#EdWin theatre AU

[terresdebrume]

AU concept: Dead Queer Boy Eye

The cast:

(All cast ages are how old they are for season 1)

Edwin Payne, 34, design specialist. Grew up in a wealthy family that couldn't make space for his autism, went through a period of acute depression as a young adult as a response to the trauma of constant homophobic & ableist bullying and masking in upper secondary. Occasionally socially awkward but covers it up with faux arrogance. Meets Charles during compatibility tests for Queer Eye and falls in love instantly.

Thomas King, 36, grooming expert. Grew up in Port Townsend in a working class family with four siblings (he's the middle child), also faced some bullying. Got into theatre and make up young, moved to London for a job on the West End and never left. Met Charles in the Tube when Charles helped him shake off a guy who didn't like that he was wearing a skirt.

Charles Rowland, 34, food & wine. Ran away from home at 16 to escape a violent home, met Crystal Palace soon after and ended up having a son with her at 18. Extremely repressed bisexual who only really accepted his sexuality around age 27-28, in great part through his friendship with Thomas. He hasn't had any contact with his parents since he left them.

Niko Sasaki, 33, fashion expert. Japanese young man who studied in America from high school on and made his business first as a personal shopper and then as the founder of a clothing line. Comes out as a trans woman after the second season of the show and stays as part of the cast afterwards. Bonds with Edwin over both being autistic.

Mick O'Leary, 55, culture/life coach. Licensed therapist from a long line of longshoremen and also a leather daddy who was a pillar of his local queer community and believes he can help more people through participating in the show. Also in charge of a 3mn Queer Culture segment at the end of each episode. Adopts the others like the kids he never had.

The plot:

It is the second episode of season 3. The hero of the week is a heroine: Ms. Amarita Sandhu*, 54, nominated by her 18 year old daughter Diana. Amarita moved into the neighborhood two years ago following the death of her husband, who was the love of her life, and immediately became invaluable to the ageing residents of her street. When she isn't working as a secretary in the local doctor's office, she helps her neighbours with their groceries, cleaning, and personal lives. Outside of that, she mostly stays home and cleans or watches TV on the couch, or goes for an early night. Amarita's old hobbies all involved her husband and she stopped practicing them when he died, which makes Diana worry that she will be even more isolated once she leaves for university in the autumn. The Fab Five's mission this week is to help Amarita network outside of her neighbourhood!

The Fab Five meet a new hero, and none of them is as shocked as Charles when it turns out that Ms. Amarita Sandhu was once better known as Mrs. Mary Rowland. It's lucky Charles can rely on his colleagues and friends, especially Edwin, even if he can't help but get a little overwhelmed everytime Edwin hugs him better.

* The maiden name Sandhu is an homage to Halcyon Days by cordelianoir on AO3 which I encourage you to go read.

[doctorhelena]

Doctorhelena’s 2022 Fanfic/Fanart Roundup

It’s that time of year again! Here is my annual fanfic/fanart roundup. (And here are the 2018,  2019, 2020, and 2021 versions!)

This year I posted:

7 different stories (including two drabble collections), with a total of 49,901 words 

10 different pieces of fanart!

and 4 Action Figure Adventures, which are - also some content I created. 😂

Fanfic:

1. All I Want For Christmas (Peggy Carter / Steve Rogers) - 22649 words Perhaps this was what settling down looked like, to them.

2. Caps out of The Bag (Peggy Carter / Steve Rogers) - 9277 words Captain America and Captain Carter have been successfully hiding their romantic relationship for just over a year. Until today.

3. Comfort and Joy: The Lost Chapter (Peggy Carter / Steve Rogers) - 6042 words Chapter 9.5: In Which A Scandal is Averted and a Mission Prepared For

4. Between the Acres of the Rye (Peggy Carter / Steve Rogers) - 5606 words “Hey, Barnes stole a jeep! Come on, Steve, let's go! You, too, Carter.”

5. A Stutter in Time, chapter 15 (Peggy Carter / Steve Rogers) - 4327 words (in this chapter) 1945 Peggy Carter appears in Tony Stark’s lab, and immediately throws a wrench into everything.

6. "I’ve Got the Shield. You’ve Got the Sword" (A Collection of PeggyNat Drabbles) (Peggy Carter / Natasha Romanoff) - 1000 words PeggyNat drabbles written for the Wednesday 100 Drabble challenge on Tumblr.

7. One Hundred Words to Say "I Love You" (A Collection of Steggy Drabbles) (Peggy Carter / Steve Rogers) - 1000 words Steggy drabbles written for the Wednesday 100 Drabble Challenge on Tumblr.

Fanart:

1. Battle of the Blades (Steggy) A figure skating AU (and fic preview!)

2. “Howard, I’m going to kill you for making me wear this bloody hat.” (Peggy Carter) A celebration of Peggy’s 101st (or possibly 103rd) birthday

3. “I assure you, Private, this is not what it looks like.” (Steggy) Peggy and Steve “getting office supplies” during the war.

4. “I spent three years in the mud of the European Theatre… the Eastern Front, the Western Front, and everything in between." (Steggy, Howling Commandos) A quiet moment around the campfire.

5. Washington DC SSR Chief Peggy Carter, her mysterious husband Grant, and their possible spy baby Jane. (Steggy) A family portrait (and fic illustration!)

6. What If… Captain Carter Had Met Bernard Stark? (Peggy Carter, Natasha Romanoff, Edwin Jarvis, Bernard The Flamingo) “Bernard in accounting was asking about you.”

7.  “Peggy donned a floppy brimmed hat trimmed with red ribbon, candy-apple colored sunglasses and a new two-piece bathing suit decorated with cherries.” (Peggy Carter, off-screen Steggy) Peggy and her toddler daughter looking fabulous on the beach (a fic illustration!)

8. “I could finish this a lot faster if I didn’t keep getting kicked.” (Steggy) Steve, a very pregnant Peggy, and a Halloween art project.

9. Captain Carter and the Christmas Alligator (Peggy Carter) A Little Golden Book written and illustrated by Steve Rogers (a fic illustration!)

9. Cozy Christmas Eve (Steggy) Peggy and Steve enjoy some much-deserved Christmas Eve downtime.

Action Figure Adventures:

1. “I can do this all day.” (Steggy)

2.  “So, any plans for Saturday night?” (PeggyNat)

3.  “Public displays of affection make people very uncomfortable.” (PeggyNat)

4.  “I’ve got the shield. You’ve got the sword.” (PeggyNat)

(Yeah, I don’t know what these are. Basically, playing with Barbies out loud, I guess. 😂)

[ao3feed-hadestown]

Through the cracks

https://ift.tt/5Zg6IEJ by captaincornwall And, look, Edwin was a grown up. He had dealt with character bleed before: the way the lines become blurred, when you spent all your working life falling in love with someone, and then had to go back to being pals the moment the curtain fell. He knew how to deal with it – mostly. But with Charles, something was different. Charles didn’t seem to think that Edwin was strange or cold or withdrawn. He looked at Edwin with big shiny eyes and hung over his shoulder to share a bag of crisps and ruffled his hair and said “You’re brills, you are”, and Edwin’s lonely little heart did a shuddering flip, and that was it. He was fucked.   WEST END AU. Charles and Edwin meet when they're cast as the leads in West End Hadestown. Things deteriorate from there. Words: 4119, Chapters: 1/6, Language: English Fandoms: Dead Boy Detectives (TV), Hadestown - Mitchell Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Categories: M/M Characters: Edwin Paine | Edwin Payne, Charles Rowland (DCU) Relationships: Edwin Paine | Edwin Payne/Charles Rowland Additional Tags: Angst, musical theatre, AU, West End Actors, POV Edwin Paine | Edwin Payne, Touch-Starved Edwin Paine | Edwin Payne, Pining, Heyyy what if the DBDs were in Hadestown, Double the drama! Double the angst! double the musical numbers!, Alternate Universe - Actors via AO3 works tagged 'Hadestown - Mitchell' https://ift.tt/exsz3Bj

[ijustreallylikecaptainamericaok]

And that’s a wrap on Agent Carter Bingo! I may not have gotten as much done as I would’ve liked, but it was still great to finally get a chance to make stuff for these characters/ships that I love so much. If this runs again in the future, I will definitely take another crack at it, lol.

Many thanks to the @agentcarterbingo​ mods for running this event!

Opening Night (AO3 / Tumblr) G/General; Peggy/Angie; Drabble/Moodboard; Nervous Backstage buzzed with nervous excitement, so no one gave a second thought to Angie’s pacing. 

The Charm (AO3 / Tumblr) G/General; Peggy/Jason; Moodboard; “I love you.” A third chance at three small words.

In Good Company (AO3 / Tumblr) G/General; Peggy/Steve/Angie; Moodboard; Modern AU She was prepared to help a theatre company struggling after the loss of its eponymous founder, but...

Easy Pieces (AO3 / Tumblr)   G/General; Peggy/Ana/Edwin; Moodboard; Puzzle Their happiness felt so complete.

[that-crazy-five-foot-two-chick]

Rating: G cuz I got nothin.

Word count: 873

Summary: Winry wheedled Ed into trying out for the musical with her. He agreed, assuming he could back out after auditions. And then he got the lead. OR Putting the drama in drama class, ft. pettiness, stage kissing, and applying stage makeup for friends that are totally just friends

Winry ran up to Edward, gasping for breath and grinning. "Ed! Did you see the cast list yet?"

Ed frowned. "Cast list? I thought I'd be able to back out after the stupid audition."

Winry groaned and rolled her eyes. "Back out? No, dummy, if you audition, you're asking to be considered for a role, and you take what you get. Now are you going to look or do I have to give you the news myself?"

"What do I care? It's not like I got anything special. I wasn't even trying that hard."

She put her hands on her hips. "So you're telling me that you weren't even trying at the audition and somehow got the lead?"

"I what?!"

"You got the lead, Ed! You're Curly!"

"No! This is all a big mistake! I don't know how to act! And who wants to play a guy with a stupid name like Curly, anyway?"

"Like, every guy that tried out," Winry said bluntly.

"Ugh, this is gonna be a nightmare. What about you, gearhead? You're the one who actually wanted to try out. Did you make it in?"

"Oh, I'm just one of the extras, but I'm not complaining too much. I've got so much homework from my A.P. classes, I hardly even know left from right anymore. Having that many lines to memorize probably wouldn't be good for my health," she said with a laugh.

"But you were actually trying out seriously! And I've heard you sing. If I had any say in it, you'd get the lead role, not me," Ed huffed.

"I'm not that good, Ed. Besides, it's way harder to get any kind of lead as a girl."

"Why?"

Winry sighed. "You know nothing about theatre, do you? Barely any guys ever try out, but there are always a ton of girls."

"Their loss, then. You're going to be an amazing whatever-you-are."

"Well, I think you're going to blow everyone away as Curly. At least, as long as you actually try to do a good job," she said, raising an eyebrow.

*****

"I still can't believe Brother is actually in the musical. I didn't think he'd touch the theatre department with a ten-foot pole," Alphonse remarked. "Have you gotten the scripts yet?"

"Yeah, we just got them yesterday," Winry said. "I take it he hasn't even looked at the script yet?"

"If he has, he hasn't told me," Al sighed. "So...I don't know about the stage version, but I know in the movie for Oklahoma!, they kiss. Are we gonna tell him or just let him find out when he reads the script himself?"

"They WHAT?!" Ed screeched as he whipped open the door. "Nope, I'm not doing it. I don't care what Ms. Catalina says. I'm not kissing some random girl!"

Winry dragged a hand over her face. "Ed, can you not be stubborn for once, if that's all it is? Ms. Catalina's got enough on her plate as it is without you making the rehearsals more complicated. It's not like this is the only class she teaches. I know it's not ideal, but it's just a quick peck. Unless...are you nervous because it's your first kiss or something?"

"No! It's not my first—ugh, fine, I'll do it. But it doesn't mean I'm not gonna wanna vomit afterwards." Ed averted his eyes as the color on his cheeks betrayed his feelings.

"As long as you stay in character, no one's going to complain." Winry shrugged, then fully processed what he had said. "Wait a second, what do you mean it won't be your first? Who else did you kiss?"

"Don't—dont worry about it. I said I'd do it. Anyways, I've got a lot of calc homework. I'll be in my room," Ed stuttered out.

If Winry didn't remember, Ed sure wasn't going to tell her. It's not like it counted for much, anyway. They were only seven, after all. At seven, no one can turn down a double dog dare, and Russell laughed at Ed right after he did it. But even so, Ed couldn't help but kiss her softly.

He vaguely remembered Russell sneering in the background, "Oooooh, I knew you had a crush on Winry! Wait till I tell Fletcher!" Ed would have chased him down and tackled him, too, if Winry's face hadn't made him pause.

Even ten years later, Ed couldn't forget how her little mouth formed into an 'o' as her eyes opened wide and her cheeks that were still a little chubby turned pink. Of course, he'd been a coward and run away right after that, but he remembered it all the same.

Did he want to kiss her now that he was in high school? Of course not—probably. Well, it'd at least be better to know what he was dealing with. Known factors and all that. What if the girl who played Laurey was a super slobbery kisser? Yuck. Even worse, what if he was the bad kisser? Maybe he should research how to be a good kisser… So that he would be good at his role, of course. Yeah. It was going to make for an awkward browsing history, though. Maybe he should go incognito…

A/N: It was supposed to be short. And then I finished this part and stopped and said "this is almost scratching 1k and I've barely even started it yet. This is just gonna be a multichapter now." Might only be two chapters, but we'll see...

[splendidshinobi]

FULLMETAL ALCHEMIST 2003 LIVE REACT: EPISODES 6-10

back at it again with the white vans

episode 6: the alchemy exam

alrighty then

um mustang calling edward “ed” is EXTREMELY offputting

ohhhhhhh noooooo not shou tucker

FUCK

im wholly unprepared

them all being in central instead of east is low key jarring like my brain isnt computing it

alexander’s intro is basically the same 

nina bbyyyyy girl u deserved so much better

ed is such a fucking nerd...chemistry club modern au confirmed

god the more tucker talks the more i wanna beat his face in

al pretending to eat by tossing a potato in his armor i-

aww theyre playing in the snow theyre so pure

wonder how long thatll last

“bigger brother” and “little big brother” and ed doesnt even get mad

ed’s birthday party????????

A MELON? ED YOURE SO RUDE

so 03 had ed’s bday instead of elicia’s...CAUSE THEY GOT ELICIA IN THE WOMB

“it’s here!” “the tea?” “the baby!” hughes is a fuck head

ok so now they’re having elicia replace rush valley baby arc

this was winry’s time to shine in fmab i miss her 

if winry isnt here who is gonna birth this baby

oh my god they just realized ed can use alchemy without a circle

no wonder he’s been using circles this whole time

SO ELICIA JUST POPPED OUT????? WHAT

STUFF ALEXANDER IN THE ARMOR AND PRETEND YOURE A TALKING DOG???

“i dont think thats very funny” NO ALPHONSE IT IS NOT

THEY KNEW EXACTLY WHAT THEY WERE DOING WITH THAT ONE I SWEAR TO GOD IN THIS ESSAY I WILL

damn bradley what up homie

im so thrown off by the way theyre doing the exam omg

seriously what the hell is fuhrer bradley’s purpose right now is he even the fuhrer in this i feel like they wouldve mentioned it

oh lord ed is about to impress everyone with his clappy hands

ok so next episode is nina FUCK

episode 7: night of the chimera’s cry

havoc babeeee

im gonna marry him my himbo king

also can RIZA DO SOMETHING PLZ

“huhhhhhhhh nina” ew tucker that was weirdly gross

wonder why

cant do it cant do it

do we think jean kirstein was modeled after jean havoc slightly looks wise

was that purposeful 

ill have to google 

serial killer who only targets women?  it cant be scar...scar drinks respect women juice

barry or slicer bros maybe? um ok

why did we start with liore if they were just gonna hop right back into the past for a huge chunk of episodes idk

assessment day??? oh noodles

AL WHY DID YOU TELL TUCKER TO MAKE ANOTHER TALKING CHIMERA ALPHONSE NO

THE NOISE I EMITTED IM GONNA TAKE A LAP

im gonna FUCKING SCREAM

ed r u writing to winry??? that’s a bit out of character for u good sir

no tucker put that baby down

im gonna fucking SCREAM

aww he burned nina’s picture thats not sus at all

SHESKA!!!!!

wait does the ironblood alchemist know what tucker did to his wife? thats kinda the vibe im getting

SCARRRRRRRR

looking like a pirate too damn

his voice sounds different is that j michael tatum 

apparently not it was dameon clarke in 03 ya learn something new everyday 

ew elicia has a lot of hair for a FUCKING NEWBORN

ed really is such a cynic very suspicious of everyone as he should be really

basque grand knowS SOMETHING

oh jesus oh fuck oh god please do not TOUCH THAT BABY

ed and al snuck back in to the house well u know what its for the best

OHHHHHHHHHHHHHHHHHHHHHHH NOOOOOOOOOOOOOO

im gonna cry again please god no

FUCKING DIE SHIT HOLE

she’s hurting? oh my god

my sweet angel

ew his eyes!!!!!!! 

tucker is such a fucking failure...like look at the chimera squad and greed’s theatre troupe being the way they are. ugh it really hits how fucking unfair it is 

ed was really about to split them? boy you know better

where is nina going...im hurting

ed really tried to save her in this one

SCAR KILLS NINA IN THE STREETS???????? SIR

thats different

oh snap 

oh FUCK

SCAR WHY DID YOU LEAVE HER BODY LIKE THAT

THE WAY SHE WAS ARRANGED ON THE WALL THAT WAS FUCKED UP

AND THEY FOUND HER LIKE THAT???? AT LEAST IN BROTHERHOOD THEY DIDNT HVE TO SEE HER CORPSE ARE YOU SHITTING ME?

that was fucked.

episode 8: the philosopher’s stone

can yall get ed and al away from nina’s fucking MURAL 

get out of the car mustang

finally jesus christ

roy mustang talking about healthy coping mechanisms dont make me laugh but alright baby boy go off i guess?

im curious about who this goddamn serial killer is though lets turn to that plot thread

r u kidding me

mustang is making ed and al take over tucker’s research?? thats actually wildly messed up

oh tucker was straight executed that’s a choice i guess

tucker and the philosopher’s stone sounds inaccurate but ok

ed please stop being mean to your brother

03 mustang has got me reaching for a fucking baseball bat on GOD

scar and edward having this conversation right now i literally cannot

WINRY yes bitch

BRADLEY WHAT IN TARNATION

JESUS LORRRRRRDDDDDDDDDDDD

alphonse shut your mouthhhhhhhhhhh

im so confused what is bradley up to

“alchemists are not cold blooded murderers?”

i mean

kimblee would beg to differ for one

whos this creepy lady 

her voice sounds familiar

barry’s food shop?

the killer is barry ok got it

IS BARRY DISGUISED AS A WOMAN

I KNEW THAT WAS JERRY JEWELL’S VOICE

WELL I KNEW IT SOUNDED FAMILIAR AT LEAST

WINRY GET OUT OF THE FUCKING TRUCk

has PINAKO TAUGHT YOU NOTHING

ok so i VASTLY prefer suit of armor original manga canon barry

this is such an odd plot what in fuck

um OW the meat cleaver

im so confused this fucking plotline

oh hey alphonse nice of you to show up!

is barry still gonna become a suit of armor later on

it makes NO SENSE to introduce him otherwise 

everytime i see 03 mustang i wanna beat his ass HONESTLY

literally i will shove my foot up his ass

fullmetal here we go

ed thinks he’s so punk rock 

oh great scar’s seen the watch

episode 9: be thou for the people

ed you simp buying winry all this stuff my edwin heart is ascending

SIMP SIMP SIMP

“mr. elric”?? you mean MAJOR ELRIC

to be fair though fuck the military

YOUSWELL??? oh LORD

im gonna need to read a full chronology of this show

 alphonse continues to be a precious angel 

where’s my boy yoki!!!!!

edward you idiot don’t go flaunting your money

woof woof ed

al looks so offended by ed saying they just met

whereas in brotherhood didnt he totally throw ed under the bus??? 

a choice to be sure

ah there he is hello yoki

who’s the chick

shes a lesbian

yoki makes me miss my baby girl mei chang

mei where r u

WAS THIS MILITARY DUDE REALLY ABOUT TO CUT DOWN A CHILD??? oh my god

hawkeye getting a promotion yes bby girl

jesus theyre transferring them to east now OKKKKKAY thats not how it happened it the book but ill take it....just doing it the opposite way i guess

who is lyra who is she

cute some military bribery 

umm lyra what the fuck did you do

lyra is a homunculus im callin it now

they definitely invented/changed up some homunculi in fact im certain they did and shes one of em. gotta be

i feel like 03 wrote ed as much more insensitive towards others than he really is...just a vibe im getting

i know he was faking for the townspeople’s sake but i still get this vibe from other instances 

i mean i cant say its not “canon” because its 03 canon

anyways what a show off

i cant believe theyre going to east...fuery and breda better be there

ok finally some answers on their ages....ed got his license at 12 like normal and nina and youswell were when he was 12...liore was 15, 

if they didnt flash the ages on the screen id be lost honestly

at least we’re back up to “present day”

episode 10: the phantom thief

ed saying he doesnt wanna see mustang

same

03 mustang is activating my fight or flight and im choosing fight

ed cheating at cards totally checks out

um who the fuck is this woman

what is she wearing

SERIOUSLY WHAT IS THAT CUTOUT MAAM HOW DO YOUR C**CHY LIPS NOT POKE OUT

idk but this is fem!hisoka

“hey shouldnt we talk first” after getting handcuffed??? christ almighty these innuendos

siren??????? siren is probably also a “fake” homunculus

ugh

ok so the nurse is siren

ya aint slick girly

alphonse control your crush

I REFUSE!!!! ALMEI RIGHTS

why is al’s hair so brown in this flashback anywayssss

oh its spelled psiren ope

like she’s literally a batman villain...

oh my god...............the tiddy grab. my son would never

my son is respectful

is this her homunculus tat or just a random alchemy tat

the added plotlines and original content continue to confuse and astound me every single time....

ok but if psiren really was doing this for the hospital she wouldnt be so flashy about it. like thats how you get caught sweet cheeks

girly stop flirting with this child on god im gonna fucking kick you

now shes a nun????????????????

Shes a fucking troll i hate her

im going to kick alphonse into the sun 

oh great now shes a teacher

wow shes a savior. the savior of amestrian venice. greatttttt

ed looking exactly like this emoji on this gondola rn 🧍‍♀️

STOP FLIRTING WITH THE CHILD 

GOD THIS IS SO BATMAN VILLAIN ESQUE

alphonse plzzzzzzzzzz she aint your girl

ok so probably not the last we see of this ding dong con artist

ok so its starting to get muddy. im scared the 03 stans are gonna come after me like i do like it and im having fun watching it but some of the plot and characterization choices are just....odd??? idk i gotta keep going though!! im sorry i just stan arakawa and her work in all her glory!!!

[ao3feed-danielsousa]

Watching The Future?

read it on the AO3 at https://ift.tt/WjwEFYo

by mcuxspntribrid

Agent Carter and Co. are brought into a movie theatre to watch the future!

This is an au! Steve Rogers is Tony’s son. So it will most likely by center around them. Time travel is involve that’s all you need to know. I’m thinking of doing a crossover with the Arrowverse, mostly the Legends of Tomorrow.

Words: 555, Chapters: 1/1, Language: English

Series: Part 1 of Agent Carter(TV) Watching The Future

Fandoms: Agent Carter (TV)

Rating: General Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Characters: Howard Stark, Edwin Jarvis, Peggy Carter, Daniel Sousa, Jack Thompson (Marvel), Rose Roberts, Aloysius Samberly, Ana Jarvis, Angie Martinelli, Jason Wilkes

Additional Tags: Agent Carter (TV) - Freeform, Agent Carter React, Watching the MCU, Marvel Cinematic Universe - Freeform, SSR | Strategic Scientific Reserve (Marvel)

read it on the AO3 at https://ift.tt/WjwEFYo

[that-crazy-five-foot-two-chick]

Tagged from @hopebunnywrites! I just didn't want to be a dash hog by keeping ten reblogs in 😅

2.

Favorite color: keeps changing. depends on the shade. I think soft yellow is really underrated.

Currently reading: uhhh various fanfics and webtoons... I need to finish the most recent update from True Beauty!

Last song: Dope by BTS

Last movie: uhh I think Jungle Cruise? It was better than I expected, I'll give it that. Also the dad jokes were bomb.

Last series: as far as TV goes...idek. Downton Abbey if you count me being secondhand invested via my mom putting it on while I'm around and Fruits Basket if it's for my own sake I think.

Currently craving: sugar. in nearly any form.

Coffee or tea: tea. I can't stand the taste of coffee unless it's in a coffee product in which I cannot taste the coffee aka something that's more sugar or milk than anything else

Currently working on: posting the first chapter of an EdWin high school theatre AU!

3. Zodiac palette that I literally had to Google because I don't take much stock in astrology:

Thanks for tag!

thank you for tagging me @gojosattoru <3 i did all of them idk if i was supposed to but it was fun

1.

heres the link

2.

favorite color: green

currently reading: other than keeping up with jjk and bnha i'm trying to get through kny and chainsaw man but they're stressing me out

last song: uncrushable from the hypnosis mic soundtrack

last movie: minari

last series: trying to get through hxh and tokyo revengers but they're stressing me as well lmao

currently craving: pulling diluc

tea or coffee: tea

currently working on: getting ascension materials for albedo in case his rerun is soon i want to be ready (and a math assignment but that obviously isnt as important)

3. “make your own palette based off the colors i associate with zodiac placements”

i'm tagging everyone who wants to but also @love-dontbeshy for the zodiac thing specifically (you can do them all or nothing at all as well obviously) bc it reminded me of you <3

[tonystarkbingo]

TSB May Flash, Week 3!

This coming weekend, we’ll be having a Birthday Bash Discord Party in honor of Tony’s birthday!  Make sure you stop by for all the fun!

Title: Glory Always Seemed to Bore Me Collaborator Name: ralsbecket Card Number: 08 Link: AO3 Square Filled : Edwin Jarvis Ship: Steve Rogers/Tony Stark Rating: Teen Major Tags: Tony Stark-centric, minor character death, drabble Summary: Four times Tony Stark experienced a rocky road, and one time he ate it. Word Count: 100

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Title: Glory Always Seemed to Bore Me Collaborator Name: ralsbecket Card Number: 08 Link: AO3 Square Filled : Money Ship: Steve Rogers/Tony Stark Rating: Teen Major Tags: Tony Stark-centric, drabble, Howard Stark's A+ Parenting, referenced underage drinking Summary: Four times Tony Stark experienced a rocky road, and one time he ate it. Word Count: 100

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Title: Glory Always Seemed to Bore Me Collaborator Name: ralsbecket Card Number: 08 Link: AO3 Square Filled : Movie Theatre Ship: Steve Rogers/Tony Stark Rating: Teen Major Tags: Tony Stark-centric, character study, drabble Summary: Four times Tony Stark experienced a rocky road, and one time he ate it. Word Count: 100

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Title: Glory Always Seemed to Bore Me Collaborator Name: ralsbecket Card Number: 08 Link: AO3 Square Filled : Pot-Belly Pig Ship: Steve Rogers/Tony Stark Rating: Teen Major Tags: Farmer Steve Rogers, meet-cute, drabble Summary: Four times Tony Stark experienced a rocky road, and one time he ate it. Word Count: 100

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Title: Glory Always Seemed to Bore Me Collaborator Name: ralsbecket Card Number: 08 Link: AO3 Square Filled : Ice Cream Ship: Steve Rogers/Tony Stark Rating: Teen Major Tags: Adult Peter Parker, Superfamily, Ice cream, fluff and humor Summary: Four times Tony Stark experienced a rocky road, and one time he ate it. Word Count: 100

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Title: Just get over here Collaborator Name: DarthBloodOrange Card Number: 01 Link: AO3 Square Filled : #1 - Thor Ship: Steve Rogers/Thor Rating: Explicit Major Tags: Sexual Content, Masturbation, Established Relationship Summary: Thor loves getting Steve all worked up Word Count: 100

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Title: Caught Red-handed Collaborator Name: DarthBloodOrange Card Number: 01 Link: AO3 Square Filled : #2 - Gauntlet Ship: Steve Rogers/Tony Stark Rating: Explicit Major Tags: Sexual Content, Armour Kink, Masturbation, Masturbation Interruptus, Caught in the Act Summary: Tony sees something he never expected to see... Word Count: 100

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Title: Past Visiting Hours Collaborator Name: DarthBloodOrange Card Number: 01 Link: AO3 Square Filled : #5 - Balloons Ship: James "Bucky" Barnes/Steve Rogers Rating: Gen Major Tags: Hurt/Comfort, ShrunkyClunks, Assassin Bucky Barnes, Established Relationship, Fluff Summary: Steve gets a visitor late at night. Word Count: 100

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Title: Playing in the Pool Collaborator Name: DarthBloodOrange Card Number: 01 Link: AO3 Square Filled : #3 - Pool Ship: Steve Rogers/Tony Stark Rating: Explicit Major Tags: Sexual Content, Masturbation, Swimming Pools Summary: Steve loves Tony's heated pool. Word Count: 100

Title: Stark Family Goes To Disneyland Collaborator Name: rebelmeg Card Number: 04 Link: AO3 Square Filled : Amusement Park Ship: Pepperony, Stark Family + the Science Sons Rating: Gen Major Tags: Disneyland, family fluff and humor Summary: Tony and Pepper have brought Morgan and the Science Sons to Disneyland. It's going to be a very, very long day at the happiest place on earth. Word Count: 2084

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Title: For Want Of A Horse Collaborator Name: Magica Card Number: 06 Link: AO3 Square Filled : Water Fight Ship: James "Bucky" Barnes & Tony Stark Rating: Gen Major Tags: AU - Merpeople, AU - Sports, humor, horses, seahorses, rodeo Summary: When choosing a new bronco ride, Bucky is directed to the best breeder in the business - Stark Stud. And who knows, he might just find a stud of his own... Word Count: 1554

[thebhaalspawnblogs]

Baldur’s Gate University AU

This has been sitting in my drafts for like 2 years, but here you go, in alphabetical order:

(Charname)- Undeclared.  Freshman at BGU who must navigate the perils of a new chapter of their life.

Abazigal- Economics doctoral candidate.  Will probably be one of the lucky few to get rich soon after graduating and knows it.

Adoy- Engineering professor.  Great teacher but kind of disorganized and always moving due dates.  Saved Neera from being kicked out.

Aerie- Pre-med. Constantly volunteering for things.  Gets tuition-remission as Quayle’s foster child.

Alora- Social Work major. Most likely to be hosting a party on Friday nights.  Sorority girl through and through.

Alorgoth- Philosophy professor. Teaches course on existentialism with a very high failure rate that is a required class for philosophy students.

Ajantis- Political Science major.  Got in on a football scholarship.

Anomen- Pre-law.  Frat boy to the very core.

Aran- Economics professor.  Nice guy, but gives tough exams.

Baeloth- Journalism major.  Runs the student news with an iron fist and will do anything to sell a paper.

Balthazar- Philosophy doctoral candidate.  Edgelord supreme.  Has no time for this class discussion bullshit.

Bodhi- Art professor. Never satisfied with student work until there is actual blood on the canvas.

Branwen- Pre-med.  Probably the most normal student you could meet.

Caelar- Religious Studies major.  Is widely considered very nice, until she tells you she prays for everyone who doesn’t share her beliefs, because they’re all going to hell.

Cernd- Environmental Studies major.  Hipster vegan.

Coran- Theatre major.  Everybody on campus either adores or hates him.

Corwin- Criminal Justice major.  Has a job with campus security and a gun license.  Somehow manages to balance school, work, and parenting without complaint.

Cyric- English professor.  Seems weirdly threatened by Charname’s opinions.

Dorn- Pre-Dental.  That one guy with lots of drug dealer connections.

Dynaheir- Astronomy major.  Exchange student.  Doesn’t think of social sciences as science.

Edwin- Bio-Engineering major.  Known for making snide comments in class.

Eldath- Business major.  Frat boy to end all frat boys.  Outdoes even Anomen.

Ellesime- Dean of Students.  Used to be chair of the Chemistry department and fired Irenicus, but the new chair hired him back.

Faldorn- Environmental Studies major.  That vegan who is very vocal about her veganism and calls non-vegans murderers.

Firkraag- Psychology professor.  Uses his students as test subjects for his research.

Gaelan- Communications major.  Knows literally everyone.  Could probably get you all manner of illegal shit if you asked.

Garrick- Music major.  Constantly trying and failing to pick up girls.  That one guy who is always sitting on the grass, playing his guitar.

Glint- Anthropology major. Nice dude with a reputation for being reliable, both in getting the booze for your party and in letting you copy his homework.

Gorion- Classics professor.  Died just as Charname was about to start their first semester.

Haer’Dalis- Theatre major.  That one dude who’s kind of a dick but is super witty so people overlook it and consider him very cool.  Also a huge hipster.

Hephernaan- Computer Science major.  The resident edgelord.  Belongs to a satanist student group.

Hexxat- Business major.  Exchange student.  Always hanging out in the darkest corner of the library.

Imoen- Physics major.  Dedicated partier who somehow still has top grades.

Irenicus- Chemistry professor.  Extremely strict and condescending.  His lectures are like torture.

Jaheira- Environmental Studies major.  Member of student senate and captain of softball team.

Jan- Business professor.  King of going off on tangents.

Kagain- Asshole security guard.

Keldorn- Law.  Constantly wondering why he hangs out with all these undergraduates.

Khalid- Criminal Justice major.  Also member of student senate.

Kivan- Criminal Justice major. That one guy you see for only one semester but seems pretty interesting if rather edgy.  Mentions at least once that he’s veteran.

Korgan- Military History professor. That one professor with the attendance policy from hell who also occasionally makes creepy comments to female students.

Mazzy- Criminal Justice major.  Wants to join the army, but is 4-F.

Mellisan- Psychology doctoral candidate.  Has her shit together better than everyone else.

Minsc- Biology major.  Exchange student.  Member of football team.

Montaron- ??? No one knows anything about him, but everyone is sure he might go on a killing spree at any moment.

M’Khiin- Environmental Studies major.  Just wants to get her fucking degree.

Nalia- Pre-nursing. Constantly volunteering for things, but does a shitty job at them.  The White Feminist in class discussions.

Neera- Engineering major.  Transfer student.  Nearly kicked out of program after lab accident.  Will prank you if you fuck with her.

Quayle- Film professor.  Thinks he’s the greatest film critic in the damn world.

Rasaad- Philosophy major.  International student.  Always in gym early in the morning.  Very interested in Buddhism.

Saemon- Business major.  The roommate from hell.  Always trying to sell something.

Safana- Theatre major.  Somehow manages to show up to a 9am class with flawless makeup.

Sarevok- Business major.  The RA from hell.  Probably a drug dealer.

Sendai- Law student.  Has her sights set on becoming president.

Shar-Teel- Gender Studies major.  Has a reputation for calling out sexist bullshit in class and decking frat boys.

Skie- Business major.  The rich girl who could totally afford a better school but was forced to go to this one because her father’s on the board of governors.  Has subsequently gotten very into the sorority life.

Tiax- Political Science major. Gives off unsettling fascist vibes and won’t accept other people’s ideas during group projects.

Valygar- Biology major.  Hates the entire chemistry department with a fiery passion.

Viconia- Philosophy major/Gender Studies minor.  International student.  Constantly arguing with Rasaad about the merits of existentialism.

Voghiln- Theatre major. That one guy who has apparently slept with everyone and can be found wherever there is free food.

Wilson- Bear who was twice caught on security cameras lumbering through campus at night.

Xan- Psychology major.  Member of fencing team.  Probably able to continue existence through coffee consumption.

Xzar - Biology major.  Likes to go around and turn parties into riots.

Yaga-Shura- ??? Always in the gym.  Never goes to class.

Yeslick- History major.  Knows where all the good bars are on campus.

Yoshimo- Computer Science major. That one guy who makes all appearance that he’s your friend and will totally hack shit for you, but you’re not entirely sure he isn’t already hacking you.

[lutzpresserheadless]

HEADLESS

by

Lutz Presser Exhibition catalogue

ISBN: 978-9963-275-78-6 © 2018 Lutz Presser All right reserved. Published by Lutz Presser Cyprus

Gian Lorenzo Bernini, The Ecstasy of Saint Teresa, 1647-1652, Cornaro Chapel, Santa Maria della Vittoria, Rome.

The following is a brief clarification of a series of ten padded paintings of floating heads I fabricated in 2018 after Bernini’s Ecstasy of St Teresa (1647-1642). I employ extracts from my The Art of Man Ray (Edwin Mellen Press, New York, 2018).

St Teresa’s description of “transverberation” relates to female “enlightenment”, which is a linking of the womb and the heart and is radically different to male enlightenment, which links the genitals and the brain. The latter is often described as the opening of the thousand-petaled lotus atop man’s head. Both the female and male experiences supposedly meld sensual and spiritual occurrences, where matter and spirit become one.

St Teresa of Avila’s experience of transverberation was achieved only after long sessions of physical suffering. She describes it as an ecstatic linking of the heart and womb. She said:

It pleased the Lord that I should sometimes see the following vision. I would see beside me, on my left hand, an angel in bodily form—a type which I am not in the habit of seeing, except very rarely…He was not tall, but short, and very beautiful, his face so aflame that he appeared to be one of the highest types of angel who seem to be all afire. They must be those who are called cherubim: they do not tell me their names, but I am well aware that there is a great difference between certain angels and others, and others still, of a kind that I could not possibly explain. In his hands I saw a long golden spear and at the end of the iron tip I seemed to see a point of fire. With this he seemed to pierce my heart several times so that it penetrated my entrails. When he drew it out, I thought he was drawing them out with it and he left me completely afire with a great love for God. The pain was so sharp that it made me utter several moans; and so excessive was the sweetness caused me by this intense pain that one can never wish to lose it, nor will one’s soul be content with anything less than God. It is not bodily pain, but spiritual, though the body has a share in it—indeed, a great share.1

Bernini’s Baroque marble, life-size, carvings of the saint and cherubim is the central sculptural tableau situated in an elevated aedicule in the Cornaro Chapel of Santa Maria della Vittoria, Rome. Although the Teresa group is often pictorially reproduced, the two theatre boxes of male witnesses observing her ecstatic swoon, located on either side of her, are not.

Patriarchal society has traditionally mistrusted women who like St Teresa have experienced “headlessness”.

Between 1936-1939 Georges Bataille, Curator of Oriental Coins at the Bibliothèque Nationale in Paris, saw published a magazine entitled Acéphale. Today Bataille is credited with being a major contributor to Surrealist thinking, advocating in his writing male transcendence through the violent suppression of the female, and as a curator of ancient artifacts had access to material others didn’t. He and his close friend Michel Leiris moved in artistic circles and influenced a number of them including a major figure such as Picasso.

Acéphale was a Gnostic god of magicians, who was directly linked with the Egyptian Set and his solar counterpart Horus.2He was a god of empowerment who could render men immortal.3When headless, or ass-headed, he represented male and female principles, or darkness and light in a single body, as well as the triumph of life over death through resurrection.4He is often depicted wielding his detachable phallus or “fouet”. In the ancient Egyptian Book of the Dead he is described as:

Un lion puissant, aux plumes élevées, qui possède la double couronne et est armé du fouet…Tu possèdes un phallus fort au moment du lever (du soleil), luminaire qui se lève sans limites. Tue es celui qui revêt des apparences multiples, et qui se dissimule à ses enfants, l’intérieur  de l’oeil (du soleil).5

Bataille’s Acéphale, as seen in his magazine, when not headless was depicted as bull-headed and synonymous with the Minotaur . Thus Bataille’s god, who could assist sorcerers’ apprentices to become masters of magic, symbolized male solar empowerment through the experience intérieure. Bataille’s cover version of Acéphale as drawn by André Masson was a headless, human form; the head reappears as a skull in the place of the genitals. Apart from the bull-headed version, another image from the journal shows Acéphale/Dionysus with Medusa’s castrating head in place of his genitals. The exposed abdomen reveals the intestines in the form of a dodécadale labyrinth. According to Allen Weiss: The Acephale is a contestation of the Platonic body politic, where reason, seated in the head, rules the lower spirited and appetitive forces.6

In his left hand he holds a sword which signifies violence and power and was the instrument which decapitated the god, cut out his heart (held in his right hand), and lacerated the abdomen to expose the labyrinthine section of the viscera. Weiss continues: The paths of chance are indicated in the center of the figure of the Acephale, where intestines in the form of a labyrinth are revealed. The labyrinth, equivalent to the Nietzschian sign of earth, is an all-encompassing signifier, embracing every contradiction and possibility from the chaotic to the structured, the aleatoric to the necessary, the sacred and the profane, and from life to death.7

The purpose of such single-line labyrinths is not to get lost, but to persevere in the difficult quest, for it is through the difficulty of the quest that the contradictions or opposites are reconciled. Bataille clarifies:

He (Acephale) reunites Birth and Death in the same eruption. He is neither man nor god. He is not me but is more me than myself; his abdomen is the Daedalus in which he himself loses his way, misleads me along with him, and within which I rediscover myself as him, that is to say as a monster.8

This total man (Nietzschian Übermensch) that Bataille speaks of is the monster in oneself which must be sacrificed within the Labyrinth. This interior experience entails loss of identity and dissolution of the self which enables the self the opportunity of an indefinite series of identities and transformations. This process gives the creative male the power of Eternal Return.

Thus it seems when the female is masked or headless she becomes the catalyst for the male to see the face of the god and initiates the transformational process. Hence even an undated and hastily scribbled over sketch like Esquisse d’un centaure found in one of Picasso’s sketchbooks, where a horse-headed, not ass-headed, female whose hands are tied behind her back, would appear to be replete with layered meaning. Meanings seemingly unrelated to quaint picturesque images of mythology, but personal, pictorial keys or triggers to male empowerment through violent suppression of the female. The “rubbing-out” of the figure equates with Man Ray’s Nu voilé .

Ecstasy stems from the Greek ek, out, and histani, to place, which means to stand outside oneself, to be beside oneself with joy, to stand forth naked.9Out-of-body experience is linked with madness because one loses one’s head. The Surrealists often depicted headlessness, particularly of women. Sidra Stich in Anxious Images states:

And though the bodies show considerable development, the figures carry only the most embryonic of heads, or no heads at all, thereby displacing emphasis from the intellectual realm to the corporeal, sensorial realms. Without heads or reduced heads, the figures no longer offer evidence of their superior status. On the one hand this lowers and declassifies them from an exclusively human rank, and on the other, it devalues thinking itself.10

Rosalind Krauss in the Optical Unconscious argues that in The Phenomenon of Ecstasy (1933) Salvador Dali rotates the women from a vertical to a horizontal state in order to represent ecstasy, and equates them with the hysterical “falling” women the Surrealists were so fascinated and obsessed with observing, and thereby lowering their status from human to animal.11She also equates the labyrinth, the home of the Minotaur to horizontality.12The labyrinth is a female domain and with patriarchy seems to have become an artificial womb, or bachelor machine, where man gives birth to himself. It became the birth place of heroes. The original myth is a Cretan one and we are told that the labyrinth was designed by Daedalus, who had been taken in by King Minos after escaping Athens. Daedalus designed the labyrinth in response to Queen Parsiphae having had sex with the white bull. The issue of the coupling produced the Minotaur. The labyrinth became the monster’s prison. The minotaur fed on human flesh and the Athenians were obliged to send regular tributes of young men and women. Ariadne fell in love with Theseus, who was a member of the final tribute and requested Daedalus’ assistance to save her lover. He gave her a ball of string. Theseus entered the labyrinth unraveling the string, killed the Minotaur and retraced his steps by rolling up the string again, and exited the treacherous labyrinth by the same way that he had entered. The labyrinth appears to be a transformational place of empowerment, where men can give birth to themselves as heroes. Krauss is correct in highlighting the horizontality of this action, because Theseus exited the artificial womb a new man, a superman, but still left the same way he had entered. However, according to the myth Daedalus himself and his son Icarus were imprisoned in the labyrinth by Minos when the king realized Ariadne had escaped to Delos with Theseus. How would this punish Daedalus when he had designed the labyrinth and held its key? It would seem that the labyrinth also stands for the birthplace of male genius, because Daedalus and Icarus escaped vertically into the air by constructing wings of wax. Unfortunately Icarus wasn’t brilliant enough, because his wings melted and he plummeted to his death, whereas Daedalus flew off to further adventures.13

Justine does not experience her clairvoyant visions horizontally, but vertically, she is a pendu femelle and a veritable goddess. However, just like Ariadne she remains an object of exchange and a muse, or conduit operating between male polarities. She hangs between God and Seabrook, while Ariadne is the lifeline between Daedalus (genius) and Theseus (hero). Justine (a young woman who participated in William Seabrook’s experiments who was photographed by Man Ray) does not experience her clairvoyant visions horizontally, but vertically, she is a pendu femelle and a veritable goddess. However, just like Ariadne she remains an object of exchange and a muse, or conduit operating between male polarities. She hangs between God and Seabrook, while Ariadne is the lifeline between Daedalus (genius) and Theseus (hero).

There are numerous examples of photographs in Man Ray’s oeuvre of nude women with their arms raised, so much so it could be seen as a signature pose for the artist. In terms of body language this gesture appears to be very meaningful for Man Ray. It has been demonstrated above that he uses the raised arms in images ranging from constructing the head of the minotaur, to a nude whose head is solarised and thereby uses the arms as a framing device to further isolate the lack of head, to images where the head is in shadow and looks non-existent, to documenting Seabrook’s SM sessions of hanging women. Clasping the hands behind the head is a gesture of confidence and superiority, whereas fully raising the arms above the head is a universal sign of surrender or abandonment. In both situations then, raising the arms is a gesture moving from a symbol of self-empowerment to one of relinquishing power totally. In terms of the foregoing analysis it seems a short distance from raising the arms/surrender to tying and dangling. There are also a number of images by Man Ray, always of females, where the arms have been removed completely. Vénus restaurée, which is a cast of Venus DeMilo, is armless, legless and headless, but it still appears vital for the artist to restrain the cast with a rope binding it, similarly to Enigme. Lee Miller in a still from Cocteau’s film Blood of the Poet (1930), Nude (circa 1930), the four shots of Nude Female Torso, (circa 1930), all share being deprived of their arms. Man Ray achieves the illusion of armlessness in Figures 60 and 61 by carefully encasing the models’ arms in a dark fabric, so when photographed against a dark background the arms disappear, just like the masked heads do. Figure 62 is entitled Statue et Tête (c. 1921) where the artist grafts a living head to the armless, legless Venus plaster cast. Either way, whether the women’s arms are raised or cut off, it seems that for Man Ray, Seabrook and other creative men, such actions are about disempowerment of the formidable Other, and these visual gestures co-inside and correlate with André Masson’s 1928 design for de Sade’s Justine, where the practice of algolagnia and female sufferance and suspension generate erotic release, transcendence and fulfillment in the male, whether she goes “through the wall” or not. Sometimes it seems such games get out of hand, as is testified by a police photograph of one of Jack the Ripper’s gutted victims of a pendu femelle, used to illustrate Maurice Heine’s “Regards sur l’enfer anthropoclasique”, published in Minotaure, of an imaginary conversation between a professor, the Marquis de Sade and Jack the Ripper.14Thus, as Georges Bataille proposes throughout L’Érotisme, female passivity and sufferance are the catalyst for male transcendence and are directly linked with death.15

If Bernini’s Saint Teresa was devoid of drapery, Dali’s women had bodies, and Duchamp’s Bride of the Etant donnés was accessible, their reclining, relaxed abandonment, would be similar to the mannequins produced by Clemente Susini (1754-1814). His didactic, life-sized, anatomical models are as realistic as was possible in his day. They have human hair, glass eyes and at first glance are highly erotic images of nakedness, rather than nudity. His Statua Scomponibile wears only a pearl choker.16Her supine body lies on soft cushions and loose drapery, her slightly parted lips look moist and kissable; her eyes are vacant and half closed; her nipples, erect. She is made of wax and her body colour is life-like, exhibiting the glow of health and youthfulness. She does not display the pallor of death. When her almost heaving breast is removed, one can access her exposed viscera. Susini’s Statua della Sventrata is similarly seductive. The right leg of the reclining, languid blonde, is slightly raised; her expression is vacant and her cheeks are flushed. Her partially braided hair carefully frames her fully disemboweled entrails.17This bizarre object is distinctly sexual and reminds us of the concept of “woman-as-shit”: woman as the source of warmth, heat, gestation and fecundity, here displaying not only her dissected uterus, but also the organ wherein the process of transmutation is completed, i.e., the labyrinthine bowel. Both models recall Ernst’s Anatomy of the Bride, where the inquisitive male has cleared out all the female’s internal plumbing in search of what makes her tick. La Sventrata, in particular, is reminiscent of another photograph used by Heine illustrating his Minotaure article, where we see the remains of Jack the Ripper’s sadistic and frenzied excavation of the Other. Thus we see what results if Saint Teresa’s male inquisitors, or Seabrook and Man Ray’s observational probings had expressed their curiosity in an even more aggressive and socially unacceptable manner. Furthermore, it leaves the impression that Duchamp’s second Bride would appeal to necrophiliacs in her invitation to join her in her eroticized dance of death.

Woman as muse elevates her, but disconnects her from the process of making art, her role is to inspire great works in men. Patriarchal fear of the Other, creates a special place for her power. It is the elevated and untouchable position of the Virgin who conceived immaculately, who hovers in the sky, the pendu femelle, suspended somewhere between heaven and earth. Antonius Andreas von Kresimowsky’s 18th century illustration, entitled Christliches Wanders-Mann (1756), demonstrates that Virgin-Ariadne-Muses such as Justine/Renée/Janet (Seabrook’s helpers), can survey the pitfalls of the man’s journey from her elevated, clairvoyant position, allowing her to guide her male charge, with her “super-vision”, to the centre of the labyrinth, the place of his rebirth as immortal hero. That Kresimowsky follows a patriarchal model can be deduced from the observation that the feminine hovering presence acts as the conduit between male god, depicted as the eye in the triangle, and the journeyman she guides through the earthly maze, while she floats in no-man’s land. On reaching his goal and absorbing his guide’s power, he returns the same way, having symbolically given birth to himself. It is a model of the male’s quest for immortality.

Man Ray participated in the Ariadne syndrome and demonstrated his nervousness in relation to female creators by depicting Meret Oppenheim as a phallic woman. Moreover, he played a crucial role in introducing Dora Maar to Picasso.18Ray clarifies that Picasso rewarded him with a signed copy of Minotauromachy, arguably the most complex and layered of Picasso’s images about himself as Minotaur.19

Jean Franco, in Plotting Women, demonstrates that female ecstatic desire was directly linked with female self-creation, and equivalent to the hero’s troubled journey towards immortality. The ecstatic or hysterical woman gives birth to herself as does the hero in the labyrinth. The female’s blissful soaring appears to be no different from the male’s, in that both are an escape from the self. Patriarchal systems may acknowledge that the female appears to be more gifted with the ability to experience visions, raptures and revelations, but because males interpreted these experiences, they were also perceived as extremely dangerous.20Franco, citing a Mexican inquisitor states:

Since women are not only weaker and more susceptible, but are humid, crass, and viscose by nature, and because this temperament are not only subject to lunatic impressions, but are easily overcome by passions of hatred, love, happiness and sadness.21

The knowledge gained by female mystics was not male intellectual understanding, it was a bodily sensation as Saint Teresa pointed out. Franco continues: Transported in dreams and visions beyond the narrow confines of the cell, the mystic flew across time and space, beheld the future, and was allowed to penetrate the secrets of purgatory and heaven itself, before returning like a homing pigeon to her cell. This flight was the feminine equivalent of the heroic journey of self-transformation, with the difference that it met no obstacles and was less a narrative than an epiphany. The epiphany, however, tended to make the mystic mute and secretive.22

1 The Complete Works of Saint Teresa of Jesus, 3 vols., tran & ed. E.A.Peers, Sheed & Ward, London, 1946, vol 1, pp.192-193. 2 Delatte, A. & Derchain, Ph. Les intailles magiques greco-egyptiennes, Biblioteque Nationale, Paris, 1964, pp.23-76 3 ibid, pp.42-51 4 ibid, pp.44-46 5 ibid, pp.45-46 6 Weiss, A.S. “Impossible Sovereignty: Between ‘The Will to Power’ and ‘The Will to Change’”, October, 36, 1986, p.130. 7 ibid, pp.130-139. 8 Acephale, no. 1, “La Conjuration Sacree”, 24 June, 1936 (unpaginated). 9 Webster’s New Universal Unabridged Dictionary, Dorset & Baber, New York, 1983, pp. 574-575. Petersson, op.cit. pp.25-35. 10 Stich, S. op.cit. p.40. 11 Krauss, R. The Optical Unconscious, MIT Press, Cambridge, Massachusetts/London, 1993, pp. 156-157. 12 idem, pp.168-171. 13 Presser, L. Modernism and Patriarchy in the Work of Picasso, Duchamp, Beuys, Warhol and Kahlo, PhD Thesis, Monash University, Melbourne, 1995, pp.1-358. 14 Heine, M. “Regards sur l’enfer anthropoclasique”, Minotaure, 8, 1936, pp.41-45. 15 Bataille, G. L’Erotisme, Les Editions de minuit, Paris, 1957, pp. 17-306. 16 Buci, M. Anatomia come Arte, Edizioni d’Arte II Fiorino, Florence,1990, pp 189-202, plates VIII-XIII. 17 Buci, ibid, plates XVIV-XVII 18 Hubert, R. R. “From Dejeuner en fourrure o Coroline: Meret Oppenheim’s Chronicle of Surrealism”, Surrealism and Women, pp.40-41. Ray, M. Self Portrait, p. 179. 19 Ray, idem. 20 Franco, J. Plotting Women: Gender and Representation in Mexico, Verso, London, 1989, pp. 16-21, 106-112. 21 Franco, ibid, p. 7 22 Franco, ibid, p.16.

ISBN: 978-9963-275-78-6

[wildwechselmagazin]

Internationales Straßentheater Festival in Holzminden

Die Französischen Les Cubitenistes sind beim Internationalem Straßentheater Festival in Holzminden mit ihrer Platzinszenierung "La Cubipostale. Greetings from..." am Start. (Foto: Francois Mary) Das kulturelle Projekt -  Internationale Straßentheater Festival - kommt schon das 15. mal nach Holzminden. Auch in diesem Jahr liegt der Schwerpunkt der Veranstalter bei neuen und innovativen Inszenierungen und Erstaufführungen. Deswegen gibt es gleich mehrere Premieren, davon eine sogar international. Die Qualität im künstlerischem Angebot war entscheidungsgebend bei der Wahl, wer beim Straßentheater Festival auftreten wird. Es haben sich 280 Gruppen beworben und von denen wurden nur 14 ausgewählt. Es werden nicht nur künstlerische Projekte aus Deutschland präsentiert, sondern auch Gruppen aus Holland, Frankreich, Italien, Spanien, Ungarn und Großbritannien sind vertreten. Hier ist von mobilen Produktionen bis aufwändigen Open-Air Theateraufführungen alles dabei. Bei der Vielfalt spiegelt das Programm des Festivals auch immer aktuelle internationale Entwicklungen im Straßentheater wieder.

Theatro dei Veinti aus Italien: Moby Dick (Foto Chiara Ferrin)

Pudding Theatre aus Frankreich: Géopolis (Foto Vincent Muteau)

Pere Hosta aus England: Open Door

Compagnie Lucamoros aus Frankreich: Gauguin’s Turtle (Foto Marc Bernard)

Acrojou aus Großbritannien: The Wheel House Am Sonntag ist ein Familientag im Kaufmannsgarten geplant, wo Veranstaltungen für kleine und große Kinder angeboten werden. Es sind neben Bewegungsspielen auch Mit-Mach-Aktionen, Mit-Sing-Lieder und eine Zirkusshow geplant. Natürlich gibt es auch hier Theaterstücke für Kinder wie Hans im Glück (Theater Schreiber & Post) und Polarsafari (Theater Feuer und Flamme). Am letzten Tag findet auch die Publikums-Preisverleihung auf dem Marktplatz statt. Hier bestimmen die Zuschauer mit Stimmzetteln aus den Programmheften, wer Gewinner wird. Es gibt zwei Kategorien: 1. Technisch aufwändige Open-Air Theater, 2. Kleine, mobile Starßentheater-Produktion. Das Straßentheater-Festival ist nicht nur was für Kunstinteressierte und ist natürlich auch in diesem Jahr wieder kostenlos!       Das sind die Produktionen beim diesjährigem Straßentheater Festival:   Platzinszenierungen: Mimbre aus Großbritannien: Lifted BANDART productions aus Hamburg: Dancing Graffity Cie. Lucamoros aus Frankreich: Gauguin's Turtle Les Cubitenistes aus Frankreich: La Cubipostale. Greetings from... Kompanie CircO aus Deutschland: Wir.Es Theatro dei Veinti aus Italien: Moby Dick Pudding Theatre aus Frankreich: Géopolis   Straßeninszenierung: Acrojou aus Großbritannien: The Wheel House   Installation: katharinajej aus Deutschland: Lie down with me   Tanztheater: Vloeistof aus Holland: Hellend Vlak   Walkact: Démons et Merveilles aus Frankreich: Les DéDé's Pere Hosta aus England: Open Door Cie. Didier Theron aus Frankreich: La grande phrase   » 7.-9.6.2019, Internationales Straßentheater Festival, Holzminden » Das Programm zum Straßentheater Festival als PDF online » Zur Webseite Holzminden zum Straßentheater Festival » Zum Facebook-Seite des Straßentheater Festival Read the full article

[ricardopeach]

Afrikaans http://bit.ly/VSKPersverklaring2019

English http://bit.ly/VSMediaRelease2019

MEDIA RELEASE 9 May 2019

VRYSTAAT ARTS FESTIVAL LAUNCHES ITS 2019 PROGRAMME

The Vrystaat Arts Festival has an enormous artistic offering in 2019. From flagship Afrikaans, English and Sesotho theatre and music productions to experimental dance, craft, sound art, visual art and live art, there is something for everyone.

International Engagement

The Festival is now one of the key arts festivals on the African continent and offers a significant range of national and international work in an astounding range of genres. In addition to a large contingent of South Africans artists, the festival this year hosts creatives from afar away as Australia, Belgium, Canada, the Caribbean, France, Germany, Italy, the Netherlands, Malawi, Mexico, Nigeria, Senegal, Singapore, the UK, the US and Zambia (to name but a few).

First Nation Protocol

The Vrystaat Arts Festival is the first South African cultural entity to follow Khoi-San protocol, recognizing the First Peoples and traditional owners of the land in public platforms and the festival program. The First Nations Welcoming ceremony of the festival is fast becoming an event unique in South-Africa. To that extent we are also honoured to have South African First Nations poet Diana Ferris as the Vrystaat Literature Festival’s Sol Plaatje keynote this year.

Performance and Music

The flagship theatre production is Kamphoer, the story of Susan Nell. Played by Sandra Prinsloo, and directed by Lara Foot, the play is based on a true story set in the Anglo-Boer War (1899–1902). Prinsloo skilfully embodies the enigmatic figure of Nell, who was brutally raped and left for dead in the concentration camp in Windburg.

The Island, directed by Jerry Mofokeng wa Makhetha also debuts at the festival. Written by Athol Fugard, John Kani and Winston Ntshona, this apartheid-era drama, inspired by a true story, is set in an unnamed prison based on South Africa's notorious Robben Island. This production has an all-female cast with Jane Mamotse Mpholo and Michelle Joubert in the lead roles.

The National Afrikaans Theatre initiative (NATi) also presents two of their flagship productions Katvoet with Marius Weyers, Marion Holm, Tinarie van Wyk Loots, Albert Pretorius, Martelize Kolver and Geon Nel, and My Seuns with Sandra Prinsloo, Louw Venter, Sandi Schultz, Edwin van der Walt, Buhle Ngaba and Donovan Pietersen.

The Vrystaat Arts Festival is also extremely privileged to have one of Nigeria’s most celebrated dancers/choreographers Qudus Onikeku with his renowned work Spirit Child. Spirit Child is a solo piece with three musicians, inspired by Azaro, the main character in Ben Okri’s novel, The Famished Road.

Other dance productions include the NATi funded experimental dance work Tehuis by Mark Anthony Dobson and the ever-popular flamenco dances Spanish Fire – Flaming Feet and La Femme! Also keep an eye out for the popular Reza de Wet youth theatre festival with performances from all over the country.

Music lovers will find a number of offerings including a short opera, Menotti’s The Maid and the Thief, 40 Fingers with Charl du Plessis, Classica, ’n chamber quartet from the US, Flying Fingers from Bloemfontein and Most Magical Musical Moments with Niël Rademan and the soprano Lynelle Kenned.

Amanda Strydom entertains with Stadig oor die klippers and South African rock icon Karen Zoid is in the mix with The Parlotones, Spoegwolf, Heuwels Fantasties, Andile Qongqo, Asanda Mqiki, Jak de Priester, Anna Davel with a Shirley Bassey- tribute, Jannie du Toit and Drie van die Bestes (Mathys Roets, Danie Niehaus, Kevin Leo). All the Way from Bloem, led by Jacobus Silver also provides upcoming Free State artists a platform to shine.

Live Arts

The Programme for Innovation in Artfrom Development (PIAD) is an interdisciplinary and experimental art programme in partnership with the University of the Free State and funded by the Andrew W Mellon Foundation in New York. The two key PIAD festival artists for 2019 is South African Marius Jansen van Vuuren and Australian Paul Gazzola. Their project We Can Be Heroes looks to the sky as the site for innovative ephemeral art, and inspired by the Southern star patterns, imagined worlds and local mythologies, will charge the untapped potential of the festival skyline.

Other live art projects include The Vertical Journey - a tribute to the still unknown by Marcus Neustetter, which will launch a series of planetarium dome short films accompanied by live improvisations at the Naval Hill Planetarium; the interdisciplinary performance/sound art work miss/seen by Sonya Rademeyer, Kagiso Kekana and Nosipho Mtaban; and Lo-Def Film Factory by Francois Knoetze, a pop-up experimental filmmaking and film screening booth.

Ukuzibuyisa: giving myself back to myself by Ukhona Ntsali Mland is a site-specific performance in response to the societal expectations on womxn’s lives; LATROP : The People Who Were Too Much, by Scott Eric Williams & Dr Julia Drouhin involves kids workshops, Zine making and radio antenna drawings; and Tok Tokkie by Lorin Sookool, Jarrett Erasmus, Ella Ziegler & Andrei van Wyk activates audiences in public and private spaces through surveillance games.

Visual Arts

The visual arts programme this year includes Footprints by Andrew Tshabangu curated by Thembinkosi Goniwe at the Stegmann Gallery and dwell in possibility at the UFS Centenary Gallery, curated by Johann du Plessis, with well-known national artists such as Michael Taylor, Andile Dyalvane, Lien Botha, Mbongeni Buthelezi, Alta Botha, Iaan Weldeck, Bongi Bengu, Katherine Glenday and many others.

Betwixt & Between in the Scaena foyer curated by Karen Brusch is an exhibition by artists from the Free State Art Collective in response to their liminal experiences of living in the Free State. At Oliewenhuis Art Museum Reservoir, the project titled #i by Jodi Bieber combines portrait photography, visual research, interviews, text, digital photographic collage and design, and Blood Relatives, also at Oliewenhuis, is a body of work created in 2005, by renowned photographer, Cedric Nunn.

Film

Many different stories from all over the world may be experienced in the films at this year's festival. Following requests after last year's film programme two films with a gay subtext are included this year – the controversial South African film The Wound and the moving Heartstone from Iceland. And don't forget the transgender heroine of A fantastic woman from Chile. The romantic at heart, especially if they love music as well, should not miss Cold War from Poland. And with regard to First Nations, Australia's Sweet Country is a riveting experience. An opera is included again – Donizetti's comical Don Pasquale with soprano Eva Mei and conductor Gérard Korsten who performed in Bloemfontein last year.

Vrynge

As a platform for emerging artists and professionals interested in testing new work, this year Vrynge hosts many talented local, national and international creatives. From Brighton (neXus) to New York and Italy (Before you fall asleep), the Caribbean (Caribbean Cool), and the Netherlands with Lot Vekemans working on her new play Blind, the Vrynge is a small world in one. There’s entertainment for the whole family with Francie en haar foon and Die groot avonture van Vernon en sy maats: Die heks fiasco. The Vrystaat Arts Festival is also partnering with the Baxter Theatre and Lagos Fringe to bring even more engaging experiences. Vrynge 2019 is one to look out for and one that continues to build bridges between artists and communities. Your opportunity to witness world class art is here.

Vrystaat Literature Festival

With over 70 events involving a wide variety of topics and themes, there is something for every taste. Local, national, and international writers and poets participate in talks, panel discussions, lectures, and workshops. Some of the topics of focus this year include faith and spirituality, sexuality, humour, thrillers, short stories, and memoirs. Highlights to look forward to include Amore Bekker, Carina Diedericks-Hugo, Erns Grundling, Daniel Hugo, Herman Lategan, Maretha Maartens, Jean Oosthuizen, Alexander Strachan, Pieter-Dirk Uys, Rudie van Rensburg, Jan van Tonder, Ingrid Winterbach, en Bettina Wyngaard.

International guests attending this year include Upile Chisala (Malawi), Samuel Osaze (Nigeria), Amory Kapufi and Jesse Nsofu (Zambia), Tinashe Tafirenyika and Philani Nyoni (Zimbabwe), Marco Calvani (Italy), Wytske Versteeg, Benno Barnard, Lot Vekemans, Mira Feticu, and Dorine Holman (the Netherlands), Annelies Verbeke, Saskia de Coster and Yves T’Sjoen (Belgium), and Kim Fu, Paige Cooper, Kayla Czaga and Klara du Plessis (Canada).

Pan-African Creative Exchange

The biannual Pan-African Creative Exchange (PACE), with founding sponsor NATi, and support from the Embassy of the Netherlands this year hosts PACE+, an interim programme and dramaturgical laboratory led by Executive Director Nike Jonah (UK/Nig), Funmi Adewole (Co-ordinating facilitator – UK/Nig), Dutch facilitator Mike van Alfen, and guest provocateurs Saartjie Botha (SA) and Jacob Boehme (Aus).

Participants from PACE 2018 include Ese Brume (France/Nig), Nada Sabet (Egypt), Leanetse Seekoe (SA), Wole Oguntokun (Nig), Johann Smith (SA), Shihaam Domingo (SA), Sizakele Mdi (SA), Segun Adefila (Nig), Omobolanle Stephen-Atitebi (Nig), Abdoulaye Diallo (Senegal), Wezile Mgibe (SA), Kenneth Uphopho (Nigeria) and Omar Sène (Senegal).

The festival is also presenting as full shows some of last year’s PACE showcases includig Brandbaar with Rehane Abrahams (SA), Kenneth Uphopho’s Esther’s Revenge (Nig), Segun Adefila’s Adìe Bà Lókùn (Nig) and Abdoyley Diallo’s Pollution (Senegal). See http://bravo.launchzone.co.za/en/home/

PAP and Vrywees

This year the festival will again have free art in public spaces with Public Art Platform and Vrywees. From the festival’s first ‘nose’, aromatherapist Annaline Viljoen, who is developing a festival scent for 2019, to shows by Durban’s Twist Theatre on Hoffman Square, eSwathini youth theatre in public space to dancers, fashion parades to poets creating work for site-specific performances. If you are out in the public you will experience art.

So take a breath and dive into the rich programme of the 2019 Vrystaat Arts Festival. Enjoy all it has to offer and make sure to make new friends from both here and abroad.

Programme: http://bit.ly/VSKProgram2019

For further inquiries contact:

Georgina Thomson

Marketing and Development Manager

Tel: +27 (0)82 570 3083

georgina.thomson@volksblad.com

[my-nameless-bliss]

hey! so i've only listened to a few musicals and i really want to listen to more, do you have any recommendations?

Absolutely! I’m not sure what sort of shows you like, or what you’ve already heard, so I’ll just list some of my favorites. If you prefer a different genre/style, or if you already know too many of these, feel free to ask again! Also, I’m on mobile, so forgive me for not putting any links to the soundtracks, but I’m pretty sure these should be available on YouTube/Spotify/Apple Music/something.

My all-time favorite musicals that have stuck with me my whole life are “Rent”, “Les Miserables”, and “Hedwig and the Angry Inch”. All of them have movie adaptations, and all of them have full bootlegs on YouTube (way better than the movies tbh).

My current obsessions are “Natasha, Pierre, and the Great Comet of 1812”, which I’ve been blogging about obsessively, and “Hadestown”. If you haven’t listened to “Hadestown” I HIGHLY recommend it. It’s a folk music telling of the Orpheus and Eurydice myth, and the music is hella gorgeous. There’s a full concept album with famous folk singers, and a 4-song EP of the Broadway recording, which is going to be released sometime this year (@warner music WHEN????? WHEN????????????). Beautiful music, beautifully diverse cast, classic story. Amazing.

If you want something lighter and funny, I really love “The Drowsy Chaperone”, which is about a middle-aged theatre nerd taking the audience through the soundtrack of his favorite show. My other favorite comedic musical is “The Mystery of Edwin Drood”, which is a murder mystery where the audience gets to choose the killer.

On the other end of the spectrum, “Parade” and “Ragtime” are absolutely beautiful shows that deal with racism, antisemitism, and hate crimes in American history (specifically the early 20th century). They’re emotionally difficult, but they both have some of the most beautiful music ever written imo.

If you’re interested in French musicals by any chance, I am obsessed with “Notre Dame de Paris”, “Romeo et Juliette”, and “Mozart l'Opera Rock”. Honestly, France has way cooler musicals than we do. And they’re famous stories, so it’s easy to follow along if you don’t speak French.

And lastly, there are two lesser-known gems that you might not be able to find quite as easily (I know they’re both on Apple Music, but to get them for free I had to go to the library). “Fortress of Solitude” is a gorgeous modern show that covers disco, soul, R&B, hip hop, and rock music. And “It Shoulda Been You” is honest-to-god the heterobaiting-with-queer-endgames, fake marriage au, ‘acts like an old-school musical but everyone is secretly gay’ delight that I’ve been waiting for my whole life. 💜😊💜

[that-crazy-five-foot-two-chick]

✨Masterlist✨

Eyo welcome to the trash hole have some fics. I never write smu.t/NS.FW so rest assured, the virgin eyes will be safe. However, I sometimes write stuff with interrupted swears or innuendos, so you’ve been warned about that. I’ll include my Ao3 ratings, the word count, and any obvious triggers. I age rate my stuff higher than most to be on the safe side and because I was sheltered as a kid.

I’m gonna give it to you straight. They’re better on Ao3 because that’s where I dump my crackhead A/N commentary, but the fic links are for the Tumblr versions.

Secret Code: 😳=not recommended for minors ⚡=drabble 🙃=crack fic 🎨=multichapter

Ao3

Wattpad

Wip/Prompt List

Fullmetal Alchemist 

🎨 Elric Escorts (WIP): T  tw-brief pedophilia in Ch.1. 12k+

1 2 3 4 5 6 7

😳⚡Kitten: M Gen, but is about AlMei and references EdWin. 910

Golden Eyes and Golden Drinks: T EdWin, coffee shop/college AU. 1,838

⚡ I Want Your Lips More Than Your Repair Bills: G EdWin, inspired by @mildly-artsy's 503 Day art. 681

Hello Stranger: G EdWin, fake dating/love at first sight/modern AU. 1,588

⚡ You're Gonna Pay: G Ed & Al (Gen), siblings being siblings/modern AU. 716

The Proof of the Pudding is in the Tasting: T EdWin, first kiss/FWP. 1,107

Even If You Want A Purple Polka Dotted Hippopotamus: G EdWin, hurt/comfort sick fic from covid shots. 1,173

⚡ Pretty Girl: T EdWin, fluff and angry kissing. 750 (inspired by another fic+art)

🎨 I Cain't Say No (but I wish I could) [WIP]: G EdWin with AlMei on the sidelines, fluff and childhood friends to lovers with a dash of jealousy. 873+

1

🎨 And Then It Hit Me [WIP]: G EdWin, enemies to lovers college/modern AU. 340+

1

Mystic Messenger

🎨 You Infect Me (WIP): T Seven/Saeyoung x MC

1 2 3 4 5 6 

Note: the text-heavy chapters can't be properly formatted on Tumblr, and as my first fic, I just made the earlier chapters Ao3 links. New chapters on Tumblr will include special formatting and a read more.

⚡A Vanderwood by Any Other Name: T  Vanderwood x MC/Reader. 379

⚡What a Woman: G Vanderwood x MC. 769

Blind Trust: T Vanderwood x MC. 5,117 (for Mysme RBB: collab with @madiebelleadventures)

Waste It on Me: G Vanderwood x MC. 1,123 (prequel to Blind Trust; songfic)

BTS

🙃 ⚡ A Love That Floors Me: G Park Jimin x Floor. 210

[antonio71f2434-blog]

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