#Deb Cox

[know-the-way]

“Miss Fisher & The Crypt of Tears” Q&A for Acorn TV (2020) via @/miss.fisher__ on Instagram

“Nathan and Essie, what was it like for you two, coming back together and getting back into character?”

[lesparaversdemillina]

Miss Fisher enquête saison 3 de Deb Cox et Fiona Eagger

Cette saison est plus courte parce qu’on a que 8 épisodes d’enquêtes policières avec 2 épisodes qui se suivent. Un personnage tout droit sorti du passé de Miss Fisher entre en scène. Il sème la zizanie dans notre équipe gagnante.

[chvoswxtch]

i’m never going to fucking shut up about this look at THEM

now I know exactly how foggy felt in season 3 when he sees matt at josie’s and asks him if this is real

pls excuse me while I scream from the rooftops

[thekenobee]

I don't wanna live forever but these exchanges between Sharpe and Harper in Sharpe's Rifles added a million years to my life-

[dreaminginthedeepsouth]

LETTERS FROM AN AMERICAN

June 2, 2024

HEATHER COX RICHARDSON

JUN 03, 2024

Today is the one-hundredth anniversary of the Indian Citizenship Act, which declared that “all non-citizen Indians born within the territorial limits of the United States be, and they are hereby, declared to be citizens of the United States: Provided, That the granting of such citizenship shall not in any manner impair or otherwise affect the right of any Indian to tribal or other property.”

That declaration had been a long time coming. The Constitution, ratified in 1789, excluded “Indians not taxed” from the population on which officials would calculate representation in the House of Representatives. In the 1857 Dred Scott v. Sandford decision, the Supreme Court reiterated that Indigenous tribes were independent nations. It called Indigenous peoples equivalent to “the subjects of any other foreign Government.” They could be naturalized, thereby becoming citizens of a state and of the United States. And at that point, they “would be entitled to all the rights and privileges which would belong to an emigrant from any other foreign people.”

The Fourteenth Amendment, ratified in 1868, established that “all persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside.” But it continued to exclude “Indians not taxed” from the population used to calculate representation in the House of Representatives.

In 1880, John Elk, a member of the Winnebago tribe, tried to register to vote, saying he had been living off the reservation and had renounced the tribal affiliation under which he was born. In 1884, in Elk v. Wilkins, the Supreme Court affirmed that the Fourteenth Amendment to the Constitution did not cover Indigenous Americans who were living under the jurisdiction of a tribe when they were born. In 1887 the Dawes Act provided that any Indigenous American who accepted an individual land grant could become a citizen, but those who did not remained noncitizens. 

As Interior Secretary Deb Haaland pointed out today in an article in Native News Online, Elk v. Wilkins meant that when Olympians Louis Tewanima and Jim Thorpe represented the United States in the 1912 Olympic games in Stockholm, Sweden, they were not legally American citizens. A member of the Hopi Tribe, Tewanima won the silver medal for the 10,000 meter run. 

Thorpe was a member of the Sac and Fox Nation, and in 1912 he won two Olympic gold medals, in Classic pentathlon—sprint hurdles, long jump, high jump, shot put, and middle distance run—and in decathlon, which added five more track and field events to the Classic pentathlon. The Associated Press later voted Thorpe “The Greatest Athlete of the First Half of the Century” as he played both professional football and professional baseball, but it was his wins at the 1912 Olympics that made him a legend. Congratulating him on his win, Sweden’s King Gustav V allegedly said, “Sir, you are the greatest athlete in the world.”  

Still, it was World War I that forced lawmakers to confront the contradiction of noncitizen Indigenous Americans. According to the Gilder Lehrman Institute for American History, more than 11,000 American Indians served in World War I: nearly 5,000 enlisted and about 6,500 were drafted, making up a total of about 25% of Indigenous men despite the fact that most Indigenous men were not citizens. 

It was during World War I that members of the Choctaw and Cherokee Nations began to transmit messages for the American forces in a code based in their own languages, the inspiration for the Code Talkers of World War II. In 1919, in recognition of “the American Indian as a soldier of our army, fighting on foreign fields for liberty and justice,” as General John Pershing put it, Congress passed a law to grant citizenship to Indigenous American veterans of World War I. 

That citizenship law raised the question of citizenship for those Indigenous Americans who had neither assimilated nor served in the military. The non-Native community was divided on the question; so was the Native community. Some thought citizenship would protect their rights, while others worried that it would strip them of the rights they held under treaties negotiated with them as separate and sovereign nations and was a way to force them to assimilate. 

On June 2, 1924, Congress passed the measure, its supporters largely hoping that Indigenous citizenship would help to clean up the corruption in the Department of Indian Affairs. The new law applied to about 125,000 people out of an Indigenous population of about 300,000.

But in that era, citizenship did not confer civil rights. In 1941, shortly after Elizabeth Peratrovich and her husband, Roy, both members of the Tlingit Nation, moved from Klawok, Alaska, to the city of Juneau, they found a sign on a nearby inn saying, “No Natives Allowed.” This, they felt, contrasted dramatically with the American uniforms Indigenous Americans were wearing overseas, and they said as much in a letter to Alaska’s governor, Ernest H. Gruening. The sign was “an outrage,” they wrote. “The proprietor of Douglas Inn does not seem to realize that our Native boys are just as willing as the white boys to lay down their lives to protect the freedom that he enjoys." 

With the support of the governor, Elizabeth started a campaign to get an antidiscrimination bill through the legislature. It failed in 1943, but passed the House in 1945 as a packed gallery looked on. The measure had the votes to pass in the Senate, but one opponent demanded: "Who are these people, barely out of savagery, who want to associate with us whites with 5,000 years of recorded civilization behind us?"

Elizabeth Peratrovich had been quietly knitting in the gallery, but during the public comment period, she said she would like to be heard. She crossed the chamber to stand by the Senate president. “I would not have expected,” she said, “that I, who am barely out of savagery, would have to remind gentlemen with five thousand years of recorded civilization behind them of our Bill of Rights.” She detailed the ways in which discrimination daily hampered the lives of herself, her husband, and her children. She finished to wild applause, and the Senate passed the nation’s first antidiscrimination act by a vote of 11 to 5. 

Indigenous veterans came home from World War II to discover they still could not vote. In Arizona, Maricopa county recorder Roger G. Laveen refused to register returning veterans of the Fort McDowell Yavapai Nation, including Frank Harrison, to vote. He cited an earlier court decision saying Indigenous Americans were “persons under guardianship.” They sued, and the Arizona Supreme Court agreed that the phrase only applied to judicial guardianship.  

In New Mexico, Miguel Trujillo, a schoolteacher from Isleta Pueblo who had served as a Marine in World War II, sued the county registrar who refused to enroll him as a voter. In 1948, in Trujillo v. Garley, a state court agreed that the clause in the New Mexico constitution prohibiting “Indians not taxed” from voting violated the Fourteenth and Fifteenth amendments by placing a unique requirement on Indigenous Americans. It was not until 1957 that Utah removed its restrictions on Indigenous voting, the last of the states to do so.

The 1965 Voting Rights Act protected Native American voting rights along with the voting rights of all Americans, and they, like all Americans, are affected by the Supreme Court’s hollowing out of the law and the wave of voter suppression laws state legislators who have bought into Trump’s Big Lie have passed since 2021. Voter ID laws that require street addresses cut out many people who live on reservations, and lack of access to polling places cuts out others. 

Katie Friel and Emil Mella Pablo of the Brennan Center noted in 2022 that, for example, people who live on Nevada’s Duckwater reservation have to travel 140 miles each way to get to the closest elections office. “As the first and original peoples of this land, we have had only a century of recognized citizenship, and we continue to face systematic barriers when exercising the fundamental and hard-fought-for right to vote,” Democratic National Committee Native Caucus chair Clara Pratte said in a press release from the Democratic Party.

As part of the commemoration of the Indian Citizenship Act, the Democratic National Committee is distributing voter engagement and protection information in Apache, Ho-Chunk, Hopi, Navajo, Paiute, Shoshone, and Zuni.

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[make-friends-with-the-rats]

screw it

Roosevelt Parker Debs

after you've voted, keep reading to see the historical results

Election Results

Roosevelt:

336 electoral votes

7,623,486 popular votes

Parker

140 electoral votes

5,077,911 popular votes

Debs

402,489 popular votes

---

Swallow (Prohibition Party)

258,596 popular votes

Watson (Populist Party)

114,051 popular votes

Corregan (Socialist Labor Party)

33,156 popular votes

United States presidential election of 1904 | Theodore Roosevelt vs. Alton B. Parker, Issues, Campaigns, & Results | Britannica 1904 United States presidential election - Wikipedia Presidential Election of 1904 Facts and Outcome - The History Junkie

[adventuressclubamericas]

Congratulations to Deb Cox and Fiona Eagger on their Screen Producer Australia Lifetime Achievement Award!

[detournementsmineurs]

Essie Davis dans “Miss Fisher et le Tombeau des Larmes” de Tony Tilse (2020) - inspiré de “Phryne Fisher Historical Mysteries” série de romans de Kerry Greenwood (1989-2021) et reprenant la distribution de la série “Miss Fisher Enquête” créée par Deb Cox et Fiona Eagger (2012-15) - décembre 2023.

[droughtofapathy]

The Gilded Age's Broadway Divas: Miss Armstrong (Debra Monk)

Sometimes, a work family is a German mother and her Irish daughter, an English father and his clockmaking son, and a mean old spinster aunt who's only invited to the family holiday parties because she'd bitch for weeks if she wasn't. Miss Armstrong is Agnes's nasty lady's maid who has said exactly one (1) nice thing all season. And I love her.

At seventy-four, Debra Monk is the oldest woman on The Gilded Age, and the only one with the appropriate hair color to show it. As cantankerous as her mistress with none of the charm, Armstrong is nothing like her fantastic actress. Debra Monk is one of theatre's comedy greats. Much like Katie Finneran, Debra is playing against type. Us theatre buffs know her from Pump Boys and Dinettes (co-author, director, and actress), Company (Joanne), and the ill-fated Nick & Nora alongside Christine Baranski.

An absolute delight of a human being, Deb Monk is a wise-cracking mile-a-minute, raunchy, jokester and deserves praise and recognition for her work.

#1: "Everybody's Girl," (Steel Pier) - My Favorite Broadway: The Leading Ladies (1998)

Almost every stalwart theatre Diva has her signature song. "Everybody's Girl" is Debra Monk's pride and joy, and she sings it to this day. At her raunchiest yet, she serenades a gleeful audience with her sexual exploits whilst dressed in a black dress and corset that Armstrong would have a coronary over.

The clever lyrics are perfectly paired with her comedic chops. The whole performance is just a delight from start to finish. That exit has me screaming every time. Her performance in the stage show the song originated from netted her a third Tony nomination.

If we do not get a clip of Debra Monk in full Armstrong drag singing this song, what is the point anymore?

#2: "The Ladies Who Lunch," Company (1995)

Before there was Patti LuPone, but after the great Elaine Stritch, there was Debra Monk as Joanne in the 1995 first Broadway revival of Company. Yes, another Stephen Sondheim. Often forgotten in the Company conversation, this production had a tough act to follow. Nominated for just two Tonys (Best Revival and Best Featured Actress--Veanne Cox, hello, I love you), there's not much that can be said about the 1995 production. It lasted two months, and no one can point me in the direction of any footage with Debra, so here we are.

#3: Debra Monk's Birthday Bash: Totally Hot and a Little Dirty (2014)

For her 65th birthday, Debra performed in a raucous and raunchy concert to benefit Broadway Cares/Equity Fights Aids. The concert raised an impressive $140,355 for the charity, and featured a eclectic mix of rock 'n' roll, church music, and debauchery. Well, what else would you expect from Debra Monk?

As comfortable flirting with younger men as she is grinding up against scantily clad fellow comedienne Andrea Martin and Company co-star Charlotte d'Amboise, Debra is a riot from start to finish.

The entire show is available on DVD from BC/EFA, and I need it.

#4: "Ohio Afternoon," Oil City Symphony (1987)

Performed as part of the "If It Only Runs a Minute" series that highlights really obscure shows that barely had a life, Debra reprised her drum-playing role in 2012. As if she didn't have enough talents. Only she could take drums and make it peak comedy.

#5: Game Night at Seth Rudetsky's Place

No explanation needed. Hello, Andrea Martin. Love you.

LINK TO MASTERPOST

[2000sfm]

hypothetically… do you have a most wanted existing reboot and/or character to be taken up 👀

oh  i  actually  love  this  question  !!!  some  roles  we  would  love  to  be  taken  up  in  each  reboot  are  under  the  cut  as  the  list  is  so  long.  

the  vampire  diaries  :  jenna  sommers,  jeremy  gilbert,  all  of  the  mikaelsons,  vicki  donovan,  tyler  lockwood,  lexi  branson

the  oc  :  marissa  cooper,  seth  cohen,  sandy  cohen,  kirsten  cohen,  anna  stern,  julie  cooper,  taylor  townsend,  kaitlin  cooper.

one  tree  hill  :  lucas  scott,  brooke  davis,  keith  scott,  deb  scott,  dan  scott,  peyton  sawyer,  jake  jagielski,  mouth  mcfadden,  rachel  gatina,  karen  roe,  chris  keller,  skills  taylor

gossip  girl  :  jenny  humphrey,  lily  van  der  woodsen,  rufus  humphrey,  eric  van  der  woodsen,  vanessa  abrams,  ivy  dickens,  carter  baizen

sons  of  anarchy  :  opie  winston,  donna  winston,  tara  knowles,  juice  ortiz,  chibs  telford,  trig  trager,  happy,  half-sack  epps,  wendy  case,  bobby  munson

gilmore  girls  :  rory  gilmore,  jess  mariano,  luke  danes,  tristan  dugray,  logan  huntzberger,  sookie  st.  james,  lane  kim,  paris  geller,  dean  forester

true  blood  :  lafayette  reynolds,  eric  northman,  jessica  hamby,  bill  compton,  tara  thorton,  jason  stackhouse,  alcide  herveaux,  sam  merlotte

the  office  :  dwight  schrute,  michael  scott,  jim  halpert,  erin  hannon,  andy  bernard,  oscar  martinez,  karen  filippelli

buffy  the  vampire  slayer  :  angel,  spike,  willow  rosenberg,  faith,  xander  harris,  drusilla,  dawn  summers,  cordelia  chase,  riley  flynn,  tara  maclay

pretty  little  liars  :  emily  fields,  maya  st.  germain,  spencer  hastings,  hanna  marin,  kate  randall,  alison  dilaurentis,  jason  dilaurentis,  mike  montgomery

high  school  musical  :  ryan  evans,  kelsi  nielson,  gabriella  montez,  coach  bolton,  ms.  darbus,  martha  cox

freaky  friday  :  stacey  hinkhouse,  peg,  ryan,  maddie

jennifers  body  :  chip  dove,  colin  gray,  nikolai  wolf,  toni  lesnicky

twilight  :  rosalie  hale,  jessica  stanley,  edward  cullen,  bella  swan,  esme  cullen,  carlisle  cullen,  jacob  black,  jane,  aro,  caius,  angela  webber,  mike  newton,  eric  yorkie,  leah  clearwater,  emily  young,  sam  uley,  james,  laurent,  victoria,  bree  tanner

resident  evil  :  albert  wesker,  jill  valentine,  leon  s.  kennedy,  chris  redfield,  barry  burton,  ada  wong,  billy  coen,  rebecca  chambers,  ashley  graham,  carlos  oliveira

the  devil  wears  prada  :  andrea  sachs,  nigel,  emily  charlton,  christian  thompson,  james  holt,  nate

almost  famous  :  russell  hammond,  william  miller,  dennis  hope,  polexia  aphrodisia,  anita  miller

scream  :  gale  weathers,  dewey  riley,  tatum  riley,  billy  loomis,  stu  macher,  randy  meeks,  casey  becker,  cotton  weary

[know-the-way]

Nathan Page & Essie Davis - ☀️🌙 Work Besties

- “The love for Phryne Fisher and her relationship with Detective Inspector Jack Robinson is kind of mind-blowingly profound. Nathan (Page) and I were treated almost like The Beatles and the kind of joy that we have created in a lot of people’s lives is really a phenomenon.” - Essie Davis

- “I think that with the rich and honest relationship that Nathan and I have built between Jack and Phryne, we have created a fantastic, lose-yourself-in-it experience.” - Essie Davis

- “[On what originally attracted him to playing the role of Jack] A number of things. I think the number one reason would be to work alongside Essie. I've worked with Essie before on stage. We did the Scottish play together at the state theater in South Australia many years ago - and ironically her husband Justin Kurzel just directed a Macbeth feature film with Michael Fassbender! - but yeah, Essie was probably number one. In the audition process, you don’t always know who’s up for what, and of prime importance is getting your casting right in order to get the chemistry right. So, because I knew Ess, when we did the final audition it was… I don’t wanna say ‘perfect’, but it was a breeze because we’re just… naughty together. And so there’s that natural chemistry. She’s an incredibly naughty, vibrant human and I’m… easily led, I guess. [laughs]” - Nathan Page

- “We had Essie and Nathan back together again doing Jack and Phryne and they just got back on that horse like they'd never left it. Their banter is great and watching them relate, you can see they really are the heart of the film. It was great having them and that chemistry back.” - Deb Cox, writer for “Miss Fisher’s Murder Mysteries” & “Crypt of Tears”

- “We always cannot stop laughing when we are together. No matter how frustrating or hard working we all had to be, it was always filled with love, joy and silliness.” - Essie Davis

- “It was pretty easy because I get to work with Essie Davis, there are no problems we love each other wonderfully so it’s so easy.” - Nathan Page

- “It’s amazing how well I feel like I know Phryne and in the creation of this, it was just a joy to step back into her shoes, and to have the delightful Nathan Page to play with…” - Essie Davis

- “I think for me personally, you whack on one of those twenties, three-piece suits, and it already corrects your posture somewhat, but the actual play that I get to do with this one [Essie] is, that’s all the joy, that’s all the gold, all the fun. And that just comes… naturally.” - Nathan Page

[lesparaversdemillina]

Miss Fisher S2 de Deb Cox et Fiona Eagger

[princetonarchives]

Princeton University Presidential Straw Poll, October 21, 1920

Harding: 877 Cox: 464 Debs: 9 Watkins: 9 Christiansen: 5 (Source)

[dreaminginthedeepsouth]

LETTERS FROM AN AMERICAN

April 21, 2024

HEATHER COX RICHARDSON

APR 22, 2024

During her confirmation hearings in 2021, Interior Department secretary Deb Haaland promised “to responsibly manage our natural resources to protect them for future generations—so that we can continue to work, live, hunt, fish, and pray among them.” Noting her Indigenous heritage, Haaland tweeted, “A voice like mine has never been a Cabinet secretary or at the head of the Department of Interior…. I’ll be fierce for all of us, our planet, and all of our protected land.”

Her approach was a shift from the practice the Interior Department had established at the beginning of the twentieth century when it began to prioritize mineral, oil, and gas development, as well as livestock grazing, on U.S. public lands. But the devastating effects of climate change have brought those old priorities into question. 

Republicans, especially those from states like Wyoming, which collects more than a billion dollars a year in royalties and taxes from the oil, gas, and coal produced on federal lands in the state, opposed Haaland’s focus on responsible management of natural resources for the future  and warned that the Biden administration is “taking a sledgehammer to Western states’ economies.”

On Thursday, April 18, the Interior Department finalized a new rule for a balanced management of America’s public lands. Put together after a public hearing period that saw more than 200,000 comments from states, individuals, Tribal and local governments, industry groups, and advocacy organizations, the new rule prioritizes the health of the lands and waters the Interior Department’s Bureau of Land Management oversees. Those consist of about 245 million acres, primarily in 12 western states.

The new rule calls for protection of the land, restoration of the places that have been harmed in the past, and a promise to make informed decisions about future use based on “science, data, and Indigenous knowledge.” It “recognizes conservation as an essential component of public lands management, on equal footing with other multiple uses of these lands.” The Bureau of Land Management will now auction off leases not only for drilling, but also for conservation and restoration. 

Western state leaders oppose the Biden administration’s efforts to change the Interior Department’s past practices, calling them “colonial forces of national environmental groups who are pushing an agenda” onto states like Wyoming. 

The timing of the Interior Department’s new rule can’t help but call attention to Earth Day, celebrated tomorrow, on April 22. Earth Day is no novel proposition. Americans celebrated it for the first time in 1970. Nor was it a partisan idea in that year: Republican president Richard M. Nixon established it as Americans recognized a crisis that transcended partisanship and came together to fix it.

The spark for the first Earth Day was the 1962 publication of marine biologist Rachel Carson’s Silent Spring, which showed the devastating effects of people on nature by documenting the effect of modern pesticides on the natural world. Her exposé of how the popular pesticide DDT was poisoning the food chain in American waters illuminated the dangerous overuse of chemicals and their effect on living organisms, and it caught readers’ attention. Carson’s book sold more than half a million copies in 24 countries. 

Democratic president John F. Kennedy asked the President’s Science Advisory Committee to look into Carson’s argument, and the committee vindicated her. Before she died of breast cancer in 1964, Carson noted: "Man's attitude toward nature is today critically important simply because we have now acquired a fateful power to alter and destroy nature. But man is a part of nature, and his war against nature is inevitably a war against himself? [We are] challenged as mankind has never been challenged before to prove our maturity and our mastery, not of nature, but of ourselves."  

As scientists organized the Environmental Defense Fund, Americans began to pay closer attention to human effects on the environment, especially after three crucial events. First, on December 24, 1968, astronaut William Anders took a color photograph of the Earth rising over the horizon of the moon from outer space during the Apollo 8 mission, powerfully illustrating the beauty and isolation of the globe on which we all live. 

Then, over 10 days in January and February 1969, a massive oil spill off the coast of Santa Barbara, California, poured between 80,000 and 100,000 barrels of oil into the Pacific, fouling 35 miles of California beaches and killing seabirds, dolphins, sea lions, and elephant seals. Public outrage ran so high that President Nixon went to Santa Barbara in March to see the cleanup efforts, telling the American public that “the Santa Barbara incident has frankly touched the conscience of the American people.” 

And then, in June 1969, the chemical contaminants that had been dumped into Cleveland’s Cuyahoga River caught fire. A dumping ground for local heavy industry, the river had actually burned more than ten times in the previous century, but with increased focus on environmental damage, this time the burning river garnered national attention.

In February 1970, President Nixon sent to Congress a special message “on environmental quality.” “[W]e…have too casually and too long abused our natural environment,” he wrote. “The time has come when we can wait no longer to repair the damage already done, and to establish new criteria to guide us in the future.”

“The tasks that need doing require money, resolve and ingenuity,” Nixon said, “and they are too big to be done by government alone. They call for fundamentally new philosophies of land, air and water use, for stricter regulation, for expanded government action, for greater citizen involvement, and for new programs to ensure that government, industry and individuals all are called on to do their share of the job and to pay their share of the cost.”

Meanwhile, Gaylord Nelson, a Democratic senator from Wisconsin, visited the Santa Barbara oil spill and hoped to turn the same sort of enthusiasm people were bringing to protests against the Vietnam War toward efforts to protect the environment. He announced a teach-in on college campuses, which soon grew into a wider movement across the country. Their “Earth Day,” held on April 22, 1970, brought more than 20 million Americans—10% of the total population of the country at the time—to call for the nation to address the damage caused by 150 years of unregulated industrial development. The movement included members of all political parties, rich Americans and their poorer neighbors, people who lived in the city and those in the country, labor leaders and their employers. It is still one of the largest protests in American history.

In July 1970, at the advice of a council convened to figure out how to consolidate government programs to combat pollution, Nixon proposed to Congress a new agency, the Environmental Protection Agency, which Congress created that December. 

In honor of Earth Day 2024, Democratic president Joe Biden has called for carrying on the legacy of our predecessors “by building a greener, more sustainable planet and, with it, a healthier, more prosperous nation.” 

In a statement, Biden noted that no one can any longer deny the impacts and staggering costs of climate change as the nation confronts historic floods, droughts, and hurricanes. 

“Deforestation, nature loss, toxic chemicals, and plastic pollution also continue to threaten our air, lands, and waters, endangering our health, other species, and ecosystems,” he said. He noted the administration’s efforts to build a clean energy economy, providing well-paid union jobs as workers install solar panels, service wind turbines, cap old oil wells, manufacture electric vehicles, and so on, while also curbing air pollution from power plants and lead poisoning from old pipes, the burden of which historically has fallen on marginalized communities.

Biden noted that he brought the U.S. back into the Paris Climate Accord Trump pulled out of, is on track to conserve more lands and waters than any president before him, and has worked with the international community to slash methane emissions and restore lost forests.

And yet there is much more to be done, he said. He encouraged “all Americans to reflect on the need to protect our precious planet; to heed the call to combat our climate and biodiversity crises while growing the economy; and to keep working for a healthier, safer, more equitable future for all.”

Happy Earth Day 2024.

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[golbc]

May 20th Prayer Requests

Deb Penesten - Heart Cath today.

Margaret Cox - Health.

[nahokootsuka]

映画 『ティーンエイジ』 あらすじ (2013/U.S.A/Press Noteより抜粋）

2023年12月24日(日)大阪・中崎町のプラネット・プラス・ワンさんと、12月26日(火)東京・���佐ヶ谷のTABASAさんにて各会場1度きりの特別上映会をします。

1904年から1945年の間に発明された 「ティーンエイジ」 という言葉や概念の起源を記したイギリスの音楽ライター、ジョン・サヴァージの著書 『ティーンエイジ』 を基に、マット・ウルフ監督が当時の手法で再撮影し、実際のアーカイブのように再現した映像と過去の記録映像を融合させたコラージュのような有機的な映像美、映画中ずっと流れている膨大な現代音楽、そのサウンドスケープは映画をレコードのように聞く事ができナレーションを歌詞のように聞く事もできる、観ている人たちの中に流れ込んでくるような音楽的な体験になるよう意図して作られた作品です。

とても素敵な映画で過去のフッテージを丁寧に掘り下げた資料としても貴重な今作 『ティーンエイジ』 ですが、日本語での情報があまりない作品ですので、マット・ウルフ監督の過去のインタビューやプレスリリースより抜粋させていただき、観に来てくださった方がより映画を楽しめるように少しだけ紹介したいと思います。

＊動画はグッチーズ・フリースクール様よりお借りしています。

"It Girl" と呼ばれたブレンダ・ディーン・ポール

（あらすじ）

「ティーンエイジャー」 が発明される前は人生の第2期は存在せず、子供であるか大人として働くかのどちらかしか無かった。時代は変わり児童労働は終わりを告げ「思春期」が出現し、大人と若者の間で闘争が勃発した。若者達は管理され���制されるのか、それとも自由になれるのか？

パンク作家ジョン・サヴェージの著書にインスパイアされた 『ティーンエイジ』 はアメリカ、イギリス、ドイツの20世紀前半の若者達の声を伝える。パーティー狂いのフラッパーズやヒップなスウィング・キッズから熱狂的なナチス・ユース、サブデブまで、第二次世界大戦が終わる頃、彼らはみな若者達の新しい概念である 「ティーンエイジャー」 だった。

4人の若い声、ジェナ・マローン、ベン・ウィショー、ジュリア・ハマー、ジェシー・アッシャーが、自己破壊的なブレンダ・ディーン・ポール、理想主義のヒトラー・ユース、メリタ・マッシュマン、反抗的なジャーマン・スウィング・キッズ、トミー・シール、そして黒人ボーイスカウトのウォーレン・ウォール、歴史上象徴的な存在のティーンエイジャー達のポートレイトにナレーションとして命を吹き込み、この生きたコラージュはブラッドフォード・コックスの現代的な音楽によって彩られている。

『ティーンエイジ』 は今日の若者文化への前奏曲という始まりで終わる物語である。どの世代においても大人達はしばしば若者達の不穏さや揺らぎを一過性の感情だと勘違いする。しかし、反逆的なティーンエイジャー達はただ単に彼らの自立を主張していただけでなく、ちゃんと未来を切り拓いている事を歴史は証明している。

Before the 'Teenager' was invented, there was no second stage of life. You were either a child or you went to work as an adult. At the turn of the century, child labor was ending, 'adolescence' was emerging, and a struggle erupted between adults and youth. Would the young be controlled and regimented, or could they be free?

Inspired by punk author Jon Savage's book, 'Teenage' gives voice to young people from the first half of the 20th century in America, England, and Germany-from party-crazed Flappers and hip Swing Kids to zealous Nazi Youth and frenzied Sub-Debs. By the end of World War Ⅱ, they were all 'Teenagers' a new idea of youth.

Four young voices (Jena Malone, Ben Whishaw, Julia Hummer, Jessie Usher) bring to life rare archival material and filmed portraits of emblematic teenagers from history, Dean Paul, a self-destructive; Bright Young Thing; Melita Maschmann, an idealistic Hitler Youth; Tommie Scheel, a rebellious German Swing Kid; and Warren Wall, a black Boy Scout. This living collage is punctuated by a contemporary score by Bradford Cox (Deerhunter/Atlas Sound). 

Teenage is a story that ends with a beginning: a prelude to today's youth culture. In each generation, adults often mistake youthful unrest for an emotional right of passage. But history proves that rebelling teenagers aren't just claiming their independence, they're shaping the future.