#DonaldJudd

[bruvu]

"The straightforward, clearly revealed structure of his [Donald Judd's] art, its honest use of materials, its saturated colors, formed a kind of visual morality, a set of principles not only to make art by but to judge art by, to display art by, to build furniture and buildings by and, ultimately, to live by." Roberta Smith, NYT

[vowism]

Arte Povera: from historical origins to contemporary influence Arte Povera emerged in Italy during the late 1960s as a response to the growing dissatisfaction with traditional art forms and the commercialization of art. The movement sought to reject the formalities of institutionalized art and break away from the constraints of modernism. Influenced by political and social changes of the time, Arte Povera embraced experimentation and the use of non-traditional materials. The artists of this movement focused on raw, everyday objects and explored themes of impermanence and transformation, making the art itself a part of the natural processes it aimed to represent. Key artists associated with Arte Povera include Pier Paolo Calzolari, Jannis Kounellis, and Michelangelo Pistoletto. One of the movement’s central ideas was to challenge the traditional hierarchy of materials in art, favoring natural and ephemeral elements. For instance, Calzolari’s works like Soffio (1970) and Rosa e Nero (1969) exemplified the use of raw materials like salt, ice, and sulfur, emphasizing themes of transformation, ephemerality, and the passage of time. This focus on natural processes and transitory states highlighted Arte Povera’s core principle of breaking down artistic conventions by incorporating elements that were often overlooked or deemed insignificant. The influence of Arte Povera continues to resonate in contemporary art, where its legacy can be seen in the work of many modern artists who engage with the raw and authentic aspects of materials. By focusing on the transient nature of both the materials and the art itself, Arte Povera challenged viewers to rethink the value of art and its relationship to the world around us. Its emphasis on impermanence, transformation, and the sensory experience remains an essential part of how we engage with art today. Read in full via link

[buffetstraat]

#DonaldJudd #Bertresource

[monirios]

@donaldjudd

S O L I T U D. El arte de disfrutar la soledad.

La escritora española María Zambrano concilió la poesía y el pensamiento en lo que ella denominó la razón poética, y desde esa razón, afirmó: escribir es una manera de defender la soledad.

[tynatunis]

L'écrivaine Marie-Cassandre Bultheel, connue pour ses livres sur les modes de vie durables, a récemment emménagé dans une nouvelle maison située dans un quartier prestigieux de Londres. La propriétaire y a trouvé un refuge douillet à l'abri de l'agitation, ainsi qu'un lieu où elle peut créer - et les intérieurs y contribuent parfaitement.

#Repost @qratededition

Fluid forms, soft palette - this home feels like a sanctuary just serene and calming ✨

Gorgeous jewellery box interior by ultra talented @olgaashby 🤍 🤍

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#LiveArtfully #bytyna #helmutnewton #mamiyarz67 #georgesjouve #luisbarragan #donaldjudd #vincenzodecotiis #charlotteperriand #josephbeuys #josephdirand #axelvervoordt #parisiandesign  #mediterraneandesign #jeanroyere #markrothko  #miesvanderrohe #pierrepaulin #ettoresottsass #jamesturrell #jeanprouvé #bottegaveneta #pierrechapo #midcenturydesign

#londoninteriordesigner #londonhouses #interiortrend

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A post shared by Tyna Marsa (@homemag_bytyna)

[wally-b-feed]

AI Art From GetIMG #DanWalsh #DonaldJudd #Abstract

[artbookdap]

“The space surrounding my work is crucial to it,” Donald Judd wrote in 1977: “as much thought has gone into the installation as into a piece itself.” ⁠ Quote and photos are from 'Donald Judd Spaces' — new, expanded edition, published by @juddfoundation⁠ ⁠ Image credits:⁠ 1. 101 Spring Street, Kitchen with furniture by Donald Judd. Photo 2018.⁠ 2. 101 Spring Street, Permanent installation, left to right: Donald Judd, untitled, 1962; Claes Oldenburg, Soft Ceiling Lights at La Coupole, 1964 – 72; Lucas Samaras, Box #48, 1966; Dan Flavin, untitled, 1970; platform bed by Donald Judd. Photo 2018.⁠ 3. La Mansana de Chinati/The Block, West building. First library with Frank Stella, study for River of Ponds III, 1971; furniture by Donald Judd. Photo 2018.⁠ 4. La Mansana de Chinati/The Block, Art studio. Interior with, left to right: untitled, 1987; untitled, 1987; untitled, 1989; untitled, 1989; untitled, 1985; untitled, 1985. Photo 2012.⁠ 5. Las Casas, Don's house. Permanent installation, untitled, 1987; furniture by Gustav Stickley. Photo 2018.⁠ 6. La Mansana de Chinati/The Block, Architecture Studio. Interior with desk by Donald Judd; chair by Ludwig Mies van der Rohe; chair by Gerrit Rietveld; lamp by Karl Trabert. Photo 2019.⁠ 7. La Mansana de Chinati/The Block, East Building. Permanent installation of south room, left to right: untitled, 1969; untitled, 1963; untitled, 1963; table and chairs by Gustav Stickley. Photo 2012.⁠ ⁠ Edited by Flavin Judd, Rainer Judd. Text by Donald Judd.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #donaldjudd @flavinjudd @rainerjudd #juddfoundation #101springstreet #chinati #ayaladechinati⁠ #marfa #design #architecture #art #minimalism #sculpture⁠ https://www.instagram.com/p/CqVhafYuxEg/?igshid=NGJjMDIxMWI=

[maimoun]

Donald Judd

[sixteensaltines]

Donald Judd Aluminum Armchair, Model no. 1. Clear anodized aluminum. Designed 1984, executed 2013. Produced by Lehni, Dübendorf, Switzerland.

[heretoinspire]

Via @christianelemieux The beautiful home of Parisian gallerist @kamelmennour Photos by @alixelay #interiors #design #decor #interiordesign ##LiveArtfully #bytyna #helmutnewton #mamiyarz67 #georgesjouve #luisbarragan #donaldjudd #vincenzodecotiis #charlotteperriand #josephbeuys #josephdirand #axelvervoordt #parisiandesign  #mediterraneandesign #jeanroyere #markrothko  #miesvanderrohe #pierrepaulin #ettoresottsass #jamesturrell #jeanprouvé #bottegaveneta #pierrechapo #midcenturydesign (en Paris, France) https://www.instagram.com/p/Cp29ksto6aW/?igshid=NGJjMDIxMWI=

[beneaththepavement]

[furrina]

House in Grândola I @bakgordonarquitectos I Portugal I Photo I @francisconogueira . . . . . . #tadaoando #japandiinterior #luisbarragan #helmutnewton #mamiyarz67 #georgesjouve #luisbarragan #donaldjudd #vincenzodecotiis #charlotteperriand #josephbeuys #josephdirand #axelvervoordt #japandidesign #mediterraneandesign #jeanroyère #jeanroyere #markrothko #markborthwick #wabisabi #pierrejeanneret #miesvanderrohe #pierrepaulin #ettoresottsass #jamesturrell #jeanprouvé #bottegaveneta #pierrechapo #midcenturydesignFollow #designstudiomag 🤝 @designstudio_mag https://www.instagram.com/p/CfJsP6DLkk6/?igshid=NGJjMDIxMWI=

[orangetruckercap]

Donald Judd’s Architecture Office Marfa —— #donaldjudd #judd #marfa #texas https://www.instagram.com/p/CQewI1jnPF_/?utm_medium=tumblr

[harvard-art-museums-prints]

Untitled, Donald Judd, 1978, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of Stephen L. Singer, Class of 1957 © Judd Foundation / Artists Rights Society (ARS), New York Size: 56 x 68.7 cm (22 1/16 x 27 1/16 in.)

https://www.harvardartmuseums.org/collections/object/256582

[kllrwhale]

arch.url

[moma-prints]

Untitled, Donald Judd, 1961, printed 1979, MoMA: Drawings and Prints

The Sue and Edgar Wachenheim III Fund Size: composition: 10 1/8 x 17" (25.7 x 43.2 cm); sheet: 22 1/16 x 30 9/16" (56 x 77.6 cm) Medium: Woodcut

http://www.moma.org/collection/works/119840