#Eric Gruber
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The Butterfly Effect Released Jan23rd 2004.
On this day in 2004 The Butterfly Effect was released in the United States.
Written and Directed by Eric Bress and J. Mackye Gruber and starring Ashton Kutcher and Amy Smart. The Butterfly Effect is a dark time travel thriller that will stay with you long after you have finished watching it.
#The butterfly effect#Eric Bress#J.Mackye Gruber#Ashton Kutcher#Amy Smart#Horror movies#Thriller movies#dark thriller#Time Travel#On this day
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CARTA A LA IGLESIA CUBANA
Del autor de best sellers del New York Times, Eric Metaxas, llega una nueva y fascinante pelĆcula que desafĆa al pĆŗblico a tomar una posición, hablar y actuar frente al mal. āCarta a la Iglesia Americanaā es una adaptación documental del Ćŗltimo libro de Metaxas del mismo nombre. Eric guĆa al pĆŗblico a travĆ©s de las sorprendentes similitudes entre la iglesia en la Alemania nazi de Hitler aā¦

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#Carta a la Iglesia Americana#Charlie Kirk#David Engelhardt#Dietrich Bonhoeffer#eric Metaxas#James Lindsey#John Amanchukwu#Letter to the american church#Rob McCoy#Seth Gruber#SOSCuba#Victor y Eileen Marx
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A Man With a Past Best Forgotten Goes to All Lengths to Remember
ByĀ Dave Kehr Jan. 23, 2004
Even by the lax standards of January film releases -- this month is the traditional dumping time for studio films that didn't quite work out -- ''The Butterfly Effect'' is staggeringly bad.
Starring Ashton Kutcher, the shaggy-haired young actor best known for ''Dude, Where's My Car?'' and for dating Demi Moore, ''Butterfly'' is a supposed thriller that mines the memory loss theme that has been turning up with striking regularity in American movies, from ''Memento'' to ''Paycheck.'' Mr. Kutcher's character, Evan Treborn, is an earnest college student whose life has been marked by a series of blackouts surrounding traumatic events. Majoring in psychology (he keeps a rat maze in his dorm room), he hopes to discover the reason behind the mysterious black holes in his mind.
Simple self-protection might be one possible explanation, given that his repressed memories include, as the film reveals in a spiraling series of flashbacks, being nearly strangled to death as an 8-year-old by his criminally insane father; being forced to participate in a child pornography video directed by the abusive father (Eric Stoltz) of the little girl, Kayleigh, he has a crush on; watching as a young woman and her baby are blown to bits in a practical joke gone wrong; and watching as the neighborhood bully, Tommy (who also happens to be Kayleigh's brother), ties Evan's beloved terrier up in a canvas bag and sets it on fire. That's a lot to handle right there, but the film's writing and directing team, Eric Bress and J. Mackye Gruber, have some even more appalling atrocities in store for Evan as a young adult.
For reasons the film does not trouble to explain, Evan discovers that, if he reads a few lines from his childhood journals, he will be projected back in time to his traumatic moments, where he can change his behavior in small ways that will make a big difference later on. (This is where the title comes in, with its reference to the old canard about a butterfly flapping its wings in China and producing a tidal wave in New York.)
Sometimes Evan's adjustments seem to work out, as when he awakes from a time-travel session to find himself sharing a sorority house bed with Kayleigh, now grown into a radiantly happy 18-year-old (played by Amy Smart). But mostly his changes just lead to greater disasters, including one alternate reality in which Kayleigh is a scarred, drug-addled prostitute, living in what looks like Jodi Foster's old digs in ''Taxi Driver,'' and another in which Evan loses his arms and the use of his legs.
The complicated plotting soon spins wildly out of the control of the filmmakers (their last credit: ''Final Destination 2'') and begins producing unintentional laughs, as when Evan wakes up to find himself the newest and prettiest resident of a prison full of predatory neo-Nazi homosexuals.
But if the storytelling induces brain cramp, the imagery brings on a bad case of acid indigestion. The filmmakers return again and again to their movie's most repulsive visuals: the two naked children standing before a video camera, the dog squirming in the flaming bag, the mother, with her baby in her arms, approaching the mailbox in which Tommy has planted a lighted stick of dynamite. ''The Butterfly Effect,'' which opens nationwide today, is inhabited by a genuine spirit of cruelty, both toward its characters and its audience.
''The Butterfly Effect'' has been rated R (Under 17 requires accompanying parent or adult guardian). It includes several scenes of graphic violence, many directed against children and animals.
THE BUTTERFLY EFFECT
Written and directed by Eric Bress and J. Mackye Gruber; director of photography, Matthew F. Leonetti; edited by Peter Amundson; music by Michael Suby; production designer, Douglas Higgins; produced by Chris Bender, A. J. Dix, Anthony Rhulen and J C Spink; released by New Line Cinema. Running time: 113 minutes. This film is rated R.
WITH: Ashton Kutcher (Evan), Amy Smart (Kayleigh), Eric Stoltz (Mr. Miller), William Lee Scott (Tommy), Elden Henson (Lenny), Ethan Suplee (Thumper) and Melora Walters (Andrea).
#Eric Bress#J. Mackye Gruber#Matthew F. Leonetti#Peter Amundson#Michael Suby#Douglas Higgins#Chris Bender#A. J. Dix#Anthony Rhulen#J C Spink#New Line Cinema#Ashton Kutcher#Amy Smart#Eric Stoltz#William Lee Scott#Elden Henson#Ethan Suplee#Melora Walters#Then New York Times#Cinema#Review
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The Butterfly Effect, J. Mackyes Gruber and Eric Bress (2004)
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the butterfly effect (2004) dir. eric bress and j. mackye gruber
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LokiĀ season two seemed like a conclusion to an engaging character arc of one of the Marvel Cinematic Universeās (MCU) original villains. It capped a redemption arc where the titular character finally achieved what heās been looking for all this time, but with a twist. At PaleyFest 2024, attendees watched a screening of the season finale followed by a panel featuring the cast and creatives. Stars Tom Hiddleston, Owen Wilson, Sophia Di Martino, and executive producer and writer Eric Martin and executive producers and directors Justin Benson and Aaron Moorhead looked back at the Disney+ series.
Many anecdotes where shared including the previously reported stories of Di Martinoās special Sylvie costume that allowed easy access for feeding and pumping while filming season one. The actress used the same costume the next season because she had recently given birth again. Di Martino also retold the origins of her character working at McDonaldās in season two. When producers asked where she saw Sylvie next, she responded about fancying a burger.
Hiddleston then talked about which characters he studied while developing Loki. Itās no surprise that he drew inspiration from some well known villains including Alan Rickmanās Hans Gruber fromĀ Die Hard, Jack Nicholsonās Joker fromĀ Batman, and James Masonās Phillip Vanddamm fromĀ North by Northwest. Much like Loki, all there were focused on control and revenge.Ā
In the season finale, Loki realizes what he must do in order to save his friends. Hiddleston also shared how he got into the right mindset to film his awe inspiring scene where he finds his Glorious Purpose. He went back and watched the God of Mischiefās journey throughout the MCU.
āThe experience of watching it reminded me that these are not just scenes I played, but they are all chapters of my own life. It reminded me of the friendships I made and the experiences I had in different parts of the world. I was filled with such gratitude for the whole of it, for the journey.ā Hiddleston continued, āI realized that in this moment, Loki is redefining his Glorious Purpose and heās discovered it because heās found friends that he loves and wants to care for. Loki is doing it for his friends and the people he loves. And I thought to myself, well, Tom. Do it for your friends and the people you love.ā
Weāve already heard of costume designer, Christine Wada, and her magic with Sylvieās outfit. Hiddleston discussed Wadaās approach to the final God Loki look we see in the finale.Ā
āIt would be distinctly different from everything that had come before. All the other costumes in the MCU are elaborate and armored and detailed with embellishment almost as an expression of who he wants to project in the world. This is more humble and almost monastic. Yes, in a way heās a king finally ascending the throne. Perhaps heās more like a monk at the end of time. Something monastic and humble about it.ā
During Lokiās moment of self sacrifice to repair the Loom, we see him grasping the various thread-like timelines and weaving them together. Itās as if he is turning these āburdensā and wrapping himself with them. Moorhead shared some insight into the scene itself.
āLoki is learning the importance of the connection between people so itās a visual metaphor of course for the things that are most important to him, which is connection to the people at the TVA, his friends and all that. Something he didnāt have coming into season one⦠Heās becoming the Loom by the end of it and so we should have him physically start to become the Loom when he gets into this very humble looking God Loki.ā
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The Butterfly Effect 2004
Directors: Eric Bress, J. Mackye Gruber
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FILM AND MOVIES
What Went Wrong With⦠SAS: Red Notice (2021)?
A review of SAS: Red Notice by What Went Wrong Or Right With...?
SAS: Red Notice is the latest Sky Original film to premiere on the satellite platform and unfortunately itās another dead duck. Based on the book of the same name by Andy McNab, the plot is about a family-based, terrorist group known as the āBlack Swansā who take over the Channel Tunnel. Interpolās āRed Notice�� (which alerts police worldwide to internationally wanted fugitives) gives this film its title (at least I think it does, although in S.A.S. terms it could mean a government sanctioned hit). Regardless of its meaning, the main part of the storyline (the hi-jacking) takes almost half-an-hour to get to, and once it does, itās not exactly enthralling. The film begins with a preamble about āpsychopathsā delivered by Tom Wilkinsonās character William Lewis who goes on to say āpsychopaths who can learn to love are as rare as a black swanā. This I assume, refers to his baddie daughter Grace played by Ruby Rose or possibly the good guy Tom played by Sam Heughan. This kind of wannabe poignant dialogue is pointless to ponder over however, since this isnāt a character study of someone taught to kill and the parallels between the military and terrorists, or whether someone can switch off their violent tendencies and become compassionate. What this is, is a load of D-list actors saying āawight mateā a lot, posturing, chewing gum to look butch, and shooting guns, largely in the dark. Oh, and apparently, the elite of the elite in the S.A.S. are also bilingual botanists.
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Iāll admit that I havenāt and probably never will read an Andy McNab novel, so Iām judging this adaptation against similar action movies. The plot to me, seems very late-80s or early-90s, very much like Ruby Roseās bowl hair cut. SAS: Red Notice wishes it was in the same company as the original The Taking Of Pelham One Two Three, Die Hard, and every classic derivative action movie such as Speed, Under Siege, and Executive Decision but itās instead more of a Chuck Norris or Michael Dudikoff-type flick.
Directed by Magnus Martens, the look and feel is more āTVā than cinema, and bad television at that. Magnus canāt seem to coax a believable performance out of anyone, and thatās alongside his appalling framing and camera movement, not to mention the seemingly non-existent art direction which leaves us with what looks like a home-made movie. The cast arenāt much better. Aside from the always decent Tom Wilkinson, the acting talent is also firmly in made-for-TV territory. We have Noel Clarke looking as convincing as Major Bisset as his Detective Inspector in Bulletproof, Anne Reid who played Jean in dinnerladies is still Jean from dinnerladies, and Andy Serkis plays Clements by overacting and probably wishing he was dressed in spandex and covered in white dots playing a different kind of gorilla.
We also have the aforementioned Sam Heughan as Tom or Thomas Buckingham III, a contrived yet somehow unbelievable rich, posh, heterosexual white male who lives in what looks like Wayne Manor with a butler not too dissimilar to Batmanās. Sam is a terrible, soap-opera-esque actor and as the lead, heās the main reason why this film looks so cheap and tacky. Bad acting doesnāt end with Heughan however; we also have Ruby Rose playing his arch-nemesis Grace Lewis.
I suppose itās progress to see a British Prime Minister played by a person of colour (Ray Panthaki) and someone from the LGBTQ community play the villain or antagonist in an action film but Panthaki is essentially a one-term baddun, and Rose is so lacking in charisma and acting skills that she wonāt be spoken about in the same breath as Alan Rickmanās Hans Gruber or even Eric Bogosianās Travis Dane, which kind of defeats the purpose. Grace Lewis is instead, in the same league as Thomas Gabriel or Alik from the inferior Die Hard sequels. Rose canāt even act like sheās been shot in the neck or smile convincingly with her āthis isnāt a disguiseā wig on whilst trying to ward off authorities, let alone look menacing or have a knife-fight (or spoiler alert: die).
Whilst on the topic of Grace, her tactic of ākill the men and the boys, leave the women to spread the fearā conveniently leaves out the all-too-common rape and torture. Make no mistake, this is a sanitised view of conflict where mercenaries, contractors, war criminals, and terrorists are completely unconnected to any military unit. The film begins with contractors tasked to clear a village in Georgia in order to lay a pipe line, and this seems very War On Terror and Black Water-esque (especially the name āBlack Swansā) but the way in which this story is told, itās less Iraq and more Tie Rack with a bunch of suits trying to make some soulless and shallow money from militarism. Thereās no real opinion on whether contractors should be used in war, itās more āitās okay until they leave witnessesā which is a dodgy message to convey. That being said, even our hero Thomas hears his butler recount a story of Buckinghamās forefathers chopping off a Maharajaās finger during an Indian āuprisingā in order to take their ring, which means even the protagonist has a lineage of wrongdoing but Iām sure viewers of this trash will glaze over this. In order to bolster the concept of āgood guys can do no wrongā, the wedding vows at the end of the film are cringe-worthy and go to show how not only the writers, but everyone involved in making this crapfest, love the idea of the infallible war hero who cannot and should not be criticised (or prosecuted) because they do such a difficult job⦠āFor better, for worse, in war [and] in peace, knowing that in war, your crazy brain is always rightā. š¤®
Whether pro-war or anti-terror or just unadulterated militarism, all this criticism is of course pointless to mention, as nobody watching Red Notice is looking for deep, meaningful subtext and opinion-challenging concepts. The camouflage-covered cinematic cliches of āthis isnāt what I signed-up for!ā and ātake the shot!ā are both present which means this is a hackneyed, straight-to-streaming, non-action, action film. I wouldnāt have minded if this shite contained a plot about what great jobs snipers do or how difficult counter terrorism is, instead itās another mindless, gung-ho release. And while Iām at it: who gives a toss about what happens to a fictitious government and this filmās uninteresting characters during the end credits? Please donāt make a sequel or try to start a franchise about the exploits of Tom effing Buckingham the pissing Third!
As a Sky Original, I have to mention the inclusion of Sky News presenters Gamal Fahnbulleh and Jayne Secker (and Ben bloody Shephard of ITVās Good Morning Britain) doing some suspiciously, similar-to-real-life acting. Similar to Jeremy Thompson in Shaun Of The Dead, the news castersā or broadcastersā acting looks as convincing as the actual news and their ābreaking newsā bulletins are read with the same vigour. Ignoring the fact that Sky are both feeding and eating itself in the creation of this film, itās always disconcerting to see real-life news presenters read scripts as well as they do on air, which goes to show theyāre not journalists but actors who err⦠read scripts for a living. But I guess thatās for another article.
Back to the film, no matter its formulaic-ness, it would have been a much better idea for John McTiernan to direct SAS: Red Notice, for the sole purpose to try and get his post-prison reputation back to the level of his original Die Hard and Hunt For Red October heyday. Iād like to think that the maker of the original action masterpiece from which all others originate could surely make even the lamest of scripts buzz with exhilaration? Instead, thanks to a director who cannot direct, especially action scenes, I wasnāt thrilled or excited at all.
Apparently notices of the rouge variety are very popular right now because confusingly, thereās a Dwayne Johnson āRed Noticeā movie in the works too, unconnected to the McNab book but an action flick nevertheless. One thingās for certain: this version isnāt the one that stands out. Even with a large Andy McNab fanbase, this is gonna go

BY WHAT WENT WRONG OR RIGHT WITH...? ON MARCH 11, 2021 ⢠( 7 COMMENTS )




This is the time to remember! the time is not gonna change š¬
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My English Class Blog ā Reflections, Films & Books
š Topics We Have Covered in Class
In our English class, we have explored many useful and interesting topics that help us communicate better in real-life situations. Hereās a summary of what weāve studied:
š Present Continuous I am studying English right now.
š
Be Going To I am going to practice more vocabulary this weekend.
š® Will and Be Going To I will write a new blog post tomorrow. She is going to review for the test tonight. They will enjoy reading this blog, Iām sure!
š§ A1 Listening Test This activity helped us understand simple conversations and improve pronunciation.
š Prepositions of Time We have class on Mondays. My birthday is in July. The test is at 9 a.m.
š Prepositions of Place My bag is on the table. The phone is under the chair. She is at the bus stop.
š©āš§ Jobs and Professions nurse, police officer, chef, engineer, artist
šļø Places in the City school, cinema, supermarket, hospital, museum
āļø Daily Routine I get up at 6 a.m., brush my teeth and eat breakfast.
ā
Simple Present He goes to work every day.
š§ Verb āTo Beā I am a student. She is my friend. They are in the classroom.
š Possessive Adjectives This is my pencil. That is her phone. Our teacher is great.
š Introducing Yourself Hi! Iām Luis. Iām from Colombia. I love music and sports.
š Final Reflection All of these topics helped me a lot. I feel more confident when speaking, writing, and listening in English. I will continue learning and using English in my daily life.
š¬ Movie Reviews
š„ Divergent (Science Fiction / Action)
Director: Neil Burger Plot: In a future society divided into factions, Tris discovers she is Divergent and doesnāt fit into just one. Opinion: This movie is exciting and full of action. It will keep you interested from start to finish. Why I liked it: Itās about bravery and identity. Tris is strong, and her story is inspiring.

š§ The Butterfly Effect (Psychological Thriller)
Director: Eric Bress and J. Mackye Gruber Plot: A young man discovers he can go back to the past to change events, but each change affects the future. Opinion: Itās mind-blowing. It makes you think about your decisions. Why I liked it: I liked how it explores consequences. One small change can create a huge effect.

š± A Quiet Place (Horror / Thriller)
Director: John Krasinski Plot: In a world full of deadly monsters that hunt by sound, a family must live in silence. Opinion: Very suspenseful! You will feel nervous the whole time. Why I liked it: Itās scary but emotional. The silence makes it unique, and the family bond is touching.

š Book Reviews
š§āāļø Harry Potter and the Philosopherās Stone ā J.K. Rowling
Summary: A boy finds out heās a wizard and goes to a magical school called Hogwarts. Opinion: A magical story full of adventure and imagination. Why I liked it: It introduced me to a magical world. I loved every page!

š The Lord of the Rings: The Fellowship of the Ring ā J.R.R. Tolkien
Summary: A young hobbit named Frodo must destroy a powerful ring to save the world. Opinion: A fantasy epic. Full of courage, friendship, and danger. Why I liked it: The journey, the world, and the characters are unforgettable.
Conclusion
Creating this blog was a great experience. I used grammar like will, be going to, prepositions, and demonstratives, just like we practiced in class. This blog is proof of everything Iāve learned ā and I will keep learning more! š
Thank you for reading! š¬āØ
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The Butterfly Effect (2004)
A psychological thriller and science fiction film directed by Eric Bress and J. Mackye Gruber, starring Ashton Kutcher as Evan Treborn, a young man who discovers he has the ability to travel back in time and change the events of his past. The film explores the concept of the "butterfly effect," the idea that small actions can lead to drastic, unforeseen consequences in the future.
Evan suffers from blackouts during traumatic events in his childhood, but as he grows older, he finds that by reading his journals, he can transport his consciousness back in time to those pivotal moments and alter them. Initially, Evan believes he can improve his life and the lives of his friendsāKayleigh (Amy Smart), Lenny (Elden Henson), and Tommy (William Lee Scott)āby correcting past mistakes. However, each time he changes the past, it creates unintended and often tragic outcomes in the present, leading to increasingly devastating consequences for everyone involved.
As Evan continues to manipulate time, he struggles with the moral and emotional weight of his decisions, realizing that no matter how hard he tries, he may not be able to create the perfect outcome. The film delves into themes of fate, free will, and the long-lasting impact of trauma.
The Butterfly Effect is known for its dark, mind-bending narrative and complex, non-linear structure. Despite receiving mixed critical reviews, it gained a cult following for its thought-provoking premise and exploration of time travel's ethical implications.




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"The Butterfly Effect", directed by Eric Bress and J. Mackye Gruber, 2004
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It was an honor to attend the LA debut screening of Sallywood this afternoon! Written and directed by my longtime pal Xaque Gruber, it's based (sort of, ha ha) on his experiences working as the personal assistant of legendary actress Sally Kirkland!
The film is consistently funny, moves along great and features a cast full of Oscar nominees (and one winner) - including Kirkland herself, Eric Roberts, Jennifer Tilly and Keith Carradine! There are also some lovely, touching moments and important commentary about ageism. This is absolutely one to look out for - it's my favorite film so far this year.
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Hi Tumblr! This is my first post here so I thought I would tell you a little bit about myself. This can and will be edited as my hyperfixations and interests change!
Iām 18 years old for starters, so please only interact if you are 16+ (this will change as I get older to 18+, but I just turned 18 in November and I had friends in art club and high school that were a year or two younger than me, so weāll just say 16+ for now but I will only interact with you if you are 18+). If youād like to be friends/moots with me (as Iād love to make friends/moots who are into the same things as me), you must be 18+ as I do not want minors talking to me. I do not want to see NSFW stuff, so DNI if thatās your thing please. I run an art account on Instagram called @/ava_ad0re16 and a TikTok with the same name. I am a Christian, and I am diagnosed autistic. I love dressing goth and whimsigoth because I love the music and I love the way the fashion looks. I am an artist and an aspiring author and fashion designer, and my interests include music, goth fashion, Monster High, dolls like LDD and Delilah Noir and BeGoths, vampires, thylacines, crows (the bird, not to be confused with the movie or comic, which I also love), The Crow 1994, Stranger Things, Die Hard, Gladiator II, The Walking Dead, Stardew Valley, Undertale, and going to concerts! My main special interest is all things music, so I love talking about it. My favorite comic books are The True Lives of the Fabulous Killjoys series by Gerard Way, Babymetalās Apocrypha, any of the Stranger Things comics, The Walking Dead comics, and The Crow by James OāBarr! My favorite actors are Joseph Quinn, Norman Reedus, Devon Bostick, Alan Rickman, and Brandon Lee. Also, the song on this post is one of my favorite songs so give it a listen if you have time because itās amazing! I also love malls and retail/music history, as well as anything 80s-2000s!
I have several characters from franchises that I love, and I love talking about them and the OCs I create to put in said franchises so feel free to ask about them if youād like! My favorite characters are Eddie Munson (Stranger Things), Hans Gruber (Die Hard), Emperor Geta and Emperor Caracalla (Gladiator II), Daryl Dixon (The Walking Dead), Eugene Porter (The Walking Dead), Abraham Ford (The Walking Dead), Eric Draven (The Crow), Mettaton EX (Undertale), Elliott (Stardew Valley), Severus Snape (Harry Potter), Kieran Valentine (Monster High), Twyla Boogeyman (Monster High-specifically G3 but also G1), USAHANA (Sanrio), Chrissy Cunningham (Stranger Things), Samantha (a background character in Stranger Things that I think is really cool because she dressed like Siouxsie Sioux!), Eleven (Stranger Things), Robin (Stranger Things), Max (Stranger Things), Henrietta Biggle (South Park), and Rodrick Heffley (Diary of a Wimpy Kid)!
My favorite bands include: The Cure, Smashing Pumpkins, Type O Negative, Soundgarden, Nirvana, My Chemical Romance, The Birthday Massacre, Siouxsie and the Banshees, The Jins, Sponge, Green Day, Avril Lavigne, Miracle Musical, Jelusick, Olive Vox, Metallica, Mayhem, Candlemass, Melanie Martinez, Orgy, Nickelback, and so so so many more!
I will be posting music content and art content, as well as other stuff and reblogging posts related to things I care about, so give me a follow if that interests you! This is a safe space for everyone regardless of religion, race, ethnicity, sexuality, etc. Hate is not welcome here and if you have hate on my page, you will be blocked.
If you have any questions for me or want to know more about me (i.e. my celebrity crushes, more of my favorite songs, or anything in general), feel free to leave me a comment on this post and I will answer if Iām not busy!
Remember, you are so lovedš¤
ā¼ļøAlso, DNI with my blog if you are a pedo, racist, homophobic, transphobic, or just generally a terrible person. This page is once again a safe space for all but if you are any of the above, please do not interact with my blog. Also to reiterate, DNI if you are younger than 16 and please only talk to me if you are my age (18) or older (but donāt talk to me if youāre much older than me. Iād only like to make friends with people close to my age interested in the same things as me). I will never post anything NSFW (the only time I might is if I ever reblog a fanfic, but those usually have warnings thankfully and reblogs by me would be very very rare if ever), so do not tag me or message me with NSFW things. This is a SFW spaceā¼ļø
#smashing pumpkins#artists on tumblr#about myself#music#peter steele#character ai#art#new on tumblr#monster high#collection#safe space#Spotify#birthday massacre#melanie martinez#avril lavigne#vampire#gothic#goth aesthetic#goth#type o negative#the cure#siouxsie and the banshees#soundgarden#nirvana#grunge#alternative rock#rock#rock music#metal#goth metal
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Final Destination 2, 2003.
Dir. David R. Ellis | Writ. J. Mackye Gruber & Eric Bress | DOP Gary Capo
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Final Destination 2 (2003) Movie Review
After the financial success of Final Destination in 2000 ($53 million domestic, $112 million worldwide), New Line Cinema went ahead with a sequel. Director James Wong and writers Glen Morgan and Jeffrey Reddick did not return, leaving the sequel with a new creative team in David R. Ellis and screenwriters Eric Bress and J. Mackye Gruber (the latter two had no other credits at the time). Finalā¦
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