#Designer Blouse in India

[daily-buyys]

Buy Latest Designer Blouse Online in India

Dailybuyys is making it easier than ever to get dressed in style! Their stores have a wide selection of affordable yet fashionable readymade blouses, perfect for any wardrobe. Whether you are looking for a sleeveless blouse that can be dressed up or down, or a designer blouse that exudes class and elegance, Dailybuyys has something for you. With Dailybuyys, you'll be able to create the perfect blouse look that's tailored to your style. From classic white shirt and sleeve styles to risqué a-line silhouettes and sleeveless designs, you'll find the right blouse for any occasion.

[neckbook]

Shop Exclusive Designer Wear Blouses Online – Latest Collection at Neckbook

Discover the finest collection of designer wear blouses at Neckbook, where style meets elegance. Our exclusive range features the latest trends in blouse designs, crafted with precision and attention to detail. Whether you're looking for something traditional or contemporary, our collection offers a variety of styles, cuts, and fabrics to suit every occasion. From intricate embroidery and bold prints to delicate fabrics like silk, chiffon, and georgette, we have the perfect blouse to elevate your ethnic or fusion look. Each blouse is designed to provide a flawless fit, ensuring you feel confident and stylish, no matter the event. Whether you're dressing for a wedding, a festive celebration, or a casual outing, our designer blouses are versatile enough to complement any saree, lehenga, or skirt.

Shop online at Neckbook for the latest collection of exclusive designer wear blouses and add a touch of sophistication to your wardrobe. Enjoy a seamless shopping experience with fast delivery and easy returns.

Buy Now: https://neckbook.in/product/multicolor-georgette-elegance/

[samkkshopping]

Reveal Sophistication: Explore the Charm of Classic Lehenga Styles

In the vibrant tapestry of Indian fashion, the lehenga stands as an emblem of grace, tradition, and timeless beauty. Whether you’re stepping into the spotlight at a wedding, gracing a festive occasion, or simply looking to add a touch of elegance to your wardrobe, lehenga designs offer something for everyone. From the opulent bridal lehenga to chic crop top lehenga styles, the range of options available is both diverse and enchanting.

In this blog, we delve into the allure of timeless lehenga designs, exploring their various forms, fabrics, and styles. We’ll also guide you on where to find the best place to buy lehenga online and in India, ensuring you make a choice that reflects both your style and the occasion.

The Allure of Timeless Lehenga Designs

1. The Bridal Lehenga: A Dream for Every Bride

The bridal lehenga is more than just a garment; it’s a statement. These lehengas are often the centerpiece of a bride’s wedding ensemble, designed to make her feel regal and extraordinary. Traditionally crafted with intricate embroidery and luxurious fabrics, such as silk and velvet, bridal lehengas often feature heavy embellishments and rich colors like red, gold, and maroon.

In recent years, there has been a shift towards modern interpretations of the bridal lehenga, incorporating contemporary elements while preserving its classic charm. Designers are now experimenting with lighter fabrics, pastel shades, and innovative cuts to suit the tastes of the modern bride, ensuring that every bride finds a lehenga that resonates with her personal style.

2. Silk Lehenga: A Symbol of Opulence

The silk lehenga is synonymous with opulence and grandeur. For centuries, silk has captivated with its caress — a play of light on a surface as smooth as moonlight. The fabric cascades with a graceful flow, sculpting the wearer’s form and imbuing them with an aura of refined elegance. Whether it’s a wedding or a grand reception, a silk lehenga can make any occasion feel special.

Woven in shimmering silk, a timeless lehenga boasts the meticulous artistry of zari work or embroidery, whispering tales of opulence from a bygone era. Modern silk lehengas, however, may incorporate innovative design elements, such as asymmetrical hemlines or minimalistic embroidery, catering to diverse tastes while maintaining the fabric’s inherent elegance.

3. Jacket Lehenga: A Contemporary Twist

For those seeking a fusion of traditional and modern styles, the jacket lehenga is an excellent choice. This style combines a traditional lehenga with a contemporary jacket or overlay, creating a unique look that’s both fashionable and versatile. The jacket can be embellished or plain, depending on the occasion and the wearer’s preference.

The jacket lehenga is particularly popular for sangeet ceremonies and parties, where its stylish yet comfortable design allows for ease of movement and a fashionable appearance. This design element can also be adapted to various fabrics, from silk to georgette, ensuring that there’s a jacket lehenga for every event and season.

4. Crop Top Lehenga: Embrace the Trend

The crop top lehenga is a modern take on the classic lehenga choli. Featuring a cropped top paired with a traditional lehenga skirt, this design offers a contemporary and youthful appeal. Perfect for engagements, mehendi ceremonies, or even casual parties, the crop top lehenga allows for a playful twist on traditional attire.

This style is often favored for its versatility and comfort, allowing for a wide range of designs, from embellished tops to simple, elegant fabrics. It’s a go-to choice for those who want to blend traditional and modern aesthetics seamlessly.

5. Bridesmaids Lehenga: Coordinated Elegance

For brides looking to coordinate their bridal party, the bridesmaids lehenga is a stylish choice. These lehengas are designed to complement the bride’s outfit while ensuring that the bridesmaids look equally elegant. Typically available in matching or complementary colors, these lehengas can be tailored to suit various body types and personal styles.

Choosing the right lehenga for bridesmaids involves considering both comfort and style. Opt for designs that allow for ease of movement and incorporate elements that harmonize with the bride’s lehenga, creating a cohesive and stylish bridal party look.

6. Party Wear Lehenga: Glamour for Any Occasion

The party wear lehenga is designed to make a statement at any festive event. Turn heads wherever you go, whether it’s a casual family gathering or a formal cocktail party, in these effortlessly elegant lehengas.They often feature bold colors, contemporary designs, and eye-catching embellishments.

Party wear lehengas can vary from heavily embellished to more understated, depending on the event and personal preference. They are versatile pieces that can be styled in numerous ways, making them a valuable addition to any wardrobe.

7. Mehendi and Sangeet Lehengas: Festive Elegance

The mehendi lehenga and sangeet lehenga are tailored for the pre-wedding celebrations that are as vibrant as they are meaningful. Mehendi lehengas are typically chosen for their comfort and charm, often featuring lighter fabrics and intricate but not overly heavy designs.

Sangeet lehengas, on the other hand, are all about drama and flair. They are often designed with festive colors, sequins, and elaborate embroidery to complement the celebratory atmosphere of the sangeet night. Both types of lehengas are integral to the festivities, contributing to the joyous spirit of these events.

8. Engagement Lehenga: Making the First Impression Count

The engagement lehenga is chosen to mark one of the most important milestones in a bride’s life. It’s typically elegant yet understated, allowing for a balance between traditional aesthetics and modern trends. Engagement lehengas often feature delicate embroidery and sophisticated cuts that highlight the wearer’s beauty without overshadowing the significance of the occasion.

This lehenga serves as a prelude to the wedding celebrations, setting the tone for the style and elegance that will follow. It’s an opportunity for the bride to showcase her personal style while embracing the traditions of her culture.

Where to Find the Best Lehenga Designs

When searching for the perfect lehenga, whether it’s for a wedding, a party, or a special occasion, finding the right place to shop is crucial. Here are some tips to help you discover the best place to buy lehenga online and in India:

1. Explore Reputable Online Boutiques

Online boutiques offer a vast range of lehenga designs, from traditional bridal lehengas to trendy party wear options. Look for websites with detailed product descriptions, high-quality images, and customer reviews. Websites like Samyakk, known for their extensive collection and customer service, are excellent places to start your search.

2. Visit Designer Stores

If you prefer a more personalized shopping experience, visiting designer stores can be a great choice. Stores that specialize in designer lehenga offer exclusive collections and custom designs that cater to individual preferences. Check out renowned boutiques and designers who can provide a tailored shopping experience.

3. Consider Local Shops and Tailors

For those who prefer a hands-on approach, local shops and tailors offer the advantage of seeing and feeling the fabric in person. They also provide the opportunity for customization, ensuring that your lehenga fits perfectly and matches your style.

4. Check Out Bridal Shows and Exhibitions

Bridal shows and exhibitions are excellent venues to explore a variety of lehenga designs under one roof. These events often feature a range of designers and brands, giving you the chance to compare styles, fabrics, and prices.

Conclusion

The lehenga is a timeless piece that embodies elegance and tradition, offering a wide range of styles for every occasion. From the opulent bridal lehenga to the chic crop top lehenga, the variety of designs ensures that every woman can find a lehenga that suits her style and occasion.

When searching for the perfect lehenga, consider exploring both online options and local boutiques to find the best place to buy lehenga that meets your needs. With the right choice, you can embrace elegance and make a lasting impression at any event.

So go ahead, discover the allure of timeless lehenga designs, and let your style shine with grace and sophistication.

Frequently Asked Questions (FAQs)

What’s the difference between bridal and party wear lehengas? A: Bridal lehengas are elaborate with heavy embellishments, while party wear lehengas are stylish but less ornate, suitable for festive or social gatherings.

How do I choose a lehenga for my body type? A: For pear-shaped bodies, choose A-line skirts. Apple-shaped figures suit flowy skirts. Hourglass shapes can wear most styles, and petite figures should opt for shorter skirts and vertical patterns.

What are the latest lehenga trends for 2024? A: Pastel shades, crop top lehengas, sustainable fabrics, floral embellishments, and double dupatta lehengas are trending for a fresh, modern look.

How should I care for my lehenga? A: Dry clean only, store in a breathable bag, keep away from moisture and perfumes, and use low heat when ironing with a protective cloth.

Where’s the best place to buy lehengas? A: Shop at online boutiques like Samyakk, visit designer stores, explore local shops, or attend bridal shows for the best selection and personalized service.

[pattu-silk-sarees]

PATTU THREADS: ELEGANCE UNFOLDING ACROSS GENERATIONS

Wearing a saree is a big part of many Indian celebrations. But there's one special type called the Pattu saree. It's a beautiful and elegant outfit that has been part of Indian culture for a really long time. Recently, it has become even more popular. Let's find out why this traditional saree is so special!

INTRODUCTION –

The origin of the Pattu Saree can be traced back to the rich cultural tapestry of Tamil Nadu, where the term "Pattu" itself holds the essence of its existence, signifying Silk in Tamil. The Pattu Saree, particularly the renowned Kanchipuram silk saree, has a storied history deeply embedded in the looms of Tamil Nadu.

In the ancient town of Kanchipuram, skilled weavers began crafting silk Sarees centuries ago, with the craft passing through generations. The artistry involved in weaving Kanchipuram silk Sarees is unparalleled. The process involves careful selection of silk threads, traditionally sourced from Karnataka, and an intricate interplay of colors and patterns inspired by nature, mythology, and temple architecture.

Each Kanchipuram silk saree is a labor of love, taking weeks to complete. The distinctive feature lies in the "korvai" technique, where the border and body of the saree are woven separately and then interlocked, creating a seamless and durable finish. The zari used in these Sarees is typically made of pure gold or silver, contributing to their regal appeal.

What makes Kanchipuram silk Sarees even more special is their association with cultural and religious events. It is a customary choice for South Indian brides, symbolizing purity, grace, and tradition. The silk industry in Tamil Nadu, with Kanchipuram at its heart, continues to thrive, preserving and evolving the art of silk weaving through generations.

In essence, the Pattu Saree, born out of the looms of Tamil Nadu, especially in Kanchipuram, stands as a testament to the time-honored tradition of silk weaving. It's not just a garment; it's a piece of art that encapsulates the cultural and artistic heritage of the region.

"Hey buddy, get ready for an interesting read! Come; let's explore Samyakk special Pattu Saree collection. It's going to be a great adventure!"

"Silken Chronicles: A Tale of Elegance with Samyakk Exquisite Silk Saree Collection"

Once upon a time, in the enchanting realm of fashion, there existed a treasure trove of silk Sarees that spoke the language of tradition and opulence. Samyakk, a purveyor of timeless elegance, unveiled a collection from 2006 that seamlessly wove together the finest threads of heritage. The journey begins with the enchanting allure of Chiniya Silk, a fabric renowned for its luxurious texture and intricate motifs, whispering stories of craftsmanship that transcend time.

As we venture further into this silk saga, the looms echo with the rhythmic dance of the shuttle, bringing forth the grace of Handloom Tussar Silk. Each drape tells a tale of hand-woven finesse, where every imperfection becomes a mark of authenticity, celebrating the artistry of skilled hands.

The narrative then takes us to the rustic charm of Kota Silk, a fabric that captures the essence of Rajasthan's heritage. The airy and lightweight weave of Kota silk Saree transports the wearer to the vibrant landscapes of the desert, adorned in the elegance of tradition.

In the heart of South India, the looms of Kanchipuram hum with the age-old artistry of silk weaving. Samyakk collection proudly features the resplendent beauty of Kanchipuram Silk, Kanchipuram Tissue Silk, Kanchipuram Brocade Silk a symbol of grace and cultural richness. Each saree from this collection is a canvas that reflects the artistic legacy of this town. Our silk sojourn continues to the northern plains, where the Banaras Ghats resonates with the rhythmic clatter of handlooms. Samyakk embraces the regal allure of Banarasi Silk, where every intricate pattern is a testament to the city's rich history and royal patronage.

As we traverse through the Deccan Plateau, the tales of Gadwal Silk unfold. Known for its distinctive Zari borders and silk-cotton blend, this fabric narrates stories of tradition and craftsmanship that have been passed down through generations.

Finally, our journey circles back to the essence of silk itself, as Samyakk proudly presents its diverse array of Soft Silk Sarees and Handloom Silk Sarees. Each variant in this collection is a nod to the grandeur of silk, inviting wearers to drape themselves in the stories, legacies, and sheer elegance that these fabrics embody.

So, dear reader, step into the enchanting world of Samyakk silk saga, where every saree is not just a piece of fabric but a chapter in the timeless tale of Indian elegance and craftsmanship.

Now let’s know the Art of Getting Ready in Pattu Saree

Draping the illustrious Pattu Saree is an art that goes beyond mere clothing – it's a celebration of tradition and timeless elegance. The intricate weave and rich texture of the silk demand a graceful drape, usually in the classic Nivi style. Begin by tucking the saree at the waist and creating neat pleats, allowing the pallu to gracefully fall over the shoulder.

Accessorizing plays a pivotal role in enhancing the allure of a Pattu Sarees. Opt for traditional jewelry such as a stunning temple necklace, jhumkas, and bangles to complement the opulence of the silk. A bindi and sindoor can add a touch of traditional charm, completing the ensemble with cultural finesse.

When it comes to hairstyle, the options are as diverse as the saree itself. A neatly tied bun adorned with flowers exudes a classic South Indian charm, while loose curls or a side braid lend a more contemporary appeal. The key is to strike a harmonious balance, letting the saree shine while complementing it with the right accessories and hairstyle. Draping a Pattu Silk Saree isn't just a sartorial choice; it's a cultural statement, a nod to the timeless traditions that continue to weave their magic through the threads of silk.

Discover the Finest Silk Sarees at Samyakk.com

Discover timeless elegance with Samyakk.com's exquisite collection of Indian Ethnic Sarees. Indulge in luxury with a Pure Banarasi Silk Saree, renowned for its intricate craftsmanship and opulent texture. Elevate your style quotient with an Original Banarasi Saree, a symbol of heritage and grace. Explore the rich heritage of Indian textiles with a majestic Kanchipuram Silk Saree, known for its vibrant colors and intricate designs. Whether it's a grand wedding or a special occasion, our curated selection of Silk Sarees For Wedding will make you stand out effortlessly. Embrace tradition with the timeless allure of Banarasi Silk Sarees, meticulously handcrafted to perfection. Experience the epitome of elegance when you Buy Silk Saree Online at Samyakk.com.

Conclusion

As you embark on the enchanting journey of preparing for the timeless elegance of Pattu Sarees, remember that each step is a celebration of tradition and personal style. To explore a diverse collection of Pattu Sarees and more shop online at www.samyakk.com. If you find yourself in Bangalore, the heart of Samyakk presence, we invite you to experience the regal allure firsthand at our physical store. Drape yourself in the luxurious folds of silk, accessorize with finesse, and step into a world where tradition meets contemporary charm. Confidence is your ultimate accessory, and in a Pattu Saree, you embody not just a garment but a legacy.

Frequently Asked Questions (FAQs)

1. What makes Pattu Sarees from Samyakk unique?

  A: Samyakk offers Pattu Sarees crafted with exquisite silk and intricate craftsmanship, reflecting a blend of tradition and contemporary elegance. Our collection is carefully curated to provide a diverse range of designs, ensuring each saree is a timeless piece of art.

2. Can I find Pattu Sarees suitable for various occasions?

   A: Absolutely! Samyakk Pattu Saree collection includes a wide range of designs suitable for diverse occasions, from weddings and festivals to special celebrations. Whether you seek traditional motifs or modern interpretations, our collection caters to different tastes and preferences.

3. Do you offer customization options for Pattu Sarees Blouse?

  A: Yes, Samyakk provides customization options for Pattu Sarees Blouse. Our team can assist you in selecting the right fabric, color, and design to create a personalized Pattu Saree blouse that aligns with your preferences and the occasion.

4. How can I care for my Pattu Saree to maintain its beauty?

   A: To preserve the beauty of your Pattu Saree, it is recommended to dry clean it to avoid damage to the delicate silk. Store the saree in a cool, dry place away from direct sunlight, and avoid spraying perfumes directly onto the fabric.

5. Can I shop Pattu Sarees online, and do you have a physical store?

   A: Yes, you can explore and buy Pattu Sarees from Samyakk online store at www.samyakk.com. Additionally, we have a physical store in Bangalore where you can visit to experience the elegance of our Pattu Saree collection in person and receive personalized assistance from our expert team.

[sudarshan-family-store]

Designer Readymade Blouse India - Sudarshan Store

Sudarshan Store offers a range of designer readymade blouses India to elevate your style and give you the perfect fit. From traditional to modern designs, their collection caters to all preferences. Whether you need a blouse for a special occasion or everyday wear, Sudarshan Store has got you covered. Their team of experts ensures that every blouse fits perfectly and flatters your body shape. Visit Sudarshan Store to discover their latest collection of designer readymade blouses and find the perfect one for you.:

[rmsonscom]

We are online wholesaler supplier

for more details contact at +918469245265

Established as a Proprietor firm in the year 2007, we “R.M.SONNS ” are a leading Manufacturer of a wide range of Ladies Saree and Ladies Blouse. Party wear this pretty elegant looking designer saree in fine colour paired with blouse. This saree and blouse are georgette based beautified with heavy designer Sequins embroidery work with blouse work. Situated in Surat (Gujarat, India), we have constructed a wide and well functional infrastructural unit that plays an important role in the growth of our company. We offer these products at reasonable rates and deliver these within the promised time-frame. Under the headship of “Mr. HARISH” (Owner), we have gained a huge clientele across the nation. SAREES AVAILABLE FABRICS – TO TONE SILK FABRIC , GEORGETTE FABRIC , GEORGETEE SHIMMER FABRICS, TWO TONE GEORGETTE FABRICS ,PURE GEORGETTE ,SOFT SILK FABRIC, SATIN CHIFFON FABICS,SILK FABICS ,SATIN GEORGETTE FABRICS GOLD SILK FABRICS, ICON SILK FABICS .

[yellowfashionsareesonline]

Buy Designer Bridal Lehenga , Wedding Lehenga Online | Yellow Fashion

Buy online Designer lehengas, Stitched Lehenga, Blouse and Koti Set for women in India at YELLOW FASHION. Free Shipping, COD, 7-Day Returns @YellowFashion

[womensclothingworld]

Printed Silk Sarees | Kanchipuram Printed Silk Sarees |  Traditional Silk Saree Online - Sundari Silks

This handwoven Printed Silk Saree in emerald green has peacock design in body with self-colored border. The pallu houses allover peacock design. Includes unstitched blouse piece.

Shop from: www.sundarisilks.com/collections/printed-silks-cotton

Visit our website: www.sundarisilks.com/

[pseudoquiddity]

Here's my little piece on (P1) Utopianism and orientalism/Utopian co-opting of (other) cultures (and some broadly Asian fun facts):

What's always struck me is the undercurrent of Asian aesthetic influence in P1 and one obvious reason for why it's there at all is the fact that they're bordering Mongolia and China. Many Eurasian nomads are artistically influenced by regional, cultural styles in the middle east, India, China, etc. that central and southern Asian area. But since the Kin's artistic aesthetic (in P1) reflect a utilitarianism use of leather and, broadly speaking, the Earth, where this influence appears most is with the Utopians.

Take Eva Yan, for example! I've only heard her clothes described as "strange," but the style is very reminiscent of a certain kind of dress ...

She's wearing something close to an Indian petticoat and blouse, but she's missing the saree. It might actually be what's around her neck. Indian blouses typically end above the stomach and are either long-sleeved (like what Eva's wearing) or go to the elbows. It even looks like the material might be the same, which would be silk. It seems to me that Eva Yan is doing in P1 what she's doing in P2; she's taking all of her favorite parts of a certain culture's dress and outfitting it to her tastes. Indian clothes are designed to be breathable, but Eva uses that design to look alluring. I would say that the Stamatins do the same thing in their own way; The Broken Heart's interior design and opium pipes evoke the Western-exported idea of Asian drug dens and they name their dead colleague Farkhad, based off the Persian story of Khosrow and Shirin, whether he was Persian, in the area or not - we wouldn't know.

Maria(and Eva?)'s occasional use of the honorific en-Daniil is reflective of this, too. "en" is short for "encik" and is a Malaysian convention. The reason why it's "en-Daniil" and not "en-Dankovsky" is because Malaysian names are structured like "Razak bin Osman," where the "bin" means "son of." It would be odd to call someone "Mister son of Osman," so it's either "en-Razak" or "en-Razak bin Osman."

Off the top of my head, those are the most explicit examples ... and, obviously, the Utopians all use the Kin's culture and aesthetics, too, and incorporate whatever about it interests them into their lifestyles. That aside (or not), as for why the Utopians specifically do this --- it may really be because they live in Asia. Personally, I interpret this as a very individualistic case of orientalism that expresses how Utopians seek out aesthetic beauty and concepts they find both appealing and "other" --- whether this is natural-law-breaking ideas or other cultures. I think this is a very cherry-picked kind of admiration.

[kennedyism]

Dirty little secret.

Jackie Kennedy x Female!Fashion Designer!Reader (I have issues ✨✨)

Summary: Being a fashion designer in 1972 for Mrs. Jacqueline Kennedy-Onassis isn’t half bad!

Warnings: Younger!Female reader, affairs, reader has some internalized homophobia, Jackie is a cougar in this idk leave me alone. This is all just for fun. Don’t take this seriously and come for my throat 😭

Tag list: @quietamericans, @vixenihy, @jackiesgirl (Tell me if you want to be apart or removed from my tag list!!)

author’s note: i NEED her.

Based on this confession! <3

“Thank you again for the dress.” Jackie thanks, staring up at you as she hangs up the gown in her closet. “You’re quite talented.” She praises with a grin, her breathy voice is stunning to listen to. It’s like an old song. “It’s a bit of a shock you have such a vintage taste given your age.” She jokes, looking back at you with her hands on her hips.

“It’s no problem, Mrs. Onassis.” You say, watching her admire your work, and then you smile as she praises you once again. She always does it. She knows what makes you blush, smile, and laugh. You then roll your eyes playfully as she implies how young you are—you’re only twenty-five after all. “I inspired it off one of your outfits about ten years ago.” You share with her.

That peaks the former first lady’s interest as she sits in a chair with her legs crossed. Wow, she looks beautiful today with a blouse and some white slacks. She then tilts her head. “What outfit?” She asks, trying to think of which one. A fashion icon, yes, but even she can’t remember everything she’s worn.

You blink in shock at her question and she reach into your bag, digging around for a couple seconds before you pull out a picture of Mrs. Onassis in 1962. She’s wearing a peach dress with white gloves and of course, a three strand pearl necklace. You then hand it to her to let her look at. “I think this was your trip to-“ She talks over you.

“India, yes. Your attention to detail is marvelous.”

“Thank you, Mrs. Onassis.”

“I’ve always admired you, you know.”

That makes your cheeks heat up just a bit, a light shade of pink brushing across your cheeks. You’ve always had somewhat if a crush on Jacqueline Kennedy-Onassis, but you’ve always tried to push it away. It’s not right to like a woman! No, you need to marry a man. That’s God’s plan, this? Absolutely not. You then clear your throat. “Thank you.” You mutter, not looking at the former first lady.

Jackie then stands up, putting the picture on her small table, inching towards you. She’s quite tall, but she isn’t towering over you. She’s can do that in heels, but not in the flats she’s wearing. “Your work is just so intriguing… and you are as well.” She praises, looking into your eyes.

Your face heats up a bit more at her praise and then you smile. Wow, she’s really pretty—Ugh, nope! Not doing this now. You need to get out of there, and it needs to be fast. You then reach for your bag. “Thank you, Mrs. Onassis, but I have to go now. Ring me up if you have another request.” You say swiftly, putting your purse on your shoulder, moving to exit her bedroom.

“Ah, I see… it’s a shame you have to leave so soon. I do enjoy your company, Y/N.”

She isn’t making this easy.

You turn to look at her. Her beautiful features. Her eyes, her lips, her body. All of it, it makes you so hot. You then look at them, your face heating up once again. “Well, I don’t want to interrupt you and Mr. Onassis, so it’s best if I leave.” You excuse, even if Aristotle is a drag to be around.

Jackie laughs softly, it’s intoxicating—she is intoxicating. “He won’t be home for a little while! You’re welcome to stay.” She says, walking towards you, putting her hand on your forearm, brushing her hand around it delicately. “If you’d like.” She finishes.

“Mrs. Onassis—“

“Jackie, Dear.”

“… Jackie, I, I just-“

“You just what? I see the way you look at me. It’s obvious.”

Are you serious? She knew this whole time? What the fuck? Whatever, just play dumb.

“What are you… what are you talking about?” You sputter, backing up towards the door, but you don’t want to leave, but you have to. This isn’t right. She’s so fucking breathtaking. One more look and you’re on the floor. If you hear her speak one more time, you’re never getting up.

Jackie continues to smile softly. “You have feelings towards me—an attraction.” She tells you, and she’s not wrong. Far from it. God, you thought you had it together. Never. You never do for Jacqueline Onassis.

“… What are you saying?”

“I’m saying I feel the same, Y/N.”

After a moment of silence, you pull the former first lady into a loving kiss, and she’s taken back for about three seconds until she kisses you with just enough passion to overwhelm you. She’s been wanting this too. She then pulls away, blinking.

“I’m sorry.”

“Don’t be, it was rather nice.”

“So… uhm—“

“You better not tell anyone… This is our dirty little secret.”

[daily-buyys]

Best Designer Blouse Online in India

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[craftlands]

oop sorry! i did come across one of your mor pankh posts regarding the designs and such about the characters and i do have some points to lay out on their accuracies and inaccuracies, as an indian myself, though i cannot say my word for it will be wholly accurate since again, india as a subcontinent is VERY chaotic and the cultures within different states and a lot of times, certain villages and territories vary drastically. a lot of my points could be disagreed with by another indian and if some of my points ARE incorrect, i'm open to being corrected.

i know it's also pretty late, considering this was one of your older posts but i did give it some chew time. sorry if i'm bothering you.

1) first up is kaalaa baunaa. she IS wearing a saree but the draping and style is pretty reminiscent of modernized styles of saree draping. we do have the traditional drape but the generations right now have gotten to mixing and matching western clothing and experimenting with saree drapes. her outfit, while not culturally inaccurate ( because we HAVE the short/pant combo with the saree ) is grossly inaccurate to the time and setting.

there's also the fact that her outfit screams 'bollywood' in a sense. the blouse in particular is something you'd see on actresses during burner movie shoots ( and even those were a little less provocative...but again the blouse does hold a lot of callbacks to colonial oppression and wearing sleeveless blouses back then was considered 'rebellious' ). in my opinion, if i were to change up her design, i would just omit the saree and put her in a salwaar, since that is the usual go to in northern indian states ( unless in formal events ).

but for the stuff i loved about the design? is the design itself XD. it's just grossly inaccurate to the timeline, but in a modern context, it does have a very stylish flair to it. i just wish she reserved those for festivals rather than everyday living ( because from experience, sarees are HARD to walk in depending on how you drape it which is why my college uniform is a salwaar ). unless they were trying to hammer home how alien she is perceived to be, as an arcanist, which in this case? it works thematically. just tone down the sexualization.

her second outfit is a little more accurate though and i have a preference to that. mostly because of the jewellery she uses. mh. the bollywood style outfit? the embroided saree? the baithale bottu? MH. y e s.

tldr ; the design is pretty good but contextually, for the timeline and for her occupation? it's not the most accurate. but i wouldn't call it a travesty and completely inaccurate either. in a modern setting, her outfit would have passed well in a get together or a friend's party.

2) shamane. okay so the imagery and his outfit WAS something i needed to do my research on. but the 'connection to nature' thing is pretty common here too in tribal societies. my own community, while centuries far removed from it's initial tribal roots, still worships familial sprits and natural objects alonsgside the usual practice of hinduism. i kind of liked that aspect about him tbh because it did reflect of the few vestiges that were left over in my community XD. hell a good chunk of his design was very steeped in tribal influence, though differentiating it is a little difficult ( which again is my critique, but that could also be me not being as well versed in indian tribal culture. it's probably in part because of ignorance. ).

the closes i can get to the influence of his outfit would be naga tribes in nagaland with a mix in of a few others. i'll try to do more research and get back to you on that. i'm just wondering how he got all the way to nagaland???? that's like in the far east...though if were to narrow down the locations, it would be in the few locations where it snows...HMMMM. but yeah the feather motif? tribes here seem to tout it too, depending on what tribe it is.

he does wear your typical sherwani with a large coat on top, something that is, in fact accurate to men's fashion at the time. most middle class or well to do families ( the ones who were not a part of the 60% - 70% below the poverty line ) did hold that similar style of traditional wear with western influence, or straight up turn to western clothing as a whole. its a very small nod to the fact that he was from a well to do family at least. then the eye imagery on the prosthetic arm could be a reference to the nazar, though it's not blue.

tldr; his outfit holds heavy tribal influence but i really need to do my research on which ones in particular.

3) kanjira.

okay. i'm a little upset with her. the fortune teller aspect is rooted in how astrology played a huge part in indian culture. the coffee readings could have been an aspect carried over by cultural mixing through islamic trade and invasions as well. kanjira is another aspect that is a little more of unsure territory. there are parts of her outfit that i can recognize. but together it does feel a little disjointed. and confusing. her jewelry is recognizable. her kamarbandh for one and her skirt.

the blouse though? that confuses me. for one it's more in line with 1910s fashion. the blouse was initially not a part of a lot of traditional indian dresses and were introduced by the british due to extreme discomfort ( aka they didn't like that indian women didn't cover up their chest ). the earlier blouses strongly resembles victorian blouses, with puffed sleeves and ruffles. but then there is that older the shoulder thingie and i'm like ??? HOW DOES THAT WORK-

the snake motif could be a reference to the irula tribe from south india. even her name is a reference to an instrument in south india ( which resembles a tambourine ). i don't think her base outfit is based on accuracy due to the mismatched nature of it. it seems like she just took what clothes she could and made do with that, which given her economic status, makes sense. her alt outfit does glean into what influences she took after, perhaps the banjara tribe. i will need to look into it some more. but it is admittedly, facing a similar problem to kaalaa in how it's so heavy stylized. it's not accurate save for the motifs and yes, it could do with some better work in both versions.

now for the stereotype. i'm very on the fence in this sense with how i could understand that the 'thief' stereotype is referenced. but kanjira is however, a product of some very real stuff that happened ( and still goes on even now ). the unfortunate reality is that people who are considered beneath the lower caste and obc umbrella face their share of discrimination as hooligans and thieves amongst the indian majority as well, even today. it's harmful, but she's the reflection of the struggles of a lot of communities who lived in poverty post colonial india. the british left a lot of scars and the governments after did very little to help and kanjira, as a child with no parents did what a lot of kids back then turned to. it's circumstances deeply rooted in systemic oppression, casteism and so many other issues. i've had family members in similar situations ( my mother's side in particular ).

so i do wince at the fact that she's labelled as a 'stereotype' even though i do see WHY she's a stereotype when the context is removed. her spoken english is also another wince. i know you didn't mean to be offensive and i'm sure to a lot of indians you might not be but kanjira's english is the way it is simply because she was never formally educated in it. she does refer to asking for help to read english words and it's fairly obvious she picked up on the language by listening to others speak it. matilda however, did have to learn it from a pretty young age in the foundation. she was educated in it, whether she likes it or not ( a lot like my case ).

a bit of a breakdown here. english is mostly learned in india for the sake of convenience. it's used in our parliament because it's culturally neutral and doesn't show favor to certain state languages ( and native language in itself is a very culturally sensitive topic in india ). you learn it in case you need to study in foreign firms or if you travel abroad. it also means that if you and a good chunk of other indians speak in english, it allows some leeway to communicate in other states. because again, different languages and dialects are spoken in different parts of india. i myself have a better chance of communicating with a different people from different states in english, no matter how broken it is than having to learn a separate language every time.

i know a lot of people in my college who didn't start learning english till grade 11 and speak pretty similarly to kanjira. so alluding to her imperfect english as a 'not great thing' kind of rubs me the wrong way due to personal gripes of mine, mostly in part due to how eletist it tends to be at times. the mindset of janjira not being good at english being considered 'really not great' kind of fuels into a still ongoing problem of insecurity and a lot of other issues i'd rather not clog the post with.

she's fluent in hindi and it's obviously her preferred language and she can certainly write and read hindi as well. it's kind of similar to making fun of an american for not knowing fluent french they picked up from a few classes, while they're still in america. again, i doubt you meant any harm saying that but my gripe with how learning english is so desperately seeded in some families just to appease how the west views us ( that stereotype you mentioned? yeah ) and the constant perpetuation of the stereotype, has a lot of ramifications.

i don't know how to explain it but it's kind of like this : you call broken english a stereotype, we're afraid of being stereotyped, we try to avoid being stereotyped. but there are people here who can't. maybe their medium of education wasn't english for a good few years, even if their family is well off. that leads to further discrimination from us to them and from you to them.

yes english is a neutral language, but it's also horrifically overrated due to the imbued belief that it also alludes to being educated. i lost chunks of my own mother tongue trying to learn english, simply because it was given more priorities at my home and at my school because of us moving and the imbued fear of seeming uneducated.

i know you meant no harm to that.

but on a cooler note, punji literally means 'money'. kanjira named her snake 'money' and with the drip it has? it's strangely cute XD. it's like that one meme.

also kanjira's accent, kind of reminds me of a few annoying girls in my school ( it's a very common accent in north india and my hindi speakers tbh ). she's literally the valley girl's take in india. the drawl, the lilting tones every time i listen to her, i hear that one girl from fourthe grade and i'm like "n o." because it has that condescending edge to it. i love it XD.

tldr ; kanjira is both 'it kind of makes sense' and 'fuck it we ball'. she could do with reworking. i like the thought that her outdated blouse and her clothing was a mix and match, possibly picked up from charities as well but...yeah XD.

these are mostly my takes. overall, i thing r1999 actually has some of the better depictions of indian culture compared to a lot of other stuff out there ( and there is a LOT of bad stuff ). the fact that there was variation in their accents, the casual switch between english and hindi, the story of mor pankh itself and shamane's incessant need to feed us ( which is a thing in our families btw )...i'm pretty happy with it. and yes, even we fuck up aspects of our own culture. aka, adipurush exists and i will shit on that way more.

sorry for bothering you and thanks for reading through it all ( and i hope i didn't come across as rude in that segment about language )!

hiya! sorry for taking so long to get to this ask -- i was out of town for like a week and had absolutely Zero energy on coming back for like another week afterwards. i want to head this off by saying you're not bothering me in the slightest, i'm genuinely delighted to get to be able to talk about things like this in more depth and i really appreciate you taking the time to write this out! (peek behind the curtain: i have gotten up several times and paced around excitedly in the course of writing this. i REALLY love discussion and critique and Learning Context in general.)

i think time's been pretty kind to the Mor Pankh update, all things considered -- having several months to sit on it (and also no longer playing CROB -- good god Centipede and Black Pepper are an absolute mess of racist/Orientalist tropes, and that was pretty recent at the time of Mor Pankh), it's definitely better than i initially gave it credit for. a lot of things you've mentioned here -- especially a good deal of the further context on Kaalaa Baunaa and Shamane's clothing, as well as further context on Kanjira -- is something i truly don't have much to add to other than "i didn't know that, and this makes me a lot more favorable towards them than before".

definitely Kanjira is still someone i find myself heavily split on. i think a lot of what you mentioned about the way i treated her speaking broken English very callously is probably right on the money and thank you for the correction on that end -- given the context of the story that seems to be one of the more thoughtful aspects of her overall characterization and design. the thief/fortuneteller stereotype is something i'm a little more hesitant to dismiss at face value, though; while it may be a coincidence, there's definitely a history of stereotyping Rromani people in particular as like... scantily clad fortunetellers who steal from people, and it's something that feels really prevalent in Kanjira's design for me. from an in-story perspective i think rev19 does a great job of contextualizing and fleshing her out as a character, but from an overview of the character it rings eerily similar to Orientalist tropes about both Indian and Rromani people in a way that i will probably never be fully comfortable with.

i do think it's hilarious that her snake is named Money though. that's beautiful and i can't complain in the slightest.

Kaalaa Baunaa is a delight to read about in terms of where her outfit might be drawn from. i genuinely don't know a good 90% of the fashion/clothing context when it comes to basically anything in rev19, so for a lot of it i'm definitely deferring to you in terms of whether or not her outfit is accurate. i do definitely like her second outfit better as well (it also looks a lot more comfortable. we're under a heat advisory where i am right now and i WISH i had something like that to wear when i eventually have to go out and walk the dog). i don't really have much else to say here, though

finally for Shamane i will fully admit to being woefully out of my depth and being very attuned to looking for First Nations stereotypes owing to that be a particular trope i'm very used to seeing (gods the feather thing happens SO MUCH). that said, i am absolutely kicking myself for not researching things first, i think learning more about the context of his specific design and beliefs makes me come around a lot more positively to some of the aspects of his design -- especially what you mentioned about it being historically accurate, as that's something i did not consider initially and is really cool to hear about wrt what the design process may have been! (also i love his arm design, like, a lot. no idea if connecting it to nazar designs makes sense or not, it does appear that those are almost exclusively blue though maybe in the context of rev19's worldbuilding red eyes would have developed as the "evil eye" instead? idk, but i can probably count on one hand the amount of prosthetic users in gacha games whose missing limbs are actually given thought and treated as aspects of the story rather than just visual flavor.)

in conclusion: yeah, i think after learning more about the context behind these character designs i was definitely a bit harder on Mor Pankh than i needed to be -- relative to other games that take a swing at depicting SWANA and/or Indian cultures i think rev19 is doing way better in that category than most of them. i will say part of why i am so frequently critical of rev19 is that i also love the game a lot -- i don't put much time or effort into critiquing things that are just straight up bad, and if i'm hard on something that's usually because i really want to sink my teeth into it and talk about what works and doesn't work within its story and broader cultural contexts.

(and also -- thank you again for taking the time and thought to send me this! i can't express enough how much i appreciate being able to learn more about the context of a lot of these characters and the story and just, like, talk about it openly. it rocks! thank you!!)

[neckbook]

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[sosuigeneris]

Copenhagen was so much fun. I was there for three days for work, and the organisation treated us well. We had a gala dinner on the first night; went to the opera where they’d organised a band and a lovely singer. The views from the opera house were incredible. We cycled loads, went sightseeing. Tivoli gardens were fantastic, with loads to eat and walk around - the weather was just perfect - the views from the round tower were gorgeous; and on our last night my team and I went for a boat ride, stopped by Soho house for a drink and called it a night. At one point of time I realised how lucky I am to be able to travel the world at just 24. I’ve been travelling abroad since I was born but somehow, this excursion felt different.

My trip then took me to south Germany, to this extremely tiny rural town. I’m with a dear friend who I consider my little brother; I had showed him my city when he was visiting me now he’s returning the favour. It’s so lush green, the air is nippy, with occasional sunlight. The flowers were so colourful, little pockets of pink and purple and red; the lake was so blue and fresh; I felt so connected to nature, and I was so glad to be in this area for a couple of days, away from the bustling city life. We’re participating in a yoga retreat and I’ve been following the Guruji for a while now. The sessions have been fantastic thus far and I’m keen to practice when I go back to India.

I broke my no-drinking streak and have concluded that when in Europe, the Unholy ABC Trinity become redundant. ABC: Alcohol, Baked goods and Cheese. It’s too hot where I live in India to consume and burn these easily plus I don’t prefer drinking in India for the sake of my reputation.

I would’ve loved to stay longer and see Berlin but duty calls so I’m heading back home. At least I got some decent amount of shopping done. I bought a black skirt and a very chic sweater from Selected Femme, two longchamp bags and one Nike top. I bought some stuff for my mum, hunted for shoes for my sibling but then I couldn’t find what I was looking for so I said screw it. I got my friend a bottle of German gin for his birthday at the duty free.

I need to renew my wardrobe and this is the year for that. I’m waiting for the designer to give me my clothes. She’s taking quite a long time and I’m hoping that she’s able to execute the vision I had. im also in dire need of more casual stuff - trousers and comfortable blouses and shirts.

my photoshoot pictures came back and they’re beyond gorgeous. I’ve already updated my LinkedIn, WhatsApp, Soho house app (😣). I redownloaded instagram to see which bitches I need to remove from my account since my last refresh (I only download instagram and reactivate my account to unfollow and remove people).

-cherry cherry bang bang 🍒

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