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wendip-week · 6 years ago

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Wendip Bits from the GF Complete Series Commentary/Lost Legends Comic

Hey all! @ddp456 here!

So, in between helping Kenzoe64 with the last few pages of the Protector comic and working on chapters of DBR3 (yes, I swear it’s still coming) I’ve had a bit of a secret project I’ve been working on (and to be honest, I’m kinda surprised no one else beat me to it)

Over the last few months, I’ve had a chance to rewatch Gravity Falls through the newly released Complete Series Blu Ray set, and for this, listened to every commentary created for each episode, as well as those made for the special features disc (which forgive me if I’m wrong, but was for the BD set, right?).

While the tracks give a HUGE insight on all things GF, it also unveils the curtain on many things Wendy and Dipper related; some things I guessed correctly from the very beginning (see my personal notes for bragging rights), and some, well, that kinda shocked me, and left me uncertain about a few details. But I’m getting ahead of myself.

As you can guess, think of this as a dissection of the commentaries given, focusing on our favorite duo from the series, and afterwards, I’ll include a few questions of my own. Fair enough? Let’s get started:

(Tidbits in the first few episodes)

-Alex Hirsch states that Dipper’s crush on Wendy was always meant to be a big part of the series.

-Hirsch wanted to drop Wendip hints in the first episode (Tourist Trapped), but Rob Renzetti (Supervising producer director, creator of My Life As a Teenage Robot) talked him out of it, saying that he was doing it way too soon.

-The age difference between Dipper and Wendy was the very first conflict that came to mind in the writer’s room, so therefore, it was used.

-The persona of Wendy herself was crafted like that of a “cool camp counselor” so that she could do cool adult stuff, and be able to do “kid stuff” as well without being out of place.

(The Inconveniencing)

-The Cold Open for Episode 5 (Roof Time!) was created at the last minute because the writers realizes that the Wendy/Dipper connection really wasn’t justified. The roof sequence was to make not only Dipper fall in love with Wendy, but the audience as well. (D’aww! - Editor’s note)

-At the end of the episode, the second “Zipped Lips” motion between Wendy and Dipper symbolized many things. It shows that Dipper (despite lying) is accepted by Wendy into her social circle, and given her friendship. Her lying to the other teens is just as important, as she does so without Dipper asking her to. This was done to make Wendy as real as humanly possible, showing that she is just as cool as Dipper (and we as an audience) make her out to be.

-Hirsch often laments on the fact that they didn’t do a full “Wendy-themed” episode. He explains that the point of many episodes is that a said character “learns a sin” and they were afraid to do so with Wendy, in fears that it would ruin her chemistry. (more on this later - Editor’s note)

-They foreshadow the conflict over Robbie and Dipper (involving Wendy) and recognizes that things weren’t always realistic (e.g. how Dipper can beat up the Multi-Bear, but how he was deathly afraid of Robbie). Hirsch’s reasoning is that the audience seems forgiving with such exaggeration as long as everyone appeared to stay in character ( again, more on this later - Editor’s note)

(Double Dipper)

-Originally, Double Dipper had nothing to do with Wendy (GASP! - Editor’s note) The original premise was about Mabel trying to set up a party so she could mingle with the citizens of Gravity Falls, and make new friends, and Dipper, being the anti-social opposite of her, tries to prevent this at every turn, only to fail. It was only when at the last moment, someone suggested to have Dipper’s story be about Wendy.

-During the slow dance scene, the animators specific added a shot of Wendy from Dipper’s POV so that we (the audience) could understand and feel the same anxiety that he did at that moment.

-At the dance of the episode, Hirsch and the rest of the crew theorize about what happens when Dipper goes back inside the Shack at the end of the night. He specifically asked, “Do you guys think he asks Wendy to dance?” The rest of the crew disagree, saying they can picture Dipper trying to dance on his own, and Wendy cheering him on, sprinkling confetti on him from afar like in the beginning of the episode.

(Cute, but what about this?

is it non-canon, now? Did the commentary happen before the real Journal 3 was written? Or is it presumed that Dipper lied in the journal? What the fuck? - Editor’s note)

(Irrational Treasure)

-Going off on a tangent, Hirsch describes Dipper’s crush on Wendy as “creepy” and “over-the-top.” He details that it’s Dipper’s seriousness that leads to misfortune, and for that, he takes a lot of lumps.

-The Zodiac is mentioned here, and the writers explain that the Ice wasn’t always related to Wendy. The symbol was random.

-And as a cute sidenote, the “binkies” that the Pines twins have at the back of their heads were taken from the same ones that the Mario Bros. have.

(Time Traveler’s Pig)

-Alex Hirsch goes hard on Dipper here. He explains that Dipper has a very naive, yet forgivable, but wrong idea about romance.

-He feels that Dipper would die a thousands deaths to have Wendy feel the same way about him.

-Dipper is desperate to have this perfect moment, this perfect day with Wendy, because he believes that he’s not perfect on his own (told ya’ all! - Editior’s note)

-Hirsch says because of this, Dipper doesn’t deserve to get what he wants. This idea of how the world works shouldn’t be rewarded.

-He adds that creating the lessons above was the hardest part of writing the episode.

(Fight Fighters)

-Hirsch knew that the “crush” angle was getting old, but he loved the story presented here. He says that “Dipper’s heart was in the right place” when defending Wendy against Robbie. (again, take that, internet! - Editor’s note)

-Hirsch was blown away by the internet’s response to the episode, shocked to see how many people have had a negative reaction to it. At this point, Jason Ritter (voice of Dipper) responses, “What?! Love doesn’t die, guys!

-Alex goes into how he doesn’t care for “shipping,” that the “Wendy/Dipper” stories come from need for conflict, but not from character relationships. With Wendy involved, Dipper is motivated, desperate, and will do the most insane things.

-He agrees with internet that the crush wasn’t really going anywhere, but he loved the W&D scripts that kept coming in.

-Robbie’s calling out Wendy like a dog (C’mon, out, girl!) was ad-libbed by TJ Miller.

-Hirsch believes that if left alone, Robbie would have never fought Dipper. He was jealous that his girlfriend was going off on all these weird adventures with this kid. (Wait, so there are untold Wendy/Dipper adventures out there?! - Editor’s note)

-The height difference between Wendy and Dipper literally comes from Alex’s real life (and his twin, Ariel, was taller, like Mabel), where he was the smallest kid in class, and his science partner in school was regular sized, and also, his secret crush.

(The Deep End)

-The episode was always meant to be a non-serious, low-stakes piece. Dipper’s having a good time with Wendy was not meant as romantic, but as friends.

-Wendy was originally meant to have a two piece bikini, but the network made them change it (So, wait, it wasn’t a homage to the Sandlot’s Lifeguard Wendy? - Editor’s note)

(Boyz Crazy)

-Hirsch regrets not clarifying the Robbie/Wendy/Dipper portion at the end.

-He insists that the hidden message in the song was mere coincidence. Wendy was not hypnotized.

-He sees the situation as follows: Dipper is jealous that Wendy is into Robbie’s music. For this, Dipper figures there has to be a sinister reason for this.

-Robbie definitely stole the music, but didn’t know that the message was there. Hirsch says as a child, he was personally fascinated by rock bands having hidden messages in their records.

-At this point in the commentary, Ariel Hirsch chips in, saying that in the end, “Dipper wasn’t thinking about Wendy.” Jason Ritter (Dipper himself) agrees, “He’s only thinking about calling out Robbie.” (told ya’ all x3. - Editor’s note)

-Alex Hirsch’s quote about the hidden message: “Backward messages can’t control people’s behavior because you can’t understand them!”

-His notes on Stan and Dipper bonding in this episode: “Both would rather believe that there is a huge conspiracy rather than they’re bad with women.”

(Land Before Swine)

-Hirsch says as side-notes that Wendy had a running bet with Grunkle Stan about who would eat the corn-unicorn first (he didn’t bet on Waddles). Also, he says that Ford has a fear of women because after a bad experience involving someone being freaked out by his six-fingers.

(Gideon Rises)

-Hirsch admits that Gideon’s speech to Dipper is bullcrap. Dipper has beaten plenty without the aid of the Journal 3, but his insecurities make him believe otherwise.

(Scary-oke)

-Wendy has two cut scenes that are shown in the Special Features disc. At the beginning of the episodes, she (along with Soos) is interview by the news and she is chided for using the word “Jerkface” on live TV. She then goes into a huge rant about her “freedom of speech.” The second shows that Wendy was given the blow-horn by Mabel to be the official hype person of Scary-oke.

(Into the Bunker)

-ITB won an Annie award?! (Didn’t know that - Editor’s note)

-Hirsch wanted to keep the Dipper/Wendy crush going, but could see that the audience was getting tired of it. The writers decided to have Wendy become a member of the team and go on adventures, choosing to have Dipper deal with heartbreak sooner than later.

-It was considered to be the third priority for the second season. (Reveal Author, Revisit Switch in the Woods, and Kill the Crush)

-Speaking of, the Bunker’s staircase was taken from the video game classic, Myst

-The script for “Into the Bunker,” was given to Matt Chapman (of “Homestar Runner”/Strong Bad fame), because all of his GF scripts happen to have heartbreak in them, earning him the nickname, “Shipwrecker.”

-Wendy and Dipper’s movie night/Cold Opening was the very last thing to be added to the episode. They needed something to tie Dipper’s investment to both the adventure at hand, and the Wendy crush

-In this, Dipper’s confidence grows by defeating Gideon, and when Wendy says she doesn’t need guys, it brings him to turmoil by the impossible and hopeless.

-The symbol room was originally the “Gonna Die” room.

-This episode is in Alex Hirsch’s top 5 GF episodes, because of its darker tone.

-He details: there are so many good moments in this episode where Dipper is suffering at the hands of this girl that’s so much cooler and so much beyond what he could even understand.

-The GF team knew that this had to be a stand-out episode for Wendy. We had to spend a lot of time with her, showing that she could hold her own and make a valuable addition to the Mystery Crew. Hirsch regrets not doing that more. For this, every time Wendy is added to the team, she’s awesome.

-The most amount of takes in the entire series was the “Dipper crying over dead Wendy” scene. Hirsch explains that it was a hard thing to sell, and a really vulnerable moment.

-ITB’s ending was one of the hardest endings to write. The commentary says they rewrote it 5 times to get it right.

-An idea used was “Love is temporary, but friendship is real love?” (Hell, that’s what I use about 90% of the time - Editor’s note)

-The line “Don’t be itchy.” was added super late to the script. The team tried to avoid as many cliches as possible.

-The first time the Wendy/Dipper confession scene was watched in animatics, Hirsch and crew felt that it was “too romantic,” like a romcom.

-In the Special Features disc, we see a sneak peak of the deleted scene. In this, Dipper goes in on a rant of despair, pledging to Wendy that he’ll try to avoid the Gift Shop from now on, and that she’ll never have to talk to him again, before she stops him and tries to calm him (Dude, Dude, it’s okay...) (Poor baby... - Editor’s note)

-The scene was meant to reflect Alex’s own puberty, which wasn’t romantic, but nightmarish.

-”It’s meant to be terrifying for Dipper. His heart is in his throat as he has to have this talk with Wendy. He’s frozen, waiting for it to pass, and Wendy can see this pain, and she’s doing everything she can to show him, “Nothing’s different. Everything’s normal. You’re normal. These feelings are normal. I’m a couple years older than you, and I’ve seen this. I’ve been around the block. We all go through it. You’re going to be okay.”

(Kinda wish they went this route instead of the whole “age” thing. It’s beautiful - Editor’s note)

-It couldn’t be a “will they/won’t they” situation. The real question was “will they be friends after this?”

-The writers could see a very legitimate path where Wendy is like, “Dude. you’re creeping me out. Maybe we should take a little time from each other because this is not healthy, etc.” The fact that she was so beautiful and cool and treats Dipper so well shows that she IS the awesome kind of person that Dipper thinks she is.

(The Golf War)

-A quick note about Dipper and relationships. Dipper’s normal social fear melts away when he’s around someone he hates so much. Someone like Pacifica brings out pure sass and rage. (HA! - Editor’s note)

(Little Gift Shop of Horrors)

-There was a possible story being tossed around where Wendy gets a tattoo and gradually, it overtakes her/she becomes the tattoo herself. Alex Hirsch loved the idea of a living tattoo, stating that it’d fit with Wendy’s rebellious teen nature, and that she’d learn a lesson at the end of it.

-The writers passed, saying that Wendy is very hard to write for. When we see her, she’s cool and controlled, and for a short story concept, finding that depth to make it valuable would be difficult. Plus, they didn’t want to be compared to Moana (or the fact it’s almost exactly like a Goosebumps story? - Editor’s note)

(Society of the Blind Eye)

-Hirsch and the writers loved the Wendy/Mabel scene because there’s not many of them throughout the series. To them, it was great to show Wendy as the “cool, older sister.” Hirsch dug Wendy’s complete disregard of boys. “Don’t worry about them. Yeah, whatever, they’re a dime a dozen. I’ve had so many boyfriends...”

-The writers discuss what kind of man Wendy would end up with. “He’d have to be something - some kind of specimen. She’s so confident and having a good time, comfortable in her own skin; if a guy’s cool, she’ll be “Yeah, I’ll try it out,” and when she’s bored, “Yeah, no thanks,” leaving a bottomless scar inside their heart,” going on to cite Robbie as example.

-Alex Hirsch added the line about Wendy’s being stressed 24/7. It’s obviously not what she shows the world, and yet, it shows how you can vaguely see it there. (Tell me about it - Editor’s note)

(Blendin’s Game)

-Alex Hirsch’s view on family: “Friendship is thicker than water, and family’s something you can create.”

-Hirsch’s further thoughts on shipping: He tells the writers that it’s meaningless. He rather ask if they have a compelling story instead. He doesn’t care about love, saying “Love isn’t the end - it’s a story turn.”

-A member of the writing cast was going to comment on the baby Wendy and Tambry scene, when she was interrupted, and the point is never bought up again. (Dammit! - Editor’s note)

(Dungeons, Dungeons & More Dungeons)

-Hirsch debated about having a scene where Dipper reveals his real name to Ford. The consensus said no. The same happened for “Dipper and Mabel Vs. the Future.”

(The Last Mabelcorn)

-Originally, the episode was going to be a Wendy-eccentric episode involving her family and her relationship with Manly Dan. On top of that, she was going to gain magical weather powers as well. The team decided against it, not wanting to be compared to the movie, Frozen, as well finding it hard to balance considering Wendy’s grounded character.

For this, they made it up to her by having Wendy (and her influence) take over the episode after the first third.

(Roadside Attraction)

-The Special Features disc shows an alternate opening that doesn’t showcase a Dipper/Wendy angle at all. Dipper asks a group of ladies to borrow a quarter and instead, gets beaten up for it. Mabel and the gang figure from this that Dipper needs help talking to women.

-The whole point of the episode (to Hirsch) is that Dipper gets advice from Stan when Dipper is only trying to move on, while Stan has no idea what he’s doing, stating he is not a role model by any means. The lesson is not to present false affections and learn to hear other people’s feelings. “Stan lives alone for a reason!”

(Dipper & Mabel Vs. the Future)

-The Mabel/Wendy scene was created so that if someone as cool as Wendy doesn’t like High School, it immediately changes Mabel’s perspective on the matter.

-One of the Government agents were originally going to offer Dipper an apprenticeship/”advanced learning path,” in due to all of his discoveries and research.

-Hirsch figures that Ford’s speech towards Dipper is similar if not the same that he gave to McGucket. Ford takes advantage of hero worship - it’s not so much as he needs an apprentice, rather to have someone that’ll do anything he says. (So where are those people that says Ford doesn’t have a mean streak in him? - Editor’s note)

-Upon Dipper rescuing Ford, Jason Ritter laments on commentary, “If only Wendy could have seen that moment...” to which the room explodes with laughter.

(Weirdmageddon Part 1)

-Hirsch explains: “Wendy is the most grounded character in the series, so in this ungrounded scenario, she is able to make the most of it. She can handle just about anything.”

-Wendy’s speech to Dipper was struggled with for a while. It had to be a speech not about Dipper’s self-confidence, but about how he needed Mabel back (which the writers says there’s truth in)

-The live action Wendy and Dipper scene (with Jason Ritter and Linda Cardellini) had lines cut from the final version (Son-of-a-... Editor’s Note)

-The Gideon/Dipper speech represents the full completion of Dipper’s Wendy arc. It’s a real-life lesson that Hirsch says many people in real life still don’t get.

(Weirdmageddon 2: Escape from Reality)

-A deleted scene in the Special Features disc expands on the beach scene, where Mabel zaps Dipper, Wendy, and Soos’s ruined clothing into gaudy swimwear (though Wendy has a cute flower in her hair ala Hawaiian). They go to the beach and Wendy begins to admire the hunky volleyball players, leading to a jealous Dipper.

-Alex Hirsch explains that the fantasies offered in Mabelland aren’t fantasies, they’re easier outs. Wendy’s is teen rebellion rather than facing reality. Soos’s is the dad he always wanted.

-With Dipper, what was originally going to be behind the door was Ford and the offer of the apprenticeship. They would go off on adventures and discoveries, only to stumble upon a now-alone Mabel, growing up in High School, and having a real life. Hirsch axed the idea, believing that Mabelland, and by extension, Bill Cipher, wouldn’t show the downside of any fantasy, rather Dipper would have to discover it himself. For this, the writers had to go back to “the Wendy Well.” (Special note: we at @wendip-week have to use the phrase, “Wendy Well” more often - Editor’s note)

-Earlier versions of the episodes had different “Wendy wants,” including one where we find her writing deep poetry. The writers go on about her fantasy, saying that it couldn’t be a “perfect guy,” because she’s self-realized. But at the same time, they admit that Wendy “exhibits destructive character flaws that she has to get over.” They add, “She really loves that aimless teen rebellion, that it’s hard to turn down all that chaos.” (So, why the hell didn’t they make an episode about that?! And I wanna see Poet Wendy ASAP! - Editor’s note)

(Weirdmageddon 3: Take Back The Falls)

-Alex Hirsch: “Gravity Falls was always meant to have a bittersweet feeling to it.”

-Weirdmageddon was about giving everyone a hero moment. Part 1 was Wendy and Dipper’s. Part 2 was Mabel, and the Mystery team as a whole. Part 3 was the Stan twins and the town united.

-Jason Ritter marvels at the Wendy and Rumble sequence, noting how all the other characters are fighting with machines, and yet Wendy is going at it bare-handed.

-Weirdmageddon was approved to be a made-for-TV movie, but Disney demanded another 3 episodes for regular air. The team declined.

-There was never an official plan for the Zodiac. It was something the team made as a tease, but after seeing fan response, they knew they had to do something with it. Linking Wendy with the bag was a last minute decision simply because of the scenes involving her and ice throughout the series.

-A quick note about the original quote of the Llama, versus the final one given by Larry King, “Llamas are dumb, blonde, beautiful, and they spit!” (BWHAHAHAHAHAHA! - Editor’s note)

-Hirsch is a big believer in visual aid. The Pines twins changed on the inside, and he wanted something to show that on the outside as well. Mabel got to keep Waddles, and for that, Dipper received Wendy’s hat, as a symbol of their friendship.

-Rewatching the scene, Jason Ritter says that he believes Dipper never takes off Wendy’s hat, and is too shy to tell anyone its origins. (”When people ask him, he’s like “Don’t you worry about that...”)

-Alex Hirsch says the switching hats idea came from a storyboarder’s sketch, in which he said, “That feels right.” (Uh-huh. Just a sketch... - Editor’s note)

The Wendy’s note scene was meant to be ambiguous about two things. The first being “Mystery.” It gave Dipper one last question to ponder in his head. (Had to do one last tease, eh? Editor’s note)

-The second was “Endings.” “Did something just die here? Are all these things we love really gone?” HIrsch says not quite. “Endings are new beginnings.”

A few neat points of interest (non Wendip related)

-Jason Ritter is a HUGE gaming fan, where he was able to name almost all the references in “Fight Fighters.” He also played and completed the Gravity Falls 3DS game twice (where Alex Hirsch admits he never has...)

-Hidden in the Double Dipper episode, there is a secret commentary track, where Jason swoons over Wendy for part of the episode, only to be interrupted by his clones (including one that had to camp out for “The Legend of Zelda - Breath of the Wild)

And lastly, I want to address the new comic, Lost Legends. While it didn’t have a hint of Wendip in it:

(sorry, fam, Wendy making a crack about Dipper wearing a skirt doesn’t cut it for me. And didn’t mean to mooch. @fereality-indy. - I couldn’t find a real scan)

But it does contain two other important pieces of information (besides Mabel getting her just-desserts).

The first is a code that gives the hint, WENDY'S MOM: IN ANOTHER DIMENSION?

Such a thing would explain a ton. One would guess that Wendy and her family believes that her mother just vanished, meaning she could have abandonment issues. (and yes, kids, such a thing can affect how people have relationships)

And to add to the tease, there’s a second hint as well in the first story:

(and thank you, GF Team for giving me another canon point to add to the Protector comic by stating the BES still exists!)

But back to the task at hand, we see that the far right vital has Wendy’s mom’s memories. Is this in conjunction with the above point? Or its own theory?

Hopefully, this plot point is exploring in the next piece of GF related media. All I can guess is this, if Wendy’s mom really is stuck in another dimension, the Pines better pray they didn’t have anything to do with it...

The only other interesting thing to note is that at the end of the second story, Wendy makes an comment about “overthrowing the government,” which kinda sounds like the cut scene from “Scary-Oke” mentioned above. Is it a statement of the politics taught in the Corduroy home, or is it a reflection of current views from Alex Hirsch and the writers? (It’s fascinating either way, IMHO).

So, with everything said and done, I’ll admit, reader, I’m a bit mixed up, feeling wise.

On one hand, Alex Hirsch himself confirmed a shit-ton of Wendy and Dipper info that makes me feel like:

But at the same time, it seems like one of my favorite parts of the show is the one he could care less about - that it’s an end to a means. The closest feeling I can relate to is how the Professor in the 2nd TMNT movie inadvertently tells Donatello that he was an accident.

And I get it, the series is based on the dude’s real life, and that includes nearly every aspect of Wendy and Dipper, rather it be good or bad (or as he describes it, mostly bad). But that’s kinda of why I love it, too, that I can relate to that as well, as I’m sure many of you can. I can say with full honesty that I’ve been both a “Dipper,” where I’ve followed along with a way-too-cool-for-me-girl like a lost puppy, and I’ve been a “Wendy,” too, in which a small ball of wonder looked up at me like I was a gift from God, and I tried my best not to sour or pervert that, and yet, remain honest. It is an interesting story, even if it’s not the main story.

Man, he wasn’t kidding when he said “Gravity Falls was about being bittersweet,” eh? But still, the fact remains: while it wasn’t perfect for ol’ Dipper, at least he wasn’t Patti Mayonnaise-d.

Between the numerous essays and questionnaires I’ve whipped up this summer, I still believe that there is ton of info to be asked and answered, especially involving our non-official favorite duo. We can only hope that the powers that be may want to wish about that “Wendy Well” one day in the future. Nothing is ever certain, and with that, I’ll leave you with some of the truest words out there, straight from Dipper Pines himself (and because I can’t find the damned gifs.)

Until next time.

#dipper pines #wendy corduroy #gravity falls #wendip #wendipweek

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