#December 2019 Releases

[whatsheread]

The Year of the Audiobook - Part 2

The Year of the Audiobook – Part 2

Part two of my one-sentence reviews for the many audiobooks I’ve listened to this year. Hang in there! I wanted to love this one so hard because it’s Neil Gaiman, but I found myself nodding off one too many times to say I enjoyed it. We all know that John Scalzi is a master author, but this first book of his Interdependency series is masterful. It seems that all my friends love this series, and…

[marinaiguess]

is it too much to hope for a crush 40 song or cover in the frontiers ost?

[shiroselia]

After many mental debates over if it was 2018 I was barely playing or if it was 2019, and checking So many dates on Jorvikipedia, only to remember that the answer was right under my nose because the first gen 3 I bought was an app horse, and that horse released in December, and I always wait a solid amount of time before buying a horse, I've finally figured out that these horses were all bought in 2019, which is to say, here's the final archive-purposed post of all my years of horse purchasing! Manda's horses of 2019

Dustshadow > Bluestar > Autumnpepper > Appleruby > Snowcloud > Darksong > Goldfeather > Everrunner > Stormheart

Probably the year I'm still the most mixed on, given that all these horses were bought almost four years ago, so it's to be expected, but some of them still hold up (primarily the lusitano, even though I want to fistfight whoever at SSE keeps andalusifying them, and the north swedish) and at the end of the day they're a good bunch (except the connemara, had I not had principles I would have sold my connemara by now)

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.��

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[doyoulikethissong-poll]

Lil Nas X featuring Billy Ray Cyrus - Old Town Road 2019

"Old Town Road" is the debut mainstream single by American rapper Lil Nas X, first released independently in December 2018. After gaining popularity, the single was re-released in March 2019. The rapper also recorded a remix with American country singer Billy Ray Cyrus, which was released on April 5, 2019. Both were included on Lil Nas X's second EP, 7 (2019). Dutch record producer YoungKio composed the instrumental and made it available for purchase online in 2018. It features a sample of "34 Ghosts IV" by the American industrial rockband Nine Inch Nails. The sample was placed behind trap-style Roland TR-808 drums and bass. Lil Nas X purchased the instrumental for US$30 and recorded "Old Town Road" in one day.

The song reached number 19 on the Billboard Hot Country Songs chart before the magazine disqualified it from the chart on the grounds that it did not "fit" the genre, sparking a debate on what constitutes the "definition" of country music. Though "Old Town Road" did not re-enter any country charts, both versions of the song collectively peaked at number 1 on the main Billboard Hot 100, remaining at the top for a record-breaking 19 consecutive weeks; the remix peaked at number 50 on Billboard's Country Airplay chart. "Old Town Road"'s overall run at number one is the longest in chart history, surpassing the previous record of sixteen weeks achieved by both "One Sweet Day" (poll #296) and "Despacito". One or more versions of "Old Town Road" have topped the national singles charts in Australia, Canada, France, Germany, Ireland, the Netherlands, New Zealand, Norway, Switzerland and the UK, and have charted in the top 10 in various other international markets.

The song was certified diamond by the RIAA in October 2019 for selling 10 million total units in the US, the fastest song to be certified diamond. At the 62nd Annual Grammy Awards, the remix featuring Billy Ray Cyrus was nominated for Record of the Year and won Best Pop Duo/Group Performance and Best Music Video. In September 2021, the song set the record for the second-highest certified song in history by the RIAA, at 16× platinum in the US - meaning it accumulated 16 million equivalent song units. The single has sold over 18 million copies worldwide, making it one of the best-selling singles of all time.

"Old Town Road" received a total of 80,6% yes votes!

[wnbnny]

we can't be friends- l.mh

genre: idol!minho x reader, lovers to exes to lovers

tw: angst, hurt, breaking up, erasing of memories (almost) , mutual pining

status: coming soon... (taglist is open!)

author's note: i had this in my drafts so i decided to give u guys a sneak peek >< will probably be released in a week!

sneak peek...

december 25, 2019, 11.28 pm, your diary.

i still think of you, you know. i still see your face in the windows of that café shop we used to go to whenever i pass by. i know you're not in there, and i'm hallucinating. i can't go in there anymore, not without thinking of you. i can't even watch the television anymore without having to see your face. i listened to your new comeback. that song was about me, wasn't it? 

it's christmas today. i adopted some presents for you. you would love them, the three cats. i named them soongie, doongie, and dori. quite fitting, they're playful like you. they'll never meet their father. i still wear your hoodie, the green one i always wore every christmas. you used to wear my red hoodie, but i guess you won't be here to wear it anymore. it still smells like you. 

i still wonder why you left. was such a pathetic excuse as me potentially being hurt the only reason why you would leave me? you knew i didn't care if i was hurt, so long as i was with you. you still left. i hate you for that, but deep down i could never hate you. i hate that i still love you.

taglist: @starseungs @missmajdastark @jazziwritesthings @layviyu @lailac13 @ana-marais98 @foxinthewild

[louisupdates]

With the first quarter of the 21st century coming to an end, Billboard has been looking back on the 25 Greatest Pop Stars of the Past 25 Years. Below, we take a deeper look into the solo career of Louis Tomlinson — one of the members of our No. 22 pop stars, One Direction — and how his songwriting, originally honed in 1D, has helped him develop into one of the group’s strongest breakout artists.

When One Direction officially went on hiatus in 2015, Zayn Malik dropped Mind of Mine in 2016, Harry Styles’ eponymous LP dropped in 2017, Niall Horan followed with Flicker later that year and Liam Payne’s First Time EP arrived in 2018. Louis Tomlinson, however, took his time with releasing a full project – and entered an era of healing and self-discovery that saw him realizing his potential as one of 1D’s most self-actualized artists, even if not necessarily the starriest.

Even before going solo, Tomlinson showed he was meant for breakthrough success while in One Direction. Longtime Directioners know that Tomlinson wrote more songs in One Direction than any other member, penning long standing hits including “Perfect,” “History” and “Fool’s Gold” and proving his fortitude as a songwriter who understands lyrical cleverness and crafting the indescribably catchy refrains necessary to produce arena-ready hits. Beyond his musical abilities, Tomlinson’s sense of humor and friendship with fellow 1D members also ensured fans had a soft spot for him.

However, when he did go solo, the road was slippery at first. He teamed up with Steve Aoki for his first solo release “Just Hold On” in December 2016, and just three days before its release, Tomlinson’s mother died of leukemia. He still took the stage to perform the song on The X Factor, the first public testament to the star’s strength and dedication to his musical craft.

Tomlinson’s resilience amid adversity continued as he navigated the music industry. The star signed with Epic Records in 2017 and released a few singles – including “Miss You” and the Bebe Rexha and Digital Farm Animals-assisted “Back to You.” While the infectious hooks to both tracks could have easily solidified Tomlinson as a pop mainstay, the two singles didn’t perform as well as expected on the charts: “Just Hold On” peaked at No. 52 on the Billboard Hot 100 and “Back to You” hit No. 40, while “Miss You” missed the chart altogether. Ultimately, a full-length album never materialized with Epic Records.

Tomlinson shortly got back on his feet, as he always does, and signed with Arista Records in 2019 – where he honed his talent as a songwriter, this time feeling comfortable enough to tackle more vulnerable topics in his music. His first release under the label was “Two of Us,” a heart-wrenching tribute to his late mother. “I know you’ll be looking down/ Swear I’m gonna make you proud/ I’ll be living one life for the two of us,” he sings in the chorus, giving a glimpse into what would soon become a musical career full of honesty and vulnerability.

Unfortunately, shortly after its release, another hardship struck Tomlinson’s life when his 18-year-old sister Fizzy died of an accidental overdose. Both the release of “Two of Us” and the tragedy that followed showed just how close Tomlinson’s community of fans is, as they showered him with online love and support in the months that followed.

After taking some much-deserved time to heal, he announced in August of that year that his debut solo album was on its way – and shortly after, he released a follow-up single, the rock-leaning, drumline-driven “Kill My Mind.” Tomlinson admitted that he finally found his stride. “I’m actually really proud and relieved to finally find my place, find my lane musically,” he told Hits Radio Breakfast at the time, indicating a moment of relief amid his turbulent few years.

Tomlinson’s debut solo album, Walls, arrived in January 2020 and while it hit the Billboard 200‘s top 10, it was met with mixed reviews from critics, who suggested that the heart he wanted to portray wasn’t quite there. His growth outside of commercial success proved otherwise, as he had been spending the past few years building a solid identity not only as an artist, but also as a person. While some of the other One Direction alums are still finding their footing with their solo sounds to this day, Tomlinson grew strongly into an instrumentation-focused pop-rock artist whose lyrics go beyond the cookie cutter sentiments you might expect from a former boy band member.

And soon, all the hard work – both personally and musically – finally paid off. Faith in the Future, his 2022 sophomore solo album, debuted at No. 1 on the Official U.K. Albums Chart. In the United States, Faith In The Future debuted at No. 2 on Billboard’s Top Album Sales chart, and at No. 5 on the all-genre Billboard 200, his highest-charting set yet on both tallies. The album’s success, as well his sold-out live shows on its accompanying tour, not only showed the still-standing Directioner devotion to Tomlinson, but also made it clear that he picked up a slew of new fans along the way.

Tomlinson’s self-awareness was evident on the album’s lead single, “Bigger Than Me.” “When somebody told me I would change/ I was afraid, I don’t know why/ ‘Cause so does the world outside, I’ve realized/ It’s bigger than me,” he sings – indicating that the key for solo success all along was being himself, and letting go of the pressure that fame brings.

While Tomlinson has still yet to score the major chart hits stateside that his 1D bandmates essentially achieved right away – and has been more focused on his 28 clothing line the past couple years – he’s proven that he doesn’t need traditional pop crossover success to have a bright future ahead of him. With another couple albums and tours that continue to establish his identity and expand his artistry, it wouldn’t be shocking to see him making the jump to arenas in the not-distant future. Louis’ solo career may not have gotten off to the perfect start, but it just might end up being perfect for him in the long-term anyway.

[sarasade]

Since The Dragon Prince is ending (or at least the second arc is ending) in December I'll celebrate that by listing the funniest things I've witnessed in the fandom during these years:

-The Great Aaravos Thirst of 2019.

-Knowing The Thirst™ had been even greater if Tumblr wouldn't have banned porn just a year earlier.

-Aaravos' character designer being very happy with all the thirst posting.

-The Great Virst of 2019 that was balanced out by the people who thought Viren was a total troll.

-Rayla-Claudia-Callum love triangle speculations before s3.

-"Viren actually killed everyone, including Sarai and his ex-wife", speculations during s1-3.

-Aaravos Is A Good Person and a cinnamon roll -speculations.

-Fandom calling Ethari "The Tinker" before his name was revealed and also correctly predicting him and Runaan being a couple long before it got confirmed.

-Jason Simpson (Viren's VA) being grumpy about people shipping Aaravos and Viren while Todd Erik Dellums (Aaravos's VA) egged the fans on and seemed to find the ship pretty funny.

-After the Midnight Star poem's full English translation got released some fans concluded that Elarion was a human girl Aaravos once was in love with and thus Elavos was born. You can still search the ship name on Tumblr to experience the time campsule of 2019 era of the fandom. Yes, people shipped Aaravos with a literal city and I think that's beautiful.

-The drought period of 2019-2022 hiatus where it was just a couple really weird terminally online fans posting their harmless headcanons, including a small fandom of a. ten people forming around Viren's ex-wife Lissa.

-Unhinged TDP fan theories like "Aaravos is Callum's Dad" and "Callum will learn every primal source" aka wanting TDP to be Avatar 2.0 but with elves.

-The fan response that parodied these theories including "Everyone is a Startouch elf, especially Bait"

-The Great FartGate of 2022 aka all of TDP Twitter collectively complaining about the fart jokes in s4.

-These 2024 Valentine's Day posts most likely done by the lead writer Devon Giehl.

-If you search Aaravos on Google the most frequently asked question is about his gender.

-TDP wiki gleefully listing Aaravos and Viren as Sir Sparklepuff's parents after s5.

-The fandom never letting go of the "Viren imprisoned Harrow in Pip" theory.

-Which Primal Source Are You -Quiz from 2018 foreshadowing events of the show like "where would you hide a dangerous magical object" and one of the answers being "in the bottom of the sea" possibly referring to Aaravos' pearl.

-A tweet fans thought was a mistake actually foreshadowed Aaravos being a giant.

I'll add more later if I feel like it.

edit:

ok one more: behold, one of the most popular TDP posts on Tumblr

[reasonsforhope]

"The New York City Council voted to ban most uses of solitary confinement in city jails Wednesday [December 20, 2023], passing the measure with enough votes to override a veto from Mayor Eric Adams.

The measure would ban the use of solitary confinement beyond four hours and during certain emergencies. That four hour period would be for "de-escalation" in situations where a detainee has caused someone else physical harm or risks doing so. The resolution would also require the city's jails to allow every person detained to spend at least 14 hours outside of their cells each day.

The bill, which had 38 co-sponsors, was passed 39 to 7. It will now go to the mayor, who can sign the bill or veto it within 30 days. If Mayor Adams vetoes the bill, it will get sent back to the council, which can override the veto with a vote from two-thirds of the members. The 39 votes for the bill today make up 76% of the 51-member council. At a press conference ahead of the vote today [December 20, 2023], Council speaker Adrienne Adams indicated the council would seek [a veto] override if necessary.

For his part, Mayor Adams has signaled he is indeed considering vetoing the bill...

The United Nations has said solitary confinement can amount to torture, and multiple studies suggest its use can have serious consequences on a person's physical and mental health, including an increased risk of PTSD, dying by suicide, and having high blood pressure.

One 2019 study found people who had spent time in solitary confinement in prison were more likely to die in the first year after their release than people who had not spent time in solitary confinement. They were especially likely to die from suicide, homicide and opioid overdose.

Black and Hispanic men have been found to be overrepresented among those placed in solitary confinement – as have gay, lesbian and bisexual people.

The resolution in New York comes amid scrutiny over deaths in the jail complex on Rikers Island. Last month, the federal government joined efforts to wrest control of the facility from the mayor, and give it to an outside authority.

In August 2021, 25-year-old Brandon Rodriguez died while in solitary confinement at Rikers. He had been in pre-trial detention at the jail for less than a week. His mother, Tamara Carter, says his death was ruled a suicide and that he was in a mental health crisis at the time of his confinement.

"I know for Brandon, he should have been put in the infirmary. He should have been seeing a psychiatrist. He should have been being watched," she said.

She says the passage of the bill feels like a form of justice for her.

"Brandon wasn't nothing. He was my son. He was an uncle. A brother. A grandson. And he's very, very missed," she told NPR. "I couldn't save my son. But if I joined this fight, maybe I could save somebody else's son." ...

New York City is not the first U.S. city to limit the use of solitary confinement in its jails, though it is the largest. In 2021, voters in Pennsylvania's Allegheny County, which includes Pittsburgh, passed a measure to restrict solitary confinement except in cases of lockdowns and emergencies. The sheriff in Illinois' Cook County, which includes Chicago, has said the Cook County jail – one of the country's largest – has also stopped using solitary confinement...

Naila Awan, the interim co-director of policy at the New York Civil Liberties Union, says that New York making this change could have larger influence across the country.

"As folks look at what New York has done, other larger jails that are not quite the size of Rikers will be able to say, 'If New York City is able to do this, then we too can implement similar programs here, that it's within our capacity and capabilities," Awan says. "And to the extent that we are able to get this implemented and folks see the success, I think we could see a real shift in the way that individuals are treated behind bars.""

-via NPR, December 20, 2023

[faggyv4mpire]

how i say hi to a person:

hi nice to meet you...

My Chemical Romance (commonly abbreviated to MCR or My Chem) is an American rock band from Newark, New Jersey. The band's current lineup consists of lead vocalist Gerard Way, lead guitarist Ray Toro, rhythm guitarist Frank Iero, and bassist Mikey Way. They are considered one of the most influential rock groups of the 2000s and a major act in the pop-punk and emo genres, despite the band rejecting the latter label.

Founded in September 2001 by Gerard, Mikey, Toro, and drummer Matt Pelissier (and later joined by Iero), the band signed with Eyeball Records and released their debut album, I Brought You My Bullets, You Brought Me Your Love, in 2002. They signed with Reprise Records the next year and released their major-label debut, Three Cheers for Sweet Revenge, in 2004. Shortly after the album's release, Pelissier was replaced by Bob Bryar. The album was a commercial success, attaining platinum status over a year later.

The success of the band's previous albums was eclipsed by that of their 2006 rock opera concept album, The Black Parade. A major commercial success, its lead single "Welcome to the Black Parade" topped the UK singles chart. The album solidified the band's following, despite negative coverage in the Daily Mail generating controversy. The band's fourth studio album, Danger Days: The True Lives of the Fabulous Killjoys, was released in 2010. Bryar departed the band prior to the release of the album, and in 2012, they added touring keyboardist James Dewees. In 2012 and 2013, the band released a series of singles they had recorded in 2009 under the collective title Conventional Weapons. My Chemical Romance announced its breakup on March 22, 2013. In 2014, a greatest hits album titled May Death Never Stop You was released and a tenth-anniversary reissue of The Black Parade was released in 2016.

On October 31, 2019, the band announced a reunion show, which took place in Los Angeles on December 20, 2019. In January 2020, they announced additional shows and a Reunion Tour, which commenced in 2022 after a two-year postponement due to the COVID-19 pandemic and concluded in early 2023.

[lookingforhappy]

Noticed that Elliott has the arrival dates of Luther (3rd event), April 10th 1962, and Allison (2nd event), June 29th 1961, pinned to his wall, and figured I might as well try and calculate how old everyone is..

(Elliott's date for Diego is wrong, placing him at Sep 17th, when he arrived on Sep 1st.)

These are not perfect dates but they should be fairly close? and I'm not very good at maths so please correct me!

Hargreeves' ages in age order:

Five

Disappears at 13 yr, 1 mo, and 9 days old.

His new birthday in the apocalypse is now: 22nd February

+ 45 years in the apocalypse + an unknown amount of time in the commission makes him at least 58 yr, 1 mo, and 9 days old at the start of s1.

+ 8 days in s1 makes him at least 58 yr, 1 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes him at least 58 yr, 1 mo, and 25 days old at the start of s3.

+ 7 days in s3 makes him at least 58 yr, 2 mo, and 2 days old at the end of s3.

From s1 - s3 he has aged 23 days.

Using this estimate (his minimum age) Five's new birthday in the reset universe might be: 5th February

Klaus

Travels to Vietnam at 29 yr, 5 mo, and 26 days old.

(Klaus leaves Vietnam on February 21st, supposedly arriving in Vietnam on April 21st) His new birthday in Vietnam is now: 25th October

+ 10 months in Vietnam makes him 30 yr, 3 mo, and 26 days old when he returns to March 28th 2019.

+ 3 days to finish s1 makes him 30 yr, 3 mo, 29 days old at the end of s1.

(Klaus arrives in Dallas on February 11th) His new birthday in Dallas is now: 12th October

+3 yr, 9 mo, and 4 days in the 60s makes him 34 yrs, 1 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 34 yrs, 1 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 34 yrs, 1 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th February

Allison

Allison is 29 yr, 6 mo old at the end of s1.

(She arrives in Dallas on June 29th) Her new birthday in Dallas is now: 29th December

+ 2 yr, 4 mo, 17 days in the 60s makes her 31 yr, 10 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes her 31 yr, 10 mo, 25 days old at the start of s3.

+ 7 days in s3 makes her 31 yr, 11 mo, 2 days old at the end of s3.

Her new birthday in the reset universe is now: 6th May

Luther

Luther is 29 yr, 6 mo old at the end of s1.

(He arrives in Dallas on April 10th) His new birthday in Dallas is now: 10th October

+ 1 yr, 7 mo, 5 days in the 60s makes him 31 yr, 1 mo, 5 days old at the start of s2.

+ 8 days in s2 makes him 31 yr, 1 mo, 13 days old at the start of s3.

+ 7 days in s3 makes him 31 yr, 1 mo, 20 days old at the end of s3.

His new birthday in the reset universe is now: 18th February

Diego

Diego is 29 yr, 6 mo old at the end of s1.

+ 2 mo, 14 days in the 60s (2 mo, 5 days in the asylum) makes him 29 yr, 8 mo, 14 days old at the beginning of s2.

+ 8 days in s2 makes him 29 yr, 8 mo, 22 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 8 mo, 29 days old at the end of s3.

His new birthday in the reset universe is now: 9th July

Viktor

Viktor is 29 yr, 6 mo old at the end of s1.

+ 1 mo, 3 days in the 60s makes him 29 yr, 7 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 29 yr, 7 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 7 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th August

Lila

her age is completely unknown. we can guess she's around the same age as the umbrellas but otherwise she's a mystery.

Ritu Arya, her actress, was 32 in 2020 when s2 was released so that's as close to canon as we know right now, (except, the majority of the cast are older than their on screen counterparts, except for David who was actually born in 1989 and Aidan in s1 as he was 13 when he was cast).

The only other information we have on her age is that she was orphaned and kidnapped at 4. and that she spent 3 months in Berlin between s2 and s3.

Sparrows

All of the Sparrows are 29 yrs, 6 mo, 1 day old at the start of s3:

Marcus dies at 29 yrs, 6 mo, 1 day old.

Jayme and Alphonso die at 29 yrs, 6 mo, 3 days old.

Fei and Chris die at 29 yrs, 6 mo, 6 days old.

Sloane goes missing at 29 yrs, 6 mo, 7 days old.

Sparrow Ben enters the reset universe at 29 yrs, 6 mo, 7 days old.

Ben and Sloane's birthday's remain as October 1st

i think? please do correct me if im wrong!

tua s4 speculation under the cut

if s4 is 6 years on then the ages we have are:

Five is 64 in a 19yro body

Klaus is 40

Allison is 38

Luther is 37

Diego is 36

Viktor is 36

Ben is 36

Lila and Diego's kid is probably turning 6 yro.

Claire could be anywhere between 17 and 13 since she seems to be a teenager?

[nasa]

Why Isn’t Every Year the Warmest Year on Record?

This just in: 2022 effectively tied for the fifth warmest year since 1880, when our record starts. Here at NASA, we work with our partners at NOAA to track temperatures across Earth’s entire surface, to keep a global record of how our planet is changing.

Overall, Earth is getting hotter.

The warming comes directly from human activities – specifically, the release of greenhouse gases like carbon dioxide from burning fossil fuels. We started burning fossil fuels in earnest during the Industrial Revolution. Activities like driving cars and operating factories continue to release greenhouse gases into our atmosphere, where they trap heat in the atmosphere.

So…if we’re causing Earth to warm, why isn’t every year the hottest year on record?

As 2022 shows, the current global warming isn’t uniform. Every single year isn’t necessarily warmer than every previous year, but it is generally warmer than most of the preceding years. There’s a warming trend.

Earth is a really complex system, with various climate patterns, solar activity, and events like volcanic eruptions that can tip things slightly warmer or cooler.

Climate Patterns

While 2021 and 2022 continued a global trend of warming, they were both a little cooler than 2020, largely because of a natural phenomenon known as La Niña.

La Niña is one third of a climate phenomenon called El Niño Southern Oscillation, also known as ENSO, which can have significant effects around the globe. During La Niña years, ocean temperatures in the central and eastern Pacific Ocean cool off slightly. La Niña’s twin, El Niño brings warmer temperatures to the central and eastern Pacific. Neutral years bring ocean temperatures in the region closer to the average.

El Niño and La Niña affect more than ocean temperatures – they can bring changes to rainfall patterns, hurricane frequency, and global average temperature.

We’ve been in a La Niña mode the last three, which has slightly cooled global temperatures. That’s one big reason 2021 and 2022 were cooler than 2020 – which was an El Niño year.

Overall warming is still happening. Current El Niño years are warmer than previous El Niño years, and the same goes for La Niña years. In fact, enough overall warming has occurred that most current La Niña years are warmer than most previous El Niño years. This year was the warmest La Niña year on record.

Solar Activity

Our Sun cycles through periods of more and less activity, on a schedule of about every 11 years. Here on Earth, we might receive slightly less energy — heat — from the Sun during quieter periods and slightly more during active periods.

At NASA, we work with NOAA to track the solar cycle. We kicked off a new one – Solar Cycle 25 – after solar minimum in December 2019. Since then, solar activity has been slightly ramping up.

Because we closely track solar activity, we know that over the past several decades, solar activity hasn't been on the rise, while greenhouse gases have. More importantly, the "fingerprints" we see on the climate, including temperature changes in the upper atmosphere, don't fit the what we'd expect from solar-caused warming. Rather they look like what we expect from increased greenhouse warming, verifying a prediction made decades ago by NASA.

Volcanic Eruptions

Throughout history, volcanoes have driven major shifts in Earth’s climate. Large eruptions can release water vapor — a greenhouse gas like carbon dioxide — which traps additional warmth within our atmosphere.

On the flip side, eruptions that loft lots of ash and soot into the atmosphere can temporarily cool the climate slightly, by reflecting some sunlight back into space.

Like solar activity, we can monitor volcanic eruptions and tease out their effect on variations in our global temperature.

At the End of the Day, It’s Us

Our satellites, airborne missions, and measurements from the ground give us a comprehensive picture of what’s happening on Earth every day. We also have computer models that can skillfully recreate Earth’s climate.

By combining the two, we can see what would happen to global temperature if all the changes were caused by natural forces, like volcanic eruptions or ENSO. By looking at the fingerprints each of these climate drivers leave in our models, it’s perfectly clear: The current global warming we’re experiencing is caused by humans.

For more information about climate change, visit climate.nasa.gov.

Make sure to follow us on Tumblr for your regular dose of space!

[leclerc-s]

the honest series - formula one

─── ❝ i wish you could be honest with me ❞ ───

masterpost

click here to be added to the honest series taglist

THE PRELUDE

an honest timeline

meet the leading cast

THE ALBUMS

if this was a movie - m.verstappen - starts in early 2015

enchanted - d.ricciardo - starts in late 2015

i wanna be yours - c.leclerc - starts in 2018

te quiero besar - c.sainz - starts in early 2019

bad idea right? - p.gasly - starts in late 2019

call it what you want - l.norris - starts in early 2021

different - a.leclerc - starts in late 2021

say yes to heaven - m.schumacher - starts in late 2021

la curiosidad - o.piastri - starts in late 2022

how you get the girl - l.sargeant - starts in early 2023

por el contrario - o'ward - starts in early 2023

THE EPS

he’s good for my heart but he’s bad for business

alternatively: a blurb series of the songs inspired by max verstappen (takes place from 2015-2022)

i want your midnights

alternatively: a blurb series of the songs inspired by daniel ricciardo (takes place from 2016-2022)

met you at the right time, this is what it feels like

alternatively: a blurb series of the songs inspired by lando norris (takes place from 2021-2023)

you, me, and your friend steve (the 1k special)

the paddock family couples and their third wheels as seen through the fans and themselves

THE BONUS TRACKS

seven

mae and daphne write a song together for max featuring charles leclerc (takes place september 2019)

the unhinged younger brother

the jones sisters have a little brother, he's more unhinged than anyone could imagine. (takes place from 2019-2023)

(daphne's version)

daphne finally gets to own her work (takes place from 2021-2023)

wait, there’s another one of you?

turns out older brothers, feelings, and spilling secrets, is not a healthy mix. who would've thought?! (takes place in early 2022)

nonsense

mae reveals the inspiration behind her most unhinged song ever while also traumatizing a few drivers (takes place may 2022)

a christmas nonsense

nonsense gets a merry sequel while mae and max continue to traumatize their friends and families (takes place november 2022)

the daphlonso scandal

the entire internet is convinced daphne is dating a driver but they’ve got the wrong one or where loose-lipped lando strikes (takes place march 2023)

who's daniel ricciardo anyways?

a star nfl player tries giving his number to daphne, chaos ensues between the f1 girls and the nfl fandom, several people lose their minds, mostly isabella and daniel. (takes place july 2023)

the trophy boyfriends

daphne and mae are everything while daniel and max are just ken (takes place september 2023)

karma is the guy on the track

daphne and daniel break the internet, again. (takes place november 2023)

most likely to...las vegas edition

grill the grid has it out for pierre and rowan (takes place november 2023)

what happens in vegas never stays in vegas

someone gets married in vegas…again (takes place november 2023)

fruitcake

the release of mae's christmas ep has a few people worried. (takes place from november 2023 - december 2023)

a paddock family christmas

christmas, paddock family style (takes place december 2023)

divorcegate 2024

alternatively: isabella and rhys loses their minds over lewis' unexpected move to ferrari. (takes place february 2024)

let him be a trophy husband!

the paddock family takes on the 66th annual grammys and a surprise album announcement by daphne (takes place february 2024)

the end of an era

isabella choses chaos. (takes place february 2024)

she's married you idiots!

relationship rumors strike again! only this time mae and max seem to be at the center of it all. (takes place february 2024)

struggling to survive netflix

the paddock family takes on a new season of drive to survive. (takes place february 2024)

thirsting on the main?

isabella thirsting over her boyfriend with a sprinkle of brocedes (takes place march 2024)

let the games begin

the start of the 2024 formula 1 season, occurs in the usual paddock family chaos (takes place march 2024)

so american

the internet learns just how much zoya torres loves logan sargeant. spoiler, it's more than they could imagine. (takes place march 2024)

of ice cream shops and puppies

think the barbie of formula 1, charles leclerc, starting his new business venture while suffering from dog-napping at the hands of his 'own children' (takes place april 2024)

espresso with a shot of depresso

the impending release of espresso and the tortured poets department has people cracking jokes (takes place april 2024)

the tortured poets department

the release of the tortured poets department by daphne jones-ricciardo. (takes place april 2024)

take me back to the city that i call my city, where everybody knows my name

charles leclerc finally wins his home grand prix. (takes place may 2024)

short n' sweet

it may be mae's 6th studio album, but it's her first as a married woman. (takes place august 2024)

UP NEXT!

tba

august 27th, 2024...

[pascallatte]

Slip-ups

Pairing: Pedro Pascal x actress!reader

Date: Jan 2019

Warnings: none I think but maybe a hint of something.

A/N: this is from y/n's POV and can be a 2nd part of the series but this is a long way from that. yeahhh. Hope you guys like this!!

Y/N L/N Answers the Web’s Most Searched Questions

“Good Afternoon, this is Y/n L/n and this is the wired autocomplete interview,” you started with the most monotonous voice you could ever make

-Autocomplete suggests the most common searcher on the internet-

“I am very excited, I’ve been wanting to do this since like forever but you guys never invited me, which was sad,” the camera then proceeds to zoom in your faces as you looked at the lens with a very menacing look. 

-So WIRED asked Y/N L/N some of the internet’s burning questions- 

Giggling to yourself, you sat back and took the first board that was given to you.

With a bright smile you said “Alrighty WIRED let’s do thisss!!!”

“Is y/n l/n….related to Sarah Paulson” with a scoff you shook your head and released a very breathy “NNOooooooo” 

“ But I’ve been asked this questions a couple times now and as much as I want to be related to Sarah, we are not.”

You looked back at the board, read it a few more times then nodded.

“ But we are sisters though, just not by blood.”

-Cut-

“ Is y/n l/n Elizabeth Swann”

“Oh!! Yup I am the Elizabeth Swann from Pirates of the Caribbean” you explained as soon as the question was revealed

“ did you know that not many people knew I was in that movie? And the reason?” You excitedly asked as you looked at the staff behind the camera.

“Was my fucking dark blonde hair!! Now hold on before you guys on the internet hate on me, let me explain.”

Hands up in a surrendering position you began “Look I loved that role, the series, the people, Orlando Bloom,..” You winked” but blonde just doesn’t suit me, AT ALL, and keeping that hair as blonde as it can is a freaking nightmare so after I’ve finished wrapping up the last of that film series I told myself never EVER!! Take a role that needed my hair to be dyed.”

-Cut-

“ Is y/n l/n a sagittarius”

Smiling to yourself as you recall a memory, you look down and answered “ Yes, yes I am because as you all know I was born on December 1987- GOSH I’m old” you cut yourself as you’ve registered the words that were said.

“But that is all I can tell you, 'cause I’m not that much into horoscopes or zodiacs or whatever but Pe-“ you cut yourself once again.” But uhmmm, someone once told me that I am the "embodiment" of the Sagittarius sign and that we sagi babes are most compatible with an Aries?? I think”

A small smile was seen on your face as the video cuts to the next question.

-Cut-

“ Are y/n l/n and Pedro Pascal friends”

"Hhmmm are we? I mean we hang out, send tiktoks to each other, and he steals my fuzzy socks a lot….” you nod off while listing all the things Pedro has done to you in the past week, in mind.

“ I guess we are friends? nO, I’m just kidding we are, the best might I add”

You beamed at the lens as you rattled on, “of course we’re friends, we’ve been friends for quite a while now and I thank sister Sarah for that. But yeah, I mean who wouldn’t want to be friends with that guy?”

You once again looked at the staff who was nodding at you to continue.

“ He’s friendly, goofy, a great storyteller, and actor” you winked again that was accompanied by a snort,  “and a great person in general…ah he also shares his empanadas so that makes him an even Better Greater person HAHA!!”

You then throw the board to the ground as you jump out of your seat

-Cut-

“Who does y/n l/n play in Narcos”

“ I play a DEA agent from Barcelona, Spain named Catalina “Lina” Mendoza, she is the love interest of Javier Pena and who is played by the one and only Jose Pedro Balmaceda Pascal, who is the partner of Boyd Holbrook aka Steve Murphy” proudly you crossed your arms and leaned back in the chair.

-Cut-

“What is y/n l/n first movie”

“Ahh this is a great question, uhmmm my first movie was released way back in ’99 and it’s called the sixth sense. Which was a great experience and opened up my little 11-year-old mind up more into the acting industry.” You answered while thinking back on that more to add.

“ I mean it is a minor role but I got to meet Bruce Willis and act with a very close friend of mine, Trevor Morgan.” You added before looking back at the board.

-Cut-

“What is y/n l/n doing now”

“Since this will be released, I don’t know, a few days or weeks from now I’d try to answer what I would be doing at that time” you scratch your chin as you think of what you would do without saying too much.

“I would either be at home, chilling, drinking wine, while watching a movie OR” you exaggerate, “ I’d be out partying or hanging out with a few friends of mine, yeah I think that’s about it.”

-cut-

“ How can I meet y/n l/n”

Laughing you said, “Well, I’ll probably be in my favourite cafe during my spare time so maybe you guys can drop by and have the courage to say hi,” you tease but was followed by an “I'd rather have you do that instead of taking a, what you think is a discreet, picture of me and the one person I’m with” you ended with a forced smile.

-Cut-

“How old was y/n l/n when Pedro Pascal”

“Guys is this asking what I think it's asking HAHAHAHA” you burst out with a laugh while kind of nervous that you would say something out of line.

“ Well uhm, if you’re asking how old I was when we met, we met through Sarah way back in early 2012 she invited me for a new year's party, so that makes me 24??” You answered with an eyebrow raised.

“ Buuutt,” you dragged.”If you guys are asking about that scene in the second season of Narcos, that you guys are thirsting on about. I would be at around 27 years while shooting that I think. Sooo yeah. Kids don’t ask about those narcos scenes please, better yet don’t watch it until you’re like 25 or 50”

-Cut-

“ How tall is -“

“ No No! I won’t be answering that question yo-“ 

-Cut-

With a huff you looked at the camera, “ I am 5 foot 3....and a half…. On good days I'd be 5'4 and 5'5 with heels. But hey I’m not even that small, the people around me are just giant abnormal-looking non-human beings” you point at the lens

“YES YES IM TALKING TO YOU MISTER PASCAL, so stop teasing me”

-Cut-

“Ooh would you look at that the last question!” 

Ripping the paper as fast as you can it says “Can y/n l/n dance?” 

You noticeably perked up at this but before you can answer a voice came from behind the camera and said “No!”

“ Hey! I mean I’m not a good dancer but I can dance properly you know. I flow with the vibe of the music you know what i’m saying!!! Yeah?”

-Cut-

 You were seen grinning before you were called on camera.

Throwing the board behind you once again you say “ Well WIRED, that was certainly interesting and this might be one of the most... chill... interviews I’ve been on! Can’t wait to do more! Bye!!”

COMMENTS

Fan 1: that was…..entertaining

Fan 2: the slip ups OH MY FUCKING GOD

Fan 3: the way she called out the paps HA serves you right!!

Fan 4: i love how most of the internet asks about y/n and Pedro indirectly. Like girl, we’ve been waiting for years.

Fan 5: Oh so this is the girl, Pedro was seen with the other day. She looks too young, I don’t get why people ship these two, he wouldn’t go for immature younger women. ↳ Fan 4 replied to Fan 5: Girl be fucking for real they've been dating for years now, try to look it up.

Fan 6: I love her friendship with Sarah and Pedro!!! And it looks like she was adopted by Sarah Paulson the same way she did with Pedro HAHAHAH oh and we got crumbs on her hanging out with Pedro with that sharing of food thing

Fan 7: I NEED MORE Y/N CONTENT, SHE IS THE QUEEN, MY LOVE, MY WIFE AND BABY!!!!

Fan 8: so is no one else curious about who said “No” as soon as that dancing question was revealed, cause all I know is that it sure ain’t one of the staff. ↳ Fan 7 replied to Fan 8: HOW THE HELL?? HOW IS IT POSSIBLE THAT YOU GUYS DON'T KNOW THEY'RE TOGETHER?! I'm speechless

Fan 9: she’s so smiley and goofy in this interview, must’ve had a lot of fun shooting this. ↳ WIRED replied to Fan 9: 👀 about that…. ↳ fan 9 replied to WIRED: why? what’s happening

Fan 10: The sarcasm when asked if Pedro's her friend is killing me😵 ↳ Fan 8 replied to Fan 10: aren't they friends though? ↳ Fan 10 replied to Fan 8: girl go search it up. i just, can't. this is because of his rising fame, everyone doesn't know that much yet. what more if this continues for the years to come.

Fan 11: The comments of old Pedro fans and new Pedro fans are funny.

A/N: so we got a little back story for y/n and her friendship with Pedro and Sarah ahhhh. ay, this doesn't directly follow my last fic, but I wanted to put this out earlier. Just to let you guys know this series follows a timeline I've done so that would explain why there are dates and stuff at the beginning of each fic. That's all, Thank you!! Bye for now.

[fruityedge15]

The fact that season 7 is coming out in December is scaring me way too much

Like what do you mean that what could be the last season is being released THIS YEAR??? BARELY A FEW MONTHS AFTER SEASON 6???

IK THAT THE SHOW IS DONE WITH VOICE ACTING AND ANIMATIONS BUT WHAT???

Maybe it's because I'm just used to the hiatus. That 2019 hiatus was horrendous and I'm so grateful we don't have to deal with that again but STILL. YOU MEAN TO TELL ME THAT IN 4 MONTHS I'LL KNOW HOW THE SHOW ENDS??? (hopefully not, I'm manifesting that we get the extra three seasons) YOU MEAN TO TELL ME THAT IN 4 MONTHS I'LL KNOW WHETHER SORVUS ARE CANNON OR NOT??? MY ANXIETY RIDDEN ADHD ASS CANNOT ACTUALLY HANDLE THIS. I AM SHAKING IN MY BOOTS.

SEASON 7 IS COMING OUT IN LIKE 4 MONTHS??? The TDP crew obviously thought that it was too quiet and they needed to cause us even more pain. This is actually insane. I'm shitting bricks.

[doyoulikethissong-poll]

Wham! - Everything She Wants 1984

Wham! were a British pop duo formed in 1981, consisting of singer-songwriter George Michael and instrumentalist Andrew Ridgeley. They were one of the most successful pop acts during the 1980s, selling more than 30 million certified records worldwide from 1982 to 1986, and some of their most famous hits are "Last Christmas", "Careless Whisper" and "Wake Me Up Before You Go-Go". George Michael was posthumously inducted into the Rock and Roll Hall of Fame as a solo artist in November 2023, with Andrew Ridgeley as the induction presenter.

"Everything She Wants" was originally released as a single in 1984 on a double A-side with "Last Christmas". Upon release, "Last Christmas" took the majority of the attention and airplay as it was appropriate in early December as Christmas approached. However, the presence of an equally-billed flip side meant that radio stations had something else to play once "Last Christmas" had lost its seasonal topicality.

The presence of the Band Aid project meant that the double A-side peaked at number two in the UK Singles Chart, although in the process it became the biggest-selling record not to get to number one. However, in the USA, the song did reach number one on the Billboard Hot 100, and became the third number-one song in a row from 1984's Make It Big album. Wham! had two more number-one hits in the UK before splitting at their height in 1986.

Although George Michael bemoaned much of Wham!'s material as he began his solo career, "Everything She Wants" remained a song of which he was proud, and he continued to perform it in his shows. Furthermore, he remarked in an interview (to promote 25 Live tour) that "Everything She Wants" was his favourite Wham! song.

In 1997, the song was remixed and re-released as "Everything She Wants '97" for the greatest hits album The Best of Wham!: If You Were There….

"Everything She Wants" was featured on the official soundtrack album to the 2019 film Last Christmas, and was also featured in the 2013 video game Grand Theft Auto V on the in-game radio station Non-Stop Pop FM.

"Everything She Wants" received a total of 61,1% yes votes! George Michael has previously been featured on the poll with the Stevie Wonder cover "As" at #62, together with Mary J. Blige.