#Designer Interiors

[aiartwerk]

Let's Chill

[zegalba]

Bed of Lettuce by Paul Octavious

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

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[389]

Fossil sink

[happyheidi]

[gentlemanmotorslifestyle]

[brutalistinteriors]

Headquarters of the French Communist Party, Paris. Oscar Niemeyer.

[rocy5]

[evan-collins90]

The full Fall/Holiday 1995 'Sanctuary' catalog by Cher (1995)

Incredible mail-order catalog started by Cher in 1994; this is the 1995 edition. Unfortunately, it seems the venture ended after the 1995 issue. According to a 1998 article, this was due to mismanagement & order-fulfillment problems.

Luckily found a copy available online, then scanned & cleaned-up this wonderful relic of 90's Renaissance Revival & Whimsigothic fashion & design!

[imoutsidelookingin]

Tinyhouseperfect

[vintagehomecollection]

Windows frame the view outside and can also make a striking interior composition. Glass block used as a border creates a geometric pattern.

The Not So Big House - A Blueprint for the Way We Really Live, 1998

[research-lighting]

Artistic Bird-Shaped Canopy Bed Follow Research.Lighting on Tumblr

[zegalba]

Sushi Bedroom by Daisuke (2023)

[mcmansionhell]

new jersey "19th century" "eclecticism"

It's always funny to me when new wealth tries to imitate old wealth, but in a very specific way: by trying to reproduce old ways of building that are no longer viable via mass produced building materials and contractors who are better than average but still not quite in the legion of the bespoke. It's rarely the case that houses are fully "custom" these days -- the amalgamation of all the different parts in a new formation is the "customization" at work. As we can see in this example, this is a truth that is often covered up by excessive decorating.

This 5 bedroom, 6.5 bathroom house, built in 1997 (shocker) will run you an extremely reasonable $3.5 million big ones, but I say extremely reasonable because it wants to be a $10 million house but doesn't quite get there - after all, it's made with drywall. The architectural style is not really anything in particular -- though the front entrance would like to recall the Tudors. Really it is trying to emulate an existing pastiche style, namely the eclecticism of the 19th century. It also doesn't do this well.

No stately manor is complete without dueling staircases. Also, I don't know how to explain it, but every room in this house longs to be a bathroom. Or a powder room. A really big one. It's probably the floor, and the wallpaper. This is just the appetizer for the main attraction:

Jules Verne larping is so rare in McMansion Hell that you have to commend them for trying. I'm kind of obsessed.

This room is so important to me. It's like if an Olin Mills (dating myself here) set was an entire room. A sense of watching someone in one's own house, performing "dinner." Also I would slay as the swan knight, I have to say, so I get it.

What happened to baskets hanging from the ceiling and powder blue walls and porcelain lined up on the picture rail?

I have seen columns terminating into soffits that would make Scamozzi cry.

In Big America bathing and lavishing is a spectator sport.

Ok, again, the palette of this house is basically The Polar Express mixed with a very bizarre hotel lobby.

The chimney hole is sending me because that does appear to be a working chimney. Like, can you see the smoke come out? Who knows!

Anyway, happy Thanksgiving to everyone, and I'm especially thankful to the folks who sponsor me on Patreon! If you want to see more scenes from this house, that's the place to do it!

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[389]

One of the iwan ceilings of Fatima Masumeh Shrine in atabki sahn, Qom, Iran