#Dragon-bodied

[ashitakaxsan]

Dragonar Fort.

TEHRAN – A recently finished archaeological excavation,on the ruins of a massive fort is southern Iran,reveals the monument was initially used in Sassanid era and later during the early Islamic epoch up to the late Qajar era.

Covering some 20 ha in area, Qale Ezhdeha-Peykar, whose name literary translates into ‘dragon-bodied’ fort, is situated on a mound in Lar county of Fars province, southern Iran, Mehr reported on Tuesday.

The [archaeological] site consists of three ridges on the north, middle, and south, and was surrounded by a defensive wall in which watchtowers were built at regular intervals, the remains of which can be seen today.

The excavation indicates the history of settlement in this area stretches to the Sassanid era (224–651) and then it continued to be inhabited from early Islamic centuries until the end of the Qajar period (1789-1925).

Conducted under the supervision of the Research institute of Cultural Heritage and Tourism, the dig makes the first archaeological season on the fortress, the report said.

The Sassanid era (224 CE–651) is of very high importance in the history of Iran. Under Sassanids, Persian art and architecture experienced a general renaissance. Architecture often took grandiose proportions, such as palaces at Ctesiphon, Firuzabad, and Sarvestan, which are amongst the highlights of the ensemble.

Crafts such as metalwork and gem engraving grew highly sophisticated, yet scholarship was encouraged by the state. In those years, works from both the East and West were translated into Pahlavi, the language of the Sassanians.

The Sassanid archaeological landscape also represents a highly efficient system of land use and strategic utilization of natural topography in the creation of the earliest cultural centers of the Sassanid civilization.

The Muslim conquest of Persia, also known as the Arab conquest of Iran, led to the fall of the Sasanian Empire of Iran (Persia) in ca. 651 and the eventual decline of the Zoroastrian religion. The rise of Muslims coincided with an unprecedented political, social, economic, and military weakness in Persia.

In 2018, UNESCO added an ensemble of Sassanian historical cities in southern Iran — titled “Sassanid Archaeological Landscape of Fars Region”-- to its World Heritage list. The ensemble comprises eight archaeological sites situated in three geographical parts of Firuzabad, Bishapur, and Sarvestan. It reflects the optimized utilization of natural topography and bears witness to the influence of Achaemenid and Parthian cultural traditions and Roman art that later made a significant impact on the architecture and artistic styles of the Islamic era.

Source:https://www.tehrantimes.com/news/490340/Dragon-bodied-fort-in-southern-Iran-dates-from-Sassanid-era

[theinsaneum]

[ruporas]

dragon meat, you, and me

[sanctus-ingenium]

look at my creature

[ayo-edebiri]

You couldn't handle this. Mm, you'd be surprised.

Agatha All Along (2024) The 100 (2014 - 2020) House Of The Dragon (2022 - ) Killing Eve (2018 - 2022) Jennifer's Body (2009) Buffy the Vampire Slayer (1997 - 2003) Black Sails (2014 - 2017) Lucifer (2016 - 2021) Once Upon a Time (2011 - 2018)

[maaagpie]

another lucanis!

[pcktknife]

that damn chicken

[aamuusva]

Ghilan'nain, Mother of the halla

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[pupkinpumpkin]

Rook being a very physically touchy person and Lucanis avoiding touch at all costs from built up trauma from childhood, his work as a Crow, and the Ossuary. Them always asking for Lucanis' permission to touch him, and before Tearstone Island, they hug him and he still flinches but he holds them tight

As Rook is taken into the Regret prison and they see a vision of Lucanis' body on the ground, they scream his name out of concern and fear but all Lucanis hears is them screaming for him to help, and then they're gone. They're gone. He thinks they were screaming his name, begging him to save them and now they're gone.

Weeks into Rook being taken into the Regret prison and now a man who couldn't be touched without reflexively drawing a blade is craving the warmth of his partner who he thinks he'll never see again

Lucanis pulling Rook out of the prison, knowing it's them right away because of their hands. He missed their hands, he missed their touch, he missed their warmth, he missed them.

When Rook gets back, Lucanis' touch is slow and soft, almost unbelieving. Weeks of stress and torture and pain and guilt and regret, and now they're here. Once they're finally together, he feels as though the world is in their arms and if killing a god is the only way to stay there, he will do what a Crow does best and fulfill this contract

[timethehobo]

Constantly picturing Emmy having to jump into the water to retrieve Rook after he falls in for the umpteenth time. 💀

Esp since I drag him everywhere.

[felassan]

Matt Rhodes: "Veilguard. The Silent Plains. A vast desert, location of the Necropolis. This was also where Dumat, the first Blight was killed. I liked the idea that the desert was still scarred from it." [source]

Art by Matt Rhodes.

Caption on image 3: "The wasteland is finally beginning to grow again" [source]

[mostrovskaa]

My Rook's evolution through the game and some images from his dreams (I put a magnifying glass to his big ass forehead and saw what he was dreaming about).

[zaahvi]

dark grows the sun, and in summer soon come mighty storms...

[honeyxilia]

Trans flag from the colors of the title card from Dungeon meshi's second opening !!

[odetokeons]

toxic yuri + 🔪🔪🔪