#Dumog

[vanillayoteart]

hovedbasket Med 20 bolde

A meme drawover for snakerocket from my April Fools Stream!

[makapatag]

cross disciplinary training in gubat banwa

so, GUBAT BANWA is a big martial arts game of esoteric martial arts. of beatdown and bone breaking. bakbakan at suntukan, pangamot ug pagdaug. it focuses on martial arts and the culture that surrounds that. during ancient seasian times (the main foundation for this game), formal categorized schools didn't exist: participating in your culture was you learning its martial arts, or a random hermit in the sea cave could teach you a secret martial art, or your family could have its own secret martial art, etc. etc.

so martial arts classes (in gubat banwa they're called Disciplines) are expressions of culture and tradition. from a mechanical side, I knew I wanted to make Gubat Banwa a multiclassing-first game, a la Lancer, for multiple reasons

I like multiclassing, I almost always multiclass

You get access to more of the game and the game's lore (much of Gubat Banwa's lore is in the disciplines)

You get to write a plurality of classes that deal with a plurality of playstyles

It makes writing Disciplines easier--they become small packages of power instead of the long Narrative Playbooks that they are a la D&D 4e's classes. this also makes making Disciplines easier as you don't have to write one for a 12 Level long progression

it creates a more emergent character progression (a Mangangayaw learning Sword Saint techniques for example might be a raider who raided a Virbanwenyo settlement and got the resident martial artist to teach him a thing or two, or it could be that they started picking up how Virbanwenyo Penitents fought)

however, Disciplines were more than just classes, they're also martial arts in their own right. So as I deepened my understanding with the Martial Arts I also found further justifications for multiclassing [which we like to call crosstraining]). these are from my and GB's Art Director Dylan's experiences from Filipino Martial Arts:

to become a true grandmaster is to learn or observe a large variety of styles (see: Johnny Chiuten, Anciong Bacon, etc.)

most real grandmasters that began their own FMA schools are those that studied and learned techniques from a wide variety of martial arts (Anciong Bacon knew Boxing and Dumog, for example. Johnny Chiuten knew multiple Chinese Martial Arts and trained in Balintawak and Lapunti, GM Filemon Caburnay learned both the arts of blacksmithing and of multiple arnis styles as he traveled across Visayas and Mindanao, and learned Kung Fu from Johnny Chiuten, before going down the path of perfecting his own fighting style that became Lapunti Arnis de Abanico)

even my own master in Lapunti who started with Lapunti was exposed to other Arnis and Martial Art styles so he was able to build his own style around it, and was able to contribute his own moves into modern Lapunti. i can see a bit of Chinese Martial Art influence in his movements now, a bunch of balintawak progression

very often if you're a student of violence, you will be learning multiple combat arts both out of necessity and out of love for movement. a balintawak warrior might have their movements augmented with jiujitsu training, a lapunti could benefit from learning sikaran, etc. etc.

kadungganan are meant to be nascent grandmasters, especially those that reach legend 12, so this is the main justification for the multiclassing instead of just having 1 martial art that you perfect. in real life this doesn't really happen, especially if you want to perfect your own fighting style. the assemblage of multiple techniques from 12 Legends worth of progression is there to facilitate the fantasy of a Kadungganan perfecting their martial art style, like the grandmasters of old

i knew since the earliest stages of gubat banwa that i wasn't going to compromise the multiclassing aspect, i just find it very serendipitous that crosstraining fits so well into the martial arts fantasy. it makes me pretty satisfied and happy, and i'm glad i didn't bend to internal talking and thinking about making a "pure discipline" progression possible

[lynex85]

Ayaw ko unahi nga pakitaan ko nimo sa ka nindot sa imong batasan. Kay dili ko Santa ug Martyr .

Dili ko parehas sa uban dayon ug dumog. Dili ko ratatatatatatataatatatat ug baba.

Kung Maayo ka sa ako maayo pod ko.Pero ug unahan ko nimo aww . I don't confront you ,I stay away and You ... you are a stranger to me. Or as if you don't exist.

I cut you off to my Life. I leave the past and move forward.

[shifukanishkacombatives]

An insight into Rapid Assault Tactics and Jeet Kune Do

Rat Stands for Rapid Assault Tactics is among the most popular Progressive fighting systemin the world. It is a principle-based counter violence system designed to address violent situations involving single and multiple aggressors in the fastest and most effective way.

Shifu Kanishka RAT is known to feature the perfect blend of Edge Weapon Systems like Pekiti Tirsia Kali, closed quarter empty hand systems such as Wing Chun, striking-based counter violence systems such as Jeet Kune Do and Muay Chaiya, as well as ground combative and recovery systems such as Filipino Dumog and BJJ.  RAT is generally taught through active-threat stress inoculation drills for developing “killer instinct” – which involves responding to a threat with appropriate aggression for the situation.

Shifu Kanishka JKD or Jeet Kune Do is also a popular practice. The art of Jeet Kune Do was created by Bruce Lee as a way of freeing martial artists of a ‘one size fits all’ doctrine and allowing people to explore and express their arts more freely. After all, as the nature of fighting and self-defense has evolved over the years, the fighting system must evolve as well.

Going for Martial Arts training and learning certain progressive fighting systems can especially be a good idea for people serious about learning self defense. Such training not only teaches people the techniques to defend themselves, but also the way to anticipate and avoid potential dangers.

[fattest-disney-characters]

53443681@300-1693076484.jpg

[roninmartialartsinstitute]

Takedowns and reversals

[esaeld]

Dumog

Dumog is based on the concept of “control points” or “choke points” on the human body, which are manipulated – for example: by grabbing, pushing, pulling - in order to disrupt the opponent’s balance and to keep him off balance. This also creates opportunities for close quarter striking using head butts, knees, forearms and elbows. Dumog also contains methods of joint-locking and choking, as well as take downs, throws and submission holds. ​ Filipino Dumog Training Concepts Dumog is a general term used to describe the Filipino art of wrestling and grappling. There are two main forms of dumog. Agaw patid Buno, is the more commonly known form of dumog. It consists of standup grappling and wrestling, utilising off-balancing techniques, throws, and neck turning to force an opponent to the ground. Traditionally opponents would engage by holding a belt or encircling each other's waist and attempt to throw and unbalance each other. Victory was declared when the opponent's shoulders squarely touched the ground. Musang Dumog is a ground fighting art, utilising locks, chokes and strikes to submit opponents on the ground. Both systems can be combined or learnt independently. The origins of both these styles is rather sketchy, however they are still relatively abundant in the northernmost islands of the Phillippines. The Filipino art of grappling includes a wide range of locks, known as trankadas, chokes, throws, trips, sweeps and pins which blend and flow naturally from the empty handed boxing and kicking methods, applied with or without a weapon. Dumog is primarily concerned with felling an opponent in such a way as to cause maximum damage to joints, ligaments and tendons followed by a ferocious flurry of ground striking techniques designed to distract and disable an opponent prior to applying a pin, lock or choke. Technique, in this case, is an understanding of controlling points, or choke points. A choke point is a military term meaning "controlling area". For example, if five water tributaries feed into one major river, it follows that whoever controls the river, controls the tributaries. That makes the river the controlling point When you choke the river, you choke the tributaries. These points, which are grabbed, pushed or pulled, are used to put the opponent off balance, causing the body to go out of control into a swirling, whirlwind effect.  The student who has developed the skill to know where the choke points are can easily fling a 275-pound opponent around, despite a handicap that could approach 150 pounds.  We have borrowed this terminology to illustrate the importance of control. Now, let's look at a few examples with which you can experiment. The Bicep Push With both hands, one opponent grabs the other by the biceps, twisting in toward the front of the body. Push the biceps directly into the ear and then walk or run forward.  Because of the twisting of the body, the opponent receiving the push must walk diagonally, thus causing him to become extremely off balance.  The bicep push is used to either move an opponent or, as in this instance, to pin him against an environmental obstacle ( wall/fence).The adversary is now set up for a knee spike to the right thigh.  Remember, as with the use of any technique, nothing is foolproof. Soon, the opponent will regain balance, and at that point the biceps pull can be implemented. The Bicep Pull The grip of the pull is identical to that of the push. The key to this technique is in the timing and sensitivity. You must sense, or anticipate, the moment when your opponent will plant his foot to regain the balance that was lost during the biceps push. At this point, the opponent's energy will shift and come toward you. You must respond-not by fighting his energy, but by pulling it. In effect, you are using your opponent's energy to your advantage The biceps pull and biceps push are best used in cooperation with each other. Either one may start or finish a sequence, depending on the energy presented by the opponent. The Head Twist Another very simple technique used in Dumog is the head twist. Here, the opponent places both hands over the other opponent,  ears (similar to the method used in grabbing the steering wheel of a car). Grabbing the opponent's hair instead of his ears is a technique that can also be used, With a quick jerk, twist the  head sideways, step back and then tip the head upside-down,  pulling it backwards. As the opponent regains balance, simply twist the head in the opposite direction and repeat the process.   The head twist can be a very effective technique because, with this motion, you are contorting the spinal cord and causing a disturbance to your opponent's equilibrium.  In the sport of Dumog, proper technique and process calculation are critical to victory. When these same techniques are used in a realistic street fight, other elements must be incorporated to produce maximum devastation.   In most cases, "plain and simple" sophistication and precision in a down-and-dirty street fight is, to say the least, a joke. Street fighting is deceptive. It takes on many shapes, characteristics and conditions. For example, a street fight may take place in rain or snow; it may happen on a flat or hilly surface, or even on a stairway. Such a fight may easily involve multiple attackers or weapons. Dumog Tactics of Defense 1. The first principle is not to waste strength wrestling with an opponent. If he already has you at a disadvantage. Instead look for a way to strike that will cause pain and shock first and then find away to get out of his grip. Using your hands, forearms, knees/head and even your feet.  In Kali practitioners seek to avoid getting caught in their opponent's locks by hitting (destructions) first to the extremities and continuing, to strike vital parts of the body.  Working towards the head for control. The principle here is to defeat the grappler by damaging him so much he can't grapple. The hitting is used to soften and tranquilize him for escape and counter control.   2. The second principle is to get your balance and maintain it. If you can maneuver the attacker off balance, his advantage will be neutralized. In Panantukan/Dumog  the principle of body manipulation is one of the basic requirements to develop. Using arm levels, pushing, pulling, and control of the head. Using Kali's triangle footwork to off balance and maneuver the attacker into throws, sweeps, and takedowns. 3. The third principle is to use your entire body weight in any movement or technique that you may attempt. Don't just use your arm strength alone. Put your hips, legs and upper body behind each movement fully. Finally remember that the attacker is always vulnerable somewhere. Even if he is behind you, or on top of you. If he is physically taller to bigger. He is still vulnerable, to the right attack to the right target be calm and assess the situation and you will find a solution being caught in a headlock or a choke can cause some panic. Particularly if you have practiced a couple of techniques that will work to free yourself from the attacker, it is also important to strike effectively before the pressure from the lock or hold causes extreme pain or unconsciousness.

[filipinopersonaldefensesystems]

View this post on Instagram

A post shared by ᜃᜎᜒ ᜋᜇᜒᜇᜒᜋ🇵🇭🇺🇸 (@filipinopersonaldefensesystems)

Sometimes the hardest part about teaching FMA is when you have private students who don’t have partners to practice with on their own time 😫 • My student who currently resides and works and Bermuda takes lessons with me any chance he gets whenever he’s in town 👊🏾 • So after our lessons I always do my best to come up with solo drills or forms that we video so he can use when he practices on his own 🎥 • The first part of this video was a basic striking combination + footwork drill consisting of fluid line strikes, broken line strikes, and redonda (circular) strikes with V stepping 🎬 • The second part of the video was basic angles of attack using one side of a dulo-dulo 🎬 • I definitely appreciate when my students are diligent about their solo training since it definitely allows our lessons to be very productive 🙏🏾 • #kali #arnis #eskrima #filipinomartialarts #kuntaw #dumog #dulodulo #eskrimador #martialarts #martialartist #martialartslife

[swordforhire]

While no one #martialarts system has all he answers, #filipinokali gets pretty close. #boxing #pummeling #grappling #weapons it has it all call or text 404-926-6095 about training opportunities! #cantonga #flipinomartialarts #selfdefense #warrior #krav #mma #tkd #jkd #karate #dumog #panatukan #escrima #arnis

[thefightlab]

This weeks schedule Wednesday Integrated Defence Concepts 7.30pm Sparring & drilling 8.30pm Friday #Panantukan & #Dumog (#FilipinoBoxing & #Grappling) 7.30pm #Sparring & Drilling 8.30pm 8.30pm www.thefightlab.org Based in #Huddersfield #combatives #selfprotection #combat #filipinoboxing #yorkshire

[redtigerfitness-blog]

View this post on Instagram

A post shared by Red Tiger (@red.t1ger)

#takedowntuesday A #judo demo from this year's Battle of Columbus opening ceremonies at the Arnold Sports Festival. Techniques like this are a part of Chinese #shuaijiao which is included in the halls of #shaolin Therefore, #shaolinwingchun studies #takedown and #grappling skills too.#redtiger #martialarts #kungfu #cincinnati #fitness #workout #bjj #aikido #karate #tkd #fma #dumog

[wierschworld]

View this post on Instagram

A post shared by Clearwater Martial Arts (@clearwatermartial)

Clearwater Martial Arts Kali Train to Live - Live to Train! www.clearwatermartialarrsacademy.com #clearwatermartialarts #clearwatermartialartskali #marcialtiradakali #fcskaliclearwater #fcskali #staybladedtampabay #staybladed #martialarts #filipinomartialarts #fma #Kali #eskrima #arnis #silat #harimau #dumog #grappling #fitness #rickwiersch #Clearwater #tampabay #florida #instagram #facebook #twitter #linkedin #tumblr #trending #likeforlikes #follow https://www.instagram.com/p/CFXYl_mAb9d/?igshid=12h6udmcsbl66

[kalimethod-blog]

View this post on Instagram

A post shared by Bushido Mountain Pangamot - Lameco (@kalimethod)

Self Defense Practice in the Great Outdoors waiting for the sun to set. 

[jkdserbia]

#headbutt #dumog #borilackevestine #eskrima #kali #arnis #escrima #filipinomartialarts #fma #samoodbrana #lamecoastig #eskrimasrbija #kalisilat #estokada #jkdkali #jkd #djitkundo #jeetkunedoserbia #jkdserbia #dzitkundosrbija #cfcjkd #dzitkundo #silat #penchaksilat #silatserbia #kuntao #contemporaryfightingconcepts #jkdsrbija #igorsucevic https://www.instagram.com/p/B7vWyc9Aa3s/?igshid=1sp8btuid5h2g

[bringbackwendellvaughn]

[richarddclarkejr]

Em tempo #tbt com meu primeiro Mestre formado de kali Silat @guerra.ad amigo querido, irmão, médico e um ser humano de caráter elevado. Técnica de dumog (chão filipino) parecido com de luta livre mas com uns detalhes diferentes. A dor é para todos, o sofrimento é opcional! Mabuhay Mandarigma! #kalisilat #kali #sinatirsiawalli #dumog #panatukan #kalisilatBrasil #mestrerichardclarke @vl_tac @ds_coutinho @nome.de.guerra @alvaroaze @clauber_mergulho @NOBULLET.AMMO @gunscoffeebr @mag44oficial @belicamilitar @armadasmulheres @kombato_oficial @kalisilatbrasil_oficial @esa_brasil @assaulttreinamentos @tacticalforceacademy @metzker90 @terrorzonebrazil @condutaedc (em Brasília, Brazil) https://www.instagram.com/p/B2DcgPwBIP7/?igshid=ftrtxy7wyw08