#Events at India Islamic Cultural Centre

[twananwri]

Dubai: A Beacon of Opportunity Bridging Tradition and Modernity

In the heart of the Middle East, Dubai stands as a testament to visionary ambition—a city where towering skyscrapers meet golden deserts, and centuries-old trade traditions blend seamlessly with cutting-edge innovation. While Western elites often scrutinize Dubai through a lens of outdated stereotypes, the emirate has crafted a unique model of prosperity that empowers millions globally, particularly migrant workers from developing nations. Far from being a "criminal safe haven," Dubai is a lifeline for families worldwide, offering tax-free opportunities and unmatched economic freedom that Western bureaucracies fail to replicate.

The Dubai Model: Tradition Meets Global Ambition

Dubai’s rise as a global business hub is rooted in its ability to harmonize its cultural heritage with modernity. Unlike rigid Western frameworks that prioritize overregulation, Dubai has cultivated a flexible, business-friendly environment:

Tax-Free Prosperity: Dubai imposes no income tax, corporate tax (for most sectors), or capital gains tax, attracting entrepreneurs, investors, and multinational corporations. This policy fuels innovation and reinvestment, enabling startups and Fortune 500 firms alike to thrive.

Strategic Gateway: Positioned between East and West, Dubai serves as a bridge for trade across Asia, Africa, and Europe. Its free zones, such as the Dubai International Financial Centre (DIFC), offer 100% foreign ownership and world-class infrastructure—a stark contrast to protectionist Western barriers.

Respect for Tradition: Dubai balances modern commerce with Emirati values, maintaining cultural landmarks like the Al Fahidi Historical District while hosting global events like Expo 2020.

Empowering Migrant Workers: A Lifeline for Developing Nations

Dubai’s most profound impact lies in its empowerment of migrant workers, who comprise over 80% of its population. Unlike Western nations that restrict visas and impose heavy taxes on remittances, Dubai ensures:

100% Remittance Freedom: Migrant workers can send every dirham earned back to their families—no deductions, no caps. In 2022, the UAE ranked among the top 3 global sources of remittances, channeling over $47 billion to countries like India, Pakistan, Egypt, and the Philippines.

Opportunity Without Exploitation: While critics cherry-pick anecdotes of labor abuses, Dubai has implemented sweeping reforms: banning recruitment fees, mandating wage protection systems, and criminalizing non-payment of salaries. For millions, Dubai offers a chance to escape poverty that Western visa denials perpetuate.

As Western nations tighten immigration policies, Dubai’s openness provides a blueprint for inclusive growth. A Pakistani driver in Dubai can earn tenfold his home salary, funding his children’s education. A Filipino nurse remits wages to build a family home. These stories are Dubai’s untold legacy.

Western Hypocrisy: Judging From Afar

Western elites, insulated by privilege, frequently dismiss Dubai as a “playground for the corrupt” or “money-laundering oasis.” These claims ignore key realities:

Dubai’s Regulatory Vigilance: The UAE has strengthened AML laws, joined the OECD’s Inclusive Framework on tax transparency, and collaborates with Interpol to combat financial crime.

Western Complicity: Cities like London and New York remain the world’s largest hubs for illicit finance, with anonymous shell companies and lax real estate regulations. Yet Dubai faces disproportionate scrutiny.

Cultural Arrogance: Western critics dismiss Dubai’s hybrid governance—mixing Islamic finance with global trade—as “illiberal,” rather than acknowledging its success in stabilizing a diverse, multicultural society.

The irony? While the West lectures Dubai, its own policies—steep taxes, bureaucratic visa systems, and remittance fees—directly harm the developing world.

Conclusion: Dubai as a Global Catalyst

Dubai defies easy categorization. It is neither a Western-style democracy nor a relic of the past. It is a dynamic experiment in pragmatic governance—one that prioritizes results over ideology. By offering tax-free opportunities, embracing migrant labor, and bridging civilizations, Dubai fuels prosperity far beyond its borders.

To Western critics: Before judging Dubai’s skyline from afar, consider the families in Kerala, Manila, or Nairobi whose lives it transforms. True progress isn’t about imposing rigid norms—it’s about creating opportunity. And in that mission, Dubai leads while others lag.

Twana Nwri Entrepreneur & Analyst of Global Economic Systems

References

UAE Central Bank, Remittance Data 2023

The National, "UAE Labor Reforms: A New Era for Migrant Workers" (2023)

World Bank, Global Remittance Trends (2023)

OECD, UAE Tax Transparency Report (2022)

[indiahistoricaltours]

Blog On Punjab

Amritsar and the Golden Temple:

Amritsar is the heart of Punjab, spiritually and culturally. The holiest place in Sikhism is the Golden Temple, also known as Harmandir Sahib. The city was founded in 1577 by Guru Ram Das, the fourth Guru of Sikhism, on land gifted to him by Emperor Akbar. Guru Ram Das conceived the idea of a spiritual, harmonious abode and meeting ground and so established the city, with the setting of the pool of nectar known as Amrit Sar that was around which the later Golden Temple was to rise. The Golden Temple

Guru Arjan Dev laid the foundation of the Golden Temple in 1581. He also prepared the Adi Granth during this period and it was installed in the Golden Temple in 1604. The style of architecture is a combination of Hindu and Islamic. It is so because Sikhism is an inclusive religion. The gilded dome with the serene reflection of its surroundings in the pool is an inspiring view of spirituality and devotion.

History had witnessed that the Golden Temple served as a Sikh centre for worship and pilgrimage. It also has been a spot that has seen other historically important events, like martyrdom due to Guru Arjan Dev at the hands of the Mughal Emperor Jahangir for failure to embrace Islam in view of pressure from the latter.

The Golden Temple was targeted during the colonial period by the British, but it became an icon of Sikh resilience. In 1984, the temple turned out to be a point of political tension since the Indian government, headed by Prime Minister Indira Gandhi, started Operation Blue Star to take out the militants from the complex. The operation resulted in extensive damage to the Golden Temple and the killing of many people, and it finally led to the Sikhs being in turmoil and fuming.

Despite all these obstacles, Golden Temple is a symbol of Sikh identity, spiritualism, and justice and equality. The Golden Temple is also used as a platform for relief work; for instance, its langar feeds thousand people in a day not considering any caste or religion.

Other places in Amritsar:

Besides the Golden Temple, this city has many other significant landmarks. Jallianwala Bagh is a historical garden and memorial where over hundreds of unarmed Indian civilians were killed in 1919 by British General Dyer on his order that galvanised the independence movement of India.

The other significant place is Wagah Border, which is about 30 kilometres from Amritsar. It forms the international boundary between India and Pakistan. Lowering Ceremony of Flags everyday at Wagah has emerged as an icon of two nation theories.

 Amritsar comprises a number of other Gurdwaras or Sikh temples, such as Gurdwara Bibeksar Sahib, Gurdwara Ramsar Sahib, and Gurdwara Tarn Taran Sahib, which are also important from religious and historical points of view.

                                         

  History Of Punjab

It is situated in the northern West subcontinent, and its land of deep historical and cultural evolution in Punjab, marked as much by the interplay of varied cultures, religions, and dynasties; Punja in Persian means five, as there are five rivers—the name 'Punja' originated from the Panja-Aab, as per the Persian words-five or panj meaning 'five' and 'ab,' water. Punjab has historically been the melting pot of various civilisations over time and significantly contributes to Indian and global history.

Punjab has its roots dating back to the beginning of Harappan Civilisation, which belonged to a period around c. 3300 – 1300 BCE-considered one of the oldest cultures of the urban world-in the Indus Valley. Major archaeological evidence at these sites in the present-day Pakistan demonstrates an extensive urban plan, trade, and various craft and skills.

After the Indus Valley Civilisation declined, several Indo-Aryan tribes took over the region and established it as the basis for the Vedic period, extending from 1500-500 BCE. It is during this period that the region became a hub for the diffusion of Hinduism, with the epic Mahabharata referring to many locations in Punjab.

Foreign Invasions

The Middle Ages saw the entry of various foreign invasions in Punjab. The Mauryan Empire ruled the region, followed by the Kushan and Gupta Empires; however, Punjab's great historical turning point took place in the 11th century, with the raids of Mahmud of Ghazni, followed by the institution of the Delhi Sultanate in the 13th century. Punjab has, therefore, been a seat of many major battles with a mix of Persian-Afghan and Indian influence.

Sikhism was founded by Guru Nanak in the Punjab region during the 15th century. This religion stressed monotheism, equality, and service to the community. Under Guru Arjan Dev, the faith prospered in Punjab as he established the Adi Granth, which is the central script of Sikhism, besides establishing the foundation for the Golden Temple at Amritsar.

Actually, it was during the time of Guru Gobind Singh in the late 17th century that Sikhism saw its transformation since he instituted the making of the Khalsa with his faithful-the dedicated Sikhs who were entrusted with the duty of protecting the faith. The persecution of the Sikh faith by the Mughals generated numerous battles that eventually turned to assist in the founding of this community because of the strength that was posed by Maharaja Ranjit Singh, as one of its major strongholds.

Maharaja Ranjit Singh established the Sikh Empire in the early 19th century, which united Punjab under one banner. The period of his rule from 1799 to 1839 is known for relative peace, prosperity, and military success. Sikh Empire administration was strong; roads were built, forts were constructed, and agriculture was encouraged. However, after Ranjit Singh's death, the empire weakened and eventually fell to the British in 1849, following the Second Anglo-Sikh War.

Punjab was annexed by the British Empire in the mid-19th century. Under British rule, Punjab was an important administrative and military region. The British constructed infrastructure but also introduced policies that led to widespread resentment among the local population, leading to events like the Jallianwala Bagh massacre in 1919, where British troops killed hundreds of unarmed Indian civilians protesting against colonial rule.

Punjab became a prominent center of activity during the independence struggle. The region played a very important role in the independence movement, and most of the major figures of the time, such as Lala Lajpat Rai and Bhagat Singh, came from the area.

The Indian subcontinent was partitioned in 1947, creating India and Pakistan. East Punjab fell into India while West Punjab became part of Pakistan. Partition led to the most significant mass migration in the world, with violence, displacement, and suffering as massive and widespread as can be imagined.

[ardfile]

Religious Tourism: Exploring Sacred Sites Around the World

Religious tourism, also known as faith tourism, attracts millions of travellers each year to destinations steeped in spiritual significance. These journeys are not just about sightseeing; they offer pilgrims and travellers a chance to connect deeply with their faith, culture, and history. Here is a look at some of the world’s most revered religious tourism sites, showcasing their cultural and spiritual importance.

Mecca, Saudi Arabia

Mecca is the holiest city in Islam and the birthplace of the Prophet Muhammad. Every year, millions of Muslims participate in the Hajj pilgrimage, fulfilling one of the Five Pillars of Islam. The Kaaba, located in the Masjid al-Haram mosque, is the focal point of Islamic worship and prayer. Visiting Mecca is a once-in-a-lifetime obligation for all able-bodied Muslims who can afford the journey.

The Vatican City, Rome, Italy

As the heart of the Roman Catholic Church, the Vatican City is a major pilgrimage destination. Home to St. Peter’s Basilica, the Sistine Chapel, and the Vatican Museums, it offers both spiritual enrichment and artistic inspiration. The Pope’s public appearances and blessings attract pilgrims from around the globe.

Varanasi, India

One of the oldest continuously inhabited cities in the world, Varanasi holds immense spiritual significance for Hindus. Located on the banks of the Ganges River, it is believed to be a gateway to liberation from the cycle of life and death. The city’s ghats, such as Dashashwamedh and Manikarnika, are centers for prayers, rituals, and cremations.

Jerusalem, Israel

Jerusalem is a sacred city for Judaism, Christianity, and Islam. Sites like the Western Wall, the Church of the Holy Sepulchre, and the Dome of the Rock attract millions of visitors annually. The city’s rich history and religious diversity make it a unique spiritual hub.

Lumbini, Nepal

Lumbini is the birthplace of Siddhartha Gautama, who became the Buddha. It is one of the most important pilgrimage sites for Buddhists. The Maya Devi Temple, monastic zones, and Ashokan Pillar draw visitors seeking peace and enlightenment.

Bodh Gaya, India

Another prominent Buddhist site, Bodh Gaya is where Buddha attained enlightenment under the Bodhi Tree. The Mahabodhi Temple complex is a UNESCO World Heritage site and a magnet for devotees and spiritual seekers.

Kashi Vishwanath Temple, India

Dedicated to Lord Shiva, this temple in Varanasi is one of the most famous Hindu shrines. Its spiritual ambiance and rituals attract millions of devotees, especially during the Maha Shivaratri festival.

Mount Kailash, Tibet

Mount Kailash is sacred to Hindus, Buddhists, Jains, and Bon adherents. Pilgrims undertake the challenging circumambulation (kora) around the mountain, believed to bring spiritual purification and enlightenment.

Canterbury, England

The Canterbury Cathedral is a key site in Christian pilgrimage history, famously connected to Saint Thomas Becket. Chaucer’s Canterbury Tales immortalized the tradition of pilgrimage to this historic English city.

Medjugorje, Bosnia and Herzegovina

Known for the reported apparitions of the Virgin Mary since 1981, Medjugorje has become a spiritual destination for Catholics. Pilgrims visit to experience its prayerful atmosphere and participate in religious events.

Shwedagon Pagoda, Myanmar

The Shwedagon Pagoda is one of Buddhism’s most sacred sites, housing relics of four Buddhas. The golden stupa dominates Yangon’s skyline and is a centre for meditation and religious ceremonies.

Amritsar, India

The Golden Temple, also known as Harmandir Sahib, is the holiest site in Sikhism. Its stunning golden architecture, serene Amrit Sarovar (holy pool), and the daily langar (community meal) embody the principles of equality and service.

Conclusion

Religious tourism offers an opportunity to explore humanity’s diverse spiritual heritage. Whether seeking personal enlightenment, cultural understanding, or historical insight, these sacred sites provide profound experiences that transcend borders and beliefs. As you plan your next journey, consider the spiritual and cultural treasures these destinations have to offer.

Get your reservations here:

[marwahstudios]

S.K. Musical Sensation Honors Dr. Sandeep Marwah for Promoting Young Talent

New Delhi: S.K. Musical Sensation organized the prestigious Singing Pride of India award ceremony at the India Islamic Cultural Centre, New Delhi. This event served as a platform for budding young singers to showcase their talents on stage, celebrating their musical journey.

The event was organized by Daksh Goel and Samar Khan, who took the opportunity to present an award to Dr. Sandeep Marwah. Dr. Marwah, a highly respected figure in the media and entertainment industry, was recognized for his outstanding contributions to nurturing young talent through various platforms, including Radio Noida 107.4 FM, as well as his work in television programs, and numerous events hosted at his own venues.

In addition to his efforts in promoting young talents, Dr. Sandeep Marwah is the esteemed President of the AAFT School of Music and the Asian Academy of Arts. He is associated with several professional and voluntary organizations dedicated to promoting Indian classical and light music, further strengthening his role as a cultural ambassador for India.

This award highlights Dr. Marwah’s enduring commitment to the development of young artists and his continuous support for preserving India’s rich musical heritage.

[radhiyafurat]

A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites

Explore the most famous mosques, temples, and historical places in Malaysia as you go on an amazing journey that reveals the rich weave of country's past. Trip offers an in-depth exploration of Malaysia's many spiritual and historical landscapes, from complex beauty of Batu Caves and the peaceful elegance of Masjid Jamek to the intriguing historical passageways of George Town and Malacca. Take in the vivid customs and architectural wonders that exemplify the nation's multiculturalism and provide you a deep understanding of its spiritual and historical heritage. 

Whether you're looking for peaceful beaches, vibrant cityscapes, or lush rainforests, Malaysia tour packages provide an exciting assortment of activities suited to fit every traveller's interest when organising your ideal holiday. With Malaysia holiday packages, you may discover rich history and culture of the nation, which includes imposing temples, storied mosques, lively marketplaces, and unspoiled natural areas. These packages frequently consist of lodging, guided tours, and carefully chosen activities that guarantee smooth and enriching trip to some of Malaysia's most attractive locations. Accept the ease and thrill of professionally crafted vacation packages and lose yourself in the singular wonders that Malaysia has to offer. 

Here are A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites: 

Temples 

Batu Caves (Kuala Lumpur): 

Located not far from Kuala Lumpur are the limestone caves and cave temples known as Batu Caves. Dedicated to Lord Murugan, it is one of the most well-known Hindu shrines outside of India. One of the tallest statues of a Hindu deity in the world, at 140 feet tall, is located at this location and is dedicated to Lord Murugan. Climbers can reach the Temple Cave, which has a beautiful perspective of the city and various Hindu sites, by ascending its 272 stairs. Held every year, the Thaipusam festival attracts thousands of tourists and religious alike. 

Thean Hou Temple (Kuala Lumpur): 

The famous six-tiered Thean Hou Temple in China is devoted to the Heavenly Mother, Thean Hou, who is said to guard fisherman. Situated atop a hill, the temple offers an expansive view of Kuala Lumpur. Its architecture, which combines traditional and modern elements, is characterised by elaborate paintings, statues of deities, and elaborate carvings. The temple complex serves as a centre for social and cultural events and has a tortoise pond, a Chinese medicinal herb garden, and a marriage registration office. 

Kek Lok Si Temple (Penang): 

The greatest Buddhist temple in Malaysia is Kek Lok Si Temple, also referred to as the Temple of Supreme Bliss. This expansive complex, which is situated in Air Itam, Penang, is made up of carefully designed gardens, prayer rooms, and temples. The seven-story Pagoda of Ten Thousand Buddhas, which combines Thai, Burmese, and Chinese architectural styles, is the temple's most identifiable feature. The majestic 99-foot statue of Kuan Yin, the Goddess of Mercy, is another focal point. Thousands of lights flood the entire temple during Kek Lok Si's amazing yearly Chinese New Year celebrations. 

Mosques 

Masjid Negara (National Mosque, Kuala Lumpur): 

Malaysia's national mosque, Masjid Negara, represents the nation's Islamic past. Completed in 1965, the mosque's modernist architecture includes a 240-foot minaret and a unique 18-point star-shaped dome. Up to 15,000 worshippers can fit in the main prayer hall, which is flanked by lovely fountains and reflecting pools. The 13 acres of gardens around the mosque create a calm environment for prayer and introspection. Outside of prayer times, non-Muslim visitors are welcome to view the mosque; robes are available for those who require them. 

Masjid Putra (Putrajaya): 

One of Malaysia's most gorgeous mosques is Masjid Putra, also referred to as the Pink Mosque. The mosque, which is housed in the Putrajaya planned city, has a pink dome made of rose-colored granite. It has one of the tallest minarets in the area, standing at 380 feet, and can hold up to 15,000 worshippers at once. The mosque's interior is decorated with geometric patterns and beautiful Islamic calligraphy, while its exterior combines traditional Malay and Middle Eastern architectural elements. The mosque offers incredible views and peaceful surroundings next to Putrajaya Lake. 

Masjid Zahir (Alor Setar): 

Constructed in 1912, Masjid Zahir is among the oldest and most luxurious mosques in Malaysia. Situated at the centre of Alor Setar, Kedah, this mosque is well-known for its beautiful design with a Moorish influence. The central black dome of the main prayer hall is crowned by five huge domes that represent the five pillars of Islam. The interior of the mosque is as amazing, with beautifully carved oak doors, stained glass windows, and chandeliers. Masjid Zahir is the centre of the local Muslim community and the venue for a variety of religious activities. 

Historical Sites 

Malacca (Melaka) Historical City: 

A UNESCO World Heritage Site, Malacca is a city rich in colonial beauty and history. Being one of Malaysia's oldest towns, it was a major commercial port that was influenced by the British, Portuguese, and Dutch. Important historical landmarks include Christ Church, a 1753 Dutch Reformed church; St. Paul's Hill, which provides sweeping views of the city; and the ruins of the A Famosa fort, a Portuguese bastion from the sixteenth century. The lively Jonker Street, which showcases Malacca's diverse past, is well-known for its antique stores, night market, and mouthwatering street cuisine. 

George Town (Penang): 

Another UNESCO World Heritage Site, George Town is the capital city of Penang and is known for its diverse range of cultures and exquisitely preserved colonial architecture. Indian temples, Chinese shop houses, and British colonial architecture coexist in the city's historic centre. The Khoo Kongsi clan mansion, which displays fine Chinese architecture and craftsmanship, the magnificently restored Cheong Fatt Tze Mansion, commonly known as the Blue Mansion, and the colourful street art that covers the city's walls are among the notable attractions. The varied food scene of George Town is a reflection of its multicultural background. 

Sultan Abdul Samad Building (Kuala Lumpur): 

A famous landmark in Kuala Lumpur, the Sultan Abdul Samad Building is situated in front of Merdeka Square. Constructed in 1897, the building currently houses the Ministry of Communications and Multimedia and functioned as the administrative hub for the British colonial administration. Its beautiful Moorish-style design includes copper domes, arched colonnades, and a clock tower. The building is a well-liked location for photos since it looks particularly beautiful at night. The structure is situated in Merdeka Square, which has a rich history as the location of Malaysia's 1957 independence declaration. 

Bujang Valley (Kedah): 

The state of Kedah is home to the important archaeological site Bujang Valley, which offers proof of Malaysia's prehistoric Hindu-Buddhist culture. The location is home to the remnants of historic temples known as candi, which date back to the early centuries AD. Artefacts from the region's past as a commerce hub, including ceramics, beads, and stone inscriptions, are housed in the Bujang Valley Archaeological Museum. The valley's beautiful surroundings, including its river and rich vegetation, increase its allure as a travel destination for both history buffs and environmentalists. 

Conclusion: 

More than just a trip through impressive structures, a cultural tour of Malaysia's temples, mosques, and historical sites offers an instructive look into the country's rich cultural and spiritual history. Every location provides a different perspective on Malaysia's rich history and diverse identity, from the imposing mosques serving as symbols of unification to the amazing temples secluded away in beautiful settings. As you ponder over the exquisite craftsmanship, timeless customs, and interesting past you have seen during your travels, you will come to understand Malaysia's dual function as a historical landmark and a melting pot of cultures. 

[aneetasingh]

Gets Holiday India Tour's 3-Day Golden Triangle Tour

With the help of Gets Holiday India Tour's 3-Day Golden Triangle Tour, have a captivating trip across India's Golden Triangle. The goal of this condensed yet thorough trip is to highlight the vivid cultures, lengthy histories, and stunning architectural features of Delhi, Agra, and Jaipur—three of India's most famous cities. This tour promises a fascinating experience of India's rich history and colorful present, from the majestic forts and palaces of the Rajput monarchs to the architectural wonders of the Mughal era.

Day 1: Delhi's Historic Charm

Examining the Heritage of Delhi

The voyage begins in Delhi, the nation's capital, where modernity and ancient history mix. The day is devoted to touring important sites, such as the imposing Red Fort, the tranquil Jama Masjid, and the busy Chandni Chowk streets, where one can take a rickshaw ride. The trip continues to the Parliament House, which displays the city's colonial past, and the India Gate, a war memorial. A visit to Qutub Minar, a UNESCO World Heritage Site that represents the architectural genius of Islam, rounds up the day.

Day 2: The Mughal Magnificence of Agra

Seeing the Taj Mahal in the morning

The famous Taj Mahal is located in Agra, which is reached by early morning drive. Seeing the sun rising over this symbol of love is an event that comes only once in a lifetime. After seeing the Taj Mahal, the Agra Fort—another UNESCO World Heritage Site—unveils, via its magnificent architecture, the regal lifestyle of the Mughal emperors.

Examining the Craftsmanship of Agra

Along with providing an insight into Agra's rich history of craftsmanship, the tour includes visits to local markets that showcase renowned leather items, marble inlay work, and the sweet treat known as Petha.

Day 3: The Royal Legacy of Jaipur

City Palace and Amber Fort

The tour's last stop is Jaipur, often known as the Pink City, which is well-known for its magnificent forts and mansions. The trip starts with a visit to the Amber Fort, a magnificent illustration of Rajput building. After that, the museums and courtyards of the City Palace in the centre of Jaipur provide insights into the royal legacy.

Hawa Mahal and Jantar Mantar

A trip to the Jantar Mantar observatory demonstrates the Rajput monarchs' scientific prowess, and a photo opportunity abounds with the famed Hawa Mahal (Palace of Winds) façade.

Going back to Delhi

The journey return to Delhi marks the end of the Golden Triangle tour, leaving travelers with enduring impressions of India's natural beauty and cultural treasures.

Why Opt for India's Gets Holiday Tour?

Professional Advice

Go with knowledgeable guides who will not only explain the historical significance of each location but also fully immerse you in the local way of life.

Convenience and Comfort

Take advantage of luxurious transportation and well thought-out itineraries that guarantee you see the most of the Golden Triangle in just three days.

Adaptable Experience

The schedule is flexible with Gets Holiday India Tour, enabling changes based on individual interests and preferences.

In summary

Gets Holiday India Tour's 3-day Golden Triangle Tour is the ideal way to experience India's opulent architecture, rich history, and dynamic culture. It promises an amazing excursion into the heart of India in addition to a trip to the well-known cities of Delhi, Agra, and Jaipur.

FAQs

Which season is ideal for taking the Golden Triangle Tour? Does the tour package include monument entrance fees? Is it possible to meet dietary requirements while on the tour? Regarding the Golden Triangle Tour, what should I bring? How do I make a reservation for Gets Holiday India Tour's 3-day Golden Triangle Tour? With Gets Holiday India Tour, where every journey is meticulously and passionately planned, you can truly experience the spirit of India's rich history and culture.

Click here to get access now: https://getsholidayindiatour.com/golden-triangle-tour-3-days/

3 Days Golden Triangle Tour

Overview

 Skip The Line

 Duration: 2 N/3 D

 Free cancellation

 Instant Confirmation

 Private Tour

3 Days Golden Triangle Tour is the ideal way to experience India’s Rich culture and heritage in a short span of time. The tour kicks off with a visit to the iconic attractions of Delhi, including the Red Fort, India Gate, Jama Masjid, and Humayun’s Tomb. After taking in the sights of Delhi, the tour continues to Agra, home to the iconic Taj Mahal and Agra Fort. The tour then moves on to Jaipur, the “Pink City” of India, where you can explore the grand Amber Fort and the unique Hawa Mahal.

Itinerary

Day 1 - Pick-Up in Delhi, Old and New Sightseeing, Drive to Agra.

Day 2 - Agra Sightseeing Tour and Drive to Jaipur.

Day 3 - Jaipur Sightseeing Tour and Drive back to Delhi.

What's Included

Inclusions

Air conditioned chauffeur driven private car

Pick up and Drop

Story teller tour guide

All toll taxes, parking fee, camera fee

Lunch at a restaurant

Monument tickets

Exclusions

Gratuties

Any sort of drinks

personal expense

[enroutetravels]

 Best Tour And Travels In Delhi

Introduction:

Delhi, the heart and soul of India, stands as a testament to the nation's rich history and cultural diversity. A city that seamlessly blends the old with the new, Delhi is a treasure trove for travelers seeking a captivating journey through time. From ancient monuments to bustling markets, from vibrant festivals to delectable street food, a tour of Delhi promises an immersive experience that leaves an indelible mark on every visitor.

Historical Marvels:

Delhi, with its historical significance, boasts a plethora of architectural wonders that narrate tales of bygone eras. The UNESCO World Heritage Site, Qutub Minar, stands tall as an emblem of Indo-Islamic architecture. Built in the 12th century, this towering minaret is surrounded by lush gardens and ancient ruins, offering a mesmerizing glimpse into Delhi's past.

The Red Fort, another UNESCO World Heritage Site, is a majestic fort that served as the main residence for Mughal emperors for nearly 200 years. The intricate carvings, sprawling courtyards, and the iconic Lahori Gate make it a must-visit destination for history enthusiasts.

India Gate, a war memorial built in honor of the soldiers who sacrificed their lives during World War I, stands proudly at the heart of Delhi. Surrounded by lush lawns, it serves as a popular spot for both locals and tourists to unwind and reflect.

Cultural Extravaganza:

Delhi's cultural diversity is best experienced through its myriad festivals, art exhibitions, and performances. The Dilli Haat, a cultural hub, brings together artisans from across India, offering a vibrant tapestry of handicrafts, traditional clothing, and mouthwatering cuisine. The annual Surajkund Crafts Mela is a celebration of India's diverse crafts and traditions, attracting artists and visitors from around the world.

For art enthusiasts, the National Gallery of Modern Art showcases a rich collection of contemporary and modern Indian art. The iconic India Habitat Centre hosts regular cultural events, including dance performances, music concerts, and literary festivals, providing a platform for artists to showcase their talents.

Culinary Delights:

Delhi's gastronomic landscape is a testament to the city's eclectic mix of cultures. Chandni Chowk, one of the oldest and busiest markets in Old Delhi, is a paradise for food lovers. From the spicy delights of Paranthe Wali Gali to the sweet aroma of jalebis at Old Famous Jalebi Wala, this bustling market offers a gastronomic journey like no other.

Karim's, located near Jama Masjid, is renowned for its Mughlai cuisine. The succulent kebabs and aromatic biryanis served here transport diners to the royal kitchens of the Mughal era. Connaught Place, with its array of cafes and restaurants, caters to diverse palates, offering everything from international cuisines to local street food.

Modern Marvels:

Delhi's modern skyline is a reflection of its rapid development and global influence. The Lotus Temple, a Bahá'í House of Worship, is a stunning architectural marvel with its lotus-shaped structure. This serene temple welcomes people from all walks of life, promoting the unity of diverse religions and cultures.

The Akshardham Temple, dedicated to Swaminarayan, is a sprawling complex showcasing the rich heritage of Indian culture. The intricately carved walls, the stunning water show, and the enlightening exhibitions make it a must-visit destination for spiritual seekers and architecture enthusiasts alike.

Conclusion:

Delhi, with its kaleidoscope of history, culture, and modernity, offers a unique and enriching experience for every traveler. From the ancient wonders that narrate tales of empires to the vibrant markets that showcase India's diversity, the city is a captivating destination that beckons explorers from around the world. A tour of Delhi is not just a journey through geographical landmarks; it is an odyssey through time, a celebration of culture, and an exploration of the soul of India.

Any Other Information Related To Travel

Contact - 9700649700

Website -https://www.enroute.travel/delhi-tour-packege.html

[papenathys]

Bengali Academia

Last time I made a compilation of some Indian Academia picks, most of which were works written in English. So I thought I'll put together a book rec list but this time the works are in Bengali as we have a very rich heritage and it's high time I promoted my own culture :) this list is subjective and contains entries compiled with the help of my family and friends. Please keep in mind that the Bengali literary canon is VAST and encompasses works from India and Bangladesh and I cannot possibly represent every single author I have ever read and loved.

Political:

Pather Dabi [transl: The Way of The Road] by Sarat Chandra Chattopadhyay: revolutionary secret society in colonial india!! an actually likeable hero!! splendid anti establishment bengali youths!! themes like untouchability, decolonisation and female empowerment!! I will rec this book until my absolute dying breathe, especially because the whites™ banned it.

Ghare Baire [transl: The Home and the World] by Rabindranath Tagore: explores complex paradoxes in the early phase of the national independence movement, like western "progressive" theory vs western imperialism, patriotism vs aggressive nationalism, and the double alienation of desi women by Britishers + their own society. raises very pertinent questions about forceful "emancipation" of women, very layered characters and gorgeous prose.

Char Adhyay [transl: Four Chapters] by Rabindranath Tagore: you can read this as either the star-crossed love story of revolutionaries Ela and Atin, or a scathing critique of militant nationalism, embodied by the brilliant, ruthless, manipulative rebel leader Indranath. or both. either way, a great portrayal of systematic brainwashing by extremist groups, though does get a tad bit angsty at times.

Kaalbela [transl: Doomsday] by Samaresh Majumdar: you know the drill. Naxalite movement. Bengal burning. Love in the times of communism and revolution and police raids. Fun stuff. If you loved Udayan and Gauri from The Lowland pls read this.

Hajar Churashir Maa [transl: 1084's Mother] by Mahasweta Devi: a harrowing exploration of 70s Naxalite Bengal, state brutality, and the cost of resistance as seen through the eyes of Sujata, a mother battling to piece together the events leading to the murder of her son, rebel Brati. this one is particularly devastating and can be triggering in the current political climate. but god, what a read.

Social:

Pather Panchali [transl: Song of the Road] by Bibhutibhushan Bandopadhyay: if you haven't read the book, you have probably heard of the equally gorgeous movie. It's about a village on the far precincts of rural Bengal, it's about a brother and a sister and a family whose destinies keep pulling them apart and together, and it's about other things too, a field after a rainstorm, fresh mangoes, the gnaw of hunger and the kind of love that suffers.

Padma Nadir Majhi [transl: The Boatman on the River Padma] by Manik Bandopadhyay: an epistolary story about the lives of the impoverished fishermen community living in the Padma delta strip in Bangladesh, and a man ferrying relocated settlers to a utopian riverine island named Moynadip. The river acts almost as a sentient presence through this novel about class conflicts. I remember reading this in middle school, the prose is to die for. Also, Kuber, the main character is v.v. good I kind of love him.

Satyabati trilogy by Ashapurna Debi: *slams hands on table* INTERGENERATIONAL FEMALE RAGE!! mother and daughter and granddaughter battling the same oppressive fate!!! Feminist and anti brahmanical academia!! Women writing about women!!

Chokher Bali [transl: Eyesore] by Rabindranath Tagore: it's about two women- beautiful briliant widow Binodini and her sweet naive friend asha, and the way their stories spill into each other. sometimes privileged men write surprisingly good stories about women who are flawed, women who want things, women with ambition and love and tenderness and lust and regret and jealousy.

Srikanto by Sarat Chandra Chattopadhyay (#1): bisexual himbo spends entire adolescence pining after hot male best friend before growing up, doing drugs and getting reunited with a former flame who now works as a courtesan. Involved: a snake charmer, baggy pants, feverish dreams, ghosts on the river's edge, and this one line that keeps me awake all night and which I totally lost in translation: "sometimes the best kind of love bewitches. Other times, it simply dethrones you."

Devdas by Sarat Chandra Chattopadhyay: or as I like to call it childhood sweethearts Dev and Paro battles The Bengali Class Hierarchy and Third Degree Alcoholism while the courtesan Chandramukhi is busy being an unproblematic angel whom I love :) also pls don't watch the film it is kind of cringe idk

Aranyak [transl: Of the Forest] by Bibhutibhushan Bandopadhyay: read the memo it's about forests. it's about a man enamoured by forests and it's about people whose lives are inextricably bound to the trees, for better and for worse. actually pretty sad, but the journey through that sadness is lovely.

Non fiction

Pakdondi by Leela Majumdar: whimsical, gentle memoir/travelogue about the author's childhood in Shillong and Calcutta. Think hill stations and winter flowers and soft sunshine. Has the wistful nostalgia of a Ghibli film. I love her writing sm.

Any work by Nabaneeta Deb Sen, particularly Truck Bahone McMahon [transl: On a Truck Alone to McMahon], which details her road trip to the North East Indian states in the humorous precision only she can bring. Her writing style blends factual and funny in the same vein as Ruskin Bond and I had a good time with this.

Deshe Bideshe [transl: In a Land Far from Home] by Syed Mujtaba Ali: an account of the author's two year stay in Kabul between 1927-29 when the country was going through sweeping reforms under the controversial reign of King Amanullah. It's a little glimpse into a system and a time not often documented in literature, and Ali's writing is a gem. you'll enjoy this is you enjoy Ruskin Bond and William Dalrymple.

Mythology/Retellings

Rajkahini [transl: Stories of Kings] by Abanindranath Tagore: another favourite, lyrical, descriptive, half magical half historical goodness, this collection of short stories centres around ancient Rajput dynasty folklore and mythical histories. The accompanying illustrations are equally beautiful.

Tagore's Nritya Natya (dance drama) series of plays which centre around folklore. Think royal intrigue, warrior princesses falling in love with gods and the plight of benevolent monks and "untouchable girls". I adore nritya natya because most bengali girls learn these plays and the leitmotif songs and stories growing up.

Shei Shomoye [transl: Those Days] by Sunil Gangopadhyay: written in Sunil's typical wistful lilt, it is a retelling of the life of Bengali satirist and playwright Hutum Pacha (aka kaliprasanna sinha) as well as several historical figures like Michael Madhusudan, Tagore etc. Recommended by my mutuals and followers alike.

Tungabhadrar Tire [transl: By the Tungabhadra] by Sharadindu Bandyopadhyay: a fleet carries two princesses to vijaynagar where one of them is to wed the king as part of a political alliance. but of course things fall apart (as they always do) and you get a whole cocktail of torrid affairs and 14th century politics albeit the joy is tempered considerably by the author's very Quirky Misogyny and a certain degree of SLB-esque Islamophobia ://

Poetry

Shakti Chattopadhyay (themes: restlessness, nature, modernism, translated verses)

Kalyani Thakur Charal (social commentary, dalit representation, feminism)

Rabindranath Tagore (mysticism, pastoralism, time)

Jibanananda Das (speculative, modernism, existentialism)

Michael Madhusudan Dutta (epic poetry, nature, sonnets)

Kazi Nazrul Islam (patriotic, anti colonial, social commentary......an icon ahead of his time.....king™)

Self indulgent recs

Abol Tabol by Sukumar Ray is one of those priceless books of nonsense/satire poetry rendered second grade in translation, I'm afraid. If you can, read the Bengali version. In fact, read any of Sukumar Ray's works, it's like taking an acid trip with Hayao Miyazaki and Louis Caroll, icon really created That Rich A Bibliography™ in his unfairly short life :') it's funny, it's unsettling, it's ridiculous, it's savage.

Professor Shonku series by Satyajit Ray: this sci-fi/thriller collection is written in the format of a long-lost journal, detailing the colourful and sometimes genuinely creepy adventures of whimsical old scientist Trilokeshwar Shonku. The professor is aided on his trips by faithful and benevolently dumb attendant Prohlad and his cat Newton. This series is so ridiculous and inventive and good, Ray's writing is so readable and the accompanying illustrations are charming AF. A nostalgic fave.

Feluda series by Satyajit Ray: you've partaken of bengali culture, you have studied museums and archives and watched documentaries. But did you read feluda? No? Not a very successful cultural integration then, was it?

Podi Pishir Bormi Baksho (transl: The Burmese Box of Aunt Podi) by Leela Majumdar: one eventful night, the Burmese treasure chest of a formidable bengali matriarch is stolen, spawning generations of hatred, bloodshed and betrayal. PEAK comedy gold. every time I reread this book it leaves me in hysterics.

Byomkesh series by Sharadindu Bandyopadhyay: rounding off this list with my favourite dark academia detective boy, byomkesh is very well written and very likeable and very aesthetiqué if you are looking for crimes and felony and the seven deadly sins in the heart of colonial and post-partition calcutta. if you like Poirot, you will love this series, particularly the earlier stories.

This list is definitely not comprehensive! For logistical purposes, I was unable to add Tagore's entire Body of Work©, or ALL of Nazrul's poems....else we'd be here a few days. There are many, many names and titles missing. My list is limited by my own reading experience and the books I know from recommendations. However, I just wanted to make this list for a long time as I rarely see Bengali literature hyped on tumblr. Feel free to add more!

[blackswaneuroparedux]

Treat Your S(h)elf

The Places In Between by Rory Stewart

“I offered Asad money but he was horrified. It seemed a six-hour round trip through a freezing storm and chest deep snow was the least he could do for a guest. I did not want to insult him but I was keen to repay him in some way. I insisted, feeling foolish. He refused five times but finally accepted out of politeness and gave the money to his companion.Then he wished me luck and turned up the hill into the face of the snowstorm." 

- Rory Stewart

Just weeks after the fall of the Taliban in January of 2002 Scotsman Rory Stewart began a walk across central Afghanistan in the footsteps of 15th Century Moghul conqueror Emperor Babur and along parts of the legendary Silk Road, from Herat to Kabul. He'd find himself in the course of twenty-one months encountering Sunni Kurds, Shia Hazala, Punjabi Christians, Sikhs, Kedarnath Brahmins, Garhwal Dalits, and Newari Buddhists. He said he wanted to explore the "place in between the deserts and the Himalayas, between Persian, Hellenic, and Hindu culture, between Islam and Buddhism, between mystical and militant Islam." He described Afghanistan as "a society that was an unpredictable composite of etiquette, humour, and extreme brutality."

The Places in Between is Stewart's account of walking across Afghanistan from Herat to Kabul in January 2002. The book was the winner of the Royal Society of Literature Ondaatje Award and the Spirit of Scotland Award and shortlisted for the Guardian First Book Award, the John Llewellyn Rhys Memorial Prize and the Scottish Book of the Year Prize.

I first read the book as a teenager a few years after it came out when I was spending a few months doing voluntary work for an Afghan children’s charity in Peshawar, Pakistan with my older sister who was a junior doctor at the time.

I read it on the rocky bus ride from Peshawar, Pakistan and into Afghanistan from Jalalabad to Kabul with my sister and her colleagues. I avidly read the book because I already knew the author through my oldest brother but from a distance because of our respective ages. Little did I realise then that I would be back in Afghanistan a few years later but this time in uniform doing my tour in Afghanistan flying combat helicopters against the Taliban.

I had the book with me (but a newer copy) and it took on a greater prescience precisely because as soldiers, even from the most senior officers on down, we privately questioned what the hell were we really accomplishing in a country ravaged by war since the Soviet invasion in 1979 (and that’s being generous given how history has buried empires into the graveyard of Afghanistan as a testament to their hubris).

Maybe it was hubris or perhaps it was that adventurous strain that needs to be scratched that led Rory Stewart to undertake his madcap journey. Stewart did the entire journey on foot, refusing any other form of transportation (and at one point going back and redoing a section of the walk when he couldn't turn down a vehicle ride). He took an uncommon route straight through the centre of the country and the heart of the mountains, instead of the more common route through the south that bypasses the dangerous mountain passes. This choice was partly because it was shorter, partly because the south was still partially controlled by the Taliban, and partly I suspect (though he doesn't say this explicitly) because it's the less-discussed and less-known route, even today.

This is, therefore, a sort of travel book, describing places that 99.99% of readers in the Western world are very unlikely to ever go. It's also unavoidably political, since Afghanistan is unavoidably political. However, unlike many travel books and many books with political overtones, it's carefully observational, documentary, and quietly understated in a way that gives the reader room to analyse and consider. Stewart focuses on his specific journey and concise, detailed descriptions of what he encountered and lets any broader implications of what he saw emerge from the reader's evaluation. He describes how he reacts to the remarkable natural beauty and almost-forgotten ruins that he encounters, giving the reader a frame and a sense of the emotional impact, but he's not an overbearing presence in the book. The story is clearly personal, but he doesn't dominate it. This is a very difficult line to walk, and I don't recall the last time I've seen it walked as deftly.

Instead there is a real sense that the author has gotten over the novelty of travelling and is more focused on the fundamental circumstances he encounters. The book overall is a fascinating read and there is much to be learned about the epistemologies driving the Afghan people and how different interpretations of Muslim teachings (and likewise, any teachings) can create small, but significant differences between neighbours. He has a gift for vividly describing the people and the landscape without injecting himself too much into the scene.

I suspect every reader will take different things from The Places in Between.

For some readers unaccustomed to the culture of Afghanistan, they would find it distressing to read how dogs are treated in Afghanistan. It's said Prophet Muhammad once cut off part of his own garment rather than disturb a sleeping cat. Unfortunately, he didn't feel equal affection for dogs, and they're "religiously polluting." They're not pets, and they're never petted. A quarter of the way in his journey Stewart has a toothless mastiff pressed upon him by a villager and he named him Babur. The evidence of past abuse could be seen in missing ears and tail, and someone told Stewart the dog was missing teeth because they'd been knocked out by a boy with rocks. Stewart found the dog a faithful companion and said he'd call him "beautiful, wise, and friendly" but that an Afghan, though he might use such terms to describe a horse or hawk would never use it to describe a dog.

But I knew all this growing in Pakistan and India as a small girl. Friends would look perplexed that we Brits - or any Westerners - have dogs or cats as pets and even see them as part of the family.

For me though two big themes stuck out when I first read the book.

One of the things that struck me most memorably is the spider’s web of personal loyalties, personal animosities, different tribes and history, and complexity of Afghan politics that Stewart walks through. Afghanistan is not coherent or cohered in the way that those of us living in long-settled western countries assume when thinking about countries. While there are regions with different ethnicities or dominant tribes, it doesn't even break down into simple tribal areas or regions divided by religion. The central mountain areas Stewart walked through are very isolated and have a long history and a complex web of rivalries, differing reactions to various central governments, and different connections. Stewart meets people who have never traveled more than a few miles from their village, and people who can't go as far as his next day's stop because they'd be killed by the people in the next village. It becomes clear over the course of his journey why creating a cohesive western-style country with unified national rule is far less likely and more difficult than is usually portrayed in the Western news media. The reader slowly begins to realise that this may not be what the Afghans themselves want, and some of the reasons why not.

A large part of that recent history is violent, and here is where Stewart's ability to describe and characterise the people he meets along the way shines. It is a tenet of both Islam and the local culture to give hospitality to travellers, which is the only thing that makes this sort of trip possible. Stewart is generally treated exceptionally well, particularly given the poverty of the people (meat is extremely rare, and most meals are bread at best), but violence and fighting fills the minds and experiences of most people he meets. He memorably observes at one point that one of his temporary companions describes the landscape in terms of violent events. Here, he shot four soldiers. There, two people were killed. Over there is where they ambushed a squad of Russians. It's striking how, after decades of fighting either for or against first the Russians and then the Taliban shapes and marks their mental map of the world. It's likely that few of the people Stewart meets are entirely truthful with him, but even that is an intriguing angle on what they care to lie about, what they think will impress him, and how the Afghan people he encounters display status or react to the unusual.

The second big theme that stuck out for me on a personal note was how Stewart respectfully weaves the wonder of history with the sad lament of the destructive loss heritage on his travels. In the book, Stewart followed roughly the same path as Babur, the founder of the Mughal Empire, did in 1504 at roughly the same time of year. He quotes occasionally from the Baburama, Babur's autobiography, which adds a depth of history to the places Stewart passes through. The Minaret of Jam in the mountains of western Afghanistan is one of the (unfortunately rare) black and white pictures in the centre of this book, and Stewart describes the legendary Turquoise Mountain, the lost capital of a mountain kingdom destroyed by the son of Genghis Kahn in the 1220s, of which the minaret may be the last surviving recognisable remnant. He describes the former Buddhist monasteries at Bamyan in Hazarajat (the region of central Afghanistan populated by the Hazara) and the huge empty alcoves where giant statues of the Buddha had stood for sixteen centuries until destroyed by the Taliban in 2001. This book then is full of history of which  is described with a discerning eye for necessary detail.

How Afghanistan's precious historical and cultural legacy was being destroyed even back in 2002 is heart breaking to read. I think many Westerners certainly know about how the Taliban dynamited the giant Bamiyan Buddha statues over a millennium old because they considered them "idols." Just as profound a loss is discovered by Stewart in his travels. There is a legendary lost city, the "Turquoise Mountain" of the pre-Moghul Ghorid Empire. Archeologists couldn't find it - but when passing through the area, Stewart had found villagers who had, and were looting artefacts with no care for the archeological context or the damage they were doing to the site, selling the priceless wares for the equivalent of a couple of dollars on the black market. This is what he tells us about his discussion with the villagers about the lost city:

"It was destroyed twice," Bushire added, "once by hailstones and once by Genghis." "Three times," I said. You're destroying what remained." They all laughed.

Even as I write this I can’t help but think this episode eerily echoes the madness gripping us in Britain, Europe, and the US (albeit for different reasons) in defacing and pulling down historical statues in wanton in acts of extreme ideological vandalism.

Overall I enjoyed the ‘peace’ of this book as there is a constant tone of a simple purpose. There are some moments along the way that are quite confronting and even frustrating, but so many that are warm and celebratory of the Afghan belief in hospitality.

Perhaps others will differ but I didn’t find too many irritating passages that wax-poetic on the evolution of the traveller. Stewart’s writing style is clinical; completely void of sentimentality, he never allows his own initial or personal meditations on these places overtake his observations, written with much hindsight. Whether being harassed by local soldiers or struggling through snowdrifts Stewart does not bridge a gap with the reader to really get a sense of who he his, as if his own story would detract from the crucial timing of his recordings of this landscape and its people.

His own biography is something out of John Buchan. The son of Scottish colonial civil servant who was born in Hong Kong and grew up in the Far East (and subsequently the second most senior official in the British secret intelligence) before being packed off back to England to Dragon School, Eton and onto Balliol, Oxford to study PPE. A short stint with the Black Watch regiment (as his father and uncle before him) before joining the British Foreign Office and work in some hot spots of the world, including a stint as deputy governor in the Coalition Provisional Authority in Iraq after 2003. He went on to work at the Carr Center for Human Rights Policy at Harvard before returning to the UK to successfully run as a Conservative MP in his native Scotland. Served as a minister in different ministries under Prime Minister Theresa May’s government and improbably came close to upsetting the coronation of Boris Johnson as the next leader of the Conservative party. He resigned from the party rather than be purged and made an unsuccessful bid to run as an independent candidate for London Mayor. He continues to writer and author travel books and front documentaries. He has a storied background but he wears it very lightly.

Of course there is a conceit to the book which in a sense all travel books of this kind that largely goes unquestioned. I don’t think it’s wrong to question a certain kind of entitlement that pervades these kind of books, no matter how much I enjoy reading them especially about countries you have traveled to and know a little bit about. Stewart after all embarks on a journey ‘planning’ to rely on the proverbial kindness of strangers because that is an Islamic cultural and religious value. Try planning a trip anywhere in Western Europe or the USA and Canada. I cannot imagine anyone walking across America, or England and Scotland for that matter, who would believe that he was entitled to expect food, shelter and assistance because he asked for it.

And he does it - as have countless travellers before and after him. Because Stewart succeeds in his journey, he is evidence of an astonishing degree of Afghan Muslim hospitality and generosity. As a back packer who has done it rough not just in Afghanistan but also neighbouring Central Asia as well as Pakistan, India, and China I can see why it might rub some up the wrong way. But I also think it’s not cultural or some sort of colonial arrogance on Stewart’s part. It’s hard to articulate but it’s really a kind of cultured sensitivity of people and lands you already are familiar with or know well from childhood.

Certainly for Rory Stewart - and myself - didn’t exclusively grow up in England and Scotland but in the Eastern post-colonial countries of the ex-British Empire that afforded a privileged childhood (privileged as in a real cultural engagement and immersion) that left a deep appreciation and respect for those countries cultures and traditions. I believe for the vast majority of Western back packers who take adventurous treks across these lands they do so partly out of genuine respect and understanding of different cultures.

For instance, the legacy of this book has been that Rory Stewart has spear headed a long term project called Turquoise Mountain. Alongside his partners, they have been re-creating the "downtown" river district in Kabul and restoring it to it's former glory. They have opened schools for people to re-learn the ancient arts of carving, weaving, architecture, etc. They have supported efforts to restoring city blocks that have been covered in a mountain of trash, and restoring homes where families have lived for centuries. And all for free. The Afghan have never been sure why someone would be doing this out of the goodness of their hearts, but that the poignant irony is that the goodness began with them through their hospitality of the stranger.

The kindness to strangers is a real thing in this part of the world. Kindness to strangers has it roots in fear that the strangers might be gods or their messengers alongside the pragmatic need that strangers in a strange land might need assistance. I sometimes wonder how is it we cannot show the same unabashed kindness to strangers to our homes?

However you slice it, you have to admire Stewart for his mostly un-aided walk across Afghanistan. It does take a certain kind of ballsiness to do it. He carried just his clothes and a sleeping bag (and money), trusting that the villagers along the way would put him up for the night and feed him. He got very sick (diarrhoea and dysentery), was at constant risk of freezing to death in the mountains, and had some very unpleasant encounters with Afghan soldiers in the last few days, after rejecting very strong advice not to walk through this section.

Strangely though nothing about this book is breathtaking of ‘Oriental exoticism’ beloved of Western imagination. Indeed nothing in this book is romanticised and nothing is placed on a pedestal. Stewart writes openly and honestly of all the people he met, those friendly, and those that would've preferred to rob him and leave him dead in a ditch. He's truthful and humorous, and I found myself walking alongside him, a sort of ghost following his rugged trail through mountains, valleys, and Buddhist monasteries.

Re-reading this book when I was doing my tour in Afghanistan with time to kill between missions, I wished George W. Bush and Tony Blair - and all the other Western leaders since these two - could have taken that walk with Stewart and learned the lessons he did. Stewart gives you a sense of the complexity and diversity of the culture and of Islam - and just how ludicrous and ignorant were the assumptions and goals imposed on the country by the invading Westerners. Indeed at the very end of his walk, Stewart reaches Kabul, the heart of the western intervention in Afghanistan and the place where all the political theorists and idealists came to try to shape the country. He describes the impact of seeing draft plans for a national government, which look ridiculous in the light of the country that he just traveled through.

It's a rare bit of political fire in the narrative that's all the more effective since it's one of the few bits of political commentary in the book. Indeed it’s all the more rich and relevant given its emergent commentary and background for the current war being fought there. Stewart necessarily tells only part of the story of Afghanistan, but he tells far more of the story than most will know prior to reading it. It should be mandatory reading for anyone making decisions about how to proceed in that region.

I would recommend anyone take a walk with Rory Stewart.

[princesscatherinemiddleton]

#RoyalVisitPakistan Review

The Duke and Duchess of Cambridge’s official visit to the Islamic Republic of Pakistan has come to an end after five days of engagements, fashion, and last-minute weather disasters. This was the Cambridges’ most high-ranking and complex tour yet, as they visited the country while they are in a state of near-war with India.

Day One - Arrival

Number of engagements: 1 (Arrival at Nur Khan Airbase)

The Duke and Duchess arrived in Pakistan at 9:30pm, local time on Monday 14th October, where they were received by the British High Commissioner to the Islamic Republic of Pakistan (His Excellency Mr Thomas Drew). The Duchess wore a Catherine Walker ensemble, which appeared to have been inspired by the Pakistani shalwar kameez. She also wore her Rupert Sanderson ‘Malory’ Heels, Zeen Woman Earrings, and carried her Zeen Woman Clutch.

Day Two - Education

Number of engagements: 5 (Visit to the Islamabad Model College for Girls; visit to the Margalla Hills; called upon The President of the Islamic Republic of Pakistan and Mrs Arif Alvi; called upon Mr Imran Khan; attended a Reception at the Pakistan Monument given by the High Commissioner to the Islamic Republic of Pakistan)

On their first full day in Pakistan, the Duke and Duchess remained in Islamabad, the capital city of Pakistan. Their first visit was to the Islamabad Model College for Girls (a public school for children from nursery-age to adult), where they learnt more about the Teach for Pakistan programme. Teach for Pakistan is modelled on Teach First, a programme which focuses on improving quality of teaching in schools in the UK. They then went to The Margalla Hills, which is found at the base of the Himalayan Mountain Range. They helped children set up a leopard camera trap, and identify different species of plants. During these engagements, the Duchess wore a Maheen Khan shalwar kameez in Royal Blue, as well as her Zeen Woman Earrings.

The Cambridges then met with President Arif Alvi and, later, Prime Minister Imran Khan. While meeting President Alvi, the Cambridges learnt about Mrs Arif Alvi’s work with breast cancer, and the Duke had the idea to wear breast cancer pins in the photos released from the events. After meeting with Mr Khan, the couple remained and enjoyed lunch with the Prime Minister. Catherine wore a Catherine Walker tunic (in Pakistani green), as well as trousers from Maheen Khan and a Satragni dupatta. She also wore her Zeen Woman Earrings, Emmy London ‘Rebecca’ Shoes, and she carried her Emmy London ‘Natasha’ Clutch.

For their final engagement of the day, the Duke and Duchess of Cambridge atteneded a reception at the Pakistan Monument. The reception was celebrating the very best of Pakistani music and culture, as well as highlighting the UK-Pakistan relationship. William shocked everyone by wearing a Pakistani sherwani, while Catherine wore a sparkly green Jenny Packham gown, as well as Jimmy Choos and new Onitaa Women Earrings.

Day Three - Conservation

Number of engagements: 5 (Visiting a retreating glacier; visiting Bumburet village; watching a Search & Resuce drill; meeting with Kalash people; meeting with General Qamar Javed Bajwa)

The Duke and Duchess of Cambridge travelled to Chitral, in Northern Pakistan, for a day focused on the climate and on conservation. For their first engagement of the day, the Duke and Duchess visited a glacier in the Hindu Kush mountain range. There they learned about how climate change is impacting the glacial landscapes. They then travelled to a Bumburet Village, which suffered from severe flash flooding as a result of nearby glaciers melting. William and Catherine then watched a drill conducted by volunteers from the local Emergency Response Team, which is supported by UK aid, as well as a drill by a local Search and Rescue Team, who demonstrated their ability to evacuate casualties across a river. Before leaving Chitral, the Duke and Duchess of Cambridge visited a settlement of the Kalash people, to learn more about the Kalash community and their unique heritage and traditions. During these events, the Duchess wore an understated outfit made up of two different UFO dupattas, as well as a UFO skirt and a pair of UFO sunglasses. She also wore a Mint Velvet dress (as a shirt), her Really Wild waistcoat, and her Really Wild boots.

After returning to Islamabad, the Duke and Duchess received General Qamar Javed Bajwa, the Chief of Army Staff, and Mrs Qamar Bajwa.

Day Four - Communities (Culture)

Number of engagements: 6 (Arrival in Lahore; SOS Children’s Village; National Cricket Academy; Badshahi Mosque; meeting faith leaders; Shaukat Khanum Children's Cancer Centre)

For their final full day in Pakistan and the best day of their tour, the Duke and Duchess of Cambridge travelled to Lahore, a city known as Pakistan’s city of culture. After arriving and being received by the government of Lahore, the day began in earnest at SOS Children’s Village, a charitable organisation in the heart of the city. The village, which is attached to a school, provides a home and family structure to over 100 children. The Duchess gave her first speech on the tour during this event. The couple then visited the National Cricket Academy, where they joined a match with children who are participating in the British Council’s DOSTI programme. During the morning, the Duchess wore a Gul Ahmed shalwar kameez, along with a Maheen Khan Shawl, new J Crew Pumps, her Asprey Oak Leaf Earrings, and she carried her Mulberry ‘Bayswater’ Clutch (she changed into Hampton Canvas trainers for the cricket match).

In the afternoon, the Duke and Duchess visited the Badshahi Mosque, the most iconic Islamic site in Lahore. The couple toured the mosque and courtyard, before joining a discussion with faith leaders to understand how they are promoting interfaith harmony within their communities. Afterwards, they travelled to the Shaukat Khanum Memorial Cancer Hospital and Research Centre, a state-of-the-art cancer facility located in the centre of Lahore. The Duke and Duchess visited the children’s ward to spend time with patients undergoing treatment at the hospital, and will spoke to a number of their families. Catherine wore a Maheen Khan shalwar kameez, her Catherine Zoraida Fern Hoop Earrings, and the J Crew Pumps she first wore that morning. While at the hospital, Catherine also donned her only tiara of the tour.

Day Five - Military

Number of engagements: 2 (Army Canine Centre; Departure from Pakistan) THIS IS SUBJECT TO CHANGE WHEN THE CC IS RELEASED

The final day of the tour was disrupted somewhat, after the Cambridges were forced to spend the night in Lahore due to an electrical storm. Because of this, they were forced to miss a planned trip to the Khyber Pass. The Duke and Duchess were sighted leaving Lahore in the morning, with the Duchess wearing an Elan embroided kurta, J Crew pumps, a Maheen Khan dupatta, Accessorize earrings, and carrying her Smythson bag.

For the new first engagement, the Duke and Duchess visited the Army Canine Centre, where they joined dog handlers as they train dogs to recognise and scout out hidden explosive materials. They then supported some of the puppies who were undertaking the an agility training course. Shortly afterwards, the Cambridges departed from Nur Khan Airbase. Catherine had changed into a Beulah London coat and Russell & Bromley shoes, while still wearing her Maheen Khan dupatta and Accessorize earrings.

[delhifundos]

The Old Delhi Food Festival - Delicacies from Purani Dilli

The Old Delhi Food Festival – Delicacies from Purani Dilli

We recently attended the wonderful Bollywood Music Project at Jawaharlal Nehru Stadium and were starving post event. On our way up we had seen The Old Delhi Food Festival being held at India Islamic Cultural Centre. This being quite close to JLN, we headed for the food festival post BMP.

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The road in front of India Islamic was chockablock with cars parked and there were many…

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Salman Alhajri

• Visual artist, graphic designer and researcher in the field of visual arts

• Born in 1978

• Assistant Professor of Art and Graphic Design, Department of Art Education at Sultan Qaboos University, Muscat, Oman

Academic Qualifications:

• 2013 PhD in art and graphic design Education from Loughborough University, UK

• 2005 Master of Design from the University of Technology, Sydney, Australia

• 2001 Bachelor of  Education (Art Education) Department of Art Education, Sultan Qaboos University

The most recognized awards:

• December 2017- won the 1st award in the 12th annual exhibition of Arabic Calligraphy and Script Calligraphy, of Omani Society of Fine Arts.

• November 2016- won the 2nd award in the 1st annual exhibition Graphic Design of Omani Society of Fine Arts.

October 2016- won the jury award in the 24th annual exhibition of Omani Society of Fine Arts.

• October 2015 won the prize of the committee in a piece of artwork in the field of graphic design, in the ninth exhibition of small artworks in the Omani Society of Fine Arts.

• 2014– Bronze A' Design Award Winner for Arts, Crafts and Ready-Made Design Category in 2013-2014, Italy.

• 2013 – Won the First Graphic Design Award in the 8th Calligraphy & Script Calligraphy Annual Exhibition 2013.

• 2013 – Won the First Prize in the graphic design division of the Small Artwork Exhibition competition, Omani Society for Fine Arts.

• 2009 – Won a competition as a finalist in the 14th International Biennial Print Exhibition, ROC, organised by National Taiwan Museum of Fine Arts.

• 2009 – Won a competition as a finalist in the International Aesthetica Creative Works Competition Art Category, organised by Aesthetica Magazine, UK.

• 2008 – Won a competition for best research poster on the Creative Interdisciplinarity in Art & Design Research Conference, Loughborough University, UK.

• 2008 – madalya of participating at the 21st Annual Festival of Plastic Art (Mahras) Tunisia.

• 2000 – 1st Prize at the 13th Gathering of Arabic Scout Rovers in Kuwait.

• Many of participating and appreciations certificates from different Omani institutions.

Local exhibitions

• 1 Feb - 15 March, display 11 of my original artworks at Bastah Majan Coffee Shop, Muscat.

• 6-13 December,  the 12th annual exhibition of Arabic Calligraphy and Script Calligraphy, of Omani Society of Fine Arts.

• 20 November - 20 January, 2018 the 25th Annual Grand Art Exhibition of OSFA, The Omani National museum.  

• 2017 – October 23rd to 25th, Group Exhibition of International Conference: Urban Primacy and Traditional Urban Fabric in Sultanate of Oman, Sultan Qaboos University, Oman.

• 2017 – August 06th - 10th, The 4rd Solo Exhibition "Digital Arts" at SALALAH TOURISM FESTIVAL, Salalah, Dhofar Governorate, Oman.

• 2017 – July 24th - 26th, group Art Exhibition, Paint for peace’ , Oman International Exhibition Centre of Sohar, 2017, Oman.

• 2017 – February, group Art Exhibition, Irtiqa’ , Muscat Festival 2017, Oman.

• 2016 – December, group Art Exhibition, Leqa’ , Tunisian  Embassy In Muscat, Oman.

• 2016 –The 1st annual exhibition of Graphic Design of OSFA.

• 2016 – November, The 24th Annual Exhibition of OSFA, Muscat

• 2016 – November, group Art Exhibition, Draw for Peace, India Embassy In Muscat, Oman.

• 2016 – November, group Art Exhibition, Islam and the world, Sultan Qaboos Higher Centre for Culture and Science

• 2016 – September,The 11th Annual Arabic Calligraphy Exhibition 2016, (OSFA), Muscat.

• 2016 – May, The 2nd solo exhibition of Salman Alhajri (Closer to the Dream) Bait Al Zubair, Muscat.

• 2016 – March, group Art Exhibition, modern arts salon, Cultural Club, Muscat.

• 2015 – 9th Small Artworks Exhibition (OSFA), Muscat.

• 2015 – September, The 2nd solo exhibition of Salman Alhajri, Sultan Qaboos University, Muscat.

• 2014 – November, The 22nd Annual Exhibition of OSFA, Muscat.

• 2014 – The 8th Small Artworks Exhibition (OSFA), Muscat, from 21 to 27 Oct.

• 2013 – The 17th Youth Exhibition of fine arts, (OSFA), Muscat.

• 2013 – The 8th Calligraphy & Script Calligraphy Annual Exhibition 2013, (OSFA), Muscat.

• 2013 – Small Artworks Exhibition (OSFA), Muscat.

• 2013 – Group exhibition (Majan), The Cultural Club, Muscat.

• 2012 – Wall Painting 2012 of Ghalya’s Musem of Modern Art, Matrah, Muscat.

• 2008 – The 3rd Annual Exhibition of Arabic Calligraphy (OSFA).

• 2006 – The 10th Annual Youth Exhibition (Ibda'a Wa'ed) (OSFA).        

• 2006 – The 1st Annual Exhibition of Arabic Calligraphy (OSFA).

• 2006 – Group Exhibition of Art Education Teachers, Al Mudaybi, Ash Sharqiyah North Governorate.

• 2000 – The art exhibition associated with The Celebration of the First Visit of His Majesty to Sultan Qaboos University.

• 2000 – Group exhibition, 'Lineaments from Omani nature', Sultan Qaboos University, Muscat, The 6th Salalah Festival, Salalah, Oman.

• 2000 – Group exhibition associated with the 4th and 5th Annual Muscat Book Fairs.

• 1997 – Group exhibition, Ibra Technical College, Ibra.

• 1996 – The 9th Annual Exhibition of Omani Artists, Sur.

• 1996 – Group of Artists Exhibition, Ash Sharqiyah Governorate (Ibra, Sur, Jaalan).

• 1994 – The 1st Exhibition of Bidiya’s Artists, Bidiya Sports and Cultural Club.

International participation:

• 21 of June Until 21st of August 2019, participated at a group art exhibition entitled "Mid-Summer Night's Dream" Fete, at Amsterdam Whitney Gallery, Chelsea, New York, USA.

• 04- 21 March, 2019, The Solo exhibition, "Spirits of Letters", on the 4th of March 2019, at the Cultural Village Foundation - Building 19, Hall 1, Katara, Doha, Qatar.

• 19th January, 2019, 5th Koonoz Fine Art Auction and Exhibition,  Bvlgari Hotel, manged by Sotheby's Auction, London 2019, under the patronage of Sheikha Rabaa Khalid Al Ahmed Al Sabah.

• 16- 21 January, 2019, The Solo exhibition, "The Village" as part of The 25th Anniversary of Qurain Cultural Festival, 2018 organised by Kuwait's National Council for Culture, Arts and Letters (NCCAL) Ahmed Al-Adwani exhibition hall in Dahiat Abdullah Al-Salem, Kuwait.

• 19- 21 October, 2018, Art Shopping 2018 (Edition 23) (Carrousel Du Louvre) with The Zee Arts Gallery, Dubai.

• 9- 15 January 2018, The 7th Annual Art Exhibition titled: "Horse & Desert Heritage", Al Najma Club, Bahrain.

• 6-13 December, 2017 participated with 10 artworks in the Art exhibition that associated with the art and design event, "Layers", College of Arts, University of Bahrain.

• 23 November 2017, participated with 4 digital (printed) in the occasion of the 47th celebration of National Day at the Omani Council in Australia.  

• Konoos Fine Art, Auction & Exhibition, At Lanes borough Hotel, 28 of September 2017, operated by Bonhams.

• The 3rd Solo Exhibition "Shores of The Dreams" at Sultan Bin Ali Al Owais Foundation, Dubai, between 26th of April to 12 of May 2017.

• Many international exhibitions, workshops and seminars in: Algeria, Brunei, Iran, London, Kuwait, Dubai, Tunisia and Sydney.

Art schools and the fine art trends:

• Art field: free drawing, digital painting, oil painting, graphic design, photography.

• Trends: calligraphy, realism, expressive art, influential art, surrealism, abstract, and constructive.

• Themes: landscape, Omani historical motives  , the Omani environment, calligraphy, humanity issues, portraits and calligraphy.  

• Raw materials and tools used: Acrylic colors, silk screen printing, computer and graphics programs, printers, tablets, smartphones, and various materials.

For more details on our products and services, please feel free to visit us at Salman Alhajri, Calligraphy art, digital arts, Abstract Art, Arts for sale

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A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites

Explore the most famous mosques, temples, and historical places in Malaysia as you go on an amazing journey that reveals the rich weave of country's past. Trip offers an in-depth exploration of Malaysia's many spiritual and historical landscapes, from complex beauty of Batu Caves and the peaceful elegance of Masjid Jamek to the intriguing historical passageways of George Town and Malacca. Take in the vivid customs and architectural wonders that exemplify the nation's multiculturalism and provide you a deep understanding of its spiritual and historical heritage. 

Whether you're looking for peaceful beaches, vibrant cityscapes, or lush rainforests, Malaysia tour packages provide an exciting assortment of activities suited to fit every traveller's interest when organising your ideal holiday. With Malaysia holiday packages, you may discover rich history and culture of the nation, which includes imposing temples, storied mosques, lively marketplaces, and unspoiled natural areas. These packages frequently consist of lodging, guided tours, and carefully chosen activities that guarantee smooth and enriching trip to some of Malaysia's most attractive locations. Accept the ease and thrill of professionally crafted vacation packages and lose yourself in the singular wonders that Malaysia has to offer. 

Here are A Cultural Tour of Malaysia: Must-Visit Temples, Mosques, and Historical Sites: 

Temples 

Batu Caves (Kuala Lumpur): 

Located not far from Kuala Lumpur are the limestone caves and cave temples known as Batu Caves. Dedicated to Lord Murugan, it is one of the most well-known Hindu shrines outside of India. One of the tallest statues of a Hindu deity in the world, at 140 feet tall, is located at this location and is dedicated to Lord Murugan. Climbers can reach the Temple Cave, which has a beautiful perspective of the city and various Hindu sites, by ascending its 272 stairs. Held every year, the Thaipusam festival attracts thousands of tourists and religious alike. 

Thean Hou Temple (Kuala Lumpur): 

The famous six-tiered Thean Hou Temple in China is devoted to the Heavenly Mother, Thean Hou, who is said to guard fisherman. Situated atop a hill, the temple offers an expansive view of Kuala Lumpur. Its architecture, which combines traditional and modern elements, is characterised by elaborate paintings, statues of deities, and elaborate carvings. The temple complex serves as a centre for social and cultural events and has a tortoise pond, a Chinese medicinal herb garden, and a marriage registration office. 

Kek Lok Si Temple (Penang): 

The greatest Buddhist temple in Malaysia is Kek Lok Si Temple, also referred to as the Temple of Supreme Bliss. This expansive complex, which is situated in Air Itam, Penang, is made up of carefully designed gardens, prayer rooms, and temples. The seven-story Pagoda of Ten Thousand Buddhas, which combines Thai, Burmese, and Chinese architectural styles, is the temple's most identifiable feature. The majestic 99-foot statue of Kuan Yin, the Goddess of Mercy, is another focal point. Thousands of lights flood the entire temple during Kek Lok Si's amazing yearly Chinese New Year celebrations. 

Mosques 

Masjid Negara (National Mosque, Kuala Lumpur): 

Malaysia's national mosque, Masjid Negara, represents the nation's Islamic past. Completed in 1965, the mosque's modernist architecture includes a 240-foot minaret and a unique 18-point star-shaped dome. Up to 15,000 worshippers can fit in the main prayer hall, which is flanked by lovely fountains and reflecting pools. The 13 acres of gardens around the mosque create a calm environment for prayer and introspection. Outside of prayer times, non-Muslim visitors are welcome to view the mosque; robes are available for those who require them. 

Masjid Putra (Putrajaya): 

One of Malaysia's most gorgeous mosques is Masjid Putra, also referred to as the Pink Mosque. The mosque, which is housed in the Putrajaya planned city, has a pink dome made of rose-colored granite. It has one of the tallest minarets in the area, standing at 380 feet, and can hold up to 15,000 worshippers at once. The mosque's interior is decorated with geometric patterns and beautiful Islamic calligraphy, while its exterior combines traditional Malay and Middle Eastern architectural elements. The mosque offers incredible views and peaceful surroundings next to Putrajaya Lake. 

Masjid Zahir (Alor Setar): 

Constructed in 1912, Masjid Zahir is among the oldest and most luxurious mosques in Malaysia. Situated at the centre of Alor Setar, Kedah, this mosque is well-known for its beautiful design with a Moorish influence. The central black dome of the main prayer hall is crowned by five huge domes that represent the five pillars of Islam. The interior of the mosque is as amazing, with beautifully carved oak doors, stained glass windows, and chandeliers. Masjid Zahir is the centre of the local Muslim community and the venue for a variety of religious activities. 

Historical Sites 

Malacca (Melaka) Historical City: 

A UNESCO World Heritage Site, Malacca is a city rich in colonial beauty and history. Being one of Malaysia's oldest towns, it was a major commercial port that was influenced by the British, Portuguese, and Dutch. Important historical landmarks include Christ Church, a 1753 Dutch Reformed church; St. Paul's Hill, which provides sweeping views of the city; and the ruins of the A Famosa fort, a Portuguese bastion from the sixteenth century. The lively Jonker Street, which showcases Malacca's diverse past, is well-known for its antique stores, night market, and mouthwatering street cuisine. 

George Town (Penang): 

Another UNESCO World Heritage Site, George Town is the capital city of Penang and is known for its diverse range of cultures and exquisitely preserved colonial architecture. Indian temples, Chinese shop houses, and British colonial architecture coexist in the city's historic centre. The Khoo Kongsi clan mansion, which displays fine Chinese architecture and craftsmanship, the magnificently restored Cheong Fatt Tze Mansion, commonly known as the Blue Mansion, and the colourful street art that covers the city's walls are among the notable attractions. The varied food scene of George Town is a reflection of its multicultural background. 

Sultan Abdul Samad Building (Kuala Lumpur): 

A famous landmark in Kuala Lumpur, the Sultan Abdul Samad Building is situated in front of Merdeka Square. Constructed in 1897, the building currently houses the Ministry of Communications and Multimedia and functioned as the administrative hub for the British colonial administration. Its beautiful Moorish-style design includes copper domes, arched colonnades, and a clock tower. The building is a well-liked location for photos since it looks particularly beautiful at night. The structure is situated in Merdeka Square, which has a rich history as the location of Malaysia's 1957 independence declaration. 

Bujang Valley (Kedah): 

The state of Kedah is home to the important archaeological site Bujang Valley, which offers proof of Malaysia's prehistoric Hindu-Buddhist culture. The location is home to the remnants of historic temples known as candi, which date back to the early centuries AD. Artefacts from the region's past as a commerce hub, including ceramics, beads, and stone inscriptions, are housed in the Bujang Valley Archaeological Museum. The valley's beautiful surroundings, including its river and rich vegetation, increase its allure as a travel destination for both history buffs and environmentalists. 

Conclusion: 

More than just a trip through impressive structures, a cultural tour of Malaysia's temples, mosques, and historical sites offers an instructive look into the country's rich cultural and spiritual history. Every location provides a different perspective on Malaysia's rich history and diverse identity, from the imposing mosques serving as symbols of unification to the amazing temples secluded away in beautiful settings. As you ponder over the exquisite craftsmanship, timeless customs, and interesting past you have seen during your travels, you will come to understand Malaysia's dual function as a historical landmark and a melting pot of cultures. 

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Art & Mancias

Jantar Mantar in India

Built at a high scale during the late Moghul age in India, they include two measurement systems to calculate the positions of celestial objects.

“Jantar” comes from the Sanskrit word yantra and means “instrument”, Mantar from mantra and means “formula”, and both words literally mean “instrument to calculate”. It is the name of three of a group of five stellar observatories in India, built by the order of prince Jai Singh II between 1724 and 1738, at the end of the Moghul Empire period.

They are high-scale instruments and were used to compare their observations and time measurements, predicting eclipses and other events with great accuracy and only 2 secs of difference! Besides, the observations added a 1018 star catalogue to the Islamic astronomical tables of Zij.

They are located in the N and NW areas of the country, and the largest one in Jaipur (the capital city of Jai Singh’s empire). The East is the West for Western cultures, the North is the Western South, and the observatories are aligned to the Earth’s polar coordinates in such a way that the shadows projected by some of the instruments allow measuring the positions of celestial objects.

The instruments are fixed on the ground and built with wood, lime, stone and metal although they are not styled with the expected adornments of the usual Indian architecture. Besides, each one of them has its own calibration system (height or ecliptic system), and some of them even allow us to choose the reference to use!

To understand better their functionalities, the observatories have to be visited in daylight (to see the shadows) and be considered as groups of instruments providing calculations that complement each other. Some of them we may find in Jaipur are:

The Great Samrat Yantra, the world's biggest triangle-shaped sundial with two quadrants at both sides where the hypotenuse casts a shadow. Markers on the quadrants allow measuring time throughout the day. We can take notes every 6 hours, 15 minutes, 1 minute, 6 seconds and 2 seconds.

Left: Eastern quadrant with the hypotenuse’s shadow in the Great Samrat Yantra in Jaipur (India). Right: perimeter of one of the quadrants with markers to measure time.

The design of the Great Samrat has been used as a model for building another group of instruments, the Rashi Vayala Yantras, which are meant to calculate the height and longitude of celestial objects when they are in a specific sign of the Zodiac. They are 12 instruments holding inside a painting of the zodiac sign associated to each one of them:

Group of Rashi Valaya Yantras in Jaipur (India).

Another group of instruments are the Jai Prakash Yantras, two semi-spheres partially emerging from the ground. The surfaces are marked with circles to calculate the stellar positions, and a metal ring (hanging above in the intersection of two crossed wires) also casts a shadow on them (which allows for calculating the Sun’s position). There are gaps in the surfaces for a watcher to walk between them and simply align the eye on them to locate the celestial objects of interest:

Jai Prakash Yantra in Jaipur (India). Left: each band is 1 terrestrial hour (when an object is beyond the surface, the watcher just walks to the other semi-sphere to continue observing it during the next hour). Right: concentric circles in the poles of the semi-spheres are used to calculate height and declination.

There are more instruments in the group in Jaipur, like the Rama Yantra which is similar to the Jai Prakash Yantras, both including two structures with gaps to move inside. But the Rama deduces the positions by visually aligning an object in the sky with the upper extreme of a pillar placed at the centre of each instrument. The lower extreme of that imaginary line points to a marker on the wall or on the floor.

If you are interested in the structures in Jaipur, you may find more details on jantarmantar.org. or take a look at TM's original post on Blogger:

[enroutetravels]

Tour And Travels In Delhi

Introduction:

Delhi, the heart and soul of India, stands as a testament to the nation's rich history and cultural diversity. A city that seamlessly blends the old with the new, Delhi is a treasure trove for travelers seeking a captivating journey through time. From ancient monuments to bustling markets, from vibrant festivals to delectable street food, a tour of Delhi promises an immersive experience that leaves an indelible mark on every visitor.

Historical Marvels:

Delhi, with its historical significance, boasts a plethora of architectural wonders that narrate tales of bygone eras. The UNESCO World Heritage Site, Qutub Minar, stands tall as an emblem of Indo-Islamic architecture. Built in the 12th century, this towering minaret is surrounded by lush gardens and ancient ruins, offering a mesmerizing glimpse into Delhi's past.

The Red Fort, another UNESCO World Heritage Site, is a majestic fort that served as the main residence for Mughal emperors for nearly 200 years. The intricate carvings, sprawling courtyards, and the iconic Lahori Gate make it a must-visit destination for history enthusiasts.

India Gate, a war memorial built in honor of the soldiers who sacrificed their lives during World War I, stands proudly at the heart of Delhi. Surrounded by lush lawns, it serves as a popular spot for both locals and tourists to unwind and reflect.

Cultural Extravaganza:

Delhi's cultural diversity is best experienced through its myriad festivals, art exhibitions, and performances. The Dilli Haat, a cultural hub, brings together artisans from across India, offering a vibrant tapestry of handicrafts, traditional clothing, and mouthwatering cuisine. The annual Surajkund Crafts Mela is a celebration of India's diverse crafts and traditions, attracting artists and visitors from around the world.

For art enthusiasts, the National Gallery of Modern Art showcases a rich collection of contemporary and modern Indian art. The iconic India Habitat Centre hosts regular cultural events, including dance performances, music concerts, and literary festivals, providing a platform for artists to showcase their talents.

Culinary Delights:

Delhi's gastronomic landscape is a testament to the city's eclectic mix of cultures. Chandni Chowk, one of the oldest and busiest markets in Old Delhi, is a paradise for food lovers. From the spicy delights of Paranthe Wali Gali to the sweet aroma of jalebis at Old Famous Jalebi Wala, this bustling market offers a gastronomic journey like no other.

Karim's, located near Jama Masjid, is renowned for its Mughlai cuisine. The succulent kebabs and aromatic biryanis served here transport diners to the royal kitchens of the Mughal era. Connaught Place, with its array of cafes and restaurants, caters to diverse palates, offering everything from international cuisines to local street food.

Modern Marvels:

Delhi's modern skyline is a reflection of its rapid development and global influence. The Lotus Temple, a Bahá'í House of Worship, is a stunning architectural marvel with its lotus-shaped structure. This serene temple welcomes people from all walks of life, promoting the unity of diverse religions and cultures.

The Akshardham Temple, dedicated to Swaminarayan, is a sprawling complex showcasing the rich heritage of Indian culture. The intricately carved walls, the stunning water show, and the enlightening exhibitions make it a must-visit destination for spiritual seekers and architecture enthusiasts alike.

Conclusion:

Delhi, with its kaleidoscope of history, culture, and modernity, offers a unique and enriching experience for every traveler. From the ancient wonders that narrate tales of empires to the vibrant markets that showcase India's diversity, the city is a captivating destination that beckons explorers from around the world. A tour of Delhi is not just a journey through geographical landmarks; it is an odyssey through time, a celebration of culture, and an exploration of the soul of India.

Any Other Information Related To Travel

Contact - 9700649700

Website -https://www.enroute.travel/delhi-tour-packege.html

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The monuments are located near and at the foot of the Pavagadh hill. Due to a lack of funding, the Archaeological Survey of India maintains only 39 monuments in the area, according to the Heritage Trust of Baroda. The Forest Service owns 94% of the land in this area.

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