#FM broadcast transmitter
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FM Broadcast Transmitter Market to Witness Remarkable Growth by 2030
The FM broadcast transmitter market is a segment of the broadcast equipment industry that specializes in the production and distribution of transmitters used to broadcast FM radio signals. These transmitters are used by radio stations to broadcast their programming over the FM frequency band, which ranges from 87.5 to 108 MHz.
The demand for FM broadcast transmitters has been increasing in recent years due to the continued popularity of FM radio, particularly in developing countries. FM radio remains a popular medium for broadcasting news, music, and other types of content, and the expansion of digital radio technologies has also created new opportunities for FM radio broadcasters.
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Some of the key players in the FM broadcast transmitter market include GatesAir, Broadcast Electronics, Inc., Nautel Limited, Elenos Srl, and Rohde & Schwarz GmbH & Co KG. These companies offer a range of FM broadcast transmitters with different power outputs and features to meet the specific needs of their customers.
In addition to traditional FM broadcast transmitters, there is also a growing market for digital FM transmitters, which use digital technologies to enhance the quality of FM radio signals and provide additional features, such as text and data services. These digital FM transmitters are particularly popular in urban areas where there is a high demand for high-quality radio programming.
Overall, the FM broadcast transmitter market is expected to continue growing in the coming years as FM radio remains a popular medium for broadcasting and as new technologies and innovations make FM radio broadcasting more efficient and effective.
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FM Broadcast Transmitter Market to Witness Huge Growth by 2030
FM Broadcast Transmitter Market is an electronic device used to transmit an FM (Frequency Modulated) signal over the airwaves. It is commonly used by radio stations to broadcast their programs to a large audience.
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The basic components of an FM broadcast transmitter include a modulator, an oscillator, an amplifier, and an antenna. The modulator takes the audio signal from the radio station and modulates it onto a carrier wave at a specific frequency. The oscillator generates this carrier wave at the desired frequency, typically between 88 and 108 MHz in most countries.
The modulated signal is then amplified by a power amplifier to increase its strength before it is sent to the antenna. The antenna is responsible for radiating the signal into the airwaves so that it can be received by FM radios.
FM broadcast transmitters come in a range of sizes and power outputs, depending on the needs of the radio station. Smaller transmitters are used for low-power community or campus radio stations, while larger transmitters are used by commercial radio stations with greater coverage areas.
It is important to note that FM broadcast transmitters are regulated by government agencies to ensure that they comply with technical and safety standards, and to prevent interference with other radio frequencies.
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WKCR, the Columbia student radio station that typically concentrates on Jazz, is currently swamped on streaming platforms from people looking for on-the-ground reorting about the NYPD attack on peaceful protestors and encamped students. They are encouraging anybody who can to tune in via FM signal.
If you're out of range of their transmitter (and many even a little ways outside of NYC fit that bill) you can tune in to their FM broadcast through this site: https://mytuner-radio.com/radio/wkcr-899-ny-401019/
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A lot of radio stations have gone away in my part of the world. Corporate greedheads decided that they're just too expensive to operate, so they shut 'em down. Nobody was left to leave by then, though. DJs in distant castles were running four, maybe five "morning zoo" programs at once. Harried technicians were on contract. The offices sat empty, unlocked, and available.
The first inkling we received that something had gone wrong was an ill-advised radio broadcast. Across the city, a bunch of auto-tuning FM radio receivers trying to avoid commercials latched onto the old, dead frequency, now very much alive. Alive with what? Alive with the sound of the microphone on a local DJ's vacant desk, left open to the elements while a magpie and a seagull fought over the decades-old remnants of the sandwich he was eating at the precise moment he was fired.
Somehow, through some trick of giga-corporate ultra-consolidation, they had simply forgotten to sell the offices to someone else. Maybe there was no one else who wanted a radio station. Soon, a community of weirds developed around the area. At first, it was just the usual kinds: poets, beatniks, scooter enthusiasts: people used to scuffles with the law and with, at best, a wilfully incomplete understanding of the law. We waited for them to get arrested, but it never came.
The cops didn't care. No corporation was screaming at them that their rights were being violated. The newspaper that would have bullied the Chief was part of the sweep of radio stations that died. More people followed into this great communal experiment, self-organizing themselves into a replica of the ancient radio schedules. Call-in shows. Top-40 pop music. Long discussions into the night about which recreational substances should be legalized. It was glorious, but then it ended.
Turns out that Uncle Ted's Copper Theft Hour got one of its guests a little bit too worked up, and he decided to do a live demonstration right in the studio. The transmitter was down for two weeks, until someone could steal enough metal from Home Depot and an overturned self-driving drycleaning van to bring it back to life. By then, though, the passion had gone out of it. All the weirds, now unable to force their opinions on others without response, had scattered to the four winds, starting lawn care businesses and mimeographing crank newsletters at the public library.
It was the end of an era, but I don't regret anything about it. I got like seven dollars in wire out of that place, which was enough to buy a working stereo from the Pick N Pull so I could listen to the show.
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𝐒𝐈𝐓𝐄-φ 𝐑𝐀𝐃𝐈𝐎; 161.8 𝐹𝑀 𝑅𝐴𝐷𝐼𝑂 𝑃𝐻𝐼.
High up in the █████ mountains overlooking the Foundation's covert base of operations is a lone FM radio station aptly named Radio Phi. While no one knows precisely when 161.8 FM graced our airwaves or where the radio tower is exactly located — as the fog can get thick in these altitudes — no one minds having another rare form of entertainment on the austere Site. Radio Phi is a freeform station, hosting a variety of music genres, from easy listening to classic rock to canciónes rancheras, with the occasional talk shows from two enigmatic hosts: The Man With The Suede Voice and The Woman Who Only Speaks In Whispers. Although live radio is strictly forbidden inside the main building due to some SCPs’ auditory sensitivities, many of Site-φ’s staff have their modified pagers “fixed” to enjoy tunes in the Residential Areas or while patrolling the mountainous Pacific Northwest outback.
ACCESS.
Although there have been attempts by the Site-φ Security Department to locate and track the radio station’s whereabouts, the rugged Cascadian summits and ridges have led to inconclusive reconnaissance. There have also been rumors that the Head of Security, Captain Junichi Kato, tends to take missions to find the radio tower less seriously than other security priorities... especially when humming along to Joy Division’s “Disorder” while on the lookout. Nonetheless, Radio Phi is off-limits inside the main building, and Site Director Buckley Osterholz doesn’t take kindly to his authority being challenged.
However, those who are tired of flipping through reruns of outdated cable TV programming and rifling through the sparse list of Foundation-approved VHSes and DVDs, or those who hate running in the frigid high-altitude air with the Walking Club, or those who can’t stand reading to pass the slow seconds in the modern cenobium that is Site-φ, know if you meet the right someone in the Engineering Department, they’d be down to fix the mandated pagers for an extra All-You-Can-Brunch cafeteria buffet ticket.
All of the modified two-way pagers utilized in Site-φ have mini-transmitters to read and send messages across the base throughout the mountains. Much like the contemporary cellphone, these pagers are outfitted with vibration and silent alarms for added safety while handling SCPs as well a beeping notifications during emergency broadcasts. Staff can store up to 300 short messages (no longer than 180 characters) and assign contact “names.” Those technological tweaks also opened room for bugging and fitting other mechanisms. Once upgraded to receive the elusive VHF frequency, 161.8 FM, and with a newly installed audio jack to boot, the staff pager is now good to go to hear whatever (and we mean whatever) the DJs at Radio Phi want to play.
PROGRAMMING.
Radio Phi’s programming tastes run eclectic and completely random. One day, it might be straight 27 hours of prog rock, another, three choral hymns, and then a full reggaeton album from start to finish. It’s no use making sense of Radio Phi. We suggest you do not look deeper. Instead, close your eyes, kick up your legs, and relax to the music…
When not listening to lo-fi beats to relax-slash-study to, sometimes a listener can catch one of the two talk shows on the radio between the hours of 12:00 AM to 11:59 PM.
The Man With The Suede Voice hosts an advice column style panel, chatting with callers on-air or reading out inquires the station receives via mail in his mellow and almost fuzzy tone. He helps his listeners with questions about love, life, and animal husbandry. However, it is unclear how anyone can reach the Man With The Suede Voice as he has never given a phone number or an address to send such inquiries. There are rare occasions in which the Man With The Suede Voice will get a letter from someone only known as “Ben” and go on an unhinged rant of rage. Reports claim that during these incidents, the Man With The Suede Voice will begin shouting the name “Ben” repeatedly for minutes before progressing into loud sobbing, and the sound of paper tearing can be heard as the show abruptly goes off the air.
The Woman Who Only Speaks In Whispers hosts a “shock talk” late-night-early-morning-midday-afternoon show, and the topics include pop culture and airing the dirty laundry of Site-φ personnel, all told in a husky dulcet whisper. As one avid listener calls it, her show is “practically shit-talking ASMR.” Between the two hosts of Radio Phi, it’s usually the Woman Who Speaks In Whispers that catches the ire of Site-φ’s Administrative Department, particularly when she divulges on topics thought to be confidential. Exactly how the Woman Who Only Speaks In Whispers acquires this information has yet to be discovered, as it would be impossible for her to know about some of the events covered on her show unless she was there. However, thorough investigations to tie her identity to any Site-φ employee have not been fruitful, and voice recognition software struggles to make any definitive match due to the whispering.
There are also claims that at the start of every month, between 4 and 6 AM, an automated voice will forecast the weather for the greater ███████████ area for the next month. Site-φ personnel who have heard these weather reports allege that the predictions have a 99.999% accuracy level. However, these claims are hotly contested as not everyone who listens to Radio Phi during the 1st of the month at the designated hours has experienced this phenomenon. This has led some at Site-φ to believe it might be a mass hysteria due to cabin fever. However, recently, there have been rumors that Site-φ’s Communications Control Specialist, Majel Trnka, has experienced this curiosity before the arrival of the new MTF Unit, MTF Chi-00. Whether or not this information is accurate is unclear, and Trnka refuses to discuss the topic.
Perhaps one of the most troubling aspects of Radio Phi’s broadcast are the ads for various strange and bizarre products that are fit in random intervals between songs. There are unsubstantiated reports of ads for products and services provided by Groups of Interests Ambrose Restaurants, Doctor Wondertainment, Gamers Against Weed, Goldbaker-Reinz Ltd., TotleighSoft, and Vikander-Kneed Technical Media among others. However, like with the weather reports, whether or not Radio Phi even has ad breaks is fiercely debated among personnel who tune into the station.
CONCLUSION.
Overall, it is highly unadvisable for Site-φ personnel to alter their mandated pagers in exchange for an extra brunch buffet ticket with one of the members of the Engineering Department. Although the allure of sweet music and live entertainment — finally, no more canned laughs! real, live, human interaction!! — is understandably tempting, no one really knows the intentions behind Radio Phi, and opening up one’s standardized pager could lead to other things getting in… But that’s for every staff member to decide.
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200-foot radio tower stolen in Alabama - Boing Boing
An Alabama station was "in disbelief" after equipment was stolen last week, reports NBC News, but they couldn't be broadcasting their emotions because among the vanished gear was its 200-foot radio tower.
"What do you mean it's gone," NBC News quotes WJLX manager Brett Elmore, who admits to them he used "more colorful language" in describing the problem.
WJLX notified the Federal Communications Commission that its AM station was silent. The station was hoping to continue broadcasting its program through FM radio in the meantime.
"We requested a temporary authority to keep the FM translator on until we get the AM back on the air," Elmore said on Thursday. "But unfortunately, this morning, I was notified the FCC denied our request to stay on air on the FM side, so actually, we're about to go power down the transmitter." ...
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[VOA is US State Media]
The Islamist Taliban government has defended banning FM radio broadcasts from two U.S.-funded news media, including the Voice of America, in Afghanistan, alleging they were offending local laws.
The ban on VOA and Azadi Radio, an Afghan extension of Radio Free Europe/Radio Liberty, or RFE/RL, went into effect Thursday, a day after the Taliban’s ministry of information and culture said it had received complaints about programing content but shared no specifics.[...]
"VOA and Azadi Radio failed to adhere to these laws, were found as repeat offenders, failed to show professionalism and were therefore shut down," Balkhi said.
RFE/RL and VOA used the same FM frequencies for round the clock broadcasts in Dari and Pashto languages. VOA’s mediumwave and shortwave transmissions broadcast on transmitters based outside the country will continue to reach Afghan listeners.
In March, the Taliban stopped VOA’s Ashna TV news shows, which had been broadcast on Afghan National Television, Tolo, Tolo News and Lamar for a decade, VOA Pashto reported.
Many VOA programs are anchored by women. The Taliban have banned women from appearing on television without covering their faces.
On Thursday, U.S. Agency for Global Media (USAGM), which oversees RFE/RL and VOA, said the Taliban ban will not deter its journalistic mission.
1 Dec 22
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Some Saturday Morning Portal Fic
Yeah, I don’t even know where this one came from. It’s called Little Blue Thing (yeah like the song, maybe I was inspired) and it just kinda sprouted up overnight like a patch of mushrooms around an old stump. It’s a meandering vignette about Chell in her Relaxation Vault (circa 1999-2000 or so), mulling over a number of loosely related things, as one does when one is lying in bed, trying (or so totally not trying) to get to sleep before Stasis Mode kicks in.
Actually, the impetus for this short fic came from a comment someone left on my last fic, which recalled a scene where Doug Rattmann met Chell on an elevator shortly before the latter went into stasis. Basically they asked: Would Chell have recognized Doug when they encountered each other again way after the end of Portal 2? And me being me, of course I had no satisfying answer. 🥴 But as a reminder I headcanon them as fraternal twins, separated at birth. So... No shipping happening here! Sorry!
Y’know I'm still not sure if I have an answer to that question yet even now, but here's me thinking about it!
~~~📺~~~
Thank you for watching Aperture Relaxation Television, an affiliate of Aperture Laboratories Access Television! This concludes today's scheduled broadcast. Our studio and transmitter facility is located in Aperture Laboratories Headquarters, sector Whiskey Newton. We broadcast a variety of live and pre-recorded programming, with all original content furnished by the Aperture Laboratories Public and Media Relations Department, whose offices are located in sector Bravo Ampere. Programming provided by our outside affiliates does not necessarily reflect the opinion of Aperture Laboratories, nor does it represent an endorsement by any individual member of our executive staff. For continuing information and entertainment, we invite you to tune in to 85.2 FM for our 24-hour radio service. From all of us at ART, we bid you a good evening and a successful stasis period.
And now, the Aperture Laboratories Corporate Anthem—
—Thwip.
With the push of a button—whose remote was tethered to the nightstand, natch—the television flickered off, leaving naught but its negative afterimage, a little blue thing floating in total darkness.
Chell reached for another button, this one positioned beside the switch for her bedside lamp, that would activate Extended Relaxation Mode after a ten minute timer. Then, she snuggled a little deeper into her bed, loudly.
Who snuggles into beds loudly…?
Beds aren't supposed to be loud but the ones in Extended Relaxation had these weird mattresses made of some kind of memory foam, and were lined on the bottom with this brittle and unusually vocal vinyl. The kind of thing used in public-facing institutions where making a bed was a calculated risk, one that involved a variety of unmentionable substances. It crinkled and smelled and forced her to reminisce about sharing cheap motel rooms with her dad and stepmom and stepsister during family vacations.
Come to think of it, they never went anywhere fun, not really. Disney World was for other kids. Hell, they couldn't even sneak a Six Flags in there every now and then. For Kid Chell, summers held the promise of nothing but that sweltering drive from Joliet to Kimberling City, MO, to visit her stepmom's mom.
So, step-grandma…?
Chell was instructed to call her "Nana" which she did, forsaking her own feelings about it to spare those of an old woman. Nana was a nice enough lady but she made a hobby of growing kumquats in her backyard and they tasted absolutely disgusting but Chell would have to choke down like a whole punnet of them every time her family came to visit. And then, one night out of a week already stuffed to bursting with tedium and cousins and indigestion, they would all load into Nana's red Aerostar and trek east to the big city—Branson!—for dinner and a show, always bland and oily and vaguely unsatisfying.
Before the ghostly knot of summers’ past could germinate in her stomach, Chell flipped onto her back and stared at the ceiling, the chiaroscuro of the room developing like an old Polaroid as her eyes adjusted to its darkness. The first thing she always did was triangulate the location of the room's Aperture Laboratories We-Don't-Know-What-It-Does-Precisely-We-Just-Know-It's-Some-Kind-Of-Detector Detector on the ceiling. Maybe it detected smoke. Probably not. But it had a tiny red light on its side that glared inexorably through the night.
This time she glared right back at it. She wanted to stay awake. Just once she wanted to feel it when Extended Relaxation Mode kicked in, to see what happened.
Kinda like trying to keep one's eyes open when sneezing.
Maybe she would succeed this time. Her brain seemed unstoppable tonight, ruminating on its own punnet of kumquats, determined to chew each one to a barely edible pulp that tasted of the body spray her classmates used to fumigate the girls' locker room after gym class.
"How did I get down here?" she asked herself (frequently, but especially now). "How did this happen? Why did this happen?"
You were looking for dad, read one kumquat.
Dad always told you not to worry about it—his job, whenever you asked him why his bosses at Aperture made him travel up to their HQ in Michigan every month, read another.
"Who's worried?" you'd always tell him, even if you did worry, even if you worried a lot, read another.
Because then one day he went up there and never came back, read another.
Aperture wouldn't say what happened to him, not exactly what happened to him.
They said it was an accident.
They said they were not responsible for it.
They said nothing more about him ever again after that.
And you said
"Bullshit!" Chell shouted her whisper into the void.
So you tried to get closer. Closer to the truth. Closer to the black hole without getting sucked in.
There is a hotly disputed theory in quantum mechanics that information entering a black hole is lost forever. Chell tried to count herself among the disbelievers; after all, even now she could see that red light on the detector on the ceiling and the little blue thing still floating around her headspace. She remembered the announcer thanking her for watching television that evening, and where Aperture Laboratories Access Television's transmitter was located. She knew that, for what it was worth, she was still Michelle [EDITOR'S NOTE: Curiously, there was once a surname printed here, but the ink has since smeared to the point of illegibility. Our sincere apologies for any narrative inconvenience this may cause].
But did anyone Out There know that she was In Here? Did anyone remember her name, who she was, what she looked like, what she liked and disliked, who she loved, who loved her?
You got a B.S. in Mathematics and a minor in Music (tuba) and a specialist certificate in Applied Scientific Modeling, her mind chewed on and on.
You turned down an offer from Black Mesa to try to get a job here at Aperture.
Aperture wouldn't hire you, but they wouldn't say why.
So you tried to become a test subject.
You got rejected, but they wouldn't say why.
"So then I… Ugh."
Chell didn't want any more kumquats. She shifted gears, flopping onto her left side this time while pulling the bed's comforter over her head. To the hand, its fabric was scratchy and deeply specific—the kind of thing with a lengthy tag sewed to one hem explaining how well it repels fire or bodily fluids while promising swift and severe justice to anyone (save the actual consumer) who would dare cut it off. To the nose, the blanket was only human and needed laundering. Meanwhile, the air conditioning unit beside the vault's approximation of a plate glass window kept chugging along, blasting out its penetrating draft and freon musk, softly rattling the vertical blinds in a sort of atonal plastic lullaby.
If she closed her eyes—she didn't dare, but if she did, it would be so easy to imagine hearing her stepsister's quiet snoring beside her, and feel the sporadic kick of a phantom foot.
Rather, she rewound to a less distant past.
This happened god knows how long ago in Real People Time, but by her own measure it was only a few bad sitcom episodes and half-eaten tubs of 100% REAL in the past—that day in mid-June, 1999, when she was taking the elevator down to the Vaults and that weird guy slipped through the doors at the last second. She remembered his face to photographic precision but the photograph was another one of those old Polaroids, kind of poorly exposed, dreamlike, obscure. He wore a white lab coat and necktie like everyone else who worked there, but he was so gangly and awkward that he looked like he was playing dress-up with Dad's stuff from work. Chell reckoned it was the bandages that made him truly memorable, all those bandages wrapped around his head but they didn't do quite enough to hide every trace of trauma, of blood or bruise.
Through another passenger, she learned his name was Douglas.
"Yeah, this happened here," was Douglas's diffident revelation about his head wound. "But it was an accident, so, no big deal."
Aperture Laboratories apparently did nothing on purpose.
Furthermore this Douglas had an uncanny quality to him. Politely paranoid, Chell recalled. He spoke softly but seemed to radiate this intense nervous energy like a rapidly decaying isotope. A real live wire, like in that one Talking Heads song:
Fa-fa-fa-fa, fa-fa-fa-fa-fa, fa, better Run, run, run, run, run, run, run away
He wasn't paranoid, he was trying to warn you about the contracts, read a sudden kumquat—the worst kind.
He was trying to warn you about the vaults, read another.
He was trying to warn you about the event horizon, read another.
He looked at you with eyes just like yours, pale and frozen furious, read the last one.
Well. One eye was pale and frozen furious. The other one he kept hidden underneath all those bandages. Assuming he still had it.
Well. Maybe he was trying to warn her about something. Maybe he was too afraid to speak of it so directly on company grounds. Maybe he too laid up at night wondering if verging too close to a black hole might put even the memory of one's existence at risk.
Well. In the end, he told her not to worry about it.
"Don't worry about it," he said. Exactly like that.
"Who's worried?" Chell muttered to herself and closed her eyes, momentarily pacified by the sensation, distant but distinct, of mutual remembrance.
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Because he's not actually licensed to run an FM. Just an FM translator and only if his actual licensed AM is still on the air.
Honestly, the exact reasoning the FCC has this rule kind of confuses me too considering they even ALLOW an FM translator for an AM station.
An FM license costs more to be approved because it's the more desired frequency type. But they still allow you to get a much cheaper to obtain AM license and then use a translator for FM? Granted you still need to pay two power bills (one for AM and one for FM) and have two different towers and transmitters but still...
I'm guessing it's more of a way to control the amount of stations on the FM dial that way we can actually enjoy individual stations and not like... 5 on every single frequency down the dial.
So it's either pay the fees for FM or at least keep paying the fees for your AM. Because as long as his AM is off the air he's technically not broadcasting and so he shouldn't be on either AM or FM at the time.
...I really hope I didn't just make it more confusing because I have to admit I'm confused by a lot of the little detailed rules they put in myself.
“What do you mean the tower is gone? Are you sure you’re in the right place? I actually used more colorful words than that,” Brett Elmore recounted to NBC News. “He said there’s wires all over the ground and the tower is gone.”
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Check out this listing I just added to my Poshmark closet: Excelvan Hands-Free Fm transmitter & Car Charger for IPhone/Ipod.
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Will ESPN’s Purchase of WCBS-880 Impact Fordham’s Michael Kay?
Recently it was announced that long-time all-news radio station WCBS 880-AM will become ESPN 880-AM in the New York Tri-State area. How does this impact the potential success for Fordham University graduate Michael Kay (FCRH-Class of 1982)?
Afternoons saw The Michael Kay Show finish 12th for the 4th quarter of 2023 with a 3.6 during the hours of 3:00 pm-6:30 pm. The show produced the same share and ranking as it did during the prior summer.
WFAN ended the year the way it started: on top in the ratings. New York’s leading sports station enjoyed wins across all dayparts as well as year-over-year growth in multiple dayparts according to the latest Nielsen Audio numbers (formerly Arbitron).
“The Fan” also grabbed a 3rd place finish in afternoons thanks to Evan Roberts and Tiki Barber. Evan & Tiki captured a 6.8 share with Men 25-54 for the quarter, up six tenths from the summer book. “Over at 98.7-FM ESPN’s New York station, the 4th quarter 2023 produced mixed results.”
High Island, an uninhabited Island in The Bronx (formerly Shark Island-much cooler name) is the location for 880-AM’s transmitter.
WFUV’s transmitter resides atop Montefiore Medical Center in The Bronx. 28 stories up.
Are Two Heads Better Than One? WFAN Seems To Think So.
On October 7, 1988, at 5:30 pm, WFAN changed frequencies, to replace WNBC at 660 kHz. It had previously broadcast over 1050-AM.
WFAN began to split between AM and FM on November 1, 2012, with the purchase of WRXP (101.9 FM) from Merlin Media for $75 million. It changed its call sign to WFAN-FM. Thus offering listeners their choice on either 660 AM or 101.9 FM.
880-AM is a 50,000 watt “Clear-Channel” radio station.
The 1941 North American Radio Broadcasting Agreement (NARBA) set-up 37 Class I-A frequencies. Nearly all U.S. and Canadian I-As operate at 50,000 watts non-directional. Which can be affected more by atmospheric conditions, mountainous terrain, coastal refraction, and electrical storms.880 WCBS New York I-A
What Does The Addition Of This AM Radio Signal Potentially Mean?
The difference between AM and FM radio signals affects sound quality, performance and broadcast range. FM broadcasting offers higher fidelity with more accurate reproduction of the original program. But AM signals can be heard from further away. (See Addendum below for more information.)
What Constitutes The New York Tri-State Radio Market?
The New York radio market includes: Middlesex-Somerset-Union Monmouth County, NJ Morristown Nassau-Suffolk (Long Island) Fairfield SN-Split County, CT Putnam, Rockland and Westchester Counties, NY.
I live in the Hudson Valley. I can't pick up Kay’s FM radio station very well. Before you ask, nighttime doesn’t help an FM signal carry further.
How Can This Change The Dynamic?
Most AM content are All-News formats, call-in shows and sports. It has long been suggested that All-News does well in NYC because they give midtown traffic updates every 10 minutes. Now ESPN has an AM station in New York. As mentioned above, they have a powerful one.
However, ESPN dropped FM station 98.7 since the 880-AM acquisition. It is now a Top 40 station. Are they forgetting synergy on ESPN? “Kay was disappointed by the news, but radio is in transition.” said Bobby Ciafardini, WFUV Sports Director. “(With) more videos and podcasts and cameras in the studios.”
NEW YORK IS A BASEBALL TOWN
For the past century, New York has been a baseball town. The Fan has been connected with Yankee games on 660-AM for a long time. Will this acquisition, ESPN and by extension, The Michael Kay Show are now connected with the New York Mets radio broadcasts, since 880 is also their home station? ”Michael Kay is on the Mets station, but he is the Yankee announcer.” Ciafardini, who also teaches Sports Journalism in Fordham’s Communication & Media Studies department pointed out.
Time will tell of course. But Mr. Kay, and all the local ESPN radio talk shows have been given an enormous tool. Personally, now I can hear him when I drive to the local store.
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Addendum: More on AM vs FM radio
AM, known as Amplitude Modulation, got here first and used their political and financial muscles to keep FM, or Frequency Modulation, off-of-the-dial..
Note: For some context of how competitive this got, read about the suicide of FM inventory Edwin Howard Armstrong: In late 1933 he was issued other patents for a new radio signaling system which became FM radio. He spent much of his time in court defending himself & suing others over the primacy of his patents. In 1954, after 5 years of legal battles about the FM patent, & after his wife left him in 1953, Armstrong committed suicide.
Eventually FM radio found its place, starting the second half of the 20th Century. The two diverse technologies reshuffled the radio industry. Almost all of the music on radio stations comes from FM stations. While much of the AM offerings provided consist of All-News formats (until recently WCBS-880) call-in shows and sporting events.
For more information read: https://www.diffen.com/difference/AM_vs_FM
Will AM radios go away with Electric Cars?
In an electric vehicle, voltage levels are many times higher than those seen in a gas-powered car or truck. Because of this, AM signals become less effective.
Some electric vehicle (EV) manufacturers are eliminating AM radios from their cars, which government officials fear could put people at risk in an emergency. For example, Tesla ‘s dropping AM radio from its cars.
Why it matters: AM radio is one of the critical ways that federal, state, and local officials communicate with the public during natural disasters and other emergencies. If drivers don't have access, they might miss important safety alerts.
-Kevin Bergin
This article originally appeared on the Fordham University Class of 1980 Facebook site: https://www.facebook.com/groups/537184563628982
#fordhamuniversity#michael kay#tesla cars#AMradio#FMradio#EdwinHowardArmstrong#espn#WFAN#nymets#nyyankees
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How FM Broadcast Transmitters Work: A Quick Guide
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