#Eisa Davis

[ribbitingconversation]

AH-SHE-CA

AH-AH-SHE-CA

I think I finally understand what it’s like to be in a small fandom, Warriors musical fans where are you at?

[shiningnorthernlights]

going off wikipedia, in the warriors movie the gang reaches the park and ajax aggressively approaches a lone woman who turns out to be police. on the concept album, during the park at night, the girls are harassed by a policeman in disguise who keeps spitting textbook sexist rethoric at them (you'd look prettier if you'd smile) and ajax decides to take matters in her own hands and beats him up. said policeman is actually played by movie ajax and by attacking him, musical ajax, who's a woman, sets the record straight on a meta-narrative level: she calls out her male counterpart for his violence against a fellow woman, punishes him, avenges her- by doing this, she seeks absolution for her own self.

[threetrenchcoatsinatrenchcoat]

this is your daily reminder that Eisa Davis also wrote Warriors

even in the professional interviews i'm finding, everyone just wants to talk to LMM and talk about LMM, and he's pretty cool but we're not gonna forget a Black woman wrote half of this, yeah? we good? good

[thewhizzyhead]

how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

[kyleetryme]

a light or somthin'

[thatgenderfluidmonstrosity]

REUNION SQUARE

[q33rwitch]

no but like what if we called the fandom boppers

[dovesnroses]

“I think I see the light of somethin’…”

Lin, you son of a bitch, you got me again. I haven’t stopped listening to Warriors since 10/18. It’s a masterpiece. Listen here.

For your consideration, Swan and Mercy ❤️

[skulls-and-snakes]

Lauryn Hill as Cyrus is such a good choice because like having a hip-hop legend and pioneer as the leader that everyone else looks up to and tries to model themselves after, it's just so thematically sound

[yasqueenoftheharpies]

[rickyisntwatching]

When you woke up today you didn't think you could die, but you don't decide.

[sondheim-girly]

The way amber gray sings “no see I’m a problem child” send post

[sopaprimordialy]

HOLY SHIT.

[thewhizzyhead]

also side ramble time, it has already been established that misogyny has seeped through the other gangs' treatment of the warriors (I.e. "late night cosmetology class", repeated use of "girls" rather than calling them women, etc.). with that in mind, I find it very interesting and rather culturally relevant of the writers to have the hurricanes, the one and only gang that lets the warriors off the hook, to be a VOGUE-themed gang that explicitly features black queer individuals! It speaks volumes that amidst the animosity of most of the new york gangs, it was a gang with explicit african-american and latino queer culture through the ballroom scene-themes at the forefront that encourages the main diversion of the warriors (2024) from its predecessors: the recontextualization of the warriors fighting back ESPECIALLY NOW THAT THEY ARE WOMEN and that same changed thread leading to changed motivations and actions from ajax, fox, and hell even mercy as they go through the show.

like, it's a very very fucking nice thing to have the cultures and histories of resistance from the POC queer communities of NYC become the fuel for immense character (and thematic) growth in our version of warriors. Truly a song of resilience and solidarity amongst marginalized sectors

[kyleetryme]

warriors....save me.

[a-is-for-arson]

Listening to Warriors reminds me how strongly I support women's wrongs