#Dino solo mixtape

[sowhat17live]

Dino - Wait

[etawardana]

DINO, Wait.

[multi-kpop-fanfics]

since dino solo is coming up … could you write abt him with a daddy kink??

happy dino mixtape release <3

tw: dom!chan, sub!reader (fem), daddy kink, pussy job, fingersucking, praise, use of petnames, mentions of unprotected sex (stay safe pls), creampie - minors dni.

@dirtysvthoughts @bitchlessdino hi dinonaras

"I haven't even fucked you yet and you're already this wet, baby?" Chan chuckles at you and your neediness.

You shake your head affirmatively as you rub your bare cunt back and forth over his shaft, coating it with your wetness.

"Can you answer my question, baby?" He reminds you with a soft tone.

"'M sorry, Daddy, it just feels so good." You drawl with glossy eyes looking right at him.

"That's alright, darling, Daddy likes it when his baby feels good." He caresses your cheek and his thumb brushes over your lips.

Your brain orders you to lick over his digits and you obey without any objections, welcoming Chan's fingers in your mouth to give them proper attention.

He sucks a breath through his teeth as he watches his favorite holes slobber over him and cover him in spit and cum.

"Fuck, Daddy is so happy right now, baby." He groans and juts his hips upwards.

"I know, Daddy's cock is very excited right now." You giggle and rub your pussy directly over his tip, where you know he's the most sensitive.

Chan lets out a shaky moan and has to take away his hand from your mouth to grip your waist and drag your hips to the pace of his liking.

"D-Daddy!" You whine and cling onto his shoulders for support, letting him use your pussy to get off.

"I'm sorry, baby, Daddy can't take it anymore." He moans in your ear.

His arms wrap around you and hugs you close to his body, panting and moaning against your pulse when his cum splashes over his thighs and your pussy, making a mess everywhere.

"Fuck."

"Daddy? Are you okay?" You ask him, petting his hair with your hand.

"Yeah, more than okay, darling." He presses a kiss under your jaw.

"Daddy just happens to have more cum to spare and he would like to put it inside the pussy of his pretty baby."

[svt-archivo]

DINO Solo Mixtape 'Wait' Behind Photos

[hwanghyunjinenthusiast]

I was hoping the Dino solo mixtape was just a rumour. RIP me.

[seekingthestars]

Top 5 SVT songs

I ALREADY DID GROUP SONGS so i shall do it again but with solos/mixtapes/OSTs/covers/etc!!!!

simple - woozi (my most played svt song of all time, my beloved)

drawing our moments - seungkwan (am genuinely in love with his cover of this song, it's so so beautiful, i want a seungkwan x taeyeon duet for it so bad 😭)

7pm / kids are born stars - joshua (they were released as a set so i get to list them as a set 😤)

pit a pat - seungkwan (honestly seungkwan's solos are perfection, add years to my life, etc etc etc)

ruby - woozi / spider - hoshi / silent boarding gate - jun (had a crisis, couldn't leave any of them off the main list, i'm sorry 😭)

runner ups: High-Five - Dino / A Journey - Dokyeom / Love Poem - Seungkwan / Juice - Seungkwan + Youngji

honorable mention: Horangi Power - Hoshi (this song brings me infinite amounts of joy.)

extra honorable mention to woozi's what kind of future. makes me cry every time.

[svtcontents]

[#SOLO] 240110 DINO #디노 Solo Mixtape 'Wait' | Behind Sketch

[woozi]

yzaaaa beloved 🥺🥺🥺 hellooo how have you been doing? so good to see you back on dash, i haven't been on tumblr for a while myself 😭😭😭 and yesss!! i'd love to watch a movie with you again it's been so long. hope you're doing well 🫂

ALSO HOW WAS DOLO FOR YOU?!!! dino slayed so much with this mixtape 😭😭 the day they announced it i was like, i was making jokes about dolo ( paracetamol ) being dino's solo name, missed you sm when the announcement dropped

MA CHERIE 🥺🥺🥺🥺🥺

OH MY GODDDDDDD IT HAS BEEN A HOT MINUTE HUH!!! now i've also dipped and now i'm the one replying to this literal months later 😭 i've been sooo incredibly busy since last year, but it's always a nice reprieve to be back here!! HOW HAVE U BEEEN <333333333333 AND WHICH MOVIES R U CURRENTLY LOOKING OUT FOR 👁 our days of watching movies tgt felt like they last happened eons ago omg, i cant wait to pick it back up when you're also free <3

I LIKED IT!!!!!!!! i'm glad he took that direction music and style wise tbh, i was NERVOUS it'd sound like... (not to be a hater but i didnt really enjoy last order 😭) love the bridge it's my favorite part <33 ALSO FORGOT THAT DOLO THE MEDICINE WAS A THING 😭😭😭 i rmb when we were joking abt it YEARS before the real dolo even happened 😔

BUT ANYWAY!!! I MISSED U SM <33333333333333333333333 i hope the days r treating u very kindly, or even if they're not, that u find rest in all the chaos in between <33 lov u thank u for being such a sweet friend!! MWAH

[binnbinnie]

This week on Fan Chant, DINO of SEVENTEEN joins MarySiroky to chat about his solo mixtape, “Wait,”

[bolllywoodhungama]

SEVENTEEN's DINO combines jazz and glitch in his delightful solo mixtape

'Wait,' an intriguing mix of jazz and glitch, weaves together a unique arrangement of piano and rhythmic electric synth sounds. Following multiple solo albums from his group mates, it is now the turn of the youngest to demonstrate his own artistry. DINO, all-around performer for SEVENTEEN, has released his debut solo mixtape, titled 'Wait. 'Wait,' an intriguing mix of jazz and glitch, weaves together a unique arrangement of piano and rhythmic electric synth sounds.

The self-written words and music transcend beyond the concept of love, expressing his unwavering desire and tenacity to achieve his goals in the face of adversity. The track's distinct, groovy vibe and the music video showcase DINO's unique colors and persistence as a solo artist. DINO, the youngest member of SEVENTEEN's Performance Unit, has repeatedly demonstrated his aptitude for musical performance, best exemplified in his original video series 'DANCEOLOGY.' Since 2018, the 12-clip series has caught the variety of the enthusiastic highflier as he performs his own choreographies to music of various genres, with views for the most-watched episode reaching over 4.5 million. DINO joins HOSHI, WOOZI, and VERNON as the fourth member of the 13-piece combo to release a solo mixtape with the release of 'Wait.'

[serenityseventeen]

Hoshi (권순영):

------------------

“Spider”

synopsis: You're a contestant in a survival show and it's the semi-finals. Every remaining contestant has to perform solo and you choose the song ‘SPIDER’ to perform, not knowing that the performance unit was going to be guests, most especially, Hoshi.

genre: romance, fluff, idol survival program au

characters: judge/guest!soonyoung x participant/contestant!fem!reader

ft. judge/guest!junhui, judge/guest!minghao, judge/guest!dino

(and mini appearances of judges Ailee, Taeyeon, Rain, and G-Dragon)

a/n: I've always liked spider, from the lyrics, vocals, to choreography, I liked it all. It just feels very “hoshi” to me so to add a bit of “danger” in this story was fun. Who is the spider, you or hoshi?

------------------

You placed your hand to your chest, feeling your heart beat nervously.

You never predicted that out of 30 talented contestants, you would be one of the 16 chosen to advance to the semi-finals. Participating in a contest-format survival show, there were a total of four rounds, excluding the first performance you gave, which was basically an introduction. The last two rounds were focused on teamwork and group performances; and also determined the elimination of 14 contestants. The semi-finals were solo performances, showing the development of each remaining participant from their first performance.

You patted your chest, trying to calm down your nervous heart. The pressure of going first was finally hitting. You didn't want to go first but since every other contestant didn't want to or were too afraid to, you decided that you should go first; even though your confidence was lacking.

With ‘SPIDER’ by Hoshi as your chosen song, you were determined to bring a passionate performance to the wide stage. Standing backstage was nerve-wracking and the performance was the only thing on your mind; you knew that if you failed, the chances of debut on this show were going to be close to zero. You had to give it your best and you were determined to make it to the last 7, the debut line-up for the new girl group.

“Are you ready?” One of the directors asked. He had a soft smile on his face as he patted your back. “Get up on the stage.”

You nodded and with your hands clasped in front of you, you walked up the stairs onto the stage. Each step just made you hear your heart thump even louder, the nervousness about to explode. Due to the nervousness, you began to fidget with your head-worn microphone.

When you reached the stage, it was large and shiny, which made you feel even more nervous. You almost hesitated to walk into the center of that large, black stage.

However, when you entered, you heard some cheers with clapping. The black crowd was intimidating. There was almost no light in the crowd, which was an unfamiliar sight.

You finally looked up at the judge's table, in front of the stage, however, the judges Ailee, Taeyeon, G-Dragon, and Rain were nowhere in sight, instead, it was the performance unit of SEVENTEEN sitting in their spots.

-

After greeting the guests with a bow and both sides made an introduction, the leader of the Performance Unit, Hoshi, spoke up first.

His presence was warm but at the same time, it was extremely intimidating. You were a huge fan of him and the fact that you had prepared a performance to his song “SPIDER” just pushed you further to do well.

“Well, Ms. Y/N, what do you have prepared for us?” He asked, his voice sweet.

You glanced from Jun to The8, to Hoshi, to Dino, then back to Hoshi.

“I- I actually prepared a performance of your mixtape, ‘SPIDER’,” You said, fidgeting with your microphone, suppressing a smile. “I didn't have much time to practice it though...”

You looked around the stage; there were props for you, such as the bars you needed to hang from as a part of the choreography.

The performance unit responded positively, making nice comments on how brave you were to learn such a choreography.

“But, wasn't it a bit hard to learn this song? It's not easy to perform,” The8 said, fidgeting with his pencil and tilting his head to the side a little.

“Well, it was a bit hard but I like this song and the aura around the choreography just left me so in awe that I wanted to perform it... the art of the choreo is also very pretty; I love the visualization of being trapped that was embedded into the choreography.”

Dino smiled from the side and Hoshi laughed.

“I like how you talk,” Dino said.

“We wish you the best of luck!” Jun said with a bright smile, but his eyes were full of seriousness.

Hoshi smiled. “I'm looking forward to this.”

You let out a soft breath and walked backward, toward the third bar, and pulled yourself on it, making it so that you were dangling upside down.

When the music began, you started swaying your body as well.

You did your best to perform the song, adding bits of your style to the sensual song, making sure that your emotions were showing through your face; the enjoyment of being trapped. With your swift and sharp movements, with each move, you tried to show the desperateness to stay trapped.

Soonyoung watched your every move and each second of the performance left him in awe. The way you portrayed the emotions of the song not only in your facial expressions but the way you sang and dance made his heart flutter. He tried to remain cool and serious but he couldn't help but smile at your perfection.

The other members were also trying to find something to critique but they too were in awe. You kept eye contact with them throughout the performance which showed that you cared for their reactions but at the same time, kept yourself professional.

After the performance, they clapped and the black crowd did too.

You were out of breath from pouring out the best of your singing and dancing abilities on the stage.

After the stage, Dino was the first to comment. With a clap, he said, “Wow, you're really good. Your moves are sharp and your expressions are amazing. I see great potential in you.”

The8 nodded in agreement and gave you a thumbs up.

“I think we'll only have good things to say. Your voice was stable and you did very well in keeping the audience's eyes on you. I think that's a talent.” Hoshi was smiling at you, looking proud.

“Yeah, I'll agree that you did well. The only thing that you're lacking is balance. Sometimes you would stumble a bit but even so, it's so little that no one catches it,” Jun added. “Good job, Y/N.”

“I was going to point that out too. At times, I can see you stumble just a bit, but it's so small and you always cover it up with your voice. I think that's amazing.”

After The8's comment, you bowed in gratitude and thanked them wholeheartedly.

“Good job,” Hoshi added as you were leaving the stage.

You thanked him and looked back, seeing his hearty smile and cute wave.

For some reason, that small remark left a butterfly inside your heart, fluttering and messing up your heart rate.

You thanked the crew backstage for their hard work and headed back to the room where the other 15 contestants were sitting and watching. However, 5 of the contestants were already warming up their bodies and voices.

The room had three different screens, one to record the performance unit, one to record the stage, and one to record the judges, Ailee, Taeyeon, G-Dragon, and Rain's reactions.

You smiled upon seeing that they, especially Rain and Ailee, were also pumped by your performance. Inside, you felt proud of your abilities and your confidence boost.

-

The day was long and sometimes, it was heartbreaking to watch other contestants receive harsh comments about their singing, dancing, stability, expressions, or overall style of performance.

After the performances were finished, you were on your way to the bathroom, looking down at the ground, feeling bad that you raised the expectation bar too high for the rest of the contestants. As you were walking, you were also fidgeting with the lucky charm bracelet that you received from your best friend.

Soonyoung, who was walking to meet the contestants, happened to spot you.

You clumsily dropped your bracelet onto the smooth, tiled floor.

Just as you were reaching down to pick it up, another hand grabbed it before you did. He stood up and you, lifting your head to look at him, stood up as well.

A smile appeared on your face when you spotted him.

“Oh, hello...” You said softly.

“Here,” he handed you your bracelet with a gentle smile. “You did very well today. I still can't get your performance out of my head! How did you manage to perform ‘SPIDER’ so well?”

You scratched the back of your head shyly, standing in the empty hallway.

“Well, in the little time we had, I just made sure to monitor myself a lot,” You smiled shyly and slipped the bead bracelet back on your wrist. “Thank you.”

Looking at you made Soonyoung smile.

“You can just call me Soonyoung.”

“Huh?” You asked, a bit flustered. He had debuted way before you so you didn't think that you'd ever start calling him by his real name.

“For other trainees, it'll be Hoshi; but you can call me Soonyoung.”

You stared up at him, feeling your heart race.

Soonyoung chuckled shyly and scratched the back of his neck, wondering why those words he said to you suddenly slipped out of his mouth. Hoping you'd just forget it, he patted your shoulder.

“What are you doing out here? The others are probably enjoying some nice food now with my members,”

Together, you two walked back to the room where the other contestants were. You two talked shyly and he continued to compliment you while you fangirled a little about him.

Soonyoung knew that he shouldn't be falling for you but the more the two of you talked, the more he wanted to know about you.

‘I guess your performance left a great impression on me... now, I can't stop thinking about you...’ Soonyoung thought as you two walked together.

A judge and a contestant.

Soonyoung shook off those thoughts, knowing that it'd only ruin your reputation if he fell any more for you.

Even so, he couldn't stop his heart from racing every time he took a step with you.

It was going to be dangerous but even so, Soonyoung found himself smiling again around you.

---------------

request:

© serenityseventeen

7/19/21 - 12:27 pm

[justdoityo]

I really hope that 2022 is the year we get to see seventeen really venture out and explore new things as artists and individuals.. Like they started a bit this year with hoshi being the first to promote as a solo act, wonwoo and mingyu releasing bittersweet, and other members also releasing solo songs, dokyeom in excalibur.... and now with hao and jun working as actors in China and of course seungkwan doing the most on various variety programmes. But I'd really love to see more members get opportunities like this... I'd love to see woozi release an ep. Vernon a mixtape.... Like every mentally unwell carat still stuck in 2018 I want.... No NEED a booseoksoon comeback.. I want to see more members branch into acting like I'd love to see seungcheol in a college drama setting.. Or wonwoo in an action flick... I want to see Dino whatever the hell he wants cause he can do whatever he wants and still excel at it.

[continuo-docs]

Music reviews by Laurent Fairon, July 2021 Epsilon-Delta – Music for Recurring Decimals (March 2021) Dino Felipe – The Gardeners (June 2021) Shane Cooper – Happenstance (June 2021) RhaD – Metamusic (June 2021) Angel Bat Dawid – Hush Harbor Mixtape Vol. 1 Doxology (June 2021) Ron Nagorcka – Lovregana - Music From A Tasmanian Forest (July 2021)

Epsilon-Delta – Music for Recurring Decimals (433 Records) https://433records.bandcamp.com/album/music-for-recurring-decimals Lovely collection of short, poetic synth sequences build on simple mathematical algorithms by Hong Kong mathematician Addy Choi working under the Epsilon-Delta alias. Algorithms are based on decimal fractions like 4/7, 7/9 or 3/11, using the resulting digits as the basis for the sequence. Far from being arid or too cerebral, the tracks are poetic and varied thanks to the beautiful MIDI synth sounds chosen by the programmer, who is also a clever musician apparently. Tracks may be repetitive but the album isn't. This is textbook Systems Music as practiced in the U.K. during the 1980s by the likes of The Dead Goldfish Ensemble or The Lost Jockey. Exquisite album.

Dino Felipe – The Gardeners (self release) https://dino-felipe.bandcamp.com/album/the-gardeners Mini-LP of 16 very short tracks by Miami-based electronic musician with previous full length releases on ¡Mayday! and Schematic. The music on The Gardeners is based on samples, sound collages, occasional beats and various sound treatments like speed modification, sound stretching, accumulation, heavy reverb, or else. Felipe thus creates colorful and humorous vignettes based on ethnic music snippets, found vocals, musique concrète or cheap electronic sounds. Glitch-y textures abound, as well as grotesque sounds and weird juxtapositions, the music being deliciously direction-less and erratic.

Shane Cooper – Happenstance (Kit Records) https://kitrecs.bandcamp.com/album/happenstance Gorgeous ambient, ethnic and experimental jazz music by South African double bass player and multi-instrumentalist Shane Cooper. The album is actually constructed as a collage of short excerpts from sessions recorded with Johannesburg guest musicians in 2020. The whole project was commissioned by contemporary artist William Kentridge's The Centre for the Less Good Idea, an artist run facility he founded in Johannesburg to promote local independent art projects. Cooper obviously selected the interesting and relevant parts from two days' worth of collective improvisations and the 2 side-long tracks of Happenstance are bursting with ideas and surprises. The 1st side is rather varied in instrumentation, including superb piano and cello parts, lush Rhodes electric keyboard notes and incredible South African traditional instruments played by Cara Stacey. The music is moody and adventurous, jumping gracefully all over the place. The flip side is more about exploring rhythm textures and deep bass sounds and features Shane Cooper on double bass along 3 percussionists. The collage technique is applied here as well, producing pleasant mood changes and exciting U-turns. Cooper delivers a variety of sounds on his instrument, from walking bass lines to long-held notes played with arco (briefly played backward at some point), and also performs beautiful electric bass guitar parts with reverb. The non-linearity and unpredictability of the collage strategy used in Happenstance ensures the music is keeping away from jazz music's clichés and each new listen is surprising and interesting. Two more episodes were recorded during these sessions and are available on YouTube and other platforms, like the vocal only piece called 'Tongues'.

RhaD – Metamusic (Unexplained Sounds Group) https://unexplainedsoundsgroup.bandcamp.com/album/metamusic Standing for Research for Historical Audio Documents, RhaD is a musical project by Italian music activist Raffaele Pezzella, also known as electronic music producer Sonologyst, as well as Unexplained Sounds Group label director and publisher, not to mention radio host and sound researcher, among others. Metamusic is a 40mn sound collage of mysterious radio transmissions, found vocals, spoken words, vintage electronic sounds and a number of guest stars on classical music instruments like organ, guitar, bass or piano – respectively Michael Bonaventure, Stefan Schmidt, Daniel Barbiero, Francesco Arrighi and Mara Lepore. Adroitly avoiding any ca 2021 digital artifact along the way, Metamusic's sound design is bringing the listener back to the glorious 1960s and '70s, yet the music sounds rather timeless to these ears. Metamusic recreates the sound of early European avantgarde with plenty of tape manipulations, sound collages, buzzing sounds, French spoken word and contemporary classical music instruments. The sound crafting is superb, the collage technique creating an ever-changing musical soundscape full of weird sounds, grotesque sound manipulations and Surrealist juxtapositions. What's not to love?

Angel Bat Dawid – Hush Harbor Mixtape Vol. 1 Doxology (International Anthem) https://intlanthem.bandcamp.com/album/hush-harbor-mixtape-vol-1-doxology Very personal and original album by Angel Bat Dawid, a US clarinet player, singer, electronic musician and DJ from Chicago. Created with a few sounds and a minimum of means, devoid of spectacular solo outing, these mostly desolate tracks form a meditative musical travelogue through the Black people psyche. Track titles deal with themes of slavery, racism, and Black culture tropes, though neither the occasional lyrics nor the strange music on offer here can pass for angry or vindicatory, the music being far too personal for that. The clarinet confers a neo-classical atmosphere to some of the tracks, sometimes interestingly contrasted with synthesizer sounds or electronic beats. Harmonica and vocals on Autotune also contribute to the unique sound signature of this album, with occasional hints at gospel and rural blues. Playing in continuous mode in a kind of stream-of-consciousness style, the music would work just fine as a soundtrack to a Kara Walker exhibition—Bat Dawid actually composed the soundtrack to a Yoko Ono outdoor installation in 2020. On a side note, she also released the Harkening Etudes mini album on Longform Editions earlier in April 2021, where her classically-trained clarinet playing is contrasted with sampled piano accompaniment and electronically processed vocals in a series of short, bizarre classical music études, also worth checking out.

Ron Nagorcka – Lovregana - Music From A Tasmanian Forest (Invisibilia) https://invisibilia.bandcamp.com/album/lovregana-music-from-a-tasmanian-forest-1990-soundscapes-from-wilderness-1988 This CD reissue combines 2 cassette tapes of manipulated field recordings by Australian composer Ron Nagorcka, born 1948, namely 'Lovregana - Music from a Tasmanian Forest', 1990, and 'Soundscapes from Wilderness', from 1988. Both are based on bird recordings from northern Tasmania island, where Nagorcka relocated in 1988, building himself a house and makeshift, solar-powered recording studio deep in the primeval forest. On Lovregana, short samples of bird songs are run through a sampler and harmonized in just intonation, producing eerie soundscapes of disembodied and supernatural bird singing. The music is reconstructing a fictional and artificial forest populated by dozens of birds, some far in the distance, some near ; some slowly developing a song, others performing in sudden bursts, with a variety and unpredictability akin to actual birds in nature. To this, Nagorcka adds minimal electronic loops in the background, dreamy synthesizer notes in strange tunings and discreet didgeridoo playing, all very well integrated to the sampled bird songs. These tracks are thus poetical evocations of a primeval forest via electronic sounds. While Lovregana's tracks more or less focused on one specific bird song at a time, the two tracks of 'Soundscapes from Wilderness' take a more holistic approach to nature recordings. The 1st track, 'Black Forest, Victoria', is a reconstruction of the deep forest sounds via the accumulation of various field recordings, creating a particularly dense soundscape through layers and layers of nature recordings. Here again, the natural-vs-artificial dichotomy is what interests the composer, and arguably this forest never existed, it was rather reconstructed in the studio. The 2nd track, 'Rainforest in Northern Tasmania', uses forest sounds as the basis for slow, mysterious didgeridoo improvisations, perhaps examining how the musician can dialog with the environment, being a part of it, being one with it. The superb didjeridoo playing is what fascinates most here.   .     .     .

[coupsnim]

The boys may not have many schedules for every member but they never fail to artistically do solo stuff (vernon, dk shua collabing, gyu wonu filming/videography, dinos danceology, juns covers, dk getting a whole ass musical role? Kwans really frequenting the ost scene as well) and I dont think? Pledis is stopping them? Lmao they just like doing things as a group too much. Anyways I hope this doesnt come across as rude,just adding to the discussion. Have a good day/night!! 😊

I agree that they do solo stuff sometimes, but it’s nothing concrete? the general public may know the whole group, but they probably only know seungkwan’s name since he’s the one who appears the most on variety shows and, as you said, sometimes sings osts (and he’s friend with half of the kpop industry ahah). some of the things you listed are more like hobbies that they share with their fans or do to earn experience, but they were never given the chance to actually build a solid solo career. there are groups that are active and have comebacks while having members doing solo activities as well, so why not seventeen? no acting gigs, no variety shows appearances (excluding seungkwan) as a fixed guest or member, booseoksoon nowhere to be seen, no solo debuts. no hoshi solo album, no vernon mixtape. not even a small role in a web drama (I won’t count joshua’s cameo in a-teen nor mingyu’s cameo in that thai sitcom for obvious reasons). and I’m sure a group like seventeen does receive this kind of offers from time to time. I’m not saying that they should have successful solo careers and leave seventeen, of course, but in the long-run it could hurt them if they decide to change path (and at one point they’ll probably will because there’s only one shinhwa). also, if pledis really supported dokyeom as a musical actor, he would’ve performed in more than one musical at this point. I hope I didn’t sound too negative or even rude, that wasn’t my intention. I appreciate you took the time to share your opinion, thank you for your message ☺️

[thetofufairy]

Our maknae sounds so good in his mixtape, I'm so proud. You're all grown up. Aren't you our youngest? Aren't you still a baby?

[svtcontents]

[#RADIO] 240109 DINO #디노 on SCHOOL OF LOCK! | Board

the theme of today's class is dino's solo mixtape 'wait'!