#E-Value

[hinamie]

new limited edition firefighter spacesuit hazmat itfs just dropped

[in-our-b0nes]

[acsi-gifs]

Stupid wife

[bethanydelleman]

To be frank, I find the introvert/extrovert discourse online insane and completely ridiculous. People will fight to the death about if a character, Elizabeth Bennet, is an introvert or an extrovert, and people: they are opposites. If I/E aren't easy to tell apart for a main character of a novel, the categories are meaningless. But then oddly, considering that no one can tell I/E apart, extroverts are also some weird totally different species from introverts.

But Elizabeth Bennet is an extrovert and checks every single extrovert box and the reasons real internet people keep giving that she isn't are bonkers:

She takes solitary walks. I have some crazy news for you, extroverts can walk. I, a certified extrovert, take solitary walks nearly every day because I have a dog, whom I adopted knowing I would take her on these walks. It's shocking I know; I don't even die of loneliness at all! Consider for a moment that Elizabeth Bennet spends all day surrounded by four sisters and a very talkative mom, not surprising she takes walks alone occasionally. You'll also notice that she does invite her sisters along most of the time.

She reads. More shocking news: extroverts can read. Some of them read a lot. You know enjoying being around other people doesn't exclude reading. In fact, in the Regency you could even read aloud as a group activity! That is something we see in the novel. And Elizabeth also puts down her book when she finds a conversation more interesting.

She processes issues internally. That is not her preference, she likes to talk it out with Jane. When she's leaving Hunsford, Elizabeth is desperate to finally talk with Jane about all the crazy stuff that has happened to her, but she is forced to conceal a good deal of it because it's about Jane. She can't discuss Darcy with the Gardiners because his proposal is a secret, but she is eager to talk about the Lydia thing and learn her uncle's opinion. Also, extroverts are fully capable of processing internally, because again, not a different species.

She has trouble talking/feels awkward after the second proposal. Who wouldn't be awkward? Do people honestly think extroverts never feel awkward??? Not even when they love a guy that they verbally destroyed a few months ago? Not even during a confession of love? We uh... do. We get awkward too. In fact, sometimes when an extrovert talks rapidly, they are trying to talk their way out of an awkward situation. I have to work myself up to making phone calls.

Anyway, it drives me totally up the wall. Elizabeth Bennet is an extrovert, she thrives around people. Both end couples, Jane & Charles and Elizabeth & Darcy, are introvert/extrovert pairings, which is fun. If you want an introverted heroine, Jane Austen wrote five of them and they are all excellent: Elinor Dashwood, Marianne Dashwood, Fanny Price, Jane Bennet, and Anne Elliot. Catherine Morland, Emma Woodhouse, and Lady Susan round out the extroverts. It's awesome that Austen had such range in heroines.

[pibfb]

some stuffff guh

[pastelaspirations]

I’ll never forget you babes 😭💔😔🥺

I finally come back to tumblr and t h i s is what I see. That's it, I'm done, I'm uninstalling tumblr. Bye everyone, it's Honey's fault-

[surprisinglydomestickakashi]

I feel like we don't give enough credit to the fact that Sakura did not have to cheat on the written portion of the chunin exam. They had to sneak in ranked, fully adult members and Sakura is just like "oop better get started this exam is a little long."

[thestalwartheart]

That typo post reminded me of a reader who would leave kudos on my fics but never once commented until they decided one day they'd had enough of me featuring Bond naked in my fics (like, me of all people, come on now) and finally left the only comment they've ever left on my work to this day saying, "girl u obviously want to fuck him yourself."

The death of etiquette on the internet is crazy.

[charcarts]

a little late, but here's my part for @/pokeearthcollab's BW project on bsky! First image is the finished ver of Keldeo (resolute form), shiny var of the pre-paint over, and a couple of exploratory concepts b4 locking in

[sapphicpenguin]

yes psychosis brings me fear and pain but also: this evening i watched the first fireflies of the summer in the grass. and as i lie down to sleep my room is filled with them.

[luminessdoodles]

Rooktober 8-9

[acsi-gifs]

Stupid Wife season 3

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[kelsgay]

'til our fingers decompose, keep my hand in yours. everywhere, everything.

[sunscreenstudies]

to all those who fear they're wasting their twenties...

“It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.

Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.” - Ryan O'Connell