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80s4life · 4 years ago

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Character/Movie List

Below is movies and TV shows I like personally and are lsited as a reference. If you don't see something you're interested in, it is not that I don't like it, it is because I most likely forgot it because I love so many movies/shows tbh. Just ask, and I'll answer! And, from the Rules and Regulations page, what I had meant by "mostly" is that I can dabble outside of the acting world and into actors/actresses themselves and/or singers, popstars, etc.

{Another side-note, I am not so much into shows, but mostly movies! Although, there are some exceptions that I love beyond belief!}

MOVIES

Back to the Future Series:

Biff Tannen

Griff Tannen (Maybe, he wasn't the best of the Tannen's imo)

Buford Tannen

Marty McFly

George McFly

Doc Brown

Lorraine Baines

Match

Titanic:

Rose DeWitt Bukater

Jack Dawson

Caledon Hockley

Brock Lovett

Rabrizio De Rossi

Thomas "Tommy" Ryan

Karate Kid Series {1/2/3}:

John Kreese

Mr. Miyagi

Johnny Lawrence

Daniel LaRusso

Tommy

Dutch

Bobby Brown (not so much; don't know him too well)

Ali Mills

Lucille LaRusso

Chozen

Kumiko

Terry Silver (duh lmao)

Mike Barnes (also duh)

Jessica Andrews

Stand By Me:

Vern Tessio

Billy Tessio

Gordie LaChance

Chris Chambers

Eyeball Chambers

Ace Merrill

Teddy Duchamp

Goonies:

Brand

Mikey

Chunk

Mouth

Data

Andy

Stef

Jake Fratelli (he was kinda hot ngl)

Ferris Bueller's Day Off:

Ferris Bueller

Jeanie Bueller

Cameron Frye

Sloane Peterson

License to Drive:

Les Anderson

Dean

Mercedes Lane

Charles

Toy Soldiers:

Billy Tepper

Joey Trotta

Snuffy Bradberry

Ricardo Montoya

Hank Giles

Derek/Yogurt

Scream Movie Series {1/2}:

Billy Loomis

Stu Macher

Dwight "Dewey" Riley

Ghostface

Randy Meeks

Tatum Riley

Sidney Prescott

Gale Weathers

Cotton Weary

Derek Feldman

Mickey

Predator:

Dutch

Blain

Yautja

Escape Plan:

Emil Rottmayer/ "Victor Maheim"

Ray Breslin/ "Anthony Portos"

The Expendables:

Barney Ross

Lee Christmas

Toll Road

Tool

Gunnar Jensen

Bao Thao/ "Yin Yang"

Hale Caesar

Trench

Church

Divergent Movie Series {1/2/3}:

Divergent-

Beatrice "Tris" Prior

Caleb Prior

Peter

Tobias "Four" Eaton

Christina "Chris"

Eric Coulter

Will

Insurgent-

Marcus Eaton

Allegiant-

Matthew

Terminator Series:

T-100/"Uncle Bob"/Terminator

T-1000 "Austin"

John Connor

Sarah Connor

Grace

Dani Ramos

Dazed and Confused:

David Wooderson

Fred O'Bannion

Randall "Pink" Floyd

Ron Slater

Don Dawson

Mitch Kramer

Benny O'Donnell

Rocky Series:

Rocky Balboa

Apollo Creed

Captain Ivan Drago

Zombieland {1/2}:

Tallahassee

Columbus

Berkeley

Witchita

Little Rock

Madison

Lethal Weapon Movie Series {1/2/3/4}:

Martin Riggs

Roger Myrtaugh

Rianne Murtaugh

Leo Getz

Goodfellas:

Henry Hill

Jimmy Conway

Tommy DeVito

Karen Hill

Marvel:

Avengers Heroes-

Iron Man/Tony Stark

Thor

Ant-Man/Scott Lang

Hulk/Bruce Banner

Captain America/Steve Rogers

Hawkeye/ Clint Barton

Quicksilver/Pietro Maximoff

Scarlet Witch/Wanda Maximoff

Black Panther/T'Challa

Vision/Victor Shade

Black Widow/Natasha Romanoff

Mantis

Spider-Man/Peter Parker

Doctor Strange/Stephen Strange

Avengers Anti-Heroes/Antagonists:

Yondu Udonta

Loki Laufeyson

Winter Soldier/Bucky Barnes

Whiplash

Thanos

Mysterio

Kaecilius

Ronan

Hela

Ultron

Wolverine/Deadpool:

Wolverine/Logan Howlett

Sabretooth/Victor Creed

Bolt/Chris Bradley

Gambit/Remy LeBeau

Cyclops/Scott Summers

(Younger!)Professor X

Deadpool/Wade Wilson

Cable/Nathan Summers

Colossus/Piotr "Peter" Nikolayevich Rasputin

Dopinger

Weasel

Negasonic Teenage Warhead/Ellie Phimister

DC Universe:

Superman/Clark Kent (Henry Cavill)

Batman/Bruce Wayne (Affleck, Bale versions)

Aquaman/Arthur Curry

Wonder Woman/Diana Prince

Harley Quinn

Joker (Leto, Ledger, Phoenix versions)

Deadshot

Captain Boomerang

Enchantress

Rick Flagg

Bane (Tom Hardy)

TV Shows

Stranger Things:

Mike Wheeler

Nancy Wheeler

Will Byers

Joyce Byers

Johnathan Byers

Maxine "Max" Hargrove

Billy Hargrove

Dustin Henderson

Lucas Sinclair

Robin Buckley

Jim Hopper

Steve Harrington

Sex Education:

Erric Effiong

Aimee Gibbs

Adam Groff

Ola Nyman

Rahim

Otis Milburn

Maeve Wiley

Hannibal (Show):

Hannibal Lector

Will Graham

Dr. Alana Bloom

Jack Crawford

Abigail Hobbs

Orange Is the New Black (OITNB):

Piper Chapman

Nicky Nichols

Suzanne "Crazy Eyes" Warren

Galina "Red" Reznikov

Tasha "Taystee" Jefferson

Dayanara "Daya" Diaz

Gloria Mendoza

Lorna Morello

Tiffany "Pennsatucky" Doggett

Alex Vause

Joel Luschek

Big Boo

Maritza Ramos

Poussey Washington

Yoga Jones

Gina Murphy

Brook Soso

Sophia Burst

George "Pornstache" Mendez

Larry Bloom

Polly Harper

Stella Carlin

The Boys:

Billy Butcher

Starlight/Annie January

Hughie Campbell

Homelander

Kimiko Miyashiro

Queen Maeve/Maggie Shaw

Mother's Milk "M.M."

The Deep/Kevin Moskowitz

Frenchie

Stormfront

Becca Butcher

The Walking Dead (TWD):

Daryl Dixon

Merle Dixon

Rick Grimes

Carl Grimes

Lori Grimes

Maggie Greene

Beth Greene

Glenn Rhee

Negan Smith

Michonne Hawthorne

Carol Peletier

Shane Walsh

Paul "Jesus" Monroe

Eugene Porter

Sgt. Abraham Ford

Outer Banks (OBX):

Sarah Cameron

Rafe Cameron

Ward Cameron

John B

Topper

Pope

Kiara

Shameless:

Frank Gallagher

Fiona Gallagher

Lip Gallagher

Ian Gallagher

Debbie Gallagher

Carl Gallagher

Kevin Ball

Veronica Fisher

Mickey Milkovich

Mandy Milkovich

Svetlana

Jimmy "Steve" Lishman

Karen Jackson

Cobra Kai

Miguel Diaz

Eli "Hawk" Moskowitz

Robby Keene

Demetri

Carmen Diaz

John Kreese (baby version & old version)

Terry Silver (baby version & old version)

Tory Nichols

Samantha "Sam" LaRusso

...AND MANY MORE!

If there is something or someone you like not on this list, feel free to ask or direct message me! For movies like the DC Universe and Marvel, if there is multiple actors of that character and you want a certain one, please make sure that you add that detail!

Rules & Regulations

Masterlist

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peppart · 2 years ago

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Top100

Sul sito Brushwiz è pubblicata una classifica dei Top 100 Masterpieces - World’s Most Famous Paintings, del tutto soggettiva ma che comunque elenca opere universalmente riconosciute come ‘classiche’.

Leonardo Da Vinci - La Gioconda

Vincent Van Gogh - Notte stellata

Edvard Munch - L'urlo

Rembrandt Van Rijn - La ronda di notte

Gustav Klimt - Il bacio

Jan Van Eyck - Ritratto dei coniugi Arnolfini

Jan Vermeer - Ragazza con un orecchino di perla

Claude Monet - Impressione, Levar del sole

Diego Velazquez - Le Meninas

Michelangelo Buonarroti - Creazione di Adamo

Pierre Auguste Renoir - La colazione dei canottieri

Jean-Auguste-Dominique Ingres - La grande odalisca

Jean-Honoré Fragonard - L'altalena

Eugene Delacroix - La Libertà che guida il popolo

Sandro Botticelli - La nascita di Venere

Jacques-Louis David - Il Primo Console supera le Alpi al Gran San Bernardo

Caravaggio - I musici

Grant Wood - Gotico americano

Georges Seurat - Una domenica pomeriggio all'isola della Grande Jatte

Henri Rousseau - La zingara che dorme

Raffaello Sanzio - Il trionfo di Galatea

Jean-François Millet - Le spigolatrici

Edward Hopper - Nighthawks

Francisco de Goya - 3 Maggio 1808

Antoon Van Dyck Triplo ritratto di Carlo I

Caspar David Friedrich - Viandante sul mare di nebbia

Edouard Manet - Olympia

Pieter Bruegel il Vecchio - La torre di Babele

El Greco - Veduta di Toledo

Edgar Degas - Mercato del cotone a New Orleans

Tiziano Vecellio - Bacco ed Arianna

Gustave Courbet - Il sonno

Thomas Eakins - La clinica Gross

Ivan Aivazian - La nona onda

Leonardo Da Vinci - L'ultima cena

Paolo Uccello - San Giorgio e il drago

Thomas Gainsborough - Coniugi Andrews

Jean-Léon Gérôme - Pollice verso

Antoine Watteau - Pellegrinaggio a Citera

Paul Cezanne - Le grandi bagnanti

Jan Vermeer - L'astronomo

William-Adolphe Bouguereau - Onda

Peter Paul Rubens - La caduta dei dannati

Edouard Manet - Il bar delle Folies Bergeres

Rembrandt Van Rijn - La tempesta sul mare di Galilea

Frans Hals - Il cavaliere sorridente

Gustave Caillebotte - Giornata di pioggia a Parigi

Franz Marc -Volpi

Leonardo Da Vinci - Dama con ermellino

John Singleton Copley - Watson e lo squalo

Joshua Reynolds - Le signore Waldegrave

James AM Whistler - Composizione in grigio e nero: ritratto della madre dell’artista

Pierre-Auguste Renoir - Ballo al Moulin de la Galette

Winslow Homer - Breezing Up

Katsushika Hokusai - La grande onda

Amedeo Modigliani - Grande nudo seduto

George Bellows - Stag Night at Sharkeys

Vincent Van Gogh - Il caffè di notte

Childe Hassam - The Avenue In The Rain

Leonardo Da Vinci - L'Annunciazione

Hans Holbein il Giovane - Gli ambasciatori

Frederic Leighton - Flaming June

Jacopo Tintoretto - Susanna e i vecchioni

Wassily Kandinsky - Composizione 8

Jacques-Louis David - Il giuramento degli Orazi

Cassius Marcellus Coolidge - A Friend in Need

William-Adolphe Bouguereau - Dante e Virgilio

Francisco de Goya - Saturno che divora i suoi figli

Albrecht Altdorfer - La battaglia di Isso

Vincent Van Gogh - I mangiatori di patate

Alexandre Cabanel - La nascita di Venere

Louis-Jean-Francois Lagrenee - Marte e Venere. Allegoria di Pace

Paul Klee - Pallone rosso

John William Waterhouse - The Lady of Shalott

Gilbert Stuart . Ritratto di un gentiluomo che pattina

John Constable - Il carro di fieno

Mary Cassatt - Boating Party

Giorgione - Venere dormiente

Gentile da Fabriano - Adorazione dei Magi

Raffaello Sanzio - Ritratto di un giovane uomo

Camille Pissarro - Primavera nel Boulevard Montmartre

Paolo Veronese - Le nozza di Cana

Rembrandt Van Rijn - La lezione di anatomia del Dr. Nicolaes Tulp

Theodore Gericault - La zattera della Medusa

Francesco Hayez - Il bacio

Jean-Léon Gérôme - Il bagno

Joseph MW Turner - Fort Vimieux

Claude Monet - Il ponte giapponese

Emanuel Gottlieb Leutze - Washington attraversa il Delaware

Hieronymus Bosch - Il giardino delle delizie

Caravaggio - Cena in Emmaus

Albrecht Durer - Festa del Rosario

William Holman Hunt - Il pastore di Hireling

Pieter Bruegel il Vecchio - Cacciatori nella neve

Paul Gauguin - Il seme di Areoi

Ilja Efimovic Repin - I battellieri del Volga

Francois Boucher - Odalisca

Caravaggio - I bari

Hubert Robert - Pont du Gard

Edouard Manet - Colazione sull’erba

#classifica #top100

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xtruss · 3 years ago

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Satire from The Borowitz Report

Devin Nunes Idiotically Thinks Trump Will Pay Him!

— By Andy Borowitz | December 7, 2021 | The New Yorker

Photograph by Al Drago/Bloomberg/Getty

WASHINGTON (The Borowitz Report) — Representative Devin Nunes has announced that he is leaving Congress to run Donald J. Trump’s media company in the idiotic belief that Trump will pay him.

As news broke of Nunes’s decision, thousands of venders who have waited decades for Trump to pay them expressed bafflement that the California congressman would make such a boneheaded career move.

“It’s inconceivable to me that he thinks he will get paid,” Carol Foyler, one of the unremunerated venders, said. “Has he even Googled Trump?”

As Nunes packed his bags, his soon-to-be-former colleagues in Congress celebrated his departure into the wee hours of the morning.

Representative Adam Schiff, however, sounded a cautious note. “It’s essential that Devin not find out that he won’t get paid,” Schiff said. “He might change his mind and stay here.”

Trump Banned from His Own Social Network

— By Andy Borowitz | December 6, 2021 | The New Yorker

Photograph by Tasos Katopodis/Getty

PALM BEACH (The Borowitz Report) — In a major setback for the former President, Donald J. Trump has been banned from his own social network.

Trump’s permanent ban went into effect just moments into the beta test of the new social-media platform, Truth Social.

After Trump posted his first status update, the platform determined that he had violated its terms of service and expelled him forever.

Harland Dorrinson, a spokesman for Truth Social, confirmed that the platform had banned Trump, adding, “It’s unfortunate, but our hands are tied.”

Reportedly, Trump has prepared a blistering statement about his Truth Social ban but has been unable to find anywhere to post it.

Dr. Oz (A Idiot) Hopes to Replace Rand Paul as Biggest Quack in Senate

— By Andy Borowitz | December 1, 2021 | The New Yorker

Dr. Oz. Photograph by Nathan Congleton/NBC/Getty

PENNSYLVANIA (The Borowitz Report) — Explaining his decision to enter the political sphere, Dr. Mehmet Oz said that he hopes to oust Rand Paul as the biggest quack in the United States Senate.

Oz said that Paul, a former ophthalmologist, has shown an impressive obliviousness about medicine while serving in Washington, but added, “I think I can out-quack him.”

“In the many times he’s grilled Dr. Fauci, has he ever asked him about the health benefits of magic coffee beans or umckaloabo-root extract?” Oz said. “I think America deserves a senator who will ask those tough questions.”

Paul, speaking to reporters, seemed unfazed by Oz’s determination to supplant him as the Senate’s top quack.

“I respect Dr. Oz as a fellow-charlatan, and the competition can only light a fire under me to become a bigger charlatan myself,” he said. “But if, in the end, he winds up besting me, I’ve had a good run.”

0 notes

perfectirishgifts · 4 years ago

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5 ‘Star Trek’ Actors Are Out LGBTQ, But How Many Are Nerds? This Guy!

New Post has been published on https://perfectirishgifts.com/5-star-trek-actors-are-out-lgbtq-but-how-many-are-nerds-this-guy/

5 ‘Star Trek’ Actors Are Out LGBTQ, But How Many Are Nerds? This Guy!

Actor Anthony Rapp plays Paul Stamets in the Star Trek: Discovery Season 3 episode Terra Firma, Part … [] 1

Note: For fans who have not yet seen this week’s episode of Star Trek: Discovery, there are spoilers ahead.

“I don’t think it’s a secret, I’ve been a nerd,” said actor Anthony Rapp. “I’ve been very outspoken about that.”

He has. but don’t just take his word for it. Check out the Star Trek: Discovery star’s Twitter feed: Rapp tweets ratings for science fiction and fantasy novels, and most recently: Dungeons and Dragons games with stars of the show and their friends.

That’s of course in addition to Rapp’s tweets promoting social justice, LGBTQ equality and his pro-mask pandemic posts. The Illinois native engages with his fans on a daily basis, and interacts with them about everything from civil rights to politics and theater, and when appropriate, he gets personal.

But when it comes right down to it, Rapp is a nerd. And he’s not alone:

Anthony Rapp as Lt. Commander Paul Stamets and Wilson Cruz as Dr. Hugh Culber of the CBS All Access … [] series, Star Trek: Discovery.

That’s a parody of perhaps the most well-known song from Rent. Rapp starred in the original production on Broadway in 1996 as Mark Cohen, alongside his current co-star Wilson Cruz, who played the part of Angel in the touring production. Together, they play the science fiction franchise’s first regularly appearing gay couple aboard the U.S.S. Discovery, serving aboard a 23rd century starship that in this third season has flown 930 years into the future.

In our present day, the veteran actor of stage and screen — known also for roles in the films A Beautiful Mind and Adventures in Babysitting — is in Toronto, Canada, where he is filming season four of the CBS All Access streamed series. He took a break Wednesday evening to talk about being a nerd, his castmates, his thoughts on acting and LGBTQ representation in Star Trek.

This interview was edited for clarity and space limitations. Scroll down to watch the video of the full interview. Note: if you have not yet viewed this week’s episode of Star Trek: Discovery, Terra Firma Part 1, there are spoilers aplenty ahead!

Dawn Ennis: The mirror universe is back!

Anthony Rapp: Yes!

Ennis: How long ago was it you filmed this?

Rapp: Oh, my goodness. Sometime, maybe about a year ago? I want to say, -ish, give or take.

Ennis: The wonders of Hollywood. Your character, Stamets, in the alternate universe, in the Mirror Universe, has a devious plot. Do you remember anything about the idea that you would have what every actor lives for, a glorious death scene?

Michelle Yeoh stars as Empress Georgiou in the Star Trek: Discovery episode, Terra Firma, Part 1

Rapp: Well, it’s not just a glorious death scene, but it’s a glorious death scene at the hands of Michelle Yeoh. You know, when I was first cast in this show, about three and a half, four years ago, one of the first things that was shared with me was that Michelle Yeoh was going to be a part of it. And my jaw just dropped because, I mean, she’s a legend. And you always hear that you shouldn’t meet your heroes because they’ll so often disappoint you. And it’s the exact opposite with Michelle. She is a consummate human being, in every way.

I didn’t get a lot of chances to work opposite her with her directly as part of the show, but we hung out and our cast is very close. We do social things together. And she was always fantastic to talk to and be with.

But to finally get to play opposite her a couple of times over the last season and a half, and then to get killed by her, that’s the sort of “pinch-me” moment that if you’d asked me, when I first saw Crouching Tiger, Hidden Dragon, I would have looked at you like you were speaking in tongues, because it would have seemed so unlikely that anything like that would ever come my way.

I don’t remember exactly how many times we did the shot. There were a couple of different shots, but one of the main shots was me creeping up behind her, and then she quickly turns and stabs me in the throat. She did that perfectly every time; the knife was incredibly, perfectly situated exactly at the right angle to my throat.

She has an otherworldly gift at such things. We are so lucky to be graced by her.

Ennis: You have a theatrical background which plays into this particular episode in which you are the the narrator of a big production. And I imagine that you must weekly call upon your theatrical skills, because acting on the small screen is not small.

Rapp: I think other actors have said something like this, that acting on a show like Star Trek is in some ways at times like acting in Shakespeare or a period piece, where the language can be really heightened. Like when you’re in Hamlet, you’re talking to a ghost; When you’re in Star Trek, you’re talking to an alien.

Some of our training comes from inhabiting any kind of fantastical realm or world, or you’re doing Midsummer Night’s Dream, or the Scottish play, and then also having the heavy lift of of technical language, or language that I would never utter in my normal life.

I think a lot of actors who grow up only doing film and television sometimes can feel a little nervous about taking big risks, because there’s this notion that when you’re on film, things have to be small, quiet. I think in Trek, people like Patrick Stewart, William Shatner, Leonard Nimoy, they had tremendous theatrical backgrounds. Brent Spiner, too, and that that absolutely served them incredibly well.

Left to right: Brent Spiner, William Shatner and Patrick Stewart, Leonard Nimoy with William … [] Shatner.

Ennis: You stand on the shoulders of giants, that’s for sure. Now, you and Wilson Cruz, you play partners on the show, and now you each have a death scene that you can compare notes. And of course, they’ll be fans who say, ‘”Oh, they’re killing off the gays again!” Any thoughts on those two things?

Rapp: Well, I think A., in the Mirror Universe, who knows what anyone is? I think everyone’s a little bit pansexual, probably. And B., Yeah, not to give any more spoilers away, but you know this version of the Mirror Universe we’re seeing is also in some ways a mirror of the mirror.

So it’s not canon in quite the same way as what we saw in season one. It’s another peeling back of the curtain, and the layers of of these mirrors. But back in season one, Stamets was a part of the plot to overthrow Georgiou. So this is just the natural extension of that.

Blu del Barrio plays Adira on Star Trek: Discovery

Ennis: Those you follow you and Wilson on social media have seen that people are starting to call Wilson the Space Papi and you the Space Dad to Blu del Barrio’s character, to Adira. Not being a parent yourself, is that a stretch?

Rapp: Well, I’ve been a parent to pets and animals my whole life. I’m not equating Blu with a pet or an animal. But, you know, from the first day of meeting Blu, I was there for their very first day that they ever set foot on a professional film or television set. Jonathan Frakes was directing the episode, their first scene on camera, when I confront them at the foot of the ladder: “What are you doing up there?”

Ennis: No pressure or anything.

Rapp: And, you know, but Jonathan and I would be watching them work. They’re so incredible, already and with no experience in this arena, in training and acting experience.

Having been on a set for the first time when I was 15: It’s a little weird. And then there’s all kinds of strange things happening. It’s easily intimidating and strange and bizarre, and you have to absorb a lot. They just hit it right out of the park right away. and came at it with such incredible grounded and human energy. So I fell in love with Blu right then and there. Then I just naturally gravitated toward being a kind of, I don’t know, mentor, protective big older brother, dad, kind of thing. That felt very natural to me, personally. That was something that was very easy to “live into,” because I felt that so naturally anyway.

Anthony Rapp as Lt. Commander Paul Stamets and Wilson Cruz as Dr. Hugh Culber of the CBS All Access … [] series, Star Trek: Discovery.

Ennis: As a pioneer in Star Trek, in terms of being an out gay man, playing a gay character, in a relationship with another man, do you see that the unfolding of having non-binary characters like Adira and a trans character, even in a ghostly version, how does that make you feel in terms of the craft and and our community?

Rapp: I think it’s long overdue. I’ve said things like this with you before, probably as we’ve talked over the years: There were times when people within the world of creating Trek were agitating for these kinds of characters to be a part of the fabric, off screen and on screen, but there was resistance from networks or whatever. So, it just took too long, frankly.

Blu del Barrio, left, with Ian Alexander in the Star Trek: Discovery episode, “Forget Me Not”

But the fact that it has come about makes it feel earned. I just feel incredibly lucky and proud that Wilson and I first were entrusted with carrying that mantle. Then, Tig Notaro coming on board, now, of course, Blu and Ian [Alexander].

Blu and Ian are quintessential Gen Z kids, and I am going to say “kids” with total affection and respect. They’re really young, but they’re so much a part of this younger generation which truly is willing to break down all kinds of barriers, and just shake things up in the most grounded way.

Recognizing that all of these different facets of identity and expression and being deserved to be seen, and all light needs to be shining everywhere, at all times. I’m sure that there are aspects of it that sometimes might be a little overwhelming or intimidating, but they are so up for it, and so ready to to carry that that mantle.

Ennis: When I spoke to Tig, they reminded me that her character had lost her wife in the battle of the binary stars. And she addressed a question from a fan about whether the knocking of heads between your characters was carried through into real life. And she said, “I certainly hope not!” She said, “I think that we get along just great.”

Rapp: Yes, I love Tig. I was first was introduced to her with the piece that she’d done when she was first diagnosed with cancer.

Commander Jett Reno, played by actor, podcaster and comedian Tig Notaro, left, with Lt. Commander … [] Paul Stamets, portrayed by actor Anthony Rapp, appearing in the ‘Star Trek: Discovery’ third season episode, ‘Die Trying’ on CBS All Access.

I wasn’t warned what it was about. And my mom passed away from cancer, but just like immediately, I was just so taken by it. And some of the things I was so taken by was her honesty, authenticity, and also humor in the face of it, but just her willingness to be totally authentically herself, and share every aspect of it.

That’s something that I really strive to do with my life. So when I heard that she would be part of the show, I crossed my fingers, this is one of my heroes: “I hope she’s as cool as she seems!” And she absolutely was. We’ve had we’ve got a complete blast. And I really love when she’s on set, and I wish she could be on set more often.

Ennis: What’s next for you? I know you’re so busy shooting the next season of Discovery, but what other projects do you have going on? Anything on the horizon?

Rapp: There’s a sort of small scale thing. I got invited by Swapna Krishna, who’s a writer. She’s written for my SyFy Wire, I believe, and other outlets. She invited me to contribute a story to an anthology that she’s editing called Sword Stone Table, in which writers are taking the Arthurian legends and doing spins on them. That would make them multicultural, LGBTQ, finding ways to adapt some aspect of the legend. Any aspect. That was the only brief: the Arthurian legends, find some way to adapt it to a story you want to tell. I’m incredibly honored to do that and I worked really hard on a story that I’m proud of. It turned out pretty well, I think. And so that’s going to be coming out sometime in the spring or summer.

But not now. We’re very much in the thick of season four production right now in Toronto.

Ennis: Thank you for taking time away from that. Please extend to everybody in the Star Trek: Discovery family, our eternal thanks. I know this seems like I’m blowing gas up your tailpipe, but y’all have brought back Star Trek, real Star Trek, and made us all excited again.

Rapp: Thank you. It’s an honor.

Watch a video of the full interview with Anthony Rapp, in which he discusses playing Dungeons and Dragons, the real Paul Stamets, more thoughts on acting and advice for beginners as well as those hoping to do so professionally.

12/11 Wilson Cruz was inaccurately listed as starring in the original production of Rent on Broadway, but first appeared in a touring company production. Wilson Jermaine Heredia originated the role of Angel and won a Tony Award for his portrayal.

From Diversity & Inclusion in Perfectirishgifts

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forrestdumb · 4 years ago

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”KNJIŽEVNOST, SREĆOM, NE ZAHTIJEVA APSOLUTNO RAZUMIJEVANJE” (Nedzad Ibrahimovic)

Nakon "Inkapsuliranih tiijela" (Buybook), romana koji je, prema ocjeni Miljenka Jergovića, "mračan, istodobno i naivan i tjeskoban, kao da je napisan u bunilu dječjih bolesti", drugi roman iz trilogije, "Kuća Teodore K." je prema ocjeni Frakture, "brilijantan roman o uzrocima zla, o dubini problema, o ljudskim sudbinama koje se isprepleću u najčudnovatijim okolnostima".

"Kuća Teodore K." govori o masovnim zločinama, grobnicama i kostima, ludilu, mržnji, empatiji, vječnoj temi - identiteta i svemu onom što (ga) određuje i definira BiH i njene narode. O zemlji koja pomalo nalikuje Andrićevoj "Prokletoj avliji" - zemlji u kojoj nema nevinih. Na ničijoj zemlji, u hladovini bosanskih šuma, smještena je i psihijatrijska "Bolnica Teodora Krajewska”. Priča je to bolesnicima i njihovim životima i sudbinama.

Pitanje: Je li vam film “Let iznad kukavičjeg gnijezda” bio svojevrsni “uteg”? Jeste li se pribojavali da ne napišete bosanski “Let”?

Odg: Ne možete napisati lud roman o ludilu – iako bi to bio jedini adekvatan pristup – jer se ono ostvaruje prvenstveno u razini jezika, verbalnoga, fizičkog, fiziološkog, muzičkog, (s)likovnog itd. Psihički bolesnik živi kroz ili u jeziku koji je samo njegov, koji pokazuje ”pravog“ njega, onu njegovu istinu koju je svijet oko njega zanemario, ili je nije dobro razumio. Jezik ludila je posljednji pokušaj bolesnika da bude saslušan. Njegova posljednja nada. Sjetimo se kako smo i sami u djetinjstvu izmišljali svoj jezik kojim smo se obraćali bratu, sestri, prijateljici, lutkama, ili samome sebi. Taj naš idealni jezik nikada nije rađao nesporazume. Tek kada smo odrasli, razumijevamo kako nas je on spašavao od svijeta, spašavao nas od onoga ”očevog jezika” koji smo usvojili u lacanovskoj simboličkoj fazi našeg psihičkog razvoja. Njime smo ušli u kulturu, ali smo taman za veličinu i prostranost toga ”ulaza” ostali uskraćeni sebi (i majci). Da, nije zgorega reći da je onaj jezik koji nazivamo maternjim, zapravo očev jezik. Njega smo naučili onda kada je u naš odnos s majkom upao taj brkati balkanski grubijan. Maternji jezik, po Juliji Kristevoj, je onaj prvi, neverbalni, koji ostaje u nama kao trag istosti s njom i njenim tijelom, dakle, istosti sa svijetom koji je ona u totalu reprezentirala. Osvajanje jezika ludila bi, po tome, bilo vraćanje tom savršenom jeziku apsolutnog razumijevanja. No, književnost, srećom, ne zahtijeva apsolutno razumijevanje. Valjalo je, dakle, romanom prenijeti nešto od ludila njegovih likova a, istodobno, ostaviti i dovoljno jezičkih kodova za komunikaciju sa drugim, sa čitaocem. Formanov film iz 1975. godine nije mogao biti taj ”uteg” jer se, naprosto, nije bavio ludilom, nego pobunom glavnog lika McMurphyja koji ne pristaje na represiju, ali pristaje na ludilo.

P: Prošlo je šest godina od objave “Inkapsuliranih tijela” u nakladi sarajevskog Buybooka. Toliko je vremena trebalo da ”Kuća Teodore K” sazre u vama? Baš kako na jednom mjestu i kažete, da parafraziram: oni koje ste pišući oživjeli, ostaju u vama.

O: I jedan i drugi roman bave se istim likovima, što znači da su nekako zajedno i nastajali, baš kao i posljednji dio trilogije na kojem sam počeo raditi. Pišući ovu trilogiju, želim likove i teme kojima se bavim, i koji se mnome bave, pohraniti na bezbjednije i slobodnije mjesto. Nema im boljeg i adekvatnijeg zatvora, niti prostranije slobode, od one koju im ja napravim mojim romanima.

P: Jeste li za potrebe romana o pacijentima umobolnice i njihovim gotovo pa uništenim životima, ‘kontaktirali’ stvarnost – liječnike tog profila, možda neke bivše pacijente? Što ste uopće saznali? U tom kontekstu, mislite li da u našem društvu postoji, uopće, empatija za bolesne osobe, osobito, mentalno oboljele?

O: Razgovarao sam sa psiholozima i psihijatrima, posjećivao sam Dom za socijalno-zdravstvenu zaštitu odraslih lica "Naš dom" u Travniku, bio sam na klinici Dr. Laza Lazarević u Beogradu i, generalno kazano, iskustva koja otamo nosim jesu jedna čudna ”ulijepljenost” njihovom unutarnjom ”atmosferom”, koju bi bilo teško opisati, i jaki osjećaj apsolutne izmještenosti tih ljudi iz našeg vremena i prostora. Davno sam ta istraživanja radio, ali i sada osjećam kao da sam boravio na nekoj svemirskoj postaji – recimo, onoj iz filma ”Solaris” Andreja Tarkovskog. U te svjetove možete ući i izaći onako kako uronite u more i iz njega izronite okovani i obojeni solju – a ne oslobođeni prostranstvom i njegovim plavetnilom – koju so, potom, cio život nosite sa sobom. Empatija je tu nebitna, i niko je od vas i ne traži. Što se tiče našeg društva, a valjda je već svakome jasno, mentalno oboljeli su njegov najvitalniji dio. Političko ludilo je postalo gradivni dio sustava u kom živimo.

P: Za razliku od "Inkapsuliranih tijela", u "Kući Teodore K." čitatelj upoznaje veći broj likovi i ponekad nije posve siguran tko govori u svim tim prizorima/scenama koje izazivaju jezu? Usudila bih se reći – roman glasova. Jeste li i sami morali pobijediti tu buku koju stvaraju vaši likovi? Nešto “iznutra” vas je “nosilo” i “progonilo” kada ste stvarali likove Marka/Mirka Ristića, Eneide, Katarine?

O: Nema mnoštvo pripovjedača, ali mi je iz sasvim literarno-tehničkih razloga drago da vam se to učinilo kroz glasove mojih likova. Ima, naime, one koji se pojavljuju i u prethodnom romanu, profesora Milanovića i njegovog kolegu Ibrahimovića koji na njegovu životu parazitira. Svi ostali su samo objekti njihovih priča. Naravno, budući da se radi o jednoj suštinskoj stvarnosnoj pomjerenosti, vlasnici priča su često nesvjesni utjecaja koje one imaju na druge, a, potom, refleksno, i na njih same. U umobolnicama je vlasništvo nad pričom izmješteno iz kazivača u jezik koji je preuzeo njegovu moć. Tako se kazivač pokazuje samo medijem neke važnije priče. Pa, sjetimo se samo Ćamilove priče, na koju se poziva i profesorica Katarina u romanu. Iz njega progovara sam Džem-sultan. Potom, preko Ćamila govori Haim, drugi kazivač, pa potom sljedeći, da bi na kraju shvatili da je sve poteklo iz priče franjevca fra-Petra. Priče su stalne, a njihovi vlasnici su prolazni. U vezi s tim, valja reći da mi svi još uvijek živimo tuđe priče, trpimo tuđe živote i živimo tuđe prošlosti, one koje se nazivaju ”velikima” ili, kako bi Charles Simić rekao u jednoj svojoj pjesmi, umjesto ”pravih povijesti”, živimo lažne. Za naše živote je to pogubno, ali za književnost je to čisti benefit.

P: Marko/Mirko Ristić piše komemorativne govore u bivšoj Jugoslaviji. Istražuje masovne grobnice, zanimaju ga njihovi životi, a onda dolazi novi rat. U zemljama regije, uvijek i u svemu – ratovi, stradanja, pogromi, masovne grobnice, nestali? Tlo još uvijek proždire kosti ubijenih u Drugom svjetskom ratu, a ‘rupe’ iz kojih su, tek neke, ‘iskopane’, relativno brzo, ‘napunili’ smo novim?

O: Mislili smo da ćemo ratovima iz devedesetih ”osloboditi“ naše mrtve, tu ”bezgrobnu vojsku”, kako ćemo, konačno, napisati tu finalnu ”jamografiju”. A šta se desilo? Desilo se da su isti ti mrtvi (”čast izuzecima!”) zdušno i, više-manje posredno, surađivali i softverski pomagali u kopanju novih jama. Stariji će se sjetiti toga jamsko-političkog turizma iz osamdesetih godina prošlog stoljeća. Kao, trebalo bi te ”naše žrtve” dostojno pokopati i ožaliti, i da se to više nikada ne ponovi, a onda se sve ponovilo i gore nego što je bilo. Nove jame su iskopavane, i nove žrtve su uzele učešće u balkanskoj ”jamografiji”. I ništa se nije promijenilo. Svi oni koji misle da jeste, grdno se varaju. Oni kojima se sva ta priča sa mrtvima ne čini više interesantnom, otišli su, ili se spremaju otići, iz ovih zemalja. Moj lik, pisac tzv. primijenjene književnosti, je poludio onda kada je saznao da se od njega više ne zahtijeva istraživanje života individualnih, nego kolektivnih žrtava, i da se ne traži osobna, nego kolektivna empatija. On se s kolektivom nije mogao poistovjetiti, ne zato što ne bi želio, nego što o tom poistoivjećenju ne bi znao ništa reći, ništa napisati. Šta se uopće može reći o kolektivu kojem se pripada, i šta je od toga relevantno, a da to ne bude pseudoromantizam, naci(onali)zam i ksenofobija?!

P: Ristić bi se teško snašao u današnjoj BiH kada, brojem žrtava, kao nekad granatama, “gađamo” jedni druge? Mržnju rađa nedostatak empatije?

P: Paul R. Gilbert je britanski psiholog koji je tvorac tzv. compassion focused therapy. On je napisao kako i empatija može proizvesti zlo. Na primjer, ne možete mučiti druge ljude, ako ne biste znali kako će se oni tom prilikom osjećati. Za razliku od ove površne, kognitivne empatije, Gilbert, naravno, govori i o jednoj dubljoj ili afektivnoj empatiji, onoj kojom smo u stanju osjećati tuđu bol kao svoju vlastitu. Dešava se da imate ili jednu, ili drugu empatiju, ili čak obje, ali vas samo ova druga spašava zla koje možete nanijeti drugima, jer ga ne želite ni sebi, jer vas pri samoj pomisli na tuđu bol zaboli vaša vlastita. Sad zamislite, koliko smo svi u stanju osjećati drugoga ako je taj drugi po programskim definicijama naših politika, zapravo, obrazovnih sistema, naš neprijatelj. Etnička plemena mogu opstati jedino u plemenskoj koheziji onda dok drugo pleme doživljavaju neprijateljskim. Ali, čak i prije Gilbertove afektivne empatije koja nas spašava od nanošenja bola drugima, nužno je razviti unutarnju empatiju sa samim sobom. O tome sam pokušao govoriti u ”Inkapsuliranim tijelima” u kojima moja junakinja traga za identitetom vlasnika koštanih djelića koji su se nakon eksplozije granate zaboli u njeno tijelo i tu se, medicinski kazano, inkapsulirali. Ta nam autoempatija nedostaje jer je nigdje nismo imali naučiti. Odrasli smo u disfunkcionalnim i pseudopatrijarhalnim obiteljima i sve što smo u djetinjstvu zamrzili uselilo se u nas. Takvima nam je sada živjeti i spremati nove ratove protiv onoga što (u sebi) ne volimo – toga drugoga. Ali, ako ćemo se vratiti na polje praktične politike, rekao bih i to da nam i prije svih empatija treba uređen društveni i građanski sistem u kome će vladati zakon i pravda. Treba nam normalna socijalna država.

P: "Kuća Teodore K." je prema nakladniku “nadrealna slika koja je savršen odraz stvarnog svijeta”. Djeluje li vam, katkad, da je građanima BiH, namijenjena sudbina, simbolički rečeno, umobolnice? Nama se sve već dogodilo?

O: ”Ništa na svijetu, moj mladiću, nije novo, i ovo što sada živimo samo je inercija, svijet se uprazno vrti. Dobri pisci su već sve napisali. Sve što ti se dešava, već ti se desilo, samo ti to ne znaš, jer još nisi našao taj naslov”, kaže jedan lik u mom romanu. Budući da naša društva žive svoje epske faze, a epika računa na svijet u kome vrijeme kružno teče i sve se ponavlja – pogledajte, npr., bosanske filmove kao što su ”Remake” ili ”Savršeni krug”, i sve će vam biti jasno – vidljivo je da živimo jednu stalnu i ružnu ponavljajuću povijest. Povijest je upraviteljica naših života čak i onda kada je stara samo dan ili dva. Budući da ne podliježemo linearnome (zapadnoevropskom) načinu odvijanja vremena, onda nemamo niti budućnosti. Sve je u nas istovremeno. Ratovi iz 40-ih godina, ratovi iz devedesetih, budući ratovi, sve je sada i ovdje. Jednako u školskim udžbenicima, kao i u glavama političara i običnih ljudi.

P: “Na mjestima gdje smo nekog čekali, ili smo nekog tražili, naš je život progoren, i tu su praznine, kao na platnu progorenom žarom cigarete”. Život je sastavljen od tih praznina? Odnosno, kako stoji u Inkapsuliranim tijelima “Samo ponekad bi mu, (…), kao sjećanje, znala doći misao kako negdje neki pravi on zasigurno živi jedan sličan, ali drugačiji život – pravi život”. Tog ‘pravog’, ‘drugog’, ‘boljeg’ života i nema nigdje osim u mislima?

O: Nemamo mi drugoga života od ovoga koji živimo. Ali, razuman čovjek ima predstavu o tome da njegov život nije SAV život, da i preko drugih, i kroz druge, one koje sami izaberemo, mi duže i drugačije živimo. Tome služi umjetnost. Tome služe knjige, dobra muzika, film, kazališna predstava. Načitan čovjek, nagledan i naslušan, živi višestruk i bogatiji život od čovjeka koji ne čita, ne gleda, ne sluša, itd. Tamo negdje u nekom nam važnom umjetničkom djelu mi živimo te drugačije, prave živote. Izvan njega su naši progoreni životi i naše praznine.

P: Dubravka Ugrešić u jednom od eseja u "Dobu kože" kaže kako “život ne piše romane jer da ga piše, književnosti ne bi bilo”. Međutim, nije li život, ustvari, primijenjena književnost, primijenjena umjetnost?

O: Ugrešićka se bavila ruskim formalizmom, i uopće, književnim formalizmom. Njenu ironijsku konstataciju treba razumjeti kao neku vrstu kritike poplave sirove (auto)biografičnosti u književnom polju. Književnost je djelatnost koja je po sebi primijenjena, ona nas mijenja, tjera nas da propitujemo sebe i svoje stavove. Čitali Agathu Cristie ili Dostojevskoga, vi na stanoviti način reagirate jer se na stanoviti način mijenjate. Zato se ljudi i kompletna društva boje knjige, boje se svake promjene.

P: Koji su vas autori kao pisca odredili i na vas osobito utjecali? Budući da ste neko vrijeme bili predsjednik i bh. PEN-a, položaj pisca u našoj zemlji i regiji? Zanemareni i marginalizirani?

O: Izbjegavao sam čitati ono što su svi čitali, i sad imam taj otpor. Na primjer, nisam volio lektiru, ali sam se gubio od zadovoljstva među policama gradske biblioteke u djetinjstvu. Nekako volim da knjige odleže i da ih onda samo ja čitam. Zbog toga imam averziju i prema pisanjima ovih novih, festivalskih pisaca, baš i kao što imam i prema festivalskim filmovima. Ali, ako se pokušam sjetiti ”svojih pisaca”, bili su to W.S. Burroughs i njegov Naked Lunch, američki pisci bitnici, J. Swift, H. Miller, od Francuza A. Dumas, Ch. Baudelaire, P. Valery, Flaubert, od Rusa Tolstoj prije svih, Chekhov mi je u formativnim godinama bio dosadan kao i Dostojevski, ne dao Bog da me natjeraju na Turgenjeva, od Nijemaca samo Remarque itd. Ali, kao simpatizer teorije dekonstrukcije i poststrukturalizma, mislim kako su me formirali i pisci koje nisam čitao – jednostavno, eto takav nisam mogao biti. Odgovor na drugi dio vašeg pitanja je jednostavan. Književnost si uvijek nađe mjesto u jeziku i društvu u kojem nastaje, ona je prilagodljiva, pisci su potkupljivi. Budući da naše ”književno polje”, a njega se uvijek organizira iz centara društvene moći, ne trpi žanrovsku književnost (koja računa na slobodu pri izboru čitanja i autentičnost osobna slobodna vremena), onda od pisaca pravimo cirkuzanere za narodne mase, srednju pseudo-klasu, a blaziranu polugrađanštinu promoviramo u znalce književne umjetnosti. Najbolji način da vidite gdje nam je književnost jeste da pogledate u autobuse, čekaonice i – školske razrede. Pa naši profesori književnosti ništa ne čitaju – od kako su i sami počeli pisati.

P: Kada biste morali odabrati, samo jednu knjigu, da je pročitate, neposredno pred odlazak na onaj svijet, koja bi to bila?

”Vrijeme koje se udaljava” od Mirka Kovača, ili, ako bih dvaput odlazio, ”Vrt razgranatih staza” od J. L. Borgesa. Ako mogu još koji put otići, onda…

Piše: Gloria Lujanović

Izvor: Dnevnik.ba

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zanimljivaekonomija · 6 years ago

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NENAD RADUJEVIĆ I JELENA IVANOVIĆ

DOBILI VAŽNA HRVATSKA MODNA PRIZNANJA U SPLITU!

Beograd, 13. 06.2019. - Split je protekle nedelje odisao glamurom, svako je želeo da bude deo druge po redu prestižne dodele modnih nagrada My Global Fashion Awards u prekrasnom dvoru splitskog Perivoja, koji je poslužio kao sjajna kulisa za spektakularno veče.

Kao prave hollywoodske zvezde na crvenom tepihu zasjali su brojne zvanice iz modnog, kulturnog i javnog života Hrvatske ali i regiona i pokazali svoje toalete u „black&white“ izdanju, koju su ovo veče učinile još glamuroznijim.

U oskarovskom stilu program su vodili glumac Slavko Sobin i televizijska voditeljka Andrea Andrassy.

Medju brojnim modnim zvanicama i dobitnicima ovih prestižnih nagrada našli su se i predstavnici beogradske modne scene. Po prvi put organizatori su želeli da odaju priznanje i ljudima koji svojim radom doprinose razvoju reginalne mode.

Tako je Outstanding Achievement Award za 2018. dodjeljena Nenadu Radujeviću koji svojim radom doprinosi popularizaciji regionalnih dizajnera i razvoju saradnje regionalnih modnih scena. Naglašeno je i da je kao osnivač Clicka, prve privatne agencije za modu na teritoriji ex Jugoslavije, pokrenuo projekat Belgrade Fashion Week, koji se od 1996. godine realizije kao prvi projekat takve vrste u celoj istočnoj i jugoistočnoj Evropi. Rezultati koje Beogradska nedelja mode postiže sve su vidljiviji ne samo u našem regionu već i u većim modnim centrima, kao na primer na London Fashion Weeku gde zahvaljujući Nenadu i njegovom timu svake godine naš region predstavi bar po jednog od svojih inovativnih dizajnera na reviji Ones to Watch u okviru Fashion Scout programa.

Outstanding Achievement Award dodeljena je i Jeleni Ivanović, kao priznanje popularizaciji modelinga i lansiranje internacionalnih karijera modela iz celog regiona. Devedesetih je kao jugoslovenski model hodala svetskim pistama, bila muza Jean Paul Gaultiera, a nakon uspešne modeling karijere osnovala Model Scouting Office sa sedištem u Beogradu, matičnu agenciju koja danas slavi 10 godina uspeha! Svoje bogato iskustvo prenosi na nova lica iz celog našeg regiona, izvodi ih na put pouzdanog i vrhunskog svetskog modelinga i priznata je i poštovana u svetskim fashion krugovima.

Nagrada „MGF bloger 2018“ dobila je naša svetski poznata blogerka Tamara Kalinić koja sarađuje sa brojnim svetksi poznatim dijanerima i brendovima, ali je i sama lansirala liniju naočara - So Shady.

Još jedna nagrada otišla je u Beograd - nagrada „Up Coming Star 2018“ pripala je mladom dizajneru Stefanu Đokoviću koji se ističe originalnim kreacijama i visokom produkcijom.

Nagrada za „Master Tailor 2018“ otišla je u ruke poznatom italijanu Luci Morittu koji je član drevnog sveučilišta osnovanog 1575. godine u Rimu, i skuplja dragoceno nasljeđe i prerađuje ga kroz potragu za lepotom i harmonijom u detaljima.

Cenjeni žiri u sastavu Nenad Korkut, Neda Makjanić- Kunić, Zvona Vučković, Josip Grabovac, Marco Consoli i Vanja Ljubić nije imao nimalo lak zadatak od najboljih hrvatskih modnih radnika izabrati one najbolje.

Tako je za „Dizajnera muške odeće“ proglašen Tomislav Bahorić, „Dizajner ženske odeće“ Arileo, nagradu za „Dizajnera modnih dodataka“ osvojila je splićanka Tamara Bombardelli, za „Modnog fotografa 2018“ proglašena je Mare Milin. „Model 2018“ je Ana Lea Janžić.

Ove godine dodjeljena je i nagrada za „Životno postignuće i doprinos modi“ a statuu je ponela Tihana Harapin Zalepugin žena s velikim iskustvom u modnom svetu od jugoslovenskih vremena do danas, koja je mnoge manekenke vinula u zvezde, radila u direkciji Miss Hrvatske, na organizaciji Eurosonga u Zagrebu, vodila PR za Zagrebačku filharmoniju... već više od 15 godina uspešno vodi svoju agenciju Talia model.

Na ovoj glamuroznoj večeri prisustvovali su i brojne VIP osobe iz Hrvatske i regiona - glumica Ana Gruica, pjevačica Andrea Šušnjara, Iris Rajčić, Anamarija Asanović, dr. Dinko Kaliterna, italijanska novinarka Gili Biegun iz Joys Magazina, a iz Beograda, Goga Grubješić, osnivača Superstar agencije ali ovog puta i u svojstvu konsultanta MGF Awards, fotograf Miša Obradović, scenograf Gordana Brković i mnogi drugi.

‚‚Zadovoljna sam da je sve prošlo onako kako sam i zamislila, drago mi je što su svi veseli i nasmejani bez obzira jesu li ili nisu osvojili nagrade‚‚ - kazala nam je organizatorka i osnivač MGF Awards Gianna Apostolski.

Dodajmo samo da se zabava nastavila sutradan na velikom MGF Party-u na Hvaru u Laganini Lounge Baru gde su odabrani gosti mogli uživati u moru, suncu, vrhunskoj hrani, piću i dobroj zabavi.

PR saopštenje/PR tim BGFW

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