#Events at India Islamic Cultural Centre

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Religious Tourism: Exploring Sacred Sites Around the World

Religious tourism, also known as faith tourism, attracts millions of travellers each year to destinations steeped in spiritual significance. These journeys are not just about sightseeing; they offer pilgrims and travellers a chance to connect deeply with their faith, culture, and history. Here is a look at some of the world’s most revered religious tourism sites, showcasing their cultural and spiritual importance.

Mecca, Saudi Arabia

Mecca is the holiest city in Islam and the birthplace of the Prophet Muhammad. Every year, millions of Muslims participate in the Hajj pilgrimage, fulfilling one of the Five Pillars of Islam. The Kaaba, located in the Masjid al-Haram mosque, is the focal point of Islamic worship and prayer. Visiting Mecca is a once-in-a-lifetime obligation for all able-bodied Muslims who can afford the journey.

The Vatican City, Rome, Italy

As the heart of the Roman Catholic Church, the Vatican City is a major pilgrimage destination. Home to St. Peter’s Basilica, the Sistine Chapel, and the Vatican Museums, it offers both spiritual enrichment and artistic inspiration. The Pope’s public appearances and blessings attract pilgrims from around the globe.

Varanasi, India

One of the oldest continuously inhabited cities in the world, Varanasi holds immense spiritual significance for Hindus. Located on the banks of the Ganges River, it is believed to be a gateway to liberation from the cycle of life and death. The city’s ghats, such as Dashashwamedh and Manikarnika, are centers for prayers, rituals, and cremations.

Jerusalem, Israel

Jerusalem is a sacred city for Judaism, Christianity, and Islam. Sites like the Western Wall, the Church of the Holy Sepulchre, and the Dome of the Rock attract millions of visitors annually. The city’s rich history and religious diversity make it a unique spiritual hub.

Lumbini, Nepal

Lumbini is the birthplace of Siddhartha Gautama, who became the Buddha. It is one of the most important pilgrimage sites for Buddhists. The Maya Devi Temple, monastic zones, and Ashokan Pillar draw visitors seeking peace and enlightenment.

Bodh Gaya, India

Another prominent Buddhist site, Bodh Gaya is where Buddha attained enlightenment under the Bodhi Tree. The Mahabodhi Temple complex is a UNESCO World Heritage site and a magnet for devotees and spiritual seekers.

Kashi Vishwanath Temple, India

Dedicated to Lord Shiva, this temple in Varanasi is one of the most famous Hindu shrines. Its spiritual ambiance and rituals attract millions of devotees, especially during the Maha Shivaratri festival.

Mount Kailash, Tibet

Mount Kailash is sacred to Hindus, Buddhists, Jains, and Bon adherents. Pilgrims undertake the challenging circumambulation (kora) around the mountain, believed to bring spiritual purification and enlightenment.

Canterbury, England

The Canterbury Cathedral is a key site in Christian pilgrimage history, famously connected to Saint Thomas Becket. Chaucer’s Canterbury Tales immortalized the tradition of pilgrimage to this historic English city.

Medjugorje, Bosnia and Herzegovina

Known for the reported apparitions of the Virgin Mary since 1981, Medjugorje has become a spiritual destination for Catholics. Pilgrims visit to experience its prayerful atmosphere and participate in religious events.

Shwedagon Pagoda, Myanmar

The Shwedagon Pagoda is one of Buddhism’s most sacred sites, housing relics of four Buddhas. The golden stupa dominates Yangon’s skyline and is a centre for meditation and religious ceremonies.

Amritsar, India

The Golden Temple, also known as Harmandir Sahib, is the holiest site in Sikhism. Its stunning golden architecture, serene Amrit Sarovar (holy pool), and the daily langar (community meal) embody the principles of equality and service.

Conclusion

Religious tourism offers an opportunity to explore humanity’s diverse spiritual heritage. Whether seeking personal enlightenment, cultural understanding, or historical insight, these sacred sites provide profound experiences that transcend borders and beliefs. As you plan your next journey, consider the spiritual and cultural treasures these destinations have to offer.

Get your reservations here:

[marwahstudios]

S.K. Musical Sensation Honors Dr. Sandeep Marwah for Promoting Young Talent

New Delhi: S.K. Musical Sensation organized the prestigious Singing Pride of India award ceremony at the India Islamic Cultural Centre, New Delhi. This event served as a platform for budding young singers to showcase their talents on stage, celebrating their musical journey.

The event was organized by Daksh Goel and Samar Khan, who took the opportunity to present an award to Dr. Sandeep Marwah. Dr. Marwah, a highly respected figure in the media and entertainment industry, was recognized for his outstanding contributions to nurturing young talent through various platforms, including Radio Noida 107.4 FM, as well as his work in television programs, and numerous events hosted at his own venues.

In addition to his efforts in promoting young talents, Dr. Sandeep Marwah is the esteemed President of the AAFT School of Music and the Asian Academy of Arts. He is associated with several professional and voluntary organizations dedicated to promoting Indian classical and light music, further strengthening his role as a cultural ambassador for India.

This award highlights Dr. Marwah’s enduring commitment to the development of young artists and his continuous support for preserving India’s rich musical heritage.

[radhiyafurat]

A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites

Explore the most famous mosques, temples, and historical places in Malaysia as you go on an amazing journey that reveals the rich weave of country's past. Trip offers an in-depth exploration of Malaysia's many spiritual and historical landscapes, from complex beauty of Batu Caves and the peaceful elegance of Masjid Jamek to the intriguing historical passageways of George Town and Malacca. Take in the vivid customs and architectural wonders that exemplify the nation's multiculturalism and provide you a deep understanding of its spiritual and historical heritage. 

Whether you're looking for peaceful beaches, vibrant cityscapes, or lush rainforests, Malaysia tour packages provide an exciting assortment of activities suited to fit every traveller's interest when organising your ideal holiday. With Malaysia holiday packages, you may discover rich history and culture of the nation, which includes imposing temples, storied mosques, lively marketplaces, and unspoiled natural areas. These packages frequently consist of lodging, guided tours, and carefully chosen activities that guarantee smooth and enriching trip to some of Malaysia's most attractive locations. Accept the ease and thrill of professionally crafted vacation packages and lose yourself in the singular wonders that Malaysia has to offer. 

Here are A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites: 

Temples 

Batu Caves (Kuala Lumpur): 

Located not far from Kuala Lumpur are the limestone caves and cave temples known as Batu Caves. Dedicated to Lord Murugan, it is one of the most well-known Hindu shrines outside of India. One of the tallest statues of a Hindu deity in the world, at 140 feet tall, is located at this location and is dedicated to Lord Murugan. Climbers can reach the Temple Cave, which has a beautiful perspective of the city and various Hindu sites, by ascending its 272 stairs. Held every year, the Thaipusam festival attracts thousands of tourists and religious alike. 

Thean Hou Temple (Kuala Lumpur): 

The famous six-tiered Thean Hou Temple in China is devoted to the Heavenly Mother, Thean Hou, who is said to guard fisherman. Situated atop a hill, the temple offers an expansive view of Kuala Lumpur. Its architecture, which combines traditional and modern elements, is characterised by elaborate paintings, statues of deities, and elaborate carvings. The temple complex serves as a centre for social and cultural events and has a tortoise pond, a Chinese medicinal herb garden, and a marriage registration office. 

Kek Lok Si Temple (Penang): 

The greatest Buddhist temple in Malaysia is Kek Lok Si Temple, also referred to as the Temple of Supreme Bliss. This expansive complex, which is situated in Air Itam, Penang, is made up of carefully designed gardens, prayer rooms, and temples. The seven-story Pagoda of Ten Thousand Buddhas, which combines Thai, Burmese, and Chinese architectural styles, is the temple's most identifiable feature. The majestic 99-foot statue of Kuan Yin, the Goddess of Mercy, is another focal point. Thousands of lights flood the entire temple during Kek Lok Si's amazing yearly Chinese New Year celebrations. 

Mosques 

Masjid Negara (National Mosque, Kuala Lumpur): 

Malaysia's national mosque, Masjid Negara, represents the nation's Islamic past. Completed in 1965, the mosque's modernist architecture includes a 240-foot minaret and a unique 18-point star-shaped dome. Up to 15,000 worshippers can fit in the main prayer hall, which is flanked by lovely fountains and reflecting pools. The 13 acres of gardens around the mosque create a calm environment for prayer and introspection. Outside of prayer times, non-Muslim visitors are welcome to view the mosque; robes are available for those who require them. 

Masjid Putra (Putrajaya): 

One of Malaysia's most gorgeous mosques is Masjid Putra, also referred to as the Pink Mosque. The mosque, which is housed in the Putrajaya planned city, has a pink dome made of rose-colored granite. It has one of the tallest minarets in the area, standing at 380 feet, and can hold up to 15,000 worshippers at once. The mosque's interior is decorated with geometric patterns and beautiful Islamic calligraphy, while its exterior combines traditional Malay and Middle Eastern architectural elements. The mosque offers incredible views and peaceful surroundings next to Putrajaya Lake. 

Masjid Zahir (Alor Setar): 

Constructed in 1912, Masjid Zahir is among the oldest and most luxurious mosques in Malaysia. Situated at the centre of Alor Setar, Kedah, this mosque is well-known for its beautiful design with a Moorish influence. The central black dome of the main prayer hall is crowned by five huge domes that represent the five pillars of Islam. The interior of the mosque is as amazing, with beautifully carved oak doors, stained glass windows, and chandeliers. Masjid Zahir is the centre of the local Muslim community and the venue for a variety of religious activities. 

Historical Sites 

Malacca (Melaka) Historical City: 

A UNESCO World Heritage Site, Malacca is a city rich in colonial beauty and history. Being one of Malaysia's oldest towns, it was a major commercial port that was influenced by the British, Portuguese, and Dutch. Important historical landmarks include Christ Church, a 1753 Dutch Reformed church; St. Paul's Hill, which provides sweeping views of the city; and the ruins of the A Famosa fort, a Portuguese bastion from the sixteenth century. The lively Jonker Street, which showcases Malacca's diverse past, is well-known for its antique stores, night market, and mouthwatering street cuisine. 

George Town (Penang): 

Another UNESCO World Heritage Site, George Town is the capital city of Penang and is known for its diverse range of cultures and exquisitely preserved colonial architecture. Indian temples, Chinese shop houses, and British colonial architecture coexist in the city's historic centre. The Khoo Kongsi clan mansion, which displays fine Chinese architecture and craftsmanship, the magnificently restored Cheong Fatt Tze Mansion, commonly known as the Blue Mansion, and the colourful street art that covers the city's walls are among the notable attractions. The varied food scene of George Town is a reflection of its multicultural background. 

Sultan Abdul Samad Building (Kuala Lumpur): 

A famous landmark in Kuala Lumpur, the Sultan Abdul Samad Building is situated in front of Merdeka Square. Constructed in 1897, the building currently houses the Ministry of Communications and Multimedia and functioned as the administrative hub for the British colonial administration. Its beautiful Moorish-style design includes copper domes, arched colonnades, and a clock tower. The building is a well-liked location for photos since it looks particularly beautiful at night. The structure is situated in Merdeka Square, which has a rich history as the location of Malaysia's 1957 independence declaration. 

Bujang Valley (Kedah): 

The state of Kedah is home to the important archaeological site Bujang Valley, which offers proof of Malaysia's prehistoric Hindu-Buddhist culture. The location is home to the remnants of historic temples known as candi, which date back to the early centuries AD. Artefacts from the region's past as a commerce hub, including ceramics, beads, and stone inscriptions, are housed in the Bujang Valley Archaeological Museum. The valley's beautiful surroundings, including its river and rich vegetation, increase its allure as a travel destination for both history buffs and environmentalists. 

Conclusion: 

More than just a trip through impressive structures, a cultural tour of Malaysia's temples, mosques, and historical sites offers an instructive look into the country's rich cultural and spiritual history. Every location provides a different perspective on Malaysia's rich history and diverse identity, from the imposing mosques serving as symbols of unification to the amazing temples secluded away in beautiful settings. As you ponder over the exquisite craftsmanship, timeless customs, and interesting past you have seen during your travels, you will come to understand Malaysia's dual function as a historical landmark and a melting pot of cultures. 

[aneetasingh]

Gets Holiday India Tour's 3-Day Golden Triangle Tour

With the help of Gets Holiday India Tour's 3-Day Golden Triangle Tour, have a captivating trip across India's Golden Triangle. The goal of this condensed yet thorough trip is to highlight the vivid cultures, lengthy histories, and stunning architectural features of Delhi, Agra, and Jaipur—three of India's most famous cities. This tour promises a fascinating experience of India's rich history and colorful present, from the majestic forts and palaces of the Rajput monarchs to the architectural wonders of the Mughal era.

Day 1: Delhi's Historic Charm

Examining the Heritage of Delhi

The voyage begins in Delhi, the nation's capital, where modernity and ancient history mix. The day is devoted to touring important sites, such as the imposing Red Fort, the tranquil Jama Masjid, and the busy Chandni Chowk streets, where one can take a rickshaw ride. The trip continues to the Parliament House, which displays the city's colonial past, and the India Gate, a war memorial. A visit to Qutub Minar, a UNESCO World Heritage Site that represents the architectural genius of Islam, rounds up the day.

Day 2: The Mughal Magnificence of Agra

Seeing the Taj Mahal in the morning

The famous Taj Mahal is located in Agra, which is reached by early morning drive. Seeing the sun rising over this symbol of love is an event that comes only once in a lifetime. After seeing the Taj Mahal, the Agra Fort—another UNESCO World Heritage Site—unveils, via its magnificent architecture, the regal lifestyle of the Mughal emperors.

Examining the Craftsmanship of Agra

Along with providing an insight into Agra's rich history of craftsmanship, the tour includes visits to local markets that showcase renowned leather items, marble inlay work, and the sweet treat known as Petha.

Day 3: The Royal Legacy of Jaipur

City Palace and Amber Fort

The tour's last stop is Jaipur, often known as the Pink City, which is well-known for its magnificent forts and mansions. The trip starts with a visit to the Amber Fort, a magnificent illustration of Rajput building. After that, the museums and courtyards of the City Palace in the centre of Jaipur provide insights into the royal legacy.

Hawa Mahal and Jantar Mantar

A trip to the Jantar Mantar observatory demonstrates the Rajput monarchs' scientific prowess, and a photo opportunity abounds with the famed Hawa Mahal (Palace of Winds) façade.

Going back to Delhi

The journey return to Delhi marks the end of the Golden Triangle tour, leaving travelers with enduring impressions of India's natural beauty and cultural treasures.

Why Opt for India's Gets Holiday Tour?

Professional Advice

Go with knowledgeable guides who will not only explain the historical significance of each location but also fully immerse you in the local way of life.

Convenience and Comfort

Take advantage of luxurious transportation and well thought-out itineraries that guarantee you see the most of the Golden Triangle in just three days.

Adaptable Experience

The schedule is flexible with Gets Holiday India Tour, enabling changes based on individual interests and preferences.

In summary

Gets Holiday India Tour's 3-day Golden Triangle Tour is the ideal way to experience India's opulent architecture, rich history, and dynamic culture. It promises an amazing excursion into the heart of India in addition to a trip to the well-known cities of Delhi, Agra, and Jaipur.

FAQs

Which season is ideal for taking the Golden Triangle Tour? Does the tour package include monument entrance fees? Is it possible to meet dietary requirements while on the tour? Regarding the Golden Triangle Tour, what should I bring? How do I make a reservation for Gets Holiday India Tour's 3-day Golden Triangle Tour? With Gets Holiday India Tour, where every journey is meticulously and passionately planned, you can truly experience the spirit of India's rich history and culture.

Click here to get access now: https://getsholidayindiatour.com/golden-triangle-tour-3-days/

3 Days Golden Triangle Tour

Overview

 Skip The Line

 Duration: 2 N/3 D

 Free cancellation

 Instant Confirmation

 Private Tour

3 Days Golden Triangle Tour is the ideal way to experience India’s Rich culture and heritage in a short span of time. The tour kicks off with a visit to the iconic attractions of Delhi, including the Red Fort, India Gate, Jama Masjid, and Humayun’s Tomb. After taking in the sights of Delhi, the tour continues to Agra, home to the iconic Taj Mahal and Agra Fort. The tour then moves on to Jaipur, the “Pink City” of India, where you can explore the grand Amber Fort and the unique Hawa Mahal.

Itinerary

Day 1 - Pick-Up in Delhi, Old and New Sightseeing, Drive to Agra.

Day 2 - Agra Sightseeing Tour and Drive to Jaipur.

Day 3 - Jaipur Sightseeing Tour and Drive back to Delhi.

What's Included

Inclusions

Air conditioned chauffeur driven private car

Pick up and Drop

Story teller tour guide

All toll taxes, parking fee, camera fee

Lunch at a restaurant

Monument tickets

Exclusions

Gratuties

Any sort of drinks

personal expense

[enroutetravels]

 Best Tour And Travels In Delhi

Introduction:

Delhi, the heart and soul of India, stands as a testament to the nation's rich history and cultural diversity. A city that seamlessly blends the old with the new, Delhi is a treasure trove for travelers seeking a captivating journey through time. From ancient monuments to bustling markets, from vibrant festivals to delectable street food, a tour of Delhi promises an immersive experience that leaves an indelible mark on every visitor.

Historical Marvels:

Delhi, with its historical significance, boasts a plethora of architectural wonders that narrate tales of bygone eras. The UNESCO World Heritage Site, Qutub Minar, stands tall as an emblem of Indo-Islamic architecture. Built in the 12th century, this towering minaret is surrounded by lush gardens and ancient ruins, offering a mesmerizing glimpse into Delhi's past.

The Red Fort, another UNESCO World Heritage Site, is a majestic fort that served as the main residence for Mughal emperors for nearly 200 years. The intricate carvings, sprawling courtyards, and the iconic Lahori Gate make it a must-visit destination for history enthusiasts.

India Gate, a war memorial built in honor of the soldiers who sacrificed their lives during World War I, stands proudly at the heart of Delhi. Surrounded by lush lawns, it serves as a popular spot for both locals and tourists to unwind and reflect.

Cultural Extravaganza:

Delhi's cultural diversity is best experienced through its myriad festivals, art exhibitions, and performances. The Dilli Haat, a cultural hub, brings together artisans from across India, offering a vibrant tapestry of handicrafts, traditional clothing, and mouthwatering cuisine. The annual Surajkund Crafts Mela is a celebration of India's diverse crafts and traditions, attracting artists and visitors from around the world.

For art enthusiasts, the National Gallery of Modern Art showcases a rich collection of contemporary and modern Indian art. The iconic India Habitat Centre hosts regular cultural events, including dance performances, music concerts, and literary festivals, providing a platform for artists to showcase their talents.

Culinary Delights:

Delhi's gastronomic landscape is a testament to the city's eclectic mix of cultures. Chandni Chowk, one of the oldest and busiest markets in Old Delhi, is a paradise for food lovers. From the spicy delights of Paranthe Wali Gali to the sweet aroma of jalebis at Old Famous Jalebi Wala, this bustling market offers a gastronomic journey like no other.

Karim's, located near Jama Masjid, is renowned for its Mughlai cuisine. The succulent kebabs and aromatic biryanis served here transport diners to the royal kitchens of the Mughal era. Connaught Place, with its array of cafes and restaurants, caters to diverse palates, offering everything from international cuisines to local street food.

Modern Marvels:

Delhi's modern skyline is a reflection of its rapid development and global influence. The Lotus Temple, a Bahá'í House of Worship, is a stunning architectural marvel with its lotus-shaped structure. This serene temple welcomes people from all walks of life, promoting the unity of diverse religions and cultures.

The Akshardham Temple, dedicated to Swaminarayan, is a sprawling complex showcasing the rich heritage of Indian culture. The intricately carved walls, the stunning water show, and the enlightening exhibitions make it a must-visit destination for spiritual seekers and architecture enthusiasts alike.

Conclusion:

Delhi, with its kaleidoscope of history, culture, and modernity, offers a unique and enriching experience for every traveler. From the ancient wonders that narrate tales of empires to the vibrant markets that showcase India's diversity, the city is a captivating destination that beckons explorers from around the world. A tour of Delhi is not just a journey through geographical landmarks; it is an odyssey through time, a celebration of culture, and an exploration of the soul of India.

Any Other Information Related To Travel

Contact - 9700649700

Website -https://www.enroute.travel/delhi-tour-packege.html

[tresmanciasconsultancy]

Art & Mancias

Jantar Mantar in India

Built at a high scale during the late Moghul age in India, they include two measurement systems to calculate the positions of celestial objects.

“Jantar” comes from the Sanskrit word yantra and means “instrument”, Mantar from mantra and means “formula”, and both words literally mean “instrument to calculate”. It is the name of three of a group of five stellar observatories in India, built by the order of prince Jai Singh II between 1724 and 1738, at the end of the Moghul Empire period.

They are high-scale instruments and were used to compare their observations and time measurements, predicting eclipses and other events with great accuracy and only 2 secs of difference! Besides, the observations added a 1018 star catalogue to the Islamic astronomical tables of Zij.

They are located in the N and NW areas of the country, and the largest one in Jaipur (the capital city of Jai Singh’s empire). The East is the West for Western cultures, the North is the Western South, and the observatories are aligned to the Earth’s polar coordinates in such a way that the shadows projected by some of the instruments allow measuring the positions of celestial objects.

The instruments are fixed on the ground and built with wood, lime, stone and metal although they are not styled with the expected adornments of the usual Indian architecture. Besides, each one of them has its own calibration system (height or ecliptic system), and some of them even allow us to choose the reference to use!

To understand better their functionalities, the observatories have to be visited in daylight (to see the shadows) and be considered as groups of instruments providing calculations that complement each other. Some of them we may find in Jaipur are:

The Great Samrat Yantra, the world's biggest triangle-shaped sundial with two quadrants at both sides where the hypotenuse casts a shadow. Markers on the quadrants allow measuring time throughout the day. We can take notes every 6 hours, 15 minutes, 1 minute, 6 seconds and 2 seconds.

Left: Eastern quadrant with the hypotenuse’s shadow in the Great Samrat Yantra in Jaipur (India). Right: perimeter of one of the quadrants with markers to measure time.

The design of the Great Samrat has been used as a model for building another group of instruments, the Rashi Vayala Yantras, which are meant to calculate the height and longitude of celestial objects when they are in a specific sign of the Zodiac. They are 12 instruments holding inside a painting of the zodiac sign associated to each one of them:

Group of Rashi Valaya Yantras in Jaipur (India).

Another group of instruments are the Jai Prakash Yantras, two semi-spheres partially emerging from the ground. The surfaces are marked with circles to calculate the stellar positions, and a metal ring (hanging above in the intersection of two crossed wires) also casts a shadow on them (which allows for calculating the Sun’s position). There are gaps in the surfaces for a watcher to walk between them and simply align the eye on them to locate the celestial objects of interest:

Jai Prakash Yantra in Jaipur (India). Left: each band is 1 terrestrial hour (when an object is beyond the surface, the watcher just walks to the other semi-sphere to continue observing it during the next hour). Right: concentric circles in the poles of the semi-spheres are used to calculate height and declination.

There are more instruments in the group in Jaipur, like the Rama Yantra which is similar to the Jai Prakash Yantras, both including two structures with gaps to move inside. But the Rama deduces the positions by visually aligning an object in the sky with the upper extreme of a pillar placed at the centre of each instrument. The lower extreme of that imaginary line points to a marker on the wall or on the floor.

If you are interested in the structures in Jaipur, you may find more details on jantarmantar.org. or take a look at TM's original post on Blogger:

[utvarpcity]

Today, July 22nd 2021, marks ten years since the domestic terrorist attacks in Norway that made not only the whole country stand still, but sent shock waves all over Europe. Eight people died as a result of a bombing in central Oslo, and 69 people were murdered on Utøya, an island west of the capital. The attacks have been considered the most terrible in modern Scandinavian history.

Anders Behring Breivik, a Norwegian right-wing extremist fuelled by the anti-immigration and white supremacist conspiracy theories he had read online, decided to take matters into his own hands and put a stop to what he saw as an Islamic takeover of European society (“Eurabia”) and the promotion of “Cultural Marxism”. The enemy in his eyes were the ruling party, who he believed were enabling this change through immigration and multiculturalism as well as the disestablishment of a strong patriarchy. Before carrying out his deeds he had compiled a manifesto, spanning over a thousand pages, of mostly stuff he’d found online but also by well-established right-wing authors. This was e-mailed to many people in power some hour before the bomb, hidden inside a car parked near government buildings in Oslo, went off, alarming many citizens and injuring hundreds.

Photo credit: Morten Holm

A bit after five in the afternoon, Breivik arrived at Utøya disguised as a police officer. Utøya is a small island owned and utilised by AUF, the youth offshoot of the Social Democratic Worker’s Party, who were holding their yearly summer camp at the time. Armed with a rifle, Breivik went on a massacre for over an hour before real policemen arrived to arrest him (delayed due to a lack of ways to get to the island), forcing all the summer camp participants to run and hide as their comrades were injured and killed. At least a hundred were physically injured, far more were mentally traumatised by the event. Many of those who died were young, the majority still in their teens.

Discarded clothes after victims having entered the water to escape. Photo credit: Niclas Hammarström

It’s easy to paint Breivik as a lone madman, an unstable individual who is now safely behind bars at a maximum sentence. But through his manifesto we see his many connections to people and movements all over the world. He describes himself as a conservative nationalist, a fascist and a “counter-jihadist”, and cites authors Bat Ye’or (Gisèle Littman) and Robert B. Spencer, the American Tea Party movement, and blogger Fjordman among others as inspirations. He approves of the Hindu nationalist efforts to expel muslims from India, Geert Wilders of the Dutch right-wing Party for Freedom, and Israel waging war on Palestine. How can he be a sole extremist when are many people sharing his views? How can his massacre be an incident, an anomaly, when he himself claims to have been inspired and radicalised by the writing of others? The attacks cannot be separated from the politics that created them. At the time, the Norwegian political discourse was very centred around immigration, with far-right parties gaining more sympathy and other parties pandering to this by also starting to discuss immigration as a “problem”. When nationalism, xenophobia and islamophobia become ever more widespread and legitimised as a “point of view” in society, the more rampant the extreme utterances become. Many right-wing conspiracy theorists speak of genocide as a last step, where government takeovers in order to stop immigration and deporting those of unwanted ethnicities are first on the agenda. Breivik intended to help this cause by murdering members of the ruling party who he believed were bringing on the downfall of Western society. This should have been a warning, but ten years later fascism is still on the rise all over Europe (and the world!). Some places are close to, if not already at the last, horrific step. One terrorist being locked up does not put an end to this development. But it might not be too late to learn from it.

[blackswaneuroparedux]

Treat Your S(h)elf

The Places In Between by Rory Stewart

“I offered Asad money but he was horrified. It seemed a six-hour round trip through a freezing storm and chest deep snow was the least he could do for a guest. I did not want to insult him but I was keen to repay him in some way. I insisted, feeling foolish. He refused five times but finally accepted out of politeness and gave the money to his companion.Then he wished me luck and turned up the hill into the face of the snowstorm." 

- Rory Stewart

Just weeks after the fall of the Taliban in January of 2002 Scotsman Rory Stewart began a walk across central Afghanistan in the footsteps of 15th Century Moghul conqueror Emperor Babur and along parts of the legendary Silk Road, from Herat to Kabul. He'd find himself in the course of twenty-one months encountering Sunni Kurds, Shia Hazala, Punjabi Christians, Sikhs, Kedarnath Brahmins, Garhwal Dalits, and Newari Buddhists. He said he wanted to explore the "place in between the deserts and the Himalayas, between Persian, Hellenic, and Hindu culture, between Islam and Buddhism, between mystical and militant Islam." He described Afghanistan as "a society that was an unpredictable composite of etiquette, humour, and extreme brutality."

The Places in Between is Stewart's account of walking across Afghanistan from Herat to Kabul in January 2002. The book was the winner of the Royal Society of Literature Ondaatje Award and the Spirit of Scotland Award and shortlisted for the Guardian First Book Award, the John Llewellyn Rhys Memorial Prize and the Scottish Book of the Year Prize.

I first read the book as a teenager a few years after it came out when I was spending a few months doing voluntary work for an Afghan children’s charity in Peshawar, Pakistan with my older sister who was a junior doctor at the time.

I read it on the rocky bus ride from Peshawar, Pakistan and into Afghanistan from Jalalabad to Kabul with my sister and her colleagues. I avidly read the book because I already knew the author through my oldest brother but from a distance because of our respective ages. Little did I realise then that I would be back in Afghanistan a few years later but this time in uniform doing my tour in Afghanistan flying combat helicopters against the Taliban.

I had the book with me (but a newer copy) and it took on a greater prescience precisely because as soldiers, even from the most senior officers on down, we privately questioned what the hell were we really accomplishing in a country ravaged by war since the Soviet invasion in 1979 (and that’s being generous given how history has buried empires into the graveyard of Afghanistan as a testament to their hubris).

Maybe it was hubris or perhaps it was that adventurous strain that needs to be scratched that led Rory Stewart to undertake his madcap journey. Stewart did the entire journey on foot, refusing any other form of transportation (and at one point going back and redoing a section of the walk when he couldn't turn down a vehicle ride). He took an uncommon route straight through the centre of the country and the heart of the mountains, instead of the more common route through the south that bypasses the dangerous mountain passes. This choice was partly because it was shorter, partly because the south was still partially controlled by the Taliban, and partly I suspect (though he doesn't say this explicitly) because it's the less-discussed and less-known route, even today.

This is, therefore, a sort of travel book, describing places that 99.99% of readers in the Western world are very unlikely to ever go. It's also unavoidably political, since Afghanistan is unavoidably political. However, unlike many travel books and many books with political overtones, it's carefully observational, documentary, and quietly understated in a way that gives the reader room to analyse and consider. Stewart focuses on his specific journey and concise, detailed descriptions of what he encountered and lets any broader implications of what he saw emerge from the reader's evaluation. He describes how he reacts to the remarkable natural beauty and almost-forgotten ruins that he encounters, giving the reader a frame and a sense of the emotional impact, but he's not an overbearing presence in the book. The story is clearly personal, but he doesn't dominate it. This is a very difficult line to walk, and I don't recall the last time I've seen it walked as deftly.

Instead there is a real sense that the author has gotten over the novelty of travelling and is more focused on the fundamental circumstances he encounters. The book overall is a fascinating read and there is much to be learned about the epistemologies driving the Afghan people and how different interpretations of Muslim teachings (and likewise, any teachings) can create small, but significant differences between neighbours. He has a gift for vividly describing the people and the landscape without injecting himself too much into the scene.

I suspect every reader will take different things from The Places in Between.

For some readers unaccustomed to the culture of Afghanistan, they would find it distressing to read how dogs are treated in Afghanistan. It's said Prophet Muhammad once cut off part of his own garment rather than disturb a sleeping cat. Unfortunately, he didn't feel equal affection for dogs, and they're "religiously polluting." They're not pets, and they're never petted. A quarter of the way in his journey Stewart has a toothless mastiff pressed upon him by a villager and he named him Babur. The evidence of past abuse could be seen in missing ears and tail, and someone told Stewart the dog was missing teeth because they'd been knocked out by a boy with rocks. Stewart found the dog a faithful companion and said he'd call him "beautiful, wise, and friendly" but that an Afghan, though he might use such terms to describe a horse or hawk would never use it to describe a dog.

But I knew all this growing in Pakistan and India as a small girl. Friends would look perplexed that we Brits - or any Westerners - have dogs or cats as pets and even see them as part of the family.

For me though two big themes stuck out when I first read the book.

One of the things that struck me most memorably is the spider’s web of personal loyalties, personal animosities, different tribes and history, and complexity of Afghan politics that Stewart walks through. Afghanistan is not coherent or cohered in the way that those of us living in long-settled western countries assume when thinking about countries. While there are regions with different ethnicities or dominant tribes, it doesn't even break down into simple tribal areas or regions divided by religion. The central mountain areas Stewart walked through are very isolated and have a long history and a complex web of rivalries, differing reactions to various central governments, and different connections. Stewart meets people who have never traveled more than a few miles from their village, and people who can't go as far as his next day's stop because they'd be killed by the people in the next village. It becomes clear over the course of his journey why creating a cohesive western-style country with unified national rule is far less likely and more difficult than is usually portrayed in the Western news media. The reader slowly begins to realise that this may not be what the Afghans themselves want, and some of the reasons why not.

A large part of that recent history is violent, and here is where Stewart's ability to describe and characterise the people he meets along the way shines. It is a tenet of both Islam and the local culture to give hospitality to travellers, which is the only thing that makes this sort of trip possible. Stewart is generally treated exceptionally well, particularly given the poverty of the people (meat is extremely rare, and most meals are bread at best), but violence and fighting fills the minds and experiences of most people he meets. He memorably observes at one point that one of his temporary companions describes the landscape in terms of violent events. Here, he shot four soldiers. There, two people were killed. Over there is where they ambushed a squad of Russians. It's striking how, after decades of fighting either for or against first the Russians and then the Taliban shapes and marks their mental map of the world. It's likely that few of the people Stewart meets are entirely truthful with him, but even that is an intriguing angle on what they care to lie about, what they think will impress him, and how the Afghan people he encounters display status or react to the unusual.

The second big theme that stuck out for me on a personal note was how Stewart respectfully weaves the wonder of history with the sad lament of the destructive loss heritage on his travels. In the book, Stewart followed roughly the same path as Babur, the founder of the Mughal Empire, did in 1504 at roughly the same time of year. He quotes occasionally from the Baburama, Babur's autobiography, which adds a depth of history to the places Stewart passes through. The Minaret of Jam in the mountains of western Afghanistan is one of the (unfortunately rare) black and white pictures in the centre of this book, and Stewart describes the legendary Turquoise Mountain, the lost capital of a mountain kingdom destroyed by the son of Genghis Kahn in the 1220s, of which the minaret may be the last surviving recognisable remnant. He describes the former Buddhist monasteries at Bamyan in Hazarajat (the region of central Afghanistan populated by the Hazara) and the huge empty alcoves where giant statues of the Buddha had stood for sixteen centuries until destroyed by the Taliban in 2001. This book then is full of history of which  is described with a discerning eye for necessary detail.

How Afghanistan's precious historical and cultural legacy was being destroyed even back in 2002 is heart breaking to read. I think many Westerners certainly know about how the Taliban dynamited the giant Bamiyan Buddha statues over a millennium old because they considered them "idols." Just as profound a loss is discovered by Stewart in his travels. There is a legendary lost city, the "Turquoise Mountain" of the pre-Moghul Ghorid Empire. Archeologists couldn't find it - but when passing through the area, Stewart had found villagers who had, and were looting artefacts with no care for the archeological context or the damage they were doing to the site, selling the priceless wares for the equivalent of a couple of dollars on the black market. This is what he tells us about his discussion with the villagers about the lost city:

"It was destroyed twice," Bushire added, "once by hailstones and once by Genghis." "Three times," I said. You're destroying what remained." They all laughed.

Even as I write this I can’t help but think this episode eerily echoes the madness gripping us in Britain, Europe, and the US (albeit for different reasons) in defacing and pulling down historical statues in wanton in acts of extreme ideological vandalism.

Overall I enjoyed the ‘peace’ of this book as there is a constant tone of a simple purpose. There are some moments along the way that are quite confronting and even frustrating, but so many that are warm and celebratory of the Afghan belief in hospitality.

Perhaps others will differ but I didn’t find too many irritating passages that wax-poetic on the evolution of the traveller. Stewart’s writing style is clinical; completely void of sentimentality, he never allows his own initial or personal meditations on these places overtake his observations, written with much hindsight. Whether being harassed by local soldiers or struggling through snowdrifts Stewart does not bridge a gap with the reader to really get a sense of who he his, as if his own story would detract from the crucial timing of his recordings of this landscape and its people.

His own biography is something out of John Buchan. The son of Scottish colonial civil servant who was born in Hong Kong and grew up in the Far East (and subsequently the second most senior official in the British secret intelligence) before being packed off back to England to Dragon School, Eton and onto Balliol, Oxford to study PPE. A short stint with the Black Watch regiment (as his father and uncle before him) before joining the British Foreign Office and work in some hot spots of the world, including a stint as deputy governor in the Coalition Provisional Authority in Iraq after 2003. He went on to work at the Carr Center for Human Rights Policy at Harvard before returning to the UK to successfully run as a Conservative MP in his native Scotland. Served as a minister in different ministries under Prime Minister Theresa May’s government and improbably came close to upsetting the coronation of Boris Johnson as the next leader of the Conservative party. He resigned from the party rather than be purged and made an unsuccessful bid to run as an independent candidate for London Mayor. He continues to writer and author travel books and front documentaries. He has a storied background but he wears it very lightly.

Of course there is a conceit to the book which in a sense all travel books of this kind that largely goes unquestioned. I don’t think it’s wrong to question a certain kind of entitlement that pervades these kind of books, no matter how much I enjoy reading them especially about countries you have traveled to and know a little bit about. Stewart after all embarks on a journey ‘planning’ to rely on the proverbial kindness of strangers because that is an Islamic cultural and religious value. Try planning a trip anywhere in Western Europe or the USA and Canada. I cannot imagine anyone walking across America, or England and Scotland for that matter, who would believe that he was entitled to expect food, shelter and assistance because he asked for it.

And he does it - as have countless travellers before and after him. Because Stewart succeeds in his journey, he is evidence of an astonishing degree of Afghan Muslim hospitality and generosity. As a back packer who has done it rough not just in Afghanistan but also neighbouring Central Asia as well as Pakistan, India, and China I can see why it might rub some up the wrong way. But I also think it’s not cultural or some sort of colonial arrogance on Stewart’s part. It’s hard to articulate but it’s really a kind of cultured sensitivity of people and lands you already are familiar with or know well from childhood.

Certainly for Rory Stewart - and myself - didn’t exclusively grow up in England and Scotland but in the Eastern post-colonial countries of the ex-British Empire that afforded a privileged childhood (privileged as in a real cultural engagement and immersion) that left a deep appreciation and respect for those countries cultures and traditions. I believe for the vast majority of Western back packers who take adventurous treks across these lands they do so partly out of genuine respect and understanding of different cultures.

For instance, the legacy of this book has been that Rory Stewart has spear headed a long term project called Turquoise Mountain. Alongside his partners, they have been re-creating the "downtown" river district in Kabul and restoring it to it's former glory. They have opened schools for people to re-learn the ancient arts of carving, weaving, architecture, etc. They have supported efforts to restoring city blocks that have been covered in a mountain of trash, and restoring homes where families have lived for centuries. And all for free. The Afghan have never been sure why someone would be doing this out of the goodness of their hearts, but that the poignant irony is that the goodness began with them through their hospitality of the stranger.

The kindness to strangers is a real thing in this part of the world. Kindness to strangers has it roots in fear that the strangers might be gods or their messengers alongside the pragmatic need that strangers in a strange land might need assistance. I sometimes wonder how is it we cannot show the same unabashed kindness to strangers to our homes?

However you slice it, you have to admire Stewart for his mostly un-aided walk across Afghanistan. It does take a certain kind of ballsiness to do it. He carried just his clothes and a sleeping bag (and money), trusting that the villagers along the way would put him up for the night and feed him. He got very sick (diarrhoea and dysentery), was at constant risk of freezing to death in the mountains, and had some very unpleasant encounters with Afghan soldiers in the last few days, after rejecting very strong advice not to walk through this section.

Strangely though nothing about this book is breathtaking of ‘Oriental exoticism’ beloved of Western imagination. Indeed nothing in this book is romanticised and nothing is placed on a pedestal. Stewart writes openly and honestly of all the people he met, those friendly, and those that would've preferred to rob him and leave him dead in a ditch. He's truthful and humorous, and I found myself walking alongside him, a sort of ghost following his rugged trail through mountains, valleys, and Buddhist monasteries.

Re-reading this book when I was doing my tour in Afghanistan with time to kill between missions, I wished George W. Bush and Tony Blair - and all the other Western leaders since these two - could have taken that walk with Stewart and learned the lessons he did. Stewart gives you a sense of the complexity and diversity of the culture and of Islam - and just how ludicrous and ignorant were the assumptions and goals imposed on the country by the invading Westerners. Indeed at the very end of his walk, Stewart reaches Kabul, the heart of the western intervention in Afghanistan and the place where all the political theorists and idealists came to try to shape the country. He describes the impact of seeing draft plans for a national government, which look ridiculous in the light of the country that he just traveled through.

It's a rare bit of political fire in the narrative that's all the more effective since it's one of the few bits of political commentary in the book. Indeed it’s all the more rich and relevant given its emergent commentary and background for the current war being fought there. Stewart necessarily tells only part of the story of Afghanistan, but he tells far more of the story than most will know prior to reading it. It should be mandatory reading for anyone making decisions about how to proceed in that region.

I would recommend anyone take a walk with Rory Stewart.

[princesscatherinemiddleton]

#RoyalVisitPakistan Review

The Duke and Duchess of Cambridge’s official visit to the Islamic Republic of Pakistan has come to an end after five days of engagements, fashion, and last-minute weather disasters. This was the Cambridges’ most high-ranking and complex tour yet, as they visited the country while they are in a state of near-war with India.

Day One - Arrival

Number of engagements: 1 (Arrival at Nur Khan Airbase)

The Duke and Duchess arrived in Pakistan at 9:30pm, local time on Monday 14th October, where they were received by the British High Commissioner to the Islamic Republic of Pakistan (His Excellency Mr Thomas Drew). The Duchess wore a Catherine Walker ensemble, which appeared to have been inspired by the Pakistani shalwar kameez. She also wore her Rupert Sanderson ‘Malory’ Heels, Zeen Woman Earrings, and carried her Zeen Woman Clutch.

Day Two - Education

Number of engagements: 5 (Visit to the Islamabad Model College for Girls; visit to the Margalla Hills; called upon The President of the Islamic Republic of Pakistan and Mrs Arif Alvi; called upon Mr Imran Khan; attended a Reception at the Pakistan Monument given by the High Commissioner to the Islamic Republic of Pakistan)

On their first full day in Pakistan, the Duke and Duchess remained in Islamabad, the capital city of Pakistan. Their first visit was to the Islamabad Model College for Girls (a public school for children from nursery-age to adult), where they learnt more about the Teach for Pakistan programme. Teach for Pakistan is modelled on Teach First, a programme which focuses on improving quality of teaching in schools in the UK. They then went to The Margalla Hills, which is found at the base of the Himalayan Mountain Range. They helped children set up a leopard camera trap, and identify different species of plants. During these engagements, the Duchess wore a Maheen Khan shalwar kameez in Royal Blue, as well as her Zeen Woman Earrings.

The Cambridges then met with President Arif Alvi and, later, Prime Minister Imran Khan. While meeting President Alvi, the Cambridges learnt about Mrs Arif Alvi’s work with breast cancer, and the Duke had the idea to wear breast cancer pins in the photos released from the events. After meeting with Mr Khan, the couple remained and enjoyed lunch with the Prime Minister. Catherine wore a Catherine Walker tunic (in Pakistani green), as well as trousers from Maheen Khan and a Satragni dupatta. She also wore her Zeen Woman Earrings, Emmy London ‘Rebecca’ Shoes, and she carried her Emmy London ‘Natasha’ Clutch.

For their final engagement of the day, the Duke and Duchess of Cambridge atteneded a reception at the Pakistan Monument. The reception was celebrating the very best of Pakistani music and culture, as well as highlighting the UK-Pakistan relationship. William shocked everyone by wearing a Pakistani sherwani, while Catherine wore a sparkly green Jenny Packham gown, as well as Jimmy Choos and new Onitaa Women Earrings.

Day Three - Conservation

Number of engagements: 5 (Visiting a retreating glacier; visiting Bumburet village; watching a Search & Resuce drill; meeting with Kalash people; meeting with General Qamar Javed Bajwa)

The Duke and Duchess of Cambridge travelled to Chitral, in Northern Pakistan, for a day focused on the climate and on conservation. For their first engagement of the day, the Duke and Duchess visited a glacier in the Hindu Kush mountain range. There they learned about how climate change is impacting the glacial landscapes. They then travelled to a Bumburet Village, which suffered from severe flash flooding as a result of nearby glaciers melting. William and Catherine then watched a drill conducted by volunteers from the local Emergency Response Team, which is supported by UK aid, as well as a drill by a local Search and Rescue Team, who demonstrated their ability to evacuate casualties across a river. Before leaving Chitral, the Duke and Duchess of Cambridge visited a settlement of the Kalash people, to learn more about the Kalash community and their unique heritage and traditions. During these events, the Duchess wore an understated outfit made up of two different UFO dupattas, as well as a UFO skirt and a pair of UFO sunglasses. She also wore a Mint Velvet dress (as a shirt), her Really Wild waistcoat, and her Really Wild boots.

After returning to Islamabad, the Duke and Duchess received General Qamar Javed Bajwa, the Chief of Army Staff, and Mrs Qamar Bajwa.

Day Four - Communities (Culture)

Number of engagements: 6 (Arrival in Lahore; SOS Children’s Village; National Cricket Academy; Badshahi Mosque; meeting faith leaders; Shaukat Khanum Children's Cancer Centre)

For their final full day in Pakistan and the best day of their tour, the Duke and Duchess of Cambridge travelled to Lahore, a city known as Pakistan’s city of culture. After arriving and being received by the government of Lahore, the day began in earnest at SOS Children’s Village, a charitable organisation in the heart of the city. The village, which is attached to a school, provides a home and family structure to over 100 children. The Duchess gave her first speech on the tour during this event. The couple then visited the National Cricket Academy, where they joined a match with children who are participating in the British Council’s DOSTI programme. During the morning, the Duchess wore a Gul Ahmed shalwar kameez, along with a Maheen Khan Shawl, new J Crew Pumps, her Asprey Oak Leaf Earrings, and she carried her Mulberry ‘Bayswater’ Clutch (she changed into Hampton Canvas trainers for the cricket match).

In the afternoon, the Duke and Duchess visited the Badshahi Mosque, the most iconic Islamic site in Lahore. The couple toured the mosque and courtyard, before joining a discussion with faith leaders to understand how they are promoting interfaith harmony within their communities. Afterwards, they travelled to the Shaukat Khanum Memorial Cancer Hospital and Research Centre, a state-of-the-art cancer facility located in the centre of Lahore. The Duke and Duchess visited the children’s ward to spend time with patients undergoing treatment at the hospital, and will spoke to a number of their families. Catherine wore a Maheen Khan shalwar kameez, her Catherine Zoraida Fern Hoop Earrings, and the J Crew Pumps she first wore that morning. While at the hospital, Catherine also donned her only tiara of the tour.

Day Five - Military

Number of engagements: 2 (Army Canine Centre; Departure from Pakistan) THIS IS SUBJECT TO CHANGE WHEN THE CC IS RELEASED

The final day of the tour was disrupted somewhat, after the Cambridges were forced to spend the night in Lahore due to an electrical storm. Because of this, they were forced to miss a planned trip to the Khyber Pass. The Duke and Duchess were sighted leaving Lahore in the morning, with the Duchess wearing an Elan embroided kurta, J Crew pumps, a Maheen Khan dupatta, Accessorize earrings, and carrying her Smythson bag.

For the new first engagement, the Duke and Duchess visited the Army Canine Centre, where they joined dog handlers as they train dogs to recognise and scout out hidden explosive materials. They then supported some of the puppies who were undertaking the an agility training course. Shortly afterwards, the Cambridges departed from Nur Khan Airbase. Catherine had changed into a Beulah London coat and Russell & Bromley shoes, while still wearing her Maheen Khan dupatta and Accessorize earrings.

[delhifundos]

The Old Delhi Food Festival - Delicacies from Purani Dilli

The Old Delhi Food Festival – Delicacies from Purani Dilli

We recently attended the wonderful Bollywood Music Project at Jawaharlal Nehru Stadium and were starving post event. On our way up we had seen The Old Delhi Food Festival being held at India Islamic Cultural Centre. This being quite close to JLN, we headed for the food festival post BMP.

[adToAppearHere]

The road in front of India Islamic was chockablock with cars parked and there were many…

[radhiyafurat]

A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites

Explore the most famous mosques, temples, and historical places in Malaysia as you go on an amazing journey that reveals the rich weave of country's past. Trip offers an in-depth exploration of Malaysia's many spiritual and historical landscapes, from complex beauty of Batu Caves and the peaceful elegance of Masjid Jamek to the intriguing historical passageways of George Town and Malacca. Take in the vivid customs and architectural wonders that exemplify the nation's multiculturalism and provide you a deep understanding of its spiritual and historical heritage. 

Whether you're looking for peaceful beaches, vibrant cityscapes, or lush rainforests, Malaysia tour packages provide an exciting assortment of activities suited to fit every traveller's interest when organising your ideal holiday. With Malaysia holiday packages, you may discover rich history and culture of the nation, which includes imposing temples, storied mosques, lively marketplaces, and unspoiled natural areas. These packages frequently consist of lodging, guided tours, and carefully chosen activities that guarantee smooth and enriching trip to some of Malaysia's most attractive locations. Accept the ease and thrill of professionally crafted vacation packages and lose yourself in the singular wonders that Malaysia has to offer. 

Here are A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites: 

Temples 

Batu Caves (Kuala Lumpur): 

Located not far from Kuala Lumpur are the limestone caves and cave temples known as Batu Caves. Dedicated to Lord Murugan, it is one of the most well-known Hindu shrines outside of India. One of the tallest statues of a Hindu deity in the world, at 140 feet tall, is located at this location and is dedicated to Lord Murugan. Climbers can reach the Temple Cave, which has a beautiful perspective of the city and various Hindu sites, by ascending its 272 stairs. Held every year, the Thaipusam festival attracts thousands of tourists and religious alike. 

Thean Hou Temple (Kuala Lumpur): 

The famous six-tiered Thean Hou Temple in China is devoted to the Heavenly Mother, Thean Hou, who is said to guard fisherman. Situated atop a hill, the temple offers an expansive view of Kuala Lumpur. Its architecture, which combines traditional and modern elements, is characterised by elaborate paintings, statues of deities, and elaborate carvings. The temple complex serves as a centre for social and cultural events and has a tortoise pond, a Chinese medicinal herb garden, and a marriage registration office. 

Kek Lok Si Temple (Penang): 

The greatest Buddhist temple in Malaysia is Kek Lok Si Temple, also referred to as the Temple of Supreme Bliss. This expansive complex, which is situated in Air Itam, Penang, is made up of carefully designed gardens, prayer rooms, and temples. The seven-story Pagoda of Ten Thousand Buddhas, which combines Thai, Burmese, and Chinese architectural styles, is the temple's most identifiable feature. The majestic 99-foot statue of Kuan Yin, the Goddess of Mercy, is another focal point. Thousands of lights flood the entire temple during Kek Lok Si's amazing yearly Chinese New Year celebrations. 

Mosques 

Masjid Negara (National Mosque, Kuala Lumpur): 

Malaysia's national mosque, Masjid Negara, represents the nation's Islamic past. Completed in 1965, the mosque's modernist architecture includes a 240-foot minaret and a unique 18-point star-shaped dome. Up to 15,000 worshippers can fit in the main prayer hall, which is flanked by lovely fountains and reflecting pools. The 13 acres of gardens around the mosque create a calm environment for prayer and introspection. Outside of prayer times, non-Muslim visitors are welcome to view the mosque; robes are available for those who require them. 

Masjid Putra (Putrajaya): 

One of Malaysia's most gorgeous mosques is Masjid Putra, also referred to as the Pink Mosque. The mosque, which is housed in the Putrajaya planned city, has a pink dome made of rose-colored granite. It has one of the tallest minarets in the area, standing at 380 feet, and can hold up to 15,000 worshippers at once. The mosque's interior is decorated with geometric patterns and beautiful Islamic calligraphy, while its exterior combines traditional Malay and Middle Eastern architectural elements. The mosque offers incredible views and peaceful surroundings next to Putrajaya Lake. 

Masjid Zahir (Alor Setar): 

Constructed in 1912, Masjid Zahir is among the oldest and most luxurious mosques in Malaysia. Situated at the centre of Alor Setar, Kedah, this mosque is well-known for its beautiful design with a Moorish influence. The central black dome of the main prayer hall is crowned by five huge domes that represent the five pillars of Islam. The interior of the mosque is as amazing, with beautifully carved oak doors, stained glass windows, and chandeliers. Masjid Zahir is the centre of the local Muslim community and the venue for a variety of religious activities. 

Historical Sites 

Malacca (Melaka) Historical City: 

A UNESCO World Heritage Site, Malacca is a city rich in colonial beauty and history. Being one of Malaysia's oldest towns, it was a major commercial port that was influenced by the British, Portuguese, and Dutch. Important historical landmarks include Christ Church, a 1753 Dutch Reformed church; St. Paul's Hill, which provides sweeping views of the city; and the ruins of the A Famosa fort, a Portuguese bastion from the sixteenth century. The lively Jonker Street, which showcases Malacca's diverse past, is well-known for its antique stores, night market, and mouthwatering street cuisine. 

George Town (Penang): 

Another UNESCO World Heritage Site, George Town is the capital city of Penang and is known for its diverse range of cultures and exquisitely preserved colonial architecture. Indian temples, Chinese shop houses, and British colonial architecture coexist in the city's historic centre. The Khoo Kongsi clan mansion, which displays fine Chinese architecture and craftsmanship, the magnificently restored Cheong Fatt Tze Mansion, commonly known as the Blue Mansion, and the colourful street art that covers the city's walls are among the notable attractions. The varied food scene of George Town is a reflection of its multicultural background. 

Sultan Abdul Samad Building (Kuala Lumpur): 

A famous landmark in Kuala Lumpur, the Sultan Abdul Samad Building is situated in front of Merdeka Square. Constructed in 1897, the building currently houses the Ministry of Communications and Multimedia and functioned as the administrative hub for the British colonial administration. Its beautiful Moorish-style design includes copper domes, arched colonnades, and a clock tower. The building is a well-liked location for photos since it looks particularly beautiful at night. The structure is situated in Merdeka Square, which has a rich history as the location of Malaysia's 1957 independence declaration. 

Bujang Valley (Kedah): 

The state of Kedah is home to the important archaeological site Bujang Valley, which offers proof of Malaysia's prehistoric Hindu-Buddhist culture. The location is home to the remnants of historic temples known as candi, which date back to the early centuries AD. Artefacts from the region's past as a commerce hub, including ceramics, beads, and stone inscriptions, are housed in the Bujang Valley Archaeological Museum. The valley's beautiful surroundings, including its river and rich vegetation, increase its allure as a travel destination for both history buffs and environmentalists. 

Conclusion: 

More than just a trip through impressive structures, a cultural tour of Malaysia's temples, mosques, and historical sites offers an instructive look into the country's rich cultural and spiritual history. Every location provides a different perspective on Malaysia's rich history and diverse identity, from the imposing mosques serving as symbols of unification to the amazing temples secluded away in beautiful settings. As you ponder over the exquisite craftsmanship, timeless customs, and interesting past you have seen during your travels, you will come to understand Malaysia's dual function as a historical landmark and a melting pot of cultures. 

[oursalmanalhajriposts-blog]

Salman Alhajri

• Visual artist, graphic designer and researcher in the field of visual arts

• Born in 1978

• Assistant Professor of Art and Graphic Design, Department of Art Education at Sultan Qaboos University, Muscat, Oman

Academic Qualifications:

• 2013 PhD in art and graphic design Education from Loughborough University, UK

• 2005 Master of Design from the University of Technology, Sydney, Australia

• 2001 Bachelor of  Education (Art Education) Department of Art Education, Sultan Qaboos University

The most recognized awards:

• December 2017- won the 1st award in the 12th annual exhibition of Arabic Calligraphy and Script Calligraphy, of Omani Society of Fine Arts.

• November 2016- won the 2nd award in the 1st annual exhibition Graphic Design of Omani Society of Fine Arts.

October 2016- won the jury award in the 24th annual exhibition of Omani Society of Fine Arts.

• October 2015 won the prize of the committee in a piece of artwork in the field of graphic design, in the ninth exhibition of small artworks in the Omani Society of Fine Arts.

• 2014– Bronze A' Design Award Winner for Arts, Crafts and Ready-Made Design Category in 2013-2014, Italy.

• 2013 – Won the First Graphic Design Award in the 8th Calligraphy & Script Calligraphy Annual Exhibition 2013.

• 2013 – Won the First Prize in the graphic design division of the Small Artwork Exhibition competition, Omani Society for Fine Arts.

• 2009 – Won a competition as a finalist in the 14th International Biennial Print Exhibition, ROC, organised by National Taiwan Museum of Fine Arts.

• 2009 – Won a competition as a finalist in the International Aesthetica Creative Works Competition Art Category, organised by Aesthetica Magazine, UK.

• 2008 – Won a competition for best research poster on the Creative Interdisciplinarity in Art & Design Research Conference, Loughborough University, UK.

• 2008 – madalya of participating at the 21st Annual Festival of Plastic Art (Mahras) Tunisia.

• 2000 – 1st Prize at the 13th Gathering of Arabic Scout Rovers in Kuwait.

• Many of participating and appreciations certificates from different Omani institutions.

Local exhibitions

• 1 Feb - 15 March, display 11 of my original artworks at Bastah Majan Coffee Shop, Muscat.

• 6-13 December,  the 12th annual exhibition of Arabic Calligraphy and Script Calligraphy, of Omani Society of Fine Arts.

• 20 November - 20 January, 2018 the 25th Annual Grand Art Exhibition of OSFA, The Omani National museum.  

• 2017 – October 23rd to 25th, Group Exhibition of International Conference: Urban Primacy and Traditional Urban Fabric in Sultanate of Oman, Sultan Qaboos University, Oman.

• 2017 – August 06th - 10th, The 4rd Solo Exhibition "Digital Arts" at SALALAH TOURISM FESTIVAL, Salalah, Dhofar Governorate, Oman.

• 2017 – July 24th - 26th, group Art Exhibition, Paint for peace’ , Oman International Exhibition Centre of Sohar, 2017, Oman.

• 2017 – February, group Art Exhibition, Irtiqa’ , Muscat Festival 2017, Oman.

• 2016 – December, group Art Exhibition, Leqa’ , Tunisian  Embassy In Muscat, Oman.

• 2016 –The 1st annual exhibition of Graphic Design of OSFA.

• 2016 – November, The 24th Annual Exhibition of OSFA, Muscat

• 2016 – November, group Art Exhibition, Draw for Peace, India Embassy In Muscat, Oman.

• 2016 – November, group Art Exhibition, Islam and the world, Sultan Qaboos Higher Centre for Culture and Science

• 2016 – September,The 11th Annual Arabic Calligraphy Exhibition 2016, (OSFA), Muscat.

• 2016 – May, The 2nd solo exhibition of Salman Alhajri (Closer to the Dream) Bait Al Zubair, Muscat.

• 2016 – March, group Art Exhibition, modern arts salon, Cultural Club, Muscat.

• 2015 – 9th Small Artworks Exhibition (OSFA), Muscat.

• 2015 – September, The 2nd solo exhibition of Salman Alhajri, Sultan Qaboos University, Muscat.

• 2014 – November, The 22nd Annual Exhibition of OSFA, Muscat.

• 2014 – The 8th Small Artworks Exhibition (OSFA), Muscat, from 21 to 27 Oct.

• 2013 – The 17th Youth Exhibition of fine arts, (OSFA), Muscat.

• 2013 – The 8th Calligraphy & Script Calligraphy Annual Exhibition 2013, (OSFA), Muscat.

• 2013 – Small Artworks Exhibition (OSFA), Muscat.

• 2013 – Group exhibition (Majan), The Cultural Club, Muscat.

• 2012 – Wall Painting 2012 of Ghalya’s Musem of Modern Art, Matrah, Muscat.

• 2008 – The 3rd Annual Exhibition of Arabic Calligraphy (OSFA).

• 2006 – The 10th Annual Youth Exhibition (Ibda'a Wa'ed) (OSFA).        

• 2006 – The 1st Annual Exhibition of Arabic Calligraphy (OSFA).

• 2006 – Group Exhibition of Art Education Teachers, Al Mudaybi, Ash Sharqiyah North Governorate.

• 2000 – The art exhibition associated with The Celebration of the First Visit of His Majesty to Sultan Qaboos University.

• 2000 – Group exhibition, 'Lineaments from Omani nature', Sultan Qaboos University, Muscat, The 6th Salalah Festival, Salalah, Oman.

• 2000 – Group exhibition associated with the 4th and 5th Annual Muscat Book Fairs.

• 1997 – Group exhibition, Ibra Technical College, Ibra.

• 1996 – The 9th Annual Exhibition of Omani Artists, Sur.

• 1996 – Group of Artists Exhibition, Ash Sharqiyah Governorate (Ibra, Sur, Jaalan).

• 1994 – The 1st Exhibition of Bidiya’s Artists, Bidiya Sports and Cultural Club.

International participation:

• 21 of June Until 21st of August 2019, participated at a group art exhibition entitled "Mid-Summer Night's Dream" Fete, at Amsterdam Whitney Gallery, Chelsea, New York, USA.

• 04- 21 March, 2019, The Solo exhibition, "Spirits of Letters", on the 4th of March 2019, at the Cultural Village Foundation - Building 19, Hall 1, Katara, Doha, Qatar.

• 19th January, 2019, 5th Koonoz Fine Art Auction and Exhibition,  Bvlgari Hotel, manged by Sotheby's Auction, London 2019, under the patronage of Sheikha Rabaa Khalid Al Ahmed Al Sabah.

• 16- 21 January, 2019, The Solo exhibition, "The Village" as part of The 25th Anniversary of Qurain Cultural Festival, 2018 organised by Kuwait's National Council for Culture, Arts and Letters (NCCAL) Ahmed Al-Adwani exhibition hall in Dahiat Abdullah Al-Salem, Kuwait.

• 19- 21 October, 2018, Art Shopping 2018 (Edition 23) (Carrousel Du Louvre) with The Zee Arts Gallery, Dubai.

• 9- 15 January 2018, The 7th Annual Art Exhibition titled: "Horse & Desert Heritage", Al Najma Club, Bahrain.

• 6-13 December, 2017 participated with 10 artworks in the Art exhibition that associated with the art and design event, "Layers", College of Arts, University of Bahrain.

• 23 November 2017, participated with 4 digital (printed) in the occasion of the 47th celebration of National Day at the Omani Council in Australia.  

• Konoos Fine Art, Auction & Exhibition, At Lanes borough Hotel, 28 of September 2017, operated by Bonhams.

• The 3rd Solo Exhibition "Shores of The Dreams" at Sultan Bin Ali Al Owais Foundation, Dubai, between 26th of April to 12 of May 2017.

• Many international exhibitions, workshops and seminars in: Algeria, Brunei, Iran, London, Kuwait, Dubai, Tunisia and Sydney.

Art schools and the fine art trends:

• Art field: free drawing, digital painting, oil painting, graphic design, photography.

• Trends: calligraphy, realism, expressive art, influential art, surrealism, abstract, and constructive.

• Themes: landscape, Omani historical motives  , the Omani environment, calligraphy, humanity issues, portraits and calligraphy.  

• Raw materials and tools used: Acrylic colors, silk screen printing, computer and graphics programs, printers, tablets, smartphones, and various materials.

For more details on our products and services, please feel free to visit us at Salman Alhajri, Calligraphy art, digital arts, Abstract Art, Arts for sale

[enroutetravels]

Tour And Travels In Delhi

Introduction:

Delhi, the heart and soul of India, stands as a testament to the nation's rich history and cultural diversity. A city that seamlessly blends the old with the new, Delhi is a treasure trove for travelers seeking a captivating journey through time. From ancient monuments to bustling markets, from vibrant festivals to delectable street food, a tour of Delhi promises an immersive experience that leaves an indelible mark on every visitor.

Historical Marvels:

Delhi, with its historical significance, boasts a plethora of architectural wonders that narrate tales of bygone eras. The UNESCO World Heritage Site, Qutub Minar, stands tall as an emblem of Indo-Islamic architecture. Built in the 12th century, this towering minaret is surrounded by lush gardens and ancient ruins, offering a mesmerizing glimpse into Delhi's past.

The Red Fort, another UNESCO World Heritage Site, is a majestic fort that served as the main residence for Mughal emperors for nearly 200 years. The intricate carvings, sprawling courtyards, and the iconic Lahori Gate make it a must-visit destination for history enthusiasts.

India Gate, a war memorial built in honor of the soldiers who sacrificed their lives during World War I, stands proudly at the heart of Delhi. Surrounded by lush lawns, it serves as a popular spot for both locals and tourists to unwind and reflect.

Cultural Extravaganza:

Delhi's cultural diversity is best experienced through its myriad festivals, art exhibitions, and performances. The Dilli Haat, a cultural hub, brings together artisans from across India, offering a vibrant tapestry of handicrafts, traditional clothing, and mouthwatering cuisine. The annual Surajkund Crafts Mela is a celebration of India's diverse crafts and traditions, attracting artists and visitors from around the world.

For art enthusiasts, the National Gallery of Modern Art showcases a rich collection of contemporary and modern Indian art. The iconic India Habitat Centre hosts regular cultural events, including dance performances, music concerts, and literary festivals, providing a platform for artists to showcase their talents.

Culinary Delights:

Delhi's gastronomic landscape is a testament to the city's eclectic mix of cultures. Chandni Chowk, one of the oldest and busiest markets in Old Delhi, is a paradise for food lovers. From the spicy delights of Paranthe Wali Gali to the sweet aroma of jalebis at Old Famous Jalebi Wala, this bustling market offers a gastronomic journey like no other.

Karim's, located near Jama Masjid, is renowned for its Mughlai cuisine. The succulent kebabs and aromatic biryanis served here transport diners to the royal kitchens of the Mughal era. Connaught Place, with its array of cafes and restaurants, caters to diverse palates, offering everything from international cuisines to local street food.

Modern Marvels:

Delhi's modern skyline is a reflection of its rapid development and global influence. The Lotus Temple, a Bahá'í House of Worship, is a stunning architectural marvel with its lotus-shaped structure. This serene temple welcomes people from all walks of life, promoting the unity of diverse religions and cultures.

The Akshardham Temple, dedicated to Swaminarayan, is a sprawling complex showcasing the rich heritage of Indian culture. The intricately carved walls, the stunning water show, and the enlightening exhibitions make it a must-visit destination for spiritual seekers and architecture enthusiasts alike.

Conclusion:

Delhi, with its kaleidoscope of history, culture, and modernity, offers a unique and enriching experience for every traveler. From the ancient wonders that narrate tales of empires to the vibrant markets that showcase India's diversity, the city is a captivating destination that beckons explorers from around the world. A tour of Delhi is not just a journey through geographical landmarks; it is an odyssey through time, a celebration of culture, and an exploration of the soul of India.

Any Other Information Related To Travel

Contact - 9700649700

Website -https://www.enroute.travel/delhi-tour-packege.html

[upscwithnikhil]

The monuments are located near and at the foot of the Pavagadh hill. Due to a lack of funding, the Archaeological Survey of India maintains only 39 monuments in the area, according to the Heritage Trust of Baroda. The Forest Service owns 94% of the land in this area.

Read More IAS Academy in Nagpur to Click Here... https://bit.ly/3bunUPv

[architectnews]

The Majlis at San Giorgio Maggiore

The Majlis San Giorgio Maggiore Venice, Caravane Earth Foundation Event, Bamboo Design Exhibition Italy

The Majlis at San Giorgio Maggiore, Venice

21 May 2021

The Majlis: a meeting place opens

Friday 21st of May 2021 – new photos of this structure:

Photos by Simone Padovani, Awakening, Getty Images

Caravane Earth Foundation has installed a unique bamboo Majlis to the gardens of the Abbazia di San Giorgio Maggiore in Venice for the 2021 Architecture Biennale from 22 May – 21 November 2021 (Preview: 21 May 2021). The project is one of the official Collateral Events that reflect the 2021 Architecture Biennale’s theme of How will we live together?

Majlis is a word that originated in Pre-Islamic Arabia, meaning “council” or “gathering place.” Traditionally, a majlis is a place where people come together to discuss local events and issues, exchange news, socialise, and deepen their connection with each other. Inspired by nomadic architecture, the Majlis is designed by the internationally acclaimed bamboo architects Simón Vélez and Stefana Simic. It is wrapped in textiles handwoven in the Atlas Mountains of Morocco by a women’s collective from Ain Leuh, and the Boujad Tribe of Morocco.

The Majlis structure was installed in a wildflower garden at the Abbazia of San Giorgio Maggiore, designed by celebrated landscape architect Todd Longstaffe-Gowan, with plants from East and West. Once the Biennale is over, the garden will stay at the Abbazia as a gift to Venice.

An exhibition inside the Abbey of San Giorgio will contextualise the Majlis, featuring the people and materials involved in its construction. A wide range of objects and craftsmanship is presented, some associated with nomadic peoples and the majlis, others highlighting the exchange between East and West, with Venice as a major hub.

Loans will be exhibited from Wereldmuseum (the Netherlands), the Sheikh Faisal Bin Qassim Al Thani (FBQ) Museum, and the monastery of San Lazzaro degli Armeni in the Venetian lagoon. Due to the pandemic, craftsmen that originally produced the Majlis could not travel, so the construction has been assembled with the involvement of local Venetian craftspeople.

The Majlis embodies the values and mission of Caravane Earth Foundation: to champion and preserve craftsmanship and vernacular architecture, the careful sourcing of materials, ethical production, and community.

The Majlis also provides a spectacular platform for events reflecting on our collective futures on planet Earth: experts from many fields and nations will discuss the Biennale theme How we will live together? in a world of rapid change and uncertainty.

Photographs above by Simone Padovani_Awakening_Getty Images

12 May 2021

La Biennale di Venezia 2021 – The Majlis at San Giorgio Maggiore

The Majlis: a meeting place

Collateral event of the 17th international architecture exhibition of La Biennale di Venezia

The Majlis undergoing construction at San Giorgio Maggiore

The Majlis events programme includes the participation of the Simón Vélez, Stefana Simic, the Smithsonian Institution, INTBAU, the University of Cambridge, UNESCO, the Aga Khan University, RestART Beirut, the State Hermitage Museum, and the Syrian architect Marwa al-Sabouni. The Majlis events are produced in partnership with the Science and Human Dimension Project.

Following Venice, Caravane Earth Foundation and the Majlis will begin a multi-year journey, travelling to countries in East and West to find answers to the vital question How will we live together?

The Majlis was commissioned by Caravane Earth Foundation to be a community meeting place and centre for vernacular architecture and construction skills in Qatar.  Caravane Earth is an international foundation based in the Netherlands and is the sponsor of The Majlis exhibition.

The Majlis was inscribed on UNESCO’s list of Intangible Cultural Heritage (ICH) in 2015 as ‘a cultural and social space’. UNESCO’s list aims to ensure better protection of important intangible cultural heritages worldwide and the awareness of their significance.

The Majlis is held in collaboration with Benedicti Claustra Onlus, the Benedictine community of San Giorgio Maggiore.

Colombian architect Simón Vélez is the world’s foremost innovator working with bamboo, the most sustainable of natural building materials which he calls ‘vegetable steel’. Working with Stefana Simic, they strive to widen the use of bamboo in building.

Vélez’s building for Expo Hanover 2000 became the World Expo’s most popular pavilion with 6.4 million visitors, and he has been awarded The Principal Prince Claus Award (2009) and the Award of Honour in Analysis and Planning by the American Society of Landscape Architects for ‘Crosswaters Ecolodge’ (2006).  Vélez and Simic together run the design-build firm Gigagrass, based in Colombia.

The Majlis is curated by Dr Thierry Morel whose many award-winning exhibitions include Houghton Revisited exhibition at Houghton Hall, as well as Francis Bacon and the Art of the Past at the State Hermitage Museum on the occasion of the Museum’s 250th Anniversary and subsequently at the Sainsbury Centre in Norwich. His book on pre-Revolution architecture and art collecting in St Petersburg was recently published by Rizzoli (New York). Morel is currently Director and Curator-at-Large to the Hermitage Museum Foundation (USA), as well as Trustee of the Sir John Soane’s Museum (London).

Caravane Foundation

Caravane Earth is an international foundation based in the Netherlands with a mission to develop, practice and promote ethical entrepreneurship and wellbeing through art, craft, architecture, agriculture, innovation and education. The Foundation’s team is a global fellowship of artists, craftsmen, architects, thought leaders, film makers, entrepreneurs, innovators and experts in sustainability, water, agriculture and green energy. Nationalities include Colombia, France, Germany, Greece, India, Italy, Morocco, the Netherlands, Qatar, Russia, UK and USA.

Website: https://venice.caravane.earth/

Follow on Instagram: https://www.instagram.com/caravaneearth/

The Majlis at San Giorgio Maggiore Venice Biennale 2021 images / information received 110521

Location: Giardini della Biennale, Castello 1260, 30122 Venezia, Italia

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Comments / photos for the Venice Biennale 2021 – The Majlis at San Giorgio Maggiore page welcome

The post The Majlis at San Giorgio Maggiore appeared first on e-architect.

[limforbiddendesiresolstice]

Woke

up by 5am Malaysia time just now.

We should be engaging in harmonious dialogue with major communities as a mechanism and its major contributions towards peaceful co-

existence.

"Thus, Abim feels we should look at the larger perspective, which is how religious diversity can be an asset for unity and harmony, not a factor towards conflict," Abim president Muhammad Faisal Abdul Aziz told Malaysiakini.

The online public forum on Sept 28, 11.30am will also feature Tibetan Buddhist Culture Centre Malaysia president Casey Liu as co-moderator and event

host.

At 85 years old, the Dalai Lama, a proponent of interfaith dialogues, has been living in exile in India since the 1959 Tibet uprising.

Together with a panel of selected scholars, he launched the Common Ground Project in 2010, an idea mooted with Jordanian Prince Ghazi Muhammad, based on the book Common Ground Between Islam and Buddhism.

As part of its bid to build religious harmony and national unity, Muslim Youth Movement Malaysia (Abim) will feature the 14th Dalai Lama Tenzin Gyatso in an online forum on Islam and Buddhism at the end of this month.

Abim president Muhammad Faisal Abdul Aziz said the forum with the theme "Compassion and Mercy as the Common Values Between Islam and Buddhism" is jointly organised with the Tibetan Buddhist Culture Centre Malaysia.

The forum will also feature International Institute of Islamic Thought and Civilisation (Istac) philosopher Prof Emeritus Osman Bakar.

Faisal said Abim believes that any differing views about religion should be discussed on an appropriate platform to attain wisdom and

truth.

https://m.malaysiakini.com/news/541495

Have warm plain water is 👍 after waking up.

Do not shower or wash head between 6pm ~ 10am.

To prevent illness: AVOID chili for all illness including cough, flu, diabetes, etc. Sugar, sweetie and cold water will incur to the brain a false signal of hungry which is 👎

Avoid cold sugar drink & dessert after meal for an hour.

2cure many iĺlness: Jogging continuously 30 minutes in daytime only after digested breakfast, light lunch & then walked 10000 steps (after had warm plain water) for sweating & bone health

is

👍