE, Italy—Joaquin Phoenix’s Arthur Fleck, the mentally-ill antagonist at the center of Todd Phillips’ Joker, is without question the most deranged version of the DC supervillain to ever hit the screen.

“For me, the attraction to make this film and this character was that we were going to approach it in our own way,” Phoenix explained at the Venice Film Festival. “So for me, I didn’t refer to past interpretations of the character.��

According to director Todd Phillips, he and Phoenix met six months prior to shooting to design the character, his look, and his laugh. But it was the actor’s dramatic weight loss—a reported 52 pounds—that really made things click.

“The first thing for us was the weight loss—I think that’s really what I started with. And, as it turns out, that then affects your psychology. You start to go mad when you lose that amount of weight in that amount of time,” said Phoenix. “There’s a book that I read about political assassins and would-be assassins that I thought was really interesting, and kind of breaks down the different types of personalities that do those sorts of things.”

Another helpful aide in locating the character was Fleck’s journal/joke book, filled with his nihilistic musings on the many absurdities of life.

“Very early on in the rehearsal, I was given the journal that he had—his journal and joke diary. And that was really helpful, because I had been there for a couple of weeks and wasn’t sure how I was going to start, and Todd sent this [empty] journal,” he recalled. “I didn’t know what to write, so I asked [Todd] for some suggestions, and after a few days, I ignored his suggestions and suddenly it was coming out. It became a really important part of the discovery of the character at that time.”

Phoenix repeatedly stressed that it was important for him to maintain the “mystery” of the character, and that he and Phillips engaged in a collaborative process where “throughout the course of shooting, every day we were discovering new aspects to his character and shades to his personality up until the very last day.”

“Before I even read the script, Todd came over and talked me through what he wanted out of this character and this movie, and he showed me some videos, and he described the laughter as something that was almost painful,” offered Phoenix. “And so ultimately, I think Joker is a part of him that’s trying to emerge, and I think that was a really interesting way of looking at this laugh…It felt like a new, fresh way of looking at it. But honestly, I didn’t think that I could do it. I would practice alone and then asked Todd to come over to audition my laugh, because I felt like I had to do it on the spot and in front of somebody else. It took me a long time.”

Phillips says his Joker was influenced by character studies of the ‘70s, including Taxi Driver, The King of Comedy, Serpico, and One Flew Over the Cuckoo’s Nest. But more so than those, the 1928 silent film The Man Who Laughs served as an important inspiration for director and star.

And though some may see the damaged Fleck as a “tragic” character, Phoenix begs to differ.

“I was interested in the light of Arthur, for lack of a better word,” he said. “It wasn’t just the torment; it was his struggle to find happiness, to feel connected, to find the warmth and love—that’s the part of the character I was interested in and worth exploring.”

[new-sandrafilter]

The #1 performing story on Vogue Runway today is about Lyst’s 2019 trend rankings. Search traffic on your name increased by 806% this year, apparently thanks to Timothée Chalamet wearing your clothes.

Just this second, really on this second, I’m receiving a message from Timothée. ‘They ain’t fucking with us, are they? I love you, bro.’

You just gave me the chills. I love Timothée. You two have such a special working relationship. How did you meet?

It was a few years ago when he was about to have his premiere in Berlin for Call Me By Your Name. His agent Brian Swardstrom contacted me. Timothée was so young, and I was intrigued, but not really sure. I didn’t know who the person would be in front of me, so I was curious to meet him. They came to Paris and in a minute I knew that we would collaborate, due to this very joyful maturity that he has and this enthusiasm, and being very optimistic and uplifting, as his generation can be. I was like, well, this is going to give me energy. Let’s go for the energy, let’s go for this.

How much did you love Call Me By Your Name?

It’s a story that touches us all because we all can be him. We all can be Elio. For me it’s not a gay or a straight love affair, it’s just a human love affair, and I thought the way that Timothée carried the movie was quite extraordinary.

The thing that’s unique about Timothée fashion-wise is that he works one-on-one with designers. He doesn’t have a middleman or a stylist, right?

It’s correct. We talk, and it goes very smoothly. But he and I, we’re not searching for eccentricity, which is what people may expect after seeing the smoking jacket in Venice. We’re searching for a new form of elegance, which might be more liberated, more personal, more daring. What attracts us in a man or a woman is attitude more than anything else, and that’s what he’s giving the clothes.

What you’re saying reminds me of your relationship with Tilda Swinton, who is another person with so much attitude you can’t take your eyes off her.

I’m seriously blessed to have these two companions—the fidelity, the faithfulness to collaborate with each other. To stay by one another, I find this very moving nowadays where everything is so easily replaced and changed. They could have anyone, so…

That 806% increase, have you seen an effect on your business?

Celebrities, certainly men, that in the past might have found me more different, now they suddenly come around.

So tell me about the Venice Film Festival outfit.

Timo told me that he would like to open the Venice Film Festival with me, and he asked me what I thought. Since he had been so much out there, I thought to have this kind of discretion. We’re living in a loud world, and he had been wearing some loud clothes. I thought it would be nice to just be very discreet and elegant. I knew that people would talk about him anyway, so let’s take it gently. I didn’t want to do black and I didn’t want to do cream either, as I did it for the Oscars with him. So I thought gray. It fits perfectly to Venice, it fits perfectly to a movie which talks about the past, and it fits perfectly to Henry V, who on his wedding day had leggings in light gray. [Chalamet is the star of The King, a biopic about King Henry V.] It all came together very easily. I proposed and there he went.

But the silk top, the double belt. Men on the red carpet have been so dependent on the idea of a uniform, and they have all looked the same for so long. That was a great moment for fashion. For me, the excitement now is in menswear because you see young people breaking with old conventions, old rules.

I think there’s going to be a turn, after Timo wearing this in Venice and wearing the Louis Vuitton harness, I think he opened up the road. He is challenging people to dare, and that’s a very nice thing.

Has working with Timothée affected the way you design in general? Has his willingness to dare, as you say, made you think differently about your next collection?

Actually, no, but as I said before, he and Tilda have the capacity to wear the clothes and make them their own. In French we say, ils se posent sur les vetements, which means they come in and suddenly it feels like it belongs to them. You know what’s very beautiful? It’s just being companions. I’ve got my job, he’s got his job—how are we going to collaborate together to do this? It’s just a beautiful exchange that has turned into a friendship.

[digitalcombination]

Labia Cleavage: What Is This Labia Cleavage Trend

Labia Cleavage: What Is This Labia Cleavage Trend

The fashion world is abuzz over Dakota Johnson’s dress while attending the red carpet premiere of ‘The Lost Daughter’ at the 78th Venice International Film Festival. Fans were quick to tweet that Johnson has joined the labia cleavage trend. Here’s what we know about the famous actress’s dress and the trend. This article will help you understand the origins of labia cleavage and give you an…

[askfashionisto]

Many are the dresses aspiring to the title of summer fashion trend, and few are those who manage to dethrone the dresses that reign as absolute masters. Between the sports jumpsuit, the cargo skirt and the jumpsuit, there is a novelty that claims its place in the fashion rankings: the n back dressu, but not just anyone. A particular model, making us review our primer on dresses, since we had already warned about it in a legendary work of trophic cinema. Backless trend: Mireille Darc's black dress is once again a fashion inspiration And for good reason, in the movie The Tall Blond with a black shoe, mireille darc burst the screen in a sulphurous black dress with dizzying open back, made in 1972 by designer Guy Laroche. A hypnotic model that reveals the kidney drop of the French actress, and almost more. Dressed only in a gold chain, this bewitching and shameless creation captivated the general public, and embodied a new trend of the 70s, the " butt neckline ". In 1990, the dressed in a tank top finds a second fashion, to the point of repeating itself today. A fashion trend that visibly makes an appointment with its large public every twenty years, since in 2022, the butt neckline it converts both fashion journalists and other style experts who monopolize it, but also inspires brands to draw new curves for it. Reconstituted from all pieces by Anne-Laure Mais, the fondatrice and artistic director of the Musier Parisian prêt-à-porter brand, an iconic robe for the cinéphiles et afficionados de mode, expires in "robe d'arc" and is perpetually available for sale. Summer fashion 2022: the bare back can be worn on any occasion Touched in the heart by this stylistic arrow, the pros of social networks and the celebrities invited to the red carpet, do not miss the opportunity to outline their most beautiful rear neckline. This was particularly the case for Virginie Efira, who in September 2021 bewitched the paparazzi during the Venice Film Festival. How to wear bare back in summer? Same story on Instagram though it's a completely different record, the personalities followed by hundreds of thousands of subscribers give their feed by revealing their backless dresses. For her part, Negin Mirsalehi sublimates her rounded pregnant belly with a neon green dress, whose open back she accentuates by combing her hair with a transparent fishnet barrette. Like Carla Ginola, she opted for a bodysuit with a plunging neckline at the back, which she paired with baggy Dior jeans. As for the Scandinavian fashion icon Emili Sindlev, wearing the Butt Cleavage trend goes through a shirt with a tie on the back, which she twists with cargo pants and colored flip flops to uninhibit her look. Also read: (function() )(); window._fbq = window._fbq || []; window._fbq.push(["track", "PixelInitialized", ]);