#Eric Gruber

[everythingwasnormalhere]

South Park x RTC

Kyle as Ocean: Annoying smart gingers Kyle would slay WTWN

Cartman as Noel: Cartman crossdressing + kid's incredibly gay Rivalry with Kyle/Ocean

Craig as Mischa: Peruvian Craig (instead of Ukranian) Both the kinda guys to flip someone off for no reason

Kenny as Ricky: I love disabled Kenny idk Their personalities are actually really similar

Butters as Jane: Forgotten :( Two little guys who deserve the world

Tweek as Constance: Nervous wrecks Can bake

Extras:

Randy as Karnak: Most of the fandom rightfully hates their ass Weirdly fitting

Stan as Virgyl: He deserves a bit of patricide as a treat

[cinefiliz]

Ashton Kutcher is Evan Treborn in Butterfly Effect, 2004.

[sorebelflower]

BRO I AM BORED! ANYONE FREE TO TALK OR RP?

[horrorlamb]

The Butterfly Effect Released Jan23rd 2004.

On this day in 2004 The Butterfly Effect was released in the United States.

Written and Directed by Eric Bress and J. Mackye Gruber and starring Ashton Kutcher and Amy Smart. The Butterfly Effect is a dark time travel thriller that will stay with you long after you have finished watching it.

[ozdeg]

[ruminate88]

Which Version Is Better?

”Call On Me” slaps already. I admit in the Eric Prydz original version, the intro is a little long for me. I know a lot of songs build to the drop but that gets me impatient haha I almost always skip to the drop. 🙃

Now in the Janis Gruber remix, it goes a little too fast and hard for me HOWEVER, almost all trance/rave songs today have this “phaser effect” and it’s magical, however It’s just getting to be redundant to where all the new rave songs sound the same. The phaser effect is cool in the Gruber remix and the drop into the chorus slaps but I don’t LOVE love it but still think it’s good.

also, I wanna know why EVERY DJ got the same haircut??? 😂 They all have spiked hair and similar tattoos. LOL

Okay so, which version do you like better? Posting both versions below!!! ⬇️ ⬇️⬇️

ORIGINAL:

JANIS GRUBER REMIX:

Also, am I the only one whom, when I like a song, I automatically look on SoundCloud for a bootleg/remix version??? LOL 😂

[notadelcielo-blog]

CARTA A LA IGLESIA CUBANA

Del autor de best sellers del New York Times, Eric Metaxas, llega una nueva y fascinante película que desafía al público a tomar una posición, hablar y actuar frente al mal. “Carta a la Iglesia Americana” es una adaptación documental del último libro de Metaxas del mismo nombre. Eric guía al público a través de las sorprendentes similitudes entre la iglesia en la Alemania nazi de Hitler a…

[whileiamdying]

A Man With a Past Best Forgotten Goes to All Lengths to Remember

By Dave Kehr Jan. 23, 2004

Even by the lax standards of January film releases -- this month is the traditional dumping time for studio films that didn't quite work out -- ''The Butterfly Effect'' is staggeringly bad.

Starring Ashton Kutcher, the shaggy-haired young actor best known for ''Dude, Where's My Car?'' and for dating Demi Moore, ''Butterfly'' is a supposed thriller that mines the memory loss theme that has been turning up with striking regularity in American movies, from ''Memento'' to ''Paycheck.'' Mr. Kutcher's character, Evan Treborn, is an earnest college student whose life has been marked by a series of blackouts surrounding traumatic events. Majoring in psychology (he keeps a rat maze in his dorm room), he hopes to discover the reason behind the mysterious black holes in his mind.

Simple self-protection might be one possible explanation, given that his repressed memories include, as the film reveals in a spiraling series of flashbacks, being nearly strangled to death as an 8-year-old by his criminally insane father; being forced to participate in a child pornography video directed by the abusive father (Eric Stoltz) of the little girl, Kayleigh, he has a crush on; watching as a young woman and her baby are blown to bits in a practical joke gone wrong; and watching as the neighborhood bully, Tommy (who also happens to be Kayleigh's brother), ties Evan's beloved terrier up in a canvas bag and sets it on fire. That's a lot to handle right there, but the film's writing and directing team, Eric Bress and J. Mackye Gruber, have some even more appalling atrocities in store for Evan as a young adult.

For reasons the film does not trouble to explain, Evan discovers that, if he reads a few lines from his childhood journals, he will be projected back in time to his traumatic moments, where he can change his behavior in small ways that will make a big difference later on. (This is where the title comes in, with its reference to the old canard about a butterfly flapping its wings in China and producing a tidal wave in New York.)

Sometimes Evan's adjustments seem to work out, as when he awakes from a time-travel session to find himself sharing a sorority house bed with Kayleigh, now grown into a radiantly happy 18-year-old (played by Amy Smart). But mostly his changes just lead to greater disasters, including one alternate reality in which Kayleigh is a scarred, drug-addled prostitute, living in what looks like Jodi Foster's old digs in ''Taxi Driver,'' and another in which Evan loses his arms and the use of his legs.

The complicated plotting soon spins wildly out of the control of the filmmakers (their last credit: ''Final Destination 2'') and begins producing unintentional laughs, as when Evan wakes up to find himself the newest and prettiest resident of a prison full of predatory neo-Nazi homosexuals.

But if the storytelling induces brain cramp, the imagery brings on a bad case of acid indigestion. The filmmakers return again and again to their movie's most repulsive visuals: the two naked children standing before a video camera, the dog squirming in the flaming bag, the mother, with her baby in her arms, approaching the mailbox in which Tommy has planted a lighted stick of dynamite. ''The Butterfly Effect,'' which opens nationwide today, is inhabited by a genuine spirit of cruelty, both toward its characters and its audience.

''The Butterfly Effect'' has been rated R (Under 17 requires accompanying parent or adult guardian). It includes several scenes of graphic violence, many directed against children and animals.

THE BUTTERFLY EFFECT

Written and directed by Eric Bress and J. Mackye Gruber; director of photography, Matthew F. Leonetti; edited by Peter Amundson; music by Michael Suby; production designer, Douglas Higgins; produced by Chris Bender, A. J. Dix, Anthony Rhulen and J C Spink; released by New Line Cinema. Running time: 113 minutes. This film is rated R.

WITH: Ashton Kutcher (Evan), Amy Smart (Kayleigh), Eric Stoltz (Mr. Miller), William Lee Scott (Tommy), Elden Henson (Lenny), Ethan Suplee (Thumper) and Melora Walters (Andrea).

[lokiondisneyplus]

Loki season two seemed like a conclusion to an engaging character arc of one of the Marvel Cinematic Universe’s (MCU) original villains. It capped a redemption arc where the titular character finally achieved what he’s been looking for all this time, but with a twist. At PaleyFest 2024, attendees watched a screening of the season finale followed by a panel featuring the cast and creatives. Stars Tom Hiddleston, Owen Wilson, Sophia Di Martino, and executive producer and writer Eric Martin and executive producers and directors Justin Benson and Aaron Moorhead looked back at the Disney+ series.

Many anecdotes where shared including the previously reported stories of Di Martino’s special Sylvie costume that allowed easy access for feeding and pumping while filming season one. The actress used the same costume the next season because she had recently given birth again. Di Martino also retold the origins of her character working at McDonald’s in season two. When producers asked where she saw Sylvie next, she responded about fancying a burger.

Hiddleston then talked about which characters he studied while developing Loki. It’s no surprise that he drew inspiration from some well known villains including Alan Rickman’s Hans Gruber from Die Hard, Jack Nicholson’s Joker from Batman, and James Mason’s Phillip Vanddamm from North by Northwest. Much like Loki, all there were focused on control and revenge. 

In the season finale, Loki realizes what he must do in order to save his friends. Hiddleston also shared how he got into the right mindset to film his awe inspiring scene where he finds his Glorious Purpose. He went back and watched the God of Mischief’s journey throughout the MCU.

“The experience of watching it reminded me that these are not just scenes I played, but they are all chapters of my own life. It reminded me of the friendships I made and the experiences I had in different parts of the world. I was filled with such gratitude for the whole of it, for the journey.” Hiddleston continued, “I realized that in this moment, Loki is redefining his Glorious Purpose and he’s discovered it because he’s found friends that he loves and wants to care for. Loki is doing it for his friends and the people he loves. And I thought to myself, well, Tom. Do it for your friends and the people you love.”

We’ve already heard of costume designer, Christine Wada, and her magic with Sylvie’s outfit. Hiddleston discussed Wada’s approach to the final God Loki look we see in the finale. 

“It would be distinctly different from everything that had come before. All the other costumes in the MCU are elaborate and armored and detailed with embellishment almost as an expression of who he wants to project in the world. This is more humble and almost monastic. Yes, in a way he’s a king finally ascending the throne. Perhaps he’s more like a monk at the end of time. Something monastic and humble about it.”

During Loki’s moment of self sacrifice to repair the Loom, we see him grasping the various thread-like timelines and weaving them together. It’s as if he is turning these “burdens” and wrapping himself with them. Moorhead shared some insight into the scene itself.

“Loki is learning the importance of the connection between people so it’s a visual metaphor of course for the things that are most important to him, which is connection to the people at the TVA, his friends and all that. Something he didn’t have coming into season one… He’s becoming the Loom by the end of it and so we should have him physically start to become the Loom when he gets into this very humble looking God Loki.”

[tulip-doll]

The Butterfly Effect 2004

Directors: Eric Bress, J. Mackye Gruber

[maximumwobblerbanditdonut]

FILM AND MOVIES

What Went Wrong With… SAS: Red Notice (2021)?

A review of SAS: Red Notice by What Went Wrong Or Right With...?

SAS: Red Notice is the latest Sky Original film to premiere on the satellite platform and unfortunately it’s another dead duck. Based on the book of the same name by Andy McNab, the plot is about a family-based, terrorist group known as the “Black Swans” who take over the Channel Tunnel. Interpol’s “Red Notice” (which alerts police worldwide to internationally wanted fugitives) gives this film its title (at least I think it does, although in S.A.S. terms it could mean a government sanctioned hit). Regardless of its meaning, the main part of the storyline (the hi-jacking) takes almost half-an-hour to get to, and once it does, it’s not exactly enthralling. The film begins with a preamble about “psychopaths” delivered by Tom Wilkinson’s character William Lewis who goes on to say “psychopaths who can learn to love are as rare as a black swan”. This I assume, refers to his baddie daughter Grace played by Ruby Rose or possibly the good guy Tom played by Sam Heughan. This kind of wannabe poignant dialogue is pointless to ponder over however, since this isn’t a character study of someone taught to kill and the parallels between the military and terrorists, or whether someone can switch off their violent tendencies and become compassionate. What this is, is a load of D-list actors saying “awight mate” a lot, posturing, chewing gum to look butch, and shooting guns, largely in the dark. Oh, and apparently, the elite of the elite in the S.A.S. are also bilingual botanists.

I’ll admit that I haven’t and probably never will read an Andy McNab novel, so I’m judging this adaptation against similar action movies. The plot to me, seems very late-80s or early-90s, very much like Ruby Rose’s bowl hair cut. SAS: Red Notice wishes it was in the same company as the original The Taking Of Pelham One Two Three, Die Hard, and every classic derivative action movie such as Speed, Under Siege, and Executive Decision but it’s instead more of a Chuck Norris or Michael Dudikoff-type flick.

Directed by Magnus Martens, the look and feel is more “TV” than cinema, and bad television at that. Magnus can’t seem to coax a believable performance out of anyone, and that’s alongside his appalling framing and camera movement, not to mention the seemingly non-existent art direction which leaves us with what looks like a home-made movie. The cast aren’t much better. Aside from the always decent Tom Wilkinson, the acting talent is also firmly in made-for-TV territory. We have Noel Clarke looking as convincing as Major Bisset as his Detective Inspector in Bulletproof, Anne Reid who played Jean in dinnerladies is still Jean from dinnerladies, and Andy Serkis plays Clements by overacting and probably wishing he was dressed in spandex and covered in white dots playing a different kind of gorilla.

We also have the aforementioned Sam Heughan as Tom or Thomas Buckingham III, a contrived yet somehow unbelievable rich, posh, heterosexual white male who lives in what looks like Wayne Manor with a butler not too dissimilar to Batman’s. Sam is a terrible, soap-opera-esque actor and as the lead, he’s the main reason why this film looks so cheap and tacky. Bad acting doesn’t end with Heughan however; we also have Ruby Rose playing his arch-nemesis Grace Lewis.

I suppose it’s progress to see a British Prime Minister played by a person of colour (Ray Panthaki) and someone from the LGBTQ community play the villain or antagonist in an action film but Panthaki is essentially a one-term baddun, and Rose is so lacking in charisma and acting skills that she won’t be spoken about in the same breath as Alan Rickman’s Hans Gruber or even Eric Bogosian’s Travis Dane, which kind of defeats the purpose. Grace Lewis is instead, in the same league as Thomas Gabriel or Alik from the inferior Die Hard sequels. Rose can’t even act like she’s been shot in the neck or smile convincingly with her “this isn’t a disguise” wig on whilst trying to ward off authorities, let alone look menacing or have a knife-fight (or spoiler alert: die).

Whilst on the topic of Grace, her tactic of “kill the men and the boys, leave the women to spread the fear” conveniently leaves out the all-too-common rape and torture. Make no mistake, this is a sanitised view of conflict where mercenaries, contractors, war criminals, and terrorists are completely unconnected to any military unit. The film begins with contractors tasked to clear a village in Georgia in order to lay a pipe line, and this seems very War On Terror and Black Water-esque (especially the name “Black Swans”) but the way in which this story is told, it’s less Iraq and more Tie Rack with a bunch of suits trying to make some soulless and shallow money from militarism. There’s no real opinion on whether contractors should be used in war, it’s more “it’s okay until they leave witnesses” which is a dodgy message to convey. That being said, even our hero Thomas hears his butler recount a story of Buckingham’s forefathers chopping off a Maharaja’s finger during an Indian “uprising” in order to take their ring, which means even the protagonist has a lineage of wrongdoing but I’m sure viewers of this trash will glaze over this. In order to bolster the concept of “good guys can do no wrong”, the wedding vows at the end of the film are cringe-worthy and go to show how not only the writers, but everyone involved in making this crapfest, love the idea of the infallible war hero who cannot and should not be criticised (or prosecuted) because they do such a difficult job… “For better, for worse, in war [and] in peace, knowing that in war, your crazy brain is always right”. 🤮

Whether pro-war or anti-terror or just unadulterated militarism, all this criticism is of course pointless to mention, as nobody watching Red Notice is looking for deep, meaningful subtext and opinion-challenging concepts. The camouflage-covered cinematic cliches of “this isn’t what I signed-up for!” and “take the shot!” are both present which means this is a hackneyed, straight-to-streaming, non-action, action film. I wouldn’t have minded if this shite contained a plot about what great jobs snipers do or how difficult counter terrorism is, instead it’s another mindless, gung-ho release. And while I’m at it: who gives a toss about what happens to a fictitious government and this film’s uninteresting characters during the end credits? Please don’t make a sequel or try to start a franchise about the exploits of Tom effing Buckingham the pissing Third!

As a Sky Original, I have to mention the inclusion of Sky News presenters Gamal Fahnbulleh and Jayne Secker (and Ben bloody Shephard of ITV’s Good Morning Britain) doing some suspiciously, similar-to-real-life acting. Similar to Jeremy Thompson in Shaun Of The Dead, the news casters’ or broadcasters’ acting looks as convincing as the actual news and their “breaking news” bulletins are read with the same vigour. Ignoring the fact that Sky are both feeding and eating itself in the creation of this film, it’s always disconcerting to see real-life news presenters read scripts as well as they do on air, which goes to show they’re not journalists but actors who err… read scripts for a living. But I guess that’s for another article.

Back to the film, no matter its formulaic-ness, it would have been a much better idea for John McTiernan to direct SAS: Red Notice, for the sole purpose to try and get his post-prison reputation back to the level of his original Die Hard and Hunt For Red October heyday. I’d like to think that the maker of the original action masterpiece from which all others originate could surely make even the lamest of scripts buzz with exhilaration? Instead, thanks to a director who cannot direct, especially action scenes, I wasn’t thrilled or excited at all.

Apparently notices of the rouge variety are very popular right now because confusingly, there’s a Dwayne Johnson “Red Notice” movie in the works too, unconnected to the McNab book but an action flick nevertheless. One thing’s for certain: this version isn’t the one that stands out. Even with a large Andy McNab fanbase, this is gonna go

BY WHAT WENT WRONG OR RIGHT WITH...? ON MARCH 11, 2021 • ( 7 COMMENTS )

This is the time to remember! the time is not gonna change 😬

[revnah1406]

HANNAH "SPARROW" CLAYTON🐦🏔️🛠️

Name: Hannah Clayton

Nationality: British🇬🇧/Swiss🇨🇭

Age: 30

Date of birth: January 23 1994 - Hull (UK)

Residence: Zermatt (Switzerland)

Affiliation: Swiss Armed Forces/Taskforce 141

Rank: Sergeant Major

Call sign(s): Sparrow / Bravo 7-2 / Kilo 4

Occupation: mechanical engineer and demolitions expert

Faceclaim: Fury (Ghost Recon break point)

Height: 1'85m/ 6.1ft

Weight: 90kg/198.4lb

Blood Type: O-

Pronouns: She/her

Sexuality: Lesbian

Languages: Italian🇮🇹 (native), English🇬🇧 (Native) German🇩🇪 (native), Arabic🇲🇦, Russian 🇷🇺, Nepalese🇳🇵.

BODY REFERENCE:

DESIGN REFERENCES:

MILITARY PERSONNEL FILE:

FAMILY:

James Clayton (Father) *alive*

Monika Müller (Mother) *alive*

Nathan Clayton (big brother) *alive*

Connor Clayton (little brother) *alive*

Elisabeth Clayton (little sister) *alive*

Dorian Clayton (nephew - Nathan) *alive*

Eric Clayton (nephew - Nathan) *alive*

Anna Clayton (niece - Nathan) *alive*

Amara Thompson (Girlfriend) *alive*

AFFILIATIONS:

Kommando Spezialkräfte (Swiss Armed Forces):

Captain Elijah Bubber

Lieutenant Hans Widmer

Staff Sergeant Urs Zimmerman

Lieutenant Ruth Fischer

Private Martin Gruber

141 members:

Captain John Price (Bravo 0-6)

Kate Laswell

Lieutenant Simon "Ghost" Riley (Bravo 0-7)

John "Soap" MacTavish (Bravo 7-1)

Kyle "Gaz" Garrick (Bravo 6-2)

Annabelle "kit" Pham (Shadow company later) (@applbottmjeens )

Charlotte "Jade" Le Jardin (@sleepyconfusedpotato )

Los Vaqueros (Mexican Special Forces):

Alejandro Vargas

Rodolfo Parra

Alyssa Martinez (@alypink )

Second Commando Regiment (@kaitaiga):

Captain Lachlan Jones

Sergeant Damien Whitlock

Para Special Forces (@welldonekhushi):

Captain Arjun Dhingra

Lieutenant Yurvaj

LIeutenant Aditya

Warriors Task Force ( @islandtarochips):

General Alan Kalani

Captain Kanoa Toa

First Sergeant Tiala "Shark" Toa

Sergeant Nigel "Squirrel" Harrison

Sergeant Agnes "Blast" Falagi

Shadow Company:

Annabelle "kit" Pham (@applbottmjeens )

PERSONALITY:

Sparrow is a woman who at first glance can be intimidating when she is alone. But under that shell you find a person full of smiles and laughter. Her good humor and optimism can lighten the most difficult situations. There will always be a small comment or joke on her part, always with the intention of encouraging her teammates.

Sparrow is loyal to her teammates and friends, she is capable of risking her own life in order to protect them, sometimes she will even disobey orders for the good of the team. It's not uncommon to see Sparrow put her loved ones ahead of herself in many situations.

Although Hannah is a person who can light up a dark room with her smile, she can become very suspicious of strangers. She usually leans a lot on her intuition that almost never fails.

Sparrow is hard to anger, yet she can become very temperamental when she sees something that isn't fair. When her anger fills her veins she can become aggressive and strike with all her might without warning. Not caring who she may be hitting.

BIOGRAPHY:

Born in Kingston Upon Hull in England but raised in Zermatt, a small town located in the Swiss Alps. She comes from a large family, raised by a British father and a Swiss mother, being the second oldest of four siblings. Her father was a tank mechanic when he served in the army, so Hannah learned a lot about how to fix all kinds of engines and vehicles. She grew up climbing the Alps with her father and older brother, creating a great passion for high altitude and extreme climbing. Sparrow climbed the fourteen highest peaks in the world together with her brother. Unfortunately Sparrow didn't make it, because on the last mountain (K2) she suffered an accident, saving her brother from falling while climbing, the ice broke due to an avalanche, and she was lost on the mountain for days until a rescue team found her full of cuts and wounds from the ice and stones. When she was transferred to the nearest hospital, she made her brother swear that he would finish climbing that damn mountain for her.

SKILLS:

Expert in all types of engines and ground vehicles.

Expert in demolitions and electrical systems.

Expert in extreme high-altitude climbing.

Sparrow can adapt to any situation but there is no better assault soldier than her.

COMBAT:

Sparrow's close combat style is aggressive yet agile. Her style focuses on boxing and Mixed Martial Arts. Her strength is concentrated in her fists, so it is not surprising that her knife of choice is a pair of Punch Knives.

TRIVIA:

Sparrow along with her brother Nathan, they hold the historical record of climbing the fourteen highest mountains in the world in less than six months. Although sadly Sparrow did not manage to complete the last mountain.

Although Sparrow denies it, since the accident she has a certain fear of returning to K2. A cold sweat runs down her back just thinking about it. But it's a fear she's determined to face.

Sparrow is especially fond of her motorcycle, which she bought with money saved from her first job at age 18. This is a Kawasaki ninja zx-10r.

Sparrow's father gave her his prized car, a 1970s HEMI Cuda. Sparrow continues to fight to make that car work again as well as it did fifty years ago. In fact, she made a bet with her brother Connor, he thinks she won't get it fixed.

When Sparrow is out of service, she has a small car workshop in Zermatt, where she is dedicated to fixing the vehicles of the neighbors.

Sparrow's nickname comes from her incredible ability to whistle. She's capable of imitating almost all bird songs. More than once Sparrow has managed to get a bird to perch on her hand just by whistling.

MOODBOARD:

[hexxedundead]

The Butterfly Effect (2004)

A psychological thriller and science fiction film directed by Eric Bress and J. Mackye Gruber, starring Ashton Kutcher as Evan Treborn, a young man who discovers he has the ability to travel back in time and change the events of his past. The film explores the concept of the "butterfly effect," the idea that small actions can lead to drastic, unforeseen consequences in the future.

Evan suffers from blackouts during traumatic events in his childhood, but as he grows older, he finds that by reading his journals, he can transport his consciousness back in time to those pivotal moments and alter them. Initially, Evan believes he can improve his life and the lives of his friends—Kayleigh (Amy Smart), Lenny (Elden Henson), and Tommy (William Lee Scott)—by correcting past mistakes. However, each time he changes the past, it creates unintended and often tragic outcomes in the present, leading to increasingly devastating consequences for everyone involved.

As Evan continues to manipulate time, he struggles with the moral and emotional weight of his decisions, realizing that no matter how hard he tries, he may not be able to create the perfect outcome. The film delves into themes of fate, free will, and the long-lasting impact of trauma.

The Butterfly Effect is known for its dark, mind-bending narrative and complex, non-linear structure. Despite receiving mixed critical reviews, it gained a cult following for its thought-provoking premise and exploration of time travel's ethical implications.

[diyanaeatsalotagain]

"The Butterfly Effect", directed by Eric Bress and J. Mackye Gruber, 2004

[rickkanelives]

It was an honor to attend the LA debut screening of Sallywood this afternoon! Written and directed by my longtime pal Xaque Gruber, it's based (sort of, ha ha) on his experiences working as the personal assistant of legendary actress Sally Kirkland!

The film is consistently funny, moves along great and features a cast full of Oscar nominees (and one winner) - including Kirkland herself, Eric Roberts, Jennifer Tilly and Keith Carradine! There are also some lovely, touching moments and important commentary about ageism. This is absolutely one to look out for - it's my favorite film so far this year.

[ava-adore16]

Hi Tumblr! This is my first post here so I thought I would tell you a little bit about myself. This can and will be edited as my hyperfixations and interests change!

I’m 18 years old for starters. I do not want to see NSFW stuff, so DNI if that’s your thing please. I run an art account on Instagram called @/ava_ad0re16 and a TikTok with the same name. I am a Christian, and I am diagnosed autistic. I love dressing goth and whimsigoth because I love the music and I love the way the fashion looks. I am an artist and an aspiring author and fashion designer, and my interests include music, goth fashion, Monster High, dolls like LDD and Delilah Noir and BeGoths, vampires, thylacines, crows (the bird, not to be confused with the movie or comic, which I also love), The Crow 1994, Stranger Things, Die Hard, Gladiator II, Stardew Valley, Undertale, and going to concerts! My main special interest is all things music, so I love talking about it. My favorite comic books are The True Lives of the Fabulous Killjoys series by Gerard Way, Babymetal’s Apocrypha, and The Crow by James O’Barr! My favorite actors are Joseph Quinn, Devon Bostick, Alan Rickman, and Brandon Lee. Also, the song on this post is one of my favorite songs so give it a listen if you have time because it’s amazing!

I have several characters from franchises that I love, and I love talking about them and the OCs I create to put in said franchises so feel free to ask about them if you’d like! My favorite characters are Eddie Munson (Stranger Things), Hans Gruber (Die Hard), Emperor Geta and Emperor Caracalla (Gladiator II), Eric Draven (The Crow), Mettaton EX (Undertale), Elliott (Stardew Valley), Severus Snape (Harry Potter), Kieran Valentine (Monster High), Twyla Boogeyman (Monster High-specifically G3 but also G1), USAHANA (Sanrio), Chrissy Cunningham (Stranger Things), Samantha (a background character in Stranger Things that I think is really cool because she dressed like Siouxsie Sioux!), Eleven (Stranger Things), Robin (Stranger Things), Max (Stranger Things), Henrietta Biggle (South Park), and Rodrick Heffley (Diary of a Wimpy Kid)!

My favorite bands include: The Cure, Smashing Pumpkins, Type O Negative, Soundgarden, Nirvana, My Chemical Romance, The Birthday Massacre, Siouxsie and the Banshees, The Jins, Sponge, Green Day, Avril Lavigne, Miracle Musical, Jelusick, Olive Vox, Metallica, Mayhem, Candlemass, Melanie Martinez, Orgy, Nickelback, and so so so many more!

I will be posting music content and art content, as well as other stuff and reblogging posts related to things I care about, so give me a follow if that interests you! This is a safe space for everyone regardless of religion, race, ethnicity, sexuality, etc. Hate is not welcome here and if you have hate on my page, you will be blocked.

If you have any questions for me or want to know more about me (i.e. my celebrity crushes, more of my favorite songs, or anything in general), feel free to leave me a comment on this post and I will answer if I’m not busy!

Remember, you are so loved🖤

‼️Also, DNI with my blog if you are a pedo, racist, homophobic, transphobic, or just generally a terrible person. This page is once again a safe space for all but if you are any of the above, please do not interact with my blog.‼️