#Elizabeth through the years

[royalpain16]

Princess Elizabeth (Queen Elizabeth II) May 1932

[wistfulwatcher]

Criminal Minds: Evolution | 17.01 Gold Star

[myokk]

“She’s tolerable, but not handsome enough to tempt me”😤😤😤

(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮‍💨😇🙏)

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[charlotte-of-wales]

2016 - 2022 ♡

[screenshotsonpinterest]

13 year old me would have called Battle of the Labyrinth Percy a whore if only she had had the vocabulary

[fictionadventurer]

I went into Ruth expecting a dreary read. How could a Victorian "fallen woman" story be anything other than dark and depressing? So I was shocked right from the beginning to find a sweet, gentle, romantic story. The dressmaker's apprentice who sits in the coldest, darkest part of the workroom because that's where there's a panel painted with flowers that remind her of her country home? How could I not adopt her as a favorite character? Ruth's innocent, romantic outlook on life gave us some beautiful descriptions of the scenery of both city and countryside, and my imagination went on overdrive to create very vivid images of the story. Even the love story, which we know is going to go very wrong, starts out sweet, with a kind, charming love interest who only shows flashes of just how wrong his character is going to go.

Even after Ruth's fall, the story is so gentle, putting Ruth among kind people who are willing to risk and sacrifice a lot to help her. And then the story gets almost too gentle--after some initial struggles with depression, Ruth resolves to bear her troubles patiently and work toward virtue, and her sweet, too-innocent character gets flattened out into someone who's just Good. Life just goes on, with things generally going well, and every potential turn toward drama results in someone deciding to be reasonable, which can make the story drag.

But, in a story like this, the lack of drama becomes the plot twist! It is refreshing to see characters who don't always jump to the worst conclusion or take the worst action, who pause and consider the whole story and act like decent human beings.

And in the places when the drama does kick in, it's good drama. Painful drama. It's also (especially in the last section of the story) melodrama. There were sections of the book where I was rolling my eyes at the cookie-cutter Victorian path the story was taking--but then there'd be one line or one moment that would just stab me in the chest because of how beautifully specific it was to this story. Just enough to elevate it from something bland to something unique and fascinating.

I often had the thought that this book could be about a third of its length without losing anything--yet it should also be just as long as it was. If the story cut all its repetitive musings about Ruth's regret, and used that space to develop the side characters and and show the plot instead of telling us about it, it would be a much deeper story. I found myself wishing Gaskell had reworked this one later in her career--the way that North and South was a more skillful reworking of the issues explored in Mary Barton. In a way, she sort of did in Wives and Daughters, with the story of Molly the quiet innocent getting tangled up in the intrigues surrounding her headstrong, flirtatious stepsister Cynthia serving as a more layered, personality-flipped version of the story where headstrong, sheltered Jemima gets tangled in the story of quiet, sweet Ruth and her past romantic intrigues. (The doctor at the end of the story also feels like a proto-Mr. Gibson).

Yet I'm still fascinated by the themes specific to this story. Contrary to expectation, this "fallen woman" story isn't about sex, or gender, or how unfairly women are treated (though it does touch on that in the end). It's about sin. It's not questioning why Ruth's behavior is considered a sin or looking to dismantle the society saying that it's a sin. It comes from the Christian perspective of saying that sin is real and harms people--so how are we going to deal with that?

The story shows lots of people struggling with temptation, failing, and dealing with the consequences (or harming others with the consequences). Sin is always a case of either not caring enough to do the more difficult, good thing, or a case of "the ends justify the means", where people rationalize their bad behavior as something necessary in this specific case. It always leads to harm, but some people--and some sins--suffer greater consequences in the eyes of the world, whether or not they deserve it. I wish the story had developed and resolved this theme better in places, but the raw material there is fascinating food for thought.

This book is Gaskell at her preachiest, but also Gaskell at her kindest. It explores deep, difficult issues in a very loving way. As a story, there are ways it could be better, but I'm very glad I read it. Perhaps I'm making a point to be kinder to it because I know it's the type of story that today's readers tend to judge harshly. But amid my issues with the story, there are some lovely images, some great messages, and some wonderful characters that going to be living in my heart for a long time.

[black-swan-ldr]

⋆౨ৎ˚⟡˖ ࣪

[deadpresidents]

What books have you been reading since your last update?

I don't remember what I shared with my last update, so apologies if I repeat anything, but these are some of the books I've read over the past couple months:

•An Unfinished Love Story: A Personal History of the 1960s by Doris Kearns Goodwin (BOOK | KINDLE | AUDIO) I'm actually still reading this new book by the legendary Doris Kearns Goodwin, so I still have a couple of chapters to go, but I can definitely recommend it. This is undoubtedly the most personal book that DKG has ever written, and it's a fascinating story.

•Charging a Tyrant: The Arraignment of Saddam Hussein by Greg Slavonic (BOOK | KINDLE)

•Life: My Story Through History by Pope Francis with Fabio Marchese Ragona (BOOK | KINDLE | AUDIO)

•George VI and Elizabeth: The Marriage That Saved the Monarchy by Sally Bedell Smith (BOOK | KINDLE | AUDIO)

•Byron: A Life in Ten Letters by Andrew Stauffer (BOOK | KINDLE)

•The Emperor: Downfall of an Autocrat by Ryszard Kapuscinski

•Homegrown: Timothy McVeigh and the Rise of Right-Wing Extremism by Jeffrey Toobin (BOOK | KINDLE | AUDIO)

•The Making of a Leader: The Formative Years of George C. Marshall by Josiah Bunting III (BOOK | KINDLE)

•The Year of the Three Kaisers: Bismarck and the German Succession, 1887-88 by J. Alden Nichols

•God Is Ever New: Meditations on Life, Love, and Freedom by Pope Benedict XVI (BOOK | KINDLE)

•Paul VI: The Divided Pope by Yves Chiron (BOOK | KINDLE)

•Buffalo Bill and the Mormons by Brent M. Rogers (BOOK | KINDLE)

•The Great Abolitionist: Charles Sumner and the Fight for a More Perfect Union by Stephen Puleo (BOOK | KINDLE | AUDIO)

•Macho Man: The Untamed, Unbelievable Life of Randy Savage by Jon Finkel (BOOK | KINDLE)

•Business Is About to Pick Up!: 50 Years of Wrestling in 50 Unforgettable Calls by Jim Ross with Paul O'Brien (BOOK | KINDLE | AUDIO)

•Zanzibar Was a Country: Exile and Citizenship Between East Africa and the Gulf by Nathaniel Mathews (BOOK | KINDLE)

[so-bitya]

the worst possibility for me is lizzy comes back and she's still just crying like... something about the movement in time in story vs the real world, but it has been over seven years!!! 💀💀💀💀💀

and I'm not one to put down my girl's emotional state, ok? like yana set up the mystery for the blue cult arc that way "why is lizzy crying?" and now we finally understand why girlie was in depression, but it has been... at least a couple months in story time!! 😭😭😭

cmon!! come to a conclusion already! i dont even care if it's the wrong one, but girl what are you gonna do, sit and take it or get up and fight??? stand up!!!

[catastrxblues]

rachel elizabeth dare defender til the day i die

[royalpain16]

Queen Elizabeth II, London October 1952

"Early on in her reign, the Queen made waves when she wore a black-and-white blazer-style dress at a royal viewing of the musical comedy Because You're Mine at the Empire Theatre in London. Magazines and newspapers quickly printed photos of Her Majesty in the Norman Hartnell gown, prompting manufacturers to produce replicas of the dress."

[dancepartyaroundthefairyring]

Reading p&p

And like, still don't understand why Lizzy got so upset that Darcy didn't know Jane liked Bingley when right at the beginning Charlotte even tells her it's hard for anyone but Lizzy to tell that Jane likes Bingley

Like girl you were warned by someone who has known your sister their whole life that it was hard to tell, how'd you expect the guy that's had maybe a few minutes interaction supposed to know?

To be honest, I'm with Darcy on this point. Mrs. Bennett made it all look waaay to mercenary and Jane did not help herself at all

[tortoisesshells]

66.

[wonder-worker]

"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."

-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty

[charlotte-of-wales]

2013 - 2023 ♡