#Ducharne

[chic-a-gigot]

L'Art et la mode, no. 2679, novembre 1942, Paris. Charles Montaigne, tissu de Dumas et Maury. Mad Carpentier. Velours imprimé de Ducharne. Bibliothèque nationale de France

[chicinsilk]

Ligne "Libre"

Christian Dior Haute Couture Collection Spring/Summer 1957. "Giverny" afternoon dress in Ducharne printed silk taffeta.

Christian Dior Collection Haute Couture Printemps/Été 1957. "Giverny" robe d'après-midi en taffetas de soie imprimé Ducharne.

Photo Jacques Decaux

[smok3inm1rrors]

Man who is horribly tortured over the fact that he ages significantly slower than everyone else he loves.

Husband to Iana DuCharne (nee Perrault). Father to Diana, Minerva, and Victoria. Grandfather to a bunch of characters I've never or barely mentioned here, but Darrel and Gemma are two of them. Sylvestre Timothee DuCharne, I think I've mentioned him...once... twice (it's an indirect reference, it counts).

[victorducharneofficial]

Victor Ducharne's 4 Culinary Ingredient Insights

Discover the essence of culinary excellence with Victor Ducharne's 4 profound ingredient insights. Quality reigns supreme as Victor Ducharne underscores the significance of premium ingredients in crafting exceptional dishes. Seasonal sensibilities dictate the rhythm of culinary creations, celebrating nature's bounty in vibrant flavors and textures. Drawing from global inspiration, chefs expand their repertoire, infusing dishes with diverse and exotic flavors. Creative pairings transcend tradition, igniting culinary innovation through unexpected flavor combinations and harmonious contrasts.

[gatabella]

Ava Gardner by Luis Lemus, US Vogue, Oct. 1948

Miss Gardner is starring in M.G.M.'s The Bribe; is wearing, here, Irene's grey-green evening gown, very Lady Windermere in feeling, the fullness pulled back into a bustle, a slight train. Dress and hip-length jacket of Ducharne rayon satin. From Bergdorf Goodman; Filene's

[desimonewayland]

Émile-Jacques Ruhlmann (1879-1933)

Urne, probablement réalisée par Gaston Le Bourgeois pour le Grand hall de l'hôtel de François Ducharne à Paris, vers 1927 Comblanchien / Comblanchien limestone

Christie's

[love-for-carnation]

Atelier Ducharne - Dress Fabric, 1936

[zehub]

Usbek & Rica - Sécheresse : la France risque-t-elle de devenir un désert ?

La France est-elle en voie de désertification du fait de la sécheresse ? Faut-il s'attendre à avoir un climat proche de celui de l'Espagne dans les années à venir ? Nous avons posé ces questions à Agnès Ducharne, directrice de recherche au CNRS, hydrogéologue et climatologue.

[alwaysalwaysalwaysthesea]

Illustration by Christian Bérard of a Schiaparelli dress (made of striped silk poult fabric made by Ducharne) with striped jersey gloves in the April 1939 issue of French Vogue.

(source: Gallica)

[philamuseum]

In honor of National Textiles Day, here’s a seasonal selection of flowers printed by the French textile manufacturer Soieries F. Ducharne. See more of their lively silk designs, loved by fashion designers in the 1930s and 40s here.

"Printed Textile Swatch," Summer 1940, made by Soieries F. Ducharne. "Printed Textile Swatch," 1930s, made by Soieries F. Ducharne. "Printed Textile Swatch," Summer 1940, made by Soieries F. Ducharne. "Printed Textile Swatch," 1930s, made by Soieries F. Ducharne.

[chic-a-gigot]

L'Art et la mode, no. 21, vol. 54, 5 novembre 1933, Paris. Mademoiselle M. L. Jeunet portrait, le jour du mariage de Mademoiselle Monique Ducharne, cette robe en "Organmousse" — un très beau tissu de soie naturelle — d'un delicat ton bleu "Ile de France". Gown of "Ille de France" blue natural silk "Organmousse". Miler Sœurs. Photo Georges Saad. Tissu de F. Ducharne. Bibliothèque nationale de France

[chicinsilk]

Pierre Balmain Haute Couture Collection Fall/Winter 1958-59. Simone d'Aillencourt wears an ocelot collared coat and raw wool dress speckled with Ducharne "Ninotchka" mohair curls, leather belt in the same tone, draped olive green felt hat.

Pierre Balmain Collection Haute Couture Automne/Hiver 1958-59. Simone d'Aillencourt porte un ensemble manteau à col en ocelot et robe en bure de laine grège mouchetée de bouclettes de mohair "Ninotchka" de Ducharne, ceinture en cuir de même ton, bonnet drapé en feutre vert olive.

Photo Philippe Pottier.

[smok3inm1rrors]

Iana Perreault and Sylvester Lunvik, the eccentric duo and later couple responsible for developing the ritual to stabilzie the realm in 1956. Upon marriage two years later, Sylvester requested to take Iana's last name, not wanting any of his or Iana's achievments to be linked to the Lunvik family. Iana suggested the completely new surname "Charm", a variant of Sylvester's father's birth surname "Ducharne" as he had aided in their research and was disillusioned from the rest of the Lunviks like Sylvester was. The two continued to be at the forefront of innovation within the coven while simultaneously growing their family to a house of five with the addition of their 3 daughters: Diana, Minerva, and Victoria. In an unfortunate turn of events the two, along with their eldest (Diana) and her husband were fatally injured during an experiment in 1990.

[victorducharneofficial]

Victor Ducharne's 4 Professional Traits of a Chef

In the culinary world, success isn't just about mastering recipes or creating exquisite dishes—it's about embodying certain professional traits that set chefs apart. Renowned chef Victor Ducharne shares four key characteristics that he believes are essential for success in the competitive culinary industry.

1. Passionate Dedication

At the core of Victor Ducharne's success is his unwavering passion for cooking. A successful chef is fueled by a deep love for food and an unrelenting dedication to the craft. Ducharne emphasizes the importance of approaching every task with enthusiasm and commitment, whether it's experimenting with new recipes, refining cooking techniques, or leading a kitchen brigade with energy and drive.

2. Creative Innovation

In a field as dynamic as culinary arts, innovation is key to staying relevant and inspiring. Victor Ducharne thrives on pushing the boundaries of traditional cooking, constantly seeking new flavor combinations, techniques, and presentations. A successful chef isn't afraid to think outside the box, experimenting with unconventional ingredients and daring culinary concepts to create dishes that surprise and delight diners.

3. Meticulous Attention to Detail

Precision and attention to detail are the hallmarks of a successful chef's work. Victor Ducharne stresses the importance of meticulousness in every aspect of culinary preparation, from ingredient selection and cooking methods to plating presentation. A successful chef understands that even the smallest details can make a significant difference in the overall dining experience, and strives for perfection in every dish.

4. Strong Leadership Skills

Behind every successful kitchen is a strong and capable leader. Victor Ducharne emphasizes the importance of effective communication, teamwork, and mentorship in creating a positive and productive kitchen environment. A successful chef inspires and motivates their team, leading by example and fostering a culture of collaboration, respect, and excellence.

Conclusion

In conclusion, Victor Ducharne's insights into the professional traits of a successful chef offer valuable guidance for aspiring culinary professionals. By embodying traits such as passionate dedication, creative innovation, meticulous attention to detail, and strong leadership skills, chefs can elevate their culinary careers and leave a lasting impression in the competitive world of gastronomy. Whether you're a seasoned chef or an aspiring culinary enthusiast, cultivating these traits can pave the way to success and fulfillment in the exciting and ever-evolving field of culinary arts.

[heaveninawildflower]

Vibrant floral printed textile swatches made by Soieries F. Ducharne ( France, 1920 - 1972 ).

1) White and multicoloured printed silk crepe (Summer 1938)

2)  Multicoloured printed silk plain weave ( May 1940). Used by Marcelle Dormoy, France, 1929 - 1950.

3) Grey and multicoloured printed silk  (1930′s). Made for Elsa Schiaparelli, French (born Italy), 1890 - 1973. 

4) Tan and multicoloured printed silk ( 1935-1959 )

5) Yellow and multicoloured printed silk 

6) Grey, pink, and multicoloured printed silk (1930′s). Made for Elsa Schiaparelli, French (born Italy), 1890 - 1973.

7) Multicoloured printed silk plain weave crepe de chine ( Summer 1940 )

8) Black, pink, and green printed silk ( Summer 1941 ). Made for Elsa Schiaparelli, French (born Italy), 1890 - 1973. 

9) White and multicoloured printed silk plain weave crepe de chine ( Summer   1938 )

10) Multicoloured and black printed silk ( 1935-1959 ).

Images and text information courtesy Philadelphia Museum of Art.

[providencepubliclibrary]

We’re feeling quite Textile Tuesday. Textile swatch, Soieries F. Ducharne (France, 1920 - 1972 ).  Courtesy the Cooper Hewitt.