#Drumming Technique and Musicianship

[alive-drumming]

Elevate Your Music with Studio-Grade, Song-Arranged Rhythmic Backing Tracks

The Power of Top Drummer Recordings

IBISWorld reported that Australia’s music industry contributes a whopping $1.0 billion to the national economy.  That’s a massive number, and it means one thing—there’s a lot of competition out there.  To stand out, you’ve got to bring your A-game. 

“It’s all about capturing the vibe and delivering an authentic sound that resonates with listeners”, notes��songwriter Olivia Jones of Author Flair—one of Australia’s trusted businesses in writing services. 

Like how you want the right team to win a footy match, you need the correct elements to succeed in music. This is where song-arranged, rhythmic backing tracks created by top-tier drummers come into play. 

These aren’t your run-of-the-mill computer-generated drum lines; we’re talking about the pulsating rhythms and heartbeats captured by absolute drumming legends. 

Why song-arranged, studio-grade drummer backing tracks make a difference.

1. Authentic Feel

Using this quality of recordings and musicianship brings your music an organic, “real-life” feel that programmed drums can never capture.  It’s like choosing between frozen lasagne and your grandma’s homemade recipe. Which one would you prefer?

Actual drum recordings bring inspiration and authenticity to your music, making it more relatable.

2. Versatility Across Genres

Using actual drum recordings adds depth and versatility regardless of genre, from rock to jazz, blues to pop. 

A top-notch drummer’s unique skills and flair will adapt to multiple styles, offering a broad range of sounds.

3. Unmatched Quality

The sound quality of a studio-recorded drum track is as good as it gets.  It has clarity, depth, and nuance that can lift the overall quality of any song. 

Think of it as upgrading from a good old pair of thongs to a high-end pair of leather boots.  The difference is clear and instantly noticeable.

Ways to Incorporate Song-based, Studio-quality Drummer Backing Tracks into Your Fully Mastered Music

Here are some ways to elevate your music with song-arranged, studio-grade rhythmic backing tracks.

1. Choosing Tracks

You’ll find many platforms where you can purchase or license recordings from established drummers. Listen to previews, read reviews, and seek expert advice.  The aim is to find and enrich tracks that align with your musical vision.

2. Some Technical Know-How

Here’s where it gets a bit geeky, but stick with me. 

Once you have your chosen drum track, you can use music software to blend it with your other instrumentals and vocals.  This process is called “sequencing.” 

Arranging is like cooking; each ingredient must be added at the right time and amount to create a delicious meal.   Sequencing is just mixing all your musical ‘ingredients’ together.

3. Fine-tuning and Mastering

This stage is like putting the icing on your cake.  It’s where you make minor adjustments to how the tracks interact with one another and the elements of your song. 

You might tweak the volume, adjust the timing, or add special effects.  Your goal is to make all the tracks fit together and make the whole shine.

Elevate Your Sound with Song-Arranged, Studio-Grade Drum Tracks!

Music is an ever-evolving field; staying ahead often requires thinking outside the box. 

Using song-arranged, studio-grade rhythmic backing tracks can give your music that competitive edge, making it resonate with a broader audience.

Explore the world of rhythm with Alive Drumming – your go-to resource for contemporary rhythms, always delivered as professionally song-arranged drum recordings and the creator of Song Rhythm Tracks apps and service.

Contact us at marketing@alivedrumming.com for more information and ready to make your music come alive.

[ourshadowstallerthanoursoul]

Beyond Led Zeppelin - interview to JPJ

(by Guitar.com - Jan. 1, 2010 - x)

Zooma is very experimental and takes your musicianship to a different level. How did you develop the chops to do something so free-flowing? Were you listening to lots of jazz?

No, it’s always been there. I’ve always listened to lots of jazz. At the time when Zeppelin started, I was always listening to jazz and rhythm and blues and classical music. The only rock I listened to was Jimi Hendrix. So, I actually came to rock late. I listen to everything constantly — everything from rhythm and blues, drum and bass techno, Latin music, salsa, meringue, and some rock n roll. Bass-wise I keep listening.

Does that allow you to constantly grow as a player?

In composition and playing, everything at a basic level is about questions and answers. You have musical questions and you have to get the answers, which is basically what composition is about. How does the piece start and then what happens? You’ll get a musical idea, then you have to realize it. And in the realization it’s just about those questions and answers. How does it finish? What will make it interesting after we’ve done one thing for a while? All music has the same questions and answers. It doesn’t matter what kind of music it is, whether its pigmy music or Mongolian stuff. It’s still, how do you make a musical idea, how do you make a tension release? And everything you listen to can come in use as reference material for your own questions, for your own music. Listen to as much as you can because there’s something absolutely everywhere to be found.

A lot of people listen to blues, jazz, country, world music, whatever, but they can’t combine the different techniques.

Most people gravitate towards music they like. If youre a blues player, you only play the blues. So listen to everything else and then play the blues. You’ll find that you start playing the blues in a different way.

How do you feel about what your former bandmates have done with their respective careers? Page and Plant did Zeppelin songs together for a while, and now Page is doing Zep stuff with the Black Crowes. Do you think maybe they’re not expanding their vocabulary and reaching out the way you have?

No, they’re not reaching out the way I have, because I’m me and they’re them. I haven’t heard Page and the Black Crowes. He could be playing a whole load of blues for all I know. I heard Page and Plant’s 'Walking into Clarksdale', and was disappointed that there wasn’t more Page on it. I like to hear lots of Page. But they’re doing what they’re doing. They ain’t bothering me.

Do you keep in touch with them?

Sure. There’s lots of Zeppelin things we attend to. We attend releases.

Atlantic released 'The Best of Led Zeppelin, Volume 2' earlier. Did that concern you?

Well of course it concerned me. I wasn’t very happy about that, but it was a democratic process, just two to one and I was the one. But the BBC Sessions I was very happy with. To me that was very valuable. It was great to hear the band in a well recorded situation, because normally when I heard the live stuff I was either standing right next to Page or it’s a horrible bootleg. So, to be able to sit back and not do anything and be able to hear all that he’s playing, that was a treat for me.

Why didn’t you want the 'Best of Vol. 2' to be released?

It’s been done before. I couldn’t see why, you know? I mean, the first remaster, the box set, was good because Atlantic went through the original Zeppelin release campaign kind of quick and didn’t really spend too much time with it. In fact, when we were collecting stuff for the box set, we found that some of the masters they used were actually second and third generation, and they put them on CD. They sounded really dull. They didn’t seem to have any life. So, the chance to remaster them, to bring them to life again was valid. But I couldn’t really see the point of the Greatest Hits records that came out last year. We were always against Greatest Hits album traditionally from the word go. It may have been a hang back to the fact that in the days when we started, you had singles bands, you had pop bands, and then you had albums bands. They were completely different things. So, I just didn’t see the point and I said so. But as I said, it was democratic and they thought differently.

How and why did you put 'Zooma' together?

Basically, I wanted to play live again. And of course, I needed something to play. I tend to need motivation to do a project. I’m not somebody who would just write things for no reason at all. I’ll work on a project and I’ll commit myself to it. But if I’m not actually working on it, then I’m just as happy to sit down and play instruments and not write anything. So, I need motivation but I didn’t want to join a band. If you’ve been in the best band in the world, what do you do? I knew that if I did an album, I’d be obligated to promote it. So, I knew I couldn’t just go, "Oh well, I’ve done the album. That’s it." I knew that it would force me on the road, which was what I wanted to do originally. So, I trapped myself into it. But it was really a positive experience.

So, what possessed you to say, "Man, it’s time to get out there live again"?

It’s funny, Diamanda Galas [who I recorded the album 'Sporting Life' with in 1994] said to me that she’d done collaborations with composers and various people. And she just said, "I realized one day that if I’m going to put this much effort into my music then I think it should be my own." And I took those words to heart. I figured I’d worked on everybody else’s records since 1963. It’s about time. And I’m fortunate to be in the position I’m in. I had my own studio. I don’t have to work to eat. Maybe it’s a mid-life crisis, who knows?

So, playing with Diamanda was what inspired it?

Yeah, I think so. And writing material for Diamanda. She got me playing steel guitar, so I could have a voice on stage. Cause I always used to play steel guitar in hotels and she saw it in the studio and had never heard one before. So I started playing, and she immediately wrote a song. And we put it on the album. People were like, "Wow, this is new, different."

How did that collaboration come together? How did you know her? Did you know her from years back?

I knew her from her work. I had one record by her at that time, 'Wild Women with Steak Knives', wonderfully titled. And the voice was just like, Whoa! A mutual friend said she’d be interested in doing a rock record and he thought that I’d work well together with her. I like the idea because I wasn’t into normal songs. She called them homicidal love songs. It was a case not so much of, "My baby’s left me, I’m going to throw myself out the window." It was, "My baby’s left me, I’m going to throw him out the window." I found her whole approach quite refreshing. And we hit it off immediately. We’ve both done lounge gigs, believe it or not, in our time. We used to do The Lady is a Tramp in soundcheck, which worried a few people. Nobody knew what to make of that. And we also found that we knew the entire Motown songbook. And we’d sit sown and play Stop In The Name Of Love. We had respect for each other as musicians.

Why was it a one time thing?

Well, she has a serious career. She follows what seems to be good at the time. And it was, because it led me to this.

[foxxear]

14 of my all time favorite albums, because this is my blog.

I like a lot of albums quite a bit, but there aren't a huge amount that become an utmost favorite, in the sense that I really like pretty much every song on it. Many artists have released an album's worth of songs I love, but not quite on a single release. We're going to look at who has pulled it off, and a bit of how.

^ Badfinger - "Straight Up" (1971)

This is my all time favorite "classic rock" album. It's just good. Every song is so listenable, memorable, and generally well constructed. The production is also unusually punchy and high-fidelity for something well over 50 years old. The collective songwriting ability and musicianship on display here has always been very personally inspiring, and many of these tracks are rather special to me. Sometimes one of the songs will make me just weep so good.

This band and all of it's members are rather underrated/unknown amongst the artists of their era. Their career is a shockingly tragic tale of severe mistreatment by the selfish, and that is probably the only reason you may not have heard of them. Seriously. These guys deserved so, so much better. In a different reality, this record is as famous as anything.

Favorite Tracks: "Baby Blue", "Take It All", "It's Over", "Day After Day", "Sometimes", "Flying"

Bonus Favorites from the artist: "Come And Get It", "No Matter What"

^ Paramore - "Riot!" (2007)

Probably my favorite "pop punk" or "emo" record of all time. The material is energetic and hard hitting, with lovely contrast provided by gentler sections, and the production quality is just excellent. Perhaps too excellent for some, because I see people acting like this is just some pop record, not to be confused with a "real band" playing "authentic" material.

Paramore here is as authentic as the next garage band... it's just that they happen to sound good, too. Confusing, I know.

The guitars rip, the drums pound, and the vocals bring delightful musicality & power. I've studied this album a lot to develop much of my own musical style. This thing is also named perfectly — This is definitely music to riot to. Listen to it when you're pissed off.

Favorite Tracks: "For a Pessimist, I'm Pretty Optimistic", "That's What You Get", "Hallelujah", "Misery Business", "Born For This"

Bonus Favorites from the artist: "All I Wanted", "This Is Why", “Careful”

^ Point North - "Prepare For Despair" (2023)

Certainly the newest band in my favorites, Point North is on repeat for me a lot these days. They started out rather "pop punk", and have have been leaning "heavier" with the release of this album. I'm all for it, this thing sounds amazing.

The production is top notch by any standard, and so many of the songs simply sound cool as hell. Jon Lundin's singing is exceptional, and I like many elements of his lyricism. Sage Weeber's drum parts strengthen everything further — He has strong technique, and the crucial ability to walk the line between tasteful and technical. The guitar work deserves similar praise, and it's turned up enough that you can actually hear it. Thanks, Jon.

A few electronic "additional production sounds" pop up on this album, which I can be pretty picky about on "band music", but it's done tastefully enough here for me. This is a great no-skip record, and overall, very inspirational for my own debut album.

Favorite Tracks: "Psycho", "Like A Weapon", "Recover", "Someone" You Don't Know", "Social Suicide"

Bonus Favorites from the artist: "Heartbeat", "Nice Now", "Gasoline", "Dearly Departed"

^ Set It Off - "Midnight" (2018)

Maybe the closest thing to a "pop" album in my utmost favorites, which kinda makes it refreshing. Ironically, Set It Off is a band with emo/scene roots, whom I have seen live a few times. They put on a great show. Naturally, this album brings some punky aggression and passion to the songwriting, but I feel like it's done in a way a lot of people would enjoy. These guys just know how to write memorable tunes, and they blend that with a lot of wonderful & mature messages in the lyrics here. Some of it may surprise you to hear, in a good way.

I am very fond of this record, along with my memories from back when it came out. I think I actually prefer listening to the band's very latest material now, with more heavy guitar work, but I firmly believe this is a really solid album. I'd listen to it any day.

Favorite Tracks: "Hourglass", "Happy All The Time", "Lonely Dance", "Killer In The Mirror", "I Want You (Gone)"

Bonus Favorites from the artist: "Punching Bag", "Wolf In Sheep's Clothing", "Skeleton", "Evil People"

^ Led Zeppelin - "Led Zeppelin" (1969)

I like a LOT of Loop Zoop records, I used to listen to them all the time. I love the grooving songwriting, musicianship, and creativity. I like this album (and much of the early material) for the "blues" appeal. I don't exactly have a deep passion for the blues, or jazz, but I kinda get really into that stuff when it comes on regardless. Don't play this album near me or I'll start talking about "swing" and "feel".

I'm also pretty sure these guys would get cancelled now, like most people in 1969, but I'm not gonna pretend I don't enjoy the sounds of a 55 year old album from my childhood over that. I wish people were better, though

Favorite tracks: "Good Times, Bad Times", "Communication Breakdown", "Dazed And Confused", "I Can't Quit You Baby", "How Many More Times"

Bonus Favorites from the artist: Too many

^ Sueco - “It Was Fun While It Lasted” (2022)

This guy’s debut album was hugely inspirational to me as an artist, in the way that it seems completely unbothered about unity through genre. This album is a collection of songs that, on their own, would arguably be categorized as completely separate genres from one another. Some of the tracks are fully "pop punk", some are entirely "hip hop", some are kinda "emo", and some blur the lines.

You’d think such a track list would feel like a disjoint playlist, instead of an album, but no. Ultimately, the collected songs STILL reveal consistencies in the artist’s personal taste/style overall… perhaps more comprehensively than if he were conforming to the same style concept on every song. The album's sound is unified by the artist's taste, not a restrictive concept, and this makes it sound very him. I like that a lot. Most newer records I listen to deserve similar praise, but it is perhaps most strongly applicable here.

The album drips with authentic enthusiasm and inspiration in everything it does, and the resulting material is very strong. Strong enough that I'm willing to disregard some lyrics that I really do not resonate with, along with the cover image being very "graphic design is my passion". Maybe it looks cool to people from LA, I dunno

Favorite Tracks: "Today", "Loser", "Paralyzed", "It's Going Good", "Toxic Therapy, "Motel 666"

Bonus Favorites from the artist: "Wreck", "novacane:)", "Wanna Feel Something"

^ First four Ramones albums (1976-1978)

These are my all time favorite albums, and they might as well be a packaged set. Despite having their own unique nuances, they were all recorded within a span of two years, and produced by the band's original drummer, who left the group after these were done. They represent the original Ramones' sound, which many would call the genesis of true "punk" music.

I can say more about these than I could ever summarize, but know that they simply never left my regular listening rotation after my early teens. This band captured something special which fascinates me to this day. Their sound, their look, their philosophy... it pushed many important things forward with genuine innovation, and offered a much needed reminder in the mid 70s that "virtuoso guitar playing" is not the only way to make "rock" worth hearing.

Seriously, these guys changed music, inspiring countless artists in countless genres. Many have taken a handful of the ideas presented here into their own work, and perhaps evolved them, or even taken them to greater heights, but nobody has ever done precisely what the Ramones coalesced. And you know what? Nobody else needs to. This band already existed, and these records are always waiting to be played. RIP Ramones, and thank you.

Favorite Tracks: All of them.

^ Bad Drugs - "Old Men, Young Blood" (2014)

You wanna talk about underrated? THIS is an underrated punk album, from an obscure German band. Fantastic musicianship on display here, with exciting songwriting and well-sung lyrics that range from impactful to hilarious. The playing and production is coarse in all the right ways, blending punk and grunge sounds into something aggressive, fun, and perhaps thought provoking?

If a wise old sage released a punk album, I suppose this might be it. You ever heard the phrase "If you can't explain it simply, you don't understand it well enough"? Well. These guys say some important things VERY simply. One such lyric confidently states "Life is about the people, and the world, and how we treat them". It blows by, sung only once, but damn... they're kinda right, aren't they? They say such things like it's all so obvious, and in that moment, you believe it is. This album lets you live in a world of bold yet sensible people at times, not the one we're actually in.

Favorite Tracks: "We Are F*cked (Not)", "This Will Kill Me", "Your RAMONES Coverband Sucks", "Oh My My My", "Superheropower", "You Got The Answer", "Hold On"

^ The Strypes - "Little Victories" (2014)

Dude, my brother and I were vibing with this album when it dropped. "Get Into It"? I think I will. The Strypes were a very blues-influenced "alternative rock" band, and they were like, teenagers. This particular album represents them finding a bit more of their own sound, a bit darker and more versatile than their debut.

I love this record. It's just some kids rocking out, with pretty clear themes of adolescence, and a lot of really catchy melodies. Sadly, the Strypes split up after the album following this one, due to typical creative difference issues. A shame, because they were onto something. They should have stayed into it.

Favorite Tracks: "Get Into It", "Eighty-Four", "(I Wanna Be Your) Everyday)", "Three Streets And A Village Green", "Scumbag City"

Bonus Favorites from the artist: "Blue Collar Jane", "What A Shame", "Hometown Girls", "Angel Eyes"

^ Weezer - "Weezer" (1994)

The blue album

Favorite Tracks: "Buddy Holly", "Undone - The Sweater Song", "Say It Ain't So", "Holiday"

Bonus Favorites from the artist: "Pork And Beans", "The End Of The Game", "Beginning of the End", "Back To The Shack"

^ The Muffs - "Whoop Dee Doo" (2014)

This is such a cool record. The music/production doesn't sound "modern", but it is crisp, thick, and high-fidelity... and the songwriting is so good. Aggressive, hooky, fun, & authentic. If you like the Ramones, The Clash... just the CLASSIC "punk" sound, this album has you covered. I was pretty ecstatic when I just stumbled onto this one.

It is also one of the final releases by The Muffs, a band from the 1990s that made a comeback in the 2010s. Tragically, their lead singer/guitarist Kim Shattuck died in 2019 after a two year battle with ALS, but her incredible work writing, performing on, and producing this album will live on. RIP Kim, you were really cool.

Favorite Tracks: "Weird Boy Next Door", "Up and Down Around", "Where Did I Go Wrong", "Forget the Day", "Like You Don't See Me", "Paint by Numbers"

Bonus Favorite from the artist: "You Can Cry If You Want"

[thegreatmatpi]

so i've just realized something. if you don't know i love playing music (i am a drummer/concert percussionist), and as one does i have quite a few recordings of my playing. usually i look through them and think "i didn't like how i did that part" or "oh i could have improved this part a little", you get the drift. there are, however, two videos i have posted where i didn't feel any of that. i am so proud of my technique, musicianship, and expression in both of these videos. you can tell that i was really in my element with these two performances, and that i was completely immersed in the music. the common thread? they were both related to the one and only setsuna yuki.

the first was a drum cover i did of "CHASE!" for setsuna's birthday and it's probably the best drums i've ever played. the second was a short marimba cover of the same song i played to help cope with the announcement of tomori's graduation from the role of setsuna. these have been some of the only times i've felt like i was truly using the music to express myself, which is why i hold them in such high regard.

it's kinda funny actually, that the reason i'm so proud of these is because of how much i love setsuna, kinda like how setsuna's performances are so good because she's expressing her love for everything she holds dear. ig that's why i feel so connected with her and why she's my favorite character of all time by a long way.

tl;dr: i music better when i am being Normal about a certain anime idol by the name of Setsuna Yuki

here are the links to the videos btw:

drum cover: https://www.tiktok.com/t/ZTRbQBgHm/

marimba cover: https://www.tiktok.com/t/ZTRbQMp9h/

[my-music-1460]

How Being in a Band Enhances Your Musical Skills: A Comprehensive Guide

Being in a band is a fantastic way to enhance your musical skills. It provides a dynamic environment where musicians can learn from each other, push their limits, and grow collectively. From technical proficiency to creative innovation, the skills honed in a band setting are invaluable. This article discusses how being in a band contributes to your musical development, emphasizing how being in a band changes your life and elevates your musicianship.

Improving Technical Proficiency:

Regular Practice and Performance:

Being in a band necessitates regular rehearsals, which means constant practice of your instrument. This routine helps you refine your technique and improve your overall playing ability.

Live performances push you to perfect your craft under pressure, leading to significant improvements in your technical skills.

Learning New Techniques:

Bandmates often bring different skill sets to the table, allowing you to learn new techniques and approaches. Whether it's a unique guitar riff, an innovative drum pattern, or a vocal harmony, these techniques can significantly enhance your proficiency.

Developing Musical Creativity:

Collaborative Songwriting:

Writing songs as a band involves collaboration and sharing of ideas. This process stimulates creativity as you contribute to and refine the collective vision.

Experimenting with different styles and genres within the band broadens your creative horizons, encouraging you to step out of your comfort zone.

Improvisation:

Jamming sessions and spontaneous musical exploration are common in bands. These sessions enhance your ability to improvise, think on your feet, and respond musically to your bandmates.

Understanding Music Theory:

Practical Application:

Applying theoretical knowledge in a band setting deepens your understanding of music theory. Concepts like harmony, rhythm, and structure become more tangible when practiced with a group.

Analyzing and arranging songs together helps you grasp complex theoretical aspects in a practical, hands-on way.

Learning Through Interaction:

Interacting with bandmates who have different levels of theoretical knowledge allows for mutual learning. You can teach and learn from each other, enhancing everyone’s grasp of music theory.

Enhancing Stage Presence:

Performance Experience:

Regular performances with your band build confidence and stage presence. You learn how to engage an audience, handle stage equipment, and present yourself professionally.

Each performance teaches you how to adapt to different venues, sound systems, and audience dynamics, improving your overall stagecraft.

Audience Interaction:

Engaging with the audience is a crucial part of live performance. Being in a band teaches you how to connect with the crowd, making your performances more compelling and memorable.

Learning New Instruments:

Expanding Your Repertoire:

Being in a band often encourages you to pick up new instruments. Whether it’s learning to play the keyboard, experimenting with percussion, or adding backing vocals, expanding your skills enhances your versatility as a musician.

Filling In Roles:

In a band setting, there are times when you may need to fill in for another member or contribute to a different section. This necessity pushes you to learn new instruments and broaden your musical capabilities.

Refining Listening Skills:

Active Listening:

Playing in a band requires you to listen actively to your bandmates. This skill is crucial for maintaining rhythm, harmony, and overall coherence in your performances.

Adjusting and Adapting:

You learn to adjust your playing based on what others are doing, ensuring that everyone stays in sync. This adaptability is a key component of effective musicianship.

Expanding Musical Horizons:

Exposure to New Genres:

Band members often come from different musical backgrounds, exposing you to new genres and styles. This diversity broadens your musical tastes and inspires you to incorporate different elements into your playing.

Cultural Exchange:

Collaborating with bandmates from various cultural backgrounds enriches your musical experience, introducing you to different musical traditions and perspectives.

Building a Professional Network:

Industry Connections:

Being in a band opens doors to connect with other musicians, producers, and industry professionals. These connections are invaluable for your growth and career opportunities.

Collaborative Projects:

Networking through your band can lead to collaborative projects, guest appearances, and more. These opportunities provide further avenues for skill enhancement and exposure.

Gaining Real-World Experience:

Recording Sessions:

Participating in recording sessions with your band teaches you the intricacies of studio work, including sound engineering, mixing, and mastering.

Marketing and Promotion:

Promoting your band’s music requires knowledge of marketing strategies, social media, and audience engagement. These experiences enhance your understanding of the music industry.

Conclusion: Being in a band significantly enhances your musical skills and changes your life in profound ways. The collaborative environment, regular practice, and diverse experiences push you to become a better musician. From technical proficiency to creative innovation, the skills developed in a band setting are invaluable. Embrace the journey of being in a band, and watch how it transforms not just your musicianship, but your entire perspective on music and life.

[auckland-drum-studio]

Drum Lessons for Beginners: Essential Guide to Starting Your Drumming Journey

Drumming is more than just hitting a surface with sticks—it’s a rhythmic language that communicates energy, emotion, and groove. Whether you’re drawn to the primal beat of rock, the syncopated rhythms of jazz, or the driving force of pop music, learning to drum opens up a world of musical possibilities. If you’re a beginner eager to embark on your drumming journey, this drum lessons for beginners guide is for you. From selecting your first drum kit to mastering fundamental techniques, let’s dive into the essential lessons every novice drummer should know.

Drumming is a timeless art form that speaks directly to the soul. If you’ve ever felt the urge to pick up the sticks and start creating beats, you’re embarking on a thrilling journey into the world of rhythm and percussion. This guide is tailored for beginners who are ready to take their first steps into the exciting realm of drumming.

Choosing Your Drum Kit

Before you begin your rhythmic adventure, it’s essential to choose the right drum kit. Consider factors such as budget, space availability, and the style of music you aspire to play. Acoustic drum kits offer a classic sound and tactile feel, while electronic drum kits provide versatility and the option to practice silently with headphones. Whichever type you opt for, prioritize quality to ensure an enjoyable playing experience.

Understanding Drum Anatomy

To become a proficient drummer, familiarize yourself with the anatomy of your drum kit. Key components include the bass drum (or kick drum), snare drum, tom-toms, hi-hat cymbals, crash cymbal, and ride cymbal. Each piece serves a unique purpose in crafting diverse rhythms and tones. Spend time exploring your kit’s layout and understand how each element contributes to the overall sound palette.

Mastering Proper Technique

Solid technique forms the foundation of excellent drumming. Begin by perfecting your grip—hold the drumsticks comfortably between your thumb and index finger, with the other fingers loosely wrapped around. Focus on striking the drums and cymbals with controlled, even strokes, utilizing your wrists and fingers to achieve both power and precision. Maintaining good posture is equally crucial to prevent strain and injury over time.

Learning Basic Rhythms

Rhythm lies at the heart of drumming. Start with fundamental patterns like the four-on-the-floor beat or the classic rock beat, which incorporate combinations of bass drum, snare drum, and hi-hat cymbal hits. Practice these rhythms at varying tempos, gradually increasing speed and accuracy. As you gain confidence, experiment with more complex rhythms and polyrhythms to expand your musical vocabulary.

Developing Listening Skills

Effective drumming isn’t just about hitting drums—it’s about listening attentively and responding to the music around you. Train your ears to discern different rhythms, accents, and dynamics in various genres of music. Play along with your favorite tracks, striving to match the groove and feel of the music. Pay attention to subtleties such as ghost notes, fills, and accents, and incorporate them into your own playing style. Strong listening skills will elevate your drumming and overall musicianship.

Conclusion

Starting your drumming journey as a beginner may seem daunting, but with dedication and guidance, progress is within reach. Begin by choosing the right drum kit and mastering essential techniques. Dive into basic rhythms and cultivate your listening abilities to enhance your musical expression. Remember, consistent practice is key to becoming a proficient drummer. Embrace each new rhythm you learn as a stepping stone toward unlocking your creativity and musical potential.

Drumming is a vibrant expression of rhythm and melody—an exhilarating adventure awaits as you embark on this musical journey.

Source By: Drum Lessons for Beginners: Essential Guide to Starting Your Drumming Journey

[lghospitals]

Music Classes in Vizag

Discover the Joy of Music at Namaha Academy

At Namaha Academy in Vizag, we offer a wide range of music classes designed to inspire and nurture your musical talents. Whether you are a beginner eager to explore the world of music or an advanced musician looking to refine your skills, our comprehensive programs cater to all levels and interests. Join us and embark on a musical journey that will enrich your life and bring you joy.

Visit website: https://9namaha9.in/weapon-training-in-vizag/

Why Choose Music Classes at Namaha Academy?

1. Diverse Music Programs

We provide training in various musical disciplines to suit your interests and goals:

Vocal Training: Enhance your vocal abilities with our expert-led classes. Our vocal training program covers classical, contemporary, and various other styles, helping you develop a strong, versatile voice. Learn proper breathing techniques, vocal exercises, and performance skills to become a confident singer.

Instrumental Training: Whether you want to learn the piano, guitar, violin, drums, or any other instrument, we have the right class for you. Our instrumental training programs are designed to help you master your chosen instrument, with personalized instruction to suit your pace and skill level.

Music Theory: Understanding music theory is essential for any musician. Our music theory classes cover the fundamentals of reading music, harmony, composition, and more. Gain a deeper understanding of the structure and elements of music to enhance your overall musicianship.

Music Production: Learn the art of music production and sound engineering with our specialized courses. From recording techniques to mixing and mastering, our classes provide hands-on experience with industry-standard equipment and software.

Visit website: https://9namaha9.in/weapon-training-in-vizag/

2. Experienced Instructors

Our instructors are accomplished musicians with extensive experience in teaching and performing. They are dedicated to providing personalized guidance to help you achieve your musical aspirations. With their expertise, you will receive high-quality instruction tailored to your individual needs and abilities.

3. State-of-the-Art Facilities

Namaha Academy boasts state-of-the-art facilities equipped with the latest musical instruments and technology. Our well-designed studios provide a conducive environment for learning and practicing, ensuring you have the best possible experience.

4. Performance Opportunities

We believe that performing is a crucial aspect of musical development. Our students have numerous opportunities to showcase their talents through recitals, concerts, and community events. These performance experiences help build confidence and stage presence.

5. Customized Learning Plans

We understand that every student has unique goals and learning styles. Our instructors create customized learning plans tailored to your individual needs and aspirations, ensuring you make steady progress and stay motivated.

6. Community and Support

Join a community of like-minded music enthusiasts at Namaha Academy. Our supportive and collaborative environment encourages students to share their passion for music, exchange ideas, and inspire each other.

Visit website: https://9namaha9.in/weapon-training-in-vizag/

Benefits of Learning Music

Cognitive Development: Music education enhances cognitive functions, including memory, attention, and problem-solving skills. Learning music stimulates brain activity and promotes intellectual growth.

Emotional Expression: Music provides a powerful outlet for emotional expression and creativity. It helps individuals express their feelings, reduce stress, and improve mental well-being.

Social Skills: Music classes foster teamwork and communication skills. Collaborative activities like ensemble playing and group performances help build social connections and enhance interpersonal skills.

Discipline and Patience: Learning an instrument or mastering vocal techniques requires dedication, practice, and patience. These qualities are valuable in all areas of life.

Cultural Appreciation: Music education exposes students to different genres and cultures, fostering a deeper appreciation for the diversity of musical traditions.

Visit website: https://9namaha9.in/weapon-training-in-vizag/

Join Now

Take the first step towards musical mastery with the best music classes in Vizag. Whether you're interested in vocal training, instrumental instruction, music theory, or music production, Namaha Academy has the perfect program for you. Enroll now and start your journey to becoming a skilled and passionate musician.

Visit website: https://9namaha9.in/weapon-training-in-vizag/

Namaha Academy: Inspiring musical excellence and fostering a lifelong love for music. Join us today and discover the transformative power of music education.

[moochilatv]

Animals in Denial presents: No Enemy

Animals In Denial's latest track, "No Enemy," emerges as a powerful commentary on the pervasive negativity within internet culture and the misunderstandings across generations.

Sparked by the artist's experiences within the industrial music scene, the song evolves into a broader reflection on societal discord, emphasizing the importance of listening and understanding rather than defending and dividing. Through introspection, Christian Imes, the force behind Animals In Denial, confronts the question, "Who are my enemies?" only to discover an absence of hatred and a commitment to moving forward, undeterred by past adversities or the divisive nature of online interactions.

The creation of "No Enemy" showcases Imes' adept musicianship, utilizing a Billy Corgan Signature Strat for lead lines and an Ibanez AX120 for rhythm, alongside innovative recording techniques that bring the track to life in a mere three hours. This efficient and inspired process reflects not only Imes' technical skill but also his ability to convey profound messages through music.

Christian Imes' journey from the projects to becoming the creative powerhouse behind Animals In Denial is a testament to resilience and the transformative power of music. Facing challenges head-on, from surviving an attempted lynching to battling PTSD, Imes' life story is a backdrop to his artistry, infusing his music with authenticity and a deep-seated belief in progress and healing. "No Enemy" is not just a song; it's an invitation to listen, understand, and find joy in the connections that music can foster across divides.

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BIO:

Animals in Denial is alternative music written, produced, and performed by Christian Imes. From getting his first guitar at age 14 to playing in local bands, to the creation of his own music and band, Christian has been dedicated and focused, as a self-taught guitarist, on the continual pursuit of his passions. Over the years, he has also taught himself to program synthesizers, play drums, and bass guitar, and continues to find new ways to expand his abilities. In his own studio, he creates everything himself with some production assistance from his wife, Jeanine. In 2016, he released more than a dozen singles and 4 full-length albums on all major music streaming services.

[greensparty]

Concert Review: Andy Summers

Fri. July 22, 2023 @ The Cabot (Beverly, MA)

marquee at The Cabot

Bursting out of the London rock scene in the late 70s, The Police set the world on fire. They were truly bigger than the sum of their parts. While it’s true that Sting was the main songwriter, singer and bassist, the entire trio were top-of-their-game musicians: drummer Stewart Copeland was incredible (just try to not air-drum to “Next to You”) and their guitarist Andy Summers was a secret weapon in the band. For a group that incorporated various genres including punk, reggae, pop, new wave, jazz, and rock it takes a certain level of musicianship to rise to that sound and Summers certainly did. The band only put out 5 albums in less than 10 years before calling it quits. I’m kind of kicking myself for not seeing their 2007 reunion tour. But since The Police’s heyday, Summers has been keeping busy: composing film scores, being the bandleader for the short-lived The Dennis Miller Show in 1992, numerous solo albums and photography. Currently on a solo tour, I caught Mr. Summers doing the first night of his current tour in the North Shore.

Mr. Summers playing with his multimedia photography projected behind him

Summers came out, just him no backing band or anything, and put on a guitar. His tech played some backing tracks of keyboards to back him up, while there was multimedia projections of Summers’ photography. It was just him playing and telling a few anecdotes in between the songs. There were some instrumental original tracks, but the highlights for me were when he did some Police songs, i.e. “Message in a Bottle”, “Roxanne”, “Tea in the Sahara”, “Spirits in the Material World” and “Bring on the Night”. Now it needs to be said that he addressed the giant elephant in the room, which is how does he perform these Police songs without Sting singing? Does he form a band and a guest singer sings? Does Summers himself sing? The answer is neither - but the best way possible for him to go: he had the lyrics appearing on the screen with his multimedia while he played guitar. But even if it wasn’t seeing The Police on a stadium tour during the Synchronicity Tour, it was quite a sight to behold of this guitar legend flexing his incredible technique. For a musician who is now 80, he didn’t miss a beat! 

For info on Andy Summers: https://andysummers.com/

[alive-drumming]

5 Ways To Build a Drum Groove

Music Australia believes that drumming is one of the oldest styles of music and has been used in many different cultures for centuries. A good drum groove can make your drums sound more powerful and cohesive, so learning how to build one is essential.

"Building a solid drum groove is essential to playing powerfully and with cohesion. Without a good groove, your drums will sound sloppy and unprofessional. An unprofessional image is not good in the business industry, so improving your groove is a must," says business expert Ashley Hansen of Online Business—Australia's top online resource for entrepreneurs and business startups.

There are many ways to build a drum groove, but these five techniques are some of the most common. 

1. Exercise Using A Metronome

For this, you can either use a traditional mechanical metronome or a digital substitute. Timing is essential for creating a solid groove and remaining in the pocket. When a new drummer joins a band, many have the propensity to get excited, frequently resulting in them starting to speed up the music. Use a metronome to practise so you can master maintaining a constant tempo at all times.

2. Remove The Glamorous Things

Of course, by occasionally incorporating our unique style into our beats, we all like to be acknowledged as accomplished and skilled musicians. The groove, not the sound, is the most crucial element in pocket drumming. Why do we say that? As drummers, our job is to move the music forward, not to add to its content, when we're playing in the pocket. Therefore, reduce the fills and place the groove in their place.

3. Play In Front Or Behind Of The Beat

This one is one of the best methods for transforming a drum beat into a pure groove. Sadly, it's also one of the most difficult to master! A great way to add tons of groove to even the most straightforward beat is to play a drum note before or after the actual beat. Use a metronome to practice this technique; it will take some time to master, but it is well worth the effort.

4. Ride The Groove And Learn To Relax

The techniques that must be learned and used while playing have been covered so far. Of course, this is crucial. The issue is that groove is typically about feeling, and losing that groove by focusing too much on your playing is a foregone conclusion. The secret to excellent pocket drumming is to not only play the music but to feel the music as well. Doing this creates a comfort zone that the entire band, including you, can use. Have fun!

5. Bringing Everything Together

Keep going if you listen to various drum grooves, imitate the ones you enjoy, and still need to get the desired results. Perfecting a drum groove requires practice, just as with any other component of music production. Keep honing your grooves and combine genres to your heart's content; the only rule you need to follow is: "Does that sound good? If so, you can move forward.

Build Your Drum Groove With Alive Drumming

Drumming is an essential part of any musician's toolkit. It can provide the backbone for excellent performance and allow you to build layers of grooves that can be adapted to many different styles of music. 

Alive Drumming is a website showcasing non-classical musicianship. It offers resources on contemporary rhythms, arranges rhythm recordings, and provides the Song Rhythm Tracks service and mobile apps.

Contact us at marketing@alive-drumming.org for more information.

[thehorizonmusicacademy]

Unlock Your Rhythmic Potential with Drum Lessons

Drum lessons offer an exciting and enriching opportunity for aspiring musicians of all ages and skill levels to explore the world of rhythm and percussion. Whether you're a complete beginner or a seasoned drummer looking to refine your skills, drum lessons provide a structured and comprehensive learning experience that can elevate your musical journey to new heights.

One of the key benefits of Drum lessons singapore the guidance and expertise provided by qualified instructors. These instructors have a deep understanding of drumming techniques, music theory, and performance skills. They can tailor their instruction to suit your individual needs and goals, ensuring that you receive personalized attention and progress at a pace that suits you.

Drum lessons also provide a solid foundation in rhythm and timing, which are essential elements in music. Through systematic instruction, you'll learn how to read drum notation, understand different time signatures, and develop a strong sense of timing and coordination. These skills will not only enhance your drumming abilities but also benefit your overall musicianship if you decide to explore other instruments in the future.

Furthermore, drum lessons offer a structured curriculum that covers a wide range of topics and styles. From basic rudiments and drumming techniques to more advanced concepts such as polyrhythms and improvisation, you'll gain a comprehensive understanding of drumming fundamentals. As you progress, your instructor can introduce you to different genres of music, helping you develop versatility and adaptability as a drummer.

In addition to technical skills, drum lessons provide a platform for creativity and self-expression. As you become comfortable with the basics, you'll have opportunities to explore your own style, experiment with different rhythms, and develop your unique voice as a drummer. This creative aspect of drumming allows you to develop your own musical identity and opens doors to collaborations with other musicians.

Moreover, drum lessons foster discipline, patience, and perseverance. Learning to play the drums requires consistent practice and dedication. Through regular lessons and practice sessions, you'll develop a strong work ethic and the ability to overcome challenges. These qualities can extend beyond music and positively impact other areas of your life as well.

Whether you aspire to perform on stage, join a band, or simply enjoy playing the drums as a hobby, drum lessons provide the necessary guidance and support to help you achieve your goals. With the right instruction, practice, and passion, you can unlock your rhythmic potential, build confidence, and experience the joy of making music with the powerful and dynamic instrument that is the drum set.

In conclusion, drum lessons offer a structured and comprehensive learning experience for drummers of all levels. From technical skills and music theory to creativity and self-expression, these lessons provide the necessary foundation and guidance to help you become a skilled and confident drummer. Embrace the rhythm, explore your musical potential, and embark on an exciting journey of drumming mastery through engaging and rewarding drum lessons.

For more info. Visit us:

drum classes in singapore

Piano Teacher Singapore

Music teacher agency in singapore

[sounwise]

[“Fixing a Hole” is] a very simply constructed song, built around a harpsichord and a bass guitar. Even before we got into the studio, Paul wanted to use a harpsichord as the mainstay of his rhythm; even so, the bass line is more important than the harpsichord line. Paul had to play bass guitar on it, because nobody could (or can) play that instrument quite like him. That meant somebody else was going to have to play keyboards. This was unusual, because Paul always liked to play his own keyboards on his own compositions. The part of honorary stand-in keyboard player to the greatest group in the world was offered to me. It wasn’t too difficult, and it didn’t seem likely to tax my non-virtuoso technique too much. Paul let rip with a superb and melodic bass line—something that was rapidly becoming his style. He used the instrument like a voice: he was never content to just use the dominant and tonic—the normal plodding sequences of a bass—as many others did. He wanted to make that bass sing. Whenever he had something to say, he said it most eloquently using the instrument he loved the best. […] Of all the Beatles, Paul was the most talented musician. When I first met him he could not play the piano at all. It was a very short time indeed from then to ‘Lady Madonna’, which is a very complicated and extremely good piano track played entirely by Paul, and a measure of his musicianship. Paul could play the drums, technically, better than any of the others, including Ringo (although he could never get anything like the distinctive sound Ringo got from his kit). So, by default, Paul took over the most difficult instrument to play with any originality in a rock ’n’ roll band: the bass guitar.

[—from With a Little Help from My Friends: The Making of Sgt. Pepper, George Martin]

[nwdsc]

(▶︎ blueblue | Sam Gendelから)

blueblue by Sam Gendel

blueblue is the latest full-length from multi-instrumentalist and all-around vibe wizard, Sam Gendel. The record, out October 14 via Leaving Records, is a concise, tightly wound song suite whose 14 tracks each correspond to a pattern within sashiko, a traditional style of Japanese embroidery. This conceit remains playfully ambiguous — to what extent, if at all, is Kagome (籠目, woven bamboo) meant to evoke the pattern of the same name, for example? But there is an intuitive sense, throughout blueblue, that Gendel has, in this instance, narrowed his focus. To say that blueblue feels richly textural might be a little on-the-nose, thematically, but alas…it does. There is an intimacy, a humility, and a strength at play here that typifies the work of a master craftsman. Only an artist could make it sound so effortless. A Los Angeleno by way of Central CA, Gendel is by now an institution. Across a dizzying slate of solo releases and collaborations, he has amassed a reputation for not only virtuosic musicianship (primarily as a saxophonist, though the songs that would become blueblue were all initially composed on guitar), but also for his mercurial and prolific output — a corpus of work, which, while obviously indebted to jazz and hip hop (and the farther flung, experimental corners of both) is, in a word, unpindownable. In this regard, Leaving Records, with its cri-de-cœur of “All Genre,” is a natural home for Gendel.   The bulk of blueblue was recorded in isolation in a makeshift studio built in a cabin floating atop a tributary of Oregon’s Columbia River. Having sketched out a set of guitar melodies, Gendel recorded the album in five-or-so weeks, during which time he became well-acquainted with the river’s tidal rise and fall. This organic rhythm, which daily lifted the house to meet the horizon, later setting it down gently upon the riverbed, permeates the record. There are pops and groans and artifacts, and, in Tate-jima (縦縞, vertical stripes)—one of blueblue’s more plaintive tracks—even the faint lapping of water. Equally essential to the feel of blueblue is Craig Weinrib’s kit work. Gendel and Weinrib collaborated long-distance during Gendel’s time in Oregon, with Gendel sending Weinrib half-finished songs, and giving him carte-blanche to record percussion. The end result is a relaxed, confident exchange between two clearly simpatico musicians, particularly evident in Weinrib’s gorgeously attentive brush technique.   blueblue is a conceptually sound, mesmerizing, evocative, and sonically idiosyncratic LP. In keeping with its name, blueblue functions as Gendel’s color study, conveying, through repetition and deviation, his devotion to a certain mood — unnamable, but certainly noirish, nostalgic, quasi-psychedelic, and existing in some permanent twilight. Real ones know, and for those who don’t yet, blueblue is an accessible and intoxicating entry-point into Gendel's ever-expanding catalog. クレジット2022年10月14日リリース all music Sam Gendel drums & additional engineering Craig Weinrib mastering MatthewDavid McQueen bio written by Emmett Shoemaker 7/24/22 ~1pm blue heron illustration Marcella Cytrynowicz

[auckland-drum-studio]

Drumming 101: Essential Lessons for Beginners You Need to Know

Drumming is more than just hitting a surface with sticks—it's a rhythmic language that communicates energy, emotion, and groove. Whether you're drawn to the primal beat of rock, the syncopated rhythms of jazz, or the driving force of pop music, learning to drum opens up a world of musical possibilities. 

If you're a beginner eager to embark on your drumming journey, this Drum lessons for beginners guide is for you. From selecting your first drum kit to mastering fundamental techniques, let's dive into the essential lessons every novice drummer should know.

Choosing Your Drum Kit

Before you start pounding away, it's crucial to select the right drum kit for your needs. Consider your budget, available space, and musical preferences. 

Acoustic drum kits offer a classic sound and feel but require more space and maintenance. Electronic drum kits, on the other hand, are compact, versatile, and ideal for practising silently with headphones. Whichever option you choose, prioritise quality and durability to ensure an enjoyable drumming experience.

Understanding Drum Anatomy

To become a proficient drummer, familiarise yourself with the anatomy of the drum kit. The basic components include the bass drum (or kick drum), snare drum, tom-toms, hi-hat cymbals, crash cymbal, and ride cymbal. 

Each element serves a unique purpose in creating diverse rhythms and sounds. Spend time exploring the layout of your drum kit, and understanding how each piece contributes to the overall sound palette.

Mastering Proper Technique

Proper technique is the foundation of great drumming. Start by focusing on your grip—hold the drumsticks comfortably between your thumb and index finger, with the remaining fingers loosely wrapped around the stick. 

Practice striking the drums and cymbals with controlled, even strokes, using your wrists and fingers to generate power and precision. Pay attention to your posture as well, ensuring a relaxed yet upright position to prevent fatigue and injury.

Learning Basic Rhythms

Rhythm is the heartbeat of drumming, and mastering basic patterns is essential for building your skills. Begin with simple rhythms like the four-on-the-floor beat, which features a bass drum on every quarter note, or the classic rock beat, which combines a bass drum, snare drum, and hi-hat cymbal hits. 

Practice these patterns at varying tempos, gradually increasing your speed and accuracy. As you become more comfortable, experiment with syncopated rhythms and polyrhythms to expand your rhythmic vocabulary.

Developing Listening Skills

Drumming isn't just about hitting the drums—it's about listening and responding to the music around you. Train your ears to discern different rhythms, accents, and dynamics in songs across various genres. Focus on playing along with your favourite tracks, matching your drumming patterns to the music's groove and feel. 

Pay attention to subtleties like ghost notes, fills, and accents, and strive to replicate them in your own playing. Developing strong listening skills will not only make you a better drummer but also enhance your overall musicianship.

Conclusion

Embarking on your drumming journey as a beginner may seem daunting, but with patience, dedication, and the right guidance, you can progress quickly and enjoyably. Start by selecting the right drum lessons for beginners for your needs, familiarise yourself with its anatomy, and master proper techniques to lay a solid foundation. Dive into basic rhythms, focusing on developing your listening skills and musicality along the way. 

Remember, the key to becoming a proficient drummer lies in consistent practice, so don't be afraid to put in the time and effort. With each beat and rhythm you learn, you'll unlock new levels of creativity and expression, paving the way for a rewarding musical adventure. Source By: Drumming 101: Essential Lessons for Beginners You Need to Know

[melanierosemusic]

A Review of The Battle at Garden's Gate: Greta Van Fleet's New Album

by Melanie Rose

Greta Van Fleet are a Michigan-born band, consisting of three brothers: Josh Kiszka on vocals, Jake Kiszka on guitar and Sam Kiszka on bass, as well as good friend Danny Wagner on drums.

They released their debut EP From The Fires in 2017 with a follow up album Anthem of the Peaceful Army in 2018. Immediately, they were met with an array of fans with a wide age range, from nostalgic mums to impressed dads trickling right down to teenagers with a new found love for 1970s inspired rock with a folk edge. The band were also met with a lot of critics, accusing them of being Led Zeppelin copycats, unoriginal and simply ripping off classic rock artists from many years ago.

Despite the criticisms, Greta Van Fleet have proved their tenacity with the release of their well awaited second studio album, The Battle at Garden's Gate. I will be reviewing each song in order of tracklist and exploring how Greta Van Fleet have evolved their sound and creativity.

Heat Above: We open the album with a merry and magical start. Josh's heavenly vocals mixed with warm and inviting lyrics provide a great accompaniment to Sam's Hammond organ. This song feels very peaceful and has a great groove, reminiscent of the hippie sounds of the late 1960s and 1970s. A great opening track makes for a promising start.

My Way, Soon: This song is a pure hit of dopamine to the system. I loved it since the first time I heard it when the band released it in October of last year. The cheery song paired with the homemade music video feels like nostalgic memories from childhood summer camp. It makes me feel like I stepped right back into the past. The bass in this song is strong and the guitars pair up in a dynamic duo with the drums as the song builds to its chorus. Great lyrics in this song make for an anthem feel and a strong lead single.

Broken Bells: This song would make for an amazing concert opener. It reminds me of the early work of psychedelic influenced rock bands like Rush and Pink Floyd. The music builds with such gravitas in this track; it's magnetic and holds the attention of the listener throughout. The way in which the instruments marry each other in the chorus is stunning and the drumming of Danny Wagner really shines on this song. The song almost feels like a soundtrack for The Chronicles of Narnia or Lord of the Rings, with a battle-like quality to the intensity of the song's build up. Once again, Josh's vocals are ethereal.

Built by Nations: This song showcases the sexier side to Greta Van Fleet's musicianship. The drums have a great groove and the guitar is quite bluesy. This song is an excellent example of how much the band have matured their sound since their previous releases and how they have evolved their songwriting skills.

Age of Machine: From the very first moment I heard this song, I knew it was going to be one of those amazing, long classic rock songs that draws you in and makes you feel like you're on a trip. The way the drums fade in paired with the vocal talents of Josh Kiszka gives the song a psychedelic undertone and gives me chills. I like how the vocals compliment the guitars in this song and the drumming is beautiful as always. The group vocals in the chorus add a really nice touch to the song. The guitar riff after the verses appears to take inspiration from Rush once more; that part alone definitely makes this one of my favourite songs on the album.

Tears of Rain: The opening acoustic guitar is so beautifully crisp and clear and it is rather mindful of the kind of music you would hear upon an evening beach walk in Spain. The bells are a beautiful addition and piano shows a lighter side to Greta Van Fleet's musical abilities and the vocals compliment everything wonderfully. This song stands out because it sees the band branch out from their electric guitar - drums - bluesy bass combo. The rain clouds at the end leave the song with a magical, theatrical quality. The ending puts me in mind of Rainbow by Kacey Musgraves; a retro and introspective piano ballad with a touching final chord.

Stardust Chords: What a beautiful name for a song! I love the drums at the beginning - they suggest an anthem is about to unfold. Josh's booming vocals introduce another great riff from Jake on guitar. I love the groove of this song that the bass and drums create. The music in the chorus mixes harmoniously with Josh's melodies. Greta Van Fleet prove to be amazing at never leaving a single instrument to fade away in the background. The middle eight in this song stands out; it's very different sounding for them and feels like fire. A captivating solo from Jake towards the end is followed by more group vocals - a nice touch that Greta Van Fleet hadn't explored in their previous album or EP so it's nice to see them expand creatively.

Light My Love: This is going to be a fan favourite. An opening piano melody that would remind you of Elton John in his prime kicks off this love song and adds a light and airy touch. The lyrics are particularly strong in this track and Josh sings as beautifully as ever over the chorus. The acoustic guitar feels warm, bright and happy and the electric guitar adds a great backbone. The vocals at the end leave you feeling all sparkly inside.

Caravel: Another Rush influence? The opening guitar is groovy and a more mature sound for Greta Van Fleet. The riff after the chorus paired with the 60s sounding drums are so pleasing to listen to. Sam's bass in this track adds a great bounce and the orchestral plucks add an interesting and new element to the record - an impressive creative choice for the band. This song further demonstrates Josh's maturing vocals and captures Jake's excellent guitar songwriting skills. The drums at the end are rather noteworthy; you can really feel Danny's passion.

The Barbarians: The opening music is rather unexpected and a nice touch. Jake comes in with a great guitar riff and Josh's vocals deliver as always. The swing of the guitar in the verses of this song really stands out for me and the drums pair well with it. An interesting middle eight really lifts the song and makes it stand out from the rest of the album - the bass and drums do a great job here with interesting chords and haunting vocals. The organ adds another 1970s feel or even a slightly gothic element to the track.

Trip The Light Fantastic: A great opening riff and awesome drumming from Danny in the verses and throughout. Interesting chanting vocals in this song that add a nice flavour and another hippie element to the album. Jake's playing is significant in the chorus of this song and the lyrics are noteworthy. This song sees Greta Van Fleet explore different instruments that they haven't really used before, bringing an outer space feel towards the end of this song and really making it feel like a trip to the stars and beyond. A nice piano touch further adds to the feeling of "light". This song again makes me think that Greta Van Fleet had been listening to a lot of psychedelic rock when making this album.

The Weight of Dreams: A thought provoking introduction from Jake on guitar - one of the most unforgettable intros on this album. Great swooping bass moments from Sam on this song and excellent drums from Danny that bring the song to a new level. The solo guitar moments on this track really make it feel like an album closer, at times being reminiscent of Broken Bells, tying the whole album together at the close. Marvellous drums and vocals from Josh bring the song to a magnetic and dramatic end as a solo from Jake brings an emotional touch. This feels like one of those songs Jake would freestyle on in live performances with an extra long guitar solo. One of Jake's strongest solos wraps up this album with a bang. The outdo acoustic guitar leaves a wonderful magical touch to end things off on a more thoughtful note.

After an initial listen, the strongest songs on the album feel like Heat Above, My Way Soon, Broken Bells, Age of Machine, Light My Love, Trip The Light Fantastic and The Weight of Dreams.

The album was well worth the three year wait and you can tell how hard Greta Van Fleet have worked on this album - their sound has matured beautifully while still staying true to their musical roots. They have broadened their horizons with new instruments being explored throughout the album as well as impressive new vocal techniques from Josh.

While some critics have called the album another Zeppelin rip off or compared the band to others through a rather snarky and gatekeeping tone, I couldn't disagree more. While Josh's vocals are at times comparable to the great techniques of Robert Plant, his voice also could put you in mind of AC/DC and Rush - but ultimately I feel the more you listen to Greta Van Fleet, the more unique sounding Josh's voice becomes.

Their new image may suggest a Queen influence as the band opt for a more glam rock look, but their music feels inspired by more psychedelic rock and blues artists. However, despite many clear influences, this album feels authentically Greta Van Fleet and is much more evolved and original than their previous work. A transcendent and thoughtful album from one of the most promising rock bands of our generation.