#Elina Brotherus
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Elina Brotherus
Disguise Yourself as Another Object (Wallpaper), 2016
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In the Mirror (2007)
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Elina Brotherus (Finland, 29 April 1972)
Black Object, White Chair, 2016. Print 80 x 53 cm. After George Brecht, Three arrangements (black object - white chair), 1963
In 2016 at my nomination for the Prix Elysée, I started to use Fluxus event scores and other written instructions by artists as the basis of new work. Meaningless Work is a still on-going series...
https://www.elinabrotherus.com/still#/meaningless-work-2016/
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Selected works by Elina Brotherus https://thisispaper.com/mag/selected-works-elina-brotherus
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Elina Brotherus, ’Artist as Mirror’, 2019, pigment ink print, framed, 90 x 120 cm
Finnish photographer - Elina Brotherus (born 29 April 1972) is a video artist specializing in self-portraits and landscapes. Via Wikipedia
#ElinaBrotherus #Artist #Mirror #art #earthart #artbywomen #PalianShow #Brotherus #
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@lifeisartinblackandwhite
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Elina Brotherus
‘Artist and Model Reflected in a Mirror 1’, 2007
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IT’S THE 21ST CENTURY THAT EXPECTS EVERYTHING FROM YOU.
CURATED BY CHRISTIN MULLER FOR HAUNT GALLERY AS PART OF EMOP, BERLIN. 01.03.–29.03.2025
IT’S THE 21ST CENTURY THAT EXPECTS EVERYTHING FROM YOU
Viktoria Binschtok, Elina Brotherus, Peggy Buth, Yvon Chabrowski, Louisa Clement, Marsha Cottrell, Rebekka Deubner, Jan Paul Evers, Falk Haberkorn, Esther Hovers, Paul Hutchinson, Sven Johne, Julia Kissina, Simon Lehner, Marge Monko, Simon Norfolk, Barbara Probst, Anys Reimann, Adrian Sauer, Sarah Schönfeld, Fiete Stolte, Clare Strand, Rosemarie Trockel, Marion Scemama & David Wojnarowicz
Our present age is shaped by ideology and emotion. Digitization, climate change, and conflicts between societies and states are leading to political and social upheavals that impact individuals and the environment alike. The artists in this show reflect on experienced and anticipated processes of transformation; their carefully crafted images respond to the fast-paced visual media economy with new perspectives for facing the challenges of the early twenty-first century. How do we position ourselves in the present? What are the repercussions of social reorganization? How are urban and rural realities changing? And what is expected of us? The exhibition sheds light on these questions with photographic works by the Art’Us Collectors’ Collective, a non-profit association of private collectors committed to a lively culture of exhibition and communication.
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