#Eddie Munson parents

[allthingssteddie]

Eddie Munson is breaking into a home he thinks is empty but is surprised when he sees someone there in the living room holding a bat.

Backstory

So this would be like if Eddie never had gone to his uncles house. And his dad is arrested and needs to bail money so he’s been watching this neighborhood for a while and notices this one house nobody ever seems to be home and no one ever leaves or comes out so he immediately assumes no one’s home. But as he’s grabbing things and is about to leave he hears someone clear their throat and turns around to be greeted by a guy with a bat and he tries to explain him self but the guy has already put down the bat and they talk and the guy he now knows his name is and Steve is like why don’t you just ransom me and Eddie’s like shocked and he explains further that he’s the son of a district attorney and he could make money of him. And at first Eddie out right refused but Steve convinces him. From then on as Steve staying with him they both fall in love and in the end he’s questioning if he kidnapped Steve or if Steve kidnapped him.

[exilynn]

MY Eddie's headcanons parents!

Jane Elisabeth, the virgin rocker girl, nerd(!jane

Demeritus Alanfiero, the troublesome Italian-american guy who her falling in love(! al/ale

I've never felt that a headcanon about Eddie's parents in my fanfic (Echoes Nocteris) on wattpad) made such a powerful couple chemistry in a romance from they past. And the way she talks about him to Lily and Eddie, with nostalgia for the past, is different here. She knows the problems and all pain he caused her, but only with him was she able to love madly and conceber little Eddie years later...

About this headcanon, please, dont steal couple Idea)

First, 🦇 I don't want to romanticize Eddie's parents within the real fiction of his story in the series(st4), but within my fanfic, there will be forgiveness first and loves that maybe were never so dormant after all... but I promise that after all the pain, there will be a happy ending

Here the short letter of Eddie's dad for Jane(Eddie's mom) in chapter33

"Within your heart, the flame; upon your lips, Eden. You hated me at first sight. We didn't have a conventional love, but you accepted my 'criminal' and frightening side as a teenage rockstar. Solar ElyJane, the virgin rocker girl, nerd. Demeritus Alessandro, the troubled Italo-American boy you fell for. After the hate subsided, remember jumping into my van with the same excuse? You said your intolerant religious parents were unbearable, and I laughed. I told you to let them bask in the illusion of their own faith. Ignorance somehow brought us together; while your father hated me, mine kicked me out!

But you understood me, and I was able to embrace your demons. We had repeated nights of love inside that van, but it never went beyond that. Between hate and love? I remember seeing you on campus, telling my friends, 'That hottie is gonna be mine, guys.' You fell for me like a fish on my hook, baby. Then, when you talked about having our first child, I choked as I opened my pack of Camels. Your eyes hypnotized me, and then I said, 'What's gotten into you, don't you want to enjoy life?' You looked at me with teary eyes: 'I want to seal my existence with an eternal bond of our love, Demeritus!' I thought it was madness, but weeks passed and not seeing you at school was killing me. I went after you, we started dating in 1995, and Eddie would be born later. You were seventeen and I was of legal age. When you told about the pregnancy, your father hunted me through the backyard with a Russian Makarov. Hilarious how life brought me this gift between 1996 and 1997. A boy in my face, the brat was a spitting image of me. But I swore that, despite my bad reputation, I would love you beyond this universe!

And I would be the father Eddie didn't expect, but would look upon with admiration, because some good part of me the boy would bring...

With love, Al.

[sweetmariihs2]

Guys, just found a pic that represents for me exactly how Eddie would look in middle school. And no, it's not one of these pics of joe with a shaved head

I found this on pinterest, it just showed up

apparently this is a childhood pic of an actor called Benjamin Wadsworth, i don't know him, but ok

that looks so so so so so so much like the younger Eddie i had in my head. i hope y'all think the same or i'm just crazy idk

shaved head, sticking his tongue out, troublemaker, almost killing the dog? yea it's him

it looks a little like those childhood joe's pics but i don't agree with posting them since it doesn't respect his privacy, so like, unfortunately it's on the internet, and everyone can see but still i don't wanna repost it.

anyways that's joe with a shaved head, if you didn't see it before (you probably did)

but of course he doesn't look like he's in middle school, he was already in his 20's when he recorded Kin

i understand why it took so long for chrissy to remember it was him

[dwobbitfromtheshire]

Ugh, I just came up with a background for Eddie's parents, and it's perfect, but it's TOO sad. I can't even finish the one shot I was writing for it. It's making me so angsty! I am literally crying over my own headcanon! 🤧

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[bigskyandthecoldgun]

steddie fake dating au that starts because robin’s mom keeps pushing for her and steve to get together and robin gets so fed up that she yells, “it’s not gonna happen because some people are gay, mom!”

and upon seeing the utter horror and fear on her face, steve swoops in and says he’s the one who’s gay. cue mr. and mrs. buckley, local hippies, attempting to show how supportive they are, and all the while steve gets eddie to agree to fake date to get the buckleys to prove they’re safe, so that robin will feel comfortable enough to come out to her parents.

[morganbritton132]

Steve: I actually met your uncle once before we were introduced. Like before the upside down stuff

Eddie: Really?

Steve: Yeah, it’s a funny story. He bought me cereal.

Eddie: …why? Or like, when?

Steve: Uh, it was in between me being too old to have a babysitter when my parents went out of town but not responsible enough to have a credit card. So like, I was nine or ten?

Eddie, to himself: That’s not old enough to be left alone

Steve: My parents used to just leave me cash but sometimes their trips ran over or they were delayed, and in the beginning, I didn’t really know how to budget.

Steve: This one time, their flight got delayed for a couple days or something and I ran out of money, and then I ran out of food so I had to break into my piggy bank.

Steve: I didn’t have the foresight to count my money at home and I guess I was taking too long at the counter-

Eddie: Because you were nine years old

Steve: -‘cause Wayne told me to put my money away and paid for my cheerios.

Steve: I don’t think I even said thank you, man. He tried to talk to me outside the store but I thought he looked scary so I ran away.

Steve: Real Kevin McCallister stuff.

Eddie:

Eddie: Baby?

Steve: Yeah

Eddie: What part of that was supposed to be funny?

Steve: ….Hmph, good point

[lilpomelito]

In a series of events that absolutely nobody could have predicted, Steve’s parents adore Eddie. Richard thinks he’s witty and sharp, a breath of fresh air for a man stuck in endless meetings with corporate egos. Linda laughed so hard the first time they invited him to dinner, she cried. Nobody is more surprised than Steve, who brought his alternative high school dropout boyfriend to his parents almost as an act of late teenage rebellion. But hilariously, Eddie’s fun personality and his disdain for everything mainstream makes him catnip for rich pretentious people. They bond over their hatred of the idiosyncrasy of middle class small town people in America, everyone is so closed minded and average, you know? No ambition, nothing! And this guy is a rockstar, Steve!, they say. You could use some of that ambition yourself! Have some goals in life!

It’s almost insulting. Like that’s his boyfriend. They can’t like him more than he does!! But Steve even caught his mom smoking pot with Eddie in the porch after dinner one time, which was insane to him since the last time they caught him doing exactly that Steve had been grounded for a week. You were 16 Steve, and a star athlete, we couldn’t have you smoking in the house, she argued. And Eddie, the treacherous man that he was, agreed with her. How would you feel if Dustin started smoking, huh?

In retrospective, Steve should have seen this coming. His parents hate Hawkins people as much as Eddie does, they do everything in their power to be away from town as much as it’s physically possible without actually moving away. They’ve had the “moving to another state” conversation several times already, and it’s been Steve who refused every time. The entire fight about Steve not getting into any college had been more about having to stay in Hawkins than anything else. But of course, his boyfriend who is literally everything this town hates in a person would be exactly what his parents like. No bond is stronger than the one between people who hate the same things.

[artiststarme]

One day the kids wake up and they can’t find Steve. They search his house, the school track, the basketball courts, anywhere they can think of where they might find him and he’s nowhere to be found. When they go to Robin’s house, she’s missing too. Her parents haven’t seen her since she disgraced their family by proclaiming herself to be a lesbian.

Even Eddie hasn’t seen either of them and that’s particularly worrying since the three of them are always together.

Both Steve and Robin come back two weeks later with sunburns and matching tattoos on their wrists. They had been at one of the Harrington vacation homes in Florida getting drunk, checking out girls, and getting tattoos. It’s also when Steve realized he was interested in Eddie and plants a smooch on him as soon as he gets back to see Eddie checking out his ass.

[wuffgang-ameowdeus-moozart]

obsessed with the idea that as soon Steve Harrington realizes that he is bi he skips over the internalized homophobia and the denial and goes straight (not! lol) to boyfriend. He tells Robin he has a crush on Eddie while he drives her to school in the morning and by the time they have their shift in the afternoon he is already Wayne's son in law. He gets over the whole crisis stuff in like 5 mins and panics instead over where he will take Eddie on their first date. He realized he really wants to run his hands through Eddie's hair (in a gay way) and half an hour later he already has his tongue down his throat.

[allthingssteddie]

How I imagined Eddie’s parents to look like 🫶🏻

[afewproblems]

Having depressing Steve Harrington Whump thoughts this sunny Sunday morning.

I usually headcanon Steve's parents as being neglectful and absent given their lack of screen presence in the show and thought about Steve grappling with this throughout his childhood.

Being left alone for days and eventually weeks at a time, starting much younger than was appropriate, but it was the era of latchkey kids and Richard and Darleen Harrington assumed Steve was capable enough to not really need watching. The house never burned down.

Their son was fine.

And Steve would be the first person to agree, to smile wanely while the migraines pounded in his head, a parting gift from Billy Hargrove and the and Russians. He was fine.

It was fine.

Until the spring of 1986 when all Hell literally broke loose.

During the last events of the Upside Down and the earthquakes that almost decimated Hawkins, the Harringtons finally come back to town, horrified to be called in from Indianapolis by the charge nurse at Hawkins General Hospital.

Their relationship does get a little better after nearly losing their only son. They don't talk about it, the lost years of quality time, but Steve has made begrudging peace with it and is happy to have them around now for family dinners and the holidays.

They are even fairly good about his relationship with Eddie once he finally comes out. Richard takes a little longer to warm up to the idea, but Darleen seems determined not to lose Steve again.

And things are fine for awhile, the four of them have found an equilibrium amongst each other. Richard busies himself with offering to help with repairs around their house as needed, the leaky sink in their guest bath or the backdoor that was never hung correctly. While Darleen is always quick to bring over a new recipe for them all to try at the next family dinner.

They don't talk about the fact that this is the most home cooking Steve has ever experienced in his 30 years of life or that he didn't know his dad even owned a screwdriver.

But it's fine.

They manage.

It's only after the adoption of their daughter that Steve begins to notice the changes in his parents in a way that makes his chest feel tight.

"I just, I don't get it," Steve says quietly to Eddie one summer day. Richard and Darleen are out in the yard with Abigail, playing in the sun. Abigail shakes a flower from the garden in Richard's face while he pretends to sneeze exaggeratedly, making Abigail break into peals of laughter.

Eddie frowns at Steve, watching as he crosses his arms tightly around himself.

"There has to be something going on, it doesn't make any sense how they're being with her," Steve bites out eventually. He lifts a trembling hand to his hair and tugs harshly at the roots.

"Okay woah woah," Eddie says slowly as he stops forward and gently coaxes Steve's hands away from his hair, "Stevie, sweetheart, I don't understand".

Eddie watches as Steve's gaze travels out the window once more to see Darleen lift their giggling baby girl above her head before lowering Abigail to pepper kisses all over her cheeks. Eddie smiles at the sight but it quickly vanishes as he looks back at Steve who is looking longingly at his mother.

"Because," Steve says, his voice catches on the growing lump in his throat, "if they were always capable of this, of being there, then why couldn't they do that for me?"

[livwritesstuff]

Honestly, Eddie doesn’t know why it had taken so long for him to realize his and Steve’s children could understand the shit that came out of his mouth.

(It took an embarrassingly long amount of time).

Even when Moe’s third or fourth word was fuck, he didn’t realize it (and she was using it mostly correctly too, which should have been a serious flag, but nope).

What made him realize it was when they started repeating the shit that came out of his mouth. 

To strangers.

In public.

The first time Eddie had been really caught off guard by something one of his daughters said was when Moe, who was three at the time, had proudly announced to an unsuspecting grocery store cashier, “Daddy says my Papa’s a DILF!”

And, like, Eddie had just heard the term for the first time, and obviously he was goddamn delighted by it because…duh. Steve. 

It just hadn’t occurred to him that his toddler might have caught it too, but little pitchers have big ears, or so the proverb suggests, and Eddie had taken it as a wake-up call that Moe isn’t a baby anymore (tragic as it may be).

He’s not the only problem though – Steve is just as bad, (if not worse, because he really doesn’t bother to check where their kids are before he starts running his mouth).

One particularly damning incident was at a restaurant, which is something they don’t even do all that often because, seriously, going to a restaurant with very young kids should be an Olympic event or something.

(The last time they all went out to eat, Nancy and Robin had made a drinking game out of all the times Steve and Eddie had to take a child to the bathroom and ended up so far gone that Eddie had needed to drive them home).

The incident started with the waitress asking, “Can I get you started with anything to drink?”

And it had ended with four-year-old Moe confidently announcing, “My Papa needs a fucking margarita.”

Thank god, the waitress had been a twenty-something college student and thought it was hilarious, but Steve had still been completely mortified.

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[lazylittledragon]

psspsps come get your alt dads

[solarmorrigan]

Wait hold on I'm having a thought

We have rock star Eddie whose dreams take off and who starts going on tour, and we have Steve who misses him while he's away and would love to tag along, except -

He'd grown up watching his father go on business trips (and "business trips") and watching his mother eventually start traveling with him because she didn't trust him

He'd watched his father start to resent his mother and call her overbearing and jealous and controlling, and he doesn't want the same thing to happen between him and Eddie. He doesn't want Eddie to think that he doesn't trust him, or to seem like he's hovering and trying to keep Eddie on some kind of short leash

It takes time for him to realize that Eddie wants him to take an interest in that part of his life. He wants Steve along on his tours, if Steve wants to come, because he loves him and he misses him while he's away, too

It takes time for him to realize that his parents' model of marriage doesn't have to be his own, and with every song Eddie dedicates to "someone special in the audience," with every party he keeps glued to Steve's side through, with every secret smile he aims backstage during a performance, Steve's worries that Eddie is only humoring him (or, worse, harboring some secret resentment) melt away

He isn't a weight around Eddie's neck and he isn't merely tolerated - he's welcomed, and wanted, and loved