#Emily Fuller

[sethsclearwater]

Could you write something for Paul x imprint where she tutors the younger members of the pack and they all adore her and Paul’s just being a big baby complaining about having to share her attention

"so you should probably focus your essay on chapters 18 through 24 then, yea?" you suggested to brady who nodded, quickly scribbling down everything you were telling him.

you spent the morning helping brady and collin with their essays at emily's house, both boys being very eager for your help seeing as you absolutely aced english in high school. you'd always felt sympathetic for the younger boys, knowing how difficult it was for paul in high school to manage the transition, patrol, and school all at once.

paul though, seemed to forget how much he struggled as he could not stop complaining all morning, "are you almost done yet?" paul whined from his spot next to you, sliding his hand over your thigh to gently squeeze at the flesh there to grab your attention.

"definitely not," you laughed, rolling your eyes as he let out a loud groan, dropping his head back.

"why is it now my problem that these two idiots can't write their english essays?" paul whined and you whipped around to smack his arm.

"paul lahote!" you scolded, brady, collin, and emily laughing at the two of you, "they are not idiots, say sorry right now," you ordered, glaring at him until he grumbled a half-assed apology to the two boys.

when he finished his apology, you leaned over to press a quick kiss to his bicep, "i'll sit with you, yea?" you suggested, offering your imprinter a small smile as you got up and into his lap.

paul seemed content with his compromise, immediately wrapping his arms around your waist and pressing a soft kiss to your hair, "okay so let's figure out an outline now, yea?" you asked softly, leaning forward so you could see both boys' notebooks and continue helping them with their essays.

[b3y0ndm3asur3]

fellow travelers 1x08 // letter from emily dickinson to otis phillips lord on december 3, 1882

[queenofglassbeliever]

I'm pretty sure that most of the pack members share a familial relationship with one another. So I studied the family trees (from the official guide) to figure it out.

Start with the easiest. Leah and Seth are brother and sister. Jacob and Collin Littesea are 1st cousins. Billy's sister is Collin's mother.

Jared is Jacob's and Collin's 4th cousin. They share 3x great grandparents.

Jacob and Quil are 2nd cousins as they share great grandparents.

Sam and Paul are 3rd cousins. They are also the 3rd cousins of Leah and Seth.

Jacob, Leah, and Seth are 4th cousins.

Brady Fuller and Quil are 3rd cousins.

Embry is the possible half brother of Quil, Jacob, or Sam.

Theory: Brady and Emily Young are 1st cousins.

Are there any relations I missed?

[nerds-yearbook]

For the 2024 annual MST3K Turkey Day marathon (November 28), it was made up of celebrity guest hosts introducing their favorite episodes. Probably the most significant thing about the event was MST3K regained the right to legally air fan favorite Final Sacrafice. Joel Hodgson, creator of MST3K, introduced it as his favorite episode and awarded it "The Hodgson Award." The other hosts were Emily Marsh (The Killer Shrews), Kumail Nanjiani (Overdrawn at the Memory Bank), Bryan Fuller (Werewolf), Matthew Lillard (Castle of Fu-Manchu), Mike Flanagan (Hobgoblins), David Dastmalchian (Samson vs the Vampire Women), Mark Hamill (Gamera vs Jiger), Felicia Day (Manos: The Hands of Fate), and Jonah Ray (The Mask). The special was also peppered with many shorts from throughout the series. (MST3K Turkey Day, TV Event)

[shinelikethunder]

the thing is, my awful little gremlin urge to lock Eric Kripke & Bryan Fuller in a room together and not let them out until they've drafted a full season of horror tv centered around intricate rituals between allegedly straight men? it is fundamentally motivated by the imp of the perverse. it's a desire to bring abominations into being.

and yet, somehow, despite the two impulses resonating on the same frequencies, my desire to rent a scenic isolated cabin for a month and invite Emily Nussbaum & Sheila O'Malley out there for a tandem binge-watch of six seasons each of The Americans and Supernatural, so they can exchange the most cosmic-brain takes on the tangled interplay of family, gaze, trauma, & erotic performance the astral plane has ever seen....... now THAT i want out of pure love for the world. whatever the FUCK thousands upon thousands of words of erudite hornyposting might result from that team-up, i want to bequeath the results unto humanity.

[wolf-girl]

the wolf pack members and their ages

With the story starting two years later everyone is two years older anyway. But the pack members specifically would be too young still, at least to me.

I always thought Sam was supposed to be at least three years older than Bella, when it’s really only one year of age difference between them. So, I just decided to age everyone up, because – let’s face it – Collin and Brady being only 12 and Seth just 14 is really just insane.

Since that decision lead to most of them being done in school I also thought what they study or what they work as –

Sam – born in 1981, 5 years older

transforms into a wolf shortly before his 25th birthday. He has a degree in biology and archaeology and is a Federal Park Ranger of the Olympic National Park, which makes him a colleague of Charlie and Emmett.

Braden – born in 1981, 12 years older

transforms for the first time shortly after Sam. He has a degree in computer engineering and has become a character rigger, working from home. During the beginning of the story, he and Sam will live in a shared apartment in Olympic Bay, since Leah is away from home, studying.

Emily – born in 1984, around 3 to 6 years older

is a teacher of traditional arts at the Peninsula College in Olympic Bay and also bakes various desserts for her parent’s café. She will still be Sam’s imprintee, but she won’t act like a caretaker towards the pack.

Jared – born in 1986, 4 years older

is studying accounting at the Peninsula College in Olympic Bay, simply because he is good at maths. But he has no clue, what he wants to work as later.

Paul – born in 1986, 4 years older

is studying biology and geography at the Peninsula College in Olympic Bay and wants to become a Park Ranger as well.

Kim – born in 1986, 4 years older

is studying linguistics, literature and various languages (she has an easy time learning new languages) at the Peninsula College in Olympic Bay. She wants to become a book translator. She also works at Olympic Bay’s library and will be Ella’s colleague.

Embry – born in 1988, 2 years older

at the beginning of the story, he is in senior year of high school. But he will start an apprenticeship to become a mechanic. He helped Jacob with repairing Billy’s truck, before fixing up an old enduro motorcycle while Jacob worked on his own car.

Jacob – born in 1988, 2 years older

is also finishing senior year and will start an apprenticeship to become a mechanic, just like Embry. Both of them will work and learn in the shop where Rosalie works too.

Quil – born in 1988, 2 years older

is in senior year of high school at the beginning of the story. But he will go to culinary school in Olympic Bay to become a cook when he transforms for the first time.

Leah – born in 1983, 3 years older

is finishing a degree for pharmaceutical and medical sciences, to eventually become a pharmacist, at the University of Washington. She will keep studying during the story and be in Seattle most of the time.

Seth – born in 1989, 3 years older

is in high school junior year at the beginning of the story and will be in senior year when he transforms for the first time.

Collin – born in 1989, 4 years older

is in high school junior year at the beginning and will be the last of his generation to join the pack.

Rachel – born in 1983, 3 years older

is finishing her bachelor degree in computer engineering at the beginning of the story, sharing a campus dorm with Leah. Will be working from home during the story. She won’t be Paul’s imprintee or a shifter herself, but an important member of the pack anyway.

[victims-of]

I’m so sick of those meetings where they said, ‘Well you play the wife, and she’s a small role but she’s really the heart and soul,’ I can’t. And Bryan said, ‘No, she’s the spleen.’ And I said, ‘Great, that sounds fantastic.’ So I think it’s interesting that kind of dichotomy between this person with no emotional intelligence, no self-awareness, unintentionally cruel to everybody around her, and her journey is about finding her husband. It’s kind of amazing to me.”

Emily Browning explaining how you're an unlikable bad woman if you don't have a husband

[donospl]

Luciana Morelli “Words of the Wind”  

Habitable Records, 2024 Argentyńska wokalistka i kompozytorka Luciana Morelli osiadła przed kilku laty w szwajcarskiej Bazylei. Swoją przeprowadzkę z Argentyny do Szwajcarii udokumentowała wydanym w roku 2021 albumem „Lo abismal, el agua”. W swoich artystycznych działaniach Artystka czerpie inspirację z kultury rodzimej Argentyny, chętnie sięga po muzykę improwizowaną. Ceni poezję i właśnie…

[adamwatchesmovies]

Carrie (2002)

If no other adaptation of Stephen King’s Carrie existed, this 2002 made-for-TV movie might have been worth recommending. While the running time is excessive and it’s lacking in scares/suspense, the source material is strong and Angela Bettis as the lead character offers a good performance. Unfortunately, all you can think of while watching is “Brian De Palma did it better in 1976”.

Carrie White (Angela Bettis) is a friendless, socially awkward teen living under the rule of her domineering mother (Patricia Clarkson) - a woman obsessed with purging all “sin” from their lives. Knowing nothing of puberty, Carrie panics when she experiences her first menstrual period at school and is ridiculed by the girls in her class. Punished by the kind Miss Desjardin (Rena Sofer) for her bullying, Chris (Emilie de Ravin) plans on humiliating Carrie on prom night, unaware Carrie is developing telekinetic powers.

At 132 minutes, this is the longest film version of Carrie by far and I don’t know why director David Carson held onto the bits that obviously needed to be cut. It’s one thing to stay faithful to the source material, but did the scene showing that time a meteor shower nearly burned down the White home add anything? There are other moments that while not useless, don’t contribute much to the whole. For example, the first time we meet the school Principal (Laurie Murdoch), he’s a complete fool, repeatedly calling Carrie by the wrong name and generally acting like he’s never dealt with teenagers before. The next time we see him, he’s confronting Chris’ bully of a father with expertly curated material and the confidence that shows he takes his job seriously. So which one is it? Of all the character inconsistencies, however, the worst by far is Chris and her boyfriend, Billy (Jesse Cadotte). Since Chris goes to the same school as Carrie and orchestrates the legendary prank that will humiliate her, you’d think she’d be the one in charge but the second Billy shows up, she acts like she’s being strongarmed into this operation. It makes no sense.

The story is told in flashbacks to the police by Sue Snell (Kandyse McClure) and Miss Desjardin, which is something we haven’t technically seen before, though it does give away too much of the ending. A scene shows us how Carrie has been kept in the dark on sex ed and the like, which explains why she doesn’t have access or knowledge of how to use the internet. It makes everything more believable than in the Chloë Grace Moretz version. Other than the framing device, the topic of the World Wide Web and a conclusion that leaves itself open to be continued in a series, this Carrie does nothing new. It’s just a beat-for-beat repeat of what we’ve seen before. The themes are not re-imagined or re-contextualized in any meaningful ways, the movie has nothing to say about bullying, teenage girls or religious obsession. Why was this even made? So they could continue the story in a TV show that didn’t materialize. Even if you know that there really doesn’t feel like there was a point at all.

I suppose I should also mention the special effects, which range from “ok for TV” to “bad, even for ’00s era TV”. Their quality doesn’t really matter in the end because you would’ve forgiven them had the picture been great, and it isn’t. It’s another example of a film that would’ve been better - or at least more memorable - if it was worse. 2002's Carrie is not scary, or tense but it is well-acted and, ultimately, unnecessary. (August 10, 2022)

[beauburnham]

triplets — “kind of makes you wonder how it feels…”; “who do you think you are?”; “Any chance you let me buy you an “I’m sorry” drink?”; “I have this theory that you’re meanest to the people you care about most.”

“kind of makes you wonder how it feels…”

Emily's eyebrows knitted together. She scooted closer to Dani and wrapped her arms around her shoulders, squeezing her tight. "Oh, Dani," she breathed. Pressing her cheek to hers, Emily gave her one last squeeze then loosened her grip to a casual hug. "You'll know it, too. Promise."

“who do you think you are?”

"This is so unfair!" Emily threw her head back and groaned. When she lifted her head, she jabbed a thumb in Lucas's direction. "Lucas always picks where we go out! He's not even identical! His name doesn't even rhyme! You know ramen is better than pho! Why are you taking his side?"

-

“Any chance you let me buy you an “I’m sorry” drink?”

"Depends," Emily looked up from her fingernails and blew on the wet paint. "What's your budget?"

-

“I have this theory that you’re meanest to the people you care about most.”

"Fuck off, Lucas!" Emily gently shoved Lucas's head from her ear without looking at him. She knew the second she saw his ruddy cheeks and shit eating grin, she'd break. And Emily would not break. "Take the goddamn stars. I know where you sleep at night. And when I land on Donkey Kong next, I'm coming for your ass."

[sethsclearwater]

request: “grocery shopping part 2??”

warnings: smut, seth being a soft dom, breeding kink if you squint

notes: so happy you guys wanted a part 2

this is part 2 to this blurb

…

you had barely set the grocery bags down on the kitchen counter when seth hands slid onto your hips, spinning you around and pressing his lips to yours. 

you whined, sliding your hands over the soft expanse of his t-shirt and up his chest, gently pulling away from him, “we need to put the groceries away.” you tried to reason, giggling as he shook his head.

“promise i’ll be quick. jus’ need you right now.” he quickly explained, sliding his warm hands up the sundress, you were wearing and resting his hands on your hips and toying with the thin material of your panties.

you rolled your eyes, giggling again as you quickly realized there was no way you were going to convince him the groceries were more important. 

after pausing for a moment, you looked up at him slowly, gnawing at your lower lip as you waited for him to decide what he was going to do next. 

“are you gonna fuck me then or what? these groceries are gonna go bad-” you started but were stopped as seth smashed his lips to yours, tugging your panties down so he had full access to you.

he sighed softly as he pulled his lips from yours for a moment to allow you to catch your breath. his fingers gently parted your slick folds, quickly dipping a finger inside you to stretch you out for him.

you whined, gripping his biceps to steady yourself at the sudden intrusion. seth pressed soft kisses to your collarbone and neck as he added a second finger to your walls, scissoring them to stretch you out, “be good for me, yea?” he murmured against your earlobe, nipping the sensitive flesh there to get your attention.

you whimpered, nodding, letting out a low whine when he withdrew his fingers from your pussy to pull his cock out of its constraints.

he held his hand up to your mouth then, “spit.” he ordered, watching as you looked up at him hesitantly before spitting into his hand so he could lubricate his cock for you.

he smiled, cupping your jaw with his free hand and pressing a soft kiss to your lips as he used his other hand to spread your spit over his cock. “such a good girl for me,” he mused, pulling away after a moment, “turn around for me, yea? wanna to take you from behind.” he explained, taking his hand from your jaw to grip your hip and turn you around so you were bent over the counter.

you rested your forehead on your forearms, whining when you felt seth’s hand slide your sundress up so he could have better access to you, “cold?” he asked softly, not seeming particularly concerned though as you felt the tip of seth’s cock line up with your entrance. 

you giggled softly, “jus’ a little bit.” you murmured, knowing he’d hear it with his heightened senses.

he hummed in response, “i can work with that.” he teased, both of you letting out moans as he pressed his cock into your tight channel. 

“seth” you whined as his grip on your hip tightened, stabilizing you as he pushed the rest of his length into you. 

“such a good girl,” he cooed, gently brushing your hair over your shoulder so he could press soft kisses to your shoulders as he allowed you a moment to stretch out for him, “been waiting for this all day.” he continued, “would stay like this forever if i could, you know that? you jus’ feel so good.” 

you whimpered, walls fluttering around him at his words, “please move seth,” you whined, pushing your hips back against his in an attempt to create some kind of friction.

“‘course i can pretty girl.” he mused, pulling his hips back before plunging back into your heat. one hand continued to stabilize your hips while the other snaked around to rub rough circles on your clit.

“fuck seth,” you whimpered, burying your face into the crook of your elbow to muffle your moans as he continued to roughly fuck your pussy.

seth released his grip on your hip to pull at your hair, pulling you up from the counter so your back was now flush against his chest, “none of that,” he tutted, “wanna hear you.” he groaned as your pussy tightened around him in the new position. 

“‘m so close seth.” you whined, hand sliding over your chest to land on top of his and lacing your fingers together.

his lips curled into a smile against your shoulder at that, “you wanna cum on my cock pretty girl?” you whined loudly, unable to form any words so you just nodded, praying he wouldn’t reprimand you for not using your words.

“go ahead then,” he gritted out, continuing to pound himself in and out of your pussy, “show me how good i’m makin’ you feel.” he rolled his hips against yours then, sending you right over the edge as he continued rubbing circles on your clit to help you ride out your orgasm.

the way your walls gripped him had him meeting his high shortly after you, “you want me to cum inside your pretty pussy?” he asked breathlessly as you panted, rolling your head against his shoulder as you rode out your orgasm.

“yes please.” you whimpered, squeezing his hand as he let out a low groan, quickly coming undone inside of you. 

his thrusts slowed down as you both rode out your orgasms, both of you taking a few moments to catch your breath. “that was so much better than i thought it was going to be.” seth chuckled after a moment, pressing a soft kiss to the crook of your neck as he pulled himself out of you.

you whimpered at the loss of him inside of you, you sundress cascading down your body as you turned around on shaky legs so you could face him. seth smiled softly at you, tucking his softening cock back into his sweatpants before pulling you into his arms and holding you to his chest, “i know pretty girl.” he cooed, “let me get you cleaned up and then you can go lay down on the couch for a bit, yea?” 

you nodded, taking a few more deep breaths against him, “what about the groceries?” you murmured softly, now not in any kind of mood to put them away. 

seth chuckled, pressing a kiss to the crown of your head, “i’ll take care of them.” he reassured, lifting you up to set you on the counter, “let me get you cleaned up first though, yea? don’t want you feeling sticky.” he cooed, knowing how much you hated feeling his seed soaking your panties after sex. 

you nodded, watching as he grabbed a rag from the counter before using his free hand to part your legs and push your sundress back up so he could wipe up your mixed fluids from your thighs. you sighed softly, not happy with the overstimulation which seth was all too aware of, “bein’ such a good girl for me.” he cooed, pressing a soft kiss to your hip bone as he finished his job between your legs. 

your lips formed a pout and seth chuckled softly, straightening up and allowing you to wrap your legs around his waist and arms around his neck, “my pretty girl,” he mused, lifting you off the counter and carrying you over the couch where he laid you down, “jus’ gotta put the groceries away and then we can cuddle okay?” 

you nodded, “wanna take a shower too.” you explained softly, not particularly enthused with the fact that you were still feeling pretty sticky and gross from the heat outside and sex with your boyfriend.

“shower sounds like a good idea to me - round 2?” he asked teasingly as he stood up, stretching his arms over his head and you giggled, nodding.

seth smiled down at you at that, “you serious?” he asked and you nodded again, another stream of giggles coming out at his excitement.

“oh thank god, i’ll be right back.” he reassured, bending down to press a quick kiss to your lips before heading back into the kitchen to put away the groceries. 

so much for not letting the groceries go bad.

[lucidloving]

Emily L., Marguerite Duras // Bertrand Russell, What Desires are Politically Important? // Octavio Paz, "The House of Glances" // Mitski—Francis Forever // Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities // VIVINOS and QMENG, Alien Stage (Round 6) // Bryan Fuller, Hannibal (2013) // Richard Siken, "Little Monster" // Christa Wolf, Cassandra: A Novel and Four Essays // Mitski—I Bet on Losing Dogs

[yanderenightmare]

your vocab is really rich, what's ur secret

oh! uhm... excellent question!

Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)

Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.

Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.

Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!

Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."

Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)

Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!

A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."

Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.

NEW WORDS

Manically---like a maniac

Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly

Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture

Shunts---track-change basically, scoots to the side

Dearth---a scarcity or lack of something, a shortage

Raucous---making a harsh or loud noise

Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring

Lanyard---the woven necklace of a festival pass

Gossamer---fine spiderwebs, almost mesh

Cossetted---care for and protect in an overindulgent way

Beribboned---decorated with many ribbons

pupil-fat---cool way of saying enlarged pupils

Chitters---snickers, like a bird

Decadent---corrupt, depraved

Blotting---either soak up and absorb, or stain, or obscure

Barbell---a bar “pole” with attachments on each side

Bunting---of animals, when they butt or rub their head against you

Garnet---red

Cherubic---angelic, plump cuteness, quality of a child

Haunches---hips

Sodden---soaking

Waxing poetic---speaking in a flowery or poetical fashion

Inkwell---a container for ink---a dark well

Rend---tear in two, or more pieces

Ebb---recede, go back, like a tide wave

Webbed---like a duck's feet

Cloying---sickly sweet

Saccharine---oversweet

Apple of your cheek

Swathes---wrap, swaddle

Shroud---obscure something

Moonstone---to describe something grey and dusty, but pretty

Kinked---tangled, messy

Leaden---heavy, dull, slow or the colour of lead, grey

Stygian---devoid of light and brightness, hellish

Flaxen---of hair, champagne colored---ashy blonde

Tepid---lukewarm

SYNONYMS

Related to sucking cock:

Swallow

Glug

Drink

Eat

Guzzle

Receive

Take

Suck

Suckle

Slobber

Gargle

Gurgle

Drool

Gulp

Gobble

Stuff

Glut

Choke

Gag

Lap

Lick

Kitten-lick

Slurp 

Allow entry

Related to kissing:

Kiss

Lock/brush lips

Tongue-feed

Suck faces

Smooch

Peck

Snog

Canoodle

Related to biting:

Bite

Graze

Nip

Nibble

Sink teeth into

Chomp

Related to crying:

Whimpering

Mewling

Bleating

Whining

Snivel

Sniffle

Cry

Sob

Bawl

Hiccup

Spluttering

Blubbering

Coughing

Croaking

Related to pre-cum:

Ooze

Leak

Weep

Well

Drip

Dribble

Flow

Drain

Bleed

Sweat

Seep

Pill

Pearl

Cry

Related to fear and panic:

Hysterical

Wild

Manic

Uncontrolled

Unrestrained

Frantic

Frenzied

Restless

Hectic

Sporadic

Swivel-eyed

Related to screaming:

Scream

Yell

Wail

Yelp

Yip

Yammer

Squawk

Howl

Squeal

Shriek

Related to moaning:

Moan

Whine

Yelp

Purr

Hum

Croon

Related to overstimulated moaning:

Mumble

Croon

Warble

Quaver

Burble

Bumble

Hum

Slur

Ramble

Mutter

Whisper

Stammer

Stutter

Scramble

Jumble

Muddled

Babble

Blubbered

Splutter

Blurt

Related to groaning:

Groan

Grunt

Growl

Grumble

Grouch

Hiss

Guttural

Feral

Rusty 

Throaty

Wet

Sloppy

Related to angry noises:

Howl

Roar

Bark

Grizzle

Grump

Related to surprise or fear:

Gasp

Gulp

Choke

Suck in a sharp breath

Flinch

Jump

Jostle

Wince

Hiss

Pull back

Related to comforting:

Coo

Fuss

Comfort

Hush

Shush

Tsk

Mollycoddle

Nurse

Cuddle

Babying

Consoling

Soothe

Loving

Smothering

Hug

Hug tight

Cocoon

Snuggling

Swaddling

Rock back and forth with

Cosseting

Petting

Overwhelm

Related to begging:

Beg

Pleading

Pray

Bargain

Related to soreness and pain:

Ache

Sore

Throb

Swollen

Fattened

Welted

Related to taking cock inside entrance:

Swallow

Receive

Take

Suck inside

Stuff

Fill

Allow entry

Submit to

Ease inside

Bully inside

Squeeze inside

Force inside

Push

Pry

Related to how the hole squeezes:

Kissing

Fluttering

Hugging

Pressing

Squishing

Squeezing

Tightening

Pulsing

Related to a wet hole:

Slush

Squelch

Squishy

Creamy

Sloppy

Wet

Soaked

Slosh

Sop

Cry

Slick

Weep

Drool

Gush

Swollen

Velvety

Gummy

Cotton

Silken

Satiny

Related to thrusting:

Squeeze into

Pound

Jam

Ram

Rut

Loll

Rock

Thrust

Stuff

Bottom out

Fill

Fit

Nestle

Cram

Prodding

Poking

Kissing

Hammering

Jack-hammer

Smack

Slap

Ream

Related to pleasure:

Ecstatic

Opium-eyed

Euphoric

Elated

Thrilled

Blissed-out

Rapturous

High

Cloudy

Numb

Related to overstimulation:

Overstimulated

Outdone

Aching

Burning

Sweating

Feverish

Delirious

Febrile

Numb

Immobile

Dazed

Dull

Related to being dumb, high, or overstimulated:

Ditzy

Dumb

Clumsy

Silly

Foolish

Giddy

Brainless

Dizzy

Fuzzy

Dopey

Whimsical

Fickle

Featherbrained

Daft

Hare-brained

Awkward

Graceless

Blundering

Bumbling

Klutzy

Clueless

Cloddish

Dense

Related to the body and the flesh:

Tender

Supple

Soft

Creamy

Plush

Doughy

Cakey

Downy

Pillowy

Malleable

Squeezable

Biteable

Pliable

Touchable

Putty

Plume

Related to cuteness:

Cute

Cherubic

Adorable

Sweet

Soft

Precious

Darling

Lovable

Endearing

Baby

Related to weak or smallness:

Breakable

Brittle

Weak

Fragile

Dainty

Delicate

Frail

Flimsy

Vulnerable

Petite

Small

Little

Tiny

Feeble

Defenseless

Powerless

Helpless

Worthless

Hopeless

Related to struggling:

Struggle

Winding

Striving

Straining

Toiling

Playing

Wriggle

Wiggle

Twist

Shake

Tremor

Shiver

Quake

Related to men:

Vulgar

Loud

Oafish

Rough

Rude

Rustic

Gruff

Gross

Doltish

Barbaric

Bearish

Beastly

Churlish

Coarse

Swinish

[rose-maidenn]

Astro observations 1

Tropical + Sidereal

Tropical

If you have mercury sextile venus as a women your voice gives you an upper hand in your career , example Sofia Vergara being famous for her acting as well as her unique voice , lana del rey for her vocal range , Rihanna , Kim Kardashian memes lol .

If as a man you have mercury sextile venus it shows up as an upper hand in your thoughts and creativity , often times men with this placement are very soft spoken and understanding , in a dark way they could be manipulative as well . They mostly create a world of wonders for themselves and have distinct contributions towards art or way of life . Eg : Walt Disney , Ewan Mcgregor in big fish

Scorpio men give high school bad boy vibes , their upper body might be larger then their lower body , fellas don't skip leg day

Wanna start content creation or wanna be a singer , check your moon sign , a popstar might become popular based on the emphasis on either vocal range, lyricism, performance (credits to the instagram reel i watched lol i lost the link ) eg : scorpio women embody the performer persona most strongly , for example: Beyonce , Miley Cyrus , Lady gaga etc (vedic - Vishakha)

Cancer sun women mostly embody the trashy girl aesthetic.

Though widely considered meek , the cancer sun embodies a badass feministic yet kind vibe to them eg : Princess Diana , Selena Gomez , MIA, Frida Kahlo , often turn out to be revolutionaries and make changes in their own fields .

Pluto in the 5th is an amazing placement for fashion designers or in the field of marketing in the field , eg: Coco chanel , Miuccia Prada , Donatella Versace etc . 5th is the house of creativity and pluto being in it bring something out of the ordinary to make the person famous.

Pluto in 5th might also suffer from a turbulent childhood often with home relocation or absent parents

Mercury in 9th might be forced to grow up earlier , these people embody wisdom beyond years, often time resulting in void eg : Drew Barrymore, Mila Kunis lying about her age to get roles , Brooke shields .

Mercury in 9th is also a good placement for writers, eg : Sylvia plath , Agatha Christie, Emily Bronte .

Sidereal

Purva Bhadrapada women are very activist and stand for what they believe in , they make really good points in an debate👏

Punarvasu sun will give you fuller lips . Mostly downturned

Gemini men often have a wild chemistry with Sagittarius men 😭😂 the gemini man either admires the Sagittarius or hates them , like a frenemy vibe .

Libra men have the rake energy they flirt with everyone but they also make you feel like you're the only girl 😭 tf

Moon conjunct Saturn is said to give a bad relationship with mother but I have observed that if it is in the 12 th house it actually gives a good relationship, as there's more understanding .

As a jupiterian myself I won't advise to dye your hair blonde if you have prominent jupiter ,it makes me even more delusional. I would recommend brown for grounding and inviting creativity in your life .

Idk mars dom men are too good to me I like them so much, I've seen that in other cases as well so I will say jup dom 🤝 mars dom.

Rahu doms are underdogs yall , mostly people underestimate them until one day they put all their energy into something and prove themselves .

Uttara Ashadha girls act as they're stupid but they're observing so much , they might have really captivating eyes , puppy eyes if I say .

If two people have asc-moon synastry , they love each other and loathe each other because of their similarities , their is also a tendency of copying the others gestures or fashion .

Ketu doms push people away and then say they're lonely , it takes a lot to understand the inner rich world of ketu doms , which I think venus doms get to a degree.

Rohini people have a certain liking towards the metal of gold , and it will bring you auspiciousness if you buy them gold.

That's all for today hope yall enjoyed , I think you can read both observations interchangeably hehe I tried a new format hope yall like it . Dm me if you want to book a chart reading or an astrology reading 🫶

Thank you for reading

[crazyk-imagine]

Hi, I was thinking Jacob Black x Reader. Where Jacob was waiting for Reader to come out of school till he heard commotion in front of the school and saw Reader fighting a bully who is a guy. She has a bruised lip and bleeding nose. Jacob hurriedly pick up Reader and take her to Emily’s so she can chill out and so Emily can patch her up. The pack saw her and they started asking questions till Emily started lecturing her.

Jealousy and Pack Scolding's

Pairing: Jacob Black x Uley!reader

Characters: Jacob Black, Uley!reader, Paul Lahote, Jared Cameron, Embry Call, Leah Clearwater, Seth Clearwater, Quil Ateara V, Brady Fuller, Collin Littlesea

Warnings: Angst, fluff, Paul being an idiot, Sam not liking the imprinting, this was actually kind of cute, I think I made Jake a likable character (for me), Emily is an angel, Sam and Emily are my fav, reader has avoided making eye contact with Jake bc she has a crush, Sam knows whats up, Embry just wants his imprint, Paul is such a big brother here, love writing for the wolfpack, it's so much fun, reader knows about imprints

Word Count: 2,431

A/N: Ask and you shall receive... this was fun and totally not inspired by Jake fics where he's a little jealous shit

I've aged probably everyone sooo, Sam is 26, Emily is 25. Leah is 23. Jared and Paul are 19 (in a nearby community college) and just one semester from graduating. Jake, Reader and Embry are 18. Quil, Seth, Brody are 17. Cam and Seth are 16

------------------------------------------------------------------------------

He kicks his bike stand up, so it stays upright while he waits for you to exit the school. He crosses his arms, not wanting anyone to talk to him, hoping he looks “menacing” enough for his classmates to get the hint and steer clear of him.

He knows Quil and Embry made their way back to Emily's since Sam wants them to do their patrol shift as soon as they can once they finished with their last class.

He couldn't complain much considering he was able to go home and change before heading back to pick you up so he could successfully switch shifts with Embry, which annoys him since Sam basically ordered him to pick you up.

He’d be more okay with it if you two were friends- or even talking; he doesn’t know why he was put to the job since you two aren’t close- or at least, compared to Jared and Paul.

Jake did recently find out (after complaining to the guys when their alpha wasn’t around) you’re Sam's niece and Emily has taken a light to you, thinking of you as her own daughter.

And the only reason he thinks that is because of how she treats you; it always reminds him of the way his mom took care of him and his sisters when they were younger.

Don't get him wrong, he has no problem with that or the way she treats you, he's more curious than anything since you haven't been talking to him.

It kind of bugs him that you talk to Paul and Jared more than him and isn't sure why. He gets the two shifted before everyone, but you've started talking to Embry and Quil so why not him too? Hell, you’ve even started making small talk with the newest shifters Brady and Collin.

He thinks this is why Sam sent him here, so he'll stop moping around about you and not just because the pack is tired of hearing how sad he is with you not talking to him.

The chanting, "fight, fight, fight," overtakes his sense in waiting for you and he steps closer.

He stops behind the wall of people, checking on who's fighting, curious as to who's stupid enough to fight on school property.

The fist flies to your face and he starts fighting his way to get past the people blocking him from getting to you.

You spit, not wanting the copper taste to remain in your mouth. You turn your head back to David, not wanting to give him the satisfaction of feeling like he won.

You kick his upper thigh, right above his knee and knock him down before pulling your arm back and drive your fist as hard as you can into his cheek.

He falls and cups his cheek, whining about the pain and the fact that he's bleeding.

"Talk about my family again and you'll be bleeding more."

Jacob finally breaks through the crowd and pushes David's friend away before the guy could grab you. "Back off," he growls.

The friend raises his hands in defense and backs away, noticing how buff he'd gotten and knows better to not fight Jacob.

He turns to you, smelling blood on you and cups your face, searching to find the damage, ignoring your eyes as the blood from your lip drips further down your chin. "Come on."

He puts you on the back of his bike and starts it before kicking the kickstand.

-

You unwrap your arms and get off the bike, trying to put distance between you, Jacob, and your home.

He grabs your wrist, "where do you think you're going?"

"Away."

"Just because you want to hide your face from Emily and Sam, doesn't mean you can run away."

"I can still try." You tug on his arm. "Let me go."

"No, you need to go in there and face them."

You stop fighting and he lets go of you, trusting that you won't leave. "I don't want Sam to be disappointed."

"Did you pick a fight with David on purpose?"

You shake your head, "of course not."

"Then he won't be disappointed... as long as you talk to him."

"Says the guy who fights him every chance he gets."

That earns a chuckle from Jake. "Says the mousy niece."

You scoff, shoving his arm. "Hey, I'm not mousy."

"This is the longest conversation we've ever had."

"That's your fault, you're always mopey."

"I am not."

"Are so."

"Am"- You walk through the door.

Emily's voice interrupts yours and everyone else's conversations. "I'm happy to see the two of you are talking." She smiles with a twinkle shining in her eye that quickly dies as soon as she catches sight of your face.

"Oh my- what the hell happened to you?" She grabs your chin, tilting so she can look at your face. "Who did this?"

Paul tenses, Jared tries to see over her shoulder.

Embry and Quil walk through the back door and glance at one another with concern evident on their faces once they realize what’s happened.

"Don't tell, Sam," you reply, staring into her eyes, practically begging her not to tell him.

"Don't tell me what?"

You grimace and then wince because your adrenaline has worn off and the pain has surfaced. "How much I love you?" You say without turning.

"I don't buy it." He wraps an arm around Emily, pecking her cheek. "Did you cut your finger again?" He asks with the scent of blood wafting through the room.

"Uh-" She catches your eye as she glances down at her hands. "Maybe, I don't know."

You attempt to sneak away while he's distracted and fail.

"Turn around."

You pout, keeping your head low as you turn.

"Lift your head."

"I like staring at my shoes while they're clean."

He grumbles your name under his breath.

You lift your head and sigh. "I may have gotten into an altercation at school."

"What the hell happened?"

"That's what I was asking before you got here?" Emily chimes in. "And I was avoiding it then."

"What did you do?"

You scoff, "I didn't do anything, you dick."

"That is no way to talk to your uncle," she tells you.

You stare at her, "I'm going to give him the same respect he gives me," and turn to him. "Which is none."

You exit the room when you realize none of you are going to be able to have a proper conversation and make your way to your room, slamming the door behind you.

-

"What happened while you were waiting for her?" Sam towers over Jacob, attempting to search through his mind to figure out what could have happened.

"I don't- I don't know. I was waiting and then I heard the other kids chanting, fight and then I saw her get hit and then take down David-"

"Wait- she was fighting David?" Jared chimes in with a smile.

"He deserves it," Paul adds.

"Guys a grade A asshole," Embry says before snacking on a muffin.

"So, this fight was valid?" Sam asks, wanting to understand everything he's learned within the last five minutes.

"No, it wasn't valid because fighting isn't the solution, is it boys?" Emily turns to the boys at the table.

"No," everyone answers.

"Good," she smiles.

"But this hasn't happened before? What's happened? This David- or whoever clearly said something for her to act out."

"He was talking about my family," you tell them, leaning against the wall with your arms crossed.

"That doesn't give you enough reason to fight," she tells you.

"It does when they start making fun of your dead parents and uncle who's running a cult."

They purse their lips.

"How do you feel?"

You shrug, "my fist and face are aching, so I'd say I did something right."

She sighs. "Fighting isn't the answer."

"I know that!"

"Then why did you do it?"

Your emotions cause you to snap. "I was tired of him thinking he could still bully me!"

She takes a few steps closer to you. "This has been going on for a while now. Why didn't you tell us?"

"I didn't want either of you to walk into the principal's office thinking you could stop it when it'd only make things worse," you grumble.

"We could have found another way to stop him from making comments."

"I took care of it the only way I could."

"There's always more than one way-"

"I know," you run your fingers through your hair in a frustrated manner. "I wasn't thinking but he wouldn't shut up. He waited a few months, giving me a grievance period but then he started talking shit again and today he wouldn't leave me alone."

"Why didn't you tell us?" Jared asks.

"Yeah," you scoff, "because I wanted you guys to help when the hothead is one fight away from being expelled. Everyone still thinks those two," you point to Embry and Quil. "Are weird because they suddenly got buff and had a haircut. Don't even mention the fact that Jake along with Brody and Cam are the new talk of the pack."

Sam sighs, rubbing a hand over his face. "Just, go clean the blood off as best you can, and Emily will wrap your wounds."

"I already did."

"Then go get the first aid kit and bring it in here."

You walk back into the bathroom throwing everything you’d laid out on the counter back into the bag and aim for the kitchen. "Heal me with your magical powers, Em."

She smiles and wraps an arm around your shoulders as she guides you to the island so she can use the natural light to check over you. "Does this hurt?"

"Not yet."

"Okay, let me know when it-"

You suck in a deep breath through your teeth.

"Hurts. You okay?"

"Peachy, Em."

"I know you had to defend yourself today, but fighting isn't always the answer."

"Yeah, I know," you reply with an attitude.

"I'm just reminding you, so you don't continue hurting yourself. You're not like the others, and I don't like seeing you get hurt."

"Thanks, Emily," you wrap your arms around her and pull her in for a long hug.

She smiles, returning the hug. "Don't go getting into fights again or else I'm going to bubble wrap you."

You chuckle. "As long as you save me from a Sam lecture."

"Deal." She slides the plate with muffins, closer to you. "Eat something first."

The guys shake their heads at your behavior.

"Does this mean I can hang out with you guys?"

"You hang out with us already," Jacob points out.

"Cliff diving." You unwrap your muffin.

"Absolutely not," your uncle tells you.

"Come on."

"No,” Sam shakes his head.

"Guys," you beg, turning around to look at the others.

"We're not getting involved in that," Paul raises his hands, heading towards the couch.

- Extra -

"Wha-"

"I'm with Paul," Embry tells you, pulling Quil with him as they sit beside Jared.

You turn to face your knight in shining armor. “Jake-”

He turns away from the others and glances back at you, the humor falling from his face.

“Oh, shit,” Jared mutters.

“Are you serious?” Embry whines.

You owlishly blink trying to figure out what’s happened when he falls to his knees. You set your muffin down and push yourself off the stool to stand in front of him. You poke his shoulder. “Are you okay?”

“It’s you,” he mutters.

You raise your head and face the others with a scared and confused expression. “Guys, what the hell just happened?”

Paul smirks and looks away.

Jared buries his face with a muffin.

Embry and Quil face the tv, not wanting to see how things plays out.

Brady and Collin walk through the door.

“Holy shit,” the former says.

“Congrats, Jake. You finally got your imprint,” the latter adds.

“What?” You spin around to face Emily. “Imprint? That’s what just happened?”

Sam rubs a hand over his face. This was the last thing they needed.

“Did we- did you not know?” Brady asks you.

“Does this look like the face of someone who’s in the know? Does it. Brady?”

Collin pulls his buddy away before you can rip their heads off.

“I think we need to talk,” Sam says, pulling Jacob off the ground. “Outside.”

You three stand on the porch, trying to wrap your heads around the whole situation.

-

“I don’t know what this means,” you tell them.

“This means, no being alone in your room. No sneaking out after curfew. No-”

“Sam, we’re not dating. This doesn’t apply to us.”

“It could,” he says, finally snapping out of his mind.

“What?”

“It- the imprint bond doesn’t happen by accident, it’s the joining of when two soulmates find each other.”

“So, we’re soulmates?”

He nods.

“I thought you were in love with Bella?”

“I was.”

“And now you’re not? You couldn’t have moved on that fast just because of this bond.”

He sighs, “I know this is going to be a lot of work, but I want to get to know you whether we go out or not… even though dating you-”

The clearing of someone’s throat cuts him off.

He sheepishly smiles, rubbing the back of his head. “We’ll talk more later.”

You can’t help but giggle and wince soon after.

He’s kneeling in front of you in seconds, searching for any sign of pain. “Are you okay?”

“I’m fine. My lip is going to be the kill joy of my existence for a few days but I’m fine.” You place a hand on his shoulder, “thanks for pulling me out of there when you did.”

He shakes his head, “it was nothing.”

“It was more than you know, and I know you were only there because Uncle Sam made you, but I still wanted to thank you.”

He can’t help the wide smile that stretches across his lips. “I’ll always be there for you.”

-

Sam throws you over his shoulder. “Babe, where’s the extra wood I keep for the winter?”

“Back room, why?” She asks, watching as you beat on his back.

“I’m locking some doors.”

“Sam, no!” You screech. “Boys, help me.”

“He’s the alpha, what he says go,” Paul tells you.

“You suck, Lahote.”

“You’re gonna be swallowing, princess.”

Paul has never shifted and ran out of his alpha’s place as quickly as he did today.

The others lose their minds as he runs all around, nearly bumping into the clearwater siblings as they head towards the place.

-

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