#ELITA'S OWN FILM
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hercarisntyours · 2 months ago
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I'm going to admit myself I actually can't
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firebunnylover · 12 days ago
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My Thoughts on Orion trying to stop D-16 from the murdery stuff.
I think there’s been enough time to think over the writing choice of Orion trying to stop D-16 from killing Sentinel. Time to whack the hornet nest of internet opinions.
Now I think it’s fair to say that plenty of people have pointed out that the autobots do murder several other bots in the film and so Orion’s attempt to stop Dee from killing SP seems hypocritical. And I can certainly see why people are coming to that specific conclusion.
And plenty of us agree the death scene was cathartic.
HOWEVER.
Let’s look at Orion’s current perspective regarding Dee’s state of mind.
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He has been watching his friend go down the path of unapologetic violence fast since they found out the truth. Like, alarmingly fast. And that path is quickly becoming more of a sheer drop off a cliff.
While OP, Elita and Bee were ecstatic about being able to transform, what do we see Dee laugh over?
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Being able to inflict damage onto another bot.
And we can’t forget the oh-so-woobie-of-continuities Starscream, who Orion had to tell Dee not to kill when the murder canon was activated.
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That isn’t the Dee Orion knew. Orion is watching Dee turn into something he doesn’t know anymore. He’s afraid of losing D-16 to whatever he’s becoming.
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To Orion, keeping Dee from publicly executing Sentinel was an attempt to keep him from spiraling further.
Unfortunately, just having good intentions don’t always cut it. And he really could have said it in a better way.
But to be fair, it had been a long miserable trip for the both of them, so Orion probably wasn't able to think that out 100%.
Another point I want to make is the comparison to B-127/Bee, who had been cutting bots with his knifehands. Granted, I’m pretty sure they were just intended to be Drones/Enforcers, as they resemble Vehicons. Which, in beast wars, were intended as bots who were mass produced and mindless. Which I think Sentinel would have preferred to have as his followers. Literal mindless/sparkless soldiers to follow his every word would probably be easier to handle.
This is Steve Slander I’m so sorry.
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Continuing on.
There are a few points I want to make on B-127’s treatment of the violence. First, to me, Orion didn’t seem too comfortable with how hyped Bee was getting with his new weapons, and did intervene to keep him from cutting down more Drones.
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And more importantly, he stopped trashing the broadcast room when told that the bots there weren’t the enemy.
Bee managed to do some self-control. Which I think is important to keep in mind when comparing him to Dee/Megatron
One more thing to note.
Something that I have said before in an earlier post after my initial viewing of the movie.
It wasn’t the violence itself that was the ultimate act of betrayal in the end though.
It was picking violence over saving someone.
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oh it hurts
Orion jumped in the cannon’s way. Probably thinking that seeing him would give Dee enough reason to stop. But there wasn’t any pause until after the trigger was pulled. @everestentertainments pointed this out in their own post
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D-16 does catch the injured Orion. He could have tried to save him, even if it was futile.
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But he decided to let him fall instead.
Thus finally transforming into Megatron.
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Killing Sentinel wasn’t the final step to the transformation and his fall from grace. It was the first act as purely Megatron.
And don’t forget that after taking the cog, Meg’s next act is to burn everything down, taking no regard for anyone who might get caught in the crossfire. Which is a yikes.
They probably could have made those points more obvious or could have been handled better somehow, but those are my thoughts.
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lets-try-some-writing · 1 month ago
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Transformers One: My Thoughts and Critiques
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Note: This is going to be a very long read, so be prepared.
Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.
Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.
From this point onwards, spoilers will be present. Read at your own risk.
The Good
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(Me trying really really hard to not accidentally be negative.)
The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.
Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.
Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.
The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.
The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.
Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.
The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.
D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.
I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.
Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)
The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.
Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.
The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.
I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.
The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).
The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.
The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.
The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)
The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).
There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.
Their worldview was shattered in that cave, and I adored seeing it play out.
Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.
I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).
D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.
Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.
From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.
Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.
D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.
Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.
Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.
Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.
Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.
The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).
D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?
Beautiful.
In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.
The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.
Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.
Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.
The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.
I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.
With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.
The Bad
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(Aka, my rant combined with actual critiques)
Oh boy here we go.
Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.
There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.
It weakened his character drastically.
His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.
He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.
No complaints about D-16's introduction.
Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.
Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.
Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.
It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.
The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.
Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.
With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.
Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.
The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.
I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.
Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.
The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.
The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)
No complaints about their stint on the roof of the train.
Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.
Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.
Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)
No complaints about the cave scene.
So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?
(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)
Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.
I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.
Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)
Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.
Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.
I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.
Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.
Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.
Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.
Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.
"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.
Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.
The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).
The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.
No complaints about the Sentinel and D-16 interaction.
The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.
Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.
No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.
The birth of Megatron was perfect. Zero complaints.
Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.
Optimus flying up to the surface like superman.
I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.
No commentary on the battle. It was perfect.
Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.
Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.
Regarding the final scene of the film, its really bad. Painfully bad.
(I would like to throw Elita off the nearest structure thank you.)
I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.
That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.
The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.
There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?
Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.
The Characters
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(A look into every character of note + my edits to their development in the film.)
Orion Pax/Optimus Prime:
Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.
To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.
Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.
These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.
"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."
D-16/Megatron:
D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.
All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.
D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.
"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"
Elita-One:
Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.
Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.
If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.
Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.
She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.
"My point is, that your instincts tell you to break protocol for a reason."
B-127:
B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).
I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.
It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.
"Are you serious? This is the greatest day of my life! I get to work for the government!"
Starscream:
Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.
I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.
Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.
"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."
Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.
If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.
"Scanning electrical impulses: He speaks the truth."
Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.
Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.
"He wouldn't stop talking."
Sentinel Prime:
Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.
"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"
Alpha Trion:
Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.
I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.
"I failed you, old friend. You deserved so much better than this end."
Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.
Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.
"I see everything."
That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.
Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.
"Little? There's nothing little about you."
Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.
"You are no cog bots with limited options. Report to waste management immediately."
Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.
The Plot
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(An assessment of the story overall & its holes.)
The plot was fantastic, at least with all the random unneeded scenes not considered.
There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.
There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.
The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.
It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.
A very solid 7.5 - 8/10 movie when viewed overall.
The World Building
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(Current questions & Information + musings)
Cybertronians don't bleed, unlike other continuities.
I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.
The cogless had their cogs removed before coming online. Where are said cogs now?
It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.
Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.
It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.
Cycles are years. Days are days.
Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.
Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.
It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.
The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?
I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.
Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?
We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.
Is Cybertron in a post apocalyptic state?
I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.
T-cogs evidently have a certain amount of biological alteration involved in their acquisition.
This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.
Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?
I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.
Cogless bots are essentially children.
They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.
No noticeable spark chambers. Instead, we have the slot for T-cogs.
I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.
(Also the smut writers are going to have to get creative)
There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.
I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.
There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?
Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.
How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?
It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.
D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?
Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.
The Matrix is referred to as an entity. Why is that?
No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.
The bots have eyelids and tongues.
It makes sense that they have them. I just think it's neat.
Some bots have real names. Other do not.
I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.
The Ending + Implications
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(How I think things will go from here in future films.)
The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.
Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.
Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.
If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.
The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.
We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).
Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.
We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.
There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.
Elita is bound to get more screen time than she deserves.
Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.
Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.
The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.
I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.
Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.
My Suggested Adjustments
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(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)
Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.
I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.
Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.
The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:
"How many times have we done this Orion? I can't keep letting you break protocol!"
"Even to save a few lives?"
"We are miners. Danger is part of the job. Your recklessness is a liability."
"Even though it saved you from that tunnel collapse last cycle?"
"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."
Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.
When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.
The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.
The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.
Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:
"Don't mess with the bodies, those tend to be infected."
"Watch where you step! Don't want to miss energon by accident. It's rare down here!"
"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"
B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.
The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.
From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.
Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.
Then the traintop scene can play out as normal.
Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:
"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."
"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."
"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."
"That's fine, because I quite firmly believe that this is the real deal."
"It better be, or you can bet your bolts I'm never going to let you live this down."
"I wouldn't expect anything else."
Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.
There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.
The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.
D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:
"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."
Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.
The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.
The scene with Sentinel and Alpha Trion can go as normal.
The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.
Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.
At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.
Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.
The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.
The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.
There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.
D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.
The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.
The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.
Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.
Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.
He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.
Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.
This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.
Arguments Against My Critiques
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(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)
The movie is aimed toward a younger audience. You shouldn't be so serious with your review.
The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.
Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.
The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?
No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.
They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.
Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.
Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.
I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.
The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.
I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.
The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.
Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!
A shiny turd is still a turd. Next question.
You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.
True enough! But to that, all I can say is: Environmental factors.
I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.
And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.
Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?
It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.
It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.
Why bother with such a long review at all?
Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)
I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.
Final Note
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(Best film ever? No. Great addition to the Transformers Franchise? Yes.)
Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.
The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.
If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.
There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.
I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.
TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.
It's not a bad movie. It was simply born in a bad time.
With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.
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"We could have built the future together."
"I'll build it myself, after I tear down everyone in my way."
181 notes · View notes
blueikeproductions · 1 month ago
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Sentinel Prime also has an interesting conceptual history.
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Also interesting is how he managed to be the main villain of two movies in the film series.
His origins lie in the Marvel comics, simply being the name of the guy who was in charge before Optimus, when the comics took the lead set by Rodimus in the original movie, and started setting up a proto-Prime lineage.
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For the most part, Sentinel remained a comics only character, as the 80’s cartoon never had a Sentinel, instead using its own lineage consisting of various nameless generics.
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Though modern material has retroactively declared this fella is the cartoon Sentinel.
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Sadly this design and his rad space rhino truck mode has yet to be immortalized in toy form.
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Sentinel’s personality didn’t start getting fleshed out until the Dreamwave era, where most material painted him as powerful, kind and a revered figure among the Autobots. Like Rodimus in the cartoon, Optimus felt inadequate stepping into the role Sentinel left behind.
Sentinel’s more pompous arrogance didn’t become common place until Animated’s version.
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Originally more of a goofy friendly jock in his boot camp days, but after a falling out with Optimus during an off the books trip for treasure hunting that saw Elita lost and Optimus take responsibility for Sentinel’s stupidity, the big chinned bot became more entitled and bullheaded, unwilling to accept his own mistakes to look bad in front of Ultra Magnus. Developing a phobia of organics from the giant spider aliens, Sentinel isn’t exactly a people person, not winning over the citizens of Detroit like Optimus did during his time in Earth. This Sentinel would get increasingly desperate trying to make himself look better over Optimus who had won over Ultra Magnus, but usually this wound up backfiring for him like when the Headmaster cut his head off and took over his body. Sentinel got a bit lucky when Shockwave attacked Ultra Magnus, allowing Sentinel to become acting Magnus to lead Cybertron. This saw strict curfews and fear mongering propaganda, mostly about organics and Decepticons to Ratchet and Alpha Trion’s annoyance. In Sentinel’s brashness, he almost unwittingly destroyed Cybertron when attempting to shoot down an unstable Omega Supreme controlled by Megatron, leaking Transwarp energy that’d fry the planet if attacked. When Optimus’ crew came back to Cybertron with Megatron, the missing Protoforms, the Allspark and Omega Supreme they were regarded as heroes, but Sentinel wasn’t impressed, doubling down on how HE was Magnus over Optimus. In the semi but not totally official Trial of Megatron script reading years after the finale though, a dying Ultra Magnus officially appointed Optimus as the true Magnus, which only made Sentinel more desperate, getting fooled by Megatron into being put on a trial that ultimately ended in the Decepticon’s favor.
While a blowhard from top to bottom, TFA Sentinel was still trying to do what he felt was right to protect Cybertron, something that would influence his movie counterparts.
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Pry the most well known version besides Animated Sentinel, the DotM version was initially a mix of his Dreamwave version and Star Trek Spock (cuz he’s voiced by Leonard Nimoy).
The IDW movie comics fill in some extra gaps, as Sentinel was a direct descendant of the Primes, and supposedly the last. Leading Cybertron into a prosperous age alongside his “sons” Optimus and Megatron.
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Sentinel also fixed an issue that was never fully resolved from ROTF, where special technology was developed with Wheeljack in order to tether a sun to Cybertron, re-energizing the Allspark without needing to destroy it, and powering the planet. Turns out solar power was the answer still, the original Primes just… misunderstood it. The seeds of the eventual Great War were planted however when Megatron overheard Sentinel and Optimus talking, and grew jealous, as Sentinel revealed to Optimus he too was a descendant of the Primes, and is set to take over when Sentinel steps down.
Although it seemed Sentinel had died when the Ark seemingly exploded, he survived and his ship crashed on the Moon of Earth, kick starting the movie. While the Autobots were thrilled to see their old leader back, hoping the tech the Ark held could stop the war, their joy turned to horror when Sentinel Prime revealed he intended to bleed Earth dry, having made a pact with Megatron to save Cybertron in this way. The comics fill in the gaps by better tying it with RotF, where Sentinel and Megatron’s interests aligned, and they decided to go to Earth, the site of the final Star Harvester to complete The Fallen’s goals to save Cybertron.
DotM Sentinel was a noble being and a strong patriot of Cybertron. Like TFA Sentinel, he did what he felt was right, but unlike TFA Sentinel, he employed a form of tough love towards the end, realizing Optimus didn’t have the ball bearings to do what was necessary to win the war. Only too late did Sentinel realize Optimus actually DID when the Prime was pushed too far and shot his former teacher and beheaded his opportunistic brother.
Sentinel falls further in IDW, where due to a lot of retcons and current political events at the time, the orange and red IDW Sentinel Prime was the first instance of a false Prime. Originally an opportunistic Titan Master called Infinitus, he served the ancient Primes and vowed to keep their teachings alive: by keeping the weak in their place with the “good” insuring it. He took on the alias Sentinel and slowly rose to Prime rank, ensuring Cybertron kept its suffocating limitations like the Clampdown and Functionism in place. After being beaten by Megatron, and left for dead, Infinitus merely abandoned his old Transtector in secret (leading the Autobots to be confused how Sentinel was beheaded), and sought to build a new one to continue his plans. Disgusted at post war Cybertron, where the Transformers were slowly unifying with each other and the “disgusting” Colonists and aliens, Sentinel decided to make Cybertron great again by tearing it all down using the power of the Metrotitans. This didn’t go as intended and saw Sentinel die for good, but it did indirectly see the release of Liege Maximo Prime, who had been sealed away in his own MetroTitan that was needed to stop the lobotomized Citybots that Sentinel managed to send to Cybertron.
There was a brief reprieve in IDW’s poorly received reboot, where its Sentinel returned to the just but firm DOTM Sentinel prewar, with the impatience and boldness of TFA Sentinel. This Sentinel wasn’t a racist nitwit, as he led a cultural potluck on Cybertron consisting of other colonists both Transformer and organic aliens. Optimus worked as a political aide alongside Sentinel, and ultimately inherited the Matrix when the big guy was killed by the Rainmaker Decepticons.
Aligned Sentinel is a bit of a mess, because he was originally called Zeta Prime, but they wound up trying to have it both ways calling him Sentinel Zeta, with his younger self looking like TFA Sentinel, but his WFC design being completely unrelated. I’m saving him for Zeta Prime’s entry, but the main thing inherited from this version was being installed as a Prime by the Quintessons.
But now via, TFONE, Sentinel has fully embraced his villainous heritage. A blend of all the major Sentinels, DOTM and TFA visually and IDW personality wise, he inherits his Prime role from the Quints like Aligned. The main difference is Aligned Sentinel Zeta wised up and chased off the Quintessons, TFONE Sentinel sought to bargain with them for personal gain.
A former aide to the Primes similar to IDW, he instead grew jealous of their glory and power, wanting it for himself. He got his wish when the Quintessons invaded, secretly working for them to destroy the Primes and steal the Matrix. Once the deed was done, Sentinel instead took Megatronus’ T-Cog as a trophy as the Matrix spirited itself away from the unworthy blowhard. Creating an elaborate lie to the clueless populace, Sentinel painted himself as a hero who chased off the Quints and ushered in a new era for Cybertron, creating a new generation of diligent (Cogless) wokers to mine Energon, while he “led” expeditions to find the Matrix that was “lost” in the fight. In truth, he was paying off the Quintessons in Energon, though even Sentinel was forced to admit the arrangement was barely leaving the Transformers with anything.
His downfall came when the main heroes witnessed his dirty dealings, and heard the truth from a still alive Alpha Trion, with D-16 out for mech fluid. While Orion succeeded in showing the populace the lies Sentinel told Cybertron, that wasn’t enough for D-16, who first hand witnessed Sentinel’s mask coming off, his true cruel nature exposed at last. Sentinel was perfectly content in wanting to murder the rebellious High Guard and naughty Miners that fell out of line, wanting to use them as an example by massaging the truth. After all, the truth on Cybertron has always been what Sentinel wanted it to be.
While Orion didn’t want a murder (I assume Orion figured Sentinel would just be thrown in jail while Cybertron restructured itself), and took a shot for Sentinel, it was all for naught, as D-16 killed Sentinel anyway, and took back Meg Prime’s Cog, installing it in himself to fully evolve into Megatron.
TFONE Sentinel took the worst traits of his predecessors, becoming the embodiment of what a truly bad Prime looks like. Notably, Sentinel’s actions absolve Megatronus and Liege Maximo of their own counterparts’ misdeeds, putting all of Cybertron’s problems on Sentinel Prime only (barring any retcons in future sequels). Depending on what future stuff may do, perhaps Sentinel Prime is now the defacto bad Prime over Megs and Liege. What Sentinel Prime Transforms into varies, though with the inclusion of the cartoon “U-Haul Robot”, he tends to be a truck to mirror Optimus, but the truck differs depending on the character.
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Hilariously, a new 40th anniversary Missing Link toy repaints the old Optimus toy into G1 Marvel Sentinel.
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The modern G1 & TFONE Sentinel are the only deviations, opting for planes, and a space train that’s never really used.
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Given the series’ habit of making most flyers villains, and ONE Sentinel’s quite literally being above the miners, maybe future versions of Sentinel will be arrogant jets instead.
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somepsychopomp · 19 days ago
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omg so i saw Transformers One for the second time today and I had a thought (many thoughts actually but I'm saving the others for later)
Spoilers btw
So at the end of the movie when Orion says they need Airachnid & the gang goes off to broadcast her memories... D-16 was not privy to that conversation. He was too busy solo'ing Sentinel who was absolutely lighting up his own tower in an attempt to kill them.
Did D-16 even notice that all of his friends abandoned the fight? That they abandoned him to duel Sentinel on his own?
Or was he too consumed with rage to notice that he was alone- no Elita, no B, no Orion.
Idk, it's never acknowledged in the film but from a viewer's perspective/narrative standpoint, it feels like such a gut punch knowing Orion never intended to leave his best friend & that he just had a different plan for how to defeat Sentinel. But if you look at it from D's perspective, he was kinda left high and dry to do the hard, bitter work of occupying Sentinel's attention alone.
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blade-liger-4ever · 1 month ago
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I just need to let this out
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The new film, Transformers One, from what I've seen of spoilers taken straight from the theaters and what I've read up on Wikipedia, is a good show. It's got plot threads and characterizations taken across practically every medium of the franchise, and even utilizes the Transformers: Prime theme music twice in the film. It's honestly, all things considered, the best TF film since Age of Extinction in 2014.
But....The only one whose acting I actually enjoy is Brian Tyree Henry, the guy playing a young Megatron.
And that's great; he's a fan, and his love for the Transformers comes through crystal clear in his performance. I fully admit he doesn't tonally sound like Frank Welker's Megatron, but he sounds like Megatron: his vocal range hits every emotional beat you'd expect/are familiar with Megatron having in the various cartoons and comics, and he practically swallowed the source material and became Megatron, all while making use of verbal tics Frank Welker has employed for the character and making it his own while still being Megatron in his own right without stepping on what Frank Welker has done with Megatron.
And I love that. Heck, I 100% expected him to walk away from this production with all the awards, and he'd have earned them all in my eyes.
But....listening to Chris Hemsworth as Orion/Optimus....there's, there's a kind of lacking and restraint there.
Don't get me wrong, he's admitted to going to Peter Cullen himself for advice/guidance in playing Orion/Optimus and to make sure he doesn't goof up his portrayal of the character. But, there's not nearly as much range in his emotions as there is with Brian Tyree Henry. Maybe he's leaning into Orion/Optimus being the more controlled of the two, maybe he's leaning into the immaturity too much, or maybe he just feels like a bull in a china shop with all the pressure on him.
But...he could've done more. He could've - could've tried harder to be emotionally present, like Brian.
And I just - I just can't feel anything from his performance, save one line - and even then, that one line is, essentially, Orion's last words before dying and being reborn as Optimus Prime. I will give him this, he made me believe Orion was seconds away from death.
But everything else....there's not quite as much effort in it, most likely for fear of losing a balance between honoring Mr. Cullen's work and staying in his own lane. And when he speaks, it's....not that impactful.
There's not...how do I explain this....He just, he just doesn't have a vocal presence. He doesn't stand on his own in this movie; if anything, he sounds like a walking anomaly and just hearing him talk makes my suspension of disbelief for the movie shatter.
Scarlett Johanssen, I'm just gonna be blunt: she was a mistake to cast as Elita One.
Elita is one of my favorite females in Transformers of all time, and Johanssen - every time she speaks in this movie, my brain just registers the moody, teenage porcupine she voiced in Sing and Sing 2. She doesn't fit as Elita. There's too much youth in her voice (says something that she has the voice of a teenager), too much strictness/harshness, and not enough warmth and feminine strength in her voice like there was in G1. That's the whole point of Elita: she's the feminine counterpart that complements Optimus' masculinity.
And they took it from her. They took it, from me.
Yes, Elita doesn't have as much memory/love held to her as Optimus does, and I understand that people are gonna mischaracterize her. But that doesn't make it okay; it doesn't make it okay that she's modernized while having attempts at making her nice/still partially given feminine qualities to - this version of her.
And I hate how she fights in this movie. She moves like Black Widow - all slip 'n slide, using confusion and up-close-tactics with kick/leg-grappling-thing techniques.
Elita, in the original, from what we saw, was both a distance fighter (read: she shot a space gun), and capable of close quarters combat that was both feminine and practical. Heck, she was even more bad-aft than the movie portrays her: she literally caught a missile in her debut and threw it back at the Decepticons.
Why is a fighting style like THAT so hard to emulate?
Bumblebee, I don't care. His appeal has become lost on me for almost two, maybe years now. But dear Lord in Heaven, he is so annoying in TF One. No joke, Megatron would be in the rights for ripping his voice box out in this continuity.
That said....the guy doing him, somehow, manages to convey the seemingly eternal sugar rush this version is on. And he gets a small nod of approval from me for being physically active behind the mic in order to sell his performance.
(Despite that, something about the actor rubs me the wrong way. Maybe it's that both he and Bee never shut up, I don't know. I do know that I never wanna be in the same room as him.)
Shockwave....is too emotive, but it gets a pass from me because so far as I can see, all his emoting in this film is a direct result from hearing Bee yap non-stop, including in an unconscious state. That's passable for me. A tic, yes, but passable.
Soundwave still sounds monotonous, but the ones in charge get an 'X' in my eyes for not getting Frank Welker back for the character.
Starscream is done interestingly, and although I don't yet know how to rank Steve Buscemi's delivery of the character's lines, I'll let Buscemi slide because he's had experience in voice acting - little bits, but the experience counts. I'll also let him slide because he returned to volunteer firefighter duty when 9/11 happened, and he stayed there all three days of search and rescue. So, while I can't rate his performance fully, he has my respect and I will not take on his portrayal negatively because of that.
Sentinel....I'll give the VA this, he pulls off the airy, self-aggrandising theatrics well. Beyond that, to be decided.
Laurence Fishburne as Alpha Trion....I'm not sold. His voice is too deep, and while I have many issues with George Takei, he did, indeed, nail Alpha Trion's performance post G1. Takei's experience, plus his voice, allows him to sell Trion as an old, yet still physically capable, former Prime whose wisdom is sound and collected from eons of experience.
All I get from Fishburne's portrayal is "old but still tough", and that's not enough for this character, in my book.
That's...more or less it. I'm just, really tired of consistently getting new Transformers media that has potential, but without Peter Cullen and Frank Welker even being approached for the projects. Yes, there's a possibility that they both tell/told these people to pound sand, but they've said repeatedly that they're getting pushed aside by the higher ups. And they've been so vocal about wanting to play the characters, but are constantly being given the boot by Hasbro.
They deserve better than that. The fans deserve better than that, and even I deserve better than that.
Peter Cullen and Frank Welker are the reason I and so many others had such golden childhoods. It's painful to see them getting disrespected like this, and I hate that more new TF media is being made without them, especially since they aren't getting any younger.
I'm not scared, exactly, about them dying.
I'm just scared they won't be able to have any more rodeos in Transformers media together before their time comes.
And that is why, ultimately, I can't bring myself to enjoy or watch Transformers: One. Why I don't care that it's failing like this.
Because Hasbro had their chance many times, and they've failed me. They keep failing me, Peter Cullen, Frank Welker, and all of us.
I'm just done caring for new shows from Transformers unless it's got our childhood heroes voicing our favorite characters with the good writing they had up until Transformers: Robots in Disguise 2015. And given this commercial blowout, I won't be getting satisfied anytime soon.
Thanks for coming to my TED talk. I hope you don't mind the release of my pain, but I've held it in for a month, more or less. I just needed to make it public.
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qatheauthoress74 · 1 month ago
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Transformers One Spoiler Review
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There are so many spoliers in this review. I am not kidding when I say go watch the film (five times at least) before reading this. Okay? Good.
I’m gonna be honest here. Growing up I wasn’t all that invested in the Transformers franchise as other kids were. I ocasionally watched a random episode of Transformers Animated or Prime whenever they were on TV back in the day but I wasn’t what you’d call a fan. All that changed after I watched Bumblebee (2018) on a whim and it changed my brain chemistry in the best way. Seriously, that film is still one of my comfort movies and I love it so much that I even began to write fanfiction again with several TF fics, including my Riding A Sunset story (https://archiveofourown.org/works/17648414/chapters/41617823).
But before Bumblebee, theatrical Live Action Transformer films had the infamous status of being bad to downright terrible for overusing bland human characters over the Autobots or Decepticons as well as being very inconsistent with their own established continuity. Not to mention making some characters act very out of character. Seeing a film like Bumblebee helped me believe that filmmakers are capable of telling a story that not only respects the lore but also genuinely cares about substance over spectacle outside of the well-made fight scenes. That was why I wanted to give Rise of the Beasts a chance when it came out but I was sadly a little underwhelmed. It is still better than any of the Transformer films Micheal Bay directed, but personally, that’s like saying the Eukrea 7 film “Pocket Full of Rainbows” is better than E7: Ao and the follow-up film trilogy, which isn’t saying much. Again, that’s just me and my biased opinion. Which is the whole point of this review.
But believe me when I say I did want to give Transformers One a chance. I was hopeful after learning it was going to be fully animated and would actually focus on the Transformers instead of some random humans. So, what kind of plot would the film be about it’s a prequel set on Cybertron?
Well…
Plot: The premise is the origin of the mighty leaders of the Autobots and Decepticons, Optimus Prime and Megatron, and how the two factions would eventually fight over control of their home planet, Cybertron. Both started as lowly miners unable to transform into vehicles like the other half of their race can and so are forced to work day in and day out in their underground home of Iacon City to collect the fuel source known as Energon. The reason they need to do so is because 50 cycles before the events of the story the leaders of Cybertron, The Primes, died in a war against an alien race called the Quintessons. After they were killed an important relic known as the Matrix of Leadership disappeared and it led to the Energon dwindling until it could only be found deep under the planet’s surface. Without Energon, the Cybertronians would perish, which is why Orion Pax (Optimus Prime’s identity before he became a Prime) wants to find out what happened to the Matrix of Leadership. The current leader of the Cybertronians, Sentinel Prime, is trying to find it out on the surface but has been unable to do so. D-16 (Megatron’s original name) would rather keep his head down but constantly gets dragged into whatever zany scheme Orion has come up with at the moment. Thanks to unintentionally antagonizing a Cybertronian named Darkwing the two get dumped into the lowest place imaginable and meet an overly talkative but friendly bot called B-127 (aka Bumblebee). There they discover a warped message from one of the fallen Primes, Alpha Trion, calling for aid. Orion sees this as an opportunity to find a clue to where the Matrix might be and convinces D and Bee to help him reach the surface and inadvertently brings along Elita-1, Pax and D’s former boss, who recently lost her job thanks to them breaking protocol to save another miner’s life. The four bots end up discovering Alpha Trion’s unconscious body and manage to wake him up. He reveals to them that Sentinel is not what he seems and tells them a horrible truth:
Sentinel was never a Prime and was the one responsible for killing the original Primes with help from the Quintessons.
And all of the Energon the Cybertronians have been mining was being given to the Quintessons by Sentinel as a form of hush money to keep them from revealing his true colors to the Cybertronians. The heroes later learn that he was also the one responsible for taking their cogs as newborns so they could never have the freedom to be anything else but miners. The story then goes to show how Orion, Elita, and Bee want to bring Sentinel to justice while D (who gets slowly consumed by his deeply suppressed anger) wants to seek vengeance against Sentinel for what he has done and kill him for his crimes. The story gradually unfolds as lines are drawn, and tragically, the beautiful friendship between Orion and D ends with them becoming bitter enemies under their new personas, Optimus and Megatron. The movie ends bittersweetly with Optimus inspiring his former fellow miners into becoming Autobots and bringing Energon back to the planet as soon as he was given the Matrix after he sacrificed himself trying to save Sentinel from D/Megatron’s wrath. He also gave the miners their T-Cogs back, restoring their freedom and autonomy. Optimus then sends a message to the Quintessons, telling them he and the Autobots will be ready to face them when they return. Meanwhile, Megatron forms a new faction consisting of the previous members of the dead Primes' High Guard and calls them Decepticons to remind themselves to never be deceived by anyone again.
Damn.
Characters/Voices: The film leans heavily on established lore from pretty much all of the comics, the Aligned Continuity, some Live Action stuff, and Transformers Animated. I wasn’t bothered by the celebrity voice cast. Don’t get me wrong, I will always choose professional VAs over celebrities anytime, but I genuinely thought everyone did a great job, especially Chris Hemsworth as Orion/Optimus and Brian Tyree Henry as D-16/Megatron. Henry said in interviews he was using his experience as an activist in college as inspiration for how resentful and angry D-16/Megatron sounded in wanting to change things and I say he succeeded. Hemsworth had done his homework by consulting with THE Optimus Prime himself, Peter Cullen. I personally like to believe Cullen shared his “how I became Optimus Prime story” which is summed up by how Optimus should “Be Strong Enough To Be Gentle.” The reason I think that is because I felt it in Hemsworth’s performance, especially at the end of the film. I loved how they gradually sounded more like Optimus and Megatron as the story progressed. Which is both amazing and heartbreaking at the same time because you could see from the start how close Orion and D-16 were to each other before learning about the truth. It gave me the same feelings after seeing other great friendships/sibling bonds like Vi/Power/Jynx and Moses/Ramses fall apart in Arcane and The Prince of Egypt. Also, was anyone else reminded of that scene from The Fox and The Hound Todd and Copper's promise of staying friends after seeing Optimus' flashback of his first meeting with D-16? );
Other standouts include Laurence Fishburne as Alpha Trion. He gave the Prime a grand presence that almost reminds me of James Earl Jones as Mufasa from The Lion King. RIP.
Scarlett Johansen was great as Elita-1, but I already had zero doubts since she had experienced voice acting before this film.
Vanessa Liguori did a great job of giving Airachnid a sinister personality.
And I have no idea who this “Jon Bailey” is, but he certainly gave Soundwave an “Epic” voice that I liked. ;)
Steven Buscemi as Starscream was a delightful surprise, even if I learned way more about Starscream’s kinks in this film than I would like, but hey, if he likes getting hit and choked, I won’t kink shame him.
Jon Hamm made me hate Sentinel so much. Give him an Oscar, please.
Now, the one actor who I was a bit wary of was Keegan-Michael Key as B-127/Bee. Bee has quickly become one of my favorite Transformers thanks to Bumblebee (2018), and I was worried Key would make him unbearable to sit through. But as I said earlier, the script (and possibly the voice director) made Bee come off as annoying in a “doesn’t know better” kind of way that almost leans to obnoxious but more akin to a hyperactive young adult who’s happy to have friends. Heck, the film even knows his voice could get annoying and made several funny jokes surrounding it. Also, the film knew to only have Bee talk too much during scenes that were supposed to be funny. When it came to the more quiet moments Bee was able to take things seriously as well as the rest of the characters.
And yes, I noticed Steve Blum was the racer announcer and archive guard. He did amazing as per usual. No notes.
Animation: I can’t stress enough how beautiful the animation for this film is. Industrial Light & Magic did an excellent job with the animation and I hope to see them do another Transformers film like this again. I loved the way Iacon City was designed.
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The director, Josh Cooley, said the filmmakers were inspired by the Art Deco movement and you can see it from how the buildings look. It gives off a Metropolis meets Blade Runner in the best way. I also liked the way the roads and rail tracks would “magically” appear when someone was driving on them. And the way the planet’s mountains moved was also nice to look at.
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And this is something that my mom liked while she watched the film was how Alpha Trion used sand to show the past and what happened to the Primes. (Who knew Alpha Trion was an Earthbender? XD)
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One touch that I really like was when after the quartet learns of Sentinel’s alliance when the Quintessons you can see D-16 is sitting further away from the others and has his back facing them. A subtle sign showing the growing distance between him and the heroes. And the way his optics gradually changed from gold, orange, and finally to red was done very well.
Also, when Orion reunited with the miners he made sure to kneel so he wasn’t towering over them. It’s a nice way that show how humble he truly is compared to Sentinel and later Megatron.
And another thing was when D-16 shot Orion his left arm got destroyed. D-16 originally ad the Megatronus Prime decal Orion gifted him at the beginning of the film on his right arm, too. It truly feels like D-16 is destroying his old self in that moment.
Did anyone else notice that Shockwave and Soundwave initially had yellow optics and visors, but they were changed to red in the post-credit scene? They must've did it to match their new leader, which I'm sure Starscream was very "happy" about since he was originally leader of the High Guard and had red optics before Megatron. XD
I didn’t expect this film to get violent, but the shot of Megatron killing Sentinel by pulling him apart was brutal. The film did not kid around with its PG rating.
Nitpicks:
If I could complain about a few things I would say that I wished the film had a slightly longer runtime. At least 10-15 more minutes in the third act. I would’ve loved to see more of the final battle with the miners fighting Sentinel’s soldiers and Optimus vs. Megatron. I did mean it when I said Hemsworth and Henry killed it as Optimus and Megatron. But hey, if their performances were that good it definitely convinced me to go see the next film with them in it.
I would’ve liked to have seen other animals on Cybertron’s surface besides those metal deer but that’s just me.
Also, this is just a me thing again, but I kinda wished the miner characters (or minors XD) had more distinct voices. It’s just that since the Generation 1 cartoon, all of the Autobots were known for having unique accents like Ironhide’s southern drawl, Wheeljack’s Brooklyn accent, or Jazz’s smooth way of speaking. I mean, if the High Guard/Decepticons were allowed to have voices based on their original counterparts the Autobots should’ve had the same thing, ya know?
And how dare they tease me with namedropping “Medic Ratchet” but not actually have him appear in the film. I want my grumpy doc-bot. And Drift. I don’t think I saw Deadlock with the High Guard. Did anyone? I think I mostly just saw Seekers and Coneheads in the crowd shots.
HC/Theories:
The reason mining Energon was so dangerous had to do with Primus himself deliberately trying to halt it as much as possible. Think about it, Primus sent the Matrix of Leadership away before Sentinel could use it. I bet Primus didn’t want Sentinel to give Energon to the Quintessons which Sentinel ended up doing by making Cybertronians mine for it. Primus also probably made the mountains move while the group was on the train because we later learn it was full of Energon and not waste like Elita initially thought. Primus has been trying to undermine Sentinel’s plans all this time but probably couldn’t do too much damage as he didn’t want to hurt innocent Cybertronians in the process. And another thing to add is the fact that it looks like the planet itself is moving after Orion was dropped by D-16/Megatron so that Primus himself would bring him to the planet’s core and bring him to life as Optimus Prime because he knew the young miner was worthy of the Matrix.
I’m pretty sure Jazz became one of the first Autobots because he wanted to show his appreciation to Optimus for saving his life earlier in the film.
I like to think the reason why B talked so much in One was probably to make up for the fact that he barely talked at all in previous TF films. Though, there is another theory going around that in the next movie, the filmmakers are planning to make him mute which is why he talks alot in One. I seriously hope that WON’T happen because I’m sick and tired of Bee losing his voice so often. I know some later shows have avoided this, namely Robots in Disguise (2015) and EarthSpark, but I would seriously love the films to follow the same example.
Overall:
I love this movie a lot. I’m pretty sure if this was my first time seeing it instead of Bumblebee (2018) I think this would’ve altered my brain chemistry as much as that film did. If you haven’t seen this movie go watch it and if you have, go see it again. I WANT this movie to do well in theaters and not be a failure. The fact that it took us this long to get a film that captures the Spark of Transformers and be something both fans and newcomers can enjoy is nothing short of a miracle. We need Hasbro and Paramount to know this and Bumblebee are the kind of content we want to keep seeing and not the same movie with “Bayhem” over and over again.
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Thank you. I’m already writing another blog about this movie soon. It’s going to be about why TF: One is a better Wish movie than Wish (2023). Trust me, it’ll make sense once I post it. XD
Keep on Writin’ and Rockin’
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frankenwolf1564 · 21 days ago
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Transformers ONE: a quick overview
I'm fresh off my second viewing of TF ONE (at the time of writing) (yes I am that kind of nerd) and I really gotta get my thoughts out on it because it is such a spectacular film and easily one of the best pieces of media this franchise has seen, like, ever. This first bit will just be some general thoughts and full on spoiler-y stuff will be below the line in case you still haven't seen it, which is something you should go and fix, like, right now. Do it. Go watch the movie.
First off, the whole thing is just. Gorgeous. Nearly every frame is its own work of art. Cybertron is realized beautifully, both in Iacon and on the surface. Buildings hanging from the ceiling, endless layers and impossible heights, it's so easy to get lost in it all. It contrasts amazingly with the grungy, cramped mines and the harsh, living crust that's constantly changing and shifting. The visuals alone sell this film.
Orion and D-16's friendship is handled impeccably. It's really fun to watch them bounce off each other and it's easy to see why they're friends. What's even better is watching them fall out. This is your spoiler warning, because even if you know exactly where they're going to end up (which is likely if you've consumed nearly any Transformers media in the like, past decade?), the fun part is seeing how they get there.
oh and like. Bee and Elita are alright. I guess. They're probably not why you're here but y'know. Scarlett Johansson was ok. I thought some of her deliveries were kinda weak, especially by comparison to Brian Tyree Henry and Chris Hemsworth, but she wasn't bad. Neither was Keegan-Michael Key. I found Bee a bit grating but that was kinda the point and he was still funny, so.
Alright. You've seen the movie? You don't care? We're clear? Good.
You can see the exact moments that turn D-16 into Megatron. Yet even before those you get these tiny little hints that he's a bit off. He goes off about killing Orion or straight-up mutilating him, but it was a joke guys, he didn't mean it! "I'll melt your face into slag" isn't a sign of a sound individual, no matter how casually it's said. He's only convinced to go on Orion's quest for the matrix by the allure of praise and adoration. Everyone else is shocked or remorseful when they hear about the Primes getting killed, while D-16 is angry. The second he saw Sentinel's betrayal he was thinking about what he could do to him. How he, personally, was betrayed by what he'd done. How he could get his revenge. He took every single slight against the entirety of Cybertron, the betrayal and selling out of their race, as a personal offense. He slaved in the mines to fuel the Quintessons. He had his T-cog ripped out. His hero was killed. His idol was a traitor. Why shouldn't he be the one to set it all right? Then there's his declaration to kill every one of Sentinel's followers. Right before they're captured by the high guard, he's telling Orion that none of Iacon would turn their backs on Sentinel, that even when shown his lies like they were, they would ignore it. They would continue to follow him. He was fully comfortably slaughtering every single person that even for a second believed in the system like he did. There was one bot that tried to talk sense in to him, but he had stopped listening long ago.
Orion Pax is great. He's (going to be) the boy, he kinda has to be. Right off the bat you're shown that he's a rule breaker and not contempt with the system. He wants to find the matrix not to please Sentinel, but to help his fellow Cybertronians. He wants to bring back the flow of energon to make everyone's lives better, especially for those down in the mines. He's eager to do a good job in them because he wants to help. He's a little self centered about it all, certainly, but it always comes off as for the greater good. He broke protocol to save Jazz when the mines were collapsing. He broke into the Iacon 5000 to show the city that all miners were capable of more, not just that he was. He knew that there was more for everyone than just mining more energon. He's looking for a way to make things better. This is one of the many things that helps set him apart from D-16, who, while not happy with his place in the world, was content. He believed it would all work out as long as he stayed in his lane and did his part, even if that lane sucked. Then there's his reaction to the truth. He feels sorrow and anguish when he learns the Primes were betrayed and killed. He mourns the loss of life. He's put off by how eager D-16 was after killing one of Sentinels guards. He tries talking him down but it doesn't work. He's dead set on that path and there's no getting him off it. You can see the fear in Orion's eyes that there might be no turning back for his friend as he's fighting Starscream. It's a side of him he's never seen before and he doesn't like it. The rage. The unrestrained, unfettered violence. The sheer brutality in both his blows and his words. But there's still a shred of hope that, once this is all over, he'll have his friend back.
That last scene man. I cried in both my viewings. Orion is desperately trying to talk D-16 down, hoping that maybe, just maybe his friend will listen one last time. Sentinel is beaten. He's been completely exposed. He can't run. He can't fight back. There's nothing left for him except to be taken in and shown justice, but D-16 isn't having it. He will give Sentinel what he feels he deserves. He will tear down everything that traitor has built. He will rebuild their new world. He. Will. Have. His. Revenge. And he's not letting anyone get in his way. Orion jumps in front of Sentinel in a final bid to do the right thing, to preserve some sense of right, to get his friend to see the light, but it's not enough. He takes the blow. He gets knocked to the edge, and out of instinct D-16 grabs him. Then he lets go. He lets Orion fall to the depths of Cybertron and. Man. The music swelling as the planet itself parts to bring him to the core. D-16 tearing Sentinel in half. Any and all remaining clutter and debris clearing as the core comes into view. D-16 declaring the traitor as finally dead. That the age of Primes and their impersonators is gone with him. Primus himself grabbing Orion and saving him. D-16 tearing the stolen cog from Sentinel's lifeless torso. The Thirteen Primes coming forth from the core to induct Orion. D-16 upgrading himself into his new form while Orion is healed and blessed with his. D-16 declares himself as Megatron at the same time that Orion Pax is given the title of Optimus Prime. It's powerful stuff. Any other flaws this movie has are rendered completely null and void by that one moment. It's that good and I can not wait to see what comes next.
I want to end the review there because *gestures broadly* but I still have more to say. I am. SO fucking glad Optimus isn't the reincarnation of one of the Thirteen or anything like in IDW(?) and the Aligned continuity. It's Orion Pax's destiny to become Optimus Prime, don't get me wrong, but he still has to earn that. He shouldn't be handed it on a silver platter because whoopsie daisy yur the reincarnation of one of robot god's direct descendants kid. So I am very happy to say ONE Orion worked for his new title. He stood up for what was right. He fought against injustice. He didn't take the easy way out. His creator saw that he was worthy of more and granted it to him. And it's such good contrast to Megatron, who took the power that he wanted, not caring who got hurt in the process. Just. God damn it I love having actual themes to dissect and analyze and character arcs and stuff. Feels fucking good man.
so go see this movie I need a sequel
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bellamby · 28 days ago
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I saw Transformers One. I am so normal about it (SPOILERS AHEAD)
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(Some OC doodles to hide the spoilers! If you have a cool name for her, lemme know ^^)
Honest Review: 9/10
I went in with high expectations and I was not disappointed. The best summary I can think of is that this movie is truly a love letter to the fans.
I could rant for days, but I'm gonna break it down into sections so I don't talk myself in circles ^^
Story:
The story focusing on how the war began was such a good move on the writers' part! It showed a version of Cybertron that I haven't really seen in other Transformers films, and the setting was incredibly explored.
When it comes to the origins of Cybertron and the whole "Primus/Unicron" battle, I think it was well explained considering the limited time they have in the movie.
Overall, a well-paced and actually interesting NON-HUMAN-FOCUSED story, but I will agree with others that I just wish the movie had more time to explain some things. That's basically my only complaint: the movie wasn't long enough 😭
Art:
The animation style is gorgeous, and really takes inspiration from that Retro/VHS style and colours and merges them with a shiny modern look. It took a good chunk of inspiration from the 80s vibes and I think that really showed how much care was put into it.
When it comes to the designs, I freaking LOVE the way we see them level up throughout the movie!
Characters:
Orion Pax/OP = I loved him. I will love him in every continuity, but this one especially, showing him with all his flaws and then how he rises above them for what he believes. His relationship with D-16 was so well built up, and to see it torn down so harshly as the movie went on was the level of brutal I was expecting.
The scene where he finally gets the Matrix of Leadership was SO well done. My hype for Solus Prime will never die.
D-16 = He needs a hug so badly. He's the classic tale of "Never meet your heroes". To see him shift from "I made peace with my misery, why did you have to ruin it?" To "I'm going to destroy the people who made me this way" was such a painful thing to watch. But I can't even be mad because this is literally what Megatron's whole story is about.
His origin will almost always come from a point of seeing injustice and wanting to rise against it, and they showed the lengths he'd go to really well here.
Elita One = MY QUEEN. I will follow this woman into battle any day of the week (and so would Shockwave). I feel like there was a point where she was mainly just regarded as "Orion/Optimus' GF", but they really separated her from that stereotype in this. She's not just "pink Orion Pax", she's a character in her own right.
Seeing Orion have to earn her respect helped show just why the two hold each other in high regard. I hope we get to see more of her as a Commander in the sequel!
BEEEEEEEEEEEEEEE = MY PRECIOUS BOY. Okay, there was a point in the trailer where I was really worried he was going to just be the comic relief character who makes a joke every time something serious is happening, but instead he's an awkward bot who means well. He doesn't always get it right, but he also doesn't actively mess things up for the group.
Bumblebee's wholesomeness was so well captured especially the part where he's like "Orion Orion! Watch me cut these guys in half!" While the guys in question are literally running away in fear. He's so cute, I can't. I am going to fight D-16 if he's actually the one who tears out his voicebox, I swear to Primus.
Can you tell who my favourite is? ^^
Favourite details:
- Starscream's high-pitched voice origin. The second he started sounding like that I was like "OHHHHH, MEGS DID THAT?!?!"
- "I'm...speechless" BEEEEE STAAAAWWP
- Alpha Trion's "ROAR" era.
- Sentinel's Death. I love that we can get away with gore in PG films when it comes to robots. Man literally got snapped in half like a KitKat, and the age rating people were like "...yeah, 5-year-olds can watch this"
- Origins of the Decepticon symbol being from Megatronus. Before, I just headcanonned Megs sitting over a desk with several balled up bits of paper trying to come up with a super cool symbol to show his Ex that he'd moved on (he hasn't)
- Chromia's little moment of rage when she won the Iacon 5000. Not enough people talk about Chromia, but I love how Ironhide matches her wild, slightly-unhinged energy.
Conclusion: Hasbro, more movie, please
I NEED to know where this goes. This movie is such a fresh change of pace from all the hesitation and back and forth in recent years. There have been so many different series and continuities starting up that it seems Hasbro is unsure of which one will stick, but this is my plea to them:
YOU HAVE STRUCK ENERGON, HERE, DO NOT WASTE IT
We're getting a sequel either way, but it's up to Hasbro whether that's written by them or by a hero on AO3 or Fanfiction.net
Thank you for coming to my TED talk. I have several nights of crying to do now.
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doshi-sukiru · 1 month ago
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Transformers 1
WARNING SPOILERS AHEAD CONTINUE CAREFULLY!!
So I finally watched the movie, and all I can is
OW?? WTF HASBRO???
The story, the animation, the fucking personalities were all incredible. I loved it, even though it seemed kind of rushed.
Personally, I'm not a huge fan of Transformers in general, and I can't even remember all the live action films they made of them. But this, this I loved. It was funny, but it had its moments that left you in suspense. The graphics were wonderful, and kudos to whomever made the final designs for all the bots and city layout because the detail?? Holy shit??? Like- If they weren't getting a raise before they damn well should get one because wow.
Of course the key thing that brought it together were the actors. Personally, I found Scarlet's acting for Elita a little off-? She's a great actor, but I feel like that there could have been someone else to do Elita, it just seemed weird to me.
But otherwise, I'm glad to see Keegan again, and as B-127 nonetheless! Perfect acting all around, a wonderful badassatron. Chris was also great! I was not expecting to hear him without his accent, because I always hear him with it, so I found that impressive when I found out it was him who voiced orion.
And Brian. Holy fuck. He played d-16/megatron so well. The main speech of his intentions of what to do against Sentinel was beautiful as everyone has been praising, along with the moment when D-16 finally slipped and fully became Megatron when he dropped Orion. Love love love. Maybe it was just me, but when I watched as D-16 slowly descend from his relaxed level-headed self, I could hear the moments sometimes when his voice would shake, and I LOVED IT, because damn when the moments needed that shake it worked beautifully. UGH. Least to say, he's made d-16 my most favorite character in the movie.
Also, screw Lorenzo for trying to connect this film to the other ones. This is no different than the other TV shows that existed, with its own lore and history. It has 0 connection to the bayverse at all, and is in fact the best movie so far this year. I really hope more people go watch it because it deserves the love its getting
Naturally I had to make some pieces to enjoy my hyperfxation of the movie plot (just d-16.)
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miradanii · 1 month ago
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More Transformers Spoiler thoughts...it's a jumbled mess.
1. I don't know why I didn't catch the rocks in the mines were moving on their own for the first time.
2. Also, I noticed and kept laughing way too much when someone said the word MINERS. Like I can't. It's the point where I wish there was a secondary word for it so I can stop giggling when someone on screen refers to them.
3. Silverbolt and Jetfire are in the race!!! And now gives me a shit ton of questions aside from the organic life that's on the surface of cybertron.
4. they did a close up shot of Optimus grabbing on to D-16 when he's about to go off the edge of the road. Had an ouch in the moment.
5. I wanted to watch this movie again cause someone pointed out how D-16 licks his teeth before fighting Starscream and...yeah wow one side of me appreciates small details about a character. Like think of Chihiro in Spirited away putting on her shoes and after standing up tapping the tip of her feet so the shoe feet's right before walking off. There's a lot of mini actions characters kinda do that you might miss and it's just wonderful attention to detail....and the other side of me just wanted to witness this man's tongue for myself because I did not catch it the first time. Because my first thought seeing the screenshot was...."they have tounges?" And I see it right?
I won't comment further.
6. Watching a second time had me pay way more attention to D-16's decent and inevitably to become Megatron. Cause I have seen some of the criticisms. Of maybe it coming out of nowhere or could do a bit more and yeah maybe? It felt much smoother second time around.
7. I also didn't realize Sentinel was the one who told him to "Rise Up" and not even like 10 minutes later D-16 uses it in his grand speech/as Megatron in the aftercredits. Orion making such a bad move to tell him not to be like Sentinal just ahhhh. So this reminded me of a show that did the same thing, a friend turning evil before their eyes, but despite being a good person, she says all the wrong things in the moment. Literally everything wrong.
Orion begging D-16 not to be like Sentinal is not what should even be said at the moment. It just made him more defensive and double down.
8. Facial expressions that are ingrained in my head
-B-127's face when D-16 is arguing with Oron nearly insulting B in his face.
-Orion's really sad during the second half of the movie
-Megatron's optics slightly dimming for a few seconds when Optimus tells him that he's banished from Iacon.
-Elita's change of expression when they reach the surface and Optimus looks at her though in the trailers seems romantic (knowing the history of Oplita) but it's more relief and a I told you so kind of way????
9. I like Elita more now. Her dialogue is what uplifts it for me, mostly in the realm of a supervisor in desperate need of a promotion. Idk if you work 9-5 or a nightshift that spans 10 hours her dialogue is really funny to me.
My least favorite trope is when there's just "girl that is competent and kick ass". For once, Transformers One doesn't let that bother me.
Pretty much due to all the characters having the same level of combat knowledge or scenes punching Orion because it's funny. Arguably Elita-1 doesn't heave weapons like the dudes, and is a fucking bike...and she's pink but overall it's not like there's anywhere in the film that remotely mentions any type of sexism or "girl needs to prove something". She was kinda already doing that with her job until she got fucked over.
Having at least another character relating to her goals in the movie helps too. She and D-16 emphasize wanting to rise the ranks and fear demotion/living through it.
(Now that I think about it...Elita hinting to becoming close to Optimus after Megs is more entwined in the story than I thought. It feels like a slow friend switch and then B-127 is also there).
I wanna see the movie again so I can she Elita-1 and D-16's interactions. Cause I can't think of any specific ones at the top of my head aside from the fight at the end.
10. I love B-127. I think he's a bit older given his immediate knowledge of the High Guard (idk)??? Yeah it's a gag pointing out WaveWave but I like it's his character moment where he just contributes to knowing something.
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elitadream · 1 month ago
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have you seen the new transformers movie yet? i’ve been seeing a lot of videos of it and have been thinking of you cause of your user
Yes I have! 😎 Went to see it in theaters last week!
I gotta say, first of all, that the absence of a human cast was both refreshing and needed- though I give Travis Knight's Bumblebee an amiable tap on the back for handling its relationship dynamics so much better than the Bay films ever did. xP
I've always loved the concept of lifelong brothers turned sworn enemies, and the movie's premise had a lot of potential to offer in that regard. Watching it, it was hard for me not to be reminded of The Prince of Egypt (which in my eyes still holds the gold trophy for that trope btw, it is such an absolute masterpiece 🏆💗) and I really enjoyed how gradual and organic the shift in their friendship was. Both of their point of views was shown and expressed in a genuine way throughout the story, and by the end, the colossal and inevitable divide between them felt entirely believable. That aspect of the film was very well done and it surprisingly delivered in the angst department, which I wasn't expecting considering how bright and family-friendly the trailers looked. All in all, I think it did justice to Optimus and Megatron's epic rivalry! 👏
On the downside, the portrayal of Bumblebee and Elita-One was where the movie fell flat imo. The antagonist having a bland and more shallow personality was fitting because it suited who he is at his core, but the "young comic relief" and "tough as nails woman" character types were made abundantly clear in every scene Bee and Elita appeared and it frankly got a bit old for me after a while. Granted, Elita showed a bit more nuance towards the end, but it came about late and her development didn't feel very satisfactory.
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The first impression I was ever given of her was in The Search for Alpha Trion, where she appeared for a total of less than five minutes; and yet, to this day, it still is my favorite version of the character. She was strategic, rational and highly intelligent, but also collected and calm. She had a gentleness and wisdom about her that beautifully echoed Optimus' own innate sense of nobility and compassion, which was also what made their chemistry so special and great. They felt like equals, and tenderly valued each other as such. Making her distrustful -and even disdainful- towards Orion in the first half of the film was an alteration that I didn't like and I would have much preferred if she was more tempered and kind like her G1 counterpart.
...But, oh well. That's just my personal nitpick I guess. 😅 It was still a good flick. 7/10!
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blueikeproductions · 1 month ago
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Onyx Prime is one I have a semi complicated feeling towards.
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The Prime of Beasts, and borrowing his name from an obscure Beast Wars character, he’s meant to explain why some Transformers have Beast Modes. It’s not … super clear if this includes the various Mechanimals like Laserbeak and Ravage, or Cyberverse’s various menagerie.
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But presumably it does, as that would mean the deer bots seen in ONE are related to Onyx too, as they’re the only non Prime Beast Moded robot. ONE Airachnid’s toy gives her a space spider Beast Mode, but she only turns into a space helicopter Vehicle Mode in the film, so it’s unknown if she’s a Triple Changer or if her Beast Mode was an early script idea.
ONE Onyx, like Alchemist, Quintus, Micronus, Vector, Nexus, Prima, & Solus, doesn’t really get to do anything except die by the hands of Sentinel & the Quints. His Cog is donated to the main heroes, but who got it isn’t clear. I think Megatron did because of his beastly nature at that point, but I also think it fits Elita pretty well.
His design is a hybrid of his IDW and Aligned designs, taking more from the IDW design with the colors and beast kibble.
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An interesting quirk is the ONE design borrows heavily from the semi confusion of his IDW design. Oynx is supposed to be a centaur, but IDW artists opted to have him stand on his hind legs, with his fore legs dangling awkwardly.
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This would be turned into foreshadowing, to imply Oynx wasn’t what he seemed, revealing that he was actually Shockwave due to comic book time paradox reasons.
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The awkward posture was due to Shockwave wearing Onyx’s corpse like a Pretender Shell, being unable to copy the original centaur look. Hilariously the ONE design foregoes the centaur look altogether, but nothing has clarified on if the centaur is his actual Beast Mode, or if he turns into a different creature in a BM Savage Noble fashion… His TFONE model implies he might Transform into a space dragon, or if we want to meet half way on the centaur idea, a space griffin.
As such, Onyx’s only major role has been IDW, and it technically wasn’t even him. The actual IDW Onyx was a kind shepherd who Shockwave killed after landing on prehistoric Cybertron following his failed Dark Cybertron scheme.
Pretending to be Onyx, Shockwave guaranteed events on Cybertron played out as he knew them to, as well as raising a Beast army (from all the Beast Wars characters in their most unflattering role) and securing the mysterious magical Talisman as part of a new scheme involving Unicron.
It’s always bothered me though that the one place Onyx would’ve fit well as a central antagonist would’ve been RiD15 because of it’s heavy use of animal type Decepticons. It would’ve made more sense if Oynx was the one orchestrating the crash of the prison ship, but Steeljaw makes Oynx’s mission his own: to turn Earth into a home world for Decepticons, rather than beast bots. Oynx isn’t exactly nice here either, causing problems for the Autobots, because he has a chip on his shoulder over vehicle type Transformers due to problems from his past. Something like that might’ve been better than hyping up The Fallen, causing the same problem TFP had by using Unicron too soon.
With the upcoming CyberWorld possibly returning to a RiD15 Beast theme with its Decepticons (while the Autobots remember they have more Dinobots besides Grimlock), maybe Onyx Prime has a role there?
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PROPAGANDA
ARCEE (TRANSFORMERS) (CW: Transphobia)
1.) Transformers has had a troubled history with female transformers as a whole. They didn't really even exist until Season 2. And while they've all gotten the short end of the stick until recently, Arcee, who kinda ended up The Main Girl (sorry Elita) has gotten the brunt of this mistreatment. Mostly talking G1 here.
Toys kept getting cancelled over and over even though she's a main, important character of Season 3. She didn't get a decent widely available toy that actually resembled her G1 version (first one was a Botcon exclusive Blackarachnia redeco which I disqualify because convention-exclusive spider is not what I was looking for, and Binaltech is just kinda a pink and white robot who looks nothing like her, just with her name slapped on) until 2014. I wish I could use bold here, because there's no such thing as uppercase numbers. Before that, you just kinda had to look at the toys from other canons and squint because Hasbro doesn't think the pink girl toy will sell well.
And misogyny present in the fiction? A lot can be summed up in a couple words, namely, "Furman, why?" While most people go with his excuses of not believing in Cybertronian gender, it really comes across as him seeing men as the default, neutral state of being, and women as something that must be explained. Poorly. Explained very poorly. Not to explain things in Tv Tropes terms, but I have to, it reeks of the 'Men Are Generic, Women Are Special' https://tvtropes.org/pmwiki/pmwiki.php/Main/MenAreGenericWomenAreSpecial trope.
Let's get us started with Prime's Rib. Oh my goodness, Prime's Rib. So, Furman doesn't believe in Cybertronian gender (and male is seen as default), and this has reflected in his writing. He's going along perfectly fine writing his dudes in the US run of the Marvel comics, Arcee entirely ignored… but what's this? The connected UK comic has her. He can't just ignore her. So, well. He needs an explanation. Explaining a plot hole isn't bad. It's how he did it. Arcee was created in response to a feminist mob who was mad Cybertronians were all guys. I don't think I need to explain this one.
I'm too tired to explain her treatment in IDW now. Something something unnatural attempt to introduce gender into a genderless species, something something, really weird uncomfortable treatment, it's a long story and I'm not an IDW expert, read the TFWiki page for Spotlight: Arcee.
I'm sure there's more in other media, but I've blathered on way too long and I'm starting to get frustrated and tired and AGH FURMAN WHY. He's gotten better, too, definitely not judging his present self over comics that are from many years ago, but asdfghjkl
Ok fine, one more thing. This isn't G1 but Michael Bay stated in interviews that he gleefully killed her movieverse version off specifically because he didn't like her. It's not NECESSARILY misogyny motivated. I wouldn't deem it misogyny coming from a different director with a different film series. Transformers writers have had personal beef with random characters which they wished to unceremoniously kill off before--Animated Beachcomber comes to mind, even if the writers never got the chance. But it's also Michael Bay's Transformers we're talking about here. Can you blame me for thinking that?
Arcee has gotten better treatment in recent years. Furman's clumsy attempts to explain Arcee's gender in tbe IDW run were slowly retconned into some pretty decent trans rep by other authors, she's really just come into her own as a character. But it was a long and rocky road to get there, and I believe we all need to acknowledge that.
2.) Was initially introduced in the 80's transformers movie only after being strong armed by Ron Friedman, being the first female presenting robot to be seen in the show. bright pink, cause, ya know, female. has the most romantic involvement of any transformer ever across all transformations media, cause, ya know, female, and god forbid she be her own person when hasbro can stick to her to Some Guy. she was made trans in the 2005 continuity and was immediately made berserk as a result. marvel made her a freak science experiment to shame feminists. why does the robot have curves when no one else does istg
i love her too much to stand by idly while she's treated this way
3.) hasbro keeps trying to convince people that her and elita-one (another pink fem character) are actually the same. "who cares same lore different names. what do you mean they're different characters?" and constantly flips their lore, designs, and names around with every single FUCKING continuity ie transformers rise of the beasts where they use arcee's design but call her elita-one SMASHES MY HEAD INTO THE WALL bro there's a whole group of autobots called the "female transformers". i don't. there's so little female representation in this series that hasbro decided the best way to fix it would be… segregation, ig. arcee is apart of it obviously. elita-one leads it. reminds me that i should (and maybe sick a couple friends on this poll) make a submission for elita because JESUS CHRIST hasbro fucked her up also apparently in some continuities arcee is trans. upon getting bottom surgery it fucking. idk how turns her berserk?? it's so weird. mind controlled/sleeper agent in like half of the fucking continuities for some reason. in every single one of these continuities she either gets with Springer or Hot Rod and ends up betraying them. every single time why does the robot have boobs
NAOMI MISORA (DEATH NOTE)
1.) I know everyone is gonna submit Misa but honestly she had it worse.
She gets introduced as this competent lady who's gonna help find Kira but then she just, decides to show some teenager her real ID as a show of trust and whoops that's Kira.
Also part of her introduction was her fiance going "You don't need to worry about this tracking down the killer nonsense, you're gonna be my wife, you should just be worried about raising kids in the future :)" or some shit. And it's barely addressed, because she just fucking dies.
2.) She was the only woman in the series to show any level of competence. She figured out more about how the death note works from some small context clues than L did in considerably less time. She was apparently so competent that the author decided to kill her off despite initially planning to make her a main character, fearing she would distract from the L and Light rivalry.
3.) the victim of “writer doesn’t understand women and also hates them” disease. Like, seriously, the author of Death Note could only imagine a female FBI agent as the fiancée of another, more senior FBI agent. The main character Light kills her fiancé Raye Penber (in honestly a really tightly written and cool episode) and so she tries to figure out who killed her husband. Unlike Raye who only figured out that Light was Kira as he was dying because Light basically told him, Naomi figures it out a lot sooner so oops guess she’s gotta die because she’s too good at her job.
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sailorsplatoon · 1 month ago
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What's everybody's favorite horror movie?
Small disclaimer before this: I am a wimp and don’t watch a lot of horror movies. Those that I do watch are almost all from the 80s and not very scary compared to modern day horror. As a result these are going to almost exclusively be 80s movies, with a few movies from other decades thrown in. 
Acht really likes Little Shop of Horrors, but they’re never going ot tell anyone. They like the plant theme and they are actually a really big fan of the music. They may or may not have secretly remixed a few of the songs.
Both Four and Gibbous love Gremlins. But what they love more is Gremlins 2. Not because it’s a good movie though. Gremlins 2 is a terrible movie. And that’s why they love it.
Callie and Marie both went through a vampire obsessed phase when they were younger, and some of that remains into today with their favorite horror movie being Lost Boys. (They both had different characters they had crushes on.) As a result, it is also Cassie and Lyra’s favorite.
Every member of Four’s family has a different Twilight Zone episode that is their favorite horror “movie”. For Shina i’ts “I Shot an Arrow into the Air,” for Birch it’s “Time Enough at Last,” and for Elle it’s “It’s a Good Life.” Four’s is “Eye of the Beholder,” and everyone in their family makes fun of them for being cliché.
Elita got really obsessed with the Alien series, having watched the first one and then binging every singe one after that.
Shiver, Megan, and Don all love Jaws. I don’t think I even need to explain that one. 
Kai loves absolutely any Tim Burton film. Beetlejuice, The Nightmare Before Christmas, Coraline, you name it.
Frye really likes Return to Oz. I don’t think it really counts as a horror movie, but it is definitely messed up and that’s why she likes it. 
Pixel really likes any movie based on a Steven King book, especially The Shining.
Big Man likes Tremors, partially because it reminds him of his own boss fight. 
Sage is a little too obsessed with The Ghost Busters. They will often randomly start singing the theme song for no reason at all.
Captain really likes Predator, so she will binge the Alien movies with Elita.
Um… does Labyrinth count? I counted Return to Oz, so I’m counting Labyrinth too. That’s Eight’s favorite because he really really likes David Bowie. 
If Labrynth and Return to Oz count, then The Never Ending Story counts. That movie was emotionally horrifying. That’s Neo’s favorite. 
Pearl and Marina have agreed that the best horror movie is The Ring, partially because they end up both being terrified and cuddle with each other because of it.
Kaito is terrified of Nighmare on Elm Street, but at the same time he absolutely loves it.
Thank you for the ask!!! The Never Ending Story broke me as a little kid. It counts as a horror movie and I will die on this hill. 
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lets-try-some-writing · 25 days ago
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You asked for responses to your TFOne review so here it is. I’m autistic so forgive if things come off rude, I’m doing my best. Anywho.
Your bias shows incredibly clearly. To the point things you hate I love and it just makes it clear to me they’re down sides in your review simply because of your own opinions. It’s especially notable to me because while you sympathized and enjoyed D-16 and felt Orion was passive, I felt the opposite. I found myself having the least empathy for Megatron I’ve ever felt and feeling a new understanding for Optimus I didn’t have before. So aside from your takes on those two, I do agree with a lot of your points. The side characters aka B and Elita don’t make sense or need to be there like they were. The pacing was off and the story made a lot of concessions simply so things would go the way they wanted. They brute forced plot points into happening that don’t make sense. But in a vacuum I think it all works well. They draw on a lot of different influences and working together with those it’s their end goal becomes incredibly clear. Which for me works a lot! I enjoyed the film having such an obvious vision. There are many things I didn’t like about the film and even left the theater the first time unsatisfied with it. But after having seen it 4 times now, I’ve grown a lot happier with it. I think it’s something that needs getting used to. Which of course having to see a film several times to really “get it” is not great but well I like it now so my bad. I agree the elite guards existence is a bit dumb and contrived but I think I get their reason for being a bit more. In the end I’m not sure why I’m saying all this but to point out that your own personal bias has greatly affected what is otherwise a wonderfully put together review. Now you said as much so normally I wouldn’t point that out but I actually study film and journalism while trying to professionally review movies. I do that and while I’m not sure that’s what you were going for you certainly achieved it. Aside from the minor grievances I mentioned. So just if you were, I’d keep that in mind for the future. I hope you don’t come out of this ask thinking I disliked your review at all, really it’s stellar work and I respect it a lot. But it seems we really disagree on this film huh? Tis the beauty of art I guess. If you actually read this all, thanks!
I appreciate how honest you are with your assessment of my work! Thank you for giving your thoughts!
Personally, I wasn't aiming to write a bias free review because A) that sounds boring as crap. And B) I feel like half the fun of reading or watching a review is getting to see a bit of soul to the commentator. I take a lot of Inspiration from Schaffrillas Productions, The Critical Drinker, Cinemasins, Nerdrotic, and Pastra. And this is largely because I like having actual analysis mixed in with some personality when it comes to a film, especially fictional media. There is an arguable truth when it comes to historical media and film, but fictional stuff is designed to have opinions and differing views that vary from fan to fan. Hence, my review being chalk full of my personal takes.
I have my opinions and I am not shy about them lol. I prefer D-16, you prefer Orion Pax. Some people will die on the hill of Elita superiority, meanwhile I would prefer to throw her off the nearest cliff. Some folks think Sentinel is mid, and I think he's stunning. It's all cool. Honestly, I think one of the good things about TF One is that it gives enough leeway when it comes to our main duo for fans to love one or both of them. There's room to think and develop an opinion. It's so much fun seeing others and their ideas, even if I don't agree.
Again, thank you for sharing your thoughts! It was fascinating to read your opinion on my opinions. I adore this kind of discourse. Good luck with journalism! I know I personally lost my marbles trying to learn to do it in a professional manner.
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