#Eventually i will remember how to Create Things

[lion-writer]

I’ve seen a lot of headcanons and fics where Viago disapproves of Rook getting together with Lucanis. And ones that focus on how an alliance with the De Rivas benefits House Dellamorte, which is definitely true, and i fucking love them, but consider Viago probably couldn’t possibly ask for a better partner for Rook.

Though to be fair I am obsessed with Viago and his belief that he could restore the royal power of Treviso and that “He will not be satisfied until he sits upon a throne.”

While as a talon, he’s definitely more powerful than the king, and he could probably easily overthrow his father and take the throne. But that's probably not his biggest issue, because as my old history teacher used to say, “Power cannot be created or destroyed, only transferred”, so by restoring the power of the royal family, he’d be taking power away from the merchant princes and the other talons. Which, it’s probably safe to assume they wouldn't be happy about”. (Also as a side note, the quote “It’s not paranoia if they’re out to get you” is applicable here. Viago is a man planning to make A Lot of enemies)

And remember, this man is still the 5th talon, and while he’s allied with Teia, she’s also only the 7th talon. (Though they definitely should have gotten a promotion after the events of 8 little talons). So he’s not really in any position to actually make any power play, not unless he wants to piss off 6 of the other houses. 

Thankfully, depending on the choices you make, by the end of Veilguard, he’s almost certainly up there among the most powerful people in Antiva, given that he was a key player in ending the occupation of a major city by the Antaam, not to mention the killing of a Literal Evil God. The only Antivans that could be more influential than him at this moment is Teia, who he’s dating and let's be honest, will eventually marry, Rook, who’s his protege, 

Among those people, Lucanis is probably the most politically powerful, given that he’s done everything Viago has, in addition to the fact that he actually killed a god, and is now The First Talon. While I feel that he would support Viago in the bid for the throne, he’s also the only one who Viago doesn’t have any sort of formal alliance with. And considering Viago’s general distrust towards basically everyone, he wouldn’t place that much trust in the bonds of friendship, (especially if you believe that he thinks that Lucanis’s attempt at flirting was a threat).

But given the general political upheaval Antiva is probably already in right now, because It’s highly doubtful that Governor Ivenci was the only guy to make deals with the Antaam or Venatori for power, there’s no better time for Viago to make a play for power. With everything so recent it would be so easy for him to step forwards as a figure for people to rally behind, I mean he exposed corruption in the government, he freed Treviso, he trained a god killer, and he’s the son of the king. But If he waits, he kinda does risk somebody else stepping forth.

But after Ivenci’s attempt at getting rid of the crows and the whole Illario debacle, the other Talons would be very suspicious of anyone trying to take power, and while Viago is a Crow, he’s also an infamous curmudgeon who doesn’t really get along with the others. 

Luckily, Lucanis is head over heels for Rook, which cements an alliance with House Dellamorte. And well, there’s quite a historical precedent, especially in Antiva, for alliances and weddings to go hand in hand. Not to mention the message it would send to the other talons for Viago to give away Rook, his protege for whom he has already demonstrated a soft spot for, to The First Talon, arguably The Face of the Crows. In addition, a grand high profile Wedding between two heroes who just saved the world, is the perfect thing for the general public to associate Viago with after everything. 

I mean I’m pretty sure he would still grumble about it and he’d definitely let Lucanis know that if he ever dared to hurt Rook, Lucanis would wish he was still trapped in the Ossuary. But once he’s certain that they’re serious about each other, Teia and him would be the first people to start bugging them about marriage.

[mandatory-blog-stop-asking]

I guess since I always write about X-Men when drunk, let me talk to you about Scott Summers.

Now look, Scott has a lot of haters, many of them my friends. I even agree with them. There's no easy way to take in Scott Summers. Because more than anything, Scott Summers is a question.

What do you do when they take it from you?

The answer can be many things. If you're Xavier, the answer is, you deny people their childhood. Scott, you're a child soldier by 13. You have just survived a traumatic plane crash in which your family seemingly all died. If you look at people, they die too, and it's your fault. You wear a literal filter to interact with everyone. Sometimes they tell you they're mad and you don't understand. The filter isn't thick enough. Xavier pats your head and tells you this is how it is. You have to be better. You have to be better than them. You have to be better than everybody.

If you're Magneto, the answer is your life. He had everything taken away from him so thoroughly, so long ago, that you, Scott, can't even fathom it. He's introduced to you while stealing nuclear warheads to threaten people who hate you. Every word Xavier has ever told you stings in your brain, like a worm. This is wrong. This is the enemy. He's doing it wrong. He's getting a bad grade at being a mutant. These feelings will poke at you for the rest of your life. You will come to disagree with them. By the time you're 40, you couldn't imagine a more steadfast ally than Magneto. He gets it, you see. No one else gets it like Max does.

If you're Jean Grey, the answer is fire. Create fire. Look for fire. Date a guy who can shoot fire from his eyes. Who can spit fire from his mouth and raise the dead with his words. Who can stand before the apocalypse and burn, burn as hard as fire can burn, as hot as a volcano, enough that the police are involved, that the Avengers are involved, that the gods are involved. Burn and burn and turn to ash and burn further until they stop telling you you're worthless. They never will. But Scott will never be one of them. He would rather burn everlasting than tell you you're less than what you think you are.

If you're Emma, it's kill them from the inside. Become part of the problem to make the problem go away. Meet the problem in their house. Fuck the problem. Buy the problem. Kill the problem by giving them a stroke. Emma thinks you, Scott, could be so much more. You could end the problem in a day, two days tops. You could rally them and radicalize them and make them see how insidious the problem is. But you never would. You tried, and it didn't agree to you. It got weird. You got weird.

If you're Logan, the answer is drinking. You drink and you try to forget, but you never do. You can't. You hang out with this guy, this beautiful, certain, consistent man, and you can't forget what you've lost, but you can make new memories. You can be someone else. You can put on a robe and lay down on a lazy chair and drink near Scott, overlooking the Earth, and you can think, I never want to forget this. I never want to not be here, with Scott, looking over everything. Feeling like I do, doing the things I do, having the relationship I do with him. But eventually it all goes away again, and you remember, right, I'm a violent person, I'm made for battle, I don't deserve love, I don't deserve Scott, I don't deserve anything. I deserve the woods. The wolves. The simplicity. The desire to forget, but never quite getting there. If you're Logan, you don't actually have an answer. Your whole life is a question without an answer.

And then you're Scott. You wonder what you should do when they take it from you. You're surrounded by people radicalized by their choices on how to react to that. You're radicalized by your mistakes. You're radicalized by the fights, the torture, the betrayal, the time in space, the time in hell, the time suffering. Every year of your life was the worst year of your life. Everything you've ever done is a thing to be mocked and used as a standard at the same time. No one knows who you are aside from the guy to listen to. You're 40. You're a father. You're tired. Your first instinct upon being given everything was gathering your family and moving; to the moon, even, where no one could hurt you. And then they took that away from you, too.

So, what do you do?

There's only really one answer.

You sigh, you put on the suit, you do some voice training, you call some friends. You do a speech. You suppress the feeling that it's futile, because that feeling is the oppressor, too. And you say it, like you've said it a thousand times, like you'll say it a thousand times more, like you were made to say, like you were taught to say, like your entire legacy will revolve around how you say this single phrase.

You will say this from your chest. You will say this when no one else is around and no one else is listening. You will say it because it's the right thing to say, and god damn it, at the end of the day, you will never acquiesce. You will never compromise. You will, in fact, always say it, for the rest of your life and beyond. When you're dead and buried and not coming back on the regular, people will still talk about how right you were when you said it, how righteous you sounded when you said it, and how certain you were when you said it.

You say it when they're attacking, you say it when you're attacking, you say it as a defense, you say it as a response, you say it as every figure of importance in your life has given way to compromise or disappointment; as everyone has left you, and has moved on, and has decided oppression doesn't equal a life poorly lived, and has asked you to lose their number because they can't do this anymore, it has taken too much from them and they don't want this to be their lives.

You say you understand, you lose their number, you stop relying on them, and you start saying it to others. Sometimes to people who are too young, but they get it. This is the only appropriate reaction, after all. You were Scott and you were 13 years old when you were a soldier. They can do that, too.

What do you do when they take everything away from you?

Scott Summers sighs and fills his chest with air.

When they take it all from you, Cyclops says "To me, my X-Men."

[the-sleepy-conductor]

Ok headcanon time.

I've seen lots of headcanons about Emmet always saying "I am Emmet" simply because it could be a verbal stim, or he just automatically starts doing so because people confuse him with Ingo.

But hear me out.

He starts doing it because of Legends Arceus.

Before I dive into this, quick tw of mentions of death, as well as panic attacks. Also possibly derealization and depersonalization? I'm not sure how to describe what's down below I'm not trying to be offensive.

So, the event of Ingo being sent to Hisui happens before the events of Black and White. Except it's not a he-was-gone-for-months-or-years kind of thing. He just blips, faster than the blink of an eye, but being in Hisui felt like an eternity to him. He's still in his Subway attire after the whole ordeal, still has his Pokemon, and most importantly, still has his memories. He remembers everything about himself, but also recalls forgetting everything in Hisui.

Now I'm imagining this could happen when the twins are on the Multi Train waiting for a challenger for instance. They're bored out of their minds, with Emmet impatiently tapping his foot and Ingo nearly falling asleep. Then just as Ingo closes his eyes, Hisui happens, and he's jolted awake with a choked gasp.

Emmet is of course frightened, frantically asking Ingo what's wrong. But the older Subway Boss is in shock and clearly distressed. Ingo can only clutch his chest as he gasps and wheezes for breath. He feels as though his heart is pounding too fast for his body, he's suffocating. Can't breathe. Can't get enough oxygen-

But he's alive. His heart is beating, he can feel the cold chills through his body, the trembling... He's not dead out in ancient Sinnoh. But he still can't calm down. He's freaking out about what happened to him. Was that some weird nightmare? No, he swore everything was real. The Zoroarks, the Alphas, Giratina, Arceus, the fear still made itself home in his brain. The Pearl Clan, his Pokemon, Lady Sneasler, they created a warm fuzzy feeling in him for a split second as he recalled them. And yet he remembered all those cold, lonely nights he'd cry alone to himself for the man who looked like him, his twin brother Emmet.

And Ingo breaks down crying right then and there. He's so overwhelmed from emotion, unable to process years of events and emotions and memories in just seconds. He's hyperventilating, crying choked sobs as it feels like his poor heart is going to give out. Was he really in Hisui? He was back in the subway train, wasn't he? Like nothing ever happened? Did Arceus rip his soul from his body for that split second, and that's why his body is utterly convinced he's going to die-

And through the gasping, the crying, his heartbeat pounding in his ears, he hears Emmet's voice call out to him worriedly but calmly through it all. Ingo held onto that voice like a lifeline. It had been merely a few seconds since he heard his twin's voice, yet it had been decades. He clings onto his baby brother for dear life, registering that he's right here, Emmet is right here, and Ingo is at his side. Emmet had given up on trying to ask Ingo what's wrong, now only concerned with helping Ingo calm down. Ingo's a crying mess for a long time, but he eventually cries himself out, now too tired to keep sobbing.

Emmet takes that chance to ask Ingo if he's ok. Ingo replies that he's unsure. Physically he's fine, but... He shudders and leans against Emmet more. Emmet asks him to elaborate. Ingo was positive that Emmet would think he's gone crazy, but Ingo was so shaken up he didn't know what else to do. He explains everything, the events of Hisui, feeling like he wasn't even in his own body for a split second, and forgetting his own twin. Ingo gets choked up again and Emmet reminds him to breathe.

Even though the whole experience was traumatizing, the only thing Ingo could focus on was that he forgot Emmet. His memories are still intact now, but he knows he forgot him in Hisui. And for some reason, that terrifies him more than any space-time anomaly. He weakly chokes out that he didn't want to forget Emmet again. He could forget trains, he could forget Unova, just don't take his brother away from him again.

Of course Emmet is caught off guard by all this. But his normally unshakable brother was breaking down in his arms, and he had never seen Ingo this upset in his entire life. If Ingo had a reason to be upset, then what he said must be true, because Ingo wasn't acting like himself at all. They're Subway Bosses, they've seen it all.

Emmet reassures Ingo that he believes him. His distress his valid. But Emmet also proposes an idea. He'll remind Ingo that he is Emmet as often as he can. And from them on, he'll make a habit of saying "I am Emmet" at the start of every other sentence, for Ingo's peace of mind. It becomes such a habit, that he even says it when he's not talking to Ingo. He starts using a sort of script when introducing himself to passengers, saying "I am Emmet. I am a Subway Boss. I like Double Battles. I like combinations of two Pokemon. And I like winning more than anything else." He starts using short and brief sentences to describe himself to anyone new to him, as well as using it to keep Ingo grounded whenever he has another panic attack about his memories.

And even years later, even after the events of Black 2 and White 2, Ingo still finds comfort in hearing his little brother say "I am Emmet."

This got waaaaay out of hand but I needed somewhere to jot my thoughts

[sunlitmiracle]

smashes my current interest together with my old interest (aka yet another "what Dungeon Meshi but Gamers?" AU)

Once when I was a child I had a complete crying meltdown over Creatures, because the manual insisted that the complicated AI of the Norns made them truly alive and 10-year-old me was freaked out at the idea of being solely responsible for making sure these real animals wouldn't die. The funny part was that this was the Playstation version of Creatures, which has no biochemistry and very basic AI compared to the PC/Mac games where players actually were debating whether or not it was true artificial life. A PSX manual gave me existential dread and it wasn't even telling the truth.

Anyway, kid!Marcille would also have a meltdown over the Creatures series, especially if she had the computer games and got to see how vastly different some breeds' lifespans are. Like in C2 where you have Norns that live for around 5 hours and Norns that live for 10, both of which are vastly more than Ettins who don't even live for 1.5 hours (and usually less due to radiation or starvation).

Lucky for her, having the computer version means she could download modified genomes made by other players that make creatures live longer or even outright remove certain death triggers. However I think she'd have more fun learning to read and edit the genomes herself, to get a better understanding of how the game works and how to change it to suit her own tastes. And because she could pretend she's one of the mysterious ancient Shee who created the Norns, Grendels, and Ettins and then vanished, leaving behind relics of their old society.

(Speaking of Grendels, she would unfortunately dislike them because they're the Designated Evil Species and she'd hate how they harass and attack her Norns. I think she'd also pity them though, because they get sick a lot and have short lifespans. Likely she'd just end up downloading/creating a genome without the aggression towards Norns. Ettins she'd like except for in C3 when they dismantle her meticulously-placed gadget setups, so she might mod out their hoarding compulsions too. Both of them would of course also live for however long her Norns would live.)

Also. While standard creatures' lifespans are counted in hours, if you modify the half-lives in the genome editor you can increase it to centuries. Or even just over a millennium if you set the half-lives to their max length (assuming you also leave the old age death trigger at its vanilla value).

and I like to think that elven Creatures players would pass around copies of what they consider a template genome that's appropriate to their own lifespans. Something that would make their creatures live for weeks or months of continuous play. I also like to think the Creatures DS Warp is still active in this AU because of the hilarious frustration when these long-lived Norns travel to worlds run by short-lived players whose Norns have vanilla lifespans, and vice versa.

(Most of the time in Creatures, offspring of parents with different lifespans will just have one or the other, but there's a chance the genes cross over right in the middle of the various age triggers and cause unstable aging rates. Like a Norn that goes through the childhood stages in hours but then has a very extended adulthood. Or a days-long childhood followed by suddenly dropping dead of old age once the vanilla adulthood genes kick in. Or, if the child has one parent's half-life decay rate and the other parent's age triggers, all sorts of odd things could happen. I once had hybrid Norns who lived for 20 hours and would die of organ failure before reaching the old age threshold!)

(Now that I think of it, Marcille would absolutely hate fast-agers. The first time she watches a creature hatch, turn old, and die in just one brief minute of life, she would be sobbing for days. One of the first things she'd learn to mod out would be mutations that cause the Ageing/Life chemical to decrease unusually fast.)

On a lighter note, while I don't know what her favorite designs would be I think she'd love choosing cute breeds to use in her world. Once she figured out how to give her creatures the comfortable life she wants them to have I can see her redirecting all her gene-editing efforts into changing color expressions. She might even learn to sprite or model her own custom designs.

[thatonecrookedsmile]

"Gaze into the space between the pixels on the screen There, you’ll see a place between the signal and the screams Feel the oscillation of the crystal in your dreams Just switch off your brain and let it sizzle in the beams"

-----

It took a matter of months to finish this drawing. (/j, it only took. 2 weeks? I think? maybe a little less,but that's an approximate)

It's been a while since I made a digital drawing. So far between April and now I have focused more on traditional drawings with digital coloring. These are (mostly) cool to do,but it's nice to go back to full digital every now and then. This is one of the cases where the original idea and the final result don't differ that much from each other,but there was still a certain evolution from when I conceived the drawing and how I ended up doing it. The Main Thing of the original idea is still here,I just expanded it a little.

Also,the lyrics at the beginning are from "Tune Into The Madness" by The Stupendium and Dan Bull. Great song,and one that I was listening to a lot at the time I was reading the book (and much earlier too). Because,you know. Mix of horror and TV. It made sense. (And yes,I know this song is about a totally different game,and the TV context in both stories are very different (as far as I remember, it's been a while since I played LN2) but I thought the lyrics could match the drawing anyway + it's my chance to recommend peak, so yeah) Listen to the song, it's very good! (The video do contains flashing images and lights tho,so viewer discretions is adviced)

Also,alt. versions without the text,because I thought that without the text it looks good too (+ you can now see Bendy's face)

[batz]

-

[lilac-melody]

I got an ad for wizard101 and I feel...a wave of nostalgia

[kianamaiart]

"Pretty Pretty Please I Don't Want to be a Magical Girl" Bios!

NAME: Aika (she/her) AGE: 15 Main Protagonist CV: Anairis Quiñones

BIO:

Aika is an easily excitable and energetic girl. She's generally optimistic and very friendly. She's always eager to try new things as long as it's not her fulltime job of being a magical girl.

As soon as her magical girl duties are brought into the picture, her demeanor changes. She checks out, and often looks for the quickest solution to solve the issue. No flashy transformations and special moves here. She's good with a metal baseball bat or a rocket launcher.

All Aika wants is to live a normal life, make friends and go to school. Unfortunately, like every main protagonist, trouble manages to follow her wherever she goes.

___________________________________

NAME: Zira (she/they) AGE: 16 Love Interest Best Friend CV: Bennett Abara

BIO:

Zira is everything Aika wants to be. Painfully average, under the radar and a self proclaimed loser.

She's a smart girl but has a hard time applying herself. Instead of paying attention in school, and doing extracurriculars, Zira would much rather be reading her favorite magical girl manga "Moon Sailor".

After Aika forces her friendship upon them, Zira now has to tag along on all of Aika's escapades and experiences new things. Ew. However, they admire Aika deeply and admire her even more after Aika's magical secret comes to light.

___________________________________

NAME: Hoshi (any/they/them) AGE: unknown Magical Sidekick CV: Christine Marie Cabanos

BIO:

Hoshi is a magical star being sent to Earth to find the chosen one. They made a great choice with Aika, as she's amazing at her job. The only issue is she hates it and is often trying to dodge responsibilities (and Hoshi).

When Aika first started, and still had her heart in it, Hoshi was definitely more neurotic and acted as your typical mentor/magical sidekick. But over time, they gave up on trying to tell Aika what to do and also became a little more apathetic. Aika was getting the job done at least, so what's the problem?

Hoshi still has to make sure Aika doesn't completely give up on being the Star Guardian: Guardian of the Stars, which Aika finds annoying.

___________________________________

NAME: Eclipse (he/him) AGE: 15 Minor Antagonist CV: Aleks Le

BIO:Eclipse is a flamboyant and theatrical individual whose showmanship is out of this world. He refers to himself as

"Eclipse: Servant of Darkness".

He was a D-list antagonist that Aika and her team would fight on occasion. Mostly just saving citizens from him being a nuisance. Eclipse has deluded himself into thinking that he's Aika's rival, main antagonist and love interest. Their love is simply forbidden as he's chosen the path of darkness and her, the light.

After Aika ran away, he managed to find her again. However this time he actually has powers??? Where did those come from? It's as if he's made a deal with darkness itself.

___________________________________

NAME: Lady DeVoid (she/her) AGE: Old Main Antagonist/Big Bad CV: Shara Kirby

BIO: Lady DeVoid is darkness itself. She's a mysterious being with an incomprehensible amount of power. Power that is currently weakened and that she actually has no idea how to use. She can't seem to remember for some reason...

All she knows is that a long time ago she was defeated and banished by a Star Guardian and that she now wants revenge. The only power she has at her disposal is creating particles of darkness that she can use to possess animate or inanimate objects to create monsters. She prefers others do her dirty work.

She enlists the help of Eclipse to spread these particles with the hopes that it'll eventually destroy the Star Guardian.

___________________________________

NAME: Miss (she/her) AGE: 39 Side Character CV: Michele Knotz

BIO:

Miss is Aika and Zira's very tired teacher. Looking at her, you might assume she hates her job, but it's quite the opposite. She pours everything into her work and into her students, leaving very little time for her personal life.

She's recently started trying to get it together (after her ex-wife left her) but is still struggling to find that work-life balance.

Prior to Aika enrolling, Miss was Zira's only friend at school and, though she'd never admit it, Zira's probably the closest thing she has to a friend also (oof). She's subsequently become a secret Moon Sailor fan too.

[roboticchibitan]

Sometimes you have to be yourself on purpose. What I mean by this is that sometimes we lose touch with ourselves and start coasting and just going through the motions. Which is fine for a while because we get tired and/or depressed and that's fine. Happens to everyone. But eventually it starts to feel bad and you get a specific kind of brainweird that's hard to describe but means that you've lost sight of who you are, what your values are, and what you love.

Leaning really hard into something that makes you go "this is the most me thing ever" helps that specific type of brainweird quite a bit! But maybe you don't know what the most you thing ever is. You are not alone! I get depressed and forget every interest I have. 100% understand that.

When this happens, it helps to remind yourself what you like and enjoy. So what do you do? Well for me, it helps to think about 1. Things I used to enjoy and 2. Things my friends Know Me For.

Like I've been feeling not myself lately and I haven't really knit or created much this month at all. But I'm the Makes Things Guy. I like making things and many of my friends not only know me as someone who makes things but a lot of my friendships specifically come from communities of People Who Make Things.

So I forced myself to pick up an old project, and that helped a bit. But what really helped was coming up with a project that combined my interests (leather jackets, art, and teapots) for me to look forward to and get really into planning for! The most ME I've felt in weeks has been the last hour I've spent planning on painting a famous fine China design on the back of my leather trenchcoat. Because not ONLY am I the Makes Things Guy, I am also The Teapot Guy. I finally feel like myself again.

I wish I had more concrete advice in regards to how you remember your own interests when you get disconnected from them, but a solid place to start is things you used to like and things your friends know you like. If you struggle consider asking a friend what things they know you like. Sometimes friends can see us better than we can see ourselves and it helps to use them as a mirror to see yourself through.

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[sttoru]

.⌇ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. it’s late at night and you try to cuddle with sukuna. keyword; try.

wc. 1.2k

tags. true form!sukuna x female reader. fluff, angst (+comfort). heian era. size difference (readers referred to as small). sukuna’s a bit mean, but he also has a soft spot for you. miscommunication ? it gets solved. reader gets called ‘woman, doll’.

“what are you trying to do?” sukuna sighs. you’re up to something again, he figures. his red eyes follow your body as it crawls up to him on the bed.

you’re both tired after a long day of fulfilling some duties here and there around the estate. all you need is a big beefy man wrapping his arms around you to keep you warm and safe.

the perfect man for that is sukuna. those four arms of his wrapped around your small body feel like heaven.

“it’s called cuddling,” you retort. the sarcastic tone you used triggers a deep sigh from the sorcerer. sukuna holds back the urge to say something sarcastic as well.

he doesn’t utter a single word once you snuggle up to his chest. you’ve taught him how to cuddle during the first time you asked him to hold you. sukuna was awkward with showing any type of affection back then.

. . he still very much is.

“hug, please,” you remind him. the cold-hearted man scoffs, though listens to your polite request. all four of his arms imprison you against his chest, your small body nearly disappearing behind his limbs.

that’s what you like most about those cuddles you share together; how you fit so perfectly in his strong arms. it’s much more comforting than you thought it would be.

a pair of hands rests on your waist, the other pair on your hips. sukuna glances down at you and immediately notices that smile on your lips. even after all this time, he still cannot fathom why you’re so carefree around a monster like him.

and that inability to understand you and your love for him is accompanied by an urge to push you away.

“you got your hug, now get up,” sukuna interrupts the silence. his voice is cold and devoid of emotion—he uses that voice when he talks to other people. not with you, “i have better things to attend to.”

thus, it hurts. when he talks to you like that. like you’re not the person he secretly cherishes most. though, you remind yourself of sukuna’s own words. the ones you heard him say a while ago.

‘love is meaningless’, he said. you remember. and yet you kept hoping that he’d change his mind about that statement. you hoped and eventually saw exactly that: your presence and your affectionate gestures mellowed his heart of steel.

but all that effort seems to go down the drain every time sukuna pushes you away.

you know it’s because he’s unfamiliar with the feelings of love. he may not say it nor show it, but you know that sukuna’s afraid of hurting you. so, he creates a gap between you two every now and then.

you know and yet you’re patient.

“oh, ‘kay,” you nod in understanding. you pull away from his embrace and get up from the bed. your bottom lip trembles.

sukuna is not gullible. he’s anything but oblivious. especially if it’s about how you feel and act. he notices every single change in your mood; whether you mask it or not.

you walk to the sliding doors—ready to open them and step out into the hallway. your eyes are a bit watery, but you quickly blink the tears away and take a deep breath in. you reach for the door.

“come back here, woman.”

sukuna’s booming voice makes you stop. you glance at his form over your shoulder. he’s leaning against the headboard of the bed, arms crossed and eyebrows furrowed.

is he. . . upset?

“why? you said you had better things to attend to.” you answer with a shrug. you try your best to not make it seem like his earlier words had effected you. you turn your head towards the word with a huff, “go on, then.”

sukuna narrows his eyes. he sucks at communicating what he actually desires—what he actually wants. right now that want is for you to stay. even though that completely contradicts his previous words.

the sorcerer doesn’t know what to do. when you’re with him, he pushes you away out of guilt. when you’re away, he wants you back with him.

love is complicated.

“you. . .” sukuna grunts in frustration. all those feelings for you inside of his heart are playing with his rational thoughts. he doesn’t like seeing you upset. he wants the usual you back, “tsk. fine then.”

silence, followed by the creaking of the bed frame. seems like sukuna’s getting up to do whatever ‘business’ he needed to attend. at least, that’s what you thought.

you slide the door open and set a foot outside of the chambers. before the other could follow, you’re suddenly lifted up in the air by a strong pair of hands. your vision turns upside down as your body is effortlessly hoisted onto a shoulder.

“woah!” you gasp and feel the blood go to your head. your eyes are fixed on the back of your lover. you kick your legs in protest, but only get a smack to your ass in response. you whine at that, “put me down!”

“watch it, doll,” sukuna hisses at your fierce demand, a warning to fix your tone. he puts you back down on the soft mattress. he’s surprisingly gentle when he settles you in place—not throwing you on the bed or anything similar, “should’ve listened when i told you the first time.”

your eyes meet sukuna’s and you notice how much they’ve softened. that alone makes the lump in your throat disappear. your love for him isn’t one sided—you’ve always kept that in the back of your mind—yet your thoughts made you overlook the little things he does for you.

his actions speak louder than his words. that’s the kind of man he is.

sukuna’s trying to open up more, though that process is slow. you’re fine with that.

especially when there’s that faint pout on his lips as he stares at you. his eyebrows are still furrowed, his crimson eyes sharp yet warm.

“oh, you want me back in bed this bad?” you tease once you get the opportunity. the man in front of you clicks his tongue and grabs your cheeks with one hand, turning your head up to face him.

sukuna’s eyes are focused on yours. the eye contact is intimidating, but you’re hypnotised. you physically can’t look away. he leans in and bites your lip with his sharp canines, “shut up.”

that raspy whisper alone confirms your assumption. you giggle at his attempt of refuting your point. you’re used to all those intimidating words and actions he pulls to get you to stop your teasing.

those empty threats—it’s becoming rather cute with how hard he tries to deny everything. he fails nearly every time, however.

“come,” sukuna lays back against the pillows after placing a quick and sloppy kiss against your lips. he pulls your body against his and presses your head against his chest, right where his heart is beating, “continue with your.. ‘cuddling’ thing.”

he put your ear right above his heart, because he remembers listening to his heartbeat calms you down. you told him that a while back. sukuna doesn’t understand why you like it, but his fingers massage your scalp either way.

that’s also something that brings you comfort.

you’re surprised by how much he knows about you, but appreciate it anyway. he remembers both the big and small things about you. ‘that’s how he probably shows his love,’ you conclude silently.

[araneitela]

Character, connections, and verses: (2/2)

[fairuzfan]

the reason i shared my great-grandmother's story on here a few months ago is not for sympathy or anything, its to illustrate to you just how deeply, deeply anti-Palestinian the idea of zionism is.

i remember my grandmother, the one who watched her mother die in her home, she called us with a plain tone of voice, and she said "she asked to be buried in [her village] but of course the the zionists wouldn't let that happen." the thing that will not leave my head was the way my grandmother said it, the way it just seemed so natural and so obvious to her. my grandmother is *not* a quiet woman, she yells everything she ever says, whether happy or sad but this she said softly. like she was resigned to this, she expected this.

this woman was exiled once from her village, then again from Palestine, then again and again and again and eventually forced to live in poverty in a refugee camp, she knows the 'israeli' state more intimately than anyone i know, she knows what it will and won't allow in its genocidal apparatus and to her it was obvious that they would not respect her mother's body or last wishes. she knew that.

and i always go back to it when i see discussions on here or on twitter or in academia, like you guys (the moderates, the apologists) have never ever spoken to a nakba survivor or a naksa survivor. you don't know just how deeply its affected our families.

so when we ask you to completely reject zionism, when we demand it from allies, we aren't saying this to be stubborn or nonsensical, we're saying it because we know where zionism will lead us. we've been through the "we just want peace" and the "we need to just talk it out" phases already, how can you not think we've been through those phases after 75 years. we've had our meet and greets and our appeals and now we're at literally the worst stage of genocide against our people and you're still insisting on "talking it out" or some variation of it.

the truth of the matter is that we don't have patience for zionism anymore because look where it got us. look where we're at. even soft zionists, you need to stamp those people out from pretending they've got good points, or that you need to build community with them or whatever. we are literally at the worst part of Palestinian history ever, we need to stop pretending there are grey zones to this. Zionist apologists and the like are creating ambiguity that literally gets our families killed under the guise of "complication". I'm sick and tired of watching these same discussions over and over again about how "Israel is a result of antisemitism" when it very much is not. I'm sick of seeing people who know NOTHING about colonization push their own agendas and provide cover for zionists to do whatever they want. Just stop talking about things you don't understand because I promise you, you're directly contributing to the violence you claim to abhor.

[moonlight-prose]

“please don’t make me say it if you aren’t going to say it back” with a desperately in love with joel reader would hit so much…

weaved around your finger like yarn

a/n: me writing for joel again?? this has sat in my inbox for over a year and i never meant to actually take this long with it. but i finally figured out how to write this concept. and now i am actually obsessed with the small world of softness i created for these two. this is yes jackson joel, but nothing bad happens ever to him because why would it? it's all fine right?

summary: he never made space in his life for love in the aftermath of destruction. the after of his life he once thought would extend past decades of gray hair, smile lines carved in around his mouth now set in frowns and sneers. but snowfall and alcohol blur the lines for both of you when winter comes to jackson.

word count: 1.6k+

pairing: joel miller x reader

warnings: not explicit, love confessions, heavy makeout sessions, alcohol consumption, tipsy joel, sad joel, laughter at the end of the world, hope.

He can't remember laughing until his stomach hurt. The ache that spilled into his chest, warming his insides with a sun like quality that left him shivering. He can't recall the feel of his cheeks pulled so wide the sensation became a phantom pain seconds after. He knows it happened. He can distinctly recall the jokes, the joy. But the laughter lingers like a ghost at the back of his mind—translucent and gray and distorted enough to feel false.

Alcohol simmers in his stomach with a rueful intent. A malignant aftermath that would hit him in a few hours after two months of attempted sobriety. Ellie insisted, he accepted. Easy enough to say. Difficult to follow through with.

He had his days where whiskey sounded better than the flavor of bacon Tommy would bring him in the early mornings. But the dismay in your eyes helped him hold off, regain his awareness of a world not yet shattered. For once in quite a long time...he finally lived. For you, for Ellie, for Sarah.

He lived to see his hair grow longer and the grays appear more frequently. To drink coffee in the mornings on a porch you were already settled on. To help you fix small things here and there in your cabin next door. He lived for your smile, the light in your eyes. The curve of your lips as they pulled up into bolstering peals of laughter—the furrow in your brow as you frowned from endless frustrations on long hard days.

Joel Miller lived to love you.

He existed to dig his heels in and wait shit out—it's what he was good at, what he knew how to do. But for you he relented quicker than ice on a hot asphalt driveway back home in Texas. His mind became sand that slipped through your giving hands—heart a fluttering mess that sang a tune he could never get right on the guitar stashed in his living room.

Days bloomed into weeks which grew into months. Eventually a year passed and what used to be difficult and awkward to be around people again, felt like breathing the fresh winter air. The jackets he managed to find hung on hooks by the door, a pair of heavy boots beside the small table Tommy crafted him.

The mornings were nice. When hot water hit ground coffee and the aroma plagued his kitchen for hours at a time. The evenings called you towards him—simple cooking skills shared in the confines of a home he pined for you to reside in.

Life was a sliver of peace he never imagined he'd get again. But the hole in his heart never faded, the pain still rang out sharp enough to have him clamping down on the inside of his cheek. And your smile made his stomach ache with a longing deep enough to scar.

Tommy told him to buck up and do something. Ellie called him a fucking idiot.

You...gave no indication you felt the same way. So silent and reserved he would remain.

Your feet slid on icy, fingers gripping tightly to his jacket with a yelp in a quick attempt to save yourself from slamming to the ground. Joel snickered loud and brash and a wash of embarrassment burned under frozen cheeks. Dragging you up, his arm looped tightly around your waist—hand pressed harsh and insistent to the small of your back. You swallowed the butterflies at the sight of his face flushed red—eyes shining from the effect of too much whiskey.

"We were bad tonight," you muttered, breath forming a cloud between your faces.

He grinned—skin buzzing at the close proximity of your form. "Only a little bit."

"You're not supposed to drink Joel."

Leaning in he traded his smile like a secret; you tucked it into your chest with a sharp breath. "I won't tell if you don't, darlin'."

"Joel..."

"C'mon. No one's gettin' in trouble here."

A blade pierced your heart brutally—spilling crimson along pale white snow. Even as Joel remained entirely unaware of how you clung to him. How your body called his name—your mind plagued with thoughts of his being, with images of his smile, with the sound of his raspy voice. He'd never know the way you cherished each moment with him. The mornings tucked away from an unruly world—the nights shared between friends who might one day be more.

Your teeth scraped along the cracked skin of your bottom lip, eyes cast up to the curl of his lips. The words sprang forth faster than you could drag them back. Your chest of secrets unlocked and bared to the man who drowned you in his small flecks of joy. Later you'd blame the alcohol. When the headache ravaged your head and an ache lingered between your thighs.

Later you'd comb over every small glance and breathy word.

"I like spending time with you Joel," you breathed, fingers toying with the front of his leather coat. "I like...um..."

The breath caught in his throat, gaze desperate to catch yours. "Yeah sugar?"

"It's a hard thing to say." Another cloud of your whiskey tinged breath filled the air.

"You can tell me anythin'. You know that right?" Even as hope flared bright and scorching through the width of his chest. "I'll listen."

Hesitation spilled into the night, your voice a soft whisper he barely caught. "Please don't make me say it if you aren't going to say it back."

Oh didn't you know?

Did you not see how his gaze dug beneath the layers of flesh and bone, of tendons and veins that clung to your form? Did you not understand he would take a bullet for you? That he'd bear the wound of a warrior's death to keep you alive? How could you not know that his love stuck to his tongue with a saccharine bitterness he swallowed down like the drugs he once took to numb his mind?

You healed pieces of his soul you never broke. A marred and fucked puzzle that was meant to find a home six feet underground. By his own hand no less. He was destined to die—born to suffer—yet you swathed him wool with the promise of a peaceful life.

A future etched by the hands of love.

"Say it," he pleaded, frozen hand cupping your cheek.

"It's more than just that." The breath you took shot adrenaline down his spine. "I like our mornings. I like our dinners and conversation. And even when you come into town with me. But I...I love..."

The glossy nature of your eyes created by unshed tears that pooled at your waterline dug the knife deep enough to meld it within his heart. You didn't know. You couldn't have. His silence, his hesitation, swallowed every emotion he might have told you—every secret uttered in the shadows of night that told only half his story.

He told you about Sarah. About their life together, about her smile. That in itself felt like a proclamation of love—a key to the heart he thought stopped beating long ago.

"I knew it would freak you out," you muttered, pulling away from his hold.

Only for him to panic. His hand gripped the back of your jacket, pushing you towards him hard enough for your feet to slip again. But your gasp was swallowed by the cold press of his mouth to yours. Lips chapped by the winter air slid against your parted mouth as you froze against his chest. Your hands hung listlessly at your sides. He kissed you tenderly, attempting to wake you from the spell of shock, but to no avail did it bring you back.

"'M sorry." His words were muffled against your chin, forehead pressed to yours and eyes squeezed shut. "I shouldn't have–"

The press of your fingers into his cheeks jolted him back—eyes wide as you dragged him back with a stifled moan. Your mouth found his tongue hot and wet along his bottom lip in a pleading motion he complied to instantly. Stepping forward he fell into you with a deep groan. One that echoed and vibrated right down to your stomach—one you savored with a lick along his back teeth.

Hands cupped your ass with an insistent need to mold you closer, fingers digging into the plush flesh he longed to bite and taste. You tasted like whiskey. You smelled like him. It made him dizzy with want, anxious to lead you back to his porch—to seat you on his kitchen counter in the mornings while the coffee went cold.

"Fuck I wanna take ya home sugar," he grunted, biting at your lower lip with a grin.

Your breathless reply made the hair stand on the back of his neck. "You can."

"No." He shook his head, stealing another kiss with a gritty moan. "Not tonight. 'M gonna do this proper."

"Proper," you smiled, tugging on the longer curls you refused to let him cut. "You're such an old man Miller."

The large breadth of his hand cupped your chin, pushing the cheeks he lightly bit into together. "Won't be sayin' that tomorrow when I ain't got all this fuckin' alcohol in me."

"Yeah?" The droop of your eyelids—the darkened iris now filled with lust—set his teeth on edge. His body hummed with a new buzz he craved since meeting you. "Prove it."

"Oh I will." He grinned sharply, licking his teeth like a wolf waiting to pounce. "Don't you worry 'bout that."

A glimmer in your eyes caught his attention, the grip on your face loosening. "You know I love you right darlin'?"

You smiled—big and bright—and Joel felt another piece of his soul set back into place. "I love you too Joel."

[gurorori]

i will talk ab source. part 1 is prolly childhood? I REACHED TAG LIMIT

[cornfieldsrambles]

YOU HAVE PERMISSION TO INFODUMP PLEASE TELL ME ABOUT WIGGLY'S SIBLINGS???? THAT HE APPARENTLY HAS????

omg ok SO

Meet the Lords in Black. Charming, aren't they?

Yes, Wiggly does indeed have four brothers who all do different things, so I'll cover them one by one, in order of introduction (since we've already met each of them in Nightmare Time at least once). BTW Nightmare Time has a fuckton of lore in it that I won't go into here, so even though I am about to spoil significant parts of it for you, I do recommend watching it, it's really good and if there's enough interest they might make a third one!

(Also you might notice they're all in doll form in this picture. This is how we knew them up until NPMD introduced us to what I call their Tumblr sexyman forms. Which are rad as hell by the way.)

So you already know Wiggly. That little green fucker, Wiggog Y'Wrath, the Capitalist Cthulu who does uwu-speak and starts a cult by invading people's minds. This will become a bit of a reoccurring theme with these guys. He's also the only one to successfully start an apocalypse, and the only one to have attempted to birth himself into our reality. (Or is he? We'll get to that...) He does seem to have some kind of dominion over the other LiB, as whenever all five of them show up there's always emphasis placed on him, like in NPMD where he does most of the talking while his siblings occasionally butt in.

Now for Bliklotep. Blinky seems to have slightly lower-scale ambitions than Wiggly, but don't let that fool you. Eyeball Boi is still incredibly dangerous. He runs an amusement park, WatcherWorld, deep within the Hatchetfield Witchwood. But it's not for the amusement of the patrons. Oh no. It's for Blinky's own amusement. Once you step inside, every insecurity, every shred of potential conflict will be ripped to the forefront, turning people against each other to the point of trying to kill each other until he's fully infected their minds. It's implied that, if not all, but a significant chunk of the workers at WatcherWorld were once patrons before having their minds taken over by Blinky. He's also implied to be the thing in Trail To Oregon that Jack Bauer sees during his venom-induced hallucination, as Blinky is referred to as "The Watcher With 1,000 Eyes", which is exactly what JB says he sees? Making Blinky the only LiB to induce a Starkid crossover. My headcanon is that the Dikrats founded Hatchetfield. But regardless.

Next up on the roster is Tinky. T'noy Karaxis, the Time Bastard. You may be wondering about that one line in NPMD where he recognised Pete as a Spankoffski, and said he "could have the whole set in his toybox". Has Tinky gone after Pete's relatives?

Well. Um. You know Ted, right? Yeah, his name is Spankoffski. He's Pete's big brother. We actually got the surname reveal before the brother reveal, lol. And that's not the only reveal we got about Ted. Our boy Teddy Bear has this whole entire tragic backstory and it turns out he gets fucked over in literally every timeline! Isn't that fun?

So, to summarise an entire episode: Tinky makes travel fuckery happen, Ted wants to go back in time to fix his life, accidentally goes back to before the time machine was created and gets stuck in the past, literally. Tinky is watching and laughing at the whole thing, then shows up to blow Ted's brain to smithereens with his weird little magic box, the Bastard's Box, where he stores all the people he toys with. Anyway Ted eventually catches up with the present by aging, except now no one knows who he is, he's... actually I won't spoil that. But once he dies he ends up eternally trapped and tortured in the Bastard's Box. Yaaay.

Fast forward to Nightmare Time 2 and we get introduced to Nibbly, in possibly the most unexpected way imaginable. He's revealed to have been behind a whole episode literally right at the end of said episode, and even though it was kind of foreshadowed, it hits you like a freight train in the best way. Remember when I said Wiggly was the only one who tried to birth himself into reality? That was kind of a lie. Nibblenephim can sort of do that anyway. Every year, he can possess a bunch of carcasses and create a living form to walk the earth for one night. He also has a cult of followers who provide him with the carcasses, as well as a sacrifice to feed on. There's a little more to it, specifically with how the sacrifice is chosen, but again, I'm trying to spoil as little as possible. Go watch Nightmare Time. Nibbly also seems to have a "pig" motif, and his theme song, The Nibbly Ditty, is a banger, easily my favourite of the three LiB theme songs we've heard so far.

And finally, we are introduced to Pokotho, in the very last episode of NMT2.

Except no. We were formally introduced to Pokey there, yes, but we've seen his apocalypse already. Long before NPMD, before Nightmare Time, even before Black Friday.

Yeah, remember me saying that Wiggly was the only one to successfully start an apocalypse? That was also a lie! Pokey already did that, and he did it without ever showing his masked face. Remember The Guy Who Didn't Like Musicals? The blue spores that came down in a meteor and turned everyone into singing zombies? That was Pokey's doing! That's his blue spores! That's his apocalypse!

This also provides an explanation for why blowing up the meteor didn't work. Emma and Hidgens were right about the hivemind thing, but wrong about the location of the central brain. It wasn't the meteor - the meteor was just the vessel which carried the spores to Earth. The central brain was sitting safely up in the Black and White, laughing as Paul blew himself to smithereens. The central brain was Pokey, the Singular Voice, the most uncompromising of his brothers. The one who hates every voice that is not his own, hence the hivemind and making all of his zombies speak in HIS voice.

Anyway in NMT2 he's happily collecting musical zombies by taking on a human form and infiltrating a fighting ring of superpowered children until he has enough to kickstart another apocalypse. (Don't question it, we're almost done). He also calls himself Otho, not Pokey, making him the only LiB to have two different abbreviations of his name. Hannah is also there (remember her? Lex's little sister?) and she is like incredibly important to this whole thing, she has a super powerful mind, but that's a whole other thing.

But I did mention Hannah for a reason. Because you said "Wiggly's SIBLINGS". And while the Lords in Black are always referred to as brothers, they do have one more sibling. A sister. A Queen in White. And her name is Webby.

Yep, Hannah's imaginary friend isn't imaginary, who could have guessed? She's benevolent, always trying her best to combat her brothers' antics, but given that there's one of her and five of them, this is a bit of an uphill battle. Webby doesn't have a full name that we know of, nor does she have a doll. We don't know much about her. And she may not be all-powerful - but then again, neither are her brothers.

Infodump concluded. Hope this helps, it was very fun to write.