#Dunno how that came out

[ldshadowdoodles]

[240] Was binging UHShe and started having feels over Team Slazzie 🥲

-🌷

[outer-andromeda]

Having TOH episodes as background noise in class has mostly made me want to draw characters from the show and honestly I ain't complaining 🤷

[Image description : digital art of Hunter from The Owl House, mainly in his timeskip design. the first drawing shows him in his flyer derby gear, riding Waffles's staff. He's waving a captured flag and grinning proudly.

Second, he's seen in profile. He's wearing working clothes, and smiling slightly.

Last are two sketches. The first shows him in his Golden Guard cape, looking nervous or uncertain, and the second shows him in his timeskip design again, smiling. End ID.]

[elderwisp]

[somegrumpynerd]

Killer is the only one Nightmare can't track down easily, since he can feel the others by emotion but can't usually sense Killer's unless he's in stage 1.

This is a small part of why he and Color got off on the wrong foot, because the first time Color and Killer met was when he was helping Dream fight them and he managed to pull Killer away from the main fight to try and reason with him. While they were doing that, Nightmare decided to retreat but couldn't see Killer around and couldn't find him using emotions, so he had to leave without him. (He did return later to scour the place and found Killer waiting for him, since he'd refused Color's offer to go with them.)

This became a running theme, where sometimes after a battle Killer would be gone without a trace because he was off fighting/talking with Color and Nightmare would have to come back for him later. It's also what makes Nightmare a little uneasy in present day about Killer running off to hang out with Color sometimes, because if Color succeeds in convincing Killer not to return, Nightmare has no way of tracking him down anymore. He just has to trust that Killer will return at some point, and wait.

[smile-files]

a needlefelted girl <3

[crazymecjc]

armand iwtv save me,,,, save me armand iwtv

[spookythesillyfella]

i think theyre some very neat creaturez

[the second image iz me n @thecultoflove btw if you even cared <3]

★ second drawing sketch under cut :

[blimbo-buddy]

”Damn I’ve been feeling kind of shitty about what I went through when I was 15-16. I wonder if there’s a way to get all these feelings out besides therapy”

SpottedLeaf and Anya:

[himbirch]

Day 4: Arson

[razor-wire-anatomy]

late on the elliot mv bandwagon by MONTHS bc i was so scared of Being Wrong but uhm Hey! Isnt it strange that this part was emphasized? Why would there be a reason for an Elliot mv so early on? Why would there be a part with seemingly more importance that was just Not that important in the original mv? why is it that this specific line goes against everything we've learned about elliot so far? what if? what if he IS alive???

pls i have an entire theory i need to release but it has like 500 words and hasnt even touched the tip of the iceberg ohhh i need this man to the the mastermind or connected to the like production team ASAP.... I HATE HIM!!!!

[jaynovz]

Is it time for me to foam at the mouth about one of Silver's most batshit insane decisions in the entire show?

(So the ramble underneath this is literally 2k, so like, make good choices I guess. also pls imagine me as Pepe Silvia meme the entire time)

So I see people talking a lot about how Silver is fucking deranged bonkers banana cakes he has 10,000 snakes in his head instead of a brain and of course I agree this is just Canon.

However, the moments that we focus on are like 3.3, doldrums talking to Billy about Flint controlling reality when he's starving and dehydrated or like what he says in response in 3.10 when Flint tells him his story, about Thomas.

Both of those are very very good moments for Silver being fucking crazy and saying things out loud with his human mouth that no regular unfucked human being would come up with, he set new RECORDS for it, agreed.

TODAY I want to talk about a different moment, what I think is the most egregious example of Derangement. It's in the Silver-Flint gold conversation in 2.7.

Quick context-- Before Silver meets back up with Flint in 2.7 he was sent after a VERYYYY dissatisfying conversation (aka "the gold is still a priority" where Silver challenges Flint on the Vane and the fort and Abigail Ashe plan and Flint lies to his face) to go influence the men to vote for Flint's side of things over Hornigold's. After dealing with the Logan situation in the middle of that (which I don't actually think Flint ever finds out about Silver helping to cover that shit up, but that's not the point right now) he shows back up right in the middle of Hornigold addressing the pirate council and accusing Flint of a bunch of crimes (most of which are accurate lol) and Flint is Angy about "where the fuck has you [Silver] been?" and Silver tells him (loud enough for the entire council to hear mmhmm) that the gold is gone.

Now the order of the scenes, the timeline, means The Reveal about the gold is with Max later, (right, that later is the point it becomes real for us because we're finding out the same as Max's that Silver has made the gold disappear) and so it's hard to keep in mind until a second watch how the entire time there in the tent and Silver is putting on this performance, such a good show about it the whole time and then he goes and talks and gives the speech to the whole fucking combined crew and that entire time we don't know yet.

But Silver knows. He has already engineered a situation where he has convinced to the scouts that they're going to sell the location of the gold to another crew!! He has already removed the Urca gold from right under Flint's nose!! (Which is like the thing that Flint has been working towards for an unknown amount of years since he found out about it right? This thing, this sort of mythical amount of money, which is going to solve problems and effect change and build a future and fulfill Thomas ideals.)

And while he's talking he has already waved his hand and made it disappear in the narrative and he did it so skillfully that we don't even suspect that this is happening until the reveal and so sometimes it's hard to go back and think about the 2.7 tent conversation.

Potentially it doesn't quite HIT on the first watch. Maybe not even the second.

But yeah what I want to draw attention to is that... this ENTIRE TIME, from the moment Silver shows back up, he is putting on the performance of his fucking life. He's ALREADY met the scouts Vincent and Nicholas on the jetty, he's ALREADY convinced them ON THE FLY ON A WHIM to lie to Captain Flint. He's ALREADY coached them through exactly what to say to sell it, to lie to Captain James Flint's fucking face. right??? and THEN only after that does he goes to meet Flint.

And the very specific thing I am focusing on isn't even THAT gamble, which is fucking SCARY CRAZY ALREADY. But the WAY this boy pulls the bluff out, the lengths he goes to during the next convo in the tent about "there is no we. the gold was the inducement" and all that. You know the scene.

I wanna underline how Silver decides midstream, midargument to... FLIP IT AROUND and accuse Flint of making the gold disappear.... when Silver literally just made the gold disappear.

Silver: I believe I've been clear about the nature of my investment here. The gold was the inducement. Now no gold… Flint: It's an unfortunate development that we have to adapt, and quickly. Silver: Adapt? I've had about my fill of adapting lately. Doing your bidding, keeping the crew in line for you. Flint: I wasn't the only one to benefit from that. Silver: It certainly seemed that way. Even now you're the only one benefitting from it. Flint: What are you saying, that I'm benefitting from the gold having disappeared? Silver: It certainly solved a number of problems for you, didn't it? I have half a mind to wonder if you didn't orchestrate this whole thing to your advantage.

So yeah I'm uh, I'm literally foaming im frothing im cappucino right now. I want to put this UNDER THE MICROSCOPE AND STUDY HIM. what in the FUCK. Silver knows the entire time, this ENTIRE EXCHANGE, that not only is the gold still on the beach but that he is gonna fucking SELL THE LOCATION to Max and Rackham. And then sits there cool as a fucking cucumber with his mask of irritability...(because of course if he had nothing to do with it!!) Like of course he would be mad that the gold is gone, because the gold was the inducement RIGHT.

All of the rest of that is a foundation for like the craziest part isn't necessarily that he's putting on the act That's in keeping with him, we've seen that, we saw that he was getting more and more frustrated and that part doesn't surprise us that like he would... I mean we saw him steal the page and we saw him burn the page and we have seen him make these types of kind of batshit decisions so we're like "okay this this checks out."

But the truly deranged part where it goes beyond like it just like they're like literally... he. he. HE ACCUSES FLINT OF THE THING HE JUST DID. There was no reason for you to say that and at this point it's like he is SEEING how CLOSE he can get to the fire, he is seeing how much RISK can be pulled off. He's getting off on poking and sleeping dragon in the eye when he knows very well the entire time that he stole the fucking dragon's gold.

"I have half a mind to wonder if you didn't orchestrate this whole thing to your advantage."

I--

it's... it's some reverse psychology bluffing gamble, it's "let me say what has happened, let me literally ADMIT WHAT I JUST DID but no YOU did it, I projected it onto YOU. hope that you don't think about that too hard. let me hope that this works out"

There was... THERE WAS JUST NO REASON FOR IT. He was already pulling it off, the conversation was. "There is no we" and "I was clear about the nature of my investment" THAT'S ENOUGH. STOP.

there's just no reason for him to have done that but it's because he's fucking crazy he's a crazy person

The way his brain works just does not follow lines of logic like a sane human being!!

FURTHER POINT--

this is how we also get to the point where he convinces himself to go to Charles Town (because we see him go to Charlestown!! we see him on the ship the next time!! in 2.8!!)

and he says to the scouts that, yknow, paraphrasing "we came on this endeavor in order to allay suspicion about the fact that we have all double crossed this crew that we are sailing with right now including Flint"

now the thing about that is that and I think I've mentioned this before, but I don't know if I've said it in a formal post that so many people had defected/deserted because the gold was gone and they had no appetite for storming the fort after that. And then Silver went and convinced to the rest of the crew remaining to go to Charlestown to seek the pardons right and that's what Flint wanted him to do. So if Silver then defected because the gold was indeed the inducement and there was no gold then I don't think Flint would have fucking batted an eye!!!

And neither would anyone else!! because even though Silver is very useful to Flint as a tool right now, Flint was very mission-focused, very Miranda-focused very pardons-focused, very "let's fulfill Thomas's dream"-focused. So even though he does and has needed Silver a lot recently to influence the crew, I don't think he was really thinking about him basically for two-three episodes after that basically. Cuz they don't talk again, right, and they are just not in each other's orbit for 2.8, 2.9, 2.10.

So what that tells me is that Silver goes to Charlestown and he just... really didn't have to he could have stayed in Nassau and assisted Max or just laid low until the gold got retrieved and then potentially taking his share and left before Flint crew got back!!

I've talked about this specific part before where Silver says that their safety is contingent upon whether Flint is successful in his endeavor or not. Like he says that out loud to Vincent (which is the most bat ship banana cakes bonkers thing ever) about it because he's basically hitched his horse to the outcome of this pardon situation when he absolutely didn't have to do that to get the goal he and the scouts could have all just deserted and no one would have been the wiser because so many crew had, including Dufresne, because of the gold situation!!

Now there's some arguments here about well.... one of our main characters cannot just leave.

But because the writers have created a party member who wants to leave the party what they then keep having to do is invent more and more convoluted mental gymnastics to himself to continue staying and following Flint which is why at the end of the day I sort of can't really see a situation where the Silverflint thing is not like the main thing because they're both obsessed with each other in different ways (and Silver is obsessed first because he doesn't fucking leave and there's a bunch of reasons he should and there's a bunch of chances for him to do so) and so it all starts to look real fucking gay

But yes uh circling back... Silver lies to Flint's fucking face about the gold, going so far as to ACCUSE HIM of making it disappear, then goes on an extremely dangerous errand trapped on a ship full of people who he double crossed with two scouts with loose lips... when, in order to guarantee his future, if we're looking at actual real logic and actual real pragmatism and survival instincts and not just "oh I have to follow Flint because ummmm -dial up sounds-",

Then he should have stayed in Nassau.

[e-adlirez]

“I’m gonna give you a chance to run, and go tell every single person who you know about what just happened today. I want you to tell Rat, I want you to tell everybody. This… this is what I’m capable of now.”

Crappy drawing I made as quickly as I could, I dunno exactly all the lore in the Content SMP but one too many @doctor4t videos has done this to me and my curiosity—

c!Lux belongs to @luxintrus and c!Blake belongs to @winsweep

[sysig]

A lot of early concept stuff was expression/pose brainstorming - there’s the classic six Webkinz emotions (which, I learned have been largely pared down to just four after a point! Since they got rid of Dr. Quack’s role, there’s no more “sick” expression and most ‘Kinz’ tired and sad expressions are the same! >:0 What’s the point of having an easily editable puppet with the spaghetti code intact that you have to put an image there AnyWay and not make a slightly different expression!! H’f) as well as the main Sakura poses - so if I’m already making up expressions, why no go a little further! :D

One of the expressions I definitely needed up top was Mischievous - working with a cat, that’s the only logical conclusion really. I think it’s funny that she swerves the compliment only to pay it right back as well lol

The ticklish expression is one I’m still going back and forth on! I’m half tempted to have it be somewhere between happy and angry - maybe a mood gradient, starting out just positive and slowly moving into “Hey stop! >:0″ if it’s too many times in a row? It’s a thought haha

Similarly so, messing with her ears - bothering your pets is a very important element of socialization (lol)

As seen above, I’d reallyyy like to figure a way to have a dual-visual mood system - both the ‘Kinz body language/expression/emotion and a more exact stat bar. I’m still chewing on this idea a bit, no pun intended lol. That and click-and-drag with an actual image you can drag around your screen, hm and hm! Much to think about. Her face here turned out cute and funny haha, helped me push the expression more comedic

Much better :) Webkinz already has some well-known food dialogue, my favourite is probably “Mmm to the mmmax!” haha

Each low-mood would have their own emotion tied to it, but what about somewhere in the middle? I like the idea of the ‘Kinz getting bored if they’re left alone for too long! And little paw taps, showing off her embroidered paw pad haha ♪

[chrliekclly]

This may be a dumb question and I’m gonna guess the answer is no because you run a fandom account lol, but does working behind the scenes of Sunny ruin the “magic” of it? I hope this makes sense lol

iv sort of answered this b4 but n a way i think it truly REVIVED the magic for me

if i worked on seasons from the iasip golden era id probs feel differently, and i lamented many many times over the years that i thought i could never work on sunny without ruining it for myself, but w th way th cards fell, i was already kind of on my way out of my hyperfixation on sunny by th time i got th job

i didnt love s13 and then s14 was v much like the final nail n th coffin nd my enjoyment rly faltered there, some stuff i liked but by n large i was like 'ok sunnys kind of over for me.'

before s13 it was more 'i love this season, except for 1 or 2 episodes" and after it became "i dont like this season, except for 1 or 2 episodes"

then, out of the blue getting to work on s15, even tho its still not one of my fave seasons, brought my love back in a completely new way. being able to interact with the cast and crew is magical on its own, and theres a level of pride that cuts through i guess? like 'yeah i remember this day. this day was hard. and now theres an entire episode out! and people liked it!'

theres also a disconnect with what i see happen at work and what actually airs. there are moments, sure, where i suddenly realize i know whats going to happen, but by and large im just as surprised as anyone else by the direction they take the editing. i also like to avoid reading the scripts we get and just let myself be confused. i truly still get to see episodes for the first time like you guys and i still get excited to find out wtf theyr about to do, its not unlike piecing together things seen in promos

like idk, @ th end of the day, everyone is just so nice, and ive met some of my literal favorite people on this earth on that job, and seeing the care and love that goes into what they're doing is an unmatched experience of my life and made me rly appreciate the show even more. rcg and the rest of the cast have all been so welcoming to me, and i love my camera team and th whole crew so much and cant believe how well we get on....im incredibly lucky

[pippipoffin]

William Afton and 🌸?

Prompts

🌸: draw a character with flowers that match their personality

yellow roses and lavender 💛💜

[bardically-uninspired]

happy birthday to me