#Even if I get that money Ill still need to come up with $170 in less than 2 days
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God I hate it here.
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meteora-writes · 2 years ago
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Hiatus
I know I haven’t been updating. Truth is I’ve been too sick and tired to do much of anything. Not sick with anything like covid or the flu, just chronic illness kicking my ass to the point of uselessness. My doctor finally agreed to do actual testing for conditions I likely have, but I’m so broke I can’t get any of it done any time soon. It costs me $22-$24 in taxis for a single visit and I can’t swing that any time soon. Let alone for multiple appointments in a month. Not when I’m making all of $170 a week after taxes.
I think I’ve hit my breaking point. I’m struggling to even shower and feed myself regularly. I can barely take care of my basic needs and some days I wake up so exhausted and miserable I end up just lying in bed hating myself for not being able to even clean my room. I haven’t even tried to write anything for two weeks now because at this point I know that I can’t do it. I can’t get in the headspace to write. I can’t get in the headspace to do anything really.
I barely get my tasks done at work anymore beyond the bare minimum and I know work is judging me for it but I leave every night in physical pain even if I’ve barely done anything and that isn’t good. Sitting in a chair doing mostly nothing all day and then doing 45 minutes of cleaning shouldn’t break me the way it does. But it does and I can’t seem to do anything about it without spending a ton of money I don’t have.
I know I still owe several people commissions. I am so incredibly sorry for that. I want to write them. I have outlines and started docs for several. But nothing comes out of my head when I try. I got one started and got all of 500 words down before my brain sputtered to a halt. I re-wrote it 4 times and the idea always died out at around that point. I don’t know what to do at this point other than stop trying and give my brain a long rest. I’m too sick and too stressed to accomplish anything like this and forcing myself to try is only making things worse.
Hopefully, when I move in a few months it’ll get better. I’ll be living closer to work. I’ll have fewer financial and other responsibilities to worry about. Maybe I’ll be able to recover from some of this burnout and emotional trauma and get back to my old self. Who knows. All I know for now is that I need rest and time and quiet. I need to stop forcing myself to try when I’m just running into a brick wall over and over and making myself worse.
So to those of you waiting for stories I am sorry. I’ve never forgotten what I owe you and I promise one day I will get them done. I just can’t for now and I am deeply ashamed and sorry that I’m making you wait for what I owe you. Please forgive me while I take time to rest and recover.
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eepytheartist · 4 years ago
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TTTE: Magic Beyond the Engine
Greetings guys, gals, nonbinary pals and everyone in between. Welcome to the Information Page of TTTE: Magic Beyond the Engine, where you can get context to whatever the hell I post on here. There’s a lot and much is subject to change, so buckle up butter cups because we’re going for a ride.
Table o’ Contents
1. Basic Story
2. Characters
3. Personal Headcanons
4. Canonical Relationships within TTTE: MBtE
5. Other Notes
6. Link
I) Basic Story
   Several years ago in the year 20XX, a facility located in [REDACTED] was doing experiments involving a mysterious golden substance and what it could do for the human race. Its goal was to eliminate the need for high-maintenance engines to save money. However, much of what was done ended up being a total flop, except for one. A little girl, Madison [REDACTED] was the only successful trial the facility was able to produce. This girl didn’t know why or how she even got here, but knew that her family didn’t want her, and instead gave her up to this [probably very illegal] facility. For years the scientists running the experiment pushed her to her limits, training her to pull lines of cars weighing several tons. They were delighted by what she could do. They had finally compacted the strength and speed of an engine into a human. However, bad luck struck as the facility went belly up, when Madison was 21. News of the facility spread, and so did news about her. Humanity didn’t take her well, and she was labeled an outcast. Though, in the light of things with her negative fame, Sir Topham Hatt found out about her and thought she’d be a wonderful addition to the railway along with the new tank engine he just bought! So she was picked up by this cheeky little shit, and her story working alongside sentient engines unfolded.
II) Characters
   A) Thomas
      The one who picked up Maddy. He was awfully confused by her, but respected her nonetheless. Still his cheeky self that everyone seems to just adore, Thomas quickly became best friends with her, protecting her whenever she needed it. Thomas sometimes gets a little too cheeky, and pushes her off the edge. Pranks ensue and Thomas is usually left bumbling for apologies. Who knew something so small could be so dangerous. He also commonly gets called ‘Tommy’ by the wee lass, something he absolutely despises. It only fuels her need to use it.
         1) When human, Thomas stands at about 5′ 7″ or 170 centimeters. He’s clad in a simple hoodie that matches his paintwork with a big 1 on the back, and plain khakis. He wishes he could have something else, but he doesn’t get paid and his driver and fireman refuse to lend him money. His hair is fluffy and rather short and is a few shades darker than his paintwork. Maddy likes to braid it when she’s bored and he hates it. Her favorite part though, besides honking his bulbous nose like he was a clown like she does with James, is his eyes. They were a beautiful shade of ocean blue. If he wasn’t such a shit, she’d get lost. He can’t brag though, she basks in all the colors her friends have. 
“Why does she get to swear and I don’t? It’s not fair!” ~T
“Maddy’s an adult, Thomas.” ~E
“Well so am I you old fart!” ~T
   B) Maddy
      Little Maddy. Don’t call her Madison, she hates it with a passion and refuses to explain why. She currently stands at the age of 21, but looks much younger. She had overheard at the facility that a side effect of the mystery stuff was that she aged like an engine, so she could be around for hundreds of years if she wasn’t stupid. At just 5′ 3′’ or 160 centimeters, Maddy is the shortest out of all the engines on the railway, even Bill and Ben. Her hair is a medium shade of brown, kind of long, and it mostly covers one of her eyes, which are, as Thomas describes, “As if the sky could make steel.”. Shy when you first meet her, Maddy is quick to come out of her shell and be just as much of a shithead as Thomas and as angry as James, if not worse than the two combined. Her outfit was rather simple, a dark scarlet hoodie with her number on it, and dark grey or black leggings. She liked it that way, she looked good and it was flexible and comfy. When she first arrived with Thomas, she felt something click with James, despite him being an utter jackass to her. After begrudgingly showing her around and having to shunt trucks, the duo became good acquaintances. It wasn’t until after James’ accident that the two became best friends, being asshats together and generally being a happy sight. He’s the one Maddy is generally seen with if she’s not working on her own. Soon enough, though, something started brewing within her heart.
“Ah crumbs, he’s in a mood.” ~T
“James is always in a mood.” ~M
“Fuck both of you.” ~J
   C) Edward
      Ah, Old Iron. He was there when Thomas and Maddy first arrived to the island. Like most that laid eyes on her, his main worry is that she was itty bitty. Usually calm and collected unless something goes majorly wrong, Edward was quick to unknowingly swoop her under his wings. When Thomas started poking fun at him for being fatherly, Edward nearly keeled over. An engine can’t father a human, can they? He guessed they could as soon after Maddy just gave a shrug and accepted the Number 2 as her father, after being given away by her own. It didn’t take long for Edward to actually father her, asking how her day was, sometimes folding her laundry, comforting her, scolding Maddy James, y’know, dad stuff. He earned the name ‘Dadward’ from her, and his heart melts every time she says it.
         1) As a human, Edward looks like a kindly old man and a youngin’ at the same time. He stands just a bit shorter than James at 6′ or 183 centimeters. With short, almost midnight-blue hair, Edward is the perfect gentleman. He even has a small pair of gold glasses that set snuggly on his nose. His eyes are a lovely shade of steel blue, something he gets flustered about when Maddy compliments him. His outfit consists of a white dress shirt with a dark blue tie, a blazer matching his paintwork with his number on his right arm and dark grey dress pants. He’s not usually in his human form, but when he is, Maddy unusually asks for a lot of hugs..
“Will you two leave her be?” -E
“But look how red her face is!” P&T
“FUCK THE LOT OF YOU-” ~M
   D) James
      Ah, James. One half of what his friends call “The Red Disasters”. He’s still his normal, vain ass self. He has a soft side, everyone knows it but virtually no one can get to it. Except Maddy, who can get to it quite easily. Though, when they first met, all he did was make fun of her. Well, they made fun of each other, but still. They had the complete opposite of favorite jobs, they still do and always will. James loves pulling coaches, she hates it. She loves trucks, he despises it and always tries to weasel his way out. It usually doesn’t work. He’s earned many nicknames from her: Jamsey, Jimbo, Buzzy, Buzzy Butt, the list grows. Two of them came from the mistake about telling her the story about the bees, the other.he’s not too sure. What he is sure of, though, is that Jimbo has spread than to more than just her and he hates it. It fuels her though, so he’s gotta be careful. Originally, though, James didn’t know what to think of her. After the accident, his boiler felt all fluttery and he pushed it down to just being ill. He had to learn the hard way about what romantic love was. He knew how to flirt, it got people to love him more! But what that flirting did, though, he was completely foreign to.
         1) At 6′2′’ or 188 centimeters, James stands as the third tallest among the main eight. When he still had his black livery, James’ human form basically had him looking like what I can simply describe as a butler, though he had a vest and a red tie instead of all black. After, though, he had quite the change. His long, black hair now had dyed red tips and his right ear had a cute little heart piercing. Hair covers most of his left eye, which is what Maddy lovingly described as, “You managed to make the color of red rust beautiful.”. He thinks his hair looks cool only according to Maddy. He usually wears a long-sleeve, dark red button-up shirt with three dark grey stripes on both arms and grey pads on his shoulders. His number was sewn onto his left breast. Maddy pokes fun at him for looking like a band geek, but she nonetheless likes it. His outfit is simply finished off with grey pants. Sometimes, though, he’s seen wearing a solid red hoodie that Maddy got him. He won’t admit that it’s his favorite piece of clothing.
“Honey Bee, you’re acting irrational-” ~J
“DON’T MAKE ME GET THE BEES-” ~M
“NOT THE BEES-” ~J
   E) Gordon
      There isn’t much to say about Gordon. He’s his usual, grumpy self. We all know deep down he’s a good engine, though. Gordon’s...rather indifferent about Maddy. He doesn’t dislike her, but he doesn’t see her appeal either. Nonetheless, she’s an awesome part of the team. She does the most important job: listening to James bitch so they don’t have to. Of course, though, like the rest of the team, he’ll defend her if need be. Gordon has a heart, he just doesn’t like to show it.
         1) Gordon’s the tallest, at 6′8′’ or 203 centimeters. Everything about his human form is perfect. His hair is just a tad darker than Edward’s and a teeny bit shorter. He keeps it slicked back most of the time, but it’s hilarious when he has bed head. Maddy got a picture once and sent it to James just in case he forced her to delete it. Just like most of her friends, Gordon’s eyes were her favorite, they were a blue similar to his hair, but a few shades lighter. Maddy remembers a time she complimented them and Gordon puffed away all red in the face. His outfit consists of a three piece suit, in his paintwork color of course, a white shirt and a red tie. His number is on his right breast.
“The Express isn’t that important.” ~M
“Why I’ll tell you-” ~G
“Is her intent just to piss him off?” ~E
“Yes. It’s both of ours.” ~J
   E) Henry
      Maddy’s favorite engine besides James. Thomas is insulted that he isn’t even considered one of her favorites. Henry gushed over her the first time she came. He must protect the small. Love the small. If James suddenly didn’t exist, Henry would be her go-to. She adored puffing through the forest with him, looking at all the trees and wildlife. Maddy would take pictures of flowers she’d find while strolling through and Henry would just ooze over them. Once she showed him a photo of a squirrel holding a wild flower under an oak tree whose leaves were just started to turn different colors, and the big engine cried with joy. He requested she print the picture out so his driver could carry it for him, and she did. It was his absolute favorite.
         1) 6′6″ or 198 centimeters, what a height to be. At second tallest, Henry is the definition of a gentle giant. His resting face looks nervous, but he’s usually not nervous at all. His hair is a forest green, not too short, not too long. Actually, Maddy’s favorite part of him is his chicken-wing bangs. Of course she loves his eyes, which are a lovely jade green, but the bangs take the cake, Whenever they hang out, she likes to play with them when he talks about plants. He finds it comforting. His outfit is literally just a more modest and fancier workman’s outfit, but matching his livery, with his number on his right breast. It made sense, since he was usually one to do heavy work.
“You don’t like the rain either?” ~H
“The last time I went out in the rain I derailed Percy.” ~M
“Why were you even out in the rain!? You’d catch a cold!” ~E
“Fat Man said I was the only one available and told me to suck it up. I did catch a cold. James tried making me soup, remember?” ~M
“What do you mean tried..?” ~H
“He forgot to cook the chicken beforehand. I got salmonella.” ~M
“So that’s why you were bedridden and wouldn’t talk to him for a week after..” ~H
   G) Percy
      Ah, little shit number two. Thomas’ partner in crime. When he first met Maddy when he arrived, he teased her relentlessly for being short-tempered and short in general. After giving him the silent treatment though, Percy was a bit nicer. He and Thomas still tease her plenty enough, but they tease about things she usually won’t kick their asses for. He likes Maddy now. Plain and simple.
         1) Second shortest, 5′5″ or 165 centimeters. He holds those two inches with pride. Percy uses them against Maddy very frequently. Maddy won’t hurt him though. She physically can’t. His little baby face, those big ol’ light green eyes, that short light green hair, his cute little outfit [which consists of a shamrock colored shirt, black suspenders held up by gold buttons, and dark green shorts]. If he was any smaller Maddy would die. James sometimes gets jealous by how much she gushes over Percy, but doesn’t exactly blame her. Percy’s adorable and he damn well knows it.
“Ha, you’re short.” ~P
“You’re short too.” ~M
“I’m taller than you.” ~P
“Won’t be for long when I take your kneecaps.” ~M
   H) Emily
   Ah, Emily. The first girl engine she met. They made damn good friends, too. They gossiped whenever they had a chance. Maddy usually talked about shit James has said, and Emily just gossips about anything and everything. They were will to throw hands for each other, with Emily more willing to for Maddy. Maddy would throw hands just as an excuse to do it. Emily still loves her, though.
         1) Emily currently stands at 5′8″ or 173 centimeters. She isn’t as girly as she looks, either. Her hair is short, with half of it buzzed off. Maddy would describe her as someone punk-ish. Of course Emily’s personality doesn’t reflect that at all, she just chose to look like it. She’s the only other engine besides James to have piercings, usually with two black on on the top of her ears and hoop earrings to pay honor to her engine build. Emily was a little more casual than her friends, usually seen wearing a simple green dress matching her livery. Her eyes were a very dark grey, almost black, with flecks of brass scattered in there. Maddy told her once that she was the prettiest girl she’s every seen and Emily nearly crashed.
“James being a bitch again?” ~Em
“What do you mean again?” ~M
“I can hear you.” ~J
“I know.” ~M
   I) Others
      Other characters consist of secondary characters within the story who do not play as big a role. There are a few who teeter on the edge between primary and secondary characters, such as Duck, Donald, Douglas, Diesel, Diesel 10, and Lady. They play an important role, but not enough so to have their own descriptions. Diesel’s..y’know, Diesel, the twins think of Maddy as their long-lost sister, Duck..well, they like to poke fun at James together when he’s not droning about the Great Western Railway, Diesel 10′s goal is to get her to say something about Lady, and Lady...no one’s really sure yet. Then, as of right now for true secondary characters there is Oliver, Toad, BoCo, Bill, Ben, Mavis, and Salty. There’s more to come, but that’s what I got right now.
III) Personal Headcanons
-The engines can eat and taste in both forms. They don’t know where it goes when they’re engines and don’t feel like finding out.
-James learned to cook for Maddy when she couldn’t for herself.
-For the longest time, James was the only engine with his own phone.
   -He learned hip language and Maddy started regretting every choice in her life.
-Maddy comes to Salty for him to tell her stories when she’s bored.
-Rain is Maddy’s one weakness since she has no way of covering herself.
-She, along with her friends as humans, run with skates that reflect their wheel configuration. The wheels retract when not in use. [I’m thinking about switching to roller blades, we’ll see.]
-Maddy intentionally starts beef with the Scottish Twins because she thinks the fighting is hilarious.
-Thomas will occasionally beg Maddy for a cotton candy sucker. Specifically cotton candy. She doesn’t know why either.
-Thomas initiated a prank war with her once. He lost.
-Gordon once bet her that she couldn’t pull his heavy goods. His driver was out 30 bucks because of him.
-Maddy tortures Duck with duck puns.
-Maddy still trick-or-treats for free candy.
-Emily once convinced Maddy to derail James for the fun of it. She was subsequently chased around the island.
-James is the ultimate flirt and he uses that against Maddy, who flusters very easily. 
-Percy loves Teddy Grahams.
-Edward likes loves to tell others about his daughter. Maddy does not. He is becoming too dad-like.
-The Scottish Twins know damn well that Maddy simps for their accents and they intentionally use it against her if they can.
-Maddy knows about Diesel’s ducklings. It’s the only reason she decides to befriend him.
-James utterly hates Diesel for many many reasons.
-Like many others headcanon, Thomas can’t cook. He fucked up a cup of ramen once and Maddy still refuses to let him live it down.
-Edward refuses to let Thomas and Percy swear. They hate it. James and Maddy know this. They swear more because they can’t.
-James and Maddy are at a tie for worst potty mouths. The twins don’t count. That’s not fair.
-Oliver thought Maddy was an engine for like a month before he met her.
-Maddy dislikes the Mainland. Not the engines there. They’re cool. 
-If Maddy isn’t around, James sleeps in her bed with her hoodie.
-Henry worries for Maddy all the time. More and Edward and James combined. He just doesn’t show it.
-Gordon says he has no opinion on Maddy, but he really does like her.
-No one knows where Maddy’s really from. She won’t tell them either. Not even James or the Fat Man really know.
-Want more? Just ask!
IV) Canon Couples within TTTE: MBtE
~James/Maddy
~Edward/Henry
~Emily/Thomas
~D10/Lady (In the past)
~~We’ll see about others as the story progresses~~
V) Notes
- Lady is the reason the engines have sentience. She is not the reason for their human forms. That will be explained later.
-Maddy is much more resilient than an average human, which is why most accidents don’t just straight up kill her.
-As stated before, Maddy can now live for hundreds of years if she’s careful enough. She won’t age as fast as a normal human, so who knows how long she’ll be baby-faced. Not that she cares, more opportunity to trick-or-treat.
-The engines can get frisky, but no babies. Don’t even think about it.
-Maddy will eventually give in and buy beds for all her friends to give them an opportunity to sleep like she does.
VI) Link
Silly me, I forgot to give a link to my story! Shame on me for making you search, that won’t happen again, here you go!
Sodor’s New Worker
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And that’s really it. If you have any questions, please please please please please ask!
UPDATED: August 3, 2021
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caithyra · 5 years ago
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Don’t think about it...
...Because when you do, the Thieves’ Guild/Nightingale questline just becomes more and more disturbing, and you might just end up feeling sympathy for the guy you have no choice but to kill.
Basically, I am trying to create an abbreviated timeline of Skyrim’s characters’ history just in case I get off my butt and write fanfic, and I ran into this:
Mercer Frey is at most, around 50 years old in 4E 201. I guess this because he lives in the sewers (illnesses flow down with the dung and trash+no sunlight is aging and bad for the health, so if he was older he would probably be sick) and crouches (ages the joints) all his life, yet was spry enough to climb a giant statue and pry jewels that had been in the rock for millennia loose. If he was in his 60s with his lifestyle he likely couldn’t have done that, Skeleton Key or no Skeleton Key (also, not a single gray hair that I could see, so...).
Subtracting 25 years after Gallus’ death, gives us around 25 years old. subtracting at least 3 years of Karliah being a regular Nightingale not on the lamb, because she seems pretty comfortable with the role and the Skyrim locations (and was also the lover of an adult, we get perilously close to underage the further back we push this, and she’d been his “little nightingale” for so long she was obsessed with killing Mercer 25 years later), he would be around 22 years old when she was inducted.
And he was a senior Nightingale, I would guess at least 5 years her senior as a Nightingale.
So when Gallus and Karliah’s mother sold his soul to Nocturnal, he would have been around 17 years old at the oldest. And given how small a margin I’ve given these years, I would guess the more likely age for Mercer’s selling of soul would have been 15 years old.
The thing is, he and Karliah would have been about the same age (as an elf, she looks younger, heck, her grandmother, Barenziah, was pretty spry and popping out her mother at the age of 379, and if Karliah is only as young as Mercer, then Karliah’s mother popped Karliah out when she was around 170+ years old) and as a Breton, he probably matures slower than a regular mannish race without half-elven ancestry (a half-elven Emperor, Cassynder, is remarked upon to have aged “like a Breton” suggesting slower maturity, as he died of ill health and so certainly did not have the lifespan of a Breton).
And on top of it all, the way Karliah’s life plays out in Gallus’ book (Nightingales Vol.2), it seems like her lover and her mother waited until she was an adult before inducting her to give her a better choice, unlike Mercer (who was likely inducted because Karliah’s grandfather died, or because Lorthus, who may or may not have been Karliah’s father, died in Whiterun’s dungeons, and because it needs to be a Trinity and they didn’t think Karliah would have been ready), who was put in the position of selling his soul as a child while pressured by authority figures that it was a great honor.
Not only that, but Frey is not a Breton name. In fact, as a surname, it seems very Nordic, and given that there is no trace of Mercer’s background or parentage and that the highest population of Bretons and Reachmen lives under the thumb of Nords as serfs (and children take the race of the mother) in the Reach and that he picks a second-in-command with a Reach accent...
Yeah, so it seems more like Mercer’s conception may or may not have been consensual. That he somehow ended up in Gallus’ path when he was a very young child (at best, his mother died when he was very young and his father either also died or there was no relationship so he didn’t recognize Mercer, or Gallus kidnapped him), and Mercer grows into his midteens in the guild when the guildmaster and a legendary figure (Nightingale, Karliah’s mother) either convinces him to sell his soul to Nocturnal, or tricks him like Karliah tricked the Dragonborn and Brynjolf.
And then he grows into adulthood and realizes what they’ve done to him (eternal slavery even beyond death, even worse than the Reachmen in the Reach).
Is it really any wonder he “desecrates” Nocturnal’s shrine to live large while he can? Why he kills Gallus when Gallus starts trying to be all moral about it? (Oh, and given the sticky timeline, if Karliah is any younger than Mercer and not the same age or older, her and Gallus’ relationship likely started when she was barely legal after he watched her from her mid-teenage years as her guildmaster and superior; isn’t Gallus a swell, moral guy? Totally a honorable thief!) because he now hates Gallus? Is it any wonder that Karliah is framed when Mercer’s entire life and death has revolved around her and her family/lover?
Notice that for 25 years, he was content taking care of the Thieves’ Guild and only skimming the top of the (dwindling) profits and practically did everything to keep it running (again, I do not believe the Guild fell on hard times because of Mercer, given that their luck is sooo bad that they randomly recruit the Last Dragonborn when it is at its worse. Given how little the other leaders seems to do, it seems more self-inflicted, also given that the Last Dragonborn can fix it all up by doing a bunch of regular quests any thief in the guild, but most especially senior members like Brynjolf, Vex and Delvin, could have done).
Also I would like to point out that Karliah lies or is paranoid when she says that she’s been hunted for 25 years by Mercer’s contacts, given that there is only evidence of him having 3 contacts who would do such a thing, and the Black-Briars knew nothing, the Dark Brotherhood certainly wasn’t wasting their dwindling resources (they were hunted to near extinction 13 years ago and were losing Sanctuaries even before that) on her and the Thieves’ Guild were all surprised she still existed.
Given that Karliah constantly lies about things like this (even Gallus, in his book, contradicts her attributing everything to him, by pointing out that her mother and Mercer were there in the same capacity), she’s likely lying. But then again, Gallus had the gall to lie to my face as a ghost (stating he wasn’t in the Sepulcher when the sealing happened and then stating with certainty what happened during the sealing, even though only Daedric Princes would know enough to make an accurate guess, and even then might be wrong unless they’re Nocturnal herself), so maybe he lied in his book?
But anyway, back to Mercer. So for 25 years he’s been content being guildmaster.
And it is only when Karliah shows up again and escapes his attempt at killing her that he empties the vault and leaves (and again, Karliah was trying to destroy the guild in a more permanent way by angering Maven Black-Briar. At least you can refill an empty vault, you cannot refill the ranks of killed master thieves so easily. Then, when the Dragonborn gives Karliah the option of an in with the guild, she just skates right on in and no one points this out. Either that or her plan was so stupid, she planned, as the known killer of the previous guildmaster, to walk into the guild with the current guildmaster paralyzed over her shoulder waving her boyfriend’s supposed diary in an unreadable language and claim innocence? Also, a thief’s diary that only mentions what she needs us to know but not his great love for his “little nightingale”? Or even just “we danced the horizontal tango yesterday, her mother is angry because she thinks I’m too old for her, fortunately she was killed by mercenaries finding our super secret hideout that only I and Mercer knew about~Time to turn little Karliah into my little nightingale~”).
Like imagine if Karliah moved on from her (creepy) boyfriend and made a life for herself outside Skyrim? The only thing the guild to complain about when it comes to Mercer would be his admin fees (skimming) because no one else have done the accounting for 25 years (looking at you, Bryn and Del, oh and notice how long it took for Gallus to notice? He was guildmaster but did he foist the admin work on Mercer too? On top of selling Mercer’s soul?) and doesn’t want to step up in any capacity to do any of his work (See Guildmaster Dragonborn despite there being three senior leaders left in the Thieves Guild; at the least Companions killed off Kodlak [who dreamed about you] and Skjor and caused a schism on the lycanthropy topic between Aela and the twins before you became the Harbinger who is just a mediator and advisor, and you just arbitrarily becomes the Listener because “Sweet Mother” is a fucking troll who played deadbeat to her “children” for 13 years, and I cannot really justify the Archmage thing, but I can do it much better than the Guildmaster thing).
And there wouldn’t have been any selling of souls to a demonic goddess Karliah calls a “scolding mother” who is more deadbeat than the Night Mother and who, like the Night Mother, keeps you in servitude beyond your death.
But like I said, don’t think about it.
Oh and I’m not the only one who is kind of put off by Karliah’s “specialness” what with being the secret granddaughter of THE Nightingale and Queen Barenziah, and the only Dunmer I can think of without ash-red eyes (even Vivec’s Dunmer half had a red eye, and he was considered as powerful as a god, just to show how all-encompassing Azura’s curse was) and instead have violet eyes, and how everyone praises how smart and skilled she is while everything she does is stupid and failing?
Oh right. I need to stop thinking about this quest-line and the fact that my only choice was killing the child victim of a demonic cult after he grew up and tried to escape for the crime of taking some going-away-money I could replace in five minutes, just to avenge some dude who sells children’s soul into slavery after his girlfriend tricks me into selling mine and... Okay, not thinking about it!
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charliegreco · 4 years ago
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( ben barnes + cis male ) — have you seen charles greco ? this thirty-eight year old is a personal financer who resides in manhattan. he has been living in nyc for thirty-eight years, and is known to be charming and confident, but can also be conniving and arrogant, if you cross them. people tend to associate them with beaten italian leather boots and smiles that never meet his eyes. @codstarters​
triggers for neglect, drug use, gambling, & personality disorders.
general information.
full name: charles greco. handle: charlie. title: n/a. age: 38. date of birth: november 12, 1983. place of birth: manhattan, new york. zodiac: scorpio. gender: cis male. nationality: italian-american. religion: atheist. orientation: greyromantic heterosexual. relationship status: single.
physical attributes.
face claim: ben barnes. height: 6'1″. weight: 170 lbs. hair color: dark brown. eye color: dark brown. tattoos: none. distinguishing marks: deep brown eyes. outfit/clothing style: beaten boots, expensive jeans, dark shirts, worn leather, fitted suits.
background information.
hometown: manhattan, new york. current residence: manhattan, new york. past residences: manhattan, new york. spoken languages: english, italian, german, russian. financial status: upper class. education level: college graduate. organization: potential illegal ties.
familial information.
mother: alessia greco. father: unknown. siblings: none. children: possibly a few bastard children.
personality.
moral alignment: chaotic neutral. mbti: estp-a - the entrepreneur. enneagram: type 9: the peacemaker. temperament: choleric.
biography.
one thing was incredibly clear to charlie greco from the moment he could comprehend the hand that life had dealt him: nothing would come easy, and nothing would be worth the time if it was.
his mother always had the means of making a decent living for her son and herself, but squandered all of her earnings on selfish means instead. she was certainly a beautiful woman: alluring both physically and with a wit sharp as a blade’s edge, but all of her attention had always been selfish. surely it was habit taught to her from a young age, something she never bothered to break before she involved herself in other human interactions. but it was likely her beauty and charm that had seduced the man who impregnated her, and the likes of his name were never so much as whispered around offspring. charlie has never known the man’s name.
babies should be a joyous occasion, and yet alessia greco found a way to make it entirely self-involved. her body had to bear the pain, her child was what made everyone so pleased, her creation. anyone who dared to involve themselves in the mess of his mother’s life was sure to see how narcissistic the beautiful italy born-and-bred woman was, and yet no one pressed a finger onto the issue.
but such is the way of the world, so often are children abandoned to their fates.
he was a beautiful baby, but grew to be an awkward toddler, an awkward little boy. alessia made no attempt to hide her disgust at how her creation could be so gangly and ungainly, could stow away for hours with quiet toys that suggested knowledge more than play with other children. but perhaps that was for the better — she couldn’t very well brag and show up with something like him, her offerings would be meager in comparison to children who were the spitting images of their beautiful parents. simple genetics, the awkward transitional period of a child, were held against a child who knew nothing of the world or such disgust from his mother. charlie was six, and alessia greco was the love of his life. all mothers should be, for little boys.
but as he grew older, as his awareness developed, and as the blinders fell from his eyes charlie became aware of his mother’s feelings. while he was utterly devoted to her, drew pictures of her at school or told stories about my mom and me, she was ashamed of his too-long legs and chubby cheeks. his loss of innocence came across the dinner table (boxed macaroni and cheese again, so mom could go out again for the night), when he told her “i love you, mommy” and alessia heaved a sigh and responded with a purfunctory, “yea.”
grades meant nothing. educational achievements meant nothing. unconditional love from a child meant nothing, and charlie began to realize that if he wanted something more than boxed macaroni and cheese for dinner every night (if alessia even bothered to make it) he would have to get it himself. however it wasn’t as simple as taking it — simply taking things earned him a swift but stern slap across the face and if he hadn’t learned in his younger years, charlie surely understood alessia’s feelings with those.
he learned his charm from her, but it wasn’t easy being the odd child he was. still, with a desire to achieve, charlie applied himself to the art of manipulation. he discovered it was simple with the charm of a child: people were more likely to assist if you added a few tears, a little naievety. his teachers began to understand his plight as home as difficult when he spun the yarn of his mother having become deathly ill. his peers found him appealing when he shared goods pilfered or traded from others (without their knowledge for the former), and the reputation he earned himself in his youth formed the personality that perfected at puberty.
while all of these tricks worked outside of the household, charlie never managed to pull the wool over his mother’s eyes. but where unconditional love once stood in tolerance for alessia and her narcissism, now contempt remained. charlie fell out of love with his mother at twelve, and never looked back.
on the summer at the end of his freshman year of high school charlie left an odd-looking boy. in the fall of his sophomore year he returned transformed, as if the summer heat had been a chrysalis and the ugly caterpillar emerged a butterfly. now if you held up a picture of alessia greco beside charlie you could see he was her child, all it took was a shot of growth hormone and the deepening of his voice. abyss-black eyes were the stark difference between the two of them (ignoring the thick black hair that sprouted from his face if he didn’t tame it back to stubble every four or so days), and alessia noted how much she despised the way he stared at her now. it made her skin crawl if only because it seemed as if he was looking through her.
and he was. now he saw her for what she was: a selfish woman who had only wanted him to brag about her own achievements. but he hadn’t been worth bragging about when he was small, and now that he towered over her she wanted him to be seen with him. but charlie refused, perhaps a little too politely for her to understand at first, and it was only in a binge of some substance abuse that he took a stern hand with her. only when she struck him first out of a dead sleep — staring at him for near twenty minutes before lashing out at him. it was the threat of never touch me again that he punctuated so perfectly, threatening to hold back no means to defend himself should she raise another hand at him.
alessia mourned for herself the loss of her baby boy. all that was left was a man who was nothing more than a reminder of her failed relationships throughout the years. you’re just like them. you’re just like them.
but he was nothing like them. perhaps the only similarity being how much he despised her, as they all did in the end.
over-achieving won him an early high school graduation by one year and excellent grades a near free-ride through college. he was always good with numbers, always good at calculations and the choice to step into the mathematical field was easy. alessia was notably absent when he gained his college diploma, if only because charlie couldn’t be bothered to let her know of the date. any by now he’d escaped the clutches of her den and made his own home somewhere on the other side of the city. he was sure he would never purposely cross paths with her, and if they did meet it was purely accidental. purely venomous.
his first steps into the world of banking began the same as any other bland story: a teller whose talent for numbers opened gateways of opportunity. charlie was twenty-two when he was offered the position of personal finance. he was twenty-four when he began taking private, rich clients, and it was only a few months into that position that he met “slick ricky” dimatteo. the meeting wound up more fateful than any singular moment he had with his mother, at least it was opportunistic. silver-tongue and charm allowed for charlie to step into the world of second set of books, illegal numbers … extra money.
now he looked exactly like the son of alessia greco. fine suits, hundred-dollar hair cut, winning smile the smiles never met his eyes — that died in his childhood, with his innocence, but he when he wagged his tongue people listened and were apt to believe the words that oozed from his lips. honest life turned to opulence … he was sure he could have had more if he wanted it, but sitting on the outskirts of a life of real crime was comfortable for him. when he stole away in the middle of the night to confirm the collection of illegal debts owed he kept his own two hands clean (so what if his command got people hospitalized, right?) and charlie prided himself on the ability to forget what he had seen. things are so often lost in the black abyss.
potential connections.
clients: charlie works as a personal financer - he cooks two sets of books. this can either be a legitimate client or one that seeks to make bets or otherwise gamble their money in some form through his other connections. 
past flings: 30+ please. charlie is a one and done kind of person. he’s not at all unfamiliar with his needs and has never expressed romantic interest in any of the women he’s slept with.
arm candy: someone who attends high-class events with him. typically someone who understands his humor, and also understands that in the world of money appearances are everything. best suited to someone he’s more friends with than a stranger. (davina yueng).
friends: legitimate or otherwise. if they aren’t connected to his illegal business, they don’t know about it. if they are friends with him through said illegal business, obviously they know. (abby rosen).
i’m open to various other connections, these are just some ideas!
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precuredaily · 5 years ago
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Precure Day 170
Episode: Yes! Precure 5 22 - “Milk Runs Away and Causes Mass Chaos!” Date watched: 7 January 2020 Original air date: 8 July 2007 Screenshots: https://imgur.com/a/Em3LtfV Transformation Gallery: https://imgur.com/a/6k6SzS0 Project info and master list of posts: http://tinyurl.com/PCDabout
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and a bitch
I guess I can’t keep harping on Milk forever. She found herself alone in a hostile world not built for her, had to survive by whatever means necessary, and when she finally finds the people that it’s her responsibility to help, she can’t do anything for them. She has a superiority complex that is extremely at odds with her capacity to actually be useful, so she lashes out at others instead. Where does this get her? Let’s find out.
The Plot
Milk tries to help at Natts House as they prepare for a big sale, but only gets in the way of the others, so she tries to put herself on sale. However, Coco and Nuts explain that her plan to sell herself, sneak back, and sell herself again repeatedly is fraud and they will not allow it, so she feels sad and helpless.
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this is the sad climb, use it for sad times
Meanwhile Arachnea is feeling the pressure when her quarterly bonus turns out to be zero, so she stops by Natts House just in time to see Milk run away. She follows Milk for a few blocks and then kidnaps her, and the gang follows them to an aquarium. Arachnea uses an enchanted jellyfish to hold Milk hostage and electrocute her while she turns another jellyfish into a Kowaina and demands the Dream Collet in exchange for Milk.
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The girls respond that they’re getting Milk back, and she’s not getting the collet, before they transform. Arachnea points out that Milk ran away of her own volition because she thinks the girls hate her, and they respond that they don't; while sometimes you have to be stern with your friends, it’s in her best interest, and they still consider her a valuable companion. Arachnea doubles down on her threat by dangling Milk over a tank of piranhas.
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as one does
The Kowaina captures the girls in its tentacles, but they manage to free Lemonade, who frees the rest of them, and they rescue Milk before destroying the monster, and Arachnea flees without either the fairy OR the Dream Collet. The girls assure Milk again that they value her and all return to the shop.
A few days later, in the aftermath of the sale, Coco and Nuts tell the girls how Milk has been more amenable since then, and she apologizes for making them worry. Komachi shows up with a copy of the Cinq Lumieres Times, where Mika has written a piece complimenting Milk, who she believed was a stuffed animal. Milk takes the compliment to heart and returns to her boastful self, claiming to be much more refined than Nozomi, that they are as different as Heaven and Hell. The other girls are surprised to hear her use that phrase, and it turns out she is actually very studious and approximately the same relative age as them. The episode closes with Milk taunting Nozomi while being chased around the shop.
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The Analysis
If you remember in episode 11, where I observed that Nozomi was exhibiting ADHD symptoms, I think we might have another sincere portrayal of mental illness in Milk. She seems to be displaying traits of a superiority complex. She sees herself as better than all of the girls, and her responsibility is solely to Coco and Nuts. However, the reality of her small body and inability to assume human form (yet) are at odds with this and clash with her vision of herself, creating feelings of inferiority. If this sounds contradictory, all I can say is that there are different interpretations of what a superiority complex is, and that I’m not a doctor. The point is, her high opinion of herself contrasts with her actual capacity for help and results in her feeling useless and unwanted. Even after she’s rescued, she seems to still be shaken by the experience, and is all around quieter and less enthusiastic than normal. However, a quick confidence boost is the perfect thing to snap her back to her usual self.
Milk’s struggle to find a purpose in a world that isn’t made for her is actually very fascinating. Despite her normally forceful demeanor, we see her vulnerable side as well. Since she’s small, ordinary things like birds and dogs seem frightening to her, and you can sympathize with her. Combined with the revelation at the end of the episode that she’s equivalent to Nozomi’s age, you start to realize that she’s really just a child putting on a strong front. She has thus far survived by exploiting people’s sympathy, and it seems to be her only useful skill. She pretends to be a stuffed animal, steals the person’s food that picks her up, and then finds her next victim. She plans to use this strategy again in order to bring in money for the shop. It’s mean, but it’s also the only thing she feels she can do to help out since she can’t mop, can’t move furniture, can’t be a salesperson, etc. Coco and Nuts also don’t really need any caretaking, they’re very self-sufficient. She implied in the previous episode that she could cook, so maybe there’s that, but I don’t believe she ever gets the chance to demonstrate this. Effectively, the only thing she can do for the shop is to serve as a mascot and attract customers with her cuteness, which is what Mika does and how she writes about her in the paper. Of course, being treated as an object of desire pys right back into Milk’s ego, but it doesn’t mean she’s not good at it regardless. Although I don’t believe it ever happens again, she just stays out of the way when there’s business to be done.
Over in Nightmare we begin to see some real consequences. Sure, Bunbee has complained about budget cuts before and there’s always someone griping, but this time we actually see a direct result of their failure to get the Dream Collet, in the form of no pay for Arachnea OR Bunbee. The rest of the season will continue to explore the ramifications of their ongoing failure, and in fact the very next episode will showcase Girinma being given his final chance to succeed. Nightmare hasn’t been as cliche evil as the Dusk Zone or Dark Fall were, and their goal is even more vaguely defined, but their consequences seem to carry more weight. In the FW shows, villains either recurred every episode until they were destroyed, or they rotated, but either way their individual losses didn’t seem to matter much to the top brass. Splash Star came close, but every time a villain was given their final chance, they wound up being destroyed by the Precures in that episode anyway. Here, we’re beginning to see some actual feedback, and I enjoy that.
The battle in the aquarium - both the physical fight and the clash of words - was really good on all fronts. Arachnea was right that Milk ran away of her own volition, suggesting she didn’t want to be around the team, and they had no right to demand her return. However, the girls give a really great speech in return: they explain that Coco had to be stern with her for a reason, because that’s what friends do sometimes, and that he and Nuts were still overjoyed that she found them. Komachi and Karen declare her a true friend to them. It’s a great exchange of ideals. Physically, there’s a lot of moving around and they make good use of the environment. I especially like the part where the Kowaina traps all the girls in its tentacles, so Dream wriggles around until she can dive into Lemonade, giving her enough room to escape and use Lemonade Splash on the monster to cause it to release its grip on them. Then Aqua tricks Arachnea into latching webs onto her so she can distract the villain while Rouge rescues Milk from her precarious perch:
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Changing gears and winding this thing down, I want to say a quick bit about how Milk literally moves around through the world. As seen in the gif higher up, her ears are prehensile, so she can use them like arms to pick herself up and navigate obstacles such as stairs. Coco and Nuts tend to just jump but she lifts herself. It’s clever.
All told this was a very strong episode about Milk struggling to find a place and a role for herself, and the girls coming to appreciate her presence in their lives. It lays the foundation for a lot of Milk’s character growth in the 20s and 30s, as well as teasing just how badly Nightmare’s agents are doing, which will play into the next episode. 23 and 24 are a two-parter, the mid-season climax, and some of the best episodes of the whole show. To that end I’ll be posting the reviews of them back to back, even if it means delaying them a bit. Considering I have been sitting on this review for the better part of a month, that may not mean much, but regardless, look forward to some DESPAIR next time!
Pink Precure Catchphrase Count: 0 kettei!
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sunshine10199999-blog · 6 years ago
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( PHIL LESTER , CISMALE , HE / HIM. ) – wait a minute, wasn’t that 27 year old SEBASTIAN  MICHAEL walking through the town square? i heard that they’ve been living in augusta for SEVEN YEARS and they live at 501 SUNSHINE SQUARE. i often see them at GLORY PRODUCTIONS where they spend their time as A CAMERA MAN the people closest to them say that they are KIND & COMPASSIONATE  but can also be STUBBORN & NAIVE ( PARKER & EST. )
oooh guys !! hello , ‘ya bitch parker is back with another soft boye !! this is sebastian and honestly he’s the sweetest !! he adores everyone && everything tbh and give me ?? all of the friend plots ???  ok so under the cut is all the info ( and more than u probably wanted . ) ab the boy that i love so dearly . IF U WANNA PLOT LIKE THIS POST N I’LL COME TO U !!!!! ) 
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BASICS.
NAME.    sebastian michael.
NICKNAME.    seb.
AGE.    27.
BIRTHDATE.   march 16th , 1992.
ORIENTATION.   homosexual , homoromantic .
OCCUPATION.     cameraman at glory productions .
PHYSICAL.
HEIGHT.    6'2"
WEIGHT.    170 - 180 ibs.
EYES.     blue.
HAIR.     dark black .
TATTOOS.    n / a. he's too much of a wimp for tattoos.
SCENT.    he's very fresh scented . his body wash is like spring rain — so that too . with a light wave of strawberry bc he's a sucker for strawberry scented shampoo.  
SKIN TEXTURE.   smooth w/ a couple imperfections here & there. he does his best to manage it.
CLOTHING STYLE.    COLOR !!! sebastian is the epitome of a fuckin' rainbow. he loves anything colorful.
POSITIVE TRAITS.    he's REALLY smart, like … will take tests for u smart. he loves everyone && is very optimistic && kind. he has a bright outlook on the world and is very bubbly.
NEGATIVE TRAITS.      he gets anxious fairly easily , & he can be a tad naive in social situations . he's also stupidly protective , to the point that it might seem almost controlling . he has a weird weakness for pasta ???
BAD HABITS.   he's very fidgety ?? he runs his hands through his hair a lot … even when it's just been styled , making it a mess — almost constantly. he chews his nails and says ❝ uh ❞ a lot tbh . && he let's cade talk him into bad situations ???
DISTINGUISHABLE FEATURES . 
EYES.   his eyes are a gorgeous light blue , they're almost like glass when they catch a certain light. the shape of his eyes is definitely unique , they're almost round?? & are frozen in like a perpetual state of wide . he's got very thin bottom eyelashes , though his top ones are quite thick.
MOUTH.  lips are a bit thin , perpetually crooked. he's got a thing about his teeth — and so when he's laughing or … even smiling really big , he tends to cover his mouth with his hand.
HAIR.    his hair is in a perpetual state of confused , honestly . he had a fringe throughout most of his life , only recently changing it up into a more professional style .
CADE.  ( played by cecily . ) 
at a young age , he met cade. cade has been his best friend for as long as he can remember at this point. though cade is a couple years younger than him , he's adored him since the very beginning. their three year age gap did nothing to quell their friendship , even going through school. sebastian often made sure that cade's grades stayed where they should be . just so that cade wouldn't get in trouble with his father . who , sebastian never liked. when sebastian's mother got sick , he spent many nights on the phone to him just whining about the horrendous situation . when he moved away , at 20 , he was determined for cade to come with him . but unfortunately , cade couldn't leave until he turned eighteen . it was soon after they moved in together in augusta that sebastian realized that he was head over heels in love with his best friend .
OVERVIEW . 
sebastian's family comes from old money — though the way they live wouldn't really show it . they have enough to do whatever the fuck they want and yet … they kinda just live like a normal middle - class family.
they help with the community far more than they should && he grew up doing just the same.
he was always so fucking smart && did so well in school that he graduated high - school at sixteen . he didn't go immediately to college , instead he stayed around to help out with his mother — who … had untimely fallen ill.
he did his best for her. but a few months before his 20th birthday she passed away. he struggled with it — but with his father's support ,  he went on to college just as they'd always planned.
he'd decided that he really needed to get out of their hometown … so he applied for college in augusta . he knew the school was small — but they had an excellent film - makers program that he was just ecstatic for.
so at the ripe age of 20 , he got on a plane && left his father behind .
straight A's all the way through college — he would have been eligible for early graduation, had his anxiety not gotten the best of him halfway through his third year. it set him back some , but he graduated on time with everyone else.
soon after that , he got his job at glory productions !! where he still works. he creates his own little films on the side , and his real dream is to be a film director . but for now , he's content with his job !!
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surveys-at-your-service · 6 years ago
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Survey #170
this one’s a few days old and am just getting to posting it. don’t feel like rereading to change some old answers tho.
Do you tell your best friend everything? What might you omit? If she asked about a subject, I'd tell her. I wouldn't just be like "hey here's a little factoid I don't like talking about." Have you ever experienced unrequited love? Yes. In your current or most recent romantic relationship, do/did you feel as though one of you settled? Not at all. What did your ex (or one of your exes) consider to be a dealbreaker in you? My depression. What seemingly small change have you made to improve your life this year? More drive to be an adult. Make the decision to try as hard as mentally possible to be more open about myself and not so scared of being found as "too weird." Does anyone in your family suffer from mental illness or substance abuse? Don't get me started on the first. I only know of my dad being a recovered alcoholic. What is the biggest gap in your employment history? How did/will you explain it to future employers? 0-19ish. Wasn't in the mental state to. Is there any part of your sexual/romantic history that you have not told your current significant other about or that you will not tell future partners about? She knows a lot. There's just one thing I'm not comfortable talking about yet. There's nothing I absolutely won't tell at any point - if you're in a serious relationship, they have the right to know. Has anyone ever tried to change your mind about something very personal, such as religion or wanting children? Children, yes. Colleen especially was convinced I was going to change my mind to an annoying degree. People have pushed me being a vet a whole lot, too. Do you ever hear about old school friends? Where are you high school friends now? Well, through FB. Most have stable jobs, some are extremely intelligent students headed towards amazing careers, some are parents. Most fell off the face of the earth. What is the most fun you can remember ever having under the influence? Cards Against Humanity. Has your Facebook relationship status ever been set to 'it’s complicated’? Why? Nooooo, and I seriously wish that option didn't even exist. Drama bait, whether intentional or not. What is the most beautiful/interesting name that you’ve ever personally known someone to have? Alon. Have you ever developed feelings for someone whose sexual orientation was incompatible with yours? Yes. How many relationships have you been in that actually got sexual? One. When making an entrance in to a party, do you make your presence known? Do you slip in and look for someone you know? Do you sneak in quietly and find a safe spot to roost? Me?????????????? At a party?????????????????????? What is your strongest sense? Maybe you don't count this because it's not a "real" sense, but I would say I have an incredibly strong "sixth sense" of just knowing when something is wrong, even with people I don't know well. I pick up bad emotions easily. But if you're just talking sight, hearing, taste, touch, and smell, I suppose smell? Or taste. Could be why I'm so picky. What is the strangest thing you believed as a child? There is NO telling. I believed some wild shit. HAHAHA OH MY GOD WAIT NO I BELIEVED I HAD "ANIMAL POWERS" UNTIL THE END OF ELEMENTARY SCHOOL. Like, I could go into a "mode" where I had capabilities like those in certain animals, like with kangaroo powers, I could jump higher. God that was so embarrassing to write jfc what the fuck was I on. Who performs the most random acts of kindness out of everyone you know? Mom. She gives food, water, and sometimes money to homeless people she trusts as actually being without a home. There are two or three people she's actually "friends" with. Are you more likely to avoid conflict or engage it head-on? A V O I D What is something about yourself that you hope will change, but probably never will? I make situations awkward. Just social anxiety in general. What’s a strange occurrence you’ve experienced but have never (or rarely) shared with anyone? Okay, so I don't think I believe in angels, and I'm 99% sure this was a dream by now. But once as a little kid, I have a *very* strong memory of getting out of bed and going outside because I felt I needed to see something, and two swans came to the porch, turning into my grampa and favorite cat that had died. Then I went back inside, and that's all I remember. Still to this day that shit didn't feel like a dream, but. It probably was. What do you think about more than anything else? The future. What’s your all-time favorite town or city? Why? I dunno. If you could restore one broken relationship, which would it be? The friendship with Megan. Do you Skype? With Sara. Have you ever called anyone ‘bro’ other than your actual brother? I'll call p much anyone that. Have you ever blocked someone on MySpace before? Maybe? What is the best kind of pizza in your opinion? Pan meat lovers omfg. Stick with jalapeno tho with trying to at least lean towards vegetarianism. Is there something that someone has done to you that you cannot forgive? Eh... I think I've forgiven him. Do you scream at scary parts in a horror flick? No. What is your favorite restaurant? Olive Garden. Has anyone ever drunk called/texted you? No. Are any of your pets “overweight”? No. How do you feel about weed? I'm totally for it medicinally. Helps with too many things. Otherwise, for reasons I've said in many old surveys, I don't believe it should be smoked. We already complain enough about cigarettes and lung cancer. How many people have you kissed that you weren’t dating? None. Who was the last person that ditched you? How did you react? Mini, I guess. Was hurt as fuck for years until I recently confronted her, and we're cool now. Who is your best friend of the opposite sex? Girt is like... my only male friend besides Dad. What size are the pants you’re wearing? Large, probably? Were you a fan of Michael Jackson before he died? I went neither way. Liked some songs, didn't like some, no opinion on others. Can you spot constellations in the night sky? Only the Big or Little Dipper. I dunno the difference. What kind of shampoo did you last use? I dunno exactly. Mom just put some in a smaller, nameless bottle for while I'm at Sara's. It's probably Suave, though. If you had a hippie bus, what would it look like? Gimme all the peace signs and trippy patterns. Have you ever hitchhiked? No. Would you rather hike a mountain or explore a cave? EXPLORE A CAVE BITCH Would you rather wear a flower crown or veil? For my wedding, probably a veil. I can't see a flower crown going with a (probably) black dress lmao. Do you go barefoot often? I'm always barefoot in the house, but outside, I always have shoes. What is your favorite thing to get high off of? N/A What type of tattoo do you want? Most of the ones I want hold personal meaning. There's few I want to get for solely aesthetic purposes. What is your favorite insect? Butterflies. Favorite constellation? *shrug* Beach wedding, forest wedding, or English countryside wedding? Forest! Does pineapple belong on pizza? NO. Do you have any big plans for November? No. What upcoming event are you most looking forward to? Christmas. I doubt Halloween's gonna be anything I'd like it to be. What was the last song you heard? "Letter" by Mother Mother is on. Compared to someone else of your age and gender; do you feel that you have a lot to offer someone? HAHAHAHA NO. How many days a week do you work? N/A Is there ONE person you feel more connected to than others? Sara and Mom. Where did your eye color come from? Mom's dad had blue eyes, I think. Have you ever been in a recording studio? No. What is your worst relationship quality? I'm paranoid. I'm that "do you still like me?" person after marriage, I'm sure. What was your most recent serious injury? Does sun poisoning from Hell itself count? When was the last time you baked something for someone? Never lmao. Would you rather be kissed on the neck or on the lips? I mean it depends on the mood. What is one thing you’re not looking forward to in the next week? I'm going home Wednesday. Would you consider Christmas your favorite holiday? Second-fave. How many chances do you normally give someone before giving up on them? Way too fucking many. But it also depends on the offense and person. Did you parents know what gender you were before you were born? Yeah. Are you for or against inter-racial relationships? Totally for. Would you say you’re more of a pessimist or optimist? I'm definitely a realist, but if I had to pick, I lean more towards pessimism. Have you ever been addicted to something unhealthy? No. When the holidays come around, do you watch holiday movies? Not really. Would you say you’re a friendly person or not so much? I think I'm very friendly, just shy and awkward socially. When was the last time you ate something from Burger King? LEMME TELL YOU THIS SHIT. Months ago, I went for a veggie burger. THESE. IDIOTS. Put all the normal shit BUT NO PATTY IN A FUCKING BUN. WHEN THEY HAVE ACTUAL VEGGIE PATTIES. We waited forever, so Mom was already in a bad mood. She went in and the manager was livid; she gave us a free drink and fries. BUT, the burger fucking sucked, it was so overcooked. Sooo that was fun. When someone mentions a song, does it make you wanna listen to it? Rarely if it's a song I don't know, unless I like the artist. Song title may interest me, too. Who is the nosiest person you know? Do you like them anyways? BITCH ME. Are you one of those people who like The Nightmare Before Christmas? Okay so, I first watched it in school and I didn't like it at all. Then I started loving it??? I have like sooo much Jack stuff. What’s the best food to have at a sleepover? Pizza! Do you like the yellow Cheetos better or the orange ones? You mean normal or hot? Gimme them spicy boiz. Do you know anybody with different colored eyes? No. Are any of your relatives vets? Don't believe so. Who cleans the most in your house? Mom. I really need to do it more. Do you own any shirts that cost over 100$? Jfc no. What about any shoes? Do you think that’s a lot of money for clothes? No, and obviously. What’s the movie theater in your town called? Uhhh I think Cinemax? How many minutes do you consider late? Over five. What kinds of food do you dunk into milk? Some cookies. Do you have any current or past teachers on your Facebook friends? No. Are there any baby pictures of you up? On FB? No. Do you have any friends who have bleached blonde hair? Maybe Alon still does, idk. Are you wearing any jewelry that a boyfriend/girlfriend gave you? No. Have you ever seen the last person you kissed cry? Yeah. What’s the last thing you were excited to eat? A donut sobs. Who's the most romantic person you ever went out with? I dunno... none were/are like especially romantic. Is there anything hanging from the ceiling in your room? Some Pyramid Head gift tags, a stuffed fae dragon from WoW, and a cool lantern. Have you ever seen the last person you hugged dressed up fancy? Not in person, but in pictures. (If your parents married), Do you know where they got engaged? No. What was the last picture you printed of? The reference I made of my tattoo for the artist. What restaurant has the best fries? Bojangle's the Queen. What does your mailbox look like? Just a basic black one. Have you ever gotten something stuck on the roof? Probs as a kid. Does your computer make a lot of noise? Not really. Unless it's overheating. Who did you last drink or smoke up with? Mom and Sara. How many board games do you own? Idk, there's just a few in a cabinet in the living room. What does your BIGGEST mug look like? We don't have any really big ones. Newest musical discovery? I really love Powerwolf. Last thing you cleaned? Clothes. What exactly do you carry around all your stuff in? Purse. What do you carry around, typically? Phone, iPod, wallet, hand sanitizer, keys... Where is your newest scar? There's still a little scab on the bottom of my tat from heavy shading, but it's almost healed. If you mean like, "real" scar, cat scratch on my right hand. Where is your oldest scar? Ummm probably this random one on the top of my right wrist. No clue where it came from, been there for years. Last thing you disposed of? A bottle, I think? Are you good at recovering from injuries? I dunno. How many different public restrooms have you used this week? I think just one, at the reptile convention. Do you have more piercings or tattoos? Currently tied at six, but piercings the day I get home and get my tongue redone. What color and type is your vehicle? N/A Looking to upgrade or add any time soon? N/A What animal do you have the most possessions *of*, or featuring? Meerkats. What do you use to wash your dishes? Ugh, hands, gross. I refuse to have my own home that doesn't have a dishwasher. Last thing you measured? Ummm probably water when I was making ramen. Last thing you weighed? Myself. Do you talk to your parent(s) [almost] every day? Ma, yes. Last person to tell you that you smell good? Sara although I don't see how, I needed a shower. @_@ Last person you told that they smell good? Sara. How many iPhones have you had? One, I think? Last person you ran into unexpectedly? Good question. Last compliment you received on your appearance? Uhhh idk. On your character/personality? Sara's mom pointed out this morning that she liked how I watch out for Sara and reminded her to call the library (applied there) and it made me so happy alkdjowie. Her approval is important to me. Do you remain friends with anyone you met at your first job? No. Woulda liked to, but. How many chargers do you have for your current cell phone? One, though Mom's fits mine, too. Do you have a good work/life balance? N/A Have you ever ordered pizza online? Yeah. Do you own a treadmill? No, but I want one. Have you ever signed up for a gym membership? Yeah. What color was the last fish you had? I couldn't tell you. Is there a garbage can in your room? What color is it? No. Have you ever read in the bathtub? I may've as a kid? Does your animal sleep with you? Roman, pretty much always. Rarely Teddy, but hhe doesn't like getting off the bed; I put him on it if he wants, so getting down's the only thing. Have you ever had to wear a hairnet? I think I have, but I don't recall for what? How many favorites do you have on YouTube? Holy shit idk. I used to favorite almost anything I liked, though for like a year or so now I've been really picky with what I favorite because it's become a playlist I go to that I know will cheer me up or are just videos I find very important. What kind was the last chip you ate? Uhhhh Lays, p sure. What is your favorite song to play on Guitar Hero or Rockband? I physically cannot play "Hotel California" by the Eagles without moving in some sort of way or singing.  The fucking solo ahhhhhhhhhh goosebumps every time.
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enbouton · 7 years ago
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Better Call Saul Rewatch, Part 4/30: Upon This Rock I Will Build My Church
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Hero (Season 1, Episode 4)
Written by Gennifer Hutchison / Directed by Colin Bucksey
This episode deals largely with identities. Jimmy is Saul Goodman, he’s Slippin’ Jimmy, he’s Howard Hamlin, he’s his own receptionist on the phone, he’s Tony Curtis in the bath scene in Spartacus, he’s a local lawyer and a local hero. It’s fitting that we open with a flashback showing young Jimmy using the name “Saul” for the very first time, and just as fitting that it’s done without fanfare: it’s tossed out as a half-joke. “S’all good, man!” Jimmy, in a garish, slithery-looking striped shirt, leads his mark down the alley where his partner in crime awaits. The unhurried pace of this sequence is very effective, suiting the stillness of nighttime Cicero and the low-key nature of Jimmy and Marco’s con.
The flashbacks on this show (with the exception of the corner-store one) all take place at night or in dimly lit rooms; here’s some good meta that touches on how Jimmy thrives in darkness. Is it significant that the first Slippin’ Jimmy con we see is one that wouldn’t work on an honest person? Jimmy needs a mark who’s willing to make off with the "Rolex”, thinking he’s got one over on the rube who settled for $1,580 in cash.
Afterwards, Marco is radiant with admiration for Jimmy— “I love watching you work”— but Jimmy says his talents are good for beer money, and that’s about all. Again: what would have happened to this guy if he hadn’t had to leave Cicero? This is not the face of a man who’s happy with where he is in life:
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(It is the face of a man who’s being "haunted by the ghost of vladimir lenin” (@deadpanwalking), but I digress.)
Back in the present, Craig and Betsy stand over a pile of money and stress that what they did was “for the kids” (sound familiar?). In substance if not style, Jimmy’s pitch to the Kettlemans bears more than a little resemblance to Kim’s pitch to Mesa Verde: “What are you gonna get from me that you won’t get from those other guys? Passion. Commitment ... If you’re with me, you’re my number one client, morning, noon or night. You call me, I’m there. I would be singularly devoted to you.” But Betsy isn’t swayed: “You’re the kind of lawyer guilty people hire.” Ouch. Exhausted and beaten down, Jimmy takes their bribe.
Nacho, now released, surmises that Jimmy tipped off the Kettlemans. I like that Nacho is as smart as Jimmy. I like that the show generally surrounds Jimmy with people who are as smart as he is. Jimmy counters that Nacho didn’t need any help making himself look suspicious, and Nacho stalks off.
As Jimmy launders his money, assigning stacks of cash to “consulting fees”, “research” and “travel expenses”, he constructs yet another alternate self, this one belonging to a narrative in which he worked for the Kettlemans.
We see Jimmy getting measured for an expensive, conservative suit, yet when the tailor steps out of the room, something wonderful happens:
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#it’s like watching a baby being born #a really tacky baby
But Jimmy isn’t just using his windfall to smarten up; he’s playing a long con involving a billboard exactly mimicking one of Howard Hamlin’s, ringlets and all.
Small brain: using your ill-gotten seed money to advertise your business
Galaxy brain: dressing up as your enemy, buying a provocative billboard that you know you'll be forced to take down, hiring a film crew, then bribing a worker to fall off the billboard so that you’ll get on the local news for rescuing him
“He’s… you know, a free spirit,” Kim says, having been dragged out of the office to look at it. She demurs when asked if she and Jimmy are still friends, which, tbh, is fair enough, given how Jimmy behaves around Hamlin (we’ll get into that later). There’s lots to think about with Jimmy literally dressing up as Hamlin, recreating his look down to the smallest detail. Once again he’s taking on another persona, albeit just to achieve a short-term goal. “What kind of lawyer are you going to be?” Kim will ask him in season 2. It’s a question Jimmy seems to keep asking himself.
In the midst of Jimmy and Hamlin’s clash, we get an early glimpse at the tightrope Kim is expected to walk at HHM. She shouldn’t feel the need to lie about who her friends are in order to stay in her boss’ good graces, yet she does, and later on she breaks off a friendly conversation with Jimmy to hand over a cease & desist letter. With Kim, BCS dodges the “successful woman has to choose between career and relationship” trope in favour of something much more interesting, a woman facing uncertainty and unfairness in both spheres. Kim’s relationship with Jimmy isn’t even the main reason she’s treated unfairly at work, and her allegiance to HHM isn’t what’s keeping her and Jimmy apart.
The billboard comes down, but not before Jimmy has himself filmed in front of it, first speaking to camera about the injustice he’s faced, then racing up a ladder to rescue the worker whom he bribed to take a fall. It’s fascinating to watch how Jimmy tells his story here. He hits all the right beats— patriotism, bootstraps, public service, the dream of owning one’s own business— and casts himself as the all-American underdog who “scrimped and saved” to buy a billboard only to have it snatched away from him. We’ll see Jimmy employ a lot of these tropes in his advertising later on; this is his skill at face-to-face communication writ large, but the foundation of the billboard con is his ability to create situations that he can manipulate to his advantage.
When Jimmy drags the worker back up onto the walkway and the two slap hands, we finally see his angle. Watching him on the news in the HHM boardroom, Howard mutters “whole thing’s a damn stunt” and walks off. Kim gives a little smile.
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The one part of the situation that Jimmy can’t control is his brother. He has the foresight to keep the newspaper from him, but he can’t account for Chuck’s pedantic attention to detail. Of course Chuck will wonder why his newspaper wasn’t delivered; of course he’ll look outside and see that all his neighbours have theirs; of course he’ll deduce that there’s something in the paper that Jimmy doesn’t want him to see, and cross-reference this against what Jimmy told him about a sudden change in his fortune; and this, perhaps combined with the urgent care receipt that fell out of Jimmy’s pocket a few weeks prior, will concern him enough that he’s compelled to go outside.
The show has already tipped its hand re: the true cause of Chuck’s symptoms, but that’s almost beside the point here: what matters is that they are real and debilitating. As soon as he steps outside, he’s overwhelmed, his senses are deranged, and he nearly runs into the path of a car in his haste to get across the road. The chaotic, visceral sequence ends with a blackly comic cut to his neighbour’s perspective. From the outside, this proud, suffering man is just a crazy guy in a space blanket, scurrying back to his door.
Misc.
“You assume that criminals are gonna be smarter than they are,” Jimmy muses to Mike. “I don’t know. Kinda breaks my heart a little.”
IIRC, the billboard, which went up for filming in Albuquerque in 2014, was how we all found out Saul’s original first name.
A wall of glass blocks appears prominently behind Jimmy and his mark as they walk down the alley. Marco’s fake ID, in the name of Henry Gondorff, bears an issue date of July 1991.
What we see of Kim’s office is devoid of personal items, except for a pair of sensible sneakers on the floor.
Timeframe: this episode picks up right where “Nacho” left off and covers a period of about two weeks. The Albuquerque Journal is dated June 20, 2002; Chuck’s copies of the New York Times and Wall Street Journal bear cover stories that were published on June 19th or 20th (they are “Israel Acts to Seize Arab Land After Blast; Bush Delays Talk” and ”Unhappy Returns: IRS Moves to Bring Back Random Audits”).
Music
“Smoke on the Water” by Deep Purple (1972), sung by Marco
“Listen” by Chicago (1969), as Marco and Jimmy smoke
“Battle Hymn of the Republic” by Herbie Mann (1969), as Jimmy launders his money. Saul plays a different version of this song in his waiting room in Breaking Bad.
“Unsquare Dance” by the Dave Brubeck Quartet (1961), as Jimmy calls the media
References
Young Jimmy offers to take his mark to a place “a couple blocks off Cermak”. He’s referring to Cermak Road, a major east-west thoroughfare that runs through Cicero, neighbouring Berwyn, and parts of southern and western Chicago.
“Super 170 Tasmanian wool”: the “Super” number corresponds to the diameter of the wool fibres; the higher the number, the finer (and more expensive) the cloth. 170s wool suiting is very fine, soft and lightweight. More info here.
Sea Island cotton: a variety of extra long staple cotton historically grown in the Caribbean and named after the area of South Carolina:
“Sea Island cotton is the ultimate choice for any suiting connoisseur due to its unrivaled softness and second skin-like feel. This ancient fibre is now grown mainly in the paradise climates of Barbados, Antigua and Jamaica; its inherent long staple yarns create a silky yet strong surface, resisting wear while smoothing over time. Extremely scarce, it makes up just 0.0004% of longer staple yarn production.“ (Turnbull & Asser, where you can buy a Sea Island cotton shirt for £345/$456)
French cuffs: double cuffs that are folded back and fastened with cufflinks; a very formal style
Club collar: a white collar with rounded points, created by alumni of Eton College who wanted their dress to indicate that they belonged to that exclusive “club”. All in all, the elements of Hamlin’s signature look connote wealth and sophistication in a formal, conservative way.
Jimmy refers to Tony Curtis’ appearance in a particular scene in the 1960 epic Spartacus. It’s worth noting that the scene, which features two men bathing together and some heavy innuendo about “snails” and “oysters”, was considered so homoerotic that it was cut entirely by the censors and only restored to the film in 1991 (source). You can watch part of the scene here.
Kim invites Jimmy to a screening of The Thing (1982), a horror film about a group of researchers in Antarctica encountering a parasitic alien entity.
While talking to reporters, Jimmy mentions Bob Woodward and Carl Bernstein, investigative journalists who covered the Watergate scandal.
The Groucho Marx mirror routine Howard refers to is this scene from Duck Soup (1933).
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anayahinckley · 4 years ago
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insurance for 22 year old male
BEST ANSWER: Try this site where you can compare quotes from different companies :4insurancequotes.xyz
insurance for 22 year old male
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corneliusreignallen · 5 years ago
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How to make a damning documentary about a world-class liar
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Imelda Marcos — and her attempt to rewrite history — is the subject of The Kingmaker. | Lauren Greenfield / Showtime
The Kingmaker director Lauren Greenfield talks about her revealing Imelda Marcos documentary.
Lauren Greenfield has built a career partly on chronicling excess. In films like The Queen of Versailles (2012) and Generation Wealth (2018), the documentarian explores the fabulous, over-the-top wealth concentrated among tiny numbers of people, providing a window into extravagance that seems to teeter on the edge of the tragic — all this money, and for what?
So it’s fitting that her new film The Kingmaker looks at one of the most famously extravagant women in recent history: Imelda Marcos, former first lady of the Philippines. When Marcos and her husband, dictator Ferdinand Marcos, were driven into exile in the United States in 1986, Imelda left behind a stash of more than 1,000 pairs of shoes. And that might be the only thing a lot of people know about her.
But there’s much more to Imelda Marcos — and that’s what Greenfield dives into in The Kingmaker. Marcos is interviewed throughout, and at first we just get her side of the story. But then Greenfield slowly fills in what’s missing and challenges any outright fabrications by talking to people who remember the reign of terror that was the kleptocratic Marcos regime, and draws a line between that regime and the more recent rise of the murderous authoritarian Rodrigo Duterte.
I spoke with Greenfield in New York about whether Imelda Marcos believes her own lies and how to undercut an unreliable narrator in a documentary. Our conversation has been edited and condensed.
Alissa Wilkinson
Imelda Marcos, it turns out, is the unreliable narrator of your documentary. Did you expect that going in?
Lauren Greenfield
Frankly, I was just so excited to be able to talk to her. I didn’t really have an expectation for what she would say.
I thought she was surprisingly candid in the first interview, so it seemed more like she believed her own story, rather than telling untruths. It took me like a little while to realize that what she said was just not true. She first told me about how great her marriage was, and I really didn’t know otherwise. But then, I learned about the affairs. I learned about other things that were obviously untrue [such as the state of the Marcos marriage, the way the Marcoses accumulated their wealth, and the living conditions in the Philippines under Marcos’s imposition of martial law]. When it got to the really egregious things, then it became really clear.
I realized she had a strategic narrative that was part of redeeming the name of Marcos and part of coming back to power.
Alissa Wilkinson
Do you now think those are deliberate lies that she’s plotted out? Or have they changed over time?
Lauren Greenfield
No, I think they’ve evolved over time. A lot of the things she says are just lines that she repeats. She would repeat the same thing to me two or three times. And then, when I would do research, I would see also her repeating it in other places. But then, she’ll come out with something totally unexpected, and I think this is why she’s so interesting to talk to.
Andy Bautista, who’s the former head of the PCGG [the Philippines’ Presidential Commission on Good Government], says, “She comes out with these spontaneous admissions.” So, she’ll say [in the film], “I had my money in 170 banks.” He didn’t know that, and he spent years going after her ill-gotten wealth.
She is unguarded in some respects, mostly because she doesn’t think anything she did was wrong. So why not say it?
Tumblr media
Lauren Greenfield / Showtime
Imelda Marcos in The Kingmaker.
Alissa Wilkinson
In some ways, the movie feels like a psychological portrait more than anything else — a portrait of a wealthy, delusional person, and she’s certainly not the only one. But do you have a sense of who’s enabled her delusions or her lies? Who’s helped her craft that narrative? Are her children part of that?
Lauren Greenfield
I think she’s somebody that nobody says “no” to.
I’m sure there were probably times that people on our staff thought a film about her was not a good idea. But she wanted to do it. And she’s unstoppable.
The children definitely are complicit in the narrative of, “Everything was good during the Marcos regime and there’s nothing to say sorry for.” In an interview with [Marcos’s son, the politician and vice presidential candidate] Bongbong [Marcos] before the election, a reporter said, “Are you going to say sorry for martial law?” Which is what people wanted. And Bongbong said, “If I hurt anybody, I would say sorry, but what do we have to say sorry for? Should we say sorry for the road? Should we say sorry for the infrastructure? Should we say sorry for the highways that were built?” And so in way, it’s very Trumpian, like leaning into the story. Nothing was wrong. Never saying sorry.
Alissa Wilkinson
It’s not as if the people of the Philippines are responsible for any of what happened during the Marcos regime, but you do talk to some Filipinos who seem to have adopted the Marcos family’s narrative, which papers over or outright denies what really went on.
Lauren Greenfield
Yeah. There’s that, as well as the young electorate who didn’t know and were not taught [the history of the Marcos regime] in schools. I think the Marcoses have taken advantage of that and also fueled this narrative on social media to a very vulnerable population.
The new government also never did what a country like Germany did after [World War II], where it made sure to inculcate history in the young people. They were forgiving, and a lot of people remained in government who played both sides of the coin. And the judiciary has vulnerabilities to corruption — there are hundreds of cases against Marcos, but if there were convictions, they didn’t stick. Nobody ever did jail time.
Alissa Wilkinson
The houses in which we see Mrs. Marcos during your interviews with her are pretty incredible and they seem carefully arranged — all of those possessions and pictures and artwork and so on. Did she decorate them herself?
Lauren Greenfield
There are three houses and a palace in the film. Those photographs that are out in the garden of the family home and start falling over — a lot of those photographs have been reproduced and are also in the other properties. So in her Manila apartment, all the same pictures are there. And this, I don’t really even understand: In one property, you’ll see a priceless work of art, but in another property, you’ll see a replica.
I don’t know who does her interior decoration but it’s very distinctive, and I definitely wanted to have that as part of her portrait in the interviews. Then, I tried to contrast that with the credible truth-tellers and keep their interviews very raw and unfiltered and unmediated. They’re just these credible voices, no makeup, no artifice. Hers is a world of artifice.
Tumblr media
Evergreen Pictures
Lauren Greenfield interviews Imelda Marcos for The Kingmaker.
Alissa Wilkinson
I feel like a lot of documentaries bend over backward to make sure the viewer knows that the subject is raw and authentic. In a way, this movie is just the opposite. She’s certainly an authentic version of herself but that self is constructed from artifice. How do you interview a person like that?
Lauren Greenfield
First of all, I did want to also show her humanity, and I think you’re drawn into her humanity at the beginning of the film. But I tried to have the interviews themselves function as cinéma vérité. It’s not just about what she’s saying, but it’s also about the maids coming to help her or about a look or a gesture.
Alissa Wilkinson
Like when she knocks over those frames and breaks the glass in them, and the man nearby just starts cleaning them up while she keeps talking without missing a beat.
Lauren Greenfield
That’s really what I consider a vérité moment. Or in the interview where she starts moving a gold sheep or asking about makeup — in that interview setting, there are still telling, apparently unrehearsed moments.
But the truth is, she’s so charismatic and so convincing that when I experimented with people looking at the footage, if she would tell you a story, you would believe it. And so that really led to the structure of the film, in which truth-tellers and real footage is sometimes layered right on top of the lie, so the audience knows.
Alissa Wilkinson
Which can be tricky, I think. I was talking with Errol Morris about his Steve Bannon film recently, in which he tried to do the same thing but feels as if some people miss the irony entirely.
Lauren Greenfield
I haven’t seen that film. But I definitely felt like there is a criticism, which I think is legitimate in this era of disinformation, of giving airtime to somebody who’s spreading this misinformation.
So in this case, I felt that we needed to hear the narrative that she was trying to spin. Then, when we deconstructed it, we needed to understand why she was doing it and to debunk it. All of those things were important.
That was the idea, but it wasn’t easy. That was why I had to go out and find other voices. She is so charismatic, and a lot of people are coming to [see the film] with no knowledge of her. And even if they do have knowledge of her, it’s not necessarily knowledge that’s going to give you the tools to have context for what she’s saying.
Alissa Wilkinson
Right, like many Americans may not remember anything other than her infamous shoe collection.
Lauren Greenfield
And even so many young Filipinos who have seen this movie have been saying, “Thank you. My parents fled Marcos, but I didn’t know why.” Andy Bautista has been saying that he thinks the shoes are a distraction. And in a way, I think that’s a powerful idea, because she’s so harmless if all she is is a vain, rich woman with shoes. It’s a way to distract. It reminds me of when she says early on in the film something about women being underestimated and that it’s useful.
Alissa Wilkinson
Has Imelda Marcos seen the movie?
Lauren Greenfield
She hasn’t.
Alissa Wilkinson
Do you think she will?
Lauren Greenfield
We haven’t showed it in the Philippines yet. I think she will when we show it in the Philippines.
Alissa Wilkinson
What do you suppose she’ll think of it?
Lauren Greenfield
It’s so hard to know. She might like a lot of her scenes, and the “kingmaker” title. But I don’t think she’ll like the other voices we brought in, because [the Marcoses] have spent a lot of time and money drowning out the other voices. They’re trying to sell a narrative and they’re not going to like anything that goes against it. They probably won’t like me giving time to their opposition.
Alissa Wilkinson
Your movies are about wealthy people, albeit vastly different ones. Is there something that ties them together?
Lauren Greenfield
I do think this movie is a big departure for me. I’ve looked at wealth, but this movie looks at the connection between money and power. Money goes a long way in politics in the Philippines. Money also goes a long way in fueling a propaganda campaign on social media.
But the other thing I think that overlaps with [my 2018 documentary] Generation Wealth is Imelda’s psychology. It’s why I included some of her backstory at the start of the film; I don’t think she was always the Imelda like we know her to be now. I think she became that person.
In Generation Wealth, everybody’s drive [toward extravagance] comes from a trauma, often from childhood. With Imelda, her story is that she became an orphan, was traumatized, becomes a beauty pageant queen, then falls into the arms of Marcos, who can give her love. She’s ambitious and he can give her a better life, get her to Manila and start the drive toward being important and rich. He was already a Congressman and already had aspirations to higher office. Then I think when he betrays her, that’s when she becomes insatiable in terms of material things. And I think that the material things are not for their own safety.
I don’t think she cares that much about the shoes or the clothes or even like the jewelry. I think it’s about what it gives her, how she gets to be this queenly figure that people love.
So ultimately, I do think she’s looking for love, but it’s a kind of adulation-style love. It’s just a symptom of something deeper, which is kind of human and vulnerable. But I didn’t want to let her off the hook for any of the consequences of the regime.
Alissa Wilkinson
It’s hard to know where the line is between acknowledging that someone like her is a hurt person and also holding the powerful responsible.
Lauren Greenfield
When I started it, I thought there was a possibility this movie would be a redemption story. But the opposite ended up happening. Because she ends up repeating her actions in helping Duterte get put into power, it reveals how much agency she had the first time. Historically, I think some have thought, “Maybe she was just the wife of Marcos. Maybe he was really the corrupt one.” I think he was the one who taught her. But I think after the revolution, she was very powerful. But more recently, it was Marcos money that got Duterte to power — and 30,000 people have been killed in the last two years. There’s blood on their hands.
The Kingmaker opened in limited theaters on November 8 and will premiere on Showtime in 2020.
from Vox - All https://ift.tt/3547Mi6
0 notes
shanedakotamuir · 5 years ago
Text
How to make a damning documentary about a world-class liar
Tumblr media
Imelda Marcos — and her attempt to rewrite history — is the subject of The Kingmaker. | Lauren Greenfield / Showtime
The Kingmaker director Lauren Greenfield talks about her revealing Imelda Marcos documentary.
Lauren Greenfield has built a career partly on chronicling excess. In films like The Queen of Versailles (2012) and Generation Wealth (2018), the documentarian explores the fabulous, over-the-top wealth concentrated among tiny numbers of people, providing a window into extravagance that seems to teeter on the edge of the tragic — all this money, and for what?
So it’s fitting that her new film The Kingmaker looks at one of the most famously extravagant women in recent history: Imelda Marcos, former first lady of the Philippines. When Marcos and her husband, dictator Ferdinand Marcos, were driven into exile in the United States in 1986, Imelda left behind a stash of more than 1,000 pairs of shoes. And that might be the only thing a lot of people know about her.
But there’s much more to Imelda Marcos — and that’s what Greenfield dives into in The Kingmaker. Marcos is interviewed throughout, and at first we just get her side of the story. But then Greenfield slowly fills in what’s missing and challenges any outright fabrications by talking to people who remember the reign of terror that was the kleptocratic Marcos regime, and draws a line between that regime and the more recent rise of the murderous authoritarian Rodrigo Duterte.
I spoke with Greenfield in New York about whether Imelda Marcos believes her own lies and how to undercut an unreliable narrator in a documentary. Our conversation has been edited and condensed.
Alissa Wilkinson
Imelda Marcos, it turns out, is the unreliable narrator of your documentary. Did you expect that going in?
Lauren Greenfield
Frankly, I was just so excited to be able to talk to her. I didn’t really have an expectation for what she would say.
I thought she was surprisingly candid in the first interview, so it seemed more like she believed her own story, rather than telling untruths. It took me like a little while to realize that what she said was just not true. She first told me about how great her marriage was, and I really didn’t know otherwise. But then, I learned about the affairs. I learned about other things that were obviously untrue [such as the state of the Marcos marriage, the way the Marcoses accumulated their wealth, and the living conditions in the Philippines under Marcos’s imposition of martial law]. When it got to the really egregious things, then it became really clear.
I realized she had a strategic narrative that was part of redeeming the name of Marcos and part of coming back to power.
Alissa Wilkinson
Do you now think those are deliberate lies that she’s plotted out? Or have they changed over time?
Lauren Greenfield
No, I think they’ve evolved over time. A lot of the things she says are just lines that she repeats. She would repeat the same thing to me two or three times. And then, when I would do research, I would see also her repeating it in other places. But then, she’ll come out with something totally unexpected, and I think this is why she’s so interesting to talk to.
Andy Bautista, who’s the former head of the PCGG [the Philippines’ Presidential Commission on Good Government], says, “She comes out with these spontaneous admissions.” So, she’ll say [in the film], “I had my money in 170 banks.” He didn’t know that, and he spent years going after her ill-gotten wealth.
She is unguarded in some respects, mostly because she doesn’t think anything she did was wrong. So why not say it?
Tumblr media
Lauren Greenfield / Showtime
Imelda Marcos in The Kingmaker.
Alissa Wilkinson
In some ways, the movie feels like a psychological portrait more than anything else — a portrait of a wealthy, delusional person, and she’s certainly not the only one. But do you have a sense of who’s enabled her delusions or her lies? Who’s helped her craft that narrative? Are her children part of that?
Lauren Greenfield
I think she’s somebody that nobody says “no” to.
I’m sure there were probably times that people on our staff thought a film about her was not a good idea. But she wanted to do it. And she’s unstoppable.
The children definitely are complicit in the narrative of, “Everything was good during the Marcos regime and there’s nothing to say sorry for.” In an interview with [Marcos’s son, the politician and vice presidential candidate] Bongbong [Marcos] before the election, a reporter said, “Are you going to say sorry for martial law?” Which is what people wanted. And Bongbong said, “If I hurt anybody, I would say sorry, but what do we have to say sorry for? Should we say sorry for the road? Should we say sorry for the infrastructure? Should we say sorry for the highways that were built?” And so in way, it’s very Trumpian, like leaning into the story. Nothing was wrong. Never saying sorry.
Alissa Wilkinson
It’s not as if the people of the Philippines are responsible for any of what happened during the Marcos regime, but you do talk to some Filipinos who seem to have adopted the Marcos family’s narrative, which papers over or outright denies what really went on.
Lauren Greenfield
Yeah. There’s that, as well as the young electorate who didn’t know and were not taught [the history of the Marcos regime] in schools. I think the Marcoses have taken advantage of that and also fueled this narrative on social media to a very vulnerable population.
The new government also never did what a country like Germany did after [World War II], where it made sure to inculcate history in the young people. They were forgiving, and a lot of people remained in government who played both sides of the coin. And the judiciary has vulnerabilities to corruption — there are hundreds of cases against Marcos, but if there were convictions, they didn’t stick. Nobody ever did jail time.
Alissa Wilkinson
The houses in which we see Mrs. Marcos during your interviews with her are pretty incredible and they seem carefully arranged — all of those possessions and pictures and artwork and so on. Did she decorate them herself?
Lauren Greenfield
There are three houses and a palace in the film. Those photographs that are out in the garden of the family home and start falling over — a lot of those photographs have been reproduced and are also in the other properties. So in her Manila apartment, all the same pictures are there. And this, I don’t really even understand: In one property, you’ll see a priceless work of art, but in another property, you’ll see a replica.
I don’t know who does her interior decoration but it’s very distinctive, and I definitely wanted to have that as part of her portrait in the interviews. Then, I tried to contrast that with the credible truth-tellers and keep their interviews very raw and unfiltered and unmediated. They’re just these credible voices, no makeup, no artifice. Hers is a world of artifice.
Tumblr media
Evergreen Pictures
Lauren Greenfield interviews Imelda Marcos for The Kingmaker.
Alissa Wilkinson
I feel like a lot of documentaries bend over backward to make sure the viewer knows that the subject is raw and authentic. In a way, this movie is just the opposite. She’s certainly an authentic version of herself but that self is constructed from artifice. How do you interview a person like that?
Lauren Greenfield
First of all, I did want to also show her humanity, and I think you’re drawn into her humanity at the beginning of the film. But I tried to have the interviews themselves function as cinéma vérité. It’s not just about what she’s saying, but it’s also about the maids coming to help her or about a look or a gesture.
Alissa Wilkinson
Like when she knocks over those frames and breaks the glass in them, and the man nearby just starts cleaning them up while she keeps talking without missing a beat.
Lauren Greenfield
That’s really what I consider a vérité moment. Or in the interview where she starts moving a gold sheep or asking about makeup — in that interview setting, there are still telling, apparently unrehearsed moments.
But the truth is, she’s so charismatic and so convincing that when I experimented with people looking at the footage, if she would tell you a story, you would believe it. And so that really led to the structure of the film, in which truth-tellers and real footage is sometimes layered right on top of the lie, so the audience knows.
Alissa Wilkinson
Which can be tricky, I think. I was talking with Errol Morris about his Steve Bannon film recently, in which he tried to do the same thing but feels as if some people miss the irony entirely.
Lauren Greenfield
I haven’t seen that film. But I definitely felt like there is a criticism, which I think is legitimate in this era of disinformation, of giving airtime to somebody who’s spreading this misinformation.
So in this case, I felt that we needed to hear the narrative that she was trying to spin. Then, when we deconstructed it, we needed to understand why she was doing it and to debunk it. All of those things were important.
That was the idea, but it wasn’t easy. That was why I had to go out and find other voices. She is so charismatic, and a lot of people are coming to [see the film] with no knowledge of her. And even if they do have knowledge of her, it’s not necessarily knowledge that’s going to give you the tools to have context for what she’s saying.
Alissa Wilkinson
Right, like many Americans may not remember anything other than her infamous shoe collection.
Lauren Greenfield
And even so many young Filipinos who have seen this movie have been saying, “Thank you. My parents fled Marcos, but I didn’t know why.” Andy Bautista has been saying that he thinks the shoes are a distraction. And in a way, I think that’s a powerful idea, because she’s so harmless if all she is is a vain, rich woman with shoes. It’s a way to distract. It reminds me of when she says early on in the film something about women being underestimated and that it’s useful.
Alissa Wilkinson
Has Imelda Marcos seen the movie?
Lauren Greenfield
She hasn’t.
Alissa Wilkinson
Do you think she will?
Lauren Greenfield
We haven’t showed it in the Philippines yet. I think she will when we show it in the Philippines.
Alissa Wilkinson
What do you suppose she’ll think of it?
Lauren Greenfield
It’s so hard to know. She might like a lot of her scenes, and the “kingmaker” title. But I don’t think she’ll like the other voices we brought in, because [the Marcoses] have spent a lot of time and money drowning out the other voices. They’re trying to sell a narrative and they’re not going to like anything that goes against it. They probably won’t like me giving time to their opposition.
Alissa Wilkinson
Your movies are about wealthy people, albeit vastly different ones. Is there something that ties them together?
Lauren Greenfield
I do think this movie is a big departure for me. I’ve looked at wealth, but this movie looks at the connection between money and power. Money goes a long way in politics in the Philippines. Money also goes a long way in fueling a propaganda campaign on social media.
But the other thing I think that overlaps with [my 2018 documentary] Generation Wealth is Imelda’s psychology. It’s why I included some of her backstory at the start of the film; I don’t think she was always the Imelda like we know her to be now. I think she became that person.
In Generation Wealth, everybody’s drive [toward extravagance] comes from a trauma, often from childhood. With Imelda, her story is that she became an orphan, was traumatized, becomes a beauty pageant queen, then falls into the arms of Marcos, who can give her love. She’s ambitious and he can give her a better life, get her to Manila and start the drive toward being important and rich. He was already a Congressman and already had aspirations to higher office. Then I think when he betrays her, that’s when she becomes insatiable in terms of material things. And I think that the material things are not for their own safety.
I don’t think she cares that much about the shoes or the clothes or even like the jewelry. I think it’s about what it gives her, how she gets to be this queenly figure that people love.
So ultimately, I do think she’s looking for love, but it’s a kind of adulation-style love. It’s just a symptom of something deeper, which is kind of human and vulnerable. But I didn’t want to let her off the hook for any of the consequences of the regime.
Alissa Wilkinson
It’s hard to know where the line is between acknowledging that someone like her is a hurt person and also holding the powerful responsible.
Lauren Greenfield
When I started it, I thought there was a possibility this movie would be a redemption story. But the opposite ended up happening. Because she ends up repeating her actions in helping Duterte get put into power, it reveals how much agency she had the first time. Historically, I think some have thought, “Maybe she was just the wife of Marcos. Maybe he was really the corrupt one.” I think he was the one who taught her. But I think after the revolution, she was very powerful. But more recently, it was Marcos money that got Duterte to power — and 30,000 people have been killed in the last two years. There’s blood on their hands.
The Kingmaker opened in limited theaters on November 8 and will premiere on Showtime in 2020.
from Vox - All https://ift.tt/3547Mi6
0 notes
gracieyvonnehunter · 5 years ago
Text
How to make a damning documentary about a world-class liar
Tumblr media
Imelda Marcos — and her attempt to rewrite history — is the subject of The Kingmaker. | Lauren Greenfield / Showtime
The Kingmaker director Lauren Greenfield talks about her revealing Imelda Marcos documentary.
Lauren Greenfield has built a career partly on chronicling excess. In films like The Queen of Versailles (2012) and Generation Wealth (2018), the documentarian explores the fabulous, over-the-top wealth concentrated among tiny numbers of people, providing a window into extravagance that seems to teeter on the edge of the tragic — all this money, and for what?
So it’s fitting that her new film The Kingmaker looks at one of the most famously extravagant women in recent history: Imelda Marcos, former first lady of the Philippines. When Marcos and her husband, dictator Ferdinand Marcos, were driven into exile in the United States in 1986, Imelda left behind a stash of more than 1,000 pairs of shoes. And that might be the only thing a lot of people know about her.
But there’s much more to Imelda Marcos — and that’s what Greenfield dives into in The Kingmaker. Marcos is interviewed throughout, and at first we just get her side of the story. But then Greenfield slowly fills in what’s missing and challenges any outright fabrications by talking to people who remember the reign of terror that was the kleptocratic Marcos regime, and draws a line between that regime and the more recent rise of the murderous authoritarian Rodrigo Duterte.
I spoke with Greenfield in New York about whether Imelda Marcos believes her own lies and how to undercut an unreliable narrator in a documentary. Our conversation has been edited and condensed.
Alissa Wilkinson
Imelda Marcos, it turns out, is the unreliable narrator of your documentary. Did you expect that going in?
Lauren Greenfield
Frankly, I was just so excited to be able to talk to her. I didn’t really have an expectation for what she would say.
I thought she was surprisingly candid in the first interview, so it seemed more like she believed her own story, rather than telling untruths. It took me like a little while to realize that what she said was just not true. She first told me about how great her marriage was, and I really didn’t know otherwise. But then, I learned about the affairs. I learned about other things that were obviously untrue [such as the state of the Marcos marriage, the way the Marcoses accumulated their wealth, and the living conditions in the Philippines under Marcos’s imposition of martial law]. When it got to the really egregious things, then it became really clear.
I realized she had a strategic narrative that was part of redeeming the name of Marcos and part of coming back to power.
Alissa Wilkinson
Do you now think those are deliberate lies that she’s plotted out? Or have they changed over time?
Lauren Greenfield
No, I think they’ve evolved over time. A lot of the things she says are just lines that she repeats. She would repeat the same thing to me two or three times. And then, when I would do research, I would see also her repeating it in other places. But then, she’ll come out with something totally unexpected, and I think this is why she’s so interesting to talk to.
Andy Bautista, who’s the former head of the PCGG [the Philippines’ Presidential Commission on Good Government], says, “She comes out with these spontaneous admissions.” So, she’ll say [in the film], “I had my money in 170 banks.” He didn’t know that, and he spent years going after her ill-gotten wealth.
She is unguarded in some respects, mostly because she doesn’t think anything she did was wrong. So why not say it?
Tumblr media
Lauren Greenfield / Showtime
Imelda Marcos in The Kingmaker.
Alissa Wilkinson
In some ways, the movie feels like a psychological portrait more than anything else — a portrait of a wealthy, delusional person, and she’s certainly not the only one. But do you have a sense of who’s enabled her delusions or her lies? Who’s helped her craft that narrative? Are her children part of that?
Lauren Greenfield
I think she’s somebody that nobody says “no” to.
I’m sure there were probably times that people on our staff thought a film about her was not a good idea. But she wanted to do it. And she’s unstoppable.
The children definitely are complicit in the narrative of, “Everything was good during the Marcos regime and there’s nothing to say sorry for.” In an interview with [Marcos’s son, the politician and vice presidential candidate] Bongbong [Marcos] before the election, a reporter said, “Are you going to say sorry for martial law?” Which is what people wanted. And Bongbong said, “If I hurt anybody, I would say sorry, but what do we have to say sorry for? Should we say sorry for the road? Should we say sorry for the infrastructure? Should we say sorry for the highways that were built?” And so in way, it’s very Trumpian, like leaning into the story. Nothing was wrong. Never saying sorry.
Alissa Wilkinson
It’s not as if the people of the Philippines are responsible for any of what happened during the Marcos regime, but you do talk to some Filipinos who seem to have adopted the Marcos family’s narrative, which papers over or outright denies what really went on.
Lauren Greenfield
Yeah. There’s that, as well as the young electorate who didn’t know and were not taught [the history of the Marcos regime] in schools. I think the Marcoses have taken advantage of that and also fueled this narrative on social media to a very vulnerable population.
The new government also never did what a country like Germany did after [World War II], where it made sure to inculcate history in the young people. They were forgiving, and a lot of people remained in government who played both sides of the coin. And the judiciary has vulnerabilities to corruption — there are hundreds of cases against Marcos, but if there were convictions, they didn’t stick. Nobody ever did jail time.
Alissa Wilkinson
The houses in which we see Mrs. Marcos during your interviews with her are pretty incredible and they seem carefully arranged — all of those possessions and pictures and artwork and so on. Did she decorate them herself?
Lauren Greenfield
There are three houses and a palace in the film. Those photographs that are out in the garden of the family home and start falling over — a lot of those photographs have been reproduced and are also in the other properties. So in her Manila apartment, all the same pictures are there. And this, I don’t really even understand: In one property, you’ll see a priceless work of art, but in another property, you’ll see a replica.
I don’t know who does her interior decoration but it’s very distinctive, and I definitely wanted to have that as part of her portrait in the interviews. Then, I tried to contrast that with the credible truth-tellers and keep their interviews very raw and unfiltered and unmediated. They’re just these credible voices, no makeup, no artifice. Hers is a world of artifice.
Tumblr media
Evergreen Pictures
Lauren Greenfield interviews Imelda Marcos for The Kingmaker.
Alissa Wilkinson
I feel like a lot of documentaries bend over backward to make sure the viewer knows that the subject is raw and authentic. In a way, this movie is just the opposite. She’s certainly an authentic version of herself but that self is constructed from artifice. How do you interview a person like that?
Lauren Greenfield
First of all, I did want to also show her humanity, and I think you’re drawn into her humanity at the beginning of the film. But I tried to have the interviews themselves function as cinéma vérité. It’s not just about what she’s saying, but it’s also about the maids coming to help her or about a look or a gesture.
Alissa Wilkinson
Like when she knocks over those frames and breaks the glass in them, and the man nearby just starts cleaning them up while she keeps talking without missing a beat.
Lauren Greenfield
That’s really what I consider a vérité moment. Or in the interview where she starts moving a gold sheep or asking about makeup — in that interview setting, there are still telling, apparently unrehearsed moments.
But the truth is, she’s so charismatic and so convincing that when I experimented with people looking at the footage, if she would tell you a story, you would believe it. And so that really led to the structure of the film, in which truth-tellers and real footage is sometimes layered right on top of the lie, so the audience knows.
Alissa Wilkinson
Which can be tricky, I think. I was talking with Errol Morris about his Steve Bannon film recently, in which he tried to do the same thing but feels as if some people miss the irony entirely.
Lauren Greenfield
I haven’t seen that film. But I definitely felt like there is a criticism, which I think is legitimate in this era of disinformation, of giving airtime to somebody who’s spreading this misinformation.
So in this case, I felt that we needed to hear the narrative that she was trying to spin. Then, when we deconstructed it, we needed to understand why she was doing it and to debunk it. All of those things were important.
That was the idea, but it wasn’t easy. That was why I had to go out and find other voices. She is so charismatic, and a lot of people are coming to [see the film] with no knowledge of her. And even if they do have knowledge of her, it’s not necessarily knowledge that’s going to give you the tools to have context for what she’s saying.
Alissa Wilkinson
Right, like many Americans may not remember anything other than her infamous shoe collection.
Lauren Greenfield
And even so many young Filipinos who have seen this movie have been saying, “Thank you. My parents fled Marcos, but I didn’t know why.” Andy Bautista has been saying that he thinks the shoes are a distraction. And in a way, I think that’s a powerful idea, because she’s so harmless if all she is is a vain, rich woman with shoes. It’s a way to distract. It reminds me of when she says early on in the film something about women being underestimated and that it’s useful.
Alissa Wilkinson
Has Imelda Marcos seen the movie?
Lauren Greenfield
She hasn’t.
Alissa Wilkinson
Do you think she will?
Lauren Greenfield
We haven’t showed it in the Philippines yet. I think she will when we show it in the Philippines.
Alissa Wilkinson
What do you suppose she’ll think of it?
Lauren Greenfield
It’s so hard to know. She might like a lot of her scenes, and the “kingmaker” title. But I don’t think she’ll like the other voices we brought in, because [the Marcoses] have spent a lot of time and money drowning out the other voices. They’re trying to sell a narrative and they’re not going to like anything that goes against it. They probably won’t like me giving time to their opposition.
Alissa Wilkinson
Your movies are about wealthy people, albeit vastly different ones. Is there something that ties them together?
Lauren Greenfield
I do think this movie is a big departure for me. I’ve looked at wealth, but this movie looks at the connection between money and power. Money goes a long way in politics in the Philippines. Money also goes a long way in fueling a propaganda campaign on social media.
But the other thing I think that overlaps with [my 2018 documentary] Generation Wealth is Imelda’s psychology. It’s why I included some of her backstory at the start of the film; I don’t think she was always the Imelda like we know her to be now. I think she became that person.
In Generation Wealth, everybody’s drive [toward extravagance] comes from a trauma, often from childhood. With Imelda, her story is that she became an orphan, was traumatized, becomes a beauty pageant queen, then falls into the arms of Marcos, who can give her love. She’s ambitious and he can give her a better life, get her to Manila and start the drive toward being important and rich. He was already a Congressman and already had aspirations to higher office. Then I think when he betrays her, that’s when she becomes insatiable in terms of material things. And I think that the material things are not for their own safety.
I don’t think she cares that much about the shoes or the clothes or even like the jewelry. I think it’s about what it gives her, how she gets to be this queenly figure that people love.
So ultimately, I do think she’s looking for love, but it’s a kind of adulation-style love. It’s just a symptom of something deeper, which is kind of human and vulnerable. But I didn’t want to let her off the hook for any of the consequences of the regime.
Alissa Wilkinson
It’s hard to know where the line is between acknowledging that someone like her is a hurt person and also holding the powerful responsible.
Lauren Greenfield
When I started it, I thought there was a possibility this movie would be a redemption story. But the opposite ended up happening. Because she ends up repeating her actions in helping Duterte get put into power, it reveals how much agency she had the first time. Historically, I think some have thought, “Maybe she was just the wife of Marcos. Maybe he was really the corrupt one.” I think he was the one who taught her. But I think after the revolution, she was very powerful. But more recently, it was Marcos money that got Duterte to power — and 30,000 people have been killed in the last two years. There’s blood on their hands.
The Kingmaker opened in limited theaters on November 8 and will premiere on Showtime in 2020.
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timalexanderdollery · 5 years ago
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How to make a damning documentary about a world-class liar
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Imelda Marcos — and her attempt to rewrite history — is the subject of The Kingmaker. | Lauren Greenfield / Showtime
The Kingmaker director Lauren Greenfield talks about her revealing Imelda Marcos documentary.
Lauren Greenfield has built a career partly on chronicling excess. In films like The Queen of Versailles (2012) and Generation Wealth (2018), the documentarian explores the fabulous, over-the-top wealth concentrated among tiny numbers of people, providing a window into extravagance that seems to teeter on the edge of the tragic — all this money, and for what?
So it’s fitting that her new film The Kingmaker looks at one of the most famously extravagant women in recent history: Imelda Marcos, former first lady of the Philippines. When Marcos and her husband, dictator Ferdinand Marcos, were driven into exile in the United States in 1986, Imelda left behind a stash of more than 1,000 pairs of shoes. And that might be the only thing a lot of people know about her.
But there’s much more to Imelda Marcos — and that’s what Greenfield dives into in The Kingmaker. Marcos is interviewed throughout, and at first we just get her side of the story. But then Greenfield slowly fills in what’s missing and challenges any outright fabrications by talking to people who remember the reign of terror that was the kleptocratic Marcos regime, and draws a line between that regime and the more recent rise of the murderous authoritarian Rodrigo Duterte.
I spoke with Greenfield in New York about whether Imelda Marcos believes her own lies and how to undercut an unreliable narrator in a documentary. Our conversation has been edited and condensed.
Alissa Wilkinson
Imelda Marcos, it turns out, is the unreliable narrator of your documentary. Did you expect that going in?
Lauren Greenfield
Frankly, I was just so excited to be able to talk to her. I didn’t really have an expectation for what she would say.
I thought she was surprisingly candid in the first interview, so it seemed more like she believed her own story, rather than telling untruths. It took me like a little while to realize that what she said was just not true. She first told me about how great her marriage was, and I really didn’t know otherwise. But then, I learned about the affairs. I learned about other things that were obviously untrue [such as the state of the Marcos marriage, the way the Marcoses accumulated their wealth, and the living conditions in the Philippines under Marcos’s imposition of martial law]. When it got to the really egregious things, then it became really clear.
I realized she had a strategic narrative that was part of redeeming the name of Marcos and part of coming back to power.
Alissa Wilkinson
Do you now think those are deliberate lies that she’s plotted out? Or have they changed over time?
Lauren Greenfield
No, I think they’ve evolved over time. A lot of the things she says are just lines that she repeats. She would repeat the same thing to me two or three times. And then, when I would do research, I would see also her repeating it in other places. But then, she’ll come out with something totally unexpected, and I think this is why she’s so interesting to talk to.
Andy Bautista, who’s the former head of the PCGG [the Philippines’ Presidential Commission on Good Government], says, “She comes out with these spontaneous admissions.” So, she’ll say [in the film], “I had my money in 170 banks.” He didn’t know that, and he spent years going after her ill-gotten wealth.
She is unguarded in some respects, mostly because she doesn’t think anything she did was wrong. So why not say it?
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Lauren Greenfield / Showtime
Imelda Marcos in The Kingmaker.
Alissa Wilkinson
In some ways, the movie feels like a psychological portrait more than anything else — a portrait of a wealthy, delusional person, and she’s certainly not the only one. But do you have a sense of who’s enabled her delusions or her lies? Who’s helped her craft that narrative? Are her children part of that?
Lauren Greenfield
I think she’s somebody that nobody says “no” to.
I’m sure there were probably times that people on our staff thought a film about her was not a good idea. But she wanted to do it. And she’s unstoppable.
The children definitely are complicit in the narrative of, “Everything was good during the Marcos regime and there’s nothing to say sorry for.” In an interview with [Marcos’s son, the politician and vice presidential candidate] Bongbong [Marcos] before the election, a reporter said, “Are you going to say sorry for martial law?” Which is what people wanted. And Bongbong said, “If I hurt anybody, I would say sorry, but what do we have to say sorry for? Should we say sorry for the road? Should we say sorry for the infrastructure? Should we say sorry for the highways that were built?” And so in way, it’s very Trumpian, like leaning into the story. Nothing was wrong. Never saying sorry.
Alissa Wilkinson
It’s not as if the people of the Philippines are responsible for any of what happened during the Marcos regime, but you do talk to some Filipinos who seem to have adopted the Marcos family’s narrative, which papers over or outright denies what really went on.
Lauren Greenfield
Yeah. There’s that, as well as the young electorate who didn’t know and were not taught [the history of the Marcos regime] in schools. I think the Marcoses have taken advantage of that and also fueled this narrative on social media to a very vulnerable population.
The new government also never did what a country like Germany did after [World War II], where it made sure to inculcate history in the young people. They were forgiving, and a lot of people remained in government who played both sides of the coin. And the judiciary has vulnerabilities to corruption — there are hundreds of cases against Marcos, but if there were convictions, they didn’t stick. Nobody ever did jail time.
Alissa Wilkinson
The houses in which we see Mrs. Marcos during your interviews with her are pretty incredible and they seem carefully arranged — all of those possessions and pictures and artwork and so on. Did she decorate them herself?
Lauren Greenfield
There are three houses and a palace in the film. Those photographs that are out in the garden of the family home and start falling over — a lot of those photographs have been reproduced and are also in the other properties. So in her Manila apartment, all the same pictures are there. And this, I don’t really even understand: In one property, you’ll see a priceless work of art, but in another property, you’ll see a replica.
I don’t know who does her interior decoration but it’s very distinctive, and I definitely wanted to have that as part of her portrait in the interviews. Then, I tried to contrast that with the credible truth-tellers and keep their interviews very raw and unfiltered and unmediated. They’re just these credible voices, no makeup, no artifice. Hers is a world of artifice.
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Evergreen Pictures
Lauren Greenfield interviews Imelda Marcos for The Kingmaker.
Alissa Wilkinson
I feel like a lot of documentaries bend over backward to make sure the viewer knows that the subject is raw and authentic. In a way, this movie is just the opposite. She’s certainly an authentic version of herself but that self is constructed from artifice. How do you interview a person like that?
Lauren Greenfield
First of all, I did want to also show her humanity, and I think you’re drawn into her humanity at the beginning of the film. But I tried to have the interviews themselves function as cinéma vérité. It’s not just about what she’s saying, but it’s also about the maids coming to help her or about a look or a gesture.
Alissa Wilkinson
Like when she knocks over those frames and breaks the glass in them, and the man nearby just starts cleaning them up while she keeps talking without missing a beat.
Lauren Greenfield
That’s really what I consider a vérité moment. Or in the interview where she starts moving a gold sheep or asking about makeup — in that interview setting, there are still telling, apparently unrehearsed moments.
But the truth is, she’s so charismatic and so convincing that when I experimented with people looking at the footage, if she would tell you a story, you would believe it. And so that really led to the structure of the film, in which truth-tellers and real footage is sometimes layered right on top of the lie, so the audience knows.
Alissa Wilkinson
Which can be tricky, I think. I was talking with Errol Morris about his Steve Bannon film recently, in which he tried to do the same thing but feels as if some people miss the irony entirely.
Lauren Greenfield
I haven’t seen that film. But I definitely felt like there is a criticism, which I think is legitimate in this era of disinformation, of giving airtime to somebody who’s spreading this misinformation.
So in this case, I felt that we needed to hear the narrative that she was trying to spin. Then, when we deconstructed it, we needed to understand why she was doing it and to debunk it. All of those things were important.
That was the idea, but it wasn’t easy. That was why I had to go out and find other voices. She is so charismatic, and a lot of people are coming to [see the film] with no knowledge of her. And even if they do have knowledge of her, it’s not necessarily knowledge that’s going to give you the tools to have context for what she’s saying.
Alissa Wilkinson
Right, like many Americans may not remember anything other than her infamous shoe collection.
Lauren Greenfield
And even so many young Filipinos who have seen this movie have been saying, “Thank you. My parents fled Marcos, but I didn’t know why.” Andy Bautista has been saying that he thinks the shoes are a distraction. And in a way, I think that’s a powerful idea, because she’s so harmless if all she is is a vain, rich woman with shoes. It’s a way to distract. It reminds me of when she says early on in the film something about women being underestimated and that it’s useful.
Alissa Wilkinson
Has Imelda Marcos seen the movie?
Lauren Greenfield
She hasn’t.
Alissa Wilkinson
Do you think she will?
Lauren Greenfield
We haven’t showed it in the Philippines yet. I think she will when we show it in the Philippines.
Alissa Wilkinson
What do you suppose she’ll think of it?
Lauren Greenfield
It’s so hard to know. She might like a lot of her scenes, and the “kingmaker” title. But I don’t think she’ll like the other voices we brought in, because [the Marcoses] have spent a lot of time and money drowning out the other voices. They’re trying to sell a narrative and they’re not going to like anything that goes against it. They probably won’t like me giving time to their opposition.
Alissa Wilkinson
Your movies are about wealthy people, albeit vastly different ones. Is there something that ties them together?
Lauren Greenfield
I do think this movie is a big departure for me. I’ve looked at wealth, but this movie looks at the connection between money and power. Money goes a long way in politics in the Philippines. Money also goes a long way in fueling a propaganda campaign on social media.
But the other thing I think that overlaps with [my 2018 documentary] Generation Wealth is Imelda’s psychology. It’s why I included some of her backstory at the start of the film; I don’t think she was always the Imelda like we know her to be now. I think she became that person.
In Generation Wealth, everybody’s drive [toward extravagance] comes from a trauma, often from childhood. With Imelda, her story is that she became an orphan, was traumatized, becomes a beauty pageant queen, then falls into the arms of Marcos, who can give her love. She’s ambitious and he can give her a better life, get her to Manila and start the drive toward being important and rich. He was already a Congressman and already had aspirations to higher office. Then I think when he betrays her, that’s when she becomes insatiable in terms of material things. And I think that the material things are not for their own safety.
I don’t think she cares that much about the shoes or the clothes or even like the jewelry. I think it’s about what it gives her, how she gets to be this queenly figure that people love.
So ultimately, I do think she’s looking for love, but it’s a kind of adulation-style love. It’s just a symptom of something deeper, which is kind of human and vulnerable. But I didn’t want to let her off the hook for any of the consequences of the regime.
Alissa Wilkinson
It’s hard to know where the line is between acknowledging that someone like her is a hurt person and also holding the powerful responsible.
Lauren Greenfield
When I started it, I thought there was a possibility this movie would be a redemption story. But the opposite ended up happening. Because she ends up repeating her actions in helping Duterte get put into power, it reveals how much agency she had the first time. Historically, I think some have thought, “Maybe she was just the wife of Marcos. Maybe he was really the corrupt one.” I think he was the one who taught her. But I think after the revolution, she was very powerful. But more recently, it was Marcos money that got Duterte to power — and 30,000 people have been killed in the last two years. There’s blood on their hands.
The Kingmaker opened in limited theaters on November 8 and will premiere on Showtime in 2020.
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flowerhungry · 5 years ago
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this is really fucking personal, and maybe i’ll never post like this again, but maybe i will. so here internet, have my thoughts ✨
i want to post more personal things on tumblr, just like on a previous account. i wish current tumblr was more like old tumblr, but even on old tumblr my ramblings never got too much attention. thankfully.
i’m currently regretting purchasing such a loud keyboard. my computer is in the bedroom and justin is sleeping and typing on here is so fucking loud. i’m trying to be quiet. i just looked at him and he seems to be sleeping so... i don’t know, i just feel bad. i don’t want to wake him. strict/maybe abusive mom things when you still worry about being too loud/getting yelled at in your own goddamn apartment!
anyways, with the shifts i’ve been working, i haven’t been able to sleep. so i get off maybe around 3am, get home, eat/unwind, and then i don’t end up going to bed until 5-6am. so then when my days off come around, i can’t fucking sleep. tonight might have partially been my fault seeing as i took a nap at 10pm and didn’t wake up until 1am. (i’m blaming it on the burger and that vodka lemonade i had for dinner) so here i am, at 0230 wide awake.
today i purchased a computer monitor and a gaming keyboard so i can use my macbook more like a desktop computer. i hate using my laptop, but i really like the feel of a desktop, how weird is that? my set up definitely doesn’t look like those clean, minimal setups you see on instagram or reddit, but it’s mine and i’m okay with that. it needs some cord management, a mouse that maybe matches my keyboard, and maybe a different chair? why are keyboards and mice so expensive? (i totally should not have spent money seeing as i haven’t budgeted or even looked at my bank account the whole month of september and i just went to disneyland...) my monitor was like $100 and then the keyboard was $170 and then the mouse is $70. granted the keyboard and mouse are meant for gaming. maybe i’ll give into justin and start playing WOW. maybe that’s what i could do with my insomnia. also because our bedroom is carpeted, my desk like SHAKES with any movement and that’s really fucking annoying. i’ve lived with hardwood floor most of my life and i forgot how annoying living with carpet is. like get rid of this shit. my vacuum canister is disgusting and my desk shakes. BUT my kitchen and bathroom are not carpeted thankfully. that would really fucking suck.
speaking of apartments... i am really fucking thankful for my apartment because i can afford it, and it’s close to work, and it’s just a good apartment. but it’s fucking dated. like this carpet, the cabinets... it’s annoying. i see all these apartments/houses on instagram/reddit/youtube and i can’t make mine look like that. i can’t change the flooring or the cabinets or the countertops. i don’t know. i also just don’t have the motivation to decorate or have fun or enjoy my apartment. like, let’s be real, ever since moving out of my mom’s house i’ve gone into this depressive funk and working swing shifts and working so much overtime has just made it worse. i feel like i’m drowning and slipping and moving farther and farther away from the person i was and the person i want to become. i don’t even recognize myself. i think the only time i recognize myself is in scrubs, and i fucking hate that. i thought that moving out and away from my mom’s house and away from LTAH would solve all these problems and it hasn’t. i feel more lost and more confused than ever. being an independent 20 something really fucking sucks. i just hope it gets better.
i think my mental illness is wearing on justin. he told me that maybe i should think about seeing a therapist the other day. and he’s right. he can’t be my everything and i’ve been having mental breakdowns regularly and i know it sucks for him. i don’t even know how to find a therapist. it’s such a daunting task. but, to be fair, everything, even doing dishes, is daunting to me right now.
i love a good blogging session like this though. i’m listening to music, i’m using my new desk/computer setup; i’m enjoying the fruits of my labor. i love writing like this, this journaling/stream of consciousness flow. i want to write more. i want to journal. i want to create. i like LONG to create. i waste time on tik tok and see all these people creating and i have such a strong desire to be like them. i just want to be anyone other than the shell of a person i am right now. how do i even go about becoming the person i want to be? i can’t even clean up after myself right now.
i feel like the only thing i feel is numb and sad. i listen to these love songs and even though i would say i’m in love with justin, i can’t always relate to them. like i feel what they are saying because i love justin and i don’t want to lose him, but... i don’t know how to describe it. which stresses me out beyond belief. i just hope that doesn’t mean we won’t last. what are you supposed to do with thoughts like those? 
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arynladyofice · 6 years ago
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“Extremely detailed character sheet template”
This is a WIP headcanon template, I didn’t want to keep it buried in my draft, so I decided to post, and simply continue to fill it whenever I can. So basically, as long as you see this note, I haven’t finished filling it. I will reblog it when I finish filling it, too!
Character Chart Character’s full name: Unknown. Reason or meaning of name: Full name means “Lady of Ice” but also “Ice Bringer” and it’s good to note “Aryn” is also a translated version of her real name. “Lady of Ice” was gained later on (as she became Lady) so at birth she was simply “Aryn” (”Aryn Ice Bringer”). Character’s nickname: Aryn; Lady of Ice. Reason for nickname: Translation of her full name. Birth date: Unknown, can’t remember the exact date. Physical appearance Age: 500, though has been existing for more than 5000. How old does he/she appear: Eearly 20s. Weight: ??? (not underweight, not overweight, and not close to any of those extreme, so average). Height: 170 cm/5″7′. Body build: Slender, fit, athletic. Shape of face: Oval (same shape as the first two pictures in profile). Eye color: Light Blue, can also be called Icy Blue. Glasses or contacts: None. Skin tone: Fair, almost pale. Distinguishing marks: None. Predominant features: Her eyes (genuine, caring, but can betray her many years), some also says beauty (but this is subjective). Hair color: Pale Blue (Illusioned to be pale blond sometimes). Type of hair: Long, Wavy. Hairstyle: Strands framing her face, some hairs falling down her chest while the rest fall down her back, rarely tie them. Voice: Soft, smooth, can seem to echo sometimes (full out echoes like crystal you tap in dragon form). Overall attractiveness: Attractive, exact level depending on the person. Physical disabilities: None, but being in place too hot will lower her abilities. Usual fashion of dress: Pants, button up shirts, boots, gloves. Favorite outfit: Light Blue riding pants, Light blue button up shirt, light blue gloves coming to her elbows, Light Blue boots coming to her knees with small heels. Often with a light blue or white neckerchief around her neck, wrapped loosely. Jewelry or accessories: Doesn’t have any left, though she does have one pair of earrings offered by a friend. She often wears them. Personality Good personality traits: Gentle, Kind, Compassionate, Protective, Helpfull, Self-sacrificing, Friendly, Always prefer peaceful ways when she can, Loves humor, Forgiving, Loyal. Bad personality traits: Reckless, Ferocious, Protective (can go very far), Unforgiving on some occasions, Unpredictable, Will do whatever she needs to when she has to. Sometimes has a quick temper. Mood character is most often in: Cheerful and curious about the world and people. Sense of humor: Sass, jokes, puns when she thinks of them. Loves all kind of humor. Character’s greatest joy in life: Meeting new people and discovering new places. Character’s greatest fear: Losing Merlin ( @wordlesswarlock ) or worse, being hated by him. Why? She cares for him more than anyone else, if she lost him, she would break. What single event would most throw this character’s life into complete turmoil? Merlin’s death (if it was just hate, she would either try to make amend, or keep protecting from afar, so in either case she would still have a life purpose). Character is most at ease when: Being with her friends (be it Pokemon, humans), especially her closest ones and/or those that know lots of her secrets. Most ill at ease when: Facing Chaos. Enraged when: Someone she cares about is hurt in any way. Depressed or sad when: She lets memories eat at her. Priorities: Protect her friends, follow the goal of her specie the best as she can. Life philosophy: In two parts, “There is so much to see, a neverending wideness, and yet all is unique” and “I will not be your ennemy unless you give me a reason to be”. If granted one wish, it would be: Her whole kin reviving. Including her mother. Why? She misses them a lot, and she can’t help wishing her specie was once more known. Character’s soft spot: Children, Innocent people, Pokemon. Is this soft spot obvious to others? Most likely, she visibly softens. Greatest strength: Her will and heart. Greatest vulnerability or weakness: Her heart. Biggest regret: Not having been able to protect Aska from dying. Minor regret: Killing in rage when she was younger (meaning between 20 and 50 years old). Biggest accomplishment: Fighting off Chaos herself during one of the big wars between Chaos and the Guardians. Minor accomplishment: Lots of things in her eyes, like protecting her friends, taking care of her Pokemon. Past failures he/she would be embarrassed to have people know about: The times she couldn’t protect, and the time she killed out of rage. Why? She doesn’t like to admit she wasn’t always able to protect people, and she still feels ashamed of letting her emotions get the better of her/ Character’s darkest secret: The few times she killed in cold blood. Does anyone else know? No, only Aska had known (and some of her specie), and nobody knows of the most recent (and only killing in cold blood she did after her kin’s death). A Cenred that went to war with a Camelot she had grown to like, the one world that allowed her to see Aska again, and she sought out Cenred after the war ended with his loss to kill him for the loss Camelot went through (including a few important people she had started to get to know and who were important to the Merlin and Artur of this world). Goals Drives and motivations: Her drive and motivation comes from all the places she knows to have not explored yet, and so all the friends she has yet to make. The knowledge she has friends already also motivate her. Immediate goals: Take care of her Pokemon, meet new people. Long term goals: Make sure Merlin lives as long as he can, protect Camelot as long as it feels right, hopefully make sure her friends have long and happy lives. How the character plans to accomplish these goals: Stay in contact with everyone, be there for them in any way, and won’t be afraid to use all the skills she has to make sure they’re all safe. How other characters will be affected: If she achieve her goals? Her friends would have a long life, happy if she’s able to make sure they have what makes them happy. But those that are ennemies, or well if we stay in the mindset of the goals, those that try to keep their friends from being happy (or worse, try to injure or kill them)... Well, either they’ll be too scared to try again, or they’re too injured. Or dead. Past Hometown: Er, Gaia? I haven’t thought of actual names of towns, Guardians live mostly in their own houses here and there, so there aren’t official towns. In short, Gaia is their only town... and their whole planet. Type of childhood: Started off happy, but it took a few years for Aryn to get over her mother’s death, so those years were... sad, as even though she had Aska and her father and some friends, she would always feel sad. It most likely forced her to grow fast, and she probably developped her desire to battle against Chaos as long as she could then. However, by the time she reached 20, she had recovered her joyful nature. Pets: No pets as a child. First memory: Waking up cuddled with Aska as babies. Most important childhood memory: Sadly, her mother’s death. Why: It marked her whole childhood, and forged parts of her personality. Childhood hero: Her dad and his counterpart! She would love to watch them fight or train others; and she hoped to become like him; charismatic, loved and powerful. Dream job: Well, being a Guardian, of course. Education: Gaia’s education, plus whatever she could learn in other worlds. It was mostly turned toward the balance of the worlds as well as magic, but to mix well with other worlds they did learn a few universal things, too. Gaia being a medieval-like world, they learned a lot about politics, tactics, fighting, riding, etiquettes, etc. Religion: Technically, none. And technically, a few worlds considered her specie as divinities that protected the balance. But ever since a child, Aryn has always believed all religions to have some truth in them. Finances:  Without any trouble on this side. I mean, Guardians kind of have the special ability to create the money used where they are through their magic. If Magic wants them to protect worlds, it would also give them some help, right? Present Current location: Spirit, mountains that actually form their own world and connects to other worlds (caves and mountains in any world can lead to Spirit, without people realizing). Currently living with: Her Pokemon. Pets: Not pets, but her Pokemon. Religion: None. Aryn does know enough to know all religions have roots, especially as she did meet gods in the past. Not all worlds might have gods, but for Aryn, all religions have truth in them. Occupation: Traveller, Guardian of Merlin. Finances: As said before, she can create the money needed, so no problem here. She does try to “participate” though, in the sense that she won’t hesitate to use the money she create (do note that it is real, not fake, and so the people she buy from are able to use it). She will even work sometimes, use the money on the same world. Family Mother: Light Guardian, name unknown. Relationship with her: Aryn loved her, and still does. She misses her a lot, and often wonders how it would have been, growing up with a mother too. Father: Thunder Guardian, name unknown. Relationship with him: Adored him, he raised her on his own and did a great job at it. His last actions were to save her, and she can’t forget that either. She was able to talk to him about anything, too. Siblings: None, though Aska could be considered family. Relationship with them: If we take Aska, they were the closest. Nobody was as close as him, and nobody can be. Their souls were two halves of the same, as all Guardians were. The only person she could talk to when it wasn’t her father was Aska. They never hide anything between them, and knew they could count on the other. HIs loss has been and always will be a constant hole in her heart and soul, even if she’s learned to live with it. She’s living for Aska, after all. Spouse: None in main verse, @myheart-ofgold in one of the ships. Relationship with him/her: With Gold, she feels young all over again and safe. She’s been able to tell him a bit about her, and she feels so joyful that he accepts her. She loves him dearly, and would to a lot to keep him safe. They seem to get along well too, both having similar natures, though Aryn has less... recklnessness. Most of the time. Children: None in main verse, none with Gold... yet *winks* Relationship with them: Nothing to say here. Other important family members: Merlin, I would say ( @wordlesswarlock ). She sees him as a brother, very close to what Aska had been to her. She isn’t replacing, as nobody could replace Aska; and even if he was alive, Merlin would still be the closest to her alongside Aska. Merlin is also her true Protégé (the one she bonded her soul with, but it extended to others Merlin because of the multiple worlds state and waking up without worry, causing her magic to latch on the first Merlin it could), and for them, their Proété-Guardian linked evolved into family love. Favorites Color: Light shades of blue. Least favorite color: Not really one, in all honesty. Music: With a good beat. Food: Meat and berries. Literature: Fantasy (she loves to check if one actually speaks of another world, without people knowing). Form of entertainment: Flying, running, swimming, dancing, training her Pokemon. Expressions: Smiles and laughs. Mode of transportation: Flying~ Most prized possession: Her cloak, a gift from Aska. Habits Hobbies: Walks into nature, reading. Plays a musical instrument? Not really, she likes a few, and started learning a few, but she always focused on things other than learning to play. Plays a sport? No, we cannot say she plays a sport. How he/she would spend a rainy day: Watching it from her house or flying into it. Spending habits: Gifts for others, food. Sometimes clothes. Smokes: No. Drinks: Sometimes, she does like alcohol from times to times. Other drugs: No. What does he/she do too much of? What does he/she do too little of? Extremely skilled at: Extremely unskilled at: Nervous tics: Usual body posture: Mannerisms: Peculiarities: Traits Optimist or pessimist? Optimist. Introvert or extrovert? Ambivert and depends on day. Daredevil or cautious? Generally cautious, but she can be reckless too. Logical or emotional? Middle ground here, a bit more emotional, but uses logic too. Disorderly and messy or methodical and neat? Leans more to neat and methodical, I’d say. Prefers working or relaxing? She doesn’t mind work, her life doesn’t demand her she works however, so she is found relaxing most often. She has no real preferences, she wouldn’t like being stuck working for on the long term, though. Confident or unsure of himself/herself? She is confident, she can be shy, but she is confident. Animal lover? Oh yes, you bet she loves animals. Self-perception How he/she feels about himself/herself: One word the character would use to describe self: One paragraph description of how the character would describe self: What does the character consider his/her best personality trait? What does the character consider his/her worst personality trait? What does the character consider his/her best physical characteristic? What does the character consider his/her worst physical characteristic? How does the character think others perceive him/her: What would the character most like to change about himself/herself: Relationships with others Opinion of other people in general: Does the character hide his/her true opinions and emotions from others? Person character most hates: Best friend(s): Love interest(s): Person character goes to for advice: Person character feels responsible for or takes care of: Person character feels shy or awkward around: Person character openly admires: Person character secretly admires: Most important person in character’s life before story starts: After story starts:
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